#voicing the character in a proper cartoon episode for the first time in YEARS. how long has it been?? creeping towards 2 decades i wanna say | Explore Tumblr Posts and Blogs

thankskenpenders · 2 years

Text

youtube

The first proper trailer for Sonic Prime came out yesterday, as I'm sure you've all heard. I've gotten several messages asking me my thoughts, so... here's some thoughts! Thoughts on how the show's looking, and a certain bat whose presence is somehow the biggest news to me.

First off? This looks phenomenal, visually speaking. I'm kind of in awe of how good the visuals in CGI cartoons are getting. The scenery looks great. The characters move so fluidly. Everything's beautifully lit. I could go on and on. I wish the in-engine game cutscenes had animation half this good.

I continue to be pleased with how slavishly faithful to the games the main universe is - to the point that they're saying this is, in fact, just set in the game universe. Yeah, we're all getting tired of Green Hill Zone, but we've never had a cartoon that was this faithful. The closest we got was Sonic X, which I like, but it's hard to look at any random episode about Sonic having to save the extensive human cast from another generic robot and say it really has the feel of the games. Seeing Sonic and co. fight some classic Badniks in a cartoon with (mostly) their normal designs feels special after all these years of never quite getting that.

That slavish faithfulness to the classic iconography also makes the differences with the multiverse stuff hit harder, and thank GOD they're finally showing some of that. This teaser is pitching it as a show about Sonic meeting alternate timeline versions of his friends who form an underground resistance against the Eggman Empire (funny how the franchise keeps finding itself back in Freedom Fighter territory), which is fun and all. Tall cyborg Amy! A version of Tails who can walk like a spider on a set of robotic kitsune tails! Hell yeah! But if the synopsis blurbs about a "multiverse" and "new worlds" and that pile of leaked concept art from a year and a half ago are anything to go off of, this is presumably only the first of multiple alternate worlds that we'll be seeing. I'm very excited to see more of them!

We also hear a little more from the new voice cast. Brian Drummond is kinda doing his own thing with Eggman. I like it. It sounds compatible with the usual Mike Pollock take without aping it 1:1. He seems maybe a little more sinister here, which fits what we've seen so far from this take on Eggman. And Deven Mack still sounds great as Sonic, although I kind of wonder if he's being instructed to sound like Roger since the delivery in what we've heard so far is pretty similar. I get that desire for consistency, but I hope he's able to inject a bit more of his own spin on Sonic in the full show, even if it's supposed to technically be the same Sonic as Roger's.

Meanwhile, the roles for the rest of the main voice cast have been confirmed elsewhere, and they mostly match up with what I expected because these casting choices just make perfect sense. I already know Shannon Chan-Kent, known primarily for playing Misa in Death Note and Pinkie Pie's singing voice (and Smolder) in MLP, is perfect casting for Amy. Ashleigh Ball's one brief line as Tails sounds a lot like her Rainbow Dash voice, but like... hey, it fits! I'm excited to hear more from her. And Knuckles... well, I don't know his VA as well and also he has no lines in this trailer.

But by now y'all know which characters I stan the most, and you know what I'm gonna be excited about. The big surprise here is the fact that Rouge is on the main cast. The main cast.

The cast posters revealed that she was in the show, which was big enough news, but then the trailer drops and she's on the damn team. Every hero team in a kids' show needs three boys and two girls, and this time they rounded out the group with Rouge. AND she's being voiced by Kazumi Evans, yet another MLP alum on this show - this time Rarity's singing voice and the voice of Adagio Dazzle in Equestria Girls. I don't even need to hear any lines, I know that's another perfect fit.

I'm just shocked. Rouge hasn't been in a TV series in almost two decades since she was kept out of Boom, robbing us of the "Rouge somehow ropes Team Sonic into doing a goofy heist with her" episode the world deserved. Ian's even said that he pitched some ideas for Boom Rouge after being asked to pitch more Boom-ified game characters, but it went nowhere. While she's continued to show up in the comics and (to a lesser extent) the games due to her fan favorite status, it's kind of felt like she was being swept under the rug. Fewer major story appearances than in the '00s, not much merch, it took them until the fifth Mario & Sonic game to make her playable. And she's probably seen as less broadly marketable as a mascot character because of... well, two big reasons.

And so, understandably, Rouge is here with a new outfit that covers those two big reasons up more than usual.

Yeah as a Rouge fan, a person who's talked at length about the fanservice in Archie Sonic, and a sapphic furry artist, I can't avoid talking about this stuff lol

I mostly like the new outfit and think it was a smart call. We can have lots of nuanced discussions about objectification and sexual liberation and the fact that seeing some cleavage isn't gonna kill you and how being the flirty femme fatale is a core part of Rouge's character and whether that's objectifying or empowering and all the other things that get brought up every time a new Bayonetta game comes out. But at the end of the day their main audience is 8-year-olds, and because of that I really can't blame them for dressing Rouge slightly more modestly. I've always loved Rouge as a character the way she already is, but people (particularly non-fans, and also just... Sonic fans who aren't also furries lol) often write her off as "that weird bat lady with the tits that people are really horny for." Hopefully the writing will show non-comic readers that she's a genuinely fun character when used well as a foil to the rest of the cast, and hopefully her new outfit(s) will allow people to focus on that.

I do think something's a little off with the new outfit, though, even if I think it looks solid overall. Is it just that the heart motif is more abstract and less of a central focus here? That might be part of it. Maybe the suit just looks slightly overdesigned next to Team Sonic. Unsurprisingly I've also already seen multiple pieces of fanart giving this outfit a boob window, with one arguing that showing more of her skin tone on her torso gives the design better color balance, and... yeah, on that level I do kinda agree lol. Although I think a similar balance could be achieved just by having her upper arms be exposed or something. (Which is a feature on her bad timeline counterpart's outfit!) But, yeah, overall I do think I like it.

I also don't think they actually made her boobs smaller compared to most of her modern appearances despite the many, many, MANY claims to the contrary but I am not getting into that debate lol. Also she's literally still wearing a skintight catsuit and doing cool flying kicks you are not allowed to say they made her less hot

The fact that they're putting Rouge front and center has me VERY curious about her future prospects in the movie universe, though, given the particular projects currently in the works. To me, this makes it seem WAY more likely than it previously did. But who knows?

Uhhh anyway yeah the show looks good. I like pretty much everything we've seen so far. I like basically all of the previous Sonic cartoons except Underground to some extent, but if they stick the landing with this one then it seems like it'll pretty easily be the best one. I guess it's kinda lame that they made Sonic say "gotta go fast" in the trailer, but idk, it's a modern Sonic project, they gotta pay the obligatory lame meme toll. I am mostly fixated on Rouge because she's one of my favorite characters and her being on the main team is somehow the biggest curveball this show's previews have thrown so far, like seriously what.

#tkp post

235 notes · View notes

smokeybrandreviews · 1 year

Text

Smokey brand Reviews: Force Sensitivities episode II

I shill for Star Wars hard. I have for years, easily since i was a wee lil Smokey. I say that every time i start one of these essays or reviews because i want to be completely transparent about my bias. Darth Vader is easily one of, if not the, best cinema antagonist, ever, in my opinion. I love this cyborg asshole and everything about him. That first introduction in the beginning of Episode IV was everything. The second James Earl Jones' brilliantly dubbed voice boomed onscreen was it for me. Darth Vader as my dude and my love affair with the franchise began. I say all of this because i am part of the Fandom Menace. Absolutely i am. I cherish Star Wars so watching Kathleen Kennedy decimate my galaxy far, far, away in the name of her own ego, is practically debilitating. And it’s not even like i am averse to the ideas of her changes, you know? I like the idea of Rey. I loved Adam Driver and his Vader-lite, Kylo Ren. I love Oscar Issac so his Han Solo replacement, Po Dameron, already had my heart and Boyega's Finn had all the hallmarks of being something really special. And then Kennedy let Rian Johnson f*ck that sh*t all up.

And then she f*cked up Solo. And then she f*cked up Rise of Skywalker. And then she f*cked up everything else. So little of Star Wars has been good or original on Kennedy’s watch and it’s insane to me people defend this chick because she IS a chick. Bro, she is, objectively, bad at her job. It’s a wonder anything good has come out of Lucasfilm in her tenure. One of those things was Sear Wars Visions. That sh*t slapped hard and, coming off Netflix’s excellent anthology series Love,Death, + Robots, Visions was primed to ravage my senses. And it did. I just found out that the second season dropped to little fanfare, probably because this isn’t really a Kennedy production, much like he first, and her ego refuses to acknowledge anything that doesn’t have her name on it. Anyway, i finally got to check out these brand new takes on an old myth that is struggling to survive.

Sith

What a way to start off your anthology! This one was much stronger than The Duel from last season, in my humble opinion. I loved the use of color and negative space. The combination of such a vibrant palette against those stark whites, or the subtle contrast by those blacks at the climax; Simply brilliant. More than that, the sound design went a long way to setting the tone of this short. It did so much heavy lifting, i was flabbergasted, especially considering how dope the animation turned out. Seriously, Sith is a work of art and masterclass in tension. I was on the edge of my seat with that final duel and it was less than i expected but much more than i needed. El Guiri Studios really gave us something special. Here's hoping Hollywood takes notice and let's these cats really do there thing with a proper budget and creative license.

Screecher's Reach

Another banger right after the first? Yessir! Admittedly, while I like the aesthetic of Screecher's Reach, it was nowhere near as beautiful as The Sith. That said, this one had much, much, more emotional impact. That short, thirteen and change, gave me some of the best character development I've seen out of Disney Star Wars to date! That's not to say the animation and art design wasn't lovely. Cartoon Saloon really brought their A game with this one. The overall short was gorgeous and far more impactful than it had any right to be. Plus, that twist ending! Yo, I don't know who or what that Sith was at the end but I love the look! So deceptive. So insidious. I feel so bad for Daal but so glad I got to see her story.

In the Stars

Not gonna lie, I didn't care for this one. I respect the gumption, for sure, to make a claymation short because they are always so fun to watch but there are several practical limitations to creating animation this way. I'm immediately struck by the lack of color and fluidity in the overall animation. Coming off the first two shorts, this really took away from my viewing experience. On top of that, there is a lot of “Tell, don't show” in this fifteen minutes. Way to much exposition dumped early on. It's like Punkrobot Studios didn't trust the audience to infer all of that from the natural plot progression. It doesn't help that our main protagonist, the one we're supposed to be rooting for, is a reckless ass child. It's such a stark contrast the kids in Screecher's Reach. Yeah, there are merits to In the Stars, they're just not for me. I know this is supposed to be a metaphor of colonialism or whatever but it's just so poorly executed. Plus, I mean, everyone is still dead, the f*ck?

I Am Your Mother

And as if to drive my point home about the claymation thing, I am Your Mother comes along and absolutely puts In The Stars to shame with the same goddamn technique! Aardman really put together something4 special with this short and I mean short. I Am Your Mother is only ten minutes and change but it uses every second of that run time to tell a really heartfelt, coming-of-age, narrative. The overall plot might be a bit derivative but I'm a softy for these types of narratives so I had a great time with it. It's nuts because this is basically the same, overall, plot as In The Stars but Mother does it so much better. More than anything, this feels like Star Wars. You can plop this thing right in with the Prequel era of films and it wouldn't feel out of place at all.

Journey to the Dark Head

So I really, really, liked this on. I think I liked it as much as The Sith and that's saying a lot because that one is probably my favorite of the season. Dark Head is the first traditionally animated short and Studio Mir really put their best foot forward. This f*cking thing was epic! I'm a sucker for anime and, while this technically isn't proper anime, they pay solid homage to that aesthetic. It feels a lot like Avatar in that way and lord knows I love me some Misadventures of Aang and Friends. Probably because Mir is the studio who did Korra. My affection for Korra is much less but I'd be lying if I said that animation wasn't solid. This one was the longest of the lot so far, eighteen minutes, but they used that time to tell a strong story. It's wild to think they'd be able to pack in so much character development, in such a short amount of time, and entire, theatrical length, Star Wars films can't do the same. Rogue One, I'm looking at you.

The Spydancer

Yo, what the f*ck was that?! Holy sh*t, was that solid storytelling! Look, the emotional weight of this sixteen minute was incredible. I mean, of the top, I love the look of the art. The animation was fluid, particular the dancing, and the sound design was everything but the goddamn story, man! How the f*ck did Studio la Cachette do so much, in much little time? Seriously, this was a straight up roller coaster of emotion and I didn't expect that at all. I thought Journey to Dark Head told a complete narrative but The Spydancer does all of that and so much more. Seriously, it's hard not to put this up there with the best of Disney Star Wars and thy did it in sixteen goddamn minutes!

The Bandits of Golak

Another miss for me. Look, I love the Indian inspiration and the CG animation is solid but I don't particular care for the story being told, especially coming off something as emotionally weighty as The Spydancer. Still, 88 Pictures really made the most of their sixteen minutes. I can see why so many people enjoyed this short, even if I, personally, didn't really care for it. That final duel was solid as f*ck, though.

The Pit

Black folks in Star Wars? Let's go! Seriously, there is a distinct lack of color in a galaxy far, far, away so anytime I can get some melanated representation, I'm all in. What do we have so far? Mace, Finn, and Lando? Three prominent black characters over, what is it now? Four goddamn decades? Almost five? Motherf*ckers should be ashamed of themselves. Still, The Pit goes a long way to bridging that gap. Now, I support the f*ck out of D'ART Shtajio but I'd be lying if I said this wasn't the weakest of the shorts in season two. That, and I kind of really hate the Lucasfilm co-sign. None of the other studios needed it. This feels like a Kennedy thing. Gotta take as much credit for the diversity hire as possible, you know? If you didn't now, D'ART Shtajio is the first black owned anime studio. Thy do a lot of support animation for a ton of anime series but this is their first stab at a recognizable franchise like Star Wars where they are allowed to fully do their thing. All that said, The Pit is easily the weakest entry into this season. The narrative is solid and it does a great deal with it's sixteen minutes but this thing doesn't leave nearly the impression of every other short the anthology. Seriously, this thing has a strong message that is kind of undermined by the lack of quality when stood against the rest of the shorts presented.

Aau's Song

Auu's Song closes out this season's entries and, just like the opening, it was a strong choice. Aau's Song feels like a quiet story, intimate and personal, awash in a sea of stars. We should be fortunate that her tale was told to us with such reverence and respect by Triggering. I was a little suspect at first, being that the two other stop-motion entries were hit-and-miss, but Auu's Song was definitely a hit. I am in love with this aesthetic. It feels like Final Fantasy IX and, if you know me, you know IX is top five for me. I loved the look, but I loved the sound design even more. Auu's song was lovely. Just the vocalizations, alone, were enough to catch my attention but couple that with the underlying tribal drums when sh*t got hairy, and you have a complete story told through your ears. Seriously, you can close your eyes and just listen to this story without missing a narrative beat. I find that absolutely amazing. It's wild to think that Aau's Song can be so god with absolutely no conflict. There are no Sith here, no Empire, no malevolence, just redemption and I kind of love that. The Sith, and to a lesser extent the Empire, were so prominent throughout this season but arguably the second strongest short of the lot, was devoid of anything resembling the dark side, outside of bled Kyber. Absolutely spectacular watch.

#Smokey brand Reviews #Star Wars: Visions #Star Wars #Lucasfilm

4 notes · View notes

smokeybrand · 1 year

Text

Smokey brand Reviews: Force Sensitivities episode II

Sith

Screecher's Reach

In the Stars

I Am Your Mother

Journey to the Dark Head

The Spydancer

The Bandits of Golak

The Pit

Aau's Song

4 notes · View notes

vavuska · 3 years

Text

Who changed Lola Bunny?

Malcolm D. Lee explained, “This is 2021. It’s important to reflect the authenticity of strong, capable female characters. … So we reworked a lot of things, not only her look, like making sure she had an appropriate length on her shorts and was feminine without being objectified, but gave her a real voice. For us, it was, ‘Let’s ground her athletic prowess, her leadership skills, and make her as full a character as the others.'”

