#what are we doing to our beautiful queens

[nicromancytarot]

WHAT WILL YOU LOOK LIKE IN 5 YEARS?

This is a general reading based on a collective of people. Take what resonates and leave what doesn’t. If you don’t feel the pile resonates with you, don’t be scared to try another, if it still doesn’t feel right, that’s ok! Maybe our energies aren’t as connected and my readings are not for you.

I do these strictly for fun and educational purposes. I do not charge for these readings, and I do not fake readings. I would tell you the cards I get for the readings, but I pull like 15-20 cards each reading and that is just slightly a strenuous task to write them all down lmao.

PICK A CARD READING

I asked my spirit guides what you will look like in 5 years time, pick a picture to find out what they had to say!

PILE 1

Golly gosh, my sweet pile number 1’s, I must tell you the cards I got for this.

2 of pentacles, 8 of cups, 4 of cups, Moon, Page of cups, Tower, 10 of swords, High priestess, 2 of wands, Queen of swords, 5 of pentacles, Lovers.

We’re a little bit hectic over here if you can’t already tell. I wouldn’t say this is anything to worry about however.

Starting off! I feel that your physical appearance is going to change a lot during this era of your life, whether that be you go through a bunch of phases, try new things, receive procedures etc. I feel that a lot of you may feel stagnant in how you look during this time, you may find that you’re right on the cusp of looking how you want, but are struggling to get there. Some of you may begin to notice features of your own mother poking through, others may start to look more mature and possibly take on a more maternal appearance — this could be seen in having a little more maturity to your body perhaps after childbirth, or even just beginning to put your appearance on the back burner if you have kids that must take the forefront of your mind.

I have a feeling that a lot of you will go through a major glow up around this time, which is great, however! The motivation will arise around some sort of betrayal or major shake up like heartbreak, whatever it is will instantly get you feeling like you need to take more care of yourself, and becoming much brighter and just looking happier because of it.

The change in your appearance during this time will certainly mark a new beginning and major change in your life, it will really be that first step to a fresh start.

You may begin taking more care of your body, and specially your skin, perhaps spending more money on the highest review products, or just even investing in some long term serums that you know work wonders for your skin. (Please be careful with how much you spend on this stuff lol, you can definitely find cheaper stuff with amazing properties if you look hard enough) This could also imply that many of you will begin working out and eating healthier around this time as well, ensuring that your self care is the top of your priorities.

And finally, our lovers. Now I would say this will bring a new love opportunity to you, but when I first thought this card was present, it was actually the king of wands that caught my eye in the middle of the deck. You’re going to love yourself a lot more, love looking at yourself in the mirror, and just overall feeling more like yourself. You will love who you have become. Good luck my lovelies, get that beauty on!

Physical features: Intense eyes/eye makeup, wearing lots of black and mysterious colours, becoming skinnier or leaner, muscle building could be applicable, stubborn features you can’t quite get rid of (perhaps a bit of flab on your thighs, something that just makes you look more mature, still hot as hell by the way), some of you may stop shaving for a period of time, black hair, spiky jewellery, silver jewellery, cold toned makeup, clothes, gems etc.

PILE 2

Hello my pile number 2’s, how’s it going? Starting off strong we already have the two of cups, so I’m sure this appearance will be highly negated by the status of your relationships, specially those that we deem romantic. I’m seeing that during this time you are trying different things and may even be getting advice from family and friends about what to wear or what things to CONSCIOUSLY consume — I cannot stress it enough that money is big talk here, I need you to be very aware on what you’re spending your coins for, I wouldn’t recommend any expensive surgeries that could end up going wrong, specially lip injections/filler.

Anywho! You could be being very intentional about the way you appear, perhaps with ensuring you do enough research into new products before purchasing them, or even investing in a personal dermatologist, colour coordinator, personal trainer etc — it’s all very well thought out.

Your glow up, if there is one, may be motivated by some sort of competition, so perhaps just ensure you don’t get too deep into all of that. Knight of pentacles appears twice here, so I’m definitely getting the message that you will be investing a lot of time and effort into your appearance, liking the way you look could be a long time coming.

You’ll have a lot of tips to share with people around this time for sure.

God damn it, I flipped the deck for more info and we got the tower. Ok! Dramatic changes. PLEASE BE CAREFUL WITH PROCEDURES!!! I really feel like this is something I need to say with all seriousness. You go for lip filler, you’re coming out with sausages glued to the absence of your lips, also heavy chance you can get scammed when trying to get something done. I would absolutely not recommend any plastic surgery of that kind — however you can get away with waxing (I’m specially getting your bikini line lmao), eyebrows threaded, hair done professionally, professional makeup, nails etc — that’s all fine, but I’m getting a really big feeling to tell you to avoid any plastic surgery, specially if you’re from the UK.

I’m being told you need to embrace your natural features, things that you’ve hidden before can be very alluring when you learn how to harness them. A lot of you may look young for you age, honestly embrace it, you’re going to look twenty at fifty, and the rest of the world will sag, so good on you!

