can i just say, it still makes me feel a little crazy how astarion, come act 3, still can’t quite put a name to his relationship with his partner, but he WILL tell them he wants to keep them both safe.
he won’t say i love you just yet but he will say forever, for good.
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little bit personal but i’ve gone through lots of weight fluctuations in my life and no matter what size i am, summer is always hard for me.
which is why i cannot stop thinking about being ghost’s partner through summer.
we already know that he’s a man of few words, prefers to observe more than anything. so he really doesn’t miss the meticulous way that you plan out your outfits.
shorts have to be a certain length, shirts have to be at least long enough to hit your hips and sleeves long that are up to mid bicep. hell, he’s even seem you choose to wear pants all summer instead of even attempting shorts. too anxious over how you’ll be perceived to let yourself enjoy a nice warm breeze on your legs.
he asks you once if you’re warm, approaching the conversation the best way he knows how, only to have you laugh and tell him that the pants just hold you better. don’t need to give people a reason to comment on your appearance. he nods and you seem happy that he’s happy with your response.
but he’s not. listen, simon’s not really one to jump to defend someone’s ego from being bruised. god knows the team rags on johnny too often for him to pretend otherwise. but this? nah, this is different.
he’s all too familiar with the way bodies react and absorb the shock and trauma of war. has seen soldiers of all shapes, sizes, identities tank hits like no one’s business. there’s absolutely nothing he despises more than for the untrained, ill informed cretins offering opinions on someone else’s body. specially if it’s ever directed at you.
he’ll never say this though. at least not outloud. though, his actions do speak for themselves.
small pats on your hips as he passes by you. wrapping his arm around your lower belly instead of your waist, you try to swat at him but he just pulls you back into him. insisting that he lays on you when you’re stretched on the couch, dropping kisses on your clothed belly while his hands draw patterns on your plush thighs. if he’s feeling cheeky he’ll sink his teeth into them just to get a little squeal out of you.
even in public he doesn’t ease up. pulls you into his lap in front of your friends, knows you love it despite your protests. lounging out on a patch of grass along the walking trail, he pulls you closer to him and has one of your legs draped over his. massaging the fat there as you chatter about nonsense.
idk simon riley just really loves you and loves the body that keeps you alive and feeds your personality.
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theology of gentle parenting
My mother believes tantrums
are inherently sinful, wrong
expressions of will.
I cannot agree.
Not least because Original Sin is
an Augustinian notion, but also
because I look at my son,
losing his little mind because
I denied him a fourth treat.
He has no concept of right and wrong.
He knows only "want" and "don't have."
He experiences disappointment, yet
without the grownup capacity to
rationalize and accept.
He screamed because I took a bath
too hot for his little body, and
because he was tired and cranky.
Say it is sinful. Say he is doing wrong.
Surely grace becomes so much more imperative?
He has no concept of right and wrong.
He knows only the
strong emotions of the moment, and
he is distracted in the next by his toys.
Or we take a timeout and help him calm,
teach him to soothe those emotions.
But why is it sinful? He has these
Big Emotions and no words to put them in.
Are not emotions from God?
Is it sinful to feel disappointed? Or angry?
The proverb says "be angry,
and do not sin."
Is not the anger accepted, then?
Are we condemned for emotion?
I cannot accept that. I cannot
believe in a God Who forms us a certain way
and then damns us for acting
as we're formed.
I cannot accept such injustice.
So I will show my son grace and gentleness.
Is that not divine?
And even if I am wrong,
if it's sin after all,
is not forgiveness, compassion, Love
the essence of the Divine?
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Twenty One Pilots just dropped this absolute masterpiece of a music video for Paladin Strait and I am having so many thoughts.
The (literal) Neon Gravestones? The zombies as a representation of what we've become? (They're controlling you, those thoughts that rule over this depression city, and now this is all you'll ever be—a body seized by Them)
Torchbearer and the Banditos acting as a distraction for Clancy to face the Bishops (his demons, the dark parts of his thoughts) only for everything to end when Blurryface enters the picture (so few, so proud, so...emotional)?
I don't know what I was expecting with that ending. I don't know what color will Clancy's (Tyler's) eyes be when he opens them in that last frame. (Golden? Red?) I don't know if I want to know.
Clancy opened his eyes. Clancy opened his eyes to look straight at Blurryface when he was being grabbed by the neck (painted black—always black) in remembrance of the Jumpsuit music video. Did Blurryface take control? Is Clancy back to fighting himself? (In an album about cycles, about not knowing if you'll ever truly get better, about backsliding and pushing through and growing old with the same fears you had over ten years ago—this seems oddly fitting)
But that's not the message. You are better than you were ten years ago, if only because you're still here—still alive—and now you're able to snap your eyes open and stare your demons down (even if they're grabbing you by the neck).
