read in 2023!
i did a reading thread last year and really enjoyed it so i am doing another one this year!! as always, you can find me on goodreads and my askbox is always open!
The Adventures of Tom Bombadil and Other Verses from the Red Book by J.R.R. Tolkien (β
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Ninth House by Leigh Bardugo* (β
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Beowulf by Unknown, translated by Seamus Heaney (β
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The Rise of Kyoshi by F.C. Lee (β
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Hell Bent by Leigh Bardugo (β
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Her Body and Other Parties: Stories by Carmen Maria Machado (β
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The Importance of Being Earnest by Oscar Wilde (β
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The Shadow of Kyoshi by F.C. Lee (β
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The Black Flamingo by Dean Atta (β
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Nine Liars by Maureen Johnson (β
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Sharks in the Rivers by Ada LimΓ³n (β
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Babel, Or the Necessity of Violence: An Arcane History of the Oxford Translatorsβ Revolution by R.F. Kuang (β
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Firekeeperβs Daughter by Angeline Boulley (β
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Paper Girls, Volume 1 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (β
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Paper Girls, Volume 2 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (β
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There Are Trans People Here by H. Melt (β
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Everyone in My Family Has Killed Someone by Benjamin Stevenson (β
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Paper Girls, Volume 3 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (β
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Paper Girls, Volume 4 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (β
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Howlβs Moving Castle by Diana Wynne Jones (β
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Paper Girls, Volume 5 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (β
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The Guest List by Lucy Foley (β
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Paper Girls, Volume 6 by Brian K. Vaughan, Cliff Chiang, and Matt Wilson (β
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The Princess Bride by William Goldman (β
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Care Work: Dreaming Disability Justice by Leah Lakshmi Piepzna-Samarasinha (β
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Daisy Jones and the Six by Taylor Jenkins Reid* (β
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Goldie Vance, Volume 1 by Hope Larson, Brittney Williams
Hell Followed With Us by Andrew Joseph White (β
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The Inheritance Games by Jennifer Lynn Barnes (β
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The Hawthorne Legacy by Jennifer Lynn Barnes (β
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Are Prisons Obsolete? by Angela Y. Davis (β
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The Final Gambit by Jennifer Lynn Barnes (β
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Who Goes There? by John W. Campbell Jr. (β
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The Left Hand of Darkness by Ursula K. Le Guin (β
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Going Dark by Melissa de la Cruz (β
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Working 9 to 5: A Women's Movement, a Labor Union, and the Iconic Movie by Ellen Cassedy (β
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Why Didn't They Ask Evans? by Agatha Christie (β
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The Murder on the Links by Agatha Christie (β
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The Waste Land and Other Poems by T.S. Eliot
The Mostly True Story of Tanner and Louise by Colleen Oakley (β
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Hollow by Shannon Watters, Branden Boyer-White, and Berenice Nelle (β
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Heavy Vinyl, Volume 1: Riot on the Radio by Nina Vakueva and Carly Usdin (β
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Burn Down, Rise Up by Vincent Tirado (β
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Heavy Vinyl, Volume 2: Y2K-O! by Nina Vakueva and Carly Usdin (β
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Simon vs. the Homo Sapiens Agenda by Becky Albertalli (β
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Five Little Pigs by Agatha Christie (β
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Malibu Rising by Taylor Jenkins Reid (β
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Last Night at the Telegraph Club by Malinda Lo (β
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The Backstagers, Vol 1: Rebels Without Applause by James Tynion IV, Rian Sygh, and Walter Baiamonte (β
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The Odyssey by Homer, translated by Emily Wilson (β
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The Backstagers, Vol 2: The Show Must Go On by James Tynion IV, Rian Sygh, and Walter Baiamonte (β
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A Midsummer Night's Dream by William Shakespeare (β
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Happy Place by Emily Henry (β
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After Dark with Roxie Clark by Brooke Lauren Davis (β
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Night of the Mannequins by Stephen Graham Jones (β
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Lord of the Flies by William Golding (β
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A Little Bit Country by Brian D. Kennedy (β
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Built From the Fire: The Epic Story of Tulsaβs Greenwood District, Americaβs Black Wall Street by Victor Luckerson (β
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Cheer Up!: Love and Pompoms by Crystal Frasier, Oscar O. Jupiter, and Val Wise (β
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All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages by assorted authors, edited by Saundra Mitchell (β
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Gwen and Art Are Not in Love by Lex Croucher** (β
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St. Juniper's Folly by Alex Crespo** (β
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The Last Girls Standing by Jennifer Dugan** (β
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Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann (β
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Where Echoes Die by Courtney Gould** (β
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Your Lonely Nights Are Over by Adam Sass** (β
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Princess Princess Ever After by Kay OβNeill (β