Physical features: doe eyes/very loving expressions, unconventional features that make people look twice (perhaps drawing on moles, or not covering up already existing ones), you could thrift most of your clothes (and get really good at it), may lean into more blues for colours, spending a fair bit money on accessories or hair/makeup etc, whimsical clothes, wearing reds/red lipstick, leaning more into the traditional looks from your culture.

PILE 3

Hello my wonderful pile number 3’s! Ok firstly, this is YOUR time for real, if you grew up without being conventionally attractive, this is your justice coming straight in and giving you that unthinkable glow up. Now this won’t be entirely easy, you will have to put in a fair amount of effort to receive this effortless look, which is fairly ironic given the name. Anyways, I’m seeing the need to take control and allow yourself to focus on your own appearance, people may tell you “looks aren’t everything” or “personality matters the most,” and while they are not far off, it’s not hard to assume they grew up with the privilege you yourself may have not been lucky enough to hold badge of. As it always goes, money is of the essence here, and you may need to spend a fair amount to get that look you desire — obviously do it with a conscious consumer mindset, and don’t go overboard.

I’m seeing that you may join a community of sorts, like a subreddit with the best tips, or perhaps confide in a super cool witch that makes bank off people requesting beauty spells — something of the sort anyways. The people you meet through this community, whatever it is, will help guide you to harnessing your best potential. Now I will say that you may meet some that are a little misguided or too deep into it all, so be aware of what you consume and who you listen to, ensure it’s all ethical and worth your while.

Some of you may actually have to have a glow up for work, like it could be something so minute like having to do something nice with your hair, or having to wear a specific uniform that will just make it all pop and you will receive an abundance of compliments and attention. I’m also getting the message that you could have a new job with/or new uniform that like lowkey makes your eyes pop and you have that moment of realisation to what colours work the best for you.

My main message however is to make sure you don’t lose yourself in echo chambers that end up spewing shit about lookmaxxing or some weird ass phrenology. Like please be aware lol, I’m sure you’ll be fine.

Physical features: Looking intimidating or unapproachable, looking more expensive, glow up that will 100% make people wonder how the hell you did it, appearance change through work (new uniform, hair, makeup), wise appearance, type of person someone sees once and never again but always thinks of, wearing warm palettes (yellow, orange, red, brown), tired/experienced eyes, thrifting clothes/making something old look new

[hyunjincanraptoo]

I know you mostly do hyunjin fics but I was wondering if you could to a bangchan one? I was looking for one I was thinking of and I couldn't find it and I thought I'd ask you because your fics are so good! Could you try to make a first time with chan one? Kind of like your hyunjin one that you made buy a chan version of it idk I've just been so dululu lately and I need a fic like that, but if your but please dont rush if your doing other things♡♡♡♡♡♡♡♡♡

Bed of roses- B.CH

First of all, hey!! I am SO sorry it took so long. I love your ideas, they are always great. And honestly at this point I am writing for all members + ateez hehe

And in second place, I want to dedicate this fic to beautiful @ktxoxoxo. Feliz cumpleaños, baby! I promised you a bed of roses and here it's hehe Wish you all the happiness in the world and I hope you had a great day 💜

Word count: 1.4k

Warnings: smut

Alexa, play Bed of roses by Bon Jovi

You didn’t mean to break the bed, but in your defense, the bug was huge.

One moment you were peacefully folding laundry, the next you were shrieking and jumping on your bed like it was a lifeboat and you were on Titanic. And apparently, your bedframe wasn't built for dramatic bug escaping adventures.

It cracked beneath your weight with a crunch. Not totally broken, but enough to collapse slightly.

Which is how you ended up sitting on the floor, texting your new boyfriend in absolute shame.

You:

I broke my bed cause of a bug 💀

Channie:

😭 How big was the bug??

You:

Big enough for me to panic and jump like an olympic gymnast

Channie:

I’m coming over, babe

We’re going to IKEA

“Okay, but I thought you'd laugh more”, you say as he pulls into the parking lot, “Like, isn’t this the kind of thing you'd roast me for?”

Chan hums, “It is, but also I’m gonna romanticize this. We’re going to IKEA together like a new married couple”

You blink at him.

He grins, “Don’t tell me you never imagined walking around those fake rooms holding hands, pretending we’re furnishing our home?”

“Okay. Maybe once. Or twice”

He hops out and comes to your side of the car, lacing his fingers with yours the moment you step out, “Good! Let’s get delulu over furniture”

You roll your eyes. But your giggle anyway

•°. *࿐

It begins in the kitchens.

“Oh, I could totally see us making breakfast here”, he says, tapping a marble counter, “You scrambling eggs while I steal kisses and burn the toast”

“In your fantasy, I’m the one cooking?!"

“I’m better at kissing”

You blush and move on, but he follows with a lazy hand on the small of your back.

“Look at this one”, he says, pointing to a tub, “Our kids could splash around in here”

You choke, “Kids?!”

He shrugs, amused by your expression, “Too soon?”

You poke his chest him, “Way too soon”

He pouts playfully, eyes warm. “Fine. Just imagine you in it. Bubbles, candles and me on the rug beside it, feeding you strawberries”

You laugh, “You romantic menace”

But the worst is the bed section. He sits down on a queen sized one and pats the space beside him.