(See the complete interview here: X)

So, gone are her curves, thigh-high drawstring shorts and midriff-baring crop top. Instead, Lola Bunny now takes on a sportier look wearing a more standard basketball vest and leggings under her track shorts.

But, let's see more deeply what determinated this choice:

1. Being mad at a fan art is sad, people.

Before, a sad 50 yo guy starts complaing about how "cancel culture" or "politically correct" ruined his life - Really? Changing a cartoon bunny from a movie you didn't see for a decade ruined your life? Wow. Someone should really review the list of their priorities -, let's see how really Lola looked in the 1996 original Space Jam.

Here we have original Lola Bunny:

(Here you can see all Lola's scenes in Space Jam: X)

Yes, Lola walked in a sexy way that show off her curves, or at least she seemed to have curves (a little breast, tight waist, long legs, bootie), but those are not big as in the fan art you are seeing around, and Lola's curves are not evidenced during the match or when she played. Is more her attitude and posture that made her look sexy. However, althought her curves clearly changes every time she is doing something different, from action to action, there are some scenes in which she is purposely made sexy, with saxophone music as soundtrack and male-gaze sections that ends in the same way, Lola surrounded by a bunch of horny and howling cartoon guys.

That's appropriate with Jessica Rabbit: she is purposely made and designed as a parody of the femme fatale from old hard boiler movies, in which attractive, mysterious women were portrayed as evil and manipulative gals who hide criminal intentions. Jessica, with her intentionally exaggerated body, subverted the misogyny of 40s and 30s detective movies: she is kind-hearted, truly loves her naive and goofy husband Roger and uses her powers (beauty and cunning) to protect him. Her body too is used for comic sketches, while this not happens for Lola, that's just a serious and indipendent basketball player. So, the male obsession for her body is out of place, expecially because she reacted with anger at being misconsidered only for being an attractive female bunny. “Don't call me doll” is her catch phrase. So, it seems strange she didn't react at all at the very sexualized presentation at the final basketball match: Lola simply shows her basketball skills, ignoring or accepting passively the reaction of the honey crowd of wolves around her. (Please, notice the association: Lola “admirers” are wolves, predators, while Lola, their object of desire, is a rabbit, a prey)

This is the cartoon version of cat calling: they are like a group of men who sit on their porches and whistle at girls everyday when they walk in from of them. A normal girl or woman would pass over this thing, even if they are bothered, unconfortable or embarassed, because they are more scared by a possible violent reaction of this whistling horny guys at their legitimate anger objections. But here, we are talking of Lola, a strong Looney Tunes bunny, and she could smash that damn basket ball on wolves' face, breaking all their teeth. That would be very a Looney reaction. But Lola doesn't react at all at this situation. Here, on my opinion, screenplayers missed an opportunity, but probably they thought to have already did too much with Lola's personality and “girl power”.

Remember also that Lola is the only young cartoon female character we see in the whole movie. So we can't do a proper comparison with other female relevant characters' rapresentation. (See here for a deeper analysis of Lola's origin and development: X)

However, compared with Bugs, Lola looks more fit, more humanized than Bugs. Lola has clearly a definited breast and booty, but it looks like is more her posture that makes them relevant. Lola has clearly shoulders back to show the rack. Bugs is anthropomorphic but remains an animal, has no shoulders or pectorals more like a human and looks a bit over-weight (fat belly). And his posture don't keep that stomach in, chin up, and march forward.

Lola, on the other hand, has a more human structure. That's why I say she has curves. An example are Mickey and Minnie who are two beans in the same way it is not that Mickey is a bean and Minnie has small tits, they are structurally alike.

Lola's body remembers highly No-Ribs-Jasmine from Aladdin (see the gif for reference). That unrealistic Barbie-like waist that was so popular in the 90s and 80s. (See here for references: X and X)

Now, we are changed a lot from the past 24 years. Barbies didn't have that impossible, unrealistic waist-line anymore, Disney princess concept has changed (see Merida and Moana).

Lola concept is changed in 2012: her design for the new cartoons is totally different and her personality too. She wear a blue or violet dress, almost flat-chested and she was made annoying and silly, just to make a contrast with Bugs smarter. Just like Daffy Duck is dumb as hell and his new girlfriend, Tina Russo (no more dear old Melissa Duck), is way smarter than him. Tina is tough, street-smart, rebellious and feisty. But we will see this thing in the next point.

2. People on the upper floors hated Lola personality.

Lola Bunny had only few lines in Space Jam, but she definitely passed the first impression that she was draw only for make male characters fall in love. Lola was a good basketball player and show it off, in front of a skeptical and then astonish bunch of cartoon guys and also Michael Jordan. She also had a strong personality and said it clear to Bugs she didn't like being called "doll". Lola was beauty and curvy, but not a cheerleader. Lola was a basketball player. Remember this part, because we will talk about basketball in the next point.

If at the box office Space Jam was a success, at Warner Bros there were those who turn up their noses, and they are important people, from the upper floors, who accused the film with Michael Jordan of having completely distorted the philosophy of the Looney Tunes. They blamed Lola Bunny more than everything else. Producers of Warner Bros said she was too perfect for the moody group of Warner cartoons: she was too sensual, provocative and independent, totally alien to that core of crazy characters that act as an exaggeration of the vices of 'man.

And fans hated her too. Chuck Jones, creator of the Merrie Melodies said: "Lola Bunny is a character with no future, she’s a totally worthless character with no personality."

So, Lola Bunny was deleted. Lola would make only some brief apparitions in some comics edited by DC Comics, in Baby Looney Tunes, in which she was a toddler with a very similar personality and resemblance to Space Jam adult version, and also as playable character in some unsuccessful videogames.

Years passed and projects for a sequel of Space Jam never become reality, so in 2003 Warner Bros relased Looney Tunes Back in Action. But Lola wasn't here, because the movie purposely want to make a deep cut with what we saw in Space Jam, according to what said it's director Joe Dante. This movie was a totally failure, but it gave back to Looney Tunes their craziness.

Years passed again, but this time is 2011, 10th of May on Cartoon Network was relased the second episode of The Looney Tunes Show. The series aimed to strongly relaunch the Looney Tunes, long gone from the glories of the past, updating the stories of Bugs Bunny and associates in a sitcom key, with the rabbit sharing a house with Daffy Duck in a suburb of Los Angeles. All interspersed with sketches by Wile E. Coyote and Road Runner done in CGI and the updated return of the Merrie Melodies. But the big news of the second episode is that LOLA BUNNY RETURNED.

And Lola was a character with some relevance within the series, even if something didn't seem right with her. Lola looked different, she was no longer the rabbit version of the femme fatale seen in Space Jam: she was naive, talkative, with her head in the clouds, crazy to the point of becoming Bugs Bunny's stalker. Bugs after having fallen in love with her at first glance understands on the first date that he absolutely can't stand Lola. She is no longer the Lola we used to know, even if the appearance is similar and the name is the same. Lola is effectively a Looney Tunes now. And the fans like her, the public like her, Warner Bros like her.

(See Lola in The Looney Tunes Show here: X)

But this is a big walk in behind from the indipent character we used to know in Space Jam. Lola was turned into the stereotype of the crazy girlfriend for a while. And this is not a surprise, if we remember that in 2012 were popular the "overly attached girlfriend" meme template. (See here for references: X)

However, in The Looney Toons Show Lola has some very funny moments, while in Space Jam she was more serious and a little out of space among the other characters. (See here for references: X)

3. What women wear when they play basketball?

Women's National Basketball Association was only created in 1996. So, women's basketball were not considered - and still is not considered - as important as men's basketball at the time Space Jam was filmed.

In Space Jam 2 there will be WNBA players with a significant role, for example Diana Taurasi and Nneka Ogwumike.

Professional female athletes aren't that curvy because curves are determined by body fat and they have a little.

As a busty volleyball player, I can say, dear people, breats could be very annoying during sport activities: it could be a pain, when you run or jump. That's because a lot of women wear sport bra to compress and support their breast. Sports bra may also include layered cups or a high neck to keep everything in place and protect from painful hits, so women can be safe and comfortable during workouts.

Female basketball players didn't wear crop-tops and tight shorts to play. They wear exactly what Lola wears in the picture above: long sleeveless tees, large shorts and maybe protective gears such as knee pads, sleeves or braces to reduce chronic pain caused by the immense burden put on the knees in basketball, to prevent bruises caused by collisions and hard fall and to provide support after a significant knee injury like an ACL tear. They could wear also compressive arms sleeves to help muscles that are sore or overworked to recover faster. The sleeve enables your blood flow to circulate quicker to the heart, which helps you heal and recover quicker.

Wow. WNBA wears Exactly what wear NBA players. So surprising.

4. This is only a promotional character sketch, not what Lola would look in the movie.

Space Jam 2 would be developed in CGI and there are a little preview frames going around, included one showing Lola jumping and you can see her breast shape. But she totally looks like a comic cartoon character. It's not humanized. It's not designed to be the sexy love interest. She doesn't look out of space among the others anymore, expecially because seems that there would be also Tweety's Granny and Melissa Duck or Tina Russo as players too.

5. Reality.

Really? You want a human anthropomorphic rabbit? Well, Lola as a rabbit would have something like six nipples, but no human-like breast. And, also, real life girls have ribs. No one in real life is that thin. Oh, well, if you don't considered Pixee Fox, a model who had surgically removed six ribs and wears daily a compressive bust corset (yes, like the one that made Elizabeth Swan faint in the first movie of Pirate of the Caribbean) to look like a cartoon fairy (Tinkerbell, you are the one to blame for this).

(See here for references: X)

In conclusion, we can say that all this controversy is based only on a porny fan art and that Lola “new” graphic isn't change too much from the original Space Jam movie. It's just a little more cartoonish.

We can also firmly remeber that Space Jam 2 is going to be developed for children, to relunch Looney Tunes among new generations of children, who are the largest buyers of merchandising (including Happy Meals surprises) and consumers of new cartoons that surely would be developed, if Space Jam 2 would be a success.

However, we should admit that those kids probably know better the 2011 version of Lola than her original version and that 2011 version was more appreciated by fans and producers. Lola's voice actress, Kristen Wiin won BTVA People's Choice Voice Acting Award in 2012 and was nominated for that prize also about three times in the following years. Also Rachel Ramras, Lola's voice actor was nominated for BTVA People's Choice Voice Acting Award in 2016 for her role in Looney Tunes: Rabbit Run.

We don't know anything about Lola's personality in Space Jam 2, so we can't do a proper comparison or a prevision, but, according to what Malcolm D. Lee said, we can assume that original personality of Lola would be preserved.

The controversy is relevant only for Lola's body and not for her personality, and that's is highly rappresentative of what impressed more this bunch of grow-up kids. They grow up to be like the horny wolves and they are howling because their prey is not available anymore.

And, to be honest, being so obsessed with the breast and the body of a cartoon character (that is clearly made up for kids) it's not sane at all. Sorry to say that, but sometimes people need to drink from a bottle of truth.

208 notes · View notes

popculturebuffet · 3 years

Text

One Year Anniversary: Top 12 Ducktales Episodes!

Happy anniversary all you happy people! Yes it was one year ago today I started reviewing animation and it’s been a ride to be sure. I’d always WANTED to be a reviewer: I love going on and on about stuff I love, really digging into it and picking it apart... but I could never get started. I tried youtube but I didn’t have the money for the equipment nor a proper shooting space to record, so my efforts.. were not great. And while I TRIED text reviews, my own looming pile of self hatred meant every attempt I made was shot down when it got hard as me not being good enough.

But one year ago I finally got past that. I’d already been reviewing a bit, doing invididual issues of comics... but got way in over my head trying to do the current line of X-Men comics as it came out, and wisely bowed out of that. But that left a gap: I had nothing to cover week to week and with a demanding new job, I drifted into just doing in charcter chats, little fan fictions script styles. Not bad work, I should do some more at some point and I even got a comissoin once in a while, but nothing I could really live on and not what I wanted to do with my life.

Enter Ducktales. I’d always WANTED to review the show.. and when the double premire happened, I decided fuck it, and put up my thoughts. And then decided.. hey maybe I can do this every week.. and slowly.. my work evolved, getting better and better, getting more and more likes. I picked up Amphibia when that came by week to week.

And eventually.. this went from a hobby, if one I was passionate about to a career. Not a largely paying one, as only one person was really intrested in paying me for it, friend of the blog and our fincial backer @weirdkev27, but .. it’s money and i’m now making about 30 dollars a month due to a comination of comissions and patreon. Other contributers are always welcome mind you, my patreon is here if your curious and comissions are 5 dollars an episode, but i’ts just nice to have money coming in. To have gone from simply WANTING to review things and make a living off it.. to simply doing it.

And it’s been one hell of a year.. and not just because 2020 felt like hell or 2021 began with a full on insurrection. I feel like i’ve acomplished a lot in the year i’ve been doing this: I finished what I started with Ducktales season 3, getting better and better as I went. And I didn’t stop there with ducks: I started covering what brought me to Ducks in the first place, the Life and Times of Scrooge McDuck, and while that retrospective has slid a bit on the schedule, I intend to get it back on track this month. I reviewed a bunch of Darkwing Duck episodes leading up to the Just Us Justice Ducks.. chronologically anyway. The actual airing order reads like someone took 50 issues of a comic, made it rain with them, then just started reading whatever ones they picked up randomly. I also covered some of Duck Master Carl Barks work with the classics Night on Bear Mountain, A Christmas for Shacktown and Back to the Klondike, with more to come.

And the Duck didn’t stop at just reviews I did on my own: Kev comissioned two MASSIVE retrospectives from me: My first for him was Ride of the Three Caballleros where in just a few short months I covered the boys entire televisied careers together from the movie, to house of mouse, to mickey and the roadster racers, to ducktales (again) and finishing with the wonderful Legend of the Three Caballeros. It has probably the worst Daisy imaginable, but otherwise is really excellent and i’m glad I finally watched it. I also covered Don Rosa’s two stories with the boys as part of it. It was a fun ride and I enjoyed every minute of it... okay most of them again Three Cabs Daisy is the worst. And once that finished Kev started up another idea: Shadow Into Light: a look at Lena’s character arc from start to finish that has gone on to be my most popular series on this blog, and that finishes next week. And there’s more to come as after that there’s a short breather with a look at Lilo and Stitch’s crossover episodes.. folllowed by me looking at all three of season 2′s ducktales arcs. And I fully intend to have covered every episode of the series by this time next year, so stay tuned.

Outside of ducks though I didn’t slow down. I restarted my Tom Lucitor retrospective, covering what i feel to be one of Star Vs’ two best characters, tied with eclipsa, and my personal faviorite as he redeemeed himself, found love and I bitched a lot about the horrible directions the series took and probabably will more as that’s still not done yet. I did what I always wanted to do and started looks at some of my faviorite comics ever, starting with Life and Times and adding in New X-Men and Scott PIlgrim. I also threw in the awesome comic Blacksad. I did pride month for the first time and not only came out publicly, but also did two whole arcs i’m proud of with The Saluna episodes of Loud house and the rednid episodes of OK KO, and generally just had myself a good old fashioned time as an out bi man reviewing childrens cartoons.

I started Season 2 of amphibia with it’s lows of an endlesss road trip and highs of adding Marcy to the cast and giving us more of the silky voiced keith david. And finally Patreon wise Kev’s taken me on a hell o fa journey: In addition to the restrospectives i’ve covered some additional darkwing duck, and a simpsons homage to the duck comics... but also got a bit weird and obscure with detours like the lost animnaics sucessor Histeria, the apocalyptic comedy where Santa dosen’t know how doors work Whoops! and the adventures of Santa’s bratty teen daughter jingle belle. In short.. it’s been a long year but damn has it been fun and there’s more to come. I’d like to thank all of you for reading, thank my Patreons Kev and Emma for supporting me, and thank my family for doing the same. So with that out of the way, I figured the best way to celebrate was to do something i’ve been wanting to do for a long time, something honoring the show that gave me this calling in the first place. And with Season 3 sadly being the last, and enough weeks having passed for me to digest it between the finale and today, I could think of nothing better than my top 12 episodes of Ducktales.