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Thieves' Gambit by Kayvion Lewis** (β
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The Secret Adversary by Agatha Christie (β
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Youβre Not Supposed to Die Tonight by Kalynn Bayron (β
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Our Wives Under the Sea by Julia Armfield (β
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Devotions by Mary Oliver (β
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The Lightning Thief by Rick Riordan* (β
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The Sea of Monsters by Rick Riordan* (β
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The Titanβs Curse by Rick Riordan* (β
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The Battle of the Labyrinth by Rick Riordan (β
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The Last Olympian by Rick Riordan (β
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Suddenly a Murder by Lauren MuΓ±oz** (β
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The Demigod Files by Rick Riordan (β
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Big Little Lies by Liane Moriarty (β
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All Thatβs Left to Say by Emery Lord (β
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The Lost Hero by Rick Riordan (β
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Who's Afraid of Virginia Woolf? by Edward Albee (β
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The Son of Neptune by Rick Riordan (β
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The Spirit Bares Its Teeth by Joseph Andrew White (β
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Halloweβen Party by Agatha Christie (β
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M Is for Monster by Talia Dutton (β
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The Mark of Athena by Rick Riordan (β
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Our Shadows Have Claws: 15 Latin American Monster Stories by assorted authors, edited by Yamile Saied MΓ©ndez and Amparo Ortiz (β
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These Fleeting Shadows by Kate Alice Marshall (β
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Northanger Abbey by Jane Austen (β
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The Hunger Games by Suzanne Collins* (β
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The Dead Romantics by Ashley Poston (β
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Catching Fire by Suzanne Collins* (β
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The October Country by Ray Bradbury (β
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Hamlet by William Shakespeare (β
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The Legend of Sleepy Hollow by Washington Irving (β
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Mockingjay by Suzanne Collins* (β
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The Appeal by Janice Hallett (β
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The Westing Game by Ellen Raskin (β
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The Carrying: Poems by Ada LimΓ³n (β
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The Hundred Yearsβ War on Palestine: A History of Settler-Colonial Conquest and Resistance, 1917-2017 by Rashid Khalidi (β
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Born to Run by Bruce Springsteen (β
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The Ballad of Songbirds and Snakes by Suzanne Collins* (β
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Know My Name by Chanel Miller (β
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Rifqa by Mohammed El-Kurd (β
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Bloodchild and Other Stories by Octavia E. Butler (β
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The Witch Haven by Sasha Peyton Smith* (β
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The Moving Finger by Agatha Christie (β
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The Essential Calvin and Hobbes by Bill Watterson (β
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A Murder is Announced by Agatha Christie (β
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The World Keeps Ending, and the World Goes On by Franny Choi (β
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The Witch Hunt by Sasha Peyton Smith (β
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Thatβs Not My Name by Megan Lally** (β
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The Princess Diarist by Carrie Fisher (β
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The House of Hades by Rick Riordan (β
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Dark Tales by Shirley Jackson (β
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Pageboy by Elliot Page (β
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All This and Snoopy, Too by Charles M. Schultz (β
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The Blood of Olympus by Rick Riordan (β
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Murder in the Family by Cara Hunter (β
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The Mystery Writer by Sulari Gentill** (β
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Comfort Me With Apples by Catherynne M. Valente (β
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The Deep Sky by Yume Kitasei (β
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Spell on Wheels Vol. 1 by Kate Leth, Megan Levens, and Marissa Louise (β
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Spell on Wheels Vol. 2: Just to Get to You by Kate Leth, Megan Levens, and Marissa Louise (β
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Freedom is a Constant Struggle by Angela Y. Davis (β
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Kindred by Octavia E. Butler (β
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The Christmas Appeal by Janice Hallett (β
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So Far So Good: Final Poems: 2014 - 2018 by Ursula K. Le Guin (β
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Murder on the Christmas Express by Alexandra Benedict (β
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Midwinter Murder: Fireside Tales from the Queen of Mystery by Agatha Christie (β
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Mother-Daughter Murder Night by Nina Simon (β
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Hercule Poirotβs Christmas by Agatha Christie (β
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Wuthering Heights by Emily BrontΓ« (β
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The Twelve Days of Murder by Andreina Cordani (β
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The Christmas Guest by Peter Swanson (β
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The Sittaford Mystery by Agatha Christie (β
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The Twenty-Ninth Year by Hala Alyan (β
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Christmas Presents by Lisa Unger (β
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Letters From Father Christmas by J.R.R. Tolkien
Bellweather Rhapsody by Kate Racculia (β
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An asterisk (*) indicates a reread.
