#what a fantastic sendoff to my favorite anime

[turning-the-kaleidoscope]

I love that mp100 is a story about self-acceptance and not self-love.

self-love is a loaded concept and it’s very, very hard and I’d dare even say impossible for most people to attain. and even if you attain it one day who’s to say it won’t be gone tomorrow? What does it mean to “love yourself”? I tried to “love myself” for many, many years and consistently failed not just to achieve it, but also to explain it. And even within “self-love” there were always parts of myself that I hated.

Self-acceptance is more neutral than that. Self-acceptance is “yeah, I do have parts of myself that I wish were different and that I might work to change. But I am this person and this person is me—and that’s okay. I don’t have to love it. I don’t have to hate it. If I love it that’s okay. If I hate it that’s okay. I can just be me, honest, and move forward in the ways that seem fit.”

It’s a more hopeful outlook on the self. It’s an attainable outlook on the self.

Self-acceptance lets us move forward.

[a-deadly-serenade]

nocturne review, ramblings

obvs spoilers for the show down below.

so, i'm gonna be real with y'all; i dont think i would have watched this if not for one of my mutuals spilling the beans about alucard making an appearance 💀 s4 was ok and a fine conclusion to the og castlevania that started this animated franchise, but i dont think i will ever get over the absolute fumble and frankly, insulting way they wrapped up s3. even s4 had its cringe moments, like lenore getting a peaceful sendoff and carmilla getting to kill herself. but, i digress. i was going into nocturne with an already negative mindset and that may have made me more critical of the show. can u blame me though? lmao

i had seen a few clips and screenshots on twitter when they dropped the first 3 eps early and... they only helped solidify my decision to remain skeptical of the staff's writing capabilities. shit was already a little hazy and wishy-washy with their portrayal of isaac in s2 and how they treated hector thruought the show (not to mention the two asian-coded characters in s3). let's just say, the netflix castlevania team doesnt have the greatest track record when it comes to writing poc characters. so, when i saw screengrabs just outright stating that this show was going to deal with historically accurate racism? hm.

obvs as a white woman, i can only go so far on this criticism of the writing, but i dont really understand why they needed to include this? the comparisons and allegory of freedom from indentured servitude to the french revolution, was very weak and bare bones at best. you can keep the motif of the church existing on exploitation and blood of the people-- a whole cross section of the world was involved in the crusades, which is the priests & his entourages whole deal--but, why couldnt annette just be a witch? why did this "historical accuracy" need to get involved with the time period? bcuz the french revolution was name dropped? your main villain is a hungarian countess from the 16th century that made a pact with an EGYPTIAN goddess to become all powerful. like.

and also..... why the FUCK are vampires getting involved with the intercontinental slave trade bro??? 😭 theyre immortal beings that have seen the rise and fall of empires and can do whatever tf they want and go wherever tf they want and they choose to..... own a plantation? give af abut the economy? with selling goods??? okkkkk. also, this line of dialogue is insane to me:

you cant have a central theme of your story be standing up against the oppressors and then make said oppressors fantastical monsters. what kills me is that they've delved into the monstrosity of humanity in s1 and s2, and yet, when you bring in one of the most monstrous things humanity has ever done in its history for the sake of historical accuracy, you turn the very perpetrators into something mythical, and evil that the common folk had no chance of ever defeating even if they tried. its just overall, very messy and they certainly were not the creative team to try and tackle something like this.

speaking of, the writing, again, it definitely left something to be desired. there are moments that are good, don't get me wrong. episode 6 is a particular favorite of mine, shining through with its wonderful character moments b/w annette's soul searching with her ancestors, richter and juste's heart to heart, and olrox's confessions to mizrak. tera's sacrifice to ensure maria's safety is also really well done, as well as maria's final confrontation with her father in the church. however, these were fewer and farther between than i would have liked. a lot of the scenes that played out just fine, were ultimately sullied by this series' incessant need to insert swearing into every other sentence. its something that bothered me nearing the end of s4 especially, and i've just grown tired of it. it honestly takes me out of the scene to constantly hear fuck thrown out every 2 seconds for literally... no reason. i promise y'all can write meaningful and impactful dialogue without having your characters swear lmao

the writing itself is what unfortunately makes the first half of the show kind of drag a bit. the story doesn't really know what it wants to do. none of these new characters are really given time to breathe and be really fleshed out, bcuz every time things settle down and we're given the chance to learn more about their motivations, its like they're almost scared they'll lose your attention and any down time is immediately followed up with an intense action sequence. which, dont get me wrong, if theres one thing they dont disappoint with--its the action. but, i dont think that was ever up for debate to begin with. however, i believe that the characters really suffer bcuz of this. if you've never played the games, which, i believe most people tuning in to watch these series never have, you would have no idea who maria or richter are, and, i really don't think they were given enough time to be fleshed out. half the time, richter's dialogue just ends up being naive, walmart trevor belmont sarcastic one-liners and poor maria ping-pongs b/w the blandest, generic, wonderbread toutings of 'revolution' or calling richter a dick, wanker, or anything in b/w. episode 6, one of the better episodes as mentioned previously, is where we really get to see some actual growth around richter especially. there were moments where his trauma could have been further explored earlier, but they kind of got shoved to the wayside in favor of dragging out the interworking bw all the villains. which.....

if i'm gonna talk about the villains. my initial thoughts were that nocturne was going to be a one-and-done, standalone series with its own self contained story that would be wrapped up in these 8 episodes. i was wrong. and i really dont know how they're going to keep this story going. erzsebet is already a very weak and uninteresting and, honestly, confusing ? villain? for more than half of the series, she's talked about as the mysterious and all powerful Messiah and theyre gathering all these sacrifices for her to bring her back and create an army of night creatures. why is she considered powerful? bcause she made a pact with Sekhmet, an egyptian goddess. why did she do this? who knows! why does she have such a devoted cult of loyal followers when she hasnt done anything but kill a lot of people? again, who knows. why did maria's father think that a VAMPIRE would keep him in cahoots during this whole plan and not immediately fuck him over once she got what she wanted...? who fucking knows. olrox is the most interesting of the villains but even he isnt fully explored. the motivations are just not really explained very well and the buildup to erzsebet's arrival was so sudden that i literally thought i missed an entire episode. one minute, shes hiding in the shadows and the next ? waltzing in on a golden chariot and being heralded as the people's savior?? so damn messy and honestly? i really could not have cared less about her. which is insane to say, bcuz shes literally based off of a real countess who's case and life were a special interest of mine. i just... why an EGYPTIAN goddess?? shes from HUNGARY. were there no goddesses in europe to pull from she could have made a pact with? idk man it just makes no damn sense.

i am definitely more than a little peeved that this wasn't even the complete story, bcuz they did such a poor job establishing erzsebet as a villain, that i really dont give af what crazy shit they come up with to extend the story. you show her being a big badass in the very last episode. ok, you as an audience member, are immediately shown why dracula is so feared within the first 10 minutes of the first episode. and all of that wasnt even HIM fighting!!! the worst thing i've seen miss countess bathory do over here is summon a crazy orb and turn into a furry. like, where is the story going to go from here? they fight tera? save edouard and have a night creature alliance? make maria or alucard (yes, i'll get to him) summon the portal again? which btw... machine from HELL? im not even gonna touch that can of worms. somehow bring olrox back to.....? help kill bathory? idfk

and man...... i was hoping against hope that when i found out alucard was going to make an appearance, that it was just going to be some neat little cameo at the v end of the series after the main story had concluded. a little nod, a little treat to the audience that the next series would be encompassing the events of symphony of the night. maybe we'd even get a depiction of maria and richter when theyre older, i dont know, anything but throwing him in there as an overpowered hail mary to save the day. we couldnt just let these new characters figure it out and triumph in their own way? we had to drag him into this, now? i cant even tell you how disappointed i was when i saw that sword pierce drolta. ME! the resident alucard fan since i was like mf elementary school!!! ugh.

i think this is it for me and netflix castlevania lmao im a grumpy old man and miss when it was mainly fun easter eggs to the games, like how they brought in juste or how olrox turns into a big green monster and has an attack that sends flying skulls your way, or the REMIX of RICHTER'S THEME!!! but its just gotten so silly and the writing hasnt gotten any better..... from now on, im going to simply stick to the games that made me fall in love with this series in the first place & let this be the last time i ever feel the need to bitch about new 'netflixvania' content.

[susandsnell]

hey love, have u seen the new gotg/do u plan to? totally understandable if u can't look at crisp rat on the big screen again/if ur disneymarvelled out. also! what's ur favorite art house horror annnnnnnd ur favorite werewolf movie? hope ur day/night is going well!

!!! this was so sweet to wake up to this morning!

I have seen GOTG 3 and I was really pleased with how it turned out (for the most part, lol, but that I enjoyed an MCU movie as much as I did in 2023 is in and of itself a testament to Gunn's skill with wringing emotion from the popcorn pics and creative graveyard that is Disney right now). Peter Quill means enough to me as a character that I'm able to separate him somewhat from Pratt in my head, thankfully (as he made like...borderline homophobic comments in press for the film, to nobody's surprise). Really liked how well my girls Nebula and Mantis were done, and I was actually pleasantly surprised by a lot of Gamora's storyline given how much needed to be salvaged from IW-Endgame. Loved the gradual reveal that Rocket has been the emotional core of these movies all along, especially in those backstory scenes that let Gunn really show off his horror background. (Come on, that wailing mimicry/face stuff had to be a Silence of the Lambs reference! In an MCU movie? Fab.) It was a wonderfully emotional sendoff to a trilogy that has saved and helped me in so many ways, and I think the most meaningful choice of all is the shift to contemporary music symbolizing letting go of one's past and nostalgia and moving forward - an important character moment for the Guardians, sure, but also almost a jab at how modern Disney is riding on nostalgia and refusing to evolve. (May be a bit of a stretch, but considering the delightfully hammy High Evolutionary feeling like a continual jab at Disney management and Gunn's probably rightful anger at how the company's treated him, who knows?) I'm 90% disneymarvelled out, but once in a while, there'll be a fantastic work of animation from them or a pleasant surprise that'll play exception to the rule.

