#us lovely corpses

[poorly-drawn-mdzs]

Ghouls night out

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[totalshockwaves]

2013: *fall out boy comes back*

monkey paw curls and my chemical romance disbands, leaving millions devastated

2023: *fall out boy comes back, again*

monkey paw flips off brendon urie, and frees ryan ross from having to see him continue to butcher his old band

[biggest-gaudiest-patronuses]

i think it would be funny if people occasionally arose from the dead. like if that was a real-life one-in-a-million but well-documented Thing That Sometimes Happens, and the entire legal system around death (laws on inheritance & marriage & murder etc) had to include caveats for the unlikely-but-scientifically-possible event that the dead person in question might spontaneously self-resurrect, even years or decades after death. it would raise so many inconvenient and absurd possibilities

[ggardengirl]

what if we were best friends, and what if i fucked your boyfriend because i couldn’t fuck you, and what if i killed you—haunt me then!—and what if i ate you so i could finally have you all to myself, and what if i ritualized your death so i could consume you over and over again, and what if i didn’t know where you ended and i began, and what if we were both girls

[butimalsojustagirl]

born to be a lover girl, cursed to never be someone’s true love

[morastfrck]

Conan would blend in with south park kids so well

[abrielarnold]

"You still deserve to eat. You still deserve to laugh."

me before watching trigun: "oh people really like the priest guy, i guess."

me after watching trigun 5 times and showing my brothers a wip of this to which one said "oh. the priest guy your favourite character, huh": (ᴬᵀᵀᴬᶜᴷᴱᴰ ᴬᵀᵀᴬᶜᴷᴱᴰ ᴬᵀᵀᴬᶜᴷᴱᴰ) "the characters are really strong and well written, okay. i just really like how they all interact with each other o k a y."

[just-null]

YO, SUPER LATE SUPER LONG SUPER MESSY OCTOBER POST THAT I JUST SHOVED EVERYTHING INTO BC I DIDN'T WANT TO DO MULTIPLE. FUCK IT.

I forgot halfway that these were supposed to be costumes and not mini aus... SO REMEMBER IN MY PLACE, EVERYTHING IS HYPOTHETICAL. also. some have a bit of yandere elements to them bc its SO FITTING FOR NORITOSHI.

Happy late October, everyone. it's winter now. Let's get it, baby.

[Long rambles and doodles under the cut!]

Vampire!

I kept asking myself, "How sexy is too sexy.." and "How the fuck does a sexy vampire even look like without it being a shirtless guy w fangs or Edward Cullen....." I think I figured it out

Sure, sure, vampires are superhumans with sun allergies that can drink blood really hotly. They can also easily overpower you to feast and blah blah blah, but what if said vampire (Noritoshi) was too weak to do any of that? Not literally, but he craves your say. He wants not only your blood but your affection. He wants to get praised as he drinks you in. Are you comfortable? How much will you allow him to take? Do you want to get him back in return? Guidance with this makes him feel more at ease. It's still Noritoshi at the end of the day. He's going to find a way to be a little awkward about you because of his crush. He refuses to drink from anyone other than you, even if it causes his death. Therefore, he has to keep you healthy! For the rest of your lives..! Besides, he can't really go outside or else he'd.. y'know. So if you think about it, this is a very beneficial relationship for both of you!!

The only downside is that you're losing blood on the regular, and for some reason, more people are moving away... Probably nothing, right? Noritoshi is always there to keep you company and help you recover anyways.

Witch!

my attempts also bled into the witch design.... you got greedy with requesting two in one ask, but I'll spoil you this time bc I also wanted to see Noritoshi as a (sexy) vampire and witch. heh. AND I DIDNT REALIZE HED BE SO CUTE AS A WITCH..... WHAT THE FUCK?? rip momo, fight for your title of cute witch...

Noritoshi strikes me as one of those witches who'd rather be left to their own devices because they're running some important magic whatever in the background. though, he'll take some breaks and indulge you if you insist on having him around. Insist meaning you pass by and strike conversation, leaving him to neglect anything and everything to prioritize his time with you. He doesn't want to use magic on you unless it's beneficial for either you or both. Noritoshi likes a natural progression with you that he knows for a fact is true and not some product of some spell. Though it doesn't mean he wouldn't use charms and such to get you to interact with him more often to speed up the process!

Can't sleep? He has a remedy perfect for that! Bad luck? Oh no, take a charm. Nerves? A potion he perfected will help you ease your jitters. Annoying peers? With a snap of Noritoshi's fingers, they're gone! Just don't ask what happened. Enjoy yourself instead and come to him with any new issue. He's quick to resolve it.

Definitely has some sort of doll that looks suspiciously like you.. Noritoshi would probably talk to it and practice one liners that give you the strongest sense of nostalgia once he uses them. He's simultaneously giddy that the charm he put in the doll works but also a little annoyed that his hard work isn't surprising you, but leaving you with deja vu.

Idol!

i was crying the entire time bc what does an idol look like.... noritoshi is handsome enough to be an idol without actually being an idol... now i can confirm that idols are very well dressed though. thumbs up 100% but i had some thoughts...