You sit.

Chan leans back, legs wide, arms resting behind his head like he belongs there.

“I could definitely see us making kids on this one”

Your breath catches.

He glances over with a smug grin, but it softens when he sees your expression— flushed, quiet, hopeful.

“Too much?”, he asks gently.

You shake your head, trying to stay cool, “Just... haven’t thought that far ahead”

He leans in, brushing his fingers against your knee, “No pressure. I like where we are”

You nod, “I like it too”

•°. *࿐

You buy the bed. And Chan insists on paying for half of it.

“I’ll cover half”, Chan says as he hoists one of the heavier boxes into the trunk.

You arch a brow. “You sure? I broke the bed”

He grin,. “And I helped you pick a new one. That makes it ours now”

You narrow your eyes, “Are you trying to co-own my furniture?”

He shrugs, slamming the trunk closed, “Maybe I just want you to think of me every time you get in bed”

Your jaw drops, “Christopher Bang!”

“What?”, he says innocently, but the smirk is anything but innocent

“I love you”

He walks past you, enlacing your pinkies together as he heads to the driver’s side, “I love you too, baby”

•°. *࿐

That night, you stay over at his place.

He tosses you one of his oversized shirts, makes you dinner, and kisses you slowly on the couch before pulling you into bed. It’s soft, domestic, like you’ve done this a hundred times already.

The next morning, he drives you to work, one hand on the wheel, the other lazily holding yours. As you unbuckle to get out, he tugs your wrist gently and leans over to kiss you, probably a little longer than necessary.

“Have a good day”, he murmurs. “And don’t worry, I’ll have the bed ready when you come home”

You blink, “Really? You don’t have to”

He just winks, “I’ve got you, baby”.

And with that, you spend the whole shift thinking about your disgustingly sweet boyfriend.

•°. *࿐

When you get home, the lights are low and your apartment smells like roses.

You blink at the trail of petals leading to your bedroom and then stop in the doorway— your new bed is built, fluffed, blankets folded neatly.

Chan stands beside it with a boyish smile, rubbing the back of his neck, “Hey...”

“Chan… what’s that?”

“I just… I thought I’d surprise you. Build it while you were gone. And the rest, well... I got carried away”

You step inside, eyes darting around, “This is... beautiful”

He shrugs, “No pressure or anything. I know we still haven’t… you know. But I just thought maybe…. new bed, new memories”

You look at him— his eyes are kind, gentle, nervous. And you know you want him too.

Not just because of the bed. You want him because he showed up, hands full of Allen keys and roses. Because he doesn't judge when you break the bed because of bugs and also dreams big. Because he makes IKEA’s aisles feel like home.

You walk to him slowly

“Can I kiss you?”, you ask.

His breath stutters, “Please”

You kiss him deep— full of all the things you didn’t say in the kitchen aisle, the tub aisle, the bedroom aisle.

He pulls you closer by the hips, mouth hungry but patient. You feel his hands spread wide on your back, guiding you gently to the bed like you’re sacred.

Clothes come off slowly. First his shirt, then yours. His fingers tremble slightly as they trace the curve of your waist.

“Are you sure?” he asks again, kneeling between your thighs.

You nod, “I’ve never been more sure”

He kisses down your neck, your collarbones, the sensitive skin just above your breast. You arch into him, heart pounding like a drum.

He takes his time. Every touch is mindful, every breath shared. He groans when you touch him, eyes closing.

“I got you”, he breathes, “We’ll go slow”

He lies back slowly, guiding you to straddle him but not the way you expect.

Instead, he tugs you down with him until your back is flush against his chest, his arms wrapped around your waist, your thighs wrap around his hips. You're cradled in his body like you're made to fit there like his lap, his hands, his chest were always meant for you.

“Is this okay?” he murmurs, his breath warming the shell of your ear.

You nod, pulse racing. “More than okay”

You reach between your bodies to help guide him in— careful, your breath catching as he slides into you from behind.

A shared gasp leaves both your mouths.

The stretch, the closeness, the sound of his moan against your neck—it’s overwhelming in the most delicious way.

His arms tighten around your waist, and you feel his lips press to your shoulder as he starts to move. Slow, rolling hips beneath you. He thrusts up gently, and the rhythm is steady, sure, tender.

Your head tips back against his shoulder.

“You feel so good”, he breathes, voice wrecked, one hand sliding up to cup your breast while the other holds your stomach close, “I want you like this forever”

You whisper his name, trembling slightly as pleasure builds. It’s deeper like this. Fuller. Every drag of him inside you makes your body curl back into him tighter.

He keeps you safe.

Your fingers lace with his at your stomach, squeezing as the pace picks up— soft wet sounds and shallow gasps filling the room, his lips open against your jaw, groaning your name.

You come first, your body arching, chest heaving, legs shaking around him as he whispers encouragements into your skin.

“That’s it, baby… just like that. Can’t believe you are all mine”

He follows soon after, hips stuttering, breath hitching as he holds you tighter— burying himself as deep as he can go with a strangled moan. His warmth fills you slowly, pulsing inside while you lie there— still trembling, still wrapped in his arms.

Neither of you speak right away.

