#turn watching

[msculper]

oh yeah that time anna killed a guy! i don’t say girlboss often… but when i do……

[ladychlo]

Motaz Azaiza interviewed by Ajstream after fleeing Gaza, please do watch the whole interview...

[crow-caller]

as a child there's nothing cooler than a kid who gets subjected to evil experiments and gains special abilities. it's even cooler if these abilities also cause unfathomable suffering to use/against others. children love stories like this.

[planefood]

rules for thee and not for me

[krysmcscience]

I have some questions about karaoke night, Alex Hirsch. Very Important Questions. Which I will happily scream at a poor hapless baby triangle who can have no answers for me, and possibly also does not have object permanence yet.

Follow-up that is I guess suggestive, but let's be real here, Bill's a fucking triangle:

Dude slipped right into his birthday suit, lmao

this is so stupid :D

Anyway, I don't care what anyone says, this brilliant individual knows what's up - Bill is absolutely way more of a monsterfucker than Ford could or ever will be, full stop.

[sevrinve]

Prince Zuko 🔥

[c-rowlesdraws]

Ratatouille would have been a better and potentially much more interesting story if Remy had partnered with Collette instead of Linguini. Two underdogs with talent and passion forced to maintain a dangerous ruse. Fiercely independent Collette giving up temporary control of her body to a creature who, despite the insanity of a rat wanting to cook professionally, she can relate to on a personal level and who she does want to teach. The inner conflict of wondering if Remy’s growing talents are eclipsing her own, if the praise their food is earning belongs more to him than to her. Her guilt over feeling resentment and jealousy towards this little guy who wouldn’t have a hope of realizing his talents if not for her trust and protection. Both of them unraveling the mystery of that sweet but bumbling kitchen boy with the obvious crush on Collette being Gusteau’s secret son, and working together to thwart the new evil owner’s plans to stop Linguini from claiming his birthright. The message of the movie not being this weird, almost smug “some people are born with talent, some people aren’t, and that’s how being a ~great artist~ works”, but something more like, “if you have a dream, you deserve to pursue it, and be supported and encouraged in your pursuit of it, even if other people tell you that, because of some intrinsic aspect of yourself or the circumstances you were born in (like being a human woman in the restaurant industry, or being a literal rat), you have no place pursuing this dream. Also, raw talent can only get you so far, and skill and passion existing in the right balance is key.” I’ve been thinking about this for seventeen years. I’m breaking my silence

[powdermelonkeg]

Fun fact: We know the size of the Pokémon world because Scarlet and Violet has framerate issues

I'm not answering any more questions

[crow-n-tell]

I see a lot of comics talking about smut vs fluff reactions but I see no one talk about

Vs

IT HURTS ME

[leafwhirlwind]

I feel, personally, like not enough people focus on the fact that in this iconic big tiddy moment

Falin is. Splattering someone’s brain on the pavement like a fine ragù.

Splat.

[mijucats]

a party with a catgirl and a dogboy

[msculper]

like abe is an idiot to the fullest extent of the word but at least his daddy issues are legitimate

[feralnumberfive]

TUA's writers writing for Five's plotline in S4:

[stariiberry]

when your circle small but yall are CRAZY!!!!

[itty-bitty-sunshine]

It's been 10 years and just now im learning how to draw the ogs smh

Happy ten years at Freddy's! 🎉

[crippledanarchy]

When you call "influencers" what they are, freelance marketers, it makes the phrase "mommy/family influencer" sound just as dark as it is in reality.

They are using their children to sell you things. Some of these people intentionally have children solely in order to use them as marketing devices.

They aren't harmless or wholesome. They are expanding and normalizing new and different forms of familial abuse to a worldwide audience