A double asterisk (**) indicates an ARC.
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Not sure why and not going to think more about it but maybe Lilia would like to hear stuff about cinematography? I feel like it's a maybe with Vil? Definitely with Rook as I feel like Rook would listen to anyone about anything because he
Heck I bet talking about cinematography to Grim, Ace, and Deuce may get them wanting to make a short film.
I do think I'd find random info about cinematography interesting. Any random tidbits ya want to share?
Lilia would probably enjoy my bullshit!
(Vil and rook scare me lol)
Random knowledge:
Framing of scenes can be super important for the story! Making the choice to have certain items or a certain POV for a shot can complete change the intended energy for a scene.
The vertigo effect was invented in the 1940's and used for the movie 'Rebecca' but it didn't get the desired effect right until 1958 with the film 'Vertigo'.
It is created by rolling the camera AWAY from the Focus and simultaneously zooming IN. It is used to create an air of dramatic unease!
My least favorite equipment piece is a crane due to the annoyance of setting up and moving the sucker.
My favorites are the gimble and shoulder mount!
Gimbles are used to create a steady-cam while the camera has to move a lot. This is really handy for action scenes if you want a POV that's kinda IN the action!
They are basically good for anything that requires the camera to be moving frequently to maintain certain shots and you DONT want the camera to shake artistically.
Extreme Close Ups are a good way to make the scene feel claustrophobic or like it's closing in
My favorite film in a cinematic sense is "The secret Life of Walter Mitty"
Other bullshit:
Audio is the make or break with many films. If you have shit audio and it's not artistically intentional, restart.
You can get the best sound effects by doing the weirdest thing!! (Tree fall down? Break/eat celery next to the mic)
This is called 'Foley' and its one of of my favorite things!
I was often in charge of soundtracks becuase I loved keying up sound effects and music tracks! I also have big ass Audiophile style headphones.
Horror films aren't scary to me because I am too busy looking at the camera angles and giggling like a fangirl
My favorite silent film is Nosferatu
I have hearing loss from being the designated sound guy- People always yelled into my mic as a prank (I would have a headset plugged into the mic to make sure i got good sound)
I also often doubled as a "SCRIPT SUPERVISOR" which is in charge of continuity between shots, (ie I made sure your hat didn't change to a diffrent hat between scenes)
My film team hated me as script supervisor and storyboard manager because I was "too ocd about it" and would correct things "too often"
I still want to fucking fight them over that
They also cut a lot of my audio effects from the final version of the short film and that made me even more pissed
I used to "Lone Wolf" a lot of my projects becuase everyone hated to work with me due to my work style (or just hated me lol)
I often let actors improv dialog becuase it felt more natural and I was horrible at story-telling! It was a pain to edit, but the reactions and emotions were GOLD
I really like dramatic lighting! I would often use lighting that would give harsh shadows, one of my favorite lighting sources was actually bonfires.
Fucking love horror films, they go absolutely HARD with soundtracks and specific shots (Extreme Close Ups my beloved β‘β‘β‘)
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