[ID: A digital comic in two images of Samama Khalid and Celia Ripley from The Magnus Protocol on a gray background. Sam is a fat South Asian man with short, curly black hair, and a mustache and small goatee, and he is wearing a turtleneck, a cardigan, black nail polish and small black earrings. Celia is a slim Korean woman with short black hair, and she is wearing a button down shirt, a vest, rectangular glasses, an x-shaped earring, an industrial piercing, and snakebite studs. Sam is colored in solid red, and Celia is colored in solid green.
The first image is three drawings of Sam. The first is of him looking up pleadingly with his hands clasped and his eyes large and sparkly with sparkles around his head saying "Ahem, please?" The second is him holding up two tickets and smiling, saying "Ta-da! These incredibly exclusive, hardly-discounted, barely obstructed theatre tickets?" The last is him holding up the tickets to himself to read them and saying "I don't really know much about it, I just thought-" His eyes are drawn as dots in the last one.
The second image is of Celia smiling down at him with half-lidded eyes and an amused and slightly scheming smile. She is blushing lightly with a thought bubble next to her with partially blocked out text reading "I need to (blank) him and (blank blank) him until he (blank)". The censored parts also contain pink hearts on the black censor bars. end ID]
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thinkin bout that one bit. i love him <3 celia you need to kiss his silly little face or i will
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Psych polycule is so funny to me bc those are at least the three most high maintenance bitches ive seen and now youre throwing them in a relationship together . The only reason this relationship keeps going is stubborness
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Thinking about this time we're I made a post suggesting the idea Peril x Icicle, and some guy started batching in the comments like
"EW SERIOUSLY?? THEY WOULD HATE EACH OTHER SO MUCH AND RIP EACHOTHERS THROATS OUT. YOU ARE WEIRD. THEY HAVE NO CHEMISTRY."
like, THATS LITERALLY THE POINT. IT'S TOXIC YURI WHICH THIS FANDOM LOVES.
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⚠️Spoilers for Look Back but I was initially confused about what Fujino and Kyomoto's relationship had to do with pursuing a career as a mangaka. After thinking about it, I interpret it as a narrative device to represent what will come when choosing to pursue art (of any form, whether it's comics, painting, animation, music, etc.).
Think about it, what's Kyomoto's role in the story? She is what got Fujino to take art seriously in middle school, and what motivated her to continue after she initially gave up. However, she's also the only thing in the story that makes Fujino wish she quit art. First, halfway through 6th grade and then later after her death. She serves as Fujino's motivator and de-motivator.
I think the scene of Fujino wishing that she never told Kyomoto to come out (that pursuing art only led to suffering) represents artists' regrets. We literally look back and see an alternate universe where Fujino never pursued art and it has a happier ending. Anyone that pursues artistic dreams will end up regretting it at some point. It's not easy, any artist will tell you that. The story is saying yes, you probably will end up healthier and more stable by giving up your dreams. Because art is suffering.
But then Fujino enters Kyomoto's room after reading the comic from the alternate reality and all of a sudden we get a montage of the happy memories and accomplishments they had pursuing their dreams together. And we realize that, everything we saw of them in the alternate 'happier' reality pales in comparison to this:
The happiest both of them look in that alternate world is when they finally meet and promise to work together someday. They loved art. They loved each other. Giving up on your dreams means missing out on all of that, and nothing in the world can replace it. Because yes art is suffering, but art is also joy and love.
And so the end of the story where Fujino goes back to work isn't her moving on. She tapes the comic strip in front of her to remind her of Kyomoto, to remind her of why she got into comics in the first place. Basically, Kyomoto IS art to Fujino. A life with her means experiencing both suffering and joy, while the life without her means having none of that.
I might be wrong about this, like maybe Fujimoto just wanted to tell a mangaka story with doomed yuri (valid) HOWEVER i like my interpretation so im sticking with it.
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