#toyah wilcox

[iamtryingtobelieve]

"We are the mods! We are the mods! We are, we are, we are the mods!" Quadrophenia (1979) Dir: Franc Roddam

[v3mp3lla]

[pers-books]

Children of the Circus

Friday, 3 November 2023 - Reported by Marcus

A new audio musical drama, Children of the Circus, is reuniting the cast of the seventh Doctor story, The Greatest Show in the Galaxy for a unique special.

The limited edition CD set will be released on December 14th, 2023, exactly 35 years to the day that the first episode of The Greatest Show in the Galaxy was broadcast on BBC One.

Once upon a time, there was a circus. A Psychic Circus, to be precise. A glorious haven for the misfits of the universe. But then, as is so often the way, it was hijacked by a trio of malevolent Gods. Things grew unpleasant.   Now, years later, the Gods are gone, but the scars of those who survived the Circus remain. After all, you can't change the past.   Unless you're the Children of the Circus... and you're willing to sing.

Based on the Season 25 story by Stephen Wyatt, Children of the Circus is a brand-new, original, musical play on audio from AUK Studios; written by Kenton Hall (with songs by Christopher Guard) and based on an idea by Barnaby Eaton-Jones.

The special features the return of Sylvester McCoy (the Seventh Doctor) and Sophie Aldred (who played the Doctor’s traveling companion, Ace). But not as you’d expect. McCoy plays the High Poet; all befuddled charm and with a whisper of duplicity and danger. Aldred gives two magnificently different characters in the form of Captain Gren (the gruff owner of a Time Ship) and AJ (a sentient piece of rust, who navigates the Time Ship).

McCoy himself sums it up 

To return to the worlds of Stephen Wyatt's imagination, but as a wholly new character called the High Poet, means I get to be involved with the Psychic Circus rather than fighting against it! As a lover of the circus myself, juggling this new role was a joy (though I'm sad I didn't get to play the spoons). What fun to be reunited with all the wonderful cast from 'The Greatest Show in the Galaxy' again, 35 years later, and I hope you'll all enjoy this time-sliding, sidestepping sequel from Barnaby Eaton-Jones and his bunch of clowns!

Joining the cast in a major role is 1980’s icon (singer/actress/songwriter), Toyah Willcox. It’s long been known she was a fan of Doctor Who, as she appeared in Kevin Jon Davies’ acclaimed documentary 30 Years in the TARDIS, but to get her to create a multi-voiced role as The Band of Infinite Harmony (and get her own solo song, which can heard in full after the end credits as a bonus extra track) was something she clearly relished…

At last, I get to play all four members of the band and still have the last say…. love it. Seriously it was wonderful to play THE BAND and equally wonderful to hear this rather fab story unfold, a rock and roll odyssey of comic proportions.

Ever since producer/director Barnaby Eaton-Jones saw the original broadcast of The Greatest Show in the Galaxy, he was fascinated by the world that Stephen Wyatt had created…

There was such a wild mix of horror, science fiction, music, and fantasy, that it blew my adolescent mind; with images and characters forever stuck in my head. I wanted to revisit some of the characters and introduce new ones. With the permission of Stephen Wyatt (who came up with the title for this new production), and the help of writer Kenton Hall and actor/musician Christopher Guard, we were able to create something rather unique in the audio medium.

Kenton Hall himself says:

Like most swinging, modern people, I receive a daily deluge of emails that begin with the fateful words “would you be interested in…” As a result, I have developed a tendency to give them, at best, a brief, withering glare. In this case, however, it read “would I be interested in playing in the sandbox of Stephen Wyatt’s marvellous ‘The Greatest Show in the Galaxy’?”  Does the lesser spotted gumblejack smell faintly of cinnamon? Spoiler: the answer to both questions is yes.

Songwriter, Christopher Guard, who played Bellboy in the original TV serial, added…

As with all the best things in life, I don't remember quite how or when it began. I think I'd sent some of my songs - recent and ancient - to Barnaby just as he was dreaming up a sequel to ‘The Greatest Show in the Galaxy’. It was more a shooting star than a light bulb moment. Irresistible synchronicity had struck, and ‘Children of the Circus’ was a THING! It was just a question of time. Or timelessness. Stephen Wyatt blessed us, Kenton Hall seized his cosmic pen, and the rest is mystery. Unravelled. With music. How amazing to act and sing with so many of the original cast, to slip into Bellboy's loons once more, and to travel seamlessly beyond our wildest dreams.”