Ducktales is one of the best cartoons of the 2010′s. Brilliantly taking EVERYTHING that had come before, the comics, the original cartoon and every bit of duck media period to craft a masterful, unique and wonderful reboot. It was funny, it was insane, and it had damn good character arcs. By the end every member of the main cast along with major supporting cast members like Fenton, Drake and especially Lena, had changed and signifigantly at that. The show was everything I could’ve dreamed of and more and I miss it terribly, hoping DIsney will do a revivial movie at some point. For now though, Frank and Matt’s run on ducktales, as they called it and I do too since i’m a massive comic book nerd, it’s time to look back on my favorite tales of ducks. So grab your sharks, your number one dimes and your friendship cakes with clear gay undertones and join me under the cut as I celebrate one of my faviorite shows and my anniversary in the best way possible.

12. House of the Lucky Gander!

So as i’ve gone on about before and no doubt will again, Donald kinda got the short end of the stick in season 1. While Frank and Matt had good story intentions, keeping Donald away from adventure since he had no interest in it, in practice it meant a beloved Disney Icon who they and disney HEAVILY promoted as part of the series and whose being here this go round was a big draw for fans of the comics.... was only in a quarter of the season and only got TWO plots centered around him in 23 episodes, with only one being the main plot of the episode. The PIlot and Finale both centered around the family more as a whole if your curious how I counted those so while he got plenty of focus in both, it’s still not a day in the limelight sort of thing.

But unusually for Donald, he lucked out as his one big starring role for Season 1 was both one of my faviorites and one of Season 1′s most inventive outings. A lot of the episodes enegy comes from a one two punch of a great guest star and one of the series best settings. The guest star is of course everyone’s faviorite overly lucky himbo Gladstone Gander. The show adapted the prick perfectly: The original Gladstone from the comics.. was the worst asshole imaginable, utterly insufferable. And for a villian, and Donald’s rival, that’s all well and good.. but his super luck meant he RARELY , if ever, suffered any consequences for being just...

The 87 series simply made him nicer, while Going Quackers simply removed his luck. No adaptation really got how to make this fucker work.. until this one. Here Frank split the diffrence: Gladstone is still smug.. but he’s no longer actively malicious. While he is an insensitive prick to Donald in this one, unlike the comics he’s not constantly bragging about his luck or how great he is or actively BAITING Donald to fight with him or trying to ruin his relationship or a million other reasons he sucks and I hate him.

This version by contrast... is generous. He’s not the most empathetic, because he doesn’t get how life works, but he does share the riches of the casnio with everyone and in a cameo appearance in “Treasure of the Found Lamp” gladly offers his nephews some diamonds. He’s got a nice surface level charm to him that makes you understand why people like him.. but it’s also clear ther’es nothing UNDER that of value, making you equally understand why Scrooge and Donald hate him. Gladstone in this reboot is a perfect example of why we need reboots or new adaptations in the first place: Because sometimes the original got something wrong or something can be done much better by the new writers.

He’s perfectly paired with the setting: The House of Lucky Fortune, a mystical casino with an East Asian astatic based in the country of Macaw and provides two great plots. Donald’s really highlights his character: His understandable jealousy at gladstone earning the boys love through nothing while he struggles to make a living for them, and how he feels like a looser and like Gladstone is simply showing that off instead of just not knowing what empathy is. Having Louie be the one to bond with Gladstone was also just pitch pefefct, as is showing some depth for the boy by having himr ealize his hero is an asshole and be the one to help donald in the end.

The other plot is just pure joy though and is where the setting REALLY shines: Scrooge and the rest of the kids try to leave.. but can’t find the exit. This is where the creative part comes in: The Casino simply morphs to keep people trapped, and caters to them, giving them whatever they want to keep them trapped. In the cases of the kids it’s all hilarious and adorably in character: Huey becomes entranced by a fancy water show, in one of his best bits of the season, Dewey gets a pet tiger who sadly did not come home with him and Webby gets to live the dream we’ve all had of stuffing her face directly in a choclate fountain. Scrooge’s escape is likewise clever: He simply prepares to get a room.. then books it as the check in desk is ALWAYS near the front.

We then find out Gladston’es trapped get the whole mystical contest with absolutely gorgeous animation, i’ll talk about it in full some time but this episode is just a treat to watch, has a great arc for donald and had some memorable gags. I can’t help but smile when I watch it.

11. The Dangerous Chemistry of Gandra Dee! As I mentioned before i’m a superhero nerd so naturally Fenton was one of my faviorite parts of the show. Frank and Matt were just damn good at crafting superhero stories, and like gladstone improved fenton turning him from an awkward donald stand in to an awkward peter parker-esque science nerd who just wants to be a good person and the best hero he can be. He got into science not just because he thinks it’s neat, but because he honestly wants to help people and you can’t help but foot for him whenever he pops up. Lin Manuel Miranda is a large reason for that, bringing his incomparable a-game to the character. While we sadly didn’t get a ton of gizmoduck focused episodes, the fatct we got AS MANY as we did and that Lin didn’t drop out for a minute even with his busy schedule was a miracle and I’m acknowledging that.

As for why this one, I feel it builds brilliantly on the previous Fentoncentric episode Who Is Gizmoduck?! which just BARELY didn’t make this list and uses the fact we haven’t seen fenton in a while as both a plot point and to move some things forward without having to spend screentime they clearly didn’t have. By having Fenton be just burnt out on superheroics it finds a way to both explain where he’s been, he’s been busy with his new job, and give us an interesting angle to the old “superhero is tired of the life” thing. He never once complains about saving people or stuff... it’s just like any job it gets tiring after a while. As someone who has his dream job but has struggled with it from time to time, I vastly relate.

Though while I love my boy and Lin is game as always, the episodes real MVP is my other boy Huey. The episode has moved Huey up from being simply Fenton’s fanboy to being his best friend, and adorable as hell relationship. The two clearly respect and appricate each other and Huey is looking out for his buddy the whole episode. His love of love is also just really cute. Added in the mix is Webby, who in one of my faviorite gags of the series, finds out Fenton is Gizmoduck because Huey is incredibly and insanely blatant with his unecessary coverup. But she of course is game to help while Fenton is trying to play it casual. We also just get a waterfall of great gags as everyone overdoes it wingmanning for fenton: Huey sets up an itallian bistro and tries to purposfully create a lady and the tramp situation, and sings opera (With Manny on acordian), the wonderfully 80′s suit from Fenton’s dad his mom gives him to wear, and Launchpad, who gives us a tremendous list of his exes, and plays my favorite song of the series: It’s a Date, a micheal mcdonnel riff.

This episode also wisely ups Mark’s Beaks game as Fenton’s arch enemy, still keeping him hilaroius, with the guy acting like a bored teenager and guzzling so much nanite jucie he turns into a hulk, as well as said hulk mode leading to a ton of great gags from kidnapping the children (”I got your kids.. are they your kids? I don’t know how this family works), to “take that coach dad” to eating a pie with tins and all and wondering about said tins. But he’s an actual threat now, taking on fenton in one hell of a fight, and having an utterly transcendent scene where he hacks his way past gyro’s security while dancing.. and dabbing because of course he does. It’s a fun, well done character piece that’s mostly here for i’ts laugh but Fenton’s struggle with Gizmo overtaking his life, and finding out someone he truly hit it off iwth only wanted him for that.. it’s really good stuff and Lin’s delivery after Fenton finds out, the pure pain and betryal in his voice, is just excellent. Also that opera scene is poetry.

10. Quack Pack!

One of the episodes that started my career naturally landed here. Not for that reason though: Quack Pack is a fun riff on sitcoms, specifically the tgif ones of the 90′s that Disney Afternoon Kids no doubt also watched, the kinds Disney Channel still makes today, and most importanly the kind the Disney Afternoon itself made like Goof Troop and well... Quack Pack.

Riffs on sitcoms are nothing new and the last year has been FULL of them. 2020 gave us this episode, Beef House and the wonderful “The Perfect House” episode of Close Enough, and this year gave us WandaVision, my second favorite MCU project so far, right behind Black Panther, which used the sitcom deconstruction to create one hell of a character study.

So you’d think with a year having passed and this concept happening as an entire mini series would dull this one.. but no. it’s still damn funny, having fun at the cliches while, again like WandaVision, having one of the main cast be responsible by accident but go along with it. The episode pivots from glorious affectionate parody of cheesy sitcoms, to that plus horrifying “Humans”, and a character piece for Donald. This brings Donald’s hatred and fed up ness with adventure to a head revealing his fondest wish is just to have a normal life and not loose anyone again.

It takes one of his best friends to snap him out of it. Look Goofy is my second faviorite of the sensational seven, an episode with him was already an easy sell for me.. but the episode uses him really well. First for laughs as he’s gentically dispositioned to be a perfect sitcom neighbor.. but also for heart. With his family preoccupied and a bit hurt, i’ts Goofy who cuts to the heart of the issue, pointing out NO ONE is normal and even his normal domestic life raising Max, who we see go to prom with roxanne eeeeee, has all sorts of chaos. Normal is what you make of it and pining for some ideal that will never happen was just tearing donald apart piece by piece and by letting go of that.. he finally begins to grow as a person throughout the season. It’s also a great thematic tie in to the season’s overall plot with Bradford and what Makes donald, despite also disliking the chaos his family gets into, different. Donald accepted it and grew as a person.. Bradford clung to his hate and it ate him alive. Or turned him into a non-sapient kind of vulture. Before I close this part out Jaleel White is also excellent and I wish eh’d get back into voice acting. He’s so freaking good at it. Seriously man i’d love to see him and ben in a sonic property together as a mythology gag. Same with Jims cummings and carey. Just think about it whoever owns the sonic movies.. think about it.

9. The Last Adventure!

Look I knew this was coming, you knew this was coming. But it had to be on here. The Last Adventure is not perfect: The lack of a build up episode like the previous two finales had really hurt this one: even at about 70 minutes, it still feels rushed in places and Huey, one of hte main characters of the season, dosen’t feel like he has a full payoff to his character like Dewey and Louie got.

But despite those flaws.. this episode is just a damn good ending. Almost everyone gets a big moment paying off their character arc, everyone in the party that comes to rescue webby and huey, along with the two themselves, gets a moment to show off, and everything comes together to give us one last epic sendoff. There’s just moment stacked on moment stacked on moment from Launchpads heroic second wind and donning of the gizmoduck armor, to Webby’s tearful confrontation with Beakley, to Huey using the greatest adventure of all line to foil bradford in one of the most deligfhully nuts moments of the series, I could go on for days with just how triumphant this finale felt. While it left a lot of doors open.. that feels like part of the design. It’s the end of the fight with FOWL.. but our heroes will never stop adventuring, never stop going and never stop being in our hearts and the curtain call at the end is now my faviorite bit of end credits ever, perfectly giving the main cast and friends one last chance to take a bow in their own unique ways. I will always miss this show but I will never be disapointed by the note it went out on.

8. The 87 Cent Solution!

Look some episodes are show stoppers, some are heartfelt tearjerkers, some are all this and more.. and some episodes are just clever and hilarious. The 87 Solution is the second funniest episode of Ducktales with me and my go to episode when watching the show. It’s just pure fun and with a clever premise: Scrooge notices 87 cents have gone missing, and already coming down with a cold, goes mad with paranoia as the kids slowly don face masks, something that has become even eeerier given everything, one by one realizing he needs to stop.

While David Tennant is an EXCELLENT dramatic actor, his comedy timing is really something that shoudln’t be ignored and i’ts on full display here as his performance gets more and more deranged, to thep oint he thinks an 8th dimensional imp is repsonsible. He nicely balances the disturbing side of Scrooge’s paranoia, his distancing from his family, with plenty of great gags about it too, the standout being when he offers 2 million dollars to whoever took the money like he’s publicly appeasing kidnappers. It’s fucking brilliant.

But while David is awesome as ever what really, truly makes the episode is my boy, one of my faviorite characters on the show if not my single faviriote FLINTHEART GLOMGOLD. Keith Ferguson is ALWAYS a dream as the character but this is his best performance by far. Part of this is the addition of Zan Owlson, Kev who I mentioned earlier’s faviorite Ducktales character. She’s not only throughly likeable in her own right, but provides the one thing Flinty was missing; a straight man.. or woman in this case. Scrooge wasn’t TERRIBLE in the roll, but can easily step away from his shit or foil it. Owlson has to put up with Glomgold’s nonsense while desperatly trying to stop him from undoing all her hard work with sheer force of jackass. The two jut play off each other brilliantly, Glomgold not getting sh’es not his employee but his equal and Owlson constnatly snarking at him.

And of course both things hit their peak in the climax with the family staging a fake funeral (Though no one told donald it was fake), and we get the funniest scene in the entire fucking show as Glomgold burts in in a white suit, money shades and full dance number to “All I Do Is Win’, which when first watching this I was convinced the song was somehow accidnetly on in the background but nope. They got it after using it in the test phase and the scene is better for it. Glomgold twerking on Scrooge’s casket, trying to get on it to dance, and having to be placated like ac hild is the icing on this very rich cake

And the reveal scene is also gold as Glomgold gets into a YEARLONG staring contest with a baby, fails to steal more than the 87 cents and, in my faviorite touch, put on an imp costume just to make scrooge seem crazier... then keeps the damn thing on the rest of the time for no explicable reason. The episode is the show at it’s comedic peak while giving Glomgold a chance to be a genuine threat and that’s Glomgood.

7. Let’s Get Dangerous!

Frank’s Rebooted Version of Darkwing Duck is probably his greatest achivment with the show. While this show is a team effort, something I slowly realized as I reviewed the show, it’s very clear from the way he talks, how well he knows the show and how much effort was put into porting Darkwing into the reboot that this was his baby. While redefining ducktales for the 2010′s was clearly a huge dream of his... doing the same for the master of suprise was an even bigger goal. And as a huge fan of superheroes i’ve seen my fair share of half assed takes on laired and complex characters. The XCU alone is one giant grab bag of missed opportunities for me.

So i’ts no exageration when I tell you Frank.. nailed it. In one of the most brilliant moves i’ve seen for a superhero work Frank worked his love of the show into the reboot.. by having Darkwing have been a show, one Launchpad loved.. and so did Drake, who was inspried by the show to become an inspriation himself and while his attempt to do that through a zack snydery reboot failed, Launchpad encouraged him to do it for real. Drake was still himself, but the meta aspect and the toning down of some of darkwing’s more obnoxious traits that didn’t work in a universe that, while patently rediciulous still took it’s characters seriously, he made a BETTER version of the character.

This is where all that comes to it’s peak, and hoppefully convinced Disney to let Frank , and possibly matt, run the reboot. And no, even if Point Grey is producing that dosen’t stop that: Thanks to Invincible i’ve now realized that Seth and his friend Evan producing the show dosen’t mean it’ll be RAN by them, nor unrelated to this. It just means their helping make it and if anything given how lush and gorgeous invincible’s animation is, it’s a VERY good sign their helping out with it if it’s true.