My favourite arthouse horror is very difficult to pick! (To say nothing of how it's kind of a hard distinction to pin down - people argue Ari Aster's works and Black Swan and The VVitch qualify, and I adore all of these, but don't quite see them as arthouse?) I'm going to go with Suspiria for now, with honourable mentions to Ganja & Hess, Possession, and The Cook, the Thief, His Wife & Her Lover (I know this one's kind of a cheat because it's more revengey/crime drama than horror, but honestly how graphic it gets and the denouement arguably push it into horror for me). I have a big soft spot for Let The Right One In as well.

Werewolf movies are even harder because I don't often go in for them! An American Werewolf in London is a classic though, and the makeup effects are unforgettable. Other than that, flaws and all, Ginger Snaps and The Company of Wolves are both delights in their own ways.

My week has unforch been pretty wretched so far, but this ask more than brightened it up! <3 Hope you have a great time of day as well, and thank you so much for sending this!

[moviemunchies]

Alright I love this movie so I don’t know how objective of a review I can write. I have fond memories of this movie--we went and saw it as a class trip in middle school, and ever since it’s been one of my favorite fantasy films. I mean, yes, it totally came out when it did and padded its battle scenes out more because it was cashing in on the crowd of kids what like Lord of the Rings but that doesn’t make it bad, does it?

So, first things first-- no, The Chronicles of Narnia is NOT an allegory. Stop saying that. 

Anyhow I imagine most people who read this blog know the story, but if you don’t: during World War II the four Pevensie children, Peter, Susan, Edmund, and Lucy are sent to the countryside manor of Professor Kirk. While exploring the house, Lucy comes across a wardrobe, and within the wardrobe she enters another world called Narnia. Soon enough, they all make it there, but it turns out that there’s a prophecy about them, and the tyrant that’s taken hold of Narnia and cursed it with eternal winter, the White Witch, wants to kill them.

Also, one of them betrays them to the White Witch for the promise of supremacy over the lot of them. To be fair to poor Edmund, he was magically drugged, and he didn’t know she wanted to murder anyone.

So our siblings must seek out Aslan, the Great Lion and true king of Narnia (who is totes Jesus, still not an allegory) and end the reign of the White Witch!

Like I said, I have seen accusations that this was Disney’s cynical attempt to cash in on Lord of the Rings but aimed at children. And I don’t know that it’s wrong to say that, but it’s also short-selling this movie. I mean yes, a lot of this movie was filmed in New Zealand, and WETA Workshop did the effects for this movie.

But you guys know that WETA will work the shiz out of the effects and props, right? The level of detail on the design in this movie (and the sequels) is INSANE and look, I didn’t think that they’d go this hard on designing a story that many people think of as a souped-up children’s fairy tale, but they did and it is GLORIOUS. There are plenty of little details that you may have missed the first time watching that you pick up if you’re paying attention. Like you know that in the final battle Jadis is wearing Aslan’s mane on her collar?

[I have some of the concept art saved on my computer, btw.]

The character arcs are also great developments/additions? They’re not all true to the books, and I do kind of miss that. But I do understand WHY those changes were made. For example, in the novel Edmund’s dickishness is mentioned to be a result of the terrible school experiences he had (Lewis didn’t much like the English education system). Here, to tie it into the other characters his acting out is in large part because his father’s been absent during the war, and butting heads with Peter.

Skandar Keyes is a fantastic Edmund. He gets better in the next movie, but in this one he conveys a lot of the conflict within Edmund, so that he’s sympathetic as the movie goes on, even if he does a lot of things that are pretty terrible (for a child, for the record--it’s not that he really gets into a lot of grade-A evil).

Peter’s characterization is made much more explicit as the older brother who is sometimes a little too hard on his siblings. I think William Mosely does a fairly good job. He gets annoying as an older brother sometimes, but that’s the point, and it makes sense how he and Edmund would be butting heads.

Probably to act as foreshadowing for what happens to her later in the series, Susan is the skeptical one, the logical one, the one asking questions about what the heck is going on and trying to make sense of it all. I think they lean a little too hard into this at times--she starts telling Peter to put down his sword when they’re surrounded by wolves. Otherwise I like that she has a much stronger character arc than in the novel, and Anna Popplewell does well with it. I mean, she’s still pretty likable, and you can see that she is someone trying to achieve the best for her family.

Georgia Henley’s a great Lucy. It would be very easy for this role to be annoying and it’s not, it’s quite lovable. Lucy’s very young and innocent, and in some stories this would play against her, but in this story (both book and movie) it’s kind of her strength? She’s endearing, she’s lovable, and that’s what you need in Lucy Pevensie.

Also we should probably talk about how the child characters are aged up a bit. Of course, this being Hollywood and trying to do action scenes with a twelve-year-old would be… unwise, I get it. But it is a bit weird that Peter and Susan are being sent off to the countryside when, even allowing for Dawson Casting, they’re old enough to stick around their family. They’re not really children. I don’t mind, but it is a case against it as an adaptation, and it works a bit against the logic of the film.

Also Tilda Swinton is having a ball as Jadis, the White Witch. She doesn’t really look like the character description, but she’s fantastic as a cruel and haughty queen, and really, no one does weird ethereal and near inhuman beauty like Tilda Swinton. She apparently had so much fun with the role and the people at Walden Media liked her so much that they put her in the next two movies with whatever scrap of justification they could grab.

Liam Neeson voices Aslan and does a good job. Don’t know if there’s that much that makes him stand out other than needing a serious actor to do the voice. It’s good, don’t get me wrong, but I don’t know if there’s anything in this film that makes Neeson a better choice than any other particularly famous actor.

[Apparently for one of these movies, Neeson took his family on safari to “prepare for the role” which is silly but hey if you can take your family on safari and excuse it as a work trip, why not?]

Final word before the sendoff: the CGI in this movie is still pretty good? It’s not perfect--watching it this past time made me think how something about the Beavers still looks noticeably artificial. But they still look fairly realistic. And I know it’s been said before, but the animal characters in this movie are incredibly expressive despite also looking like real animals, a trick that seemed impressive then, but after _The Lion King_ remake came out a couple years back, one of the defenses of the lack of expressive characters in that film was “Well we wanted them to look realistic!”

And DISNEY, the studio that released both movies, did THIS one FIFTEEN YEARS EARLIER, and also WITH A LION, and managed to make Aslan convey facial expressions and emotions through impressive CGI! WHAT THE FUDGE!

If you like the fantasy works of C.S. Lewis, I imagine you will like this film, unless you’re very strict about adaptations being close to the works they’re inspired by. Even then, I think it’s a pretty good adaptation, and that the changes made are those that make for a better cinematic viewing experience. If you’re not as familiar with the source material but you like fantasy, and children’s stories, you’ll probably like this movie.

Like I said, I have seen some people accuse this movie of being a lower-tier Lord of the Rings cash-in. I don’t think that’s the case, but if you’re very interested in serious fantasy and war stories, this movie’s not going to work for you. I don’t think there’s any blood at all in the film; if there is, it’s very little. Which considering the amount of action and the battle sequence in the climax is maybe a bit egregious.

I think it’s a good movie and a pretty solid adaptation of one of the foundational texts of the modern fantasy genre. Take a watch.

[bonni]

idk how this media hyperfixation ask game works, like do you answer to all questions or just the i choose? anyways for one piece: 💢 🏳‍🌈✨🎥💕

💢 what do you NOT like about your hyperfixation? is there something you would want to change about it?

oh fuck, where do i begin? i guess the most obvious is oda’s treatment of women. i don’t think it’s as terrible as people who haven’t read the series thing that it is, but it’s still not great. and actually, the art style isn’t really the part that bothers me, it’s more about misogynistic stereotypes (girls don’t fight, if they do they fight other girls/it’s not melee, girls are the babysitters/serious ones while guys are the fun ones, stuff like that), and the pervert/nosebleed jokes. the first complaint is actually one of the main reasons i love carrot so much, because she shows that oda is able to write female characters who are scrappy and tough and like to have fun, and i hope he continues to do so. i also get really happy when characters like nami and robin are allowed to be kind of dorky and fun, like nami wanting to be a ninja and robin having a ridiculously dark sense of humor. tl;dr, i have hope that oda is getting better when it comes to female characters, but up until now he definitely hasn’t handled them so well.

i also have problems with some of the story arcs, like i think wano has been really boring so far because it feels like the strawhats have been completely sidelined, and i had similar issues back in dressrosa. some arcs definitely have more problems than others, and imo skypeia through marineford is still the most engaging chunk of the series (maybe with thriller bark cut out, because i didn’t like that one too much, lol.)

🏳‍🌈 do you have any headcanons (lgbt, race, neuro, etc) that are important to you?

i’m one of the few fans who doesn’t really like any inner-crew pairings (i don’t mind all of them, but i think it’s really cool that oda wants to keep romance out of the series and i think the crew is just better as a family), so even though i do have lgbt headcanons none of them are really for the sake of shipping. but anyways, lesbian nami is so fucking important. usopp and zoro are also gay, robin and franky are bi, and aside from that i… really don’t care. i also think that most of the strawhats have ptsd, nami has ocd, luffy has adhd, and robin has bpd.