Only the sound of shared breaths, kisses pressed lazily to your shoulder, his fingers drawing shapes over your stomach where your hands still rest.

“I’ve never…, he begins softly, voice still unsteady, “felt anything like that before”

You smile, “Yeah. Me neither”

You turn your face to him, “Thanks for building the bed, baby”

He chuckles, heart melting silently, “Guess we built something else tonight too”

If you enjoyed it please consider liking and reblogging. Feedbacks, loves notes and requests are very much appreciated 😊

taglist: @hyyunjinnn , @jehhskz , @mbioooo0000 , @nightmarenyxx , @rozsdascsaptelep, @thatonegirlonhere , @notmedina127, @sweetlifeofjoy , @jeonginsleftcheek , @yelhsaa, @my-neurodivergent-world , @hyunles , @lexlikesbts , @imagine-all-the-imagines , @mysterysold , @teenagepeterpan , @hangonhyunjin , @yxna-bliss

[kittenfangirl20]

Adam: Lucifer, in the short time I spent with you, I found myself deeply in love with you. You brought me joy and happiness. I am happy I chose to go through the labyrinth, not because it saved Lilith, but because it brought us together. I want to spend my life loving you and having our children.

Priest: Lucifer and Adam are now married as King and Queen of the Demons, you may now kiss the bride.

Lucifer dipped Adam down and passionately kissed him. They went to reception where guests were dancing and enjoying the feast. Adam was happy to see Fizz dancing with Ozzie and Alastor enjoying a drink.

Lucifer: I knew you wanted to have your friends and we can visit your family whenever you want to.

Adam: Thank you.

Adam and Lucifer walked over to Alastor.

Adam: Alastor, Luci told me that you were working with him to ensure that we would be married and I wanted to say thank you.

Alastor: My dear, I have become rather fond of you and wanted you for our Queen. Go dance with your husband.

Adam ran off with Lucifer to the center of the dance floor. They danced and everyone looked in awe at the beautiful Queen. Lucifer couldn’t help but feel smug at the face that he could call Adam his husband and Queen. They danced and feasted until it got late at night.

Lucifer: I want to make love to you now.

Adam blushed at how turned on he was at the thought of Lucifer being inside of him. Lucifer picked up Adam and carried him to their room. Lucifer lay Adam on the bed and with the snap of his fingers, they were both naked. Adam must have been the color of a tomato at how impressive Lucifer was down there. Lucifer looked at Adam’s naked body with desire.

Lucifer: My dreams tried to imagine how you would look naked, my imagination didn’t do your beauty justice. You are my Aphrodite.

Adam: Then that must make you my Ares. Make love to me my handsome warrior.

Lucifer slid into Adam, at first Adam was a little sore, but it was quickly turned into pleasure. Adam wrapped his legs around Lucifer’s hips and Lucifer thrust deep into Adam. Lucifer smirked as he reached down and played with Adam’s clit. He loved the reaction it caused Adam. The sounds made him think of a song for him and him alone.

Lucifer: Would you like to get pregnant?

Adam: Yes, I want a baby with you.

Lucifer continued to make love to Adam until they both cum. Lucifer filled Adam up with his cum and when he pulled out of Adam, he gently pushed some of the cum back into Adam so the chances of him getting pregnant could be stronger while he kissed Adam’s thighs.

@talesfromawannabewriter @things-arent-what-they-seem66

@talesfromawannabewriter @things-arent-what-they-seem66

The Labyrinth of the Demon King

Adam ran through the field close to his home so he could make it home before the storm. Ever since his mom married Lilith’s father, things had just been going downhill. Lilith had bullied Adam ever since Kindergarten and things only got worse up until senior year in high school. In fact she acted like she was going to make it up to Adam by taking him home since she had a car and he didn’t, but she made sure to leave school before he could reach her car. When he made it to the porch right before the rain started, Adam broke down crying. What he didn’t know was that a white owl with piercing red eyes watched him.

Adam: I’m home, oh right, I am all alone.

Adam stepped into the house and made his way upstairs to his room. His room was covered with posters of rock bands and Broadway musicals he liked. There were plushies on his bed. He didn’t care if Lilith said it was childish for an eighteen year old man to have plushies, he liked them. He was confused when he saw a new book on his bed.

Adam: Where did that come from.

He picked up the book and saw it was red with a gold symbol of a snake wrapped around an apple. He opened it to see that this was a book about a labyrinth kingdom of demons ruled over by a demon named Lucifer. He had six other demons who helped enforce his laws. It even said if you recited a chant Lucifer would grant your wish. He traced the picture of Lucifer, he was so handsome. He was jolted out of his thoughts when he heard Lilith come in the house. He grabbed the book and stormed downstairs.

Adam: You said you would bring me home.

Lilith: I only said that so your mom would get off my ass about getting along with you. Do you think I would be caught dead with a fat cow like you?

Lilith reached over and pinched Adam’s chubby stomach. Adam was sure that this was going to leave a bruise.

Adam: You have made my life a living Hell, I hate you.

Lilith: The feeling is mutual.

Adam: I wish Lucifer, the King of the Demons would come and take you away.