But wether this versoin continues or not, Frank gave it his best shot. Part of his diffrent angle is having Drake as a rookie here and as such here we see him truly struggle: he’s had his origin, he ahs the cape, he has the gadgets (in a brilliant turn thanks to fenton, who he actually likes... but is so far the ONLY person to not get he’s Gizmoduck), and the city.. but no crime to fight and no real idea how to go about his lifelong dream. The events of the episode slowly shape him: WHile he already had the spirit for darkwing, never giving up, looking good in a cape etc, this episode gives him the heart the same way it gave his original it: With Gosalyn. Dimantopolis and Beatriz just play off each other perfectly, as the two go from neimies to slowly bonding as Drake realizes this kid needs him and that he needs to fight for more than just filing the ohle inside, and goes to hell and back to help her get her grandpa back, with one of the best moments of the episode to me being when Launchpad helps her realize how hard he’s been working at it, an exausted drake refusing to acccept that he can’t get her grandpa back because he promised. He grows from simply trying to live the dream.. to surpassing the original. We also see more from Launchpad, who grows into his new family and helps push his boyfriend and newa dopted daughter in the right directions. The episode really evolves these characters from the simple disney afternoon versions, who while awesome were made into fully fleshed out characters. Gosalyn still has her edge but now has a hard lesson to learn about doing the right thing, forced to give up someone she loves for the greater good but finding a new family in the process.

Part of what makes the episode work though as while it is funcitonally one big darkwing duck reboot pilot that’s awesome, heartrending and a joy to watch... it’s still a ducktales episode in parts without either part hurting each other. Huey plays a vital role, figuring the ramrod is too good to be true.. and discovering just how it is, then when captured, slowly unravling why Bradford’s there and being at least in part responsible for outing him as a FOWL agent. While this is largely Drakes story the rest of the cast is still vital to it: Scrooge trusting in huey, Louie serving as his logical counter and Dewey meanwhile bonding with team darkwing and helping Gosalyn, knowing exactly where she’s been and providing a nice foil. The episode is just one long and impressive love letter to the original show while creating it’s own thing and that’s really this reboot in a nutshell. It also has some of the best fights of the series, with the first fight between darkwing and bulba, where our hero, unlike his original counterpart, easily troucnes bulba using his speed and skill, is the standout.

6. Woo-Ooo!

I covered this one recently so I won’t go on for too long.. but I will say I hold this one up as the gold standard for first episodes. In one hour, hell even in jus the first half we get a sense of the whole cast, the tone of the show, and the world we’ve been thrust into. It gets all the table setting out of the way by weaving it into a compelling story of Scrooge getting back in the game, finding a reason to get back to what he does best in those he loves most and setting up the season long arc effortlessly in the process. The worst I can say about the episode is it sets the bar a bit high for Season 1 and a lot of the first half really struggled to reach these heights. This episode is a masterwork and the perfect showcase for what the series would be at it’s height.

5. Moonvasion!

Speaking of Golden Standards, Moonvasion is one of the best season finale’s i’ve seen. it’s not THE best.. but that’s a really high bar to clear and that spots currently taken in my heart by “The Crossroads of Destiny” from Avatar the Last Airbender. But while not the best of it’s kind, it’s sitll the best the series put out and is an utterly satisfying epic that ties up season 2.

While I love the Last Adventure, it had a LOT to tie up and was really hampered by having to do all of that with no direct lead in. Moonvasion by contrast hits the ground running with the Moonlanders arriving on earth and all hell breaking loose, and the episode itself breaking into two stellar plots. Scrooge leading an army of every ally he has against the invaders, and Della seemingly going for reinforcements.. but really just trying to keep the kids safe from it, to their anger once they find out.

Both sides end up going badly: Scrooge looses most of his army as Lunaris was one step ahead of him and is left iwth Beakly and Launchpad, while Della ends up marooned.. and finds Donald. The reunion between the two is the highlight of the special, as the two argue as you’d expect (And Dewey cutting in seemingly to stop it.. only to rant at Donald for costing him “ten years of turbo” is the best gag of the episode), before embracing.

Our heroes naturally find ways to bounce back though. Louie, capping off his growth for the season, convinces his mom they can’t just hide.. and in the second best scene of the episode sings the lullabye she wrote.. one Donald sung them every night

And no sooner than Della gets her step back and realizes that dangerous or not she and her newly reunited family have to get back in there, do the cousins show up on Fethry’s giant shrimp/girlfriend Mitzi, and our heroes head back.

Scrooge’s plot hits i’ts peak though as he’s forced to accept the help of an unlikely and unwelcome ally: Glomgold, who turns out to be exactly what they need: While his plan is as stupid, short sighted and insane as you’d expect, complete with forcing Scrooge to dress up as santa just to piss him off and dressing his sharks in parkas (”I call them sharkas”), the sheer lonacy throws Lunaris off as he dosen’t know how to deal with this and Glomgold not only gets the better of him but gets his company back as part of his scheme. “You were prepared for our best but not our dumbest!” “And i’m the dumbest theirs ever been! Muahahahaha! Wait...”

And of course our other heroes arrive just in time to save things.. and the episode still manages to pull off what many works struggle to, something tha’ts very hard to: a SECOND climax. Lunaris decides to just say fuck it and blow up the earth and i’ts up to our core family to kick his ass in space. Epic space battles, Della’s girlfriend meeting the family and more insues and an emotoinal, action packed and fully satisfying finale is had by all... and it’s all topped with one of the best sequel hooks i’ve ever seen as FOWL makes themselves known to us.. and prepares to strike.

4. How Santa Stole Christmas! This one will also be short as i’ve talked about this one.. a lottttt. The initial review, my best christmas specials list and my best of 2020 list. I stand by all of that: this is a unique and wonderful christmas special, i’ll be watching it every year, and i’ts full of charm, humor and gay subtext. In short it’s this series but on christmas footing.

3. Last Crash of the Sunchaser!

Another one I covered very recently, this episode is a master piece of suspense, slowly building tension as our heroes get closer and closer to the truth about Della.. and to death, the simple but deadly stakes making this an absolute nailbiter from start to finish. This is some of the series best pacing bar none... but what seals it is the ending: the masterful flashback finally explaning whatever happened to Della duck, our heroes lashing out at each other.. all cumilating in the best Scene of the show. I said it might be in the review but no I can confirm: Scrooge bitterly ruminating over things while we find out just how much he’s lost... ending with him tearfully and angrily sitting once again alone in one hell of a powerful shot echoing Scrooge’s first apperance. Damn fine stuff.

2. Escape from The Impossbin Only one episode not only matches Last Crash in mounting tension and atmosphere but suprasses it. With FOWL and Bradford’s true nature now out in the wind, this episode uses that to create tension and rattles it’s two most unshakable characters: SCrooge’s normal boundless confidence is shot, not sure he can win this time against an opponent who knows him as well as he knows himself while Beakly slowly unravels, pitting Webby against the boys.. and pitting herself against Webby when Webby sees her terroizing them is only dividing them. Both plots start out funny enough but slowly escalate in tension and stakes until by the end your on the edge of your seat. The Beakly plot is the standout of the two, giving Bentina the starring role she badly needed, having gotten even better in light of the finale. Everyone is at the top of their game and everything builds up to one hell of a twist ending and one hell of a badass boast from our heroes: Their down.. but their far from out and this is far from over.

1. Nightmare On Kimotor Hill!

I”ll be reviewing this episode in full later this week as part of my Lena retrospective, but I stand by putting it up top. This episode is ducktales in it’s purest form and focuses on it’s best original character as Lena grapples with her self hatred and her past. That core helps anchor an amazing concept: going into the Kid’s dreams and finding out their greatest desires. The results.. are all gloriously rediclous and are easily the best gags of hte series as a whole: Dewey’s high school musical santa claus is going ot high school nonsense from getting a’s in Dewology to running away from the abstract concept of a love intrest, to not getting the sybolism of himself crying a moon made of his own tears. Louie quite literally becoming garfield, and my faviorite scene of the show: Huey, wanting to be the tall older brother..g iving himself horrifcly long leg. While everyone else is just understandably baffled, what makes the scene is the banter between Dewey and Huey, with Schwartz and Pudi at their best as Dewey first freaks out and then asks what the hell man, while Huey defends his weird decision (”I”m not good at imagination stuff okay!”), and then tries to get a jar of pickles. Each dream is just so oddly and wonderfully specific to each kid and each one of the triplests dreams, as well as violets being color coded down tot he backgrounds is a very nice touch. The visuals here are just peak ducktales, using the setting for all it’s worth and the climax is utterly emotoinal and heartbreaking... and Lena’s break from her abuser, finally realizing she has the power now is not only a wonderful metaphor... but also just so damn cathartic. And that’s why this one’s the best to me personally: it just packs so much into 20 minutes: some of the series best and most creative jokes, a gripping emtoinal arc, and so much more. It’s just that damn good and tha’ts why it’s the best... that and starting Huelet for me. Seriously that LIbrary scene is so fucking cute.

Thank you all for reading. If you liked this artcle, join my patreon and help me get to my stretch goal for monthly darkwing duck reviews, a review of super ducktales and more after! Until the next rainbow... it’s been a pleasure.

64 notes · View notes

thatcartoonnetworkblog · 3 years

Text

Comic Review: Cartoon Network Presents #6

I said I was gonna do this, so let’s get this rolling!

Okay, so Cartoon Network Presents was among the first lineup of DC’s CN comics, alongside their Scooby-Doo book and The Flintstones and the Jetsons. Those are pretty self-explanatory, but CN Presents was meant to be a grab bag of the rest of their lineup, featuring favorites from the vast Hanna-Barbera library as well as some of their recent hits. At this point, I believe they were just doing Dexter’s Lab and Cow & Chicken, as Johnny Bravo’s first season was more or less written off as a failure at the time. But don’t worry, Johnny will have his day.

Okay, so confession time- this story is not new to me. Way back when, DC released a freebie comic which had stories from each of their three CN titles, and this was featured in there, alongside a short Scooby story where a stalker keeps on doning a costume to get closer to Daphne, and a Jetsons story where George is replaced by a robot version of himself. Needless to say, some serious memories came crawling back to me when I saw the cover.

Anyway, both of the stories featured in this issue are done by regulars in the comic industry, and I’ll bring up how apparent that is in a bit,

That said, I can see this story actually fit in an episode of Cow & Chicken, as it’s a cautionary tale that doesn’t go in the usual direction you’d expect, like many of David Feiss’ cartoons tend to do things. This starts off with Chicken littering, which goes against what his and Cow’s teacher taught them in school. Chicken, as per usual, is apathetic to his loud teacher’s learnings, but he changes his tune when Cow mentions that bringing in metal can bring you some change,

Needless to say, Chicken has some ideas, and he starts scourging around town. There’s a slight detour when he learns that you only receive payments from going to the trash collector directly, but it gives him incentive to have Flem and Earl help him out.

Alongside a dubious reading of Malcolm X’s philosophy.

The three of them find enough metal to hopefully make them a little richer, and they’re greeted at the trash heep by a weird looking Cerberus creature, and guess who they belong to!

Yeah, it’s the Red Guy. It’s not a Cow & Chicken segment without him, is it?

I had a better screenshot of his appearance, but it came out weird and I don’t feel like taking another, so let’s skip to this part where Chicken is caught cheating the scale, and is about to be rightfully punished along with Flem and Earl. Not by death, but by filling up the Red Guy’s furnace, which is actually pretty fair.

But have no fear, Supercow is on the way to come save the day! This comic even translates her dialogue for us, which the show never did.

It ends with her beating the shit out of Cerberus and the Red Guy, even though Chicken deserves his punishment. Flem and Earl, not so much.

It’s a fun enough story, and it does seem like a perfect fit for the show. The dialogue fits right in with the show.

Even Flem’s awkward, vaguely racist broken English. I’m not touching that one...

The art style is a little off, though, looking more like a regular DC comic than an episode of Cow & Chicken.

I mean, it looks like Chicken, but doesn’t the penciling look closer to an issue of Robin at the time instead of something? But it’s a minor complaint, as it’s still a fun read.

The b story is new to me, with a Quick Draw McGraw story. It starts off pretty ordinary, as El Kabong OLE’s himself to save the day. Er, not that ordinary, as El Kabong is a bit of a klutz and usually needs Baba Looey’s help, but it’s okay, something’s about to change.

It turns out that El Kabong’s identity may be liable for copyright infringement, as there’s a Canadian crime fighter known as Le Kabong.

We meet him here, and I believe he’s meant to be Loopy de Loop, but he looks more like Hokey Wolf... or maybe Mr. Jinx. Hanna-Barbeta made some nice-looking characters, but they get pretty samey.

Anyway, his agency was the one who ordered a cease and desist to El Kabong, while his French Canadian doppelganger refuses to follow suit, considering it unheroic. Until it’s discovered that someone kidnapped the local hockey team, and he takes action... so I guess he blames the devil we know? That isn’t really explained, as the next panel shows Quick Straw accepting a battle of the Kabongs.

So we’re about to get a WWE (or I guess WWF. Or maybe WCW?) match, until a new challenger approaches, with a German vigilante jumping in.

And then many more. This switches from wrestling to Super Smash Bros to a full on battle royale of the localized knock-offs. Which I won’t lie, it’s a pretty funny idea.

Luckily, what’s a Kabong without a trusty sidekick to save the day? A few of them attempt to team up to find a way to put a stop to this, including one who looks like Boo Boo with Yogi’s hat and Johnny Bravo’s glasses.

So it ends with the Kabong from Mars (no Spiders) threatening all of the puny humans to stop their shenanigans, and go back to their duties. Which hey, it works! And the story ends with Quick Draw attempting to turn the ten million pesos El Kabong received at the beginning from saving the day into cash. Except pesos are basically useless, which is funny haha right?

This reads like a Hanna-Barbera writer from the 90′s attempting to write a classic character in the present day, and mostly works alright. This does show off one problem with Quick Draw though, that its take on Hispanic culture during the period of the Wild West is problematic. Baba Looey for instance has an exaggerated voice, and he probably needs an overhaul to work today (how did that work in Jellystone btw? I still need to see it). And unfortunately, this point in the late 90′s isn’t all that much more sympathetic to Hispanic culture, as their take mostly stays the same.

But away from that, it’s pretty funny. I do really like Quick Draw when it focuses on how pathetic he is as a supposed hero, either with or without the El Kabong persona.

But I wouldn’t have known if this was in if I didn’t pick up the book. I do understand why Cow & Chicken was the main attraction- *insert Malcolm in the Middle “future is now, old man” img here*- but part of the appeal of Cartoon Network at the time was the mix of old and new school. It wasn’t uncommon to see a classic like Quick Draw next to a modern fav like Cow & Chicken.

But oh well, let’s finish this up. The letters column features a 12 year old offering some of his cartoon ideas- I hope John made it; another boy named John who offers a cute drawing of Space Ghost, and asks about Jan, Jase, and Blip, while insulting the latter, which the editor is not here for; and another boy asking if there are plans for stories featuring 2 Stupid Dogs or Secret Squirrel, as well as hopes for a Cow & Chicken comic. The editor shoots down 2 Stupid Dogs happening, and to be fair, I don’t believe that ever happens. Classic cartoons from 40 years earlier? Sure. Something that ended about five years earlier? Old news. But I do believe Secret Squirrel does show up at some point.

The editor then bemoans how no girls brought in letters this month, and offers a preview of the next issue, which involves Wacky Races. And guess what, I have that one too!

The issue proper ends with an editorial about the importance of recycling, which is fine and all, but my reaction to reading this was “blahblahblah put on more cartoons”

Not bad! Oh, and one more thing of note.

I know, I know, they’re the enemy, and I was all over CN at this point, but I have memories of this promotion. Even though I believe it was long over at this point, and Alex Mack should have aired its last episodes before this issue hit stands.

Here’s an ad! And now it’s in your head. Sorry/you’re welcome!

#cartoon network #cartoon network presents #cow and chicken #quick draw mcgraw #comic reviews #merch

8 notes · View notes

seddm · 3 years

Note

Hey Seddm! from italian to italian, what are your thoughts on Amphibia? It's been a day and I can't stop thinking about the last episode, and I want to be sure that I'm not the only one that thinks Amphibia is an insanely good show

POTENTIAL SPOILERS FOR AMPHIBIA S2 FINALE

I'm enjoying it a lot, gonna have to wait for it to be complete, but I'd say it's one of my favorite cartoons. It comes with the same issues that plague all Disney shows (namely having to dedicate most of the season to self-containted, self resolved fun stories: which doesn't mean I'd want all the season to be just PLOT LORE and nothing else, just that it'd be nice for the writers to be less constrained by what the channel wants, able to make more 20 minutes long episodes if they want, or more two parters and all that, but nope networks want most of the seasons to be enjoyable by kids while watching episodes out of order and for ten minutes at a time, so can't serialize too much), but it still manages to work around them better than most.