✨ what draws you towards your hyperfixation? what is interesting about it?

i’ve been reading one piece since early middle school and what’s always stood out to me about it is its ability to remain interesting and maintain a sense of direction despite its length. with series like naruto and inuyasha, it began to feel like a chore to keep reading, because the authors were so clearly just stretching out the story. one piece is long as shit, but it’s incredibly purposeful; oda is so thoughtful and it’s really evident that he’s been planning this story long-term. i’ve also always loved character driven stories, and “a group of traumatized misfits find family in each other” is like my favorite trope ever, so i love the straw hats. plus i love the fantastical settings like skypeia and whole cake island.

🎥 do you have any favorite scenes from your hyperfixation?

off the top of my head... luffy ringing the golden bell after defeating enel, usopp shooting down the world govt flag, hiriluk’s cherry blossoms, corazon telling law he loves him..... oh, the iconic vivi sendoff with The Pose (TM), and uhh... carrot drawing the strawhats as a shoujo, lmao. also i don’t watch the anime anymore but my favorite animated scene is luffy punching charlos, it’s even done by one of my favorite animators.

💕 tell us about one of your favorite characters and why you like them!

CARROT!! i fucking love carrot so much and i want her to become a straw hat so badly...... i liked her right away because uh. she’s cute. but then she quickly became my favorite character because she’s so different from all the other female characters in the series. like i said before, i love that carrot is super strong, i love that she’s a melee fighter, i love that she’s adventurous and irresponsible and a little dumb. she actually reminds me a lot of luffy, who is also one of my favorite characters. plus she gets a totally metal super saiyan form and i really hope we get to see her fight more!

[snkpolls]

SnK S3E12  Poll Results (Manga Reader Version)

The poll closed with 487 responses. Thank you to everyone who participated!

Please note that this is the results of the manga reader poll. Anime only watchers are suggested not to read if you do not wish to be spoiled about certain events! Anime only viewers, click here to view your poll results!

RATE THE EPISODE 481 Responses

The final episode of the first half of S3 was another banger with positive reactions. Compared to earlier in the season when manga readers seemed more dissatisfied with the adaptation, we are happy to see that the final episodes of the arc turned out to be a much more positive experience!

Considering this episode was essentially just the calm before the storm, I was pleasantly entertained by it. Not the best episode because not a whole lot happened, but still it did what it needed to do.

I was super worried they would change something in this episode but thank Ymir-sama it's okay.

IT WAS AWESOME AND THAT ENDING IS ONE OF THE BEST THING THIS ANIME HAS EVER MADE!

This episode was so good! And funny! And angsty at the end! All the ingredients that make a good AOT episode

Very good, the preview was spooky and the whole episode had humor to lighten the mood, some emotional stuff and High Anxiety Cliffhangers to finish us off. Its gonna be a long 6 months.

HOW WOULD YOU RATE THE FIRST HALF OF SEASON 3 AS A WHOLE? 481 Responses

Overall, the first half of season three was satisfying for manga reading poll takers despite the changes.

All in all, absolutely stunning season. From the bottom of my heart, thank you WIT.

It was a really good episode. It followed manga perfectly. Every ep. of Uprising should has been like that. Too bad it wasn't, that why I rated the whole series pretty lowly. Honestly, I expected something better. But that was fine, not the worst. Yet, I would have changed a lot.

Really good way to end this half of the season. Can't wait to see the next half. It was nice to see a "calm before the storm" episode.

It was a brilliant idea to end the first part of season 3 right there, by doing this we were given proper construction to this arc.

HOW DO YOU FEEL ABOUT THE SEASON TAKING A BREAK UNTIL APRIL? 481 Responses

About 37% of respondents are sad to see the anime take a break, but nearly half of voters are fine with the break stating that it’s not too bad of a wait, with some who are even looking forward to the breather for a bit (we’re looking forward to having a good rest as well although we will miss the anime!).

I'm okay with it since it means that we will a get a really well made RtS arc. But they really should've said that the break was going to be this long earlier. Or just called it season 4

Waiting is something we SnK fandom know how to do, unfortunately

As a manga reader it's easy to not be too upset since we'll have plenty of chapters during that time.

It's nice to get a breather before shit hits the fan.

I don’t mind waiting 6 months when I know it means the animation will look a lot nicer as a result

I feel like i would have been less upset if they just told us from the start how its gonna be... I hated the uncertainty

If it means a fantastic second cour then I'm all for it. I mean my life is empty and I wish I were dead, but other than that I've accepted it!

6 months for preparing myself to let Erwin rest in peace

I AM NOT READY FOR RTS THIS IS LITERALLY THE FIRST TIME IN MY LIFE I AM LOOKING FORWARD TO A HIATUS WHAT HAVE YOU DONE WIT

WAIT Studio

Does Annie have some space next to her for the next 6 months?

WHICH OF THE FOLLOWING SCENES WERE YOUR FAVORITES? 480 Responses

The Survey Corps’ sendoff was the most favorite moment of the episode, followed closely by Eren and Jean’s nostalgic fight. Levi and Erwin’s talk after the meeting made it to third most favorite scene of the episode, followed closely behind by Eren, Armin and Mikasa’s conversation. Everyone losing their minds over meat was another favorite.

Erwin was so perfect, I loved his little laugh, I thought the whole interaction with him and Levi was done so well... god, I'm gonna miss him so much, it actually hurts.

Good breather episode, comedy gold with the dinner scenes, and the send-off was just as fun as it was touching. Also, the extra scene was creepy and great, but I hope anime-only watchers don't spoil themselves trying to find the meaning to it...

I think they did a really good work with the Erwin x Leviv talk, and EMA talk... Since enfatizing Erwin's reasons, and showing Armin's, It became more clear Levi's choice in future

I loved EMA talk... it made me pretty sad because of the events which now are taking place in the manga. That was good to see them together in the anime.

My Eruri shipping heart was in tatters, I tell you. I've been looking forward to the ""I'll break your legs"" scene for ages now, and shit, watching it was a literal punch to the gut. Erwin's beautiful roar of victory on the wall, his final ""SUSUME"" just... I was in awe.

Sasha nomming on Jean’s hand was even funnier animated

The 104th dinner scene was just perfect! It's been so long since we had a scene of such warmhearted camaraderie, it really brought back all my season 1 feels for the babies. Beautifully done.

Overall great Episode, really liked how they foreshadowed Erwins Demise and his conversation with Levi, EMA talk was great too, and the serumbowl scene made for an amazing cliffhanger

DID THE GLITCHED ENDING SCARE YOU? 483 Responses

The abrupt reminder that SNK is a horror anime definitely seemed to work!  The majority of people were scared by the ending at least a little bit, and some were thoroughly terrified.

"Blink and you'll miss it" my a**

Honestly it reminded me of how horrid the show actually is. I forget it's not all cute and funny scenes with a tinge of "yikes" that happened, but instead vice versa

I knew it was coming in the ED but didn't know WHEN and I was just anticipating it like a dark corridor in a horror movie XD

Moreso that scare me, it got under my skin and just stayed in my head the rest of the day.

Scare is not the right word. The option I'm looking for is FUCKING WRECKED

I learned that apparently a lot of you watch shit alone in the dark. But to answer the question, no, not at all.

It thrilled me to see them cleverly setting up the next half of the season this way

Only the Levi's distorted "you guys". The glitched ending was awesome

I saw some screencaps of it prior to watching so I was somewhat prepared but it was way creepier than i thought it would be, it spooked me

It wasn't actually SCARY, but I fucking loved it. So twisted and creepy

rip ears in that ending, it makes for some great youtube reactions though lol

Well, mark me down as scared and horny

SHOULD ZACKLEY’S ART BE REALIZED? 478 Responses

We suppose the real question is, when will Zackley’s “art” stop becoming something we ask about? :P All in all, most of you agree that it should not be seen or talked about. 21% of you are still finding humor in it.

HOW MUCH DID YOU ENJOY THE SEQUENCE OF EREN AND JEAN FIGHTING? 483 Responses

Most of the viewers enjoyed Eren and Jean’s antics with 84% rating the scene with a 4 out of 5 or higher. 

Mikasa letting them fight and not dragging Eren way is the best part! It's such an important character development for her. Also this Episode was full of parallels to their training days. Great episode.

Eren and Jean bringing the Drama™ (as expected of Eren and Jean)

THE SURVEY CORPS HAS NEVER EXPERIENCED A SEND-OFF LIKE THEY DID IN THIS EPISODE - FAVORITE PART OF THIS SCENE? 481 Responses

The surreal experience of getting a positive send-off like this made Erwin’s smile and shout the overwhelming winner here, and for good reason!  A smaller portion of respondents enjoyed Springlestein being themselves and a few called out Levi’s face in the comments:

All of it. Because it will be the first and the last time we'll see it

YYYYEEEEEEEAAAAAAHHHHHHHHH

Levi looking at screaming Erwin like "WTF Erwin"

Hange smile

LEVI'S SOFT LOOK

I like the manga version better because Levi's smile was softer there

Levi's expression when Erwin did his triumphant shout.

literally everything about it was perfect

WOULD YOU LET LEVI BREAK YOUR LEGS? 480 Responses

While 58% of respondents cannot understand why anybody would want their legs broken by Levi, a small percentage were even asking for it.