Starring Christopher Guard as Bellboy, Dee Sadler as Flowerchild and Ella, Sophie Aldred as Captain Gren and AJ, Toyah Willcox as The Band of Infinite Harmony, Ian Reddington as Delios and the Chief Clown, and Sylvester McCoy as the High Poet.

With Daisy Dunlop, Verity White, Kim Jones, Kenton Hall, Barnaby Eaton-Jones and Ian Kubiak.

Special guest appearances by Ricco Ross as The Ringmaster, Jessica Martin as Mags, Chris Jury as Deadbeat, Deborah Manship as Morgana, Gian Sammarco as Whizz Kid, Daniel Peacock as Nord, and Dean Hollingsworth as the Bus Conductor and Station Announcer.

Produced and directed by Barnaby Eaton-Jones, for AUK Studios.

A preview can be heard here

Limited Edition CD available to pre-order now

[groon]

toyah and robert have found the shitposts this is not a drill

[zippocreed501]

Toyah Wilcox as Mad

Jubilee (1978)

[incorrect-ink-thief]

Take a look at this!! Tony White, the director of The Ink Thief, just posted this compilation of his favorite shots from the show! In the description he mentions that he still has interest in the concept, and he hopes to someday make a film based on it!

[letterboxd-loggd]

Aaaaaaaah! (2015) Steve Oram

January 29th 2023

[radiophd]

various artists -- urgh! a music war [documentary, 1982]

[scotianostra]

Happy Birthday Scottish actor Richard Madden born June 18th 1986 in Elderslie.

Richard was raised by his mother, Pat, a classroom assistant and his father, Richard, who worked for the fire service. He also has two sisters, Cara and Lauren.

His parents were “hippies”, he says, and their house was pretty open, with friends always piling in for big vegetarian meals. Madden spent a lot of time outside, in the woods behind their house. He has several injuries: he shows me where he shot his dad’s old air pistol and blew off part of his finger, then managed to wreck the same finger when he nailed a wooden plank to his skateboard, then crashed it, so apart from the Hippie parents it was much like most of our own days as bairns.

Despite growing up wanting to be an actor, Richard was very shy during his childhood. To overcome this, at age 11, he joined Paisley Arts Centre’s youth theatre program. In 1999 he was given the lead role as Sebastian Simpkins in BBC1’s children’s TV comedy series Barmy Aunt Boomerang, that’s him aged 12 in the first pic with co-star Toyah Wilcox.. By 2000, he’d made his feature film debut in the Iain Banks adaptation, Complicity.

After high school he was accepted to the Royal Scottish Academy of Music and Drama in Glasgow, Scotland and in 2007, he graduated.

Less than two years later, Richard had a recurring role as Dean McKenzie on the 2009 BBC series Hope Springs. Soon after, he landed the role of Ripley in the 2010 movie Chatroom, a film about a group of teenagers who encourage each other’s bad behaviours after meeting online. In the same year, Richard played punk band Theatre of Hate singer Kirk Brandon in Worried About the Boy, a TV film about the life of British singer-songwriter Boy George.

In 2011 Richard landed his breakthrough role as Robb Stark in the HBO fantasy-drama series Game of Thrones. Also in 2011, he played gay paramedic Ashley Greenwick on the short-lived British comedy-drama Sirens. During hiatus from filming Game of Thrones in 2013, Richard was cast to star as Prince Charming in the 2015 Disney film Cinderella.

Richard won his first Screen Actors Guild award in 2014 for the Discovery Channel mini-series, Klondike. He played Bill Haskell, one of two adventurers who travel to Yukon, Canada during the Klondike Gold Rush in the 1890s. He further enhanced his reputation as a good actor when he appeared in the BBC drama Bodyguard in 2018, the following year he played Lieutenant Joseph Blake in the film 2017 and was Elton John’s manager/lover in the biop of the star Rocketman.

In January 2019 Madden won a prestigious Golden Globe for his role as war veteran David Budd in the BBC show Bodyguard. He also appeared in the 2019 war movie 1917.

We last saw Richard in the movie, Eternals, which was okay, but nothing great, he is one of several actors being touted as the next James Bond,

Last year Richard starred in the Amazon Prime series Citadel, I've watcheit and was not really impressed with it,I think he does pull of the American accent well, but I noticed there have been people saying he doesnt, Madden revealed he spoke in the accent for two years straight to prepare for the series. The show has been earmarked for a second series. Richard is set to appear in the feature film Killer Heat next, it is in post production.