The S1 finale was extremely well done, nowadays most series start slowly, with plot and lore building up over time, for the first finale to be more of a heavy hitter, bringing some "oh snap shit got serious" moments to the table, so that in itself is nothing unprecedented, but they delivered a quality, both in pacing and emotional weights of many scenes, that usually doesn't happen that early into a production, when the writers and boarders and everyone in the team still has to properly understand what they want the show to be about and what the viewers might like the most. S2 finale was kinda rushed in the first part - I feel like it'd have worked better as a two parter, or even just a 30 minutes long episode (which is rare, but not unprecedented, Gravity Falls got one with the Stanford past episode), but the second half hit hard, and had some excellent composition.

I love the artistic direction, both characters designs, backgrounds and colors (some of the S3 humans seen in the new intro look a bit underwhelming to me, but I fully recognize it's way too early to form a proper opinion), and the characters themselves. Anne, in particular, started a bit slowly as far as having to learn a lesson multiple times for it to stick, but fully bloomed in S2 and grew a lot as a person: clearly she still has a lot of development to undergo before all the plots and friend-issues in the series can be solved (even more for Sasha and Marcy, even if in their cases it's clearly going to be more condensed since they have less screentime), but her words in No Big Deal truly reflect what the series managed to do so far, she found herself and it's clear and apparent from her actions, not just something we are told to take at face value. Grimes is another excellent character, he might have been made a bit more of a comedic relief in S2, compared to his S1 threatening self, but his relationship with Sasha is beautiful: it stemmed from unhealthy desires and ambitions, and led both of them to make some morally bad choices, but in itself is genuine and rooted in genuine care, and it's easy to see how it's going to play a big role in redeeming both characters. Hop Pop is a treasure and his voice actor is illegally good, every line he delivers is gold.

I'm not going to get into Amphibia as I got into SVTFOE, becoming active part of the fandom and letting it monopolize my thoughts for years, but the S2 finale still gave me a kind of hype to see what's next that I don't experience that often with TV series, and it certainly left quite the strong impression. I'm too bitter and salty about the whole state of the industry to imagine S3 being some incredible gift from the heavens that uproots the style of DTVA shows itself, but I'm eagerly expecting a fully enjoyable ride - and, naturally, a happy ending for all the characters involved. Bittersweet finales are for suckers, let Amphibia and Earth be forever in easy contact and Anne and Sprig to be forever friends and have slumber parties every other weekend.

#seddm answers #amphibia spoilers

12 notes · View notes

adultswim2021 · 3 years

Text

The Venture Bros. #1: “The Terrible Secret of Turtle Bay” | February 16, 2003 - 11:30 PM | S00E01

It’s weird to think how much I love this show considering how intensely I disliked this pilot.

The Venture Bros. was created by Jackson Publick, who wrote for the beloved, sorta-similar-I-guess The Tick. He did most of the work on this pilot himself. Doc Hammer came in late in production cuz he was “on tour” and he and Jackson were partners for the regular series. Their partnership IS The Venture Bros, which is maybe why this episode feels a little lacking. It’d be kinda like if Matt Stone did the first episode of South Park by himself because Trey Parker was on tour with DVDA, only to link back up with Matt for episode 2.

The biggest drawback of this episode is that it’s animated very cheaply using flash. This is basically a 25 minute Icebox cartoon. I think Mr. Wong made a cameo. Oh! There actually is a fairly insulting Japanese character voiced by Michael Sinterniklaas; even Jackson and Doc note that it’s “a little much” during the DVD commentary. It actually gets progressively more racist over the course of the episode. Look, I guess if you’re trying to make a Jonny Quest pastiche insensitive portrayals of non-white guys are kinda part of it. But even I tugged my collar a little bit while watching this, I tell ya.

Oh, I should say what the show is about. Doctor Venture is kind of an ex-boy adventurer type, like if Jonny Quest grew up but now he’s a bitter pill-popping dickhead with two sweetly naive boys who desperately want to follow in their father’s footsteps. The boys yearn for Hardy-Boys-style adventures and usually wind up in much more disturbing situations. It’s a comedy of juxtaposition, a word that I’m pretty sure I know what it means. Except for the presence of super-scientists and costumed villains, the world of The Venture Bros. is roughly as harsh and grimy as our own, so when Hank and Dean (Doctor Venture’s sons and the titular Venture Bros.) attempt to go have a wide-eyed boyish adventure it ends with them getting mugged and winding up with a FREAKIN’ HOOKER!

My reason for not liking this was oddly specific: In my senior year of high school a classmate in my drama class actually wrote a play with a similar premise: a cocky adventurer with two precocious but naive boys (they said “yay!” all the time, I remember) were doing some kind of Indiana Jones style thing. They also had a bodyguard who spoke tersely and dished out brutal violence at the drop of a hat. Sound familiar? Like, holy shit, a teenager I knew wrote the same fucking show! This was 2001; a version of this pilot was allegedly written in 2000. Did he just somehow find an early draft of Venture Bros on a message board or something and pass it off as his own work? I honestly wonder.

I didn’t like this pilot. I found it simplistic and not very funny. But, I love The Venture Bros. now, so it’s hard for me to hate on subsequent viewings. It’s definitely the worst episode of the series, but... it ain’t so bad, right? It’s got the boys in it. They say fun stuff. There’s a dog with no skin. That’s kinda cool. There are good little character moments despite the fact that the characters are underdeveloped. The animation though, jeez. I was an insufferable snob around the time this first aired, so there’s also that.

The Venture Bros. pilot aired in 2003, and was pretty popular among early Adult Swim viewers. I remember they heavily promoted a repeat showing that had additional scenes. The version on DVD is the extended cut. The only scene they point out in the commentary is the scene where Hank and Dean are playing with the bidet in the hotel.

It’d be about a year and half until we saw the show air as a proper series, which... actually isn’t that long in terms of Venture Bros. hiatuses, actually. Because of the enormous gulf between this and season 1 both in terms of time and quality, most would call this episode zero or the “pilot special” but I’m numbering this as episode #1. Please don’t flip out and be mad at me. I’ve had a tough year, dad.

MAIL BAG

Sorry, about that previous message about Master Shake. My phone gobbled up half my message somehow. Now if it were what we were talking about, do you think it would work for Master Shake?

MAIL BAG

Do you ever think Adult Swim will stop "bringing the funny"? Has it already happened? I don't know I do watch Toucan and Morty.

MAIL BAG. There was a time in 2006 when I think they spread themselves WAAAAY too thin and they gave shit like Saul of the Molemen 20 episode orders. I think that’s the closest they got, but there was still good stuff on there. I don’t know. I think there’s usually SOMETHING good going on over there. And you KNOW daddy like the good stuff

Are you gonna be doing anything fun for 2003

Am I... NO!

#adult swim #adultswim2021 #the venture bros.#venture bros #venture bros.

13 notes · View notes

ordinaryschmuck · 4 years

Text

What I Thought About “Enchanted Grom Fright”

Salutations random people of the internet who probably won't read this. I am an Ordinary Shmuck. I write stories and reviews and draw comics and cartoons.

When I started doing reviews, I told myself to stay limited to specials, movies, seasons, and even entire T.V. shows. I didn't want to do reviews for regular episodes of a show, mostly because there wouldn't be enough to talk about in a single post. For me, an episode has to either be astounding enough or important enough to warrant a review. And low and behold, The Owl House did just that with the episode "Enchanting Grom Fright." Keep in mind that I am going to be spoiling everything that happens in this episode. So if you somehow haven't seen it yet, I highly recommend that you do so. And if you haven't seen The Owl House yet...what the hell is wrong with you?

With that out of the way, let's get started with-

WHAT I LIKE

Luz independently looking for new glyphs: This scene is excellent for two reasons. Reason number one: It shows how dedicated Luz is to learning magic. So far, we have yet to see Hexide teach Luz anything regarding her unique way of doing magic. This is why it's great to see Luz try to find glyphs on her own so she can at least attempt to catch up with everyone else. There's also the implication that it's not an easy task for her, given the multiple crumpled up pieces of paper, which must have been failed attempts to make the plant glyph. This scene adds continuity from "Adventures of the Elements" as well, proving that Luz had learned her lesson in said episode. As for reason number two for why this scene is excellent: It sets up how Luz and Amity defeat Grom. Luz could have used her other two glyphs to destroy Grom, but doing so would take away some neat symbolism with the tree that was grown (more on that later). Therefore, Luz finding the plant glyph was a great set up with a proper pay off. Which is what I love about The Owl House. It takes things you wouldn't think twice about and actually makes something beautiful. Case in point: A 'Grom Night' poster was shown in a previous episode, hinting to the glory that is this episode.

Luz barely texting her mom back: I like this because it finally addresses Luz's conflictions for lying to her mom (Something I may or may not have toyed around with https://archiveofourown.org/works/23321692/chapters/55864000). These scenes present moments of how Luz isn't always the happy go lucky teen that she is. And I like that because it adds layers to a character who is already engaging enough.

That Gromposal: I made a post of all the things Disney has approved of before approving Lumity. I guess you can add to the list a character presenting an anatomically correctly drawn heart with the word 'Grom' written in what I can only assume is blood!

(Jokes aside, I legitimately like the dark humor in this scene, as well as Skara saying yes to the poor boy. It was adorable, damn it!)

Amity’s hostility swapped with being friendly: Here's a nice bit of character development for ya! It's just a few seconds, but those seconds show how far Amity has come since episode FIVE! Which is why Amity is one of the best characters in the show. Her development is so impressive that it's legitimately jarring to compare the Amity who was angry to see Luz, to the Amity who immediately apologizes, to Luz. But she still has years of conditioning from her parents to deal with, so of course, Amity's first instinct is to bare her fangs. And I'm more than positive that that instinct is going to leave her pretty soon.

Eda: While we're on the topic of great characters, let's take a moment to talk about Eda in this episode, shall we? Eda, throughout "Enchanted Grom Fright," has fully embraced her role as a maternal figure for Luz. The way Eda attempts to warn Luz about the dangers of Grom is a testament to how much Eda truly cares about 'her human.' And it's not like Eda doesn't acknowledge Luz's efforts at survival. She knows Luz can take care of herself, but that won't stop Eda from drawing the line when she knows Luz is in over her head. The best part is that when Luz admits that she was wrong, Eda doesn't respond with anger or even with a smug "I told you so." Instead, Eda's reaction is calm and nurturing. A response that Luz needed at that moment. It's sweet and genuinely heartwarming to see.

(And I love how Eda constantly admires her own beauty throughout the episode. Which is something I'm sure most fans can relate to.)

Luz and Amity’s talk in the forest: There is a lot to love about this exchange, due to how adorable it is. So here's a quick list: The clearly romantic music playing in the background. The way Amity slipped in the mud and was inches away from accidentally kissing Luz when getting pulled up. The fact that Luz sits down into the mud so as not to make Amity feel self-conscious about being filthy. Luz's sweet, sincere, and instant "I would" when responding to Amity wondering who would take her place as Grom Queen. The fact that Amity was surprised that someone would be willing to take her place in the first place. The payoff to Luz learning that she really did have a spider on the back of her head (Alright, that one wasn’t adorable, but it was definitely hilarious!).

Amity “destroying” Hooty: While I do enjoy seeing Amity act all sweet and gushy, I will admit that feisty Amity is still best Amity. Plus, this scene was remarkably funny.

Training Luz for Grom: This scene was a fantastic showcase for each of the Blight siblings. Now, because I've talked a lot about Amity (and will continue to do so), I want to start talking about Edric and Emira first. When first introduced to Ed and Em, my initial reaction was that they were meanspirited versions of the Weasley Twins from Harry Potter. Sure, Fred and George are known to cause mischief, but they do realize that there's a line you don't cross when it comes to family. That is something that Ed and Em ignored during their debut episode, where they tried to reveal Amity's diary to the world. Luckily, the writers picked up on this quick and made a subtle detour in terms of Ed and Em's personalities. They're actually decent supporting characters, and it's legitimately sweet with how they willingly help Luz. As for Amity, it's great to see that she still takes things seriously despite crushing on Luz. Most shows fall into the trap of making characters a nervous wreck when around their crushes. And while Amity does have those moments, there are still scenes like this that prove she isn't just some smitten kitten-and I hate myself for saying that. Amity is the voice of reason to her and Luz's relationship. And I'm glad that the writers mostly focus on that aspect of her personality rather than write her off as a flustered girl with a crush.

Those boys dancing together: While it's nice to see Luz and Amity's relationship blossom, that doesn't mean we should sleep on great representation such as this. While it's great to see so many romantic pairings between females in the last few years, it's rare to see two boys liking each other, especially in animation. Sure, male pairings exist, but I haven't seen them as celebrated as often as female ones. This is why it's nice to see that The Owl House crew sprinkled in these two boys dancing with each other. Representation matters for everyone, and this little acknowledgment is something worth mentioning, even if it isn't the main ship.

The hallway scene: But let's face it, this is what we came to see. Now when you think about it, there's nothing all that special with this scene. It's a typical romantic moment with a heart to heart discussion followed with witty banter, all while a romantic melody is playing in the background. You see this in multiple types of media, especially in Disney cartoons. The only difference is that this scene features a same-sex pairing and that what makes it amazing. It's essentially normalizing something that has been seen as inappropriate for years. And the fact that Disney of all companies is the one that greenlit a scene like this? That just makes this moment all the more impressive. Plus, I mean, c'mon. You have to have a will of iron not to think these dorks are adorable with this little exchange.

Splash zone: There's not much to talk about or analyze here. I just think the dark humor of a kid waiting in the 'splash zone' is funny. Because what does the splash zone get used for? Grom? The fighter? I don't know, but the fact that a splash zone exists for either of those reasons is what gets a chuckle out of me.

Skara and her date getting hyped for Grom fight: That's it. Skara is officially the best background character. I'm sorry, but a character earns that title when they immediately switch from wanting to kiss their date to "WHOO! BRING ON THE GORE!"

I don't make the rules. I just abide by them.

Luz’s greatest fear: This is something fans could have seen coming due to rewatching and reanalyzing the promo that dropped a little over a month ago. But for fans who ignored the promo, the episode did a great job of setting up this reveal. From the two times that Luz practically ignored her mother's texts, it can be pretty clear that Luz's fear would be something involving Camilia. However, before the episode premiered, everyone jumped on the idea that Luz's greatest fear would be Camilia forcing Luz to come back home. Instead, the scene portrays Luz's greatest fear as her mother's negative response to Luz lying for weeks. That idea is much more interesting to me because it reveals how much Luz cares so much about what her mother thinks of Luz. And unlike Amity with her parents, Luz's fears are much more justified due to Camilia actually being a good mother. A mother who planned to send her daughter away to summer camp, sure, but still a mother who would do that type of thing out of love rather than to protect an image. Which makes me hope to see more of Camilia in the future, just to witness the mother/daughter relationship she has with Luz. Because honestly, it feels like I've been working triple time with portraying that relationship myself.

Amity’s greatest fear: Ah yes, the one thing none of us could have predicted...ok, that's not true. Some of us did predict this, but most of us didn't take those predictions seriously. And BOY, were we wrong to do so. Because the idea that Amity's greatest fear is being rejected by Luz is both sad, yet kind of adorable. It proves just how much Amity has come to care for the same human she nearly got dissected, in episode THREE. It's a nice bit of character growth that I just can't help but gush over how sweet it is. But again, it's also depressing knowing that Amity is afraid by being rejected by Luz of all people. Luz! The girl who's sweeter than honey and would absolutely let Amity down gently if Luz didn't feel the same way (Which she does. She just doesn't realize it yet.). What's even more interesting is that it makes so much sense as to why Amity is more afraid of showing her fear to the school. Not only would Grom reveal that Amity has feelings for Luz, but it also has the problem of outing Amity as a lesbian, presumably long before she's ready. And seeing how her parents reacted to Amity's friendship with Willow, imagine what would happen if word got out that Amity had a crush on a human girl. Yeah, let's just say that Amity must be really grateful that Grom morphed into a vague, shadowy figure.