He didn’t think that would do anything, but suddenly Lilith wasn’t there.

Adam: This isn’t funny Lilith, where are you.

Adam ran through the house trying to find Lilith. But when he went back to his room if she was hiding there only to find Lucifer sitting on the edge of his bed holding a lion plushie Adam called Muffin.

Lucifer: I did as you requested and took Lilith away.

[ato-dato]

Shanks showing up in marineford was great but he looked so weird I needed to draw him to soothe my mind

[yin-and-yangyoseob]

Random NBA Player Tweets Pt. 1

(ii)

[saltroclus]

What's up with IWTV artists drawing full on vulcan/elf ears on Louis and Armand though...

[misslavenderlady]

First off, thank you so much for the tag!!!

Second off, I can definitely see the heart you put into this! The people in this fandom are bursting with creativity and insightful ideas on a movie that came out 35+ years ago and I think that's so beautiful. Our ideas and insights and theories keep it going, which inspires even more people. I'm really proud of you for doing this.

I'll add some thoughts too, but please know I'm not trying to steal your thunder! You've just really inspired me 💜

Let me just say I do like Star. She was in no way written perfectly, but I chalk that up to limitations with movie time and the shit-ton of changes they made and stuff the cut out. That's definitely not her fault, nor is it that of her actress. In fact, Jami Gertz did fantastic with what few bits she was given to work with.

It's kind of interesting because she's both a very positive character for the era she comes from, but she's also limited by it too. Unlike a lot of the other female characters of the 80s, she's not a victim of any gender-related mistreatment. She's not harassed, assaulted or r*ped. It isn't even brought up. It's really not good that such a simple thing is considered progressive for a movie of that time, but it's still a nice palette cleanser after seeing so many gross characters look up skirts or try to grope some poor girls.

Yes, you do see that shrinking violet personality come in when David reels her in, but she isn't treated like an object for their desires. Honestly, I actually think her romance with Michael is very sweet. It may be brief and very sudden, but the passion Jami and Jason had going on irl definitely shows on camera. They're just very shy and cute and honestly, I find their sex scene to be one of the better ones I've seen in movies. I think I like their relationship because it plays on one of the few characteristics we see for her. She just wants to be normal again. She wants to be a girl in love with a sweet boy. The feelings she has for Michael are very real, and it's to a point where she trusts him to save her and Laddie.

Another thing I see in her is a sense of bravery that I don't think even she realizes she has. She's willing to warn Michael about the risk of the blood even at the consequences of David being mad at her, she sneaks away from the boys so she can talk to Michael and ask for help (that's no small task for anyone getting out of an abusive relationship), she insists that Laddie be saved first, even if Michael only has the strength to get one of them out, she gets in the faces of two vampire hunters and screams at them to protect Laddie from harm (seriously, she could have been killed), and she picks up a weapon to fight Max when she learns who he is.

It really is a shame that we don't see the Star we see in the book and certain cuts from the script. There's just so much more to her. She's a kind, playful spirit who keeps hope going strong. She encourages Laddie to hold on to his human memories, she adores Paul as her companion and a kindred spirit who understands her loneliness, and in a version of the script, she helps Michael get the killing blow in.

I know deep down she was only meant to be the love interest, but I see a spark in her that could have been more. And honestly? This movie would have been a bit more empty without her. When it comes to Michael, she's the shoulder angel to David's shoulder devil. The two of them in a quiet battle to get Michael to turn to their own side.

They could never make me hate you, queen 😩💜

Building a Better Star (aka, the Star Essay)

I like Star. I’m getting that shit out of the way right here at the beginning, just in case. I like Star, I like what she is, I think she deserves better writing. 

Also - these are my takes. These takes may not be your takes. We can have different takes.

Okay? Okay. Let’s go. 

For the purposes of this analysis and suggestion, I’m only going to be going off of movie canon Star, rather than book canon Star, because while they’re basically the same, there are a few background elements in the book that expand  on Star’s internal thoughts and relationships with the boys that you could only get from exposition in the book, and that’s not as available a source as the movie, so. 

Since I’m either posting this on tumblr for the four people who will read it, or filming myself talking about this like a normal person with normal hobbies, I won’t explain who canonically she is because that’s unnecessary for this audience of me and a discord server, but rather who she is as a character as presented.

The thing about The Lost Boys is that it exists as a double edged sword of characterization for all its characters. They’re all incredibly simple, and in that white space that’s left behind where deeper characterization would be put in other movies, here there’s just a void, leaving the audience to fill in the gaps however they see fit with whatever they can glean from the surrounding world. 

The vampires are the prime example of this - of all the characters, they get the least amount of dialogue and have the most void to fill in who they are as characters. Star is the runner up, having more character, but the same amount of void in her backstory. 

So who is Star? 

Star is The Girl of the group, a trope wherein you have a group of characters who make up the core of your main cast and usually they’re all male, with one or occasionally two exceptions being girls - if it’s two, one will be the ‘nerdy’ or otherwise ‘not strictly desirable by main male cast’ role, and the other will be The Girl, who is almost always the love interest of the main male, who, even though she’s more of a main character then the secondary girl, typically does less than them. As presented, Star fits this trope easily, as well as filling out the subtropes that it consists of. 

