#what are your headcanons about me

[nightlocked-in]

“peeta is bisexual” you guys are losing the vision. peeta isn’t even straight. katniss INVENTED sexuality for him. whatever katniss identifies as, he’s like “yeah, i’ll take that one” no questions asked

[raycatzdraws]

ribbonwood

[bonefall]

⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️

I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.

But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.

Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.

I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!

OH LET'S GOOOO

Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.

The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.

As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.

BIG POST. Glossary;

INTRO TO BREEZEPELT: The Sight and Dark River

ABUSE: Outcast, Social Alienation, the Tribe Journey.

DARK FOREST: How these factors push him towards radicalization.

For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.

INTRO TO BREEZEPELT: The Sight and Dark River

Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.

But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,

From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.

Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.

He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.

(And Nightcloud has a cute moment where she watches over them until they fall asleep)

As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.

In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;

Crowfeather.

Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.

(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)

So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.

We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.

The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.

When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,

Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.

And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.

All this to point out,

Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.

We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.

ABUSE: Outcast, the Tribe Journey.

In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.

Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.

They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;

They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.

When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...

Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.

But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?

Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.

Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.

Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.

The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.

Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).

Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.

I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.

In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.

At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.

EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.

Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.

The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.

And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,

And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"

Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.

This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.

It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.

It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.

Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.

That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.

As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.

DARK FOREST: How these factors push him towards radicalization.

Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.

But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.

Escalating to violence was about making Jayfeather feel the way that he does.

When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.

When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."

Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.

Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.

We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;

The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.

This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.

At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.

A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.

Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.

In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.

But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.

Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!

(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)

[medicalunprofessional]

never change, man !

[flamingthespian]

Idea: Sebastian is trans, Sam and Sebastian are dating and have been since before seb came out, which happened while kent was deployed. So when kent left for war he knew his teenage son had a “girlfriend,” and when he comes back, his young adult son now has a boyfriend, and he doesn’t realize it’s the same person, so he’s like, “why did Sam never write to me about breaking up with that girl or coming out as queer and starting to date this guy,” and doesn’t understand why Sam’s new boyfriend that he’s never met is acting somewhat familiar with him

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[shima-draws]

Luffy’s epiphany “I’m in love with Sanji” moment happens when Sanji takes a two day trip to grab food supplies. Sanji made sure to leave plenty of food he’d already prepared in the fridge for Luffy and the others so they wouldn’t miss any meals while he was gone. Out of sheer habit Luffy barges into the galley shouting SANJI FOOD and just. Goes real quiet when he remembers that Sanji isn’t there. The rest of the crew notice while he’s eating that he seems super mopey, and they’re like hey what’s wrong, you have food, it’s Sanji’s cooking, what’s the big deal? And Luffy’s like yeah but it’s not the SAME. Because Sanji isn’t here. And they’re like ??? and Luffy’s realizing it’s not just Sanji’s food that he likes, it’s SANJI, and Sanji’s not there right now so he’s sad bc he misses him. It’s not the same to eat his food and not have him be there to serve it. It’s not the same since he’s not in the kitchen cooking and Luffy can’t sit and watch him in his element. It’s not the same bc Luffy can’t tell him how delicious it is and watch his reaction (he always gets super flustered and pleased and it’s CUTE). The food’s still yummy but it’s lacking one very important ingredient: Sanji!! Sanji’s not THERE and Luffy misses him so so so much. Cue him pouting and sulking around the ship for the next two days waiting for Sanji to come home. It’s literally that one SpongeBob line “What did you do while I was gone?” “Wait for you to come back 🥺🥺🥺” Luffy now knows he’s found something he loves more than food and that’s the cook that makes food for him. GOD. They make me ill

[dailyloopdeloop]

DAY 7: i miss my wife bonbon

[quirkycritters]

"Checklist, 1, 2, 3!"

also heya, first LU post! im,,, so normal about these guys (lies- ive been thinking So Hard for nearly a year, unsupervised)

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[glitterfairy-21225]

I have no idea if this was super obvious to everyone else and I’m a dum-dum, but I just realized that, “Who will pray for me when I’m gone or until another Richie comes along,” could be referring to the fact that characters can die and easily come back alive in the next show/episode. Richie is in Workin’ Boys. Yeah, NPMD Richie is gone. But. A new Richie literally came along.