In July 2019, Madden received an honorary doctorate from his alma mater, the Royal Conservatoire of Scotland. When asked about his personal life during a New York Times interview following speculation about his relationships and sexuality, Madden stated: “I just keep my personal life personal.”

Madden was recently named one of ‘Scotland’s Sexiest Men' following a new study that identifies the most attractive features for men, he has competition though, also in the running are Bathgate’s David Tennant and Glasgow’s James McAvoy,

Richard, quizzed on what he would like to do next he sad “I’d like to do something in comedy. It’s nice to not… I mean we go to work every day and we’re like, ‘You’re gonna die today,’” he said, adding that he wanted to “do something fun for a minute.”

[seoul-bros]

Layover Master List

Layover Music Show Promos

Vicnic Highlights

Slow Dancing Remix

Slow Dancing Remixes out tomorrow

The Meaning of Blue MV

Vicnic in the Park

Layover MV Making Film

Wow, this whole promotion was so well designed

She's gorgeous and her voice is amazing

V on Suchwita

NPOP Special - Love me Again

Slow Dancing - A Celebration of Youth

Slow Dancing Teaser

V on U Quiz on the Block

V looking seaswept in a BST pose

Finally we get the set

V rocking Toyah Wilcox with this gorgeous look from the Blue MV

Blue

Rainy Days from Layover

Love me Again from Layover

Countdown to Layover Release

[krispyweiss]

Fripp and Wilcox Stick out Larks’ Tongues - in Aspic - from the Court of the Crimson Strings

Toyah Willcox plays the role of a last-place rhythmic gymnast as Robert Fripp reels off guitar licks and serves up some “Larks’ Tongues in Aspic Pt. 4” in the couple’s latest “Sunday Lunch” episode.

This differs from preceding dishes in many ways. One: it’s a King Crimson number. Two: Willcox doesn’t have any lyrics to sing. Three: Fripp welcomes viewers at the beginning, rather than the end, of the clip. And four: the video comes not from the kitchen but from a cavernous vacant room that looks otherwise abandoned.

Let’s call it the court of the crimson strings.

Vive la différence.

3/17/24

[sweetdreamsjeff]

Reading Festival, Melody Maker Stage

Dave Simpson, Melody Maker, 3 September 1994

SO HERE I am, it's 12.15pm, the f***ing cab driver's turfed me out onto the street. I've got miles to walk to the flamin' festival and it's started to pour down. The last thing I need in my life right now is a bunch of Pearl Jam wannabes fronted by Ian Astbury's dustman, but, lo and behold, CANDLEBOX are here with their low-rent Marquee metal, guitar solos that seem to last several centuries and a "love song" that includes the words "f***in'" and "bullshit". No, really.

What quirk of fate or nature has brought these people together with us? Did they actually sit down and arrange to produce the most appalling, indulgent fret-wanking cover of 'Voodoo Chile' imaginable? "We are from Seattle, Washington," they chirp. In the real world, this gross display of geographical misfortune and mind-boggling cheesiness would be met with a firm "Get outta here" and a handful of shotguns, but this is not the real world. This is Reading. People clap more forcefully, they pogo harder, they do everything they can to do my bleedin' head in.

I need a break already but instead I get Andrew Mueller ranting on about the Chelsea result (while it lasts, mate, while it lasts). Oh and DIG, whose punky-spirited rock metal comes as a refreshing surprise after all the posturing of the previous act. Mueller, that is. Lordy, they've even got some Good Songs. Dig, that is. But hold on... those rousing chords, those earnest political lyrics, that walloping drumbeat. They've turned into Simple Minds! Which makes the fact that they have a "song about loving relationships" called, impeccably, "F*** You" all the more confusing.

Hardly anybody watches SCRAWL, probably cos they coincide with a rare burst of sunshine and the appearance of Whitesnake or somebody on the Main Stage. A shame, cos their delicate but punchy blend of Muses, Au Pairs, tight red mini-skirts and way, way soulful vocals is most palatable. Something's gotta give and JEFF BUCKLEY gives it loads. 'Grace' is much rawer than usual, 'Kangaroo' is simply lust-crazed. "When I first saw you" — he sounds almost disgusted with himself — "you had on blue jeans". He spits out the line as if blue jeans were the utmost in degradation. I swear the sky's turning red and molten electricity is swirling around our ears. And is that really Liz Fraser jumping up and down in the front row or am I finally succumbing to Festivalitis? I dunno, my hangover's turned into nervous exhaustion, someone's given me a strange pill and there's a champagne cork popping inside my stomach.