She’s soft-spoken, pretty, demure, stays out of most of the fights in the story, offers the protagonist advice but never tells him directly how to face the conflict of the story, offers support but never directly physically supports the protagonist. She’s an inciting incident all to herself, but never actually drives the plot forward except to be a shining prize on the mountaintop of the narrative that the protagonist must climb in order to claim. 

After being in the Lost Boys fandom for about two and a half-ish years now, there are some take-aways specific to Star that the fandom tends to play on the most. 

And I want to add in here, I do not have a problem with these traits being assigned to her. Star, like the rest of the cast, is a very malleable character. The void around her is just as vast as the other vampires, and this is fandom - we play with blorbos from our media like dolls. This entire thing is purely based on what I personally would like to see Star become, and since I’m a freak, I don’t just write fanfic, I also do this. Apparently. So take everything I’m saying with a giant grain of salt.

The traits that I most see attributed to Star are:

-She’s a shrinking violet, either unwilling or unable to interact directly with the conflict of the story

-She’s being held against her will to the point that leaving in any capacity is not only not an option, but would lead to physical harm/possibly death if she tried (ie, she’s an abused captive) 

-She cannot be held responsible for any bad decisions she’s made in the past or makes in the current story, or any bad turns the plot takes 

The first assertion is held up pretty well by the canon of the movie, and most of the fandom also agrees that it would have been nice if the movie actually did make Star a little less soft. There have been several outcries for Star to ‘vamp out’ like the Boys did, to at the very least give her a scary vampire face! Her tiny confrontation with Max at the end of the movie would have been a perfect space for that, but unfortunately, the movie has 80s-itis and being the female love interest and a victim in the plot, Star isn’t allowed to be aggressive in such a blatant manner. 

Star also hangs back whenever the Boys have presence on the screen. She’s never in the forefront, sharing the space, she’s in the background, watching them, only observing. The one time she directly contradicts them, ‘Leave him alone’ she’s told straight up to ‘chill out, girl’, and she doesn’t continue the conflict. When she does decide to try and be more forward with Michael, directly affecting things, she waits until there is no other persons of consequence around in order to do so. 

The second assertion of her being held against her will is a little trickier to pin down as a trait, but evidence of this is implied with how she contributes to the narrative - mainly, in asking Michael directly to save Laddie and her from the Boys, or at the very least, the situation she’s in. Though, it should be noted, that Star never makes a direct statement of what that situation is. She hedges that it’s being being driven to kill to sate the vampiric nature, but when taking scenes like David simply saying her name to get her to come to him, being told indirectly to back off when the Boys are hazing Michael, and backing away in a fearful manner when Michael is drinking the blood wine into consideration, there’s the darker notion that she’s being abused in other ways. 

Because the movie is meant to be a lighter flick, full of scary-yet-alluring vampire punk boys and over the top monster-hunting gore, billing it as a ‘horror-comedy’ excludes any deeper exploration or more explicit on-screen showing of verbal, emotional, or physical harm that Star may be experiencing. Doing so would take away from the fantastical and darkly whimsical nature of the story, grounding it too much, and making the Boys, though they be villains, into villains we wouldn’t love to hate.

Thus, the darker implications of what Star might be facing behind the scenes, when Michael isn’t around and before he came along, is left to the audience’s interpretation, as well as any ability Star has to struggle against them. The fandom frequently interprets as none, thanks to the plot of the movie being what it is. 

The third major assertion that the fandom tends to adopt is that Star is largely if not completely irresponsible for the missteps of other characters and for her own predicament. 

This given trait is the most difficult to back up with evidence directly from the canon as it relies heavily on filling in the blank spaces of Star and the other character’s backstories. Star is not responsible for Michael spotting her in the crowd at the concert or deciding to follow after her. Star technically didn’t tell Michael to accept David’s goading to race. Star told Michael she both didn’t know how to help him, and couldn’t explain it. Star is not responsible for Michael’s induction into the Boy’s gang because, well, she told him what he was drinking was blood. Star never directly acts to drive the plot forward until the beginning of the third act when she does admit to Michael that she needs his help, thus, cannot be held responsible even in part to Michael’s involvement. 

Lack or acceptance of Star’s responsibility for her own inability to leave the Boys is even harder to pin down, as we have no movie canon for what her life was like before meeting the Boys. The implication from the world around them is that Star is a runaway kid like many of the people seen in the opening sweep of Santa Carla, likely from a crappy home and was taken in by the Boys but soon got in over her head, but this is never directly confirmed. 

The idea that Star made a bad choice, and was not just manipulated and coerced after the ‘honeymoon’ period with the Boys is somewhat controversial as it paints Star in a less favorable light. She isn’t an innocent victim, but rather someone who made a bad call and refuses to acknowledge her own agency in that decision, instead placing any and all blame on the Boys. 

‘But what if she’s tried that already?’ Unfortunately, that lies entirely in the realm of off-screen possibilities that are not support by any canon. Star in the movie is never shown or implied to have tried escaping before, and in the book she merely has internal monologues about wanting to leave, not that she’s ever attempted it. 