THE EPISODE WENT EXACTLY AS THE ORIGINAL MANGA! 478 Responses

So, the story behind this one is that one of the pollsters posted this “question” on our original document as a joke while another one of us was at work. When the one at work got off, they put the question onto the poll form while the person who created the “question” was not online, not realizing it was meant to be an unpublished joke. This was completely overlooked during the final proofread. It was never actually intended to make it onto the poll but since one of us always tries to rush through things, here we are! In any case, we hope you guys had a good laugh, because we all collectively lost it when we realized the mistake much too late!

wow y'all throwin shade with this Q huh

Yes, it is Erwin's birthday celebration after all

Glad that Erwin and the crowd’s screaming was a ‘dialogue’ and that he screamed again.

Makes sense, given how its purpose is to set up the new arc. Not much need to leave things out for the sake of pacing.

They done it so perfectly! I love that episode and love the hope in the air, my man similing and being happy, I love they see people cheering for them. THAT was earned.

It still modified some moments like Armin thinking of Eren and Mikasa instead of the bullies in the manga. Maybe it's better and more consistent with the following events.

Thanks God! The whole series should has been this way. Compared to the sad 1st episode of Uprising, this one was a true masterpiece.

u people need to get the salt in your blood checked, let others be dissatisfied with something they care about? please and thanks

i don't care if it went exactly as the original manga or with some changes as long as the episode is good

THE CHAPTER SIGNIFIED THE START OF A NEW ARC, BUT THE ANIME USED IT TO END THE FIRST COUR, WAS THIS A BENEFICIAL DECISION? 478 Responses

The majority of folks thought shifting the send-off to the end of the cour to create an uplifting cliffhanger was a good way to end the season.  Several people called attention to how much contrast was felt between such a positive ending and the credits scene.

I think it works great, especially the triumph of the send off and the "oh shit, what's happening" moment in the ED

should have been the first ep of the next arc, with the send off as the cliffhanger

It was a nice, fun send off for the arc. Has the suspense of the scouts going towards the foes. The next episode with the next chapter/s will be perfect for getting back into the series after 6 months

WAIT Studio used it as an effective cliffhanger but from an adaptation perspective it's just like the Wall Titan. Something to keep the audience's attention at the cost of the narrative's flow. If the season was going to be split then rushing the Uprising Arc at breakneck speed resulting in one extra episode was pointless.

The opening of 73 is a perfect opening for the second cour, so I knew from the beginning of the season that ending in this chapter would be their aim. The second half won't struggle for content, and they can either push ahead flashbacks (I expect some of Bert's parts from 96 making it into the adaptation of 77) or content that didn't make it in the first half used to extend other parts (Eren's experiments for Armin realizing how to beat Bert in 81)

I think this will help the second part by being on the way to Shiganshina to start it off.

Heck cliffhangers!

LEVI WASN’T EXPLICITLY SHOWN EAVESDROPPING UNTIL THE END OF EMA’S CONVERSATION, DO YOU THINK THIS DIMINISHED THE FORESHADOWING? 478 Responses

The vast majority of respondents agreed that as long as we saw him listening to them, that’s ultimately all that matters. A small few believe that not showing him listening in on them earlier will diminish the overall impact when he makes his decisions later, however.

I don't think it matters, especially if the anime includes a flashcut to this moment post-decision, which will make its important even more obvious for viewers who may not remember this scene at all.

I'm not sure, I guess it did seem more ambiguous here. They'll flashback to it when serumbowl happens though.

Wouldn’t have spent more time on it. This show is about subtle details. I think its ok.

It still worked, but I would have liked it to have been made clear that he saw Armin's expression when he was talking about the ocean

No, but i think it was nice in the manga to see that at the beginning of the conversation he was standing and ended up on the floor by the end of it. Small detail, but i took it like he didn't mean to listen in the beginning but decided to stay in the end because of what he was hearing?

No, because it was a detail it meant a lot more. Subtle details have greater impact in visualities, manga is a different medium and the scene was used properly for its medium.

HOW DO YOU FEEL ABOUT WIT SHOWING *THAT PART* OF THE RTS ARC AS A TEASER? 480 Responses

38% of respondents believe that the teaser was a great way to keep interest in the series high. 20% specifically feel that it will keep the anime only fans invested. About 21% of respondents combined don’t think it was the smartest choice on WIT’s end while almost 10% are just not ready to see that animated at all.

Even though I already know what will happen, my body *isn't* ready for this shit to come, except for the lightning spears

Honestly, I thought it was stupid as fuck and a cheap way to keep hype up for anime-only people. I would've preferred my anime-only friend to go into RTS completely blind.

I think it's great because it lends itself a lot of hype for the next half as well as leaving it very open ended. Especially because they cut out lines about the serum.

I think this teaser shocked more the manga readers than the anime onlines.

It's the worst part of the manga they could spoil. I'm not sure what they intend to do by showing such a controversial moment

It was brilliant. Anime only watchers don't often get the experience of agonizing over certain cliffhangers monthly, but with this flashforward looming in their head, they have a whole season of suffering ahead of them. SUFFER LIKE US, ANIME ONLIES!

I really liked it but I think they could have shown a part of Bert/Reiner/Zeke’s convo since we saw Bert and Reiner at the end of the episode, and it would have anime-onlies wondering who the glasses guy is

I was shocked and hyped at seeing them include this scene, but at the same time I’m sad that anime-onlies were spoiled that at the very least Mikasa, Eren, and Levi will survive until this scene, destroying any tension of them dying

I'm really conflicted; on one hand, I was very surprised in a positive way, cause it was a ballsy and unexpected move. On the other hand, I understand that anime viewers might be sick of spoilers bc of the scene at the beginning of ep1.

It gave me anxiety lol. Please someone save my babies from their horrible destiny

One hell of a cliffhanger and I can't really imagine anything better to show everything going wrong (Colossal nuke is way too obvious, for example), but the people complaining about spoilers do have a point...

WHAT ARE YOUR EXPECTATIONS FOR RTS’S ADAPTATION? 480 Responses

WHAT SEGMENTS OF RTS ARE YOU MOST LOOKING FORWARD TO SEEING ANIMATED NEXT COUR? 481 Responses

Over half of respondents feel that the Return to Shiganshina arc will be delivered just as well as Uprising was. 37% of respondents feel it will be much better than Uprising’s adaptation. A small few don’t have much faith in the second half of the four.

FUCK ME UP!! R.I.P. ANIME ONLIES

GIMME THE 2ND COUR NOW!

I don't know if I'm emotionally prepared for this arc

I’m going to have 6 more months to mentally prepare myself for the return to shiganshina arc and I still won’t be ready

from an adaptation perspective it's going to be the same as the previous seasons. WAIT Studio excels at certain aspects of packaging SnK into anime, but as a whole it's a bad, rather than amazing, adaptation.

Is there a "NOPE I am not ready for RtS arc" in the questions?

WHAT SEGMENTS OF RTS ARE YOU MOST LOOKING FORWARD TO SEEING ANIMATED NEXT COUR? 481 Responses

The most anticipated segment of the Return to Shiganshina arc is the suicide charge + Levi totally wrecking Zeke. Following closely behind are the basement reveal, the serumbowl, Grisha’s diaries and flashbacks, the ocean and the showdown with the 104th and Reibert. 

Kill me! I cannot believe I have to wait 6 months for RTS. 6 months until I can see Reiner and Bertholdt in action and the FREAKING BASEMENT!!!! I was fine with a 3 months break but 6 is too much ;____; I want to see Grisha's past animated

What everybody is waiting for the RtS Arc: the basement, Reibert fight, Levi soloing the beast titan, the ocean. Me, an intellectual: THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS THUNDER SPEARS (and Grisha's backstory)

can't wait to see historia looking graceful as hell in front of the sunrise while the SC goes off to fuck reibert and zeke up

The only thing I can think about is Zeke.... *screams* ZEKE AND EREN! THE JAEGERBROS! AND THE GRISHA FILES! SO MANY JAEGERS *dies*

I'm definitely looking forward to RTS okay, but I'm dreading it more, honestly. But the one thing I'm looking forward to, and really hoping they'll animate, is Levi taking down those Titans on the way to Zeke. I know the focus is on Erwin's last charge in the manga, and rightly so, but DAMN, I want to see Levi do that -I honestly don't think anyone, even Mikasa, could do what he did there.

I have a fever, and the only prescription is Season 3 Part 2

ADDITIONAL THOUGHTS ON THE EPISODE?

A pretty decent choice for a midseason finale. But most important, a pretty good choice for episode 49. Once we're back in April, the series will be celebrating having made it to 50 episodes. Just 2 years ago, we were wondering if we'd ever get episode 26, and now we're getting to a landmark episode that will be exciting and memorable! Nothing between chapters 70-72 could've worked as such a landmark, in my opinion, but chapters 73-74? Absolutely perfect for it.

And my ship finally got some screen time

But damn wit... I almost got a heart attack because of the glitched ending!! Please, I at least want to survive to see manbun Eren animated

For anime watchers: I enjoyed watching your confusion over that ED. May you all be prepared by April 2019.

My heart is filled with so much Eruri that I may cry. You could literally see how much concern Levi had for Erwin in his eyes.

I love Bertoto and Raina more than myself. Guess, I'll die in April.

I'm an Erwin Lover™ and the show is gonna come back right around my birthday so this was Great and I'm Fine

It was out of character to see Eren fully clothed.

The moment when SC were cheered up and Erwin was so confident and happy and then they left into the sunset gave me goosebumps and almost made me cry :') it was a beautiful, strong, encouraging moment for SC!!