[Idol]

Noritoshi would be the type to cherish his fans, but hold clear favoritism over you. he'd be those idols that look cold, but they talk, and they sound smug in a charming way. i don't know much about idols, but i know he'd be so fucking good.... he'd be the type of guy to sing to you amongst the hundreds in the crowd.... ahhh the interviews w these famous aus. they're just talking and acting like themselves. can you imagine Noritoshi getting asked the question if he has a lover or not? he can lie, im sure you're alright with that, but he doesn't want to!! he does have someone!!! someone he loves more than all his fans love for him combined!!! he just can't say it for the sake of your privacy and his career. so Noritoshi does what any charming guy who's good with their words does. he deflects the question. answering the question, but not really, that'd be something he's known for. fans online are split on why Noritoshi does this. some think he's trying to keep that side of his life private, others think he's trying to mess around, and others think he's hiding a secret lover!!! though the last one is usually seen as the outlandish one, sometimes it makes Noritoshi's heart drop bc they get some things right. "Having a lover is a complicated question hidden behind a simple disguise. If I had to answer, I'd say my lovers are my audience. they make sure i'm well cared for, some more than others." AND HIS FUCKING LITTLE SMIRK I CANT COUGHS UP BLOOD. IM A THEORIST TOO. SECRET LOVER. 🫵🫵🫵🫵🫵

ON THE FLIP SIDE....

[Not an Idol]

An amusing thought where Noritoshi goes out in his casual clothes, and he's mistaken for an idol. No one knows who he is, but he just looks like he'd be one. bro's just trying to buy groceries, and now he has a fan group asking him to take pictures with them.. He'd tell them that he's just a guy, not an idol, but the group would still want a picture with him. it'd be a waste to pass by someone who's so naturally gorgeous, so with a sigh of defeat, he relents. It's just a photo, right? No harm done. Noritoshi'd go home and feel overwhelmed/embarrassed by the whole ordeal. later, he gets a call from someone in the kyoto group or you to inform him how he's all over social media, known as that handsome guy in the supermarket. HED BE COMPLETELY UNREACHABLE TO MEDIA OUTLETS BC NORITOSHI IS THAT GUY WHO DOESNT HAVE SOCIAL MEDIA.... he'd have to make one to make sure no one pretends to be him online. "Hello, I don't use social media, but I've been informed I've been getting attention online. To prevent anyone from being fooled by an impersonator, this is my official and only account. thank you." P.R. STATEMENT WRITING ASS.. his single post gets flooded with likes, comments, and DMs. it almost blows up his phone..... he was just buying bread, dude...... people try to dig up and find him through the other Kyoto group's social media.

[bonus] my second in command requested to put him in a fem idol outfit bc he thought it was funny. after frothing at the mouth and coughing out blood, I complied.

Doctor!

THIS IS SUCH A STRAIGHT FORWARD ASK BUT IT HAS SO MANY IMPLICATIONS. MY BELOVED CULT MEMBER.. THOSE EMOJIS GIVE ME A DIFFERENT IMPRESSION BUT IM NOT SURE.

Noritoshi as a doctor...... apple sales would plummet. his little clinic's business would skyrocket. sick cases would peak in his area. getting your heart checked by his stethoscope would be so fucking embarrassing bc all he'd hear is THUMPTHUMPTHUMPTHUMP

LIKE IMAGINE IF THAT WAS YOUR DOCTOR? BRO.

COUGH COUGH HACK WHEEZE COUGH COUGH.

Noritoshi would probably own a small clinic that he wants to expand. That or he opened one after working for a hospital for a while. He's a great doctor who's most likely respected but a pain in the ass to work with. Among patients, he's gotten the hot doctor reputation. Most want to be treated by him, but he's so professional, any chance of trying to flirt goes down the drain. Yeah, he puts his hair up to avoid it in his face even though his eyes are closed classic lab safety procedures. He seems like the type to have a soothing but authoritative voice during examination, so he gets his message across. it's a bit difficult when dealing with patients for Noritoshi. If he sees them too often, he firstly scolds you for not taking care of yourself, then feels guilty for not giving you the proper care. Keep yourself safe and healthy, or else Noritoshi will clearly :( Putting him in a yandere setting would be dangerous. He'd have a lot of control over you, considering he can prescribe medication, shots, visits, and other things.... he'd have a ball.... nothing that would cause you any harm, of course. he's only looking out for you and doing what's best for you..!

Pirate!

my second in command wanted a pirate. pirates are so fucking cool and i know damn well if this guy were a pirate he'd have a bunch of battle scars under that fancy coat.