(Speaking of, can we PLEASE calling Luz oblivious for not knowing that Grom morphed into her? Yes, to us, it's painfully apparent who Grom was supposed to be. But it also looks vague enough to the point where it isn't unbelievable for Luz to not know it was her. Because from where Luz is standing, the only similarity is the height and body shape. If the crew stuck to using Luz's more apparent traits, then I'd say it's fine to say Luz is oblivious. But as is, it's not too far of a stretch for Luz not to know it was her.)

That dance scene!: Remember how some fans have been hoping for a slow dance between Luz and Amity? This is better.

From the choreography to the smooth animation, to their expressions, to even pure epicness of this scene. Everything about this dance is just so astonishing that I am convinced that several fans have watched it over and over and over again since the episode's release. And you want to know the best part? This scene has so many problems that I don't care about due to how great it is. Why does Eda just stand there and do nothing? I don't know, and I don't care. Why does Grom stand there and do nothing? I don't know, and I don't care. How did Luz and Amity come up with this perfect plan without communicating? I don't know, and I don't care. How did Luz catch Amity, even though it looked like they jumped off of the abomination at the same height, and would've landed at the same time? I don't-Ok, you get the point by now.

Don't get me wrong, these are all valid criticisms. But that's the testament of good writing to me. Because if a scene can make me forget/ignore the problems within it, then it's ok in my book!

The cherry blossom: And now we get to that symbolism that I've mentioned before. Because according to a five-second Google search: The Chinese describe the cherry blossom as a symbol for feminine dominance and, of course, a symbol for love. Now the feminine dominance part is clear, but I'm confident that The Owl House staff concentrated more on the whole "symbol of love" thing. Because how else are they supposed to hint that Amity and Luz are meant to be the endgame relationship? Reveal that Amity's gromposal was meant for Luz? C'mon. That would be-

It’s revealed that Amity’s gromposal was meant for Luz: ...You know those moments that are so awesome, iconic, and downright perfect that you just can't help but give a grand old cheer to it? That's this moment right here. Speaking of which: WAH-HOO-HOO-HOO-HOO!

Seriously, some of you have no idea how big this scene is. It would have been so easy to cut the scene short at Amity throwing her half of the note, and leaving it up to interpretation for who the whole thing was for. But the fact that we get to see that it was meant for Luz, thus confirming that Amity has a crush on her, is absolute perfection. Not only is it because this is a big step for Disney in terms of representation, but to me, it seems like a normalization of gay culture. This type of reveal is something that would be done for several heterosexual relationships. So to confirm that Amity has a crush on Luz as if it was nothing...that's...that's just awesome. It's awesome, and I am so happy that Disney even greenlit this decision. And I'm not even gay! So I can not comprehend how some of you are feeling about this moment!

(Also, this does not mean that Lumity is canon. But it does at least mean that Lumity is going to be canon. Only now it's a question of when rather than if.)

Luz’s Text to Home: This was just a sweet moment. You get a better understanding of the love Luz has for her mother within these few seconds, then you did throughout the entire series so far. I also like that this implies that Luz is going to try being more honest with her mom about being in a whole new dimension. Which is again, is something I've been playing with.

Speaking of my aforementioned fanfic, during this entire scene, I was thinking to myself: "Man. Maybe I don't have to write a chapter based on this episode, after all. It pretty much did the job for me. I'm just glad that show didn't do anything that would make what I wrote completely worthless. Because that would just-"

Camilia is getting LETTERS?!: “...Well shit.”

Ok, gags and goofs aside, I honestly love this reveal. Because this presents a whole lot of questions. Like, how is Camilia getting these letters? When did she start getting them? And more importantly: Who the hell is sending them?! This is another thing that I enjoy about The Owl House. Just when you think you're satisfied with the episode you're given, the writers throw in something you could have never expected in a million years. This is why lately, it's a toss-up between The Owl House and Kipo and the Age of Wonderbeasts for the best show of 2020 for me.

(BTW, WATCH KIPO AND THE AGE OF WONDERBEASTS! It's SO GOOD!)

Those Grom pictures: These were just cute. Especially the last one.

WHAT I DIDN’T LIKE

...Uh...Oh! I know!

King’s B-plot: A small complaint that I have for The Owl House is that most of the b-plots in several episodes just feel unnecessary. Episodes like "The First Day," and "Adventures in the Elements" had b-plots that were pointless and not as engaging as the a-plot. What's worse is that they seem like padding for time, when most of that time could be used for significant moments in the main plot. And honestly, King's story in this episode is the worst one yet. It's filler that is poorly paced and wasn't really all that funny (aside from the other b-plots which at least offered a few good jokes in them). I don't know. Maybe it's because I have Lumity brain rot and wanted more moments between those two, but I just could not get engaged in King's story.

And...yeah, that’s about it.

---------------------------------------------------------------------------------------------------------------

This episode deserves a well earned A+! Sure it has its fair share of problems, but the many, MANY, things it does right outweighs what it does wrong. On top of that, its one of the few episodes of any show I've seen that kept me up at night. Why? Because I couldn't stop thinking about how amazing it was. "Enchanted Grom Fright" is a worthy contender for the best episode of the season, and probably the entire series. It was heartwarming, engaging, and quite possibly the most important thing Disney has made in years. What else could you call it other than Enchanting.

(And no, this doesn’t mean I’m reviewing episodes of The Owl House from now on. Just the ones that are worth talking about.)

#the owl house #lumity #what i thought about

71 notes · View notes

gamesception · 4 years

Text

You Should Watch Infinity Train

Hey, “you”, hypothetical reader who enjoys cartoons, and who maybe misses the episodic fun with underlying mysteries, compelling characters, and imaginitive world lore of, say, Adventure Time. Certainly not any specific you, just a nebulous, general kind of you. You can’t prove this is specifically written for you! You don’t know me! I know lots of people! This could be directed at anybo

youtube

HEy! Look! It’s cartoon network’s Infinity Train! You remember Infinity Train, right? It had this pretty cool pilot that got big on youtube a few years ago, and everyone wanted it to be a show, and then it was! And people said it was good! But you were busy with a rich human tapestry of obligations and interests at the time, and it just didn’t quite manage to grab your attention. And that’s fine! Not every cool person needs to get into every cool new thing that comes around.

But did you know that Infinity Train *is still* a thing? The first season went over so well that they were picked up for a second, and now we’re half way through a third even, each introducing compelling new elements? So I guess it’s time for one of my gushing, overlong, spoils too much, high-key Alphys-style word cascades about why THING IS GOOD and maybe warrants another look, so if you’re already on the edge about maybe wanting to watch this show and don’t want me spoiling stuff as I gush about how good it is, then why are we even here? Just watch it now! But if you’re still not inclined, and a good hard shove might push you over the edge, even at the risk of some spoilers, then....

The main selling points of the first season are all right there in the pilot above. Overly analytical computer nerd protagonist Tulip is trapped on a train of indeterminate length where each ‘car’ is a discrete little world with its own themes to explore and puzzles to solve, perfect for episodic storytelling. Dual personality robot buddy/buddies tag along for amusing color commentary. Helpful friend who is a king but also a dog does amusing dog things while speaking with a deep and proper voice, a gag that you’d think would get old but literally never does. A dangerous, threatening vibe lurks just behind the whimsical fun, with a mysterious glowing number on Tulip’s hand hinting at the underlying plot. Neat sci fi world building peeks out around the edges, just waiting for you to tug on the corners.

And, you know, for a stand alone single season show, it’s all pretty good, and really well executed. You wouldn’t be surprised to hear it did well enough to get another season, but you might kind of wonder where the show could even go from season 1. Tulip has completed her character arc and ‘solved’ the mystery of the train. I mean, they could just introduce some new kid trapped on the train having episodic adventures from car to car, but after already going through those motions in season season one that might be a bit underwhelming so...

Hey look, it’s Jesse, the protagonist of Season 2, a new kid trapped on the train, having episodic adventures from car to car. He’s just like Tulip! Only he’s kind of bland, and his character arc is less complex. He’s not bad at all, mind. He’s fun and agreeable and upbeat, but as lead protagonist he’s a bit generic.

Honestly, he would have worked so much better in a supporting role to some other more interesting char

Holy shit it’s MT, the real protagonist of season two, and JESUS TAP DANCING CHRIST THIS CHARACTER IS EVERYTHING.

You see, back in one of the one-off adventures of Season one, Tulip encounters the Chrome Car, where she meets her reflection, and, in the interest of not spoiling the entire episode, It ends with MT leaving to pursue her own life and identity apart from the person she previously existed to reflect.

Well she’s back now, and season two is all about this perfect soul struggling to establish her own identity when the entire world seems stacked against her, from changing her appearance with the world’s most metal buzz cut, to evading the overtly Blade-Runner-esque mirror police, to making new friends of her own.

Friends like Jesse - who’s every bit as fantastic in a supporting role as he would have been underwhelming as the lead - and shape-shifting magic dear Alan Dracula. The friendship dynamic between MT and Jesse in particular works exceptionally well, so you really feel for them when the world starts trying to tear them apart, because it’s not just the Mirror Police standing in MT’s way.

Seriously, the climax of season 2 of Infinity Train is some of the most compelling and heart-wrenching shit I’ve ever seen in a cartoon. Like, I am here for pathos. Pathos and catharsis. That’s the shit I want, that’s the stuff that gives me life. Season one of Infinity train has plenty, but season two has so, so much more.

...

I kind of got side tracked there, and ended up gushing mostly about my favorite character, rather than the show as a whole, so, uh, lightning round.

You should watch Infinity Train because:

Dogs.

Monsters

Robots

Bears

Kate Mulgrew

Big fuck-off train (duh)

Colors

More Colors

Even More Different Colors

Did I mention Kate Mulgrew?

Games

Puzzles

Mysteries

Revelations

heartbreak

Sympathetic Villains

Non-sympathetic Villains

Villain Protagonists

Whatever the fuck this is, Jesus, that looks compelling, bet you’d like to know what the fuck is going on here, this is some 2001: a Space Odyssey shit. What devastating plot twists and herculean personal struggles bring our beloved protagonist here?

Sweet fucking catharsis. Like, I know it’s not saying all that much, we’ve long established that I cry at the drop of a hat, but I’m tearing up over here just thinking about this part. This part makes my chest hurt.

...

So there, that’s my pitch, and it hardly even gets into season 3, which is only a few episodes in at time of writing so I’m not sure where it’s going yet, but it is pulling the highly unusual villain protagonist angle, so that’s at least something.

If all that isn’t enough to convince you, then... oh well! Again, not every cool person needs to be into every cool thing. You’re a busy human being, with an aforementioned tapestry of obligations and interests to keep you occupied, so if you don’t feel like getting into this particular thing that’s perfectly fine and I’ll absolutely stop badgering you about it. I am not starved for people to gush over this shit with.

But if you ever do decide to give it a try, let me know. I’d love to hear your thoughts on it.

#Infinity train #lake #mt #show recommendations #spoilers

57 notes · View notes

fandomlurker · 3 years

Text

A Ponderous Rewatch: Prologue

You know, I didn’t think this would happen. I didn’t go into bingeing the 2020 renewal of Animaniacs with the thought “I’m going to watch this and then go and watch the original Pinky and the Brain shorts and spin-off show and do a rewatch and loose analysis on the whole franchise with special attention on queer subtext and themes”. What I initially set out to do was simply watch the renewal and see if it lived up to the show I watched pretty regularly as a kid in the 90s…or at least what I remembered of it through the haze of decades worth of time.

Pinky and the Brain was my favorite set-up on Animaniacs back in the day. Back then I probably wouldn’t even have been able to tell you why beyond “I think it’s funny and the characters are fun to watch as they screw up trying to take over the world”. Other segments were funny to me back in the day, too. Slappy the squirrel was great in that she was basically just like the classic, near-timeless Looney Toons a la Bugs Bunny and Daffy Duck, but as an old lady toon who’s seen it all and tries to relate to the changing world while proving that the ol’ slapstick ways still work. The Goodfeathers were entertaining despite the fact that I was a literal child and didn’t even know that it was a big ol’ spoof of Goodfellas. Hell, I’ve still never seen Goodfellas, but three pigeons trying to carry themselves like macho tough guy mafia folks while being goddamn pigeons is still funny with or without that context. And as for the Warner siblings themselves? Their skits were pretty consistently great as well. Lots of that Bugs Bunny-like energy of putting terrible folks in their place when they annoy you while coupling it with the dynamic of three child siblings who are very, very active and much too clever for the average person. It was fun!

But as I watched the 2020 reboot with its stripped-down cast now largely consisting of just the Warner siblings and Pinky and the Brain segments for the season (And I’ll be honest, some of the segments from the 90s like Katie Kaboom, Buttons and Mindy, and the Hip-Hippos are ones I’ll be happy to never have return because they were godawful even back then), it brought into focus the strength of those segments compared to most of the others from the old 90s line-up: The strong dynamic and chemistry of the relationships between the main characters of those skits. The Warner siblings are a trio of kids who, despite being truly cut from the same wacky cloth as the most beloved of Looney Toon characters, also very much tap into a very realistic depiction of sibling relationships. Sure, they get on each other’s nerves sometimes. Sure, sometimes they have disagreements on how they view a certain situation. At the end of the day, however, they care about each other more than anything else and work in such perfect sync despite differences in who they are individually. Sure, Yakko is a talkative theater kid jackass who sasses back at the drop of a dime. Sure, Wakko is kinda quiet and spaced-out and he has the appetite of a garbage disposal. Sure, Dot is adorable and witty and loudly and proudly feminist with an oddly feral streak. But if any one of them is inconvenienced or picked on or threatened in any way by someone, even if that someone is a powerful celebrity of some sort? You bet your ass the other two will immediately back their sibling up and make their tormentor’s life a living hell for the next however long the skit lasts. They’re little gremlin children who love one another, and have a surprisingly tragic backstory that actually speaks to a lot of fans on several levels.

But, okay, the bond between the Warner siblings is great and fun. What about Pinky and the Brain? What makes their dynamic stand out?

Folks, that’s where things get a little more…interesting. To me, at least.

So, watching the beginning of the 2020 reboot got me to slowly remember the parts I loved about the Pinky and the Brain skits from Animaniacs…were actually from their spin-off show. And the things I remembered most clearly from the spin-off were the more heartwarming moments that showed how much they cared about and loved one another, despite Brain being exhausted by Pinky’s dimwitted antics at times. And for a supposedly continuity-light cartoon show, there was a surprising amount of consistency to the main duo and their motivations. There was even a handful of reoccurring side characters the audience was expected to recognize from past episodes, as well, which is a bit strange to have for a show that initially seemed to aim to be strictly episodic. I remembered the odd amount of depth there was to the series. Nothing groundbreaking, mind you, but definitely something more than the average comedy cartoon.

So after watching the first few episodes of the reboot, I took to Tumblr to see if anyone remembered the old 90s show and to see how they were reacting to the new one. In doing so, I came across this post:

“i love that ppl make jokes abt a pinky and the brain version of the destiel confession because that. already happened....... the only difference is that brain pulls pinky out of superhell instead of dying on a barn nail”

Now, look, I’ve never watched Supernatural and only know it through Tumblr cultural osmosis, and at the time we were all riding off the high of the madness that was the finale of that show and the fallout from it. But ANYWAY…

This piqued my interest because 1. I didn’t remember watching an episode of Pinky and the Brain where anything like that happened, and 2. I was already picking up strong gay vibes from the reboot only a few episodes in. So, basically, I just had to hunt down this episode to sate my curiosity and see for myself if there was subtext in this 90s cartoon that I hadn’t quite picked up on as a kid.