Let me just tell you how fucking HYPED I am for the next season after those previews during the ED. HYPED. And Jesus fuck yes, Armin looked like a charred French fry that got left behind in the oil. THANK JESUS. I was afraid WIT might downplay that, but no, my boy gonna be the CRONCHIEST.

The glitches were great and not too spoiler-y but WIT absolutely ruined it with the Eren/Mikasa/Levi scene. They showed too much.

rip ears in that ending, it makes for some great youtube reactions though lol

Erwin looked fine as fuck

Wit, you better be paying for my doctor visit. My ears were bleeding with your little trick you pulled at the end.

This episode. THIS FUCKING EPISODE. Man what a way to end the cour. REALLY, standing ovation to WIT. That glitch ending was just like that tiny Titan-in-the-wall scene at the end of season 1 that made me go looking for the manga. Absolutely brilliant stuff.

Thanks for these polls.

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 446 Responses

Thank you to everyone who participated!

Please keep your eyes peeled for an upcoming Uprising Arc poll!

[popculturebuffet]

Changing the Channel: My History as A Channel Awesome Fan and Why I Unsubscribed

I thank anyone who reads this. As the #changethechannel movement takes the internet by storm and slowly but surely destroys Channel Awesome, I felt I needed to let out some emotions regarding the skeletons tapdancing out of channel awesome’s closet following the revelations in the Google Doc. 

A long time ago in a High School Video Media Classroom far away, 8 years ago to be exact, I was a fresh faced young man living the dream of helping produce the school news show Wham TV, a dream I’d had. But as I was just the lowly credits guy, I had a lot of free time on my hands and during one of these down periods I noticed a bunch of the guys watching something on my friends computer. And that is how a young me found the Nostalgia Critic. I was a huge fan, binging every episode I could find at home since the entire series was on YouTube.  And if that wasn’t enough, as school ended I soon found out there was an entire SITE full of other people like him, riffing on bad films, comics and just about anything thanks to the crossover film Kickassia. I loved it at the time, and it opened my eyes to all these other people floating around. I watched the crossovers that came out and once I got a computer at home fast enough to actually watch blip without it taking two hours to load, I dove right in.

For the next few years I slowly found my faviorites: Lupa, Linkara, Todd, Spoony, The Nostalgia Chick… I devoured their videos along side Doug’s at rapid pace.  And as my first year of Community College went on, I found myself more and more isolated: I was an awkward young man ape, unable to talk to women at all, barely relating to my fellow guys, and finding myself in a very unhealthy online friendship with an asshole that constantly made me feel like crap and insulted me at every turn that I was desperate to impress and was close to my best friend. And in those dark uncertain times.. Channel Awesome was my light in the darkness. A beacon that provided weekly mounds of entertainment to binge at school after class, people like me who were nerdy but had fun making hilarious videos and clearly had a tight knit surrogate family to back them up.  I aspired to be one of them, to make my own reviews. I wasn’t great and bottomed out, but I still wanted to be one of the shiny happy people walking by, the nerds who had friends and relationships and were loved by many.

I never made it, a combination of having no camera, little skill, and a huge amount of homework squashed that dream… and in hindsight.. that was a good thing considering just how bad that dream went for the people who did make it. What I never realized is that while Channel Awesome really was a family to some people.. it was also a nightmare of mismanagement, misogyny, and neglect as time went on.

When I saw Suburban Knights I saw a stellar sequel to a movie I loved..  not poor Iron Liz getting starved and being treated like a pack mule, several people being injured, and Doug being Tommy Wiseau levels of dangerously incompetent.

When I saw to Boldly Flee I saw a deep exploration of the fear they all faced in the wake of SOPA and a touching sendoff to the critic. I didn’t know that Doug just outright refused to listen to ANYONE about the script even with it involved characters they made, terribly sexist jokes, horrendous rape scenes, and script bloat, not to mention giant amounts of cast abuse.

When I saw Demo Reel while I gave it a chance, feeling that Doug was finally living his dream I didn’t realize that he was tanking the site and didn’t give one shit what happened to anyone else. And when I heard Allison Pregler, one of my favorite reviewers on the site was being harassed I just naturally assumed that Doug, like just about everyone else, had come to her aid… instead of ignoring said harassment even when it got to the point there were threats on her life. When Fool Fantastic was fired, I assumed he was just some lazy kid, never realizing that instead he was basically forced into video reviewing due to a format change, then went through several months of upheaval dealing with high school graduation and coming out to less than accepting parents.. and then  finding himself removed from the site despite having told a staff member about it, and given no sympathy by Rob and Michaud despite having gone through hell. And that, in this inferno of horrible facts coming to light that’s been #changethechannel, what’s gotten me the most. People suffered. People struggled. And I saw none of it. Wether it was due to pressure to keep things under wraps to keep their jobs, as Channel Awesome, or just plain feeling like no one would care due to not having many friends on the site, I was blind. Even when Allison and Phelan came out post firing about their mistreatment, I saw it as just Rob and Mike’s fault. Doug had to be innocent right? He had to be a good person? I can’t have been following a giant sack of dicks for years at this point?  But I was so wrong. While Doug wasn’t nearly as bad as these two.. he still didn’t seem to give two shits about anyone outside a select few he’d bonded with. It was all about the Nostalgia Critic to him, it was all about the critic to rob and it was all Michaud said.

The rest of Channel Awesome were just window dressing, minions to be used and discarded whenever they decided they weren’t needed anymore. To be fired for missing ONE video after years of service, to be fired for missing a goddamn Skype call or just for no damn reason.  While Doug wasn’t’ nearly as abusive as Michaud he still did jack all to change things at the site or actually talk to anyone. He just let his brother and actual animate sack of dicks CEO do whatever and slowly run the site into the ground. And amazingly despite having the management skills of a flamingo that’s on fire and had it’s brain surgically removed and replaced with a can of tuna with the word “BRAIN” sloppily written on the side that the site still stands today. And it’s amazing that even as quality dipped and it became clearer and clearer just what a waste of space Doug Walker’s work was… I stayed by anyway. Because he was a nice guy and surely it’d turn around. But it didn’t and he sure as shit hasn’t, letting the company twitter send out half assed apologizes and according to one report DEFENDING that heartless mass of diseased rats and spittle.  And if he won’t just man up and get his show back, fire this asshole and firmly apologize for EVERYTHING, then why do I need him.  After MONTHS of finding out people I liked in movies and such were the worst humanity had to offer... why should I give him ANY sort of chance. And with that I unfollowed channel awesome and spent the next few days beating myself up about watching Doug for so long. I felt terrible, like by supporting the site and him I’d hurt so many people... for ignoring the signs... and so... that’s why I’m here today. Because I felt like I had to get my feelings out and in doing so I realized that while I was a dum dum for giving Doug the benefit of a doubt… I’m not dumb for just HOPING beyond hope someone was a good person.  It’s not bad to have faith, but you can’t let it blind you. And you can’t beat yourself up for hoping he’d get better or that things would change… al you can do is walk away, leave Doug to let Rome burn and hope beyond hope that the people still on the site don’t go down with him.

And even with all Michaud has done and the walkers let him do… Channel Awesome WAS still a family. For many of it’s former contributors it was home and they found best friends, spouses and comrades.. .. and if anything all this coming to light has only strengthen those bonds, and shown that no matter WHAT mike did, no matter what he tried to take.. he couldn’t take away their friendship, their audiences or their basic dignity. And he certainly isn’t taking my peace of mind anymore.

[ainomessage]