Giving Star any one of these traits on their own isn’t necessarily a bad thing. Star is very much helpless in this situation - she’s in a den of immortal man-eating monsters while only being barely half of one herself, and refusing to take the option that would grant her more physical power to assert control in the situation, because the act required would be a shattering of her moral compass. Regardless of her involvement in how she got here, she deserves to be able to leave and make better choices. 

But giving Star all of these traits at once with nothing else to her flattens her completely. It does her, in my opinion, an incredible amount of injustice to absolve her of any kind of responsibility in her own problems and then rob her of any bravery to take a risk and change it herself.

And that’s not a good character. 

In order to build a better Star, we need to first accept a truth that might be a slightly hard pill to swallow: 

A good Star is not necessarily a protagonist. 

At least, not in the same way that Michael or Sam can be. Michael and Sam are protagonists in that they’re the heroes of the story. They face the main conflict head on and drive the plot forward with their actions, and are who we’re rooting for to win. We see them and their actions as ‘good’. They are absolved by the framing of blame in what is done to them. (Michael in getting in over his head with the Boys by ignoring the reservations and loose warnings of others, and Sam of murder with the fact that the Boys are man-eating monsters bent on getting back at them when one of their own is killed.)

If you make Star a protagonist in the same way, with her needing to be framed as ‘good’ in the story, but only keeping the character traits previously listed, then she’s a boring character. She becomes only nebulously ‘good’ just by virtue of not technically having done anything that could be considered ‘bad.’ Being counted as a heroine only by default. 

And that sucks. That puts her simultaneously on a pedestal where she can do no wrong, but is an empty shell that’s there to smile or cry and do nothing else. 

Often, when talking about female protagonists, antagonists, anti-heros and characters with grey morality or amorality, the added layer of them being women forces ten times the scrutiny on not just how they’re built as a character, but on their creators and why they’re choosing to build the character in the way they are. Any mistakes plot-pushing decisions made by the character aren’t as likely to be accepted as just the character acting in the story, but get traced back to the author. The audience constantly asks the question, ‘if it was a male character, would there be consequences for this act, or are you treating this character special because they’re a woman?’ 

In this case, it’s ‘Michael also fucks up, and yet is treated as a victim, deserving of sympathy and being saved by his brother rather than having to fight all on his own. Their situations are the same. Why not Star? The only difference between them is gender.’ 

This essay is not about whether or not Star is deserving of being saved, nor is it saying that she deserves being trapped in the situation that she’s in. But much like how Star reminds Michael that she did indeed tell him that it was blood in the bottle and he scoffed at her, Star deserves not to be a lifeless doll being acted upon, and a good female character deserves to not be a pretty, perfect Barbie doll that does no wrong and always looks pretty. 

So with the knowledge that a better Star cannot be purely a protagonist, how do we lower her from the boring pedestal? 

My suggestion: by inverting her three main traits

The first: If she’s billed as meek and demure and soft, then make her more aggressive and vulgar 

The second: If she seems to be kept at silent gunpoint, then give her more freedom to act

The third: Make her at least partly responsible for her own situation, regardless of whether or not she thinks she is 

The first revised trait is the most important in my opinion to building a better Star, as it will help direct and reinforce the second two. 

A large part of Star’s lack of presence in the movie is quite literally, a lack of physical presence. Star seems to hate even being near the vampires, and depending on what kind of story you wish to show her in, it could make sense. But chances are, if she’s given the shrinking violet trait, she’s been given the other two as well, and that makes a bad Star. She must be allowed to speak, and more than that - she must be allowed to show emotion. 

Let Star be angry. Let her be hurt in a way that’s not beautiful and languorous, a wilting agony of suffering in silence. And I’ll say it: Let Star say the Fuck word. As silly and simple as it may seem, such a small detail can transform a character. Star deserves to be as rough-edged and imperfect in her words and attitude as any of the rest of the Boys, possibly more if she’s in a situation that she hates! If she had the bravery to run away from home, then she should be afforded the bravery to be more than a pretty, silent, pure woman who doesn’t know what a cigarette is. 

The second revised trait is going to be the most fluid in interpretation because it relies the most on the author or artist or fan’s personal interpretation of what the relationship between Star and the Boys is really like. 

In the movie, Star seems to move with the Boys. She’s usually near them enough that they can keep an eye on her, as we see with David watching Star talking to Michael before the beach race. The only times we see Star distance herself physically is right after the bonfire, where she comes to the Emerson cabin to convince Michael to save her, or when she and Michael have sex. The first time, she seems desperate, like she may not have much time, and the second, she’s been left there on her own while the Boys go out and cavort, likely with the implication that she should stay where they can find her when they get back. 

Again, this is the trait that can be toyed with the most, but a good way to combat the feeling that she’s being held against her will is to give the notion that there are parts of being around the vampires that she likes. There are tiny hints of this in the movie, and the book expands on this. In the movie, there’s a moment during the race where Star seems to be enjoying herself while riding with David - at the very least, she’s enjoying the speed and thrill, if not the person she’s with. In the book, Star and Paul have the best relationship of any of the boys, with Paul trying to cheer her up and promising a ‘happily ever after’. To keep it from feeling like a full captive situation, give Star a reason to feel a bit conflicted over the pack. She’s there in the first place, after all. 