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people bitching and moaning about fob "turning mainstream" as if that was never the entire point of fall out boy. that's In the goddamn dna of the band, it's baked into the ethos of why the band started in the first damn place. to be accessible to kids and especially to girls, who were often ridiculed and shunted out of the hardcore community. to be a gateway to bands that aren't as mainstream. to comment on the society they live in, as they live in it. people act like fall out boy "turning mainstream" was some kind of "betrayal" when from the start they were seizing on the trends of the time, putting their unique, unhinged fall out boy spin on them, and shooting them back out as a funhouse mirror. take this to your grave capitalized on the pop-punk zeitgeist that was big in the late 90s and early aughts and put their own spin on it: enmeshed catchy choruses with high-dexterity lyrical & linguistic skewerwork. infinity on high was basically a massive critique of the scene they were in - this ain't a scene it's a goddamn arm's race is a fucking thesis statement on what it is to be catapulted into fame in an industry that wants nothing more than a thousand cookie-cutter copycat acts of a successful formula, and fall out boy WAS the formula everyone desperately wanted to emulate. american beauty / american psycho blended sampling and modern hip-hop stylings with polished pop-rock and pointed those songs back at the snapshot of the 2010s we all lived in: commenting on racial injustice and the freeze-frame nature of relevancy. but even then they weren't doing it quite right - because fall out boy never does things quite right, they're never quite conventional, whether it's wentz's darkly confessional lyrics double-bagged in metaphor or stump's distinctive clear tenor or trohman's inescapable rock 'n roll edge or hurley's thunderous hardcore-punk-rock soul.
this band has always been too clever for its own critics, is the thing. but then, they always knew that. they knew they had a thriving fanbase of largely female fans so they were going to be mocked and belittled and ridiculed. they weren't quite right. they weren't quite so easy to market. pete wentz had to have all his hard edges filed off and cut down to size, skin lightened, literally whitewashed ("i feel like a photo that's been overexposed") to hell and back, even as he was marketed as the pretty boy of the band. and the other three members never even bothered with the spotlight: the soft-spoken vegan straightedge anarchist drummer and the wry, wisecracking, whip-clever guitarist who was more concerned with being the connective tissue than anything and the reticent vocalist who sang the words and wrote an awful lot of music but wasn't really the guy fronting the band. wentz's charisma carried the band, because the rest of them were really just some guys and never aspired to be anything else.
fall out boy is too pop. fall out boy is too mainstream. fall out boy isn't the real poster child of the emo movement. other bands are better. even within fall out boy's own narrative, they are repeatedly ignored, sidelined, and belittled, as though they weren't one of the only acts from the big 00s emo-pop movement to successfully not just survive the transition from the aughts to the '10s, and then later from the '10s to the '20s, but to thrive in it without banking on nostalgia. this band was supposed to be a flash in the pan. they weren't supposed to last and they weren't supposed to get big. they started off in joe's parents' attic because joe and pete were sick of how exclusionary and homophobic the hardcore scene was.
i think it's high time that people acknowledge how fall out boy has repeatedly succeeded where most of their other peers failed. cunning, clever, capable, and hyper-aware of the space they occupy in the culture surrounding them. that they are just as powerful, important, and artistic as any of the other bands in the scene that others might deify at their expense. that they deserve a hell of a lot more respect than they get from critics or hardcore punks who think they sold out. i hope one day they get that recognition. because they've earned it, time and time again, and the more i see people pushing back against that, the more certain i become of its inevitability.
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To be clear, I'm not going anywhere. I love this community, and although I'm disappointed seeing how certain things have been handled, I still believe in the objective of QSMP: uniting communities and people from all around the world and breaking down language barriers.
Regardless of what happens next, or whether people choose to step away from the series or not, QSMP gave many content creators and their communities a platform to meet other people and make those first cross-cultural connections and friendships. The positive ripple-effects from that aren't going away anytime soon.
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auhhg whatta,.. rrrhgm,,..
i could've like drawn me or something but no. go my mimic go blorbo
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TOME BIRTHDAY WEEK !!!!!
Bonus tome and serizawa gamer bonding 🎮💥
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27 Feb '24 // NJ vs SJ
"We're definitely happy with the result. Needed that win... Think we've just gotta start...not thinking too much, not getting too frustrated... Take a good feeling out of this game, and do it again."
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tis the season where the weather is beautiful and sunny and everything is green and i want to go outside except outside is the temperature of the sun with 80% humidity
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hey in case anyone needs the reminder
fuck ai, and fuck the people using it to steal and scrape from artists and writers and actors and creators because they can't be fucked to pay for or learn a craft that requires passion and devotion
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literally cannot stop drawing mulcahy with this exact face
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"Rambley's actually evil!!"
Okay? And?? He's my special little buddy, he can do whatever he wants, including atrocities.
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It's pomegranate season :)
A redraw of this piece from around a year ago
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Women, so pretty, so shaped, i am so lesbian,,,
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