Le Mouvement Final - Spoiler Free Report *Warning - long ass post.  I went to see the musical in Tokyo 4 times this year! I had only planned on seeing it 3 times, but well... 😅 Before my first show I got my nails done at my usual place, Cocotte in Harajuku. I asked for the planets (/moon) for each senshi plus shooting stars for the lights. To see more of Mashima’s incredible work, check out his insta! He paints every tiny detail by hand with itty bitty brushes.  Wednesday, September 13 I went to this show by myself, but was able to meet up with the lovely @redcat36 @miniaturephantomprincess and @clockworkangel ! Everyone was super sweet and it was wonderful to be able to share the myu experience with fellow international moonies who were just as crazy for the cast as me.😆 This was also the fateful day in which I made the mistake of buying just enough can badges to get myself hooked. My seat was in the 6th row on the left side (facing the stage) so my view was good other than occasionally having a few things blocked by cast members or set pieces. I’m very glad that I wasn’t alone in how much crying I was doing throughout the show. Everyone around me had tissues out and you could hear sniffling throughout the theater. That evening Hinari played Chibi Chibi, and you could hear the whole theater squeal when she first appeared on stage. TOO. CUTE. 💖 Poor Shuu had a lot of mishaps - she flubbed one line, her suspenders popped off, and she almost missed touching Sayaka’s hand during THAT scene. After the show there was a Starlights + Kakyuu sendoff, which went by WAY too fast. I later learned I could slow it down a bit and am sad I didn’t do this for the Lights, but alas. After the show we waited outside the theater to say goodbye to the cast. Hinari gave everyone high fives (AWW) and the Lights stopped to talk to people for a bit! Saki shook my hand and noticed my Kuma Crafts Star Yell necklace and said my Galaxia + Animamates t-shirt was cool.💚 Friday, September 15 This time I went with my good friend @kaikinapela  and once again met up with the other girls. This was one of the “fanclub service days” which I have to say was a disappointment. The possible prizes were a photoshoot with the cast, a signed pamphlet, or... a sticker. As you can probably guess, we all got the sticker. I think they could have done better for a third prize, especially considering the sticker was the same image as the flyer. They could have at least given us an original photo! We did, however, miraculously manage to get first row seats through the fanclub! The picture of the stage above is from that seat. I’m not sure it quite does justice to how crazy close we were. The actresses were all about 2 feet in front of my eyes, it was insane. Several times I got distracted from the show by just staring at whoever was in front of me. This is when I learned that Kobayashi Yuka (Seiren) has a belly button piercing lol. This day I also had AMAZING luck with can badges - I managed to pick two signed ones! Rimo and Kaede💛💚  This night Chise was playing Chibi Chibi and she got just as much of a gasp from the crowd at her adorableness. She’s much smaller than Hinari! During the curtain call I managed to catch eyes with Meiku and Mirai. Airi, who is the most adorable ball of energy on the planet, waved at us twice and made a heart with her hands in our direction.💖  She’s too cute! My friend has been trying to catch Yuga’s rose since 2013, but was sadly thwarted again - she did get an apology look from Yuga in return for her disappointed face, though.😉    Saturday, September 16 Same group of girls for this show! This time @kaikinapela and I were seated in the 10th row in the center (right behind ROOT, the former Jadeite, incidentally). Once again I had crazy luck with can badges - this time I pulled 3! Yume, Satomi, and Saki! I still can’t believe I got my two favorite characters (Venus/Healer) and SATOMI. Yume’s signature says “Thank you very much! Let’s meet again!” and Satomi’s says “Satomi Cosmos.” The others signed their name and did a doodle. 💖  We were back to Hinari for this show. I have to say, she was my favorite (more on this later). Though I loved being so close to the stage for the other two shows, this was the first time I fully appreciated all of the visual effects. I hope everything comes through on the DVD. After the show there was a sendoff from the Inners, and this time I at least managed to properly make eye contact with each of them as we went by.  Monday, September 18 This was my bonus show. I hadn’t managed to get tickets for it online, but loved the other shows so much I had to try to get into the Tokyo finale. I waited in the insanely long line for the same day ticket lottery and drew “awaiting cancellation (#5).” This means I was 5th in line to get a ticket if someone cancelled. I thought for sure this meant I wouldn’t get in, but no! I managed to get one of the folding chairs they added behind row 6. It was incredibly uncomfortable but WORTH IT. This meant I was in front of an aisle, which is a good place to be on the last day. During Moonlight Densetsu everyone but the villains, Cosmos, ChibiChibi, and Moon (with her giant wings) ran out into the audience. At first no one was coming down our aisle, but I made sure to hold my yellow light high and Rimo saw! She came down our row for high fives. 💛 Later Mikako made a second pass and came down our aisle too. ♥ When everyone returned to the stage to wave and bow, Rimo pointed at me, waved, and blew a kiss! I almost didn’t believe she was aiming at me since she was on the opposite side of the stage, but I was the only yellow light around. 😭 💛 　That evening the inners + Tux gave short speeches, and I could see Meiku trying not to cry.💔 　Poor little Chise just looked bewildered the whole time. After the show I managed to talk to all 3 of the Lights! I was wearing my signed Healer and Venus badges, so Saki gently patted her own badge and then flicked Venus in the face.😆  Meiku was very surprised when I complimented her singing - she doesn’t seem to be very confident, which is unfortunate because she’s very talented. Riona also noticed my badges and asked if I shipped Yaten/Minako. When I said yes, she said “What about Taiki/Ami?” I told her I love them too, and she wondered if she had forced me to say it (she did not). She asked me to wear a Mercury shirt next time.💙  I also met a few other lovely international moonies that evening, but sadly I don’t know their tumblrs! If you guys see this, message me! Thanks to trading with friends, through twitter, and at the venue, both @kaikinapela and I managed to collect a full set of badges! 

Overall Impressions I would rank this as one of the best musicals of all time - including the classic Bandai era. I will admit to being biased because the Stars arc is my favorite, but they really pulled out all the stops. The entire cast was amazing, even those who had small roles. Singing was fantastic across the board - the inners have improved a lot and all of the new cast members were great. While it was sad not having Karin stay for the “last” (last!?) musical, Mirai did a great job and was a strong singer. I think everyone will be especially blown away by Galaxia and Kakyuu (who is once again an opera singer!). If you’ve listened to any of Isuzu Coco’s music through her twitter, her Galaxia voice is so different! Much deeper and more powerful.  Poor Sayaka seemed to be sick during the Tokyo shows - her voice got progressively weaker and more hoarse. Hopefully she recovers by the finale!  The set and visual effects dramatically improved with Amour Eternal and this musical continues that trend. Hotaru does some impressive running up and down moving stairs in her Eternal Moon costume, all of the attacks are projected, and we again have part of a scene projected as a video on stage. You’ll see all the Sailor Crystals float away, which adds another layer of emotion to those scenes.  Both actresses playing Chibi Chibi were adorable, but Hinari won out as my favorite. Being a little older she was able to speak all of her lines clearly (Chise’s speech was muddled) and she showed a lot more emotion in both her movements and expressions. I’m glad she’ll be on the DVD performance. A few things were different each show (details in my spoilery post to come), so I hope some sort of compilation ends up on the DVD!  There were lots of throwbacks to the Bandai era as well as a few references to the past Nelke era musicals. I think overall in tone this was a nice blend of the two styles - there was a lot of humor added and plenty of references to specific anime scenes, but the overall plot was manga oriented and gave proper weight to its serious moments. They find smart ways to keep the whole cast involved throughout the show, despite everyone being killed off pretty quickly (I don’t consider that a spoiler since it’s a manga plot point).  Everyone is going to LOVE Cosmos. I was seriously shocked by how much Satomi had improved at singing. Taking lessons with Coco and Asami seriously paid off. They found a really touching way to give her a bit more story time than she had in the manga, and I think they’re quite clear about who she really is in this canon.  This musical had a TON of original music - only two previously used songs made an appearance, and both in shortened versions. “Celestial Born” was made into it’s own song (it initially was part of “Shuketsu - Yume no Atsumaru Basho” during Amour Eternal) and “Music of the Spheres” is used briefly in battle. They save the throwback music mostly for the post-musical curtain call show, which I appreciated. For the first time since the revival of the musicals I loved ALL of the songs (Amour Eternal comes close). One of my few complaints has been the abundance of “talk singing,” where long lines of dialogue (often ripped straight from the manga) are set to awkward, stumbling melody. There is little to none of that this time, and far fewer songs are interrupted by long bits of dialogue. Hopefully sales of the Amour Eternal CD will be good enough to entice them to release another soundtrack - this time with a lot more music.  They weren’t kidding when they said everyone has a moment to shine. I fell in love with Nyanko and Mouse, despite them having such small parts. Miraculously, even with all the dying and with an enormous cast, everyone was given enough to work with that they were able to truly embody their character. If this truly is the last musical, I’m going to be super bummed that this cast doesn’t get at least one more opportunity to show off how amazing they are. 

[daleisgreat]

2018-19 TV Season Recap

Previous TV Season Recaps - (2013-14 | 2014-15 | 2015-16 | 2016-17 | 2017-18) 9-13-2019 Update: 2019 Summer TV Season Recap now online! Click here for recaps of latest seasons of GLOW, Veronica Mars & Jessica Jones! Greetings and welcome to my belated annual TV season recap! Got to this several weeks later than I wanted to, but glad to finally knock this out of the park! I will…attempt…to make this a little more concise than previous years so fingers crossed that I do not drone on forever! If you do have the time and want to check out my past year in TV breakdowns going back to 2013 please check out the links above! With that out of the way let us jump to the seasons of new TV I devoured from late summer/fall 2018 through spring 2019.

South Park – Like the past few seasons of South Park it features a season spanning arc, though it is not as prevalent as past seasons as the build up is for the town’s annual bike parade the kids are all stoked for. It was an interesting build up throughout to the payoff in the finale. A secondary, smaller season-spanning arc focusing on legalization of weed in South Park was a hokey plot thread to see touched on from time to time and had a payoff at the end I cracked up at. Other episodes were kind of a little lower fare than past seasons with the usual riffing on current events that South Park is known for with notable takes this season on the Roseanne Barr controversy conveyed through the return of Mr. Hankey and additionally ManBearPig making his deadly return and rampaging through South Park. Grade: B- The Conners – Previously known as Roseanne, but because of some ill-worded tweets from her last year lead to her removal of the show and being rebranded as The Conners. I am fine with how they wrote Roseanne out of the show by touching on her pill-addiction issues that were a focus in the first season. That said, I dug it more than its return season, primarily because the cast is gelling together far better now. Sarah Gilbert and Lecy Goransen both stepped up to fill the void with Barr's exit from the show. Darlene is the front and center star now, and she is nailing it holding the chaos at home down. It is good see DJ finally receive a marginal, but noticeable bump up in screen time this season after being an afterthought in a handful of episodes in the return season. I was glad to see an episode emphasize Dan dealing with Roseanne's storyline passing of the show. Also was fun to see cameos from recurring characters from the first run of the show throughout this season. Darlene finally gets a new gig at a newspaper and her boss there has tremendous chemistry with her character. A part of me still seems like that show is just not right with Roseanne not on there, but I understand why that is how it is and the cast is making the best out of a bad situation and are all bringing it with a pretty damn good second return season. Grade:B+