The third revised trait is going to be the most controversial, as it’s a hard thing to admit when people in real life do it. 

Admitting that sometimes, the problems we find ourselves dealing with, are our own fault. We make a bad call, we make a poorly informed decision or decide in the heat of the moment. Sometimes, we are lied to, but the lie is flimsy and we chose to swallow it because it’s what we wanted to hear at the time. I like to ask authors writing villains this - what’s worse and more compelling; a villain who lies, or a villain who tells the protagonist a truth they don’t want to hear? 

And, as backwards as it sounds, making Star partially responsible for her situation is giving her more agency in her story. It gives her a reasonable character flaw that she has to confront and defeat. 

Here is where I’m going to throw in an interesting observation about a specific scene that I think helps lend itself to this particular revised trait: the scene where she asks Michael for help directly. In canon, the scene goes about like this - Star comes to the cabin, Michael tells her that he knows about the vampires, and when he expresses that he thinks it’s basically done for him, Star tells him that it’s not, he’s not fully gone, and that she needs his help to save all three of them. Now, there’s something really, really interesting to me about this scene: Star is NOT a reliable narrator during it. At all. 

To say that she’s lying outright about everything would be untrue, but when you examine it, you realize that she’s being untruthful all the same. When Michael gets upset, accusing her of not caring about him because in his eyes she let this happen, she says that she DOES care about him, using physical touch to reinforce this. When she’s soundly rejected, by Michel slapping her hand away and demanding to know why she REALLY came, she very reluctantly tells him that she was hoping he’d help them. It’s her last answer, the last thing she wanted to say. Obviously hoping that the emotions would be enough to persuade him, rather than just saying that she needed help outright, which would be easier to say no to. 

Secondly, the WHY. Star states that Michael was ‘supposed to be her first, because it’s what David wanted’. When watching the scene, the delivery, the body language, and given the full context of the plot and how we’ve seen Star behave? We can only come to the conclusion that Star. Doesn’t. Know. That. 

Max’s ultimate goal is to get Lucy, and to get Lucy, he needs Michael and Sam to be on board, or at least BE vampires. Killing one of her children would hardly serve that goal. Given the ending fight, Max doesn’t give a dead rat’s ass about Star. And Star? She doesn’t even know Max exists. David telling Star to kill Michael to turn her into a vampire is not only pointless, but going expressly against Max’s wishes. We don’t know how much of Max’s plan David and the Boys know about, or given their personalities and implied relationship with him, even care about, but defying him in this instance doesn’t seem like the smartest thing to do. 

Not to mention - Star does like Michael. She hugs him at the end, she does give him a warning about the blood, albeit a weak one. She does attempt to fight Max in the end, even if she fails. As for her thoughts on David, those are more complicated. Whether the relationship is real, coerced, that she’s simply a pawn being used to tug Michael around or whether she and David did like each other at one time, is unknown, but it is clear that Star knows that David is interested in Michael, and doesn’t like it. So it would then be logical to assume, given this, that Star would assume, based on what she knows and has been able to observe, that she’d pain David in a worse light. Insinuating that it’s HIM who’s pulling the string, assuming what he wants and what his intentions are, even if she DOESN’T. KNOW. 

All this to conclude: Star is an unreliable narrator taking actions based on her own flawed assumptions. Which means she’s going to make mistakes, and miscalculate her position. She’s going to cast herself in a certain light, and like anyone, maybe not want to admit when that light is suddenly not a reflection of her best. 

So, how do I conclude this. 

Star is an interesting character, and I do enjoy her. If you managed to sit through this to get to here, and if there’s anything to take away from this, it’s that I enjoy Star and I want her to be a better…her. She deserves to cuss and spit, she deserves to be angry and sad at her predicament, she deserves to be loved as a whole person and not some untouchable angel. Let her fight. Let her bite. Let her bleed for her freedom and personhood.

Most importantly, if you allow the Boys room to be more than they are presented as on screen, then you can afford to give that to Star. 

Thank you for reading, if you did. 

@misslavenderlady (I almost forgot!)

[lesbianrey]

just found out what they did to suki in that atla netflix show… dont text

[hetheymerrill]

[guy who has already made this post 12 times voice] I miss when Varric was fat and unathletic

[tarrarre]

Crying and shaking how is this the same person

[endofbeginings]

[ratnurse]

I hate tinder what do you mean your interests are "mindfulness" and "sneakers"

[fieryphrazes]

Thinking about how beautiful and luminous and perfect Ingrid Bergman is. And how if she were young now she’d be pressured to get a nosejob

[chironeis]

born to slay warm, welcoming earth-toned outfits, forced to live in a world where cold, sterile cool tones are the most acceptable interview colors

[to2llynottoby]

If I could throttle every misogynist browbeating wolf in teacher's clothing who manipulates scripture and twists it into some kind of chain to bind women into doing what they want, into denying their agency, spirituality, and ability to discern scripture, then you'd better be damn sure I would

[tiktaalic]

Destiel bait poll so often has me going. YOURE CRAZY.