Now here come MORPHINE with their dark and haunting "lo-rock". Outside, the sun's shining and a girl has some kind of metal ring in her arse. But in here we're in a late-night bar. Orson Welles fronts an avant-jazz, two-string-bass Birthday Party, Sherlock Holmes sips quietly in a corner and the smells are of fast sex and slow Gauloises. 'Thursday' plagiarises 'TV Eye' (cool) and the melancholy vibe of 'Candy' suggests they've got more strings to their bow. If not their bass.

About now I fall asleep. I dream that THEY MIGHT BE GIANTS are onstage and that Carl Puttnam has left the floundering CUD and embarked on a solo career as a Las Vegas entertainer and is being taken seriously but I am dreaming. Aren't I?!

There's a delay before ECHOBELLY cos they've forgotten the chords to 'There Is A Light...' When they finally appear, there are two Echobellys. (That's just the echo — Sonics Ed) The first are great. They have a warm, charismatic singer and stirring, intelligent songs about drugs and abortions and ego. But the second, f***. Scrape away the veneer of the first and you get a hoary rock beast with interminable solos and boots on monitors and meetings with poets forsaken in favour of lunches with A&R men. Songs that could be written by Battle Of The Bands entrants from say, Derby, but seem destined for America and a vocalist like Toyah Wilcox on helium. They're muso but they can't play 'Bellyache'. They're popular but a section of the crowd thins. I wait patiently for the reappearance of the first Echobelly of the first four numbers. They never return.

Instead, Mark Eitzel of AMERICAN MUSIC CLUB gives the most committed performance of the festival. His songs are peppered with words like "phony" and "charade" and they cut through rock's pretensions like a knife through shit. The intensity of Eitzel's performance is remarkable. One minute he's all deadpan, the next joking with the crowd, the next hurling down his guitar lead and exiting the stage because some security guy looked at him funny. Psychiatrists call them mood swings; I call it the sincere temperament of a genius. 'Firefly' fizzes and crackles, 'Western Sky' is gorgeously poised and they do this odd punk song that could be Johnny Thunders. I could die listening to this group.

But here we are, light years away from the bad HM of the opening acts and listening to TINDERSTICKS: music played by men in suits which owes as much to old music hall, working men's clubs, Scott Walker and Jacques Brel as it does to rock music. Sadly, no 'City Sickness', no 'Marbles', but still I marvel at Stuart Staples' voice, which sounds like the last 10 per cent of all his syllables have been surgically removed, giving him an intoxicating, clipped croon. Of course, some of the time he does sound worryingly like Steve Wright's Pub Singer and has an awkward, hunchback posture that certainly wasn't the result of a childhood footballing injury, but what the heck. A new ballad called 'No More Affairs' (right!) is well storming and although they bore me by playing too long, they bore me with style...

Can I go to bed now?

© Dave Simpson, 1994

[superfallingstars]

my personal image of tonks is toyah wilcox in the 80s. this is just exactly who i see in my head, she's so cool

[jupiter-moonchild]

I lost my original "Dead Inside" bracelet when I went up to see my son. It was weird because I took off all 5 bracelets and placed them next to where I was sleeping, then in the morning I went to put them back on and only 4 bracelets were there. My son and I searched all over for it, even tipped my bag out looking. Nope, gone.

As Toyah Wilcox would say "It's a mystery!"

I made myself a new one, hopefully I won't lose this one. I also made a few others.

Death Of The Endless, Delirium Of The Endless, Desire Of The Endless and a couple more goth bracelets.

While we were in town, we went into the shop called Red Basil and I got myself these two tea towels.

How could I resist the Robert Smith one with the pun? 🤭

Also, my son took these photos of me when I went to visit, I had no idea how grey my hair looks from the side. I thought my hair was mostly reddish brown, it used to be ginger, but its frikkin grey. I'm gonna look like a wizard at this rate. 😂

[isisanea]

Toyah Wilcox in Issey Miyake c. 1985.