Orville – So I mentioned in last year’s TV recap I dropped off this show towards the end of the season because McFarlane’s humor felt a little too forced in an otherwise fine and occasionally pretty good modern take on Star Trek: The Next Generation. Eventually I revisited it and finished off last few episodes of the first season and I was glad I did because Orville stepped it up and dialed back McFarlane’s jokes and while still noticeable are better paced and not as nonstop as most of the first season was. The second season does a little cast swapping and position shifting around the Orville vessel much like the second season of TNG did. It leads to a better flowing second season with LaMarr now heading up engineering. I will miss Halston Sage’s kickass security character from the show, but Jessica Szohr proves to be a suitable replacement. Seeing the true nature of Isaac’s home planet was a two-part episode arc I will never forget that ranked near the top as my favorite TV all year and was highlighted by a huge CG-quality space dogfight of theatrical quality. As much as I loved this season there were still a couple head-scratcher episodes with one Bortus-themed episode that did not go over well with me, and another where Claire attempts to date Isaac in an intriguing arc, but eventually had a lackluster conclusion. Major props again to Seth McFarlane for restraining his humor which leads to the times when Seth does work in his jokes playing out far better and more memorable including a Twinkie joke ranking right up there with Twinkie references in UHF and Die Hard. Props also to Seth for portraying a pretty damn good captain too. Grade: A-

Castlevania - I cranked out both seasons of Netflix’s exclusive anime based on the hit videogame series at the beginning of this year. Both are really quick watches with the first season being four episodes and the second only eight episodes. I am not even going to attempt to elucidate the intricacies of the plot. Both seasons involve signature characters from the series such as Belmonts, Dracula and Alucard. Both seasons also have exquisite animation and all kinds of lusciously crafted gory medieval violence. I was not super huge into both seasons as the lore sometimes went right over my head, but both served as entertaining background noise to indulge. Grade: B Arrested Development - The second half of season five hit Netflix earlier this year. I consider it more-or-less season six since it launched about roughly a year after season five first started. It puts a nice bow on most of the Netflix-era arcs such as George Michael’s FakeBlock business, whether Joeb’s controversial magic trick really spelled the end of Tony Wonder, Michael’s repeated failed attempts at trying to save the family and yes it all wraps up with the breaking-ground ceremony for the Mexico/America border wall. For the most part I was a fan of this season although it is a victim of past Netflix-era seasons where they could not film with the entire ensemble cast present which leads to many odd camera angles and noticeable stand-ins present. I do not know if a future season is announced, but I am guessing not as this season had a nice sense of closure to it, and by that I mean in only the most pure, awkward nature possible that proved to be a worthy sendoff to Arrested Development. Grade: B+

Gotham - This was the fifth and final season of Gotham. FOX announced a year ahead of time they would be running a shortened final season of the show to give an opportunity to the creators and cast to wrap up all the story threads. Only problem was Gotham had a ton of threads and a huge cast. Season four’s theme was all about the ‘rise of the villain’ with Batman’s trademark wide range of antagonists coming into their own by season four. With the shortened season, several of those villains like Mr. Freeze and the…flamethrower girl do not appear whatsoever in the final seasons and some of my favorites like Poison Ivy and Zsasz are limited to only one or two episodes. Rest assured fan favorites Penguin and Riddler are featured throughout and both are awesome to follow along with in their constant love/hate relationship. This season-spanning arc features Gotham declared a DMZ and is ruled by gang warfare and Gordon is in charge of a resource-depleted Gotham PD constantly under siege throughout. Since the show presumably wrapped up three-to-five years early I understand the direction FOX went with having the final episode jump several years in the future so we can finally see Bruce Wayne’s destiny come to fruition and I loved the build to the memorable closing shot of the series. The final episode also has many other caps sealed to see how the rest of the fantastic cast evolved. While I could not help but get the feeling that this season was rushed, I felt the cast and crew did as best as they possibly could with the condensed season they were allotted to wrap it up. Grade: A- DC/CW ARROW-VERSE

Arrow - The seventh season of Arrow gets the distinction of being the only one of the four CW shows I started at their season premiere that I made it to the season finale of. Ollie’s compromise to serve time in jail at the end of season six had real consequences where he spends the first half of the season in prison and his journey to get out of there was an enticing ride that sees him making unlikely enemies and allies and having to go through the prison’s twisted underground fight club to stay in the warden’s good graces while Team Arrow looks through every nook and cranny to get his sentence repealed. I loved the flash forwards this season that focuses on the cast’s offspring coming together as future vigilantes to save Star City. The Arrow-verse crossover special this season, Elseworlds was another solid crossover and served as introducing the Batwoman character while CW primes up that show later this year. Seeing Barry and Oliver react to their introduction to Superman was priceless. The annual cameo of Tommy was the best yet this season, and I absolutely loved his final interaction with Oliver. The conclusion paved the way for what is announce to be Arrow’s final season debuting this fall. I was very saddened to hear one long-standing character will not be part of it, but loved the heartfelt way they were taken care of on the season finale.

Pen15 - This Hulu-exclusive show is a nostalgia trip for me. It focuses on two 13-year old girls in 1999 starting seventh grade. There is a lot of late-90s ‘extreme’ pop culture window dressing that I could not help but sink my teeth into since it is what I grew up with in high school. The episode dedicated to AOL Instant Messenger is spot-on and brought back so many memories. Pen15 focuses on all the craziness of middle school one could anticipate, including a few awkward pubescent encounters that got borderline uncomfortable to watch. For the most part though I am on board with following along with the adventures of Anna and Maya in future seasons. Grade: B+ Riverdale, Flash, Legends of Tomorrow - I dropped almost all of the CW shows I follow except for Arrow. Riverdale jumped the shark too many times this season and it seems like they are placing the Archie characters in some odd beast of a show that is a Warriors-Hunger Games-DnD hybrid that got progressively nuts-o by the week. I was initially on board with the new direction and twists on the Archie characters I grew up with, but as this seasons warred on it has gone off the deep end with a horrible intro thread that saw Archie in juvie and eventually on the run for the first half of the season and Veronica heading up a speakeasy underground at Pop’s. Without diving into too many spoilers I was not a fan of how Riverdale glorified certain things that rubbed me the wrong way and a few other characters overstayed their welcome who did not gel with the rest of the cast. The whole speakeasy scenes in the show never gelled, even with the new hard-edge drama this series has and finally when Cheryl ups and forms her Hunger Games tribute gang of archers was the line I finally went and threw my hands up and dropped Riverdale a few episodes after the winter break.

Flash was on a slow downward spiral of mediocrity past couple seasons and I could not take it anymore with new characters I could not get into and Flash looking like a buffoon every week. Chris Klein portrayed the season-long villain and I could not help but feel the producers had no idea how to implement him as he seemed like more of an afterthought. Legends of Tomorrow was my surprise favorite CW show last season, but this season gradually introduced a new character named Mona Wu that was a minor background annoyance at first, but grew into the major character to circle the season around and the character did not get any more affable and was still grating to endure and it also got to the point where I said no more! Like with Riverdale, I dropped both Flash and Legends of Tomorrow within a few episodes past their midseason break. Sorry CW, it is me, not you. Grade: Dropped MARVEL NETFLIX SERIES Punisher - People who know me, and if you have been following this blog long enough you know I am a huge Punisher fan, so obviously I am biased, but I still got to say I loved both seasons, and I will give the nudge slightly to season one. I loved the first setting the first few episodes of the second season takes place in to mix things up a bit from the other Marvel Netflix shows. The new love/hate sidekick, Amy took me awhile to warm up to, but I warmed up to her about halfway through and watching their relationship develop with Frank was a lot of fun and to see how some of their foreshadowing paid off later on in the season was pretty special. Curt's and Midani's interplay with Frank is still on the mark and they did not miss a beat in season two. The interplay with the therapist and Billy Russo could have been dialed back a little bit as I felt she was in one scene too many nearly every episode.

As with the first season, loved the action, loved the dialogue for nearly the entire cast and I thought they expertly handled the Punisher as a man of few words, but obviously they had to give him some dialogue to span an entire season, and Netflix got a ton out of his body language and cadence of the dialogue he does deliver throughout the season. I agree with many that John Berenthal is far and away the best actor to portray the Punisher, and I will forever remember all the little things he did to make him pop out and stand out among the rest as the way to play the Punisher. His final line of dialogue to close out the series is perfect! While I was saddened to see this get the inevitable cancellation announcement from Netflix along with the rest of its Marvel shows, I hope this one day gets picked up by Hulu or Disney+. Grade: A Iron Fist – I had no intentions of watching the second season of Iron Fist, but then I heard it got canned and after being a little optimistic for how he was portrayed in the episode of season two of Luke Cage he guest appeared in I decided to give it a shot. It is better than season one, but it still has a far way to go from being must-see. Finn Jones is far more entertaining this season as Danny Rand and is nowhere near as insufferable this season, although he does he have his moments on occasion. His Kun-Lun background is explored much more this season with some intriguing flashbacks. There is a new split personality character introduced this season who I became a big fan of by the end of the season. Ward and Joy are both more tolerable this season and by the end I was kind of won over by Ward with his whole NA/recovery arc. Davos returns as the main villain and with his background with Danny he winds up a more viable villain than Bakuto and the Hand. Also, no Hand this season!!!