Noritoshi as a pirate would be more than a little odd, but also fitting. He looks like the type of guy who'd be well put together, yet he's willing to get his hands dirty. Like the guy who got into the pirate life because of some personal issue that couldn't be solved fast enough through conventional means. Even as a pirate, i imagine he holds everyone to high standards. They're still pirates though.. so his expected standards aren't even that high. He has more freedom here, so even he himself lets loose once or twice. Especially with you. He's even able to get away with more violent actions for you, the seas are unpredictable, after all. While taking some treasure, Noritoshi'd toss you a gem or golden coin, just so you can say you were the first to claim it. Just so he can see that happy glint in your eyes when getting your hands on treasure. God forbid anyone try to get their hands on your hard earned goods. They'd be met with a bullet to the foot or a sword at their neck. Everyone and their mother knows how you're his favorite, but Noritoshi downplays it. Its not a crime to help out someone from his crew is it? Not in the seven seas. He leans more into his cold ruthless killer side here. He has goals and people to help keep in line whether hes captain or not. Yet when around you, he's almost adorable in how he shows you a pearl so entrancing that it reminded him of you.

Corpse Bride!

my submission to my Noritoshi Halloween costume closet.. CORPSE BRIDE, THIS MOVIE FUCKS. esp w the yandere elements.

Noritoshi 100% made you recite the wedding vows to him before accepting the ring. If you fumbled up, he'd correct you with SO much attitude and expect you to start from the top until you got it perfectly.

Hypothetically, in the chalice scene towards the end..

Noritoshi is the type to never be fully relaxed unless he knows for sure you'll be eternally his. In this scenario, YOU proposed to HIM but have to die to continue being together. Not only that, but someone in the living world is also after your heart. Someone who bleeds. Someone who's the obvious choice. Someone who can give you the life that you deserve. Someone who will succeed in their pursuits if you. remain. alive. Noritoshi's life was cut short, yet he still managed to lose so much and be abandoned a considerable amount of times. When he meets you and finds out about the possibility of having to go through that again even in death, it finally clicks in his rotting mind. He realizes he's been doing something wrong to keep constantly failing. Noritoshi revises his methods to a more.. selfish course. Why should he care about anyone else's wants or how his actions hurt them? You were the only one who made him truly fulfilled, to make him feel alive. The only one who deserves anything and everything good that comes from this world. Destiny is never done toying with him when he realizes your marriage is invalid because of your pulse and his lack thereof no matter how hard he'd try, but the opportunity arises. of course, he's ecstatic to give you an afterlife worth much more than what a silly beating heart can achieve. "All people die eventually. If you miss your living family or friends, all it takes is patience, darling. I'll wait by your side in the meantime." He weighs the pros and cons of everything, but when it comes to swaying manipulating your thoughts he only highlights the ones that'll get you on his side. in this case, the pros of dying to be with him! Honestly, the answer was so obvious that Noritoshi didn't know why he was stressing about it before. It hurts him to see you in any type of pain, but he reassures both himself and you that it'll only be for a moment. Afterward, he'll have the rest of your afterlives to make it up to you!! What happened to Till Death Do Us Part? Noritoshi thinks it's insulting that something as shallow as that could be so widely accepted. If your love were true, it wouldn't stop just because the world decided to take them away. "Till death do us part? Darling, don't be silly. 'Not even death will do us part' feels much better, doesn't it?" 

[the-magpie-archives]

Like many of you, I am fascinated with the state of Jonathan Sims head archivist of the magnus institute London... In particular, his ribs! Many focus only on his missing two, but there are many more things to consider!

Jon's a fragile guy, I mean it's pretty much his whole canon appearance! For a man like him to be thrown around like a ragdoll for pretty much his entire time as archivist, he'd certainly have suffered more than a few broken ribs!

To contribute even more to the damage, after the unknowing, Jon was found with no pulse and not breathing, meaning he would have undergone CPR for at least 20 minutes. And trust me, THAT BREAKS RIBS.

Aside from bones, I can't imagine Jon's lungs are in the best state either. He's a long time smoker, was exposed to dangerous amounts of CO2, and survived a massive explosion followed by a collapsing building. Needless to say, these sort of things make it hard to keep lungs healthy!

Despite all the pain and horror, I like to think that Jon managed to stay looking at least relatively put together, so picture this:

A polite, slightly awkward office worker comes into your clinic. You decide that to diagnose properly, you'll need to do a chest X-ray! He's distracted, but readily agrees. After the brief wait, you get the images back, and see THE MOST FUCKED UP CHEST YOU HAVE EVER SEEN. A horrifying amount of healed fractures, warped and re-broken; two ribs are just straight up gone, both lungs scarred beyond survivability, and somehow this guy is just sitting there. Alive, as far as you can tell.

The man remains composed, and smiles politely as you stare at the X-rays, and you begin to think that maybe those aren't acne scars across his face.

[moon-heart22]

Me and bestie on the streets

[poorly-drawn-mdzs]

Peeped the horrors

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[shadow0-1]

Highway to hell

[archdevilsupreme]

It is, by far, way too funny to me how I've been confused about Karlach's inventory for god knows how long before realising what's wrong. I was convinced it was the game being bugged since she can carry like 250kg.

Then I realised... she's been carrying around Cazador's corpse all this time. This shit is so funny to me because can you imagine a group of 4 people walking around Baldur's Gate, just casually dragging the corpse of a vampire lord along with them as a sign of dominance (and forgetfulness of said vampire corpse).

Update - beware! There will be fun and fire!

[catharticboredom]

[kazumahashimoto]

you're colder than i remember

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.