I found the episode and started watching it. “Wow,” I said to myself, “this is a lot gayer than I remember…” And after finishing the episode, memories came flooding back to me:

That time the Brain fell for a girl mouse that was looked and acted lot like Pinky.

All those moments where Pinky would wear drag to disguise himself as Brain’s significant other in one way or another to further their plans for that episode, and how I could never remember it being ridiculed.

That one time they accidentally had a child together via a science mishap.

The ending of the Christmas special!...

And as I sat there, dumbstruck and searching Tumblr’s tags to see how far this particular rabbit hole (mouse hole?) went, everything finally clicked in my little bisexual mind.

This was one of the big reasons as to why I loved the Pinky and the Brain skits so much above all the others on Animaniacs all those years ago when I was a kid. It was the same sort of thing that subconsciously drew me to many of the cartoons and anime and media in general I loved as a child, back before I had the proper knowledge and self-awareness to know or express it.

Looking back on my life, I’d always gravitated to and resonated the most with stories and media with queer content in text or subtext. And sure, this cartoon was/is no Sailor Moon or Revolutionary Girl Utena with explorations of gender roles and queerness. It’s no Steven Universe or She-Ra with out and proud queer characters. It’s no The Little Mermaid or The Happy Prince where the stories were made by queer authors and subtextually about queer experience.

However…

However…!

I was surprised to find how deep the gay subtext went with Pinky and the Brain. Hell, I still am. This little Warner Brothers, Looney Toons-pedigree, continuity-light show about two lab mice trying to take over the world in bizarre, hilarious ways has such a weirdly continuous, heartfelt, touching, engaging, and sometimes outrageously raunchy queer undercurrent to it. All done in the 90s! It’s kind of baffling.

This is not to say that the creators and writers of the shows deliberately set out to do this. I don’t believe that anyone involved sat down and said to themselves “I’m going to make this so fucking gay!”. Sure, the voice actors of both Pinky and the Brain have said that they played the dynamic with “the energy of an old gay couple” and they’ve said plenty of suggestive or outright not safe for work things in the character’s voices in interviews and at convention panels. I firmly believe that they’re just having fun as the characters, just as much as I believe the writers were probably just having fun and putting in the gay subtext and suggestive lines as a kind of long running joke and seeing how far they could take it.

(By the time of the Pinky and the Brain comics, however, I’m not so sure. Some of the stuff they got away with in those issues is…amazing, to say the least.)

Regardless of actual intent, I think the writers of Pinky and the Brain (both old and new), have accidentally created a sort of subtextual, yet pretty powerful love story. And you know what? I want to rewatch this story for myself and write down my thoughts as I go along. I tried something similar quite a while back with Droids, and while I kind of ran out of steam as my life got busier and never finished, I have time now for something like this.

I should also say that I’m not out here to, like, convert anyone into shipping cartoon mice together. I imagine most people see Pinky and the Brain as nothing other than very close friends, and that’s a completely valid viewpoint to have. I doubt there will ever be some sort of canonization of a gay relationship between the two, as I imagine most of the writers on the new show (and hell, on the old one) are heterosexual themselves and would view such an idea as “ruining the comedy and the dynamic of the characters” or something similar. I’ve been in the fandom game long enough to know better than to hope and expect any media to sincerely tackle queer relationships in stories that only have the subtext there, especially in comedies.

I guess I’m doing this more to explore something I loved as a child and to see if I can find just as much if not more enjoyment from it as an adult, albeit maybe for different reasons. Hell, it’s also an opportunity to peek into a kind of time capsule from the 90s regarding how far queer subtext could be pushed back then, even when heavily couched in comedy. This is just a little project I wanna do for fun in my spare time. And hey, maybe a few of you out there will have some fun reading it too, who knows?

Either way, see you sometime soon in the new year.

#Pinky and the Brain #PatB #A ''little project'' I say as I look at the 65 episode list of the spin-off series...#What have I gotten myself into?

11 notes · View notes

party-of-rpg-muses · 4 years

Text

A Look At Stuff You Probably Never Heard Of: Final Fantasy: Legend of the Crystals

Last month, I mentioned that Final Fantasy: Unlimited was the second Final Fantasy anime. Today, we’ll be taking a look at the first FInal Fantasy anime. And not just any anime, but one that serves as a sequel to one of the games. Today, we take a look at... Final Fantasy: Legend of the Crystals! For this one, I’m gonna have to talk about a few spoilers.

Final Fantasy: Legend of the Crystals is a 4-episode OVA released from March 21st, 1994 to July 21st of the same year. It was animated by Studio Madhouse and licensed by Urban Vision when brought over the the US, where it was released on VHS in November 24th, 1998.

Taking place on Planet R, 200 years have passed since Bartz Klauser (referred to as Batz in the anime), Lenna Charlotte Tycoon, Faris Scherwiz, and Krile Mayer Baldesion defeated Exdeath (referred to as Exodes).

One fateful day, Queen Lenna Tycoon (the direct descendant of Lenna from Final Fantasy V) is informed that something is disrupting that crystals’ force. At the same time, Linaly and her grandfather, Hassam, set out to check on the WInd Crystal, being the descendants of Bartz. Along the way, they meet up with Prettz, Linaly’s longtime friend, who decides to tag along and accompany Linaly after an encounter with a monster leaves Hassam bed-ridden. But along the way, they’re beset by a fairly incompetent sky pirate named Rouge as well as her crew, but give them the slip and enter the Wind Shrine, where the Wind Crystal enters Linaly’s body.

Later, they encounter Valkus, the general of the Tycoon air force and captain of the Iron Wing airship, who accuses them of stealing the Wind Crystal. Later, the four come to realize they are the new Warriors of Light chosen by the Wind Crystal to protect the world from the encroaching darkness and the threat of Ra Devil, who has stolen Cid’s brain after his death to use his knowledge of the Crystals for his own evil deeds.

Despite the fact that Nobuo Uematsu didn’t write the music for the series, Masahiko Sato, the anime’s composer, took several cues from Uematsu’s work. And despite how simplistic the show can be, there are times where it becomes very fluid and even highly detailed.

And now, it is finally time for the FInal Recommendation: Never Let Go Of It||Get It||Hold Onto It||Try It||Consider It||Stay Away From It

Yeah, this show isn’t all that better compared to FF: Unlimited, but at least it feels more like Final Fantasy and the characters are certainly more interesting and useful. And some of the action scenes are pretty cool too. You can see the anime on YouTube.

However, the show seems to focus heavily on humor, leaving development heavily lacking; most notably with Valkus, as well as Linaly. And speaking of Linaly, there are a lot of panty shots at Linaly’s expense (ironically, Rouge in her revealing outfit has almost none) and they really don’t fit. There’s also the fact that when the Wind Crystal enters her body, her butt occasionally glows, thus bringing in another panty shot. They are incredibly bothersome, I won’t lie.

Funnily enough, many fans denounce this anime as a proper sequel, partially because it’s so absurd (and given it’s relation to FInal Fantasy V, the goofiest game in the series, that’s saying something), as well as the fact that Cid and Mid die some time after the defeat of Exdeath.

And I mentioned Valkus having lacking development. That being at the start of the story, he’s fiercely loyal to Queen Lenna Tycoon, but upon meeting Rouge, he falls head over heels in love with her and at the end, completely abandons his job to join Rouge as a sky pirate. Valkus can easily be compared to Adelbert Steiner from Final Fantasy IX, a comic relief soldier loyal to queen and country, but finds himself at odds with himself (and they butt heads heavily with the one of the other main characters). But the thing with Steiner is that he slowly learns that the world isn’t black and white and he doesn’t suddenly abandon his position out of nowhere, especially for love. Also, out of nowhere, Rouge is suddenly romantically interested in Valkus during the final episode.

Weirdly enough, despite Linaly and the Queen being descendants of Bartz and Lenna respectively, we know nothing about Faris or Krile’s descendants. By the way, the picture above is pretty much the only appearances made by the characters from Final Fantasy V. From back to front, left to right, there’s Faris, Bartz, Galuf, Krile, Cid (strangely referred to as Shido in the English dub), Lenna, and Mid.

And speaking of Mid, he appears as a major character in the anime, but as a ghost, having been killed by the main antagonist 200 years prior when Ra Devil stole Cid’s brain. Also, for some odd reason, Mid’s name is pronounced as “Meed”.

And one final thing I want to mention is that many voice actors involved with this anime would later voice characters in other Final Fantasy games, most notably X and X-2. Prettz is voiced by Matt Miller, who voices Clasko (the Chocobo Knight turned Chocobo Breeder) from FInal Fantasy X and X-2. Linaly is voiced by Sherry Lynn, who voices Shelinda (the young devoted Yevon acolyte) and the Shiva Fayth from X and X-2. Valkus is voiced by John DeMita, who voices Luzzu (the Crusader from Besaid who may or may not be killed by Sin), Barthello (Donna’s Guardian), and every Hypello (including Barkeep) in X and X-2, as well as Clarus Amicitia from Final Fantasy XV (Gladio and Iris’ dad). Ra Devil is voiced by Michael Sorich, who voices Galdes from Final Fantasy Crystal Chronicles: Ring of Fates, as well as Barbarossa from the Bravely Default series. Queen Lenna and Rouge’s henchwomen are voiced by Barbara Goodson, who also voices Marle from the Final Fantasy VII Remake. Mid is voiced by Julia Fletcher, who voices Lady Yunalesca and Elma (the energetic Chocobo Knight) from X and X-2, as well as Judge Drace from XII (also, her son, Connor, voices Kytes in the game), and Orphan in XIII. Also, a lot of them were involved with the Tenchi Muyo series. Anyway, I’ll see you guys next month, with another double-whammy. This time, it’ll be with two short-lived cartoon adaptations of live-action movies. I’ll see you then.

youtube

#Final Fantasy: Legend of the Crystals #Final Fantasy #Final Fantasy V #a look at stuff you probably never heard of #outofexp

7 notes · View notes

pocketseizure · 4 years

Text

Disneybound

Case #0180602. Statement of Ted Nakamura, regarding a strange experience at the Haunted Mansion attraction in Disneyland, California. Statement recorded directly from subject on June 2, 2018.

Jonathan takes the statement of someone whose memories may not accurately reflect the events of his childhood. He then has a short conversation with Martin and learns something (perhaps not so) surprising about Elias.

The events of this story take place after Episode 103, "Cruelty Free" (the one in which Jon reads the statement of a farmer in New Zealand with a monster pig).

( This story is also on AO3. )

. . . . . . . . . . . . . . .

Jon cast a level gaze at the American sitting on the other side of the table. He was fit and clean-shaven, and he appeared to be in his early thirties. He wore a wide grin and a bright red shirt depicting Minnie Mouse posing in front of the Eiffel Tower.

Jon sighed and pressed the record button of his tape recorder.

“Statement of Theodore Nakamura – ”

“Call me Ted, please. Or Teddy, if you like. All my friends do.”

“Ted Nakamura, regarding a strange phenomenon he experienced at the Haunted Mansion attraction in Disney World – ”

“Sorry, but it’s ‘Disneyland.’ Disney World is the one in Florida.”

“In Disneyland, California. Statement recorded directly from subject on May 25, 2018.”

“This is exciting! I love the detail you’ve devoted to authenticity. The tape recorder is a nice touch.”

Jon grimaced. “Statement begins.”

A hint of uncertainty crept into Ted’s smile. “I’ve never done this before. Is there a protocol? Maybe some sort of standard introduction I should start with?”

“Just tell me about the incident you came to report. You can start whenever you’re ready.”

“All right, I’ll start at the beginning.”

Ted clapped his hands on his knees and took a deep breath. Jon watched as his eyes made a brief circuit around the densely packed shelves arranged in disorderly rows at the rear of the room before finally coming to rest on one of the objects jammed between the accordion folders and cardboard boxes. He’d witnessed this process often enough that he could pinpoint the object of the man’s attention – a cloudy snow globe with a tarnished metal base. It wasn’t connected to any of the cases on file in the archives, merely something Gertrude had brought back from one of her travels on a whim.

“I guess you could say that I’m not the sort of person who would be the star of a Disney movie,” Ted began. “I’m not an orphan, and I had a happy childhood. My mother was an architect who moved from San Francisco to Los Angeles during the construction boom of the 1980s, and my father went to business school at UCLA and never left. His family is from Seattle, and they made some money in real estate in the 1990s. We’re comfortably middle class, but I went to one of the big public schools in Orange County.”

He paused, seeming to expect some sort of reaction. When it became clear that no such reaction was forthcoming, he continued.

“Even in LA, where everyone tries to stand out, high school was all about belonging to a group. I didn’t have any interest in the grandstanding of my school’s Gay-Straight Alliance, and I didn’t have the looks or the talent for the student theater club, which is where a lot of kids like me spent a year or two on their way out of the closet. Mostly I kept my grades up and my head down as my circle of friends from middle school gradually went their separate ways.

“My mom worked from home, and she made sure our house had the first high-speed internet connection in my neighborhood. I don’t mind admitting that I spent a lot of time online. I posted an embarrassing number of bad stories about cartoon characters on LiveJournal, and I eventually ended up being invited to join a popular Disney fan community moderated by a friend of a friend. All the people I spoke with on the comm were strangers, at least at first, but we gradually got to know one another as we responded to each other’s posts and comments.

“Between one thing and another, we somehow managed to figure out that most of us were the same age. Oddly enough, a lot of us lived in SoCal, so we decided to meet up over the summer at Disneyland. Everyone showed up, and we had a great time. We met again the next summer, and then again after my senior year.

“Nothing bad happened, but I stopped updating my LiveJournal after that. I went to college in New York, got a job in the city, and fell out of touch with most of my online friends.

“I moved back to LA four years ago, not that I do anything glamorous. I manage the back end of a tech company’s website and intranet, mostly database stuff, but I still have an IG account. I started it just for fun, but I joined early and picked up more than a thousand followers in less than a year. Someone suggested that it would be cool for me to visit to Disneyland and post photos, so I thought, why not? Like, I love Disneyland!”

Jon cleared his throat. “And what is this ‘strange incident’ you came to report?”

“Hold your horses, I’m getting to it. It’s important that you know my background, right? What I’m trying to say is that I’d only been to Disneyland three times before. It wasn’t a major part of my life. But it was a good part of my life – that’s important.”

Jon nodded in acknowledgment. “Very well, then. Duly noted.”

“Disneyland was considered to be a little seedy when I was in high school, but it’s gotten fancy in the past ten years or so. It used to be that you could just walk in, but these days you practically have to make an itinerary. So I did some research, got a group of people together, and we went and saw the sights. Everyone wore an outfit to match the style of a character, and we took a lot of pictures. The photos were so popular that I hit 5k followers in less than 24 hours, can you believe it? Everyone and their sister is into DisneyBounding these days, but picking up that sort of following from on-location fashion photos was still a thing you could do in 2015.

“Like I said, I had a happy childhood, but no one ever paid me that sort of attention. It was such a dopamine hit, you have no idea. Or maybe you do?”

Jon grit his teeth. “Please continue with the statement.”

Ted laughed. “Pushy, aren’t you? But that’s all right. It’s weird, but I feel like I can tell you anything. Has anyone ever said that to you before?”

“You’re not the first.”

“Maybe it’s the librarian thing you’ve got going on – or archivist thing, sorry. Puts me right at ease. And I appreciate that. If there’s an adult who willingly goes to Disneyland for fun, especially someone like me, people tend to think that’s creepy. The therapist I was seeing at the time called it ‘Peter Pan Syndrome,’ of all things. I never went to another appointment with her again, but that’s beside the point. What I’m trying to say is that I kept going back to Disneyland, usually with friends but sometimes with my boyfriend, who I met on Insta. We bonded while sharing theories about the Haunted Mansion, which is… Well, it used to be my favorite ride in the park. It still is, I guess, but I can’t go on it anymore.