The season loses points with me this season because Joy's arc was initially promising, but kind of falls apart by the end. Same with Colleen who was another character I was not big on, but won over this season...until the last couple of episodes anyway. Finally, Luke Cage’s Misty Knight is on several episodes of this season and I was never a fan of her before and she is equally unpleasing to endure here. If you got the time to kill and want to keep up with everything in the Marvel Netflix universe than I would say it is kind of barely worth it and is enough of a step up from the disastrous first season to check out. Grade: D+ (But a good D+ if there ever was a thing considering how big of an improvement this is from the first season) Daredevil - What a big step up from the disappointing previous season! Glad to see Kingpin as the forefront again as the antagonist this season and to see him go from prison to taking control of the reins of ‘Hell’s Kitchen’ again was a delight! Also a delight was the evolution of newcomer Dex to the show into a certain favorite Marvel character of mine. The way Daredevil handled Dex could not have been done any better. Coming out of the Defenders team up season, I loved the opening episodes focusing on Matt going into isolation as he recovered and gradually worked his way back into the fray. As with Punisher, all the action and fights here are masterfully choreographed and I was glued to the screen once a fight kicked off. I cannot think of a single person that is mis-casted since everyone delivers sublime performances. Karen and Foggy are awesome supporting characters and I loved their angles this season with more background into Foggy’s family struggles while trying to save the Nelson & Murdoch firm and Karen taking insane risks in her journalistic endeavors.

My highest praise is I think this is probably the sole Marvel Netflix season that could have went an extra episode or two because it felt like they kind of had to rush through a few scenes that felt a little condensed in the final episode. Another similarity Daredevil shared with Punisher is that it also unfortunately was cancelled by Netflix and I am super-bummed to see it go after this redemption season. Here is hoping it too gets picked up on another streaming service or maybe even by some stroke of luck both Daredevil and Punisher get incorporated into the Marvel Cinematic Universe. FINISH!!! That wraps up this past year’s worth of TV coverage. I tip my hat to you if you somehow managed to stick with me all this way through! I do not know if I will do my annual bonus summer TV viewing follow-up or not. I know Netflix still has to unload the last season of Jessica Jones, but I thought it would have dropped within the last few months so who knows when it will hit. I know season three of GLOW will hit Netflix this summer and that will jump instant viewing right away because of how much I enjoyed the last two seasons. I keep telling myself I need to do a one week trial of HBO Now to binge watch the final season of Game of Thrones and get caught up on Ballers so I might go down that well later this summer too. I am also tempted to do a trial of ESPN+ to watch that highly rated Love & Basketball docu-series and get caught on the last several 30 for 30s I am behind on. Got other suggestions for what I should watch this summer? Feel free to tweet them away to me @Gruel Past TV/Web Series Blogs 2013-14 TV Season Recap 2014-15 TV Season Recap 2015-16 TV Season Recap 2016-17 TV Season Recap 2017-18 TV Season Recap Adventures of Briscoe County Jr: The Complete Series Baseball: A Ken Burns series Angry Videogame Nerd Home Video Collections Mortal Kombat: Legacy - Season 1 | Season 2 OJ: Made in America: 30 for 30 RedvsBlue - Seasons 1-13 Roseanne – Seasons 1-9 Seinfeld Final Season Star Trek: Next Generation – Seasons 1-7 Superheroes: A Never-Ending Battle Superheroes: Pioneers of Television The Vietnam War: A Ken Burns series X-Men – The Animated Series: Volumes 4-5

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Millennium Actress

In 2001, Spirited Away won the Grand Prize for Animation at the Japan Media Arts Festival.  That would be of no surprise to most people; Spirited Away is one of the most critically-acclaimed and commercially successful animated films of all time.  What might be a surprise to some, but not all, is that it had to share the award with a film you’ve probably never heard of-named Millennium Actress.

It says a lot about Millennium Actress’s quality that it stood toe-to-toe with the greatest anime of all time and lived.  And yet it doesn’t really say enough.  Millennium Actress is truly seminal filmmaking, the great Satoshi Kon’s most ambitious and cinematic work.  Equal parts fictitious biopic and cinephilia, Millennium Actress functions at the same time as a love tale of sweeping proportions, a war-time period piece, and a working account of Japanese history.  It is utterly unique in the anime landscape, and one of its very best features.

The film centers around retired actress Chiyoko Fujiwara.  Once the movie industry’s brightest star, she quit abruptly at the height of her fame to disappear into solitude.  Now, the studio she used to work at is being torn down; a movie enthusiast and his cameraman show up to interview her about her legendary career.  A key is produced in conversation; the key carries a story more wondrous and moving than anything the Big Pictures could ever have conjured up.  It is the Key to The Most Important Thing There Is; and it unlocks the secret of Chiyoko’s life.

In short order, the film buff, his cameraman, and us, by proxy, are quite literally whisked away to the various scenes of Chiyoko’s memories.  This is where the magic of the movie sets in. Satoshi Kon is well known for his subversion of reality with other elements.  Here, Chiyoko’s actual experiences alternate with, and in many cases, blend together with her cinematic work.  It is up to the viewer to decide what is real and what is fiction, and more importantly, how much that matters.  Millennium Actress celebrates the concept of movies to an extent and level perhaps unsurpassed in film.  Take, for example, the role of movies in self-expression.  Chiyoko’s experiences and acting career overlap in a way that transcends mere coincidence; it becomes clear, and increasingly tragic, that her great performances were inspired by her own feelings and experiences.  On the other side of the coin, we see how audiences participate and interact with movies.  The interviewer, a raging cinephile, joyfully relishes each opportunity to play the character of his choice, be it the knight or hero, alongside Chiyoko.  In the same way, a viewer helps create the movie by “becoming” the characters; feeling and experiencing their world by proxy.  At the same time, they project their own feelings and experiences into the movie, fostering a deep emotional and intellectual connection.  Without audience engagement, the illusion collapses; one of my favorite aspects of the movie is the cameraman.  Younger and more disinterested, he doesn’t understand the framework of Chiyoko’s retelling, the disorienting jumps between old films, old memories, and so on.  His frustration and confusion at what he sees is both hilarious and a welcome dynamic to the wide-eyed enthusiasm of his boss; a means to disarming potential cynics and grounding the increasingly wild proceedings.

Millennium Actress’s analysis of cinema goes even further.  The snippets of Chiyoko’s film career are loving tributes to Japan’s cinematic culture. Ninjas and samurais are of course represented; along with wartime propaganda, post-war regret pieces, and even new-age space and science-fiction.  Taken together, the genres also become a living representation of Japan’s history, encompassing feudal, fascist, and modern eras, respectively.  Movies, in this way, become a reflection of our society; our histories, our unique cultures, and how we relate back to these elements and interpret them.  Movies help us remember who we are.  This occurs not just on a societal level, but on an individual level as well. The strong experience of film can stir up memories or recollections we might have forgotten otherwise.  This is played out perfectly in the movie; it is suggested that Chiyoko may be suffering from some type of memory loss or dementia.  Her film roles blending with personal memories may then not be a creative choice on Chiyoko’s part as much as a means to resurface deeply buried memories, or to act as close surrogates in order to complete her retelling.

The movie, at once deeply intellectual, is also a wonder to look at. As we are gazing through Chiyoko’s collected personal memories and a series of movies set in the past, present, and future, there are massive leaps backwards and forwards in time and across multiple realities, different color and tonal aspects, and fantastical elements appearing and disappearing at whim.  This kaleidoscope of textures and visions is delightful and endlessly interesting, but handled in a way to minimize disorientation.  Contrast that with Perfect Blue, where Kon took a similar concept but used it to maximize viewer disorientation. The animation is crisp, colorful and vibrant; probably the best of any Kon film until Paprika came out in 2006.

The soundtrack is one of the best in anime.  Kon wanted Susumu Hirasawa as his composer for a long time, and his tracks in Millennium Actress demonstrate why. Sampling everything from bells and whistles to soaring Malaysian vocals, Hirasawa infuses catchy electronic beats with a life and vitality rarely, if ever, seen in synthesis pieces.  The perfect score reaches as far as the onscreen ambitions of the film, allowing it the necessary gravitas and atmosphere to truly flourish.  The music of Millennium Actress, as the film itself, is a celebration of life.  And life, as we all know, comes with a side of bittersweet.

While only his second film, Millennium Actress is perhaps Satoshi Kon’s defining swan song.  One of the very best and most inventive directors in all of animation, Kon’s work was nonetheless never a big hit internationally, or at the box office.  The same year Spirited Away smashed box office records, earning almost $275,000,000 on its way to an Oscar, Millennium Actress garnered a meager $37,285 in the US and mostly disappeared from memory.  Even Kon’s most profitable film, Paprika, failed to crack the million-dollar mark in the USA, earning a gross total of $881,302.   Kon’s tragic, untimely death from pancreatic cancer at the age of 46 was just another unfair circumstance stacked against him.  In his heartbreaking goodbye essay to the world, the director expressed regret that his films never made much money.

Satoshi Kon never received the generous acclaim of Studio Ghibli and Miyazaki.  He was not rich by the end of his career, and not particularly famous outside circles of contemporaries, critics, and devotees.  Yet, he was perhaps animation’s truest artist.  His collection of works is towering; oozing ambition, skill, and tenacious devotion to the craft.  Satoshi Kon loved animation.  He loved to create.  That love, that drive to make things wholly new and wonderful, is the legacy he leaves behind for all of us; it is also what is important.  We cannot control how our lives will play out, whether the goals and dreams we strive for will ever come to fruition.  But perhaps the end accomplishment of the goal is not really the point.  The point of art-and of life-is in the striving for our passions, in pouring all the contents of the heart forth so that not a drop is left unspent.  The effort is in itself beautiful.  It is what is worthwhile.  It is, perhaps, The Most Important Thing There Is.  Millennium Actress echoes this sentiment to perfect sublimity.  As a piece of art, it is fantastic.  As a sendoff to Satoshi Kon, one of the finest directors I know, it is even better.

You can read Satoshi Kon’s goodbye letter here.  I highly recommend that you do.  

http://www.makikoitoh.com/journal/satoshi-kons-last-words