“It took me long enough to get here, but this is the part of my story that should interest you. The reason I like the Haunted Mansion is because it reminds me of my mother, who passed away from a heart attack while I was living in New York. It was very sudden, completely out of the blue, and I never got to say good-bye. I never cared about the Haunted Mansion when I was in high school – we all thought it was cringe for some silly teenage reason that probably involved how awkward it would be if we were in the dark with each other. It wasn’t until I visited the park again as an adult that I finally went on the ride. When I did, I had this sudden flashback to a childhood memory.

“I must have gone to Disneyland with my parents when I was young, because standing in the dark and listening to the music made me recall being on the ride with my mother. This was during the lead-up, before you get in the Doom Buggies and begin the ride proper. I remember being absolutely terrified by what I thought was an endless maze. I felt like that line, after it entered the building, lasted forever. Kids can be like that sometimes, but my memory of this is crystal clear – the corridor genuinely didn’t end. I felt like there were people all around us, there had to be, but somehow it was just me and my mother, alone in the darkness.

“And then I remember that this terrible thing appeared out of nowhere. I’m not sure how to describe it. It definitely wasn’t a person in a costume, but it was too realistic to be the projection of a cartoon, and it was talking to us in voice that sounded like laughter and crying at the same time. Like it was hurt, but it found its pain amusing. Meanwhile, the walls kept stretching, and as they got taller I started to see awful things in the gaps between the ceiling and the floor.

“My mother held my hand the whole time. She kept whispering to me: ‘It’s going to be okay. You are brave, and you are strong. Nothing in here can hurt you.’ Just that, over and over, until the ride was over.

“When we finally got out, I ran straight to my dad, who knelt down on the pavement on the other side of the gate and hugged me. He and my mother both patted my back as I cried. I was so relieved to be outside again that my tears wouldn’t stop.

“My dad seemed confused by how afraid I was. This didn’t occur to me until I started thinking about it much later, but isn’t it strange that he didn’t understand why a young child would be frightened by a scary ride?

“I moved back to LA almost immediately after my mom’s funeral, but Dad became a little distant with me. We were both grieving, and it must have seemed callous to him that I was posting shots of myself at Disneyland on social media right after Mom died. Really I just needed a break from the move, from my job, from mourning, from everything – and I guess a part of me felt like my mother would never die as long as I kept returning to that memory of her holding my hand in the Haunted Mansion.

“My dad eventually moved on and married a younger woman. She would probably be my evil stepmother if my life were a Disney movie, but she’s actually a princess, and I adore her. I spend more time with her than I do with my dad these days, but I’m trying to do better. I thought I could reconnect with him if I took him along with me on a visit to the park, but he turned down my invitation. He told me he enjoyed my photos, but that he had never been to Disneyland and had no interest in going. Too many screaming children, he said.

“That was a surprise to me, so I told him about my memory of the Haunted Mansion. While I was talking, his face went completely pale. I don’t mean that as a figure of speech – it was like all the blood had been drained from his skin.

“He insisted that he had never been to Disneyland with me and my mother, but then he told me something strange. When I was about five years old, we went to visit his family in Seattle. My grandfather had just taken on management of a property in Capitol Hill, one of the old Gothic Revival mansions that used to be common there before the neighborhood gentrified. It was an old house, almost as old as the city itself, but my grandfather was having trouble finding potential buyers. The property had been designed by the student of a famous British architect by the name of Robert Smirke, and he wanted my mother to come take a look. Do a walkthrough, point out any potential areas of interest and value, that sort of thing.

“According to my father, my mother had a bad experience in that house. She refused to talk about it with him or anyone else, and she never went back to Seattle. She took me along with her on her tour of the property, and I was apparently just as upset as she was when we came out, even though my dad says we spent less than ten minutes inside. If I thought this place was the Haunted Mansion, and if the ride at Disneyland evoked such a strong memory, it makes me wonder – what did we see in that house?

“I checked with my grandfather, and he said the property never did find a buyer. The only person who seemed seriously interested was a British woman by the name of Gertrude Robinson. Shortly after she made inquiries, the place burned down. Imagine my surprise when I ran a search and learned that this Gertrude Robinson was employed by an institute dedicated to paranormal research.

“So,” Ted concluded, meeting Jon’s eyes, “I gave you my statement. I hope it will be useful to you. I was wondering what you could tell me in return.”

“Not much, I’m afraid. As you can see, we’re still in the process of organizing our records. We’ll investigate to the best of our abilities and contact you if we learn anything.”

“I would love that, thank you. Well, you have my information so…”

“We’ll be in touch. I believe I see my assistant Melanie hovering around. She used to have a large following on social media herself. I’m sure she’d be happy to show you outside.”

“So you’re from LA,” Jon heard Melanie say as she held the door open. Ted directed his dazzling smile at her, which she returned before allowing the door to slam shut behind them.

“Statement ends,” Jon muttered as listened to their conversation growing fainter. He ended the recording and leaned back in his chair.

“Any thoughts you’d like to share, Martin?”

“Oh, I, um,” Martin stammered. “I didn’t want to interrupt the, you know. The statement.” He rubbed the back of his neck as he emerged from between the shelves.

“It’s fine, Martin. It was a relief. To know that you were listening.”

“I’m sorry, I… What? It was?”

“I’ve never been good with people like that.”

“People like… Wait, excuse me?”

“People who are so…” Jon made a vague gesture to illustrate his point. “Sunny. Bright. Content. When someone comes here to make a statement, they’re usually upset.”

“Ah, right. I can see what you mean. But he looks like he just got back from a trip to the happiest place on earth.”

“The happiest place on earth?”

“You know, Disneyland Paris.”

“Disneyland Paris? They finished construction?”

“A few decades ago, actually.”

Jon sympathized with Ted Nakamura’s father. Between the crowds and the relentless sunshine, he couldn’t imagine a more ghastly location, and by this point he considered himself something of an expert on cursed geography.

“I don’t suppose we’ll have to go there ourselves to investigate,” he said, making an attempt to smile. He failed. His muscles were still tense from the process of taking a statement, and his face felt frozen.

“Really? You… want to go to Disneyland Paris? I suppose I could come too, I mean, if it’s not…”

Jon was alarmed by how red Martin’s face was becoming. Did Martin want to go to a theme park? Jon didn’t know much about Disneyland – or Paris, for that matter – but his childhood had been unusual, to say the least. He’d never asked, but Martin’s family couldn’t have been much if he had nowhere to sleep but down here in the archives. Perhaps he could use a vacation. Perhaps they both could.

Jon turned to face his assistant. “Martin, I…”

“Did someone say Disneyland Paris?”

Jon frowned. “Does this conversation interest you, Elias?”

“I heard you were planning a trip. You really must go sometime. It’s fantastic, quite the experience. I went myself, back in 1996.”

Elias made a quick series of taps on the screen of his phone before holding it out in front of him. Jon and Martin leaned forward to get a better look.

In the photo, Elias was posing next to someone wearing a Mickey Mouse costume. He wore an aloha shirt over denim shorts, and he was grinning from ear to ear. The camera had caught him in the act of pulling a tall man with a square jaw and a severe expression into the frame. The image quality was poor, but the man seemed far too pale for the summer sunshine.

Jon’s frown deepened. “And that is…?”

“Oh, this is Peter. You’ll meet him soon enough, I’m sure.”

“Do you, um. Do you go to Disneyland often, then?” Martin asked.

“Just the once. Peter lost a bet, you see.”

“Right.” Jon couldn’t put his finger on it, but he had a bad feeling about this.

“I wouldn’t mind going back. We could all go together, make an office party of it. It would be fun. You do know what fun is, don’t you, Archivist?”

Martin’s eyes darted between Elias and Jon. “I don’t think it’s safe to…”

“Come now,” Elias interrupted. “Would you have any reason not to?”

“China.”

“Excuse me?”

“China. I need to follow up on a statement, something Gertrude was looking into before she traveled to New Zealand.”

“Excellent. I’m glad that’s settled. I’ll leave you to your preparations, then.”

“Damn it.” Jon clenched his fists on the table as Elias left. A trap had been set, and he’d walked right into it.

“Don’t feel bad,” Martin said, oddly perceptive. After everything they’d been through, Jon was coming to appreciate that about him. “At least we know that Elias is still human. He likes Disneyland, after all.”

Jon wasn’t convinced that a fondness for theme parks qualified someone as being ‘human,’ but what would he know? He had to admit that Elias was right about one thing – it would do him good to get out of the archives.

“Are you really going to China, then?”

“I suppose I am.” Jon removed his glasses and rubbed his forehead.

“I’ve always wanted to go someplace like that, somewhere far away,” Martin said, his eyes darting to the tape recorder on the table. “I’d like to hear about it. If you don’t… If you don’t mind, of course. Maybe I could, I mean, we could go out for a coffee together. After you get back.”

“All right,” Jon replied, replacing his glasses. That would be rather nice, actually. “After I get back.”

#The Magnus Archives #Jonathan Sims #Martin Blackwood #Elias Bouchard #Haunted Mansion #full episode format #canon compliant #ghost stories #my fic

7 notes · View notes

lollytea · 4 years

Note

What are your opinions about Jungle cubs? I loved that show as a kid!

hi hello!! thank u for humoring me!! i love getting asks about the stuff im currently obsessed with that nobody really cares about, it makes me feel valid! also i dont have well constructed opinions, i just have a very messy, manic head so i just babble all my thoughts. for that i am sorry

im not gonna say jungle cubs is the best damn cartoon to hit the tv and maybe its just my own biased love speaking when i call it a good show but it means a lot to me personally. it brought me comfort as a little kid, i came back to it as a teen when i was feeling very alone and came back to it again as an adult just cuz of my recent love of baloo and talespin and needing something to keep me upbeat during the quarantine.

and ive watched quite a few cartoons i loved as a kid that i dont really vibe with anymore. i tried rewatching gummi bears. its not my thing. but jungle cubs is?? really good?? its just so charming to watch. i love the expressive animation, i love the smooth flowing dialogue, i love the playful and naive tone it has of just a bunch of kids being kids, i love the depiction of these characters, i love the performance of the voice actors, i love the layers it adds to the original film. layers that were never intended to be in there in the first place but isnt that just the beauty of interpretation and ones own imagination.

its such a formulaic concept isnt it. to take a classic show/movie and make its protagonists babies for a spinoff. but i dunno, i always got the feeling that whoever was the backbone of this story actually cared about the characters they were writing and took a sincere approach to it.

they thought in-depth about how to devolve them from their current personalities in a realistic way and what aspects of themselves are so core to their being that they would have been ingrained since childhood. the cubs feel pretty three-dimensional and considering theyre cash grab spinoff babies, that is an amazing feat.

but also, i love it for the very very very simple reason of its really adorable. bagheera especially. to see such a stoic and levelheaded character in his earliest stage as a child just Hits for me. cub bagheera is clever, hes cautious, hes a little stuck-up, all traits he has in the movie. hes also not the best hunter, doesnt know how to roar yet, is a little cowardly, sorta awkward at times and is often trying to prove that hes the best even though hes aware that he is nowhere near the best.

like its easy to believe the kind of person he grows up to be but at the same time, its really interesting to see the more childish aspects of himself that he eventually matured past. and hes adorable dude! baby bagheera voiced by EG Daily is the sweetest goddamn thing, i love him so much

also shere khan who is a fuckin doozy. hes very interesting in this too. everything about his attitude is reminiscent of a preteen who says mean things to you on voice chat while playing overwatch but if you tell him you’re gonna call the police on him, he starts panicking. thats shere khan’s vibe, a real edgy little tiger who thinks hes hot shit cuz he probably caught something bigger than a mouse like one time and its gone to his head.

hes constantly stalking around, subtly bragging about what a natural predator he is. but at the same time, he’s still around?? hes still hanging around with the other cubs cuz hes ALSO a cub and likes to play around with other kids his age. and he fucking loves his friends. the amount of times he’s scared off bigger animals who were about to harm them. and its really sweet cuz they like him too. while his attitude is definitely annoying sometimes, they still consider him their friend and enjoy his company. its just wholesome.

plus hes also pretty vulnerable as hes a cub. he doesnt stand a chance when they come across a grown animal as a threat. he gets scared just like the rest of them, hes just so arrogant that he never admits it.

in fact the appeal of the show in general to me, is the vulnerabilities of all the characters that comes with being in their most immature state. they dont know any better when it comes to stuff. this show is real dumbass hours

EVERYTHING about baloo is just great. he does not change even slightly. he is exactly the same except hes little and his voice hasnt broke yet. his child voice is amazingly fitting also.

i mean i guess one thing that differentiates him is adult baloo had some semblance of a philosophy. he was wise....in a way. baby baloo does not know shit about shit. he does not think. he just vibes, okay?? i love him mwah

i dont have much to say about the others but i DO like this interpretation of them more than their adult selves. it also just feels bittersweet that they grew up to be such dicks. Haithi is lovely, i love that hes just out here TRYING to be a colonel but he lacks the authority that comes with being a grown elephant and he doesnt have the self confidence to command anybody yet. he is simply babey.

louie is a very cute little dude, i love him and baloo as just an idiot squad. he also has a very good voice

kaa.....i dont trust. on one hand, hes very sweet as a child but on the OTHER HAND he grows up to be the creepiest fucking creation disney has ever put in a movie so that snake will always rub me the wrong way even when im trying to like him.

also ONE THING thats driving me crazy about this show is like. it has the best depiction of pre-adolescent boys that i have ever seen in a cartoon ever. just the way they behave. theyre sweethearts one minute, extremely mean the next minute, going from building eachother up to lightly bullying eachother, lots of unprovoked play fighting, laughing over dumb shit, rude to strangers for no goddamn reason, theres just a lot.

it fuckin knocked me back like 15 years cuz it reminded me so much of kids i used to play with. and these arent even human children whose brain development is documented, these are animals, this show had no business being this spot-on.

i dont like season 2. it has a few gems here and there that i get a kick out of. but as a whole, its really disappointing. since the show swapped production companies, they seemed to uproot it completely and start from scratch. and its kinda sad cuz i think they were TRYING to do something poignant when it came to a future narrative but it just didnt land. firstly there was a huge animation downgrade and looking at the two season in comparison is kinda depressing.

also they redesigned the characters, some looked worse than others. baloo looked fine but i still preferred his og look. bagheera....was the worst. rip bagheera.

they all underwent a huge personality change. and not in the way that showed subtle maturity, i mean a vapid exaggeration of their original personality. the only characters who were left relatively alone in this regard were baloo and kaa. and i dont mind gradually changing a character since there IS an adult version of them that they should be growing into. but the season 2 depictions are literally the furthest things from their adult selves that its unbelievable.

another pet peeve is they changed a few of the voice actors and.....i love these season 2 voice actors in other work theyve done. dee bradley baker and cree summer specifically who are both very talented people. but they did not fit these roles in the slightest. (not to mention having cree summer play an APE and suddenly having her do a LOT of monkey noises that the previous va never had to do. im not gonna get into all that BUT hmm.) and if youre gonna recast the characters to make them sound “older” as least make them sound somewhat similar to the jungle book actors, so you can picture them eventually growing into those voices.

also the tone shifted so much between seasons. the way they tried to make this jungle more of a “society” with shit like talent shows and sports games and celebrities and like fuckin. STOP. theyre animals. just let them be animals. along with that the writing just feels really off and its just. not fun. i dont like it

and as i mentioned, they WERE trying to do something here. the fact that the cubs didnt hang out with eachother as much and were starting to drift apart is kinda sad and wouldve liked it see it handled a little better. but instead i got season 2, which was stupid. and im 21 and im petty.

anyway i am very sorry that ended so negatively and im very sorry that rant was completely all over the place i have no sense of proper organization i just wanted to gush about what i love. but on a positive note i love jungle cubs!! its very dear to my heart and makes me very happy and i wish it had gotten more episodes

12 notes · View notes