[mllenugget]

Hello I mcyt fandom-ified la Team du Lundi members and wrote a shit ton of text about it

After exhausting myself on trying to catch up on the current QSMP lore I got a sudden craving for a more familiar and fast paced kind of minecraft content and ended up rewatching all the Team du Lundi's SMP best of's I could find

And while doing so with my brain still hazed in fandom brainrot, I started picking up on minor details or info the players casually dropped, and drew parallels to the French speakers' QSMP counterparts This is going to be a long wordy post I don't even know what I am rambling about and for. Three things you need to be aware of about la Team du Lundi before reading :

Baghera, Antoine and Etoiles are the only QSMP players that are part of la Team du Lundi

As far as I remember the only two elements that suggest that la Team du Lundi's SMP could be canon to QSMP are Antoine being pressured into building another Tower of Shit, and Baghera's infamous fountain being mentioned when she was asked if her character remembers anything from her past before the island

La Team du Lundi's SMP was NOT a roleplaying server, it was just a private survival server for a small circle of friends casually playing together. So whenever I quote someone in this specific post, it is the streamer : there is no character other than the persona the streamer is usually showing on stream, but I just thought it would be fun to interpret certain situations while keeping in mind the QSMP lore. And here goes :

Baghera claims that when she was a kid she strongly believed that she could breathe underwater. The others joke about her having fins

Antoine jokingly tells Baghera he doesn’t need oxygen at all

Antoine claims he will still be alive thousands of years forwards

Antoine’s voice shifts when he wants to appear creepy

Baghera built an aquarium at her place, then helped Antoine build one at his tower, then built a giant swimming pool, then a fountain, then a waterslide- do you see a theme ?

Baghera knows that her skin is actually that of a chick and not a duckling, and calls it so here

Chat said that Baghera has a middle child syndrome, justifying that she bullies Angle Droit because Etoiles bullies her in the first place (Etoiles has also called her « little sister » in a derogatory way)

Etoiles has repeatedly asked people to play Valorant with him at least once

Here's a clip of Etoiles getting languaged in french and owing "a gifted sub in the swear jar"

Unrelated random clip of Etoiles because it creates happy hormones in me brain

Etoiles is regularly refered to as "the warrior"

Etoiles guided the whole group during an expedition to the End and he was literally glowing doing so (enchanted arrows effect) Everyone called him "the guide"

Baghera was the one who gave the final blow to the Enderdragon (and died from magic right after)

Etoiles spent most of his time adventuring in order to bring stuff and gear back to everyone for their builds

Etoiles asked Aypierre for help in order to design a redstone door for his cave which could only open upon solving a puzzle (which was egg & arrow related) (Aypierre was not a member of the server)

Etoiles built a nightclub with the walls and ceiling covered in wardenblocks making it look like a starry sky. He also rehomed Allays holding golden apples inside claiming them to be the souls working for him and that they lived there peacefuly

Etoiles jokingly talks about Antoine acting jealous and violent towards him because Etoiles told him he wanted to go and visit Kameto (who also was not a member of the server)

Baghera (along with Horty) had a rivalry with Joueur du Grenier (host of the server with admin powers) after he decided to build a massive parking lot right next to their house. They countered by covering the whole thing with dirt, followed by JDG building a factory and the two parties went back and forth. Baghera argued that it was stupid because they didnt even have cars to begin with (which is a sentence she reused when talking about Forever's roads) Also she tells JDG that he could've built a seaport instead, which makes JDG contemplate the thought of building an airport (and though he ended up never building it, I am side eyeing the French's plane crash)

At some point JDG wonders about what a roleplaying minecraft server would look like (RPZ 2), to which Baghera replies that she has a hard time picturing the thing "We'd all just build things you see ? I don't think we'd create stories, we would all just be like "I'm a builder, ah you too ? Well awesome, builders, cool"" and I find this to be hilariously ironic (fun fact : Baghera had no idea that QSMP was a roleplaying server when she first joined and often claims she would've taken a different approach with her character had she known right off the gate)

As I was finishing to write this down, these fuckers (/lh) decided to host a closure night for the server as they've never really officially did it, everyone just sort of deserted the server after a while. Baghera, Etoiles and Antoine kept referring to QSMP throughout the night, mostly talking about how weird it felt without mods. Among other meta commentary things

They mentionned Cellbit and Bad multiple times as the group was trying to solve enigmas. Antoine talked about "the cultural sharing" between communities as he taught insults to each others with Mike, Roier and Maximus in their respective languages Multiple more players were namedropped (including eggs) while Antoine was talking about how the server functions

Yes, Baghera and Etoiles kept their QSMP skins. Etoiles with his code corrupted purgatory one, and Baghera with her fading pink disheveled hair (with the addition of her cubito wearing Horty's merch)

Baghera admits that going back to this small familiar vanilla server feels like coming back home to your family during the holidays

Team du Lundi's cameos in QSMP :

Though Pomme has never canonically met JDG (even though most of her parents have talked about him to her at least once), she occasionaly breaks the 4th wall to refer to him. She once compared one of BBH's "vacation" flower shirts with his, and when Foolish and Bad asked her to elaborate (obviously not getting the reference) she proceeded to play JDG's music theme with the flute instead (Also I really feel the need to once more point out how mindblowing it is for your average french speaking viewer to have JDG's intro theme being added to the mod they use in the QSMP because of how anchored it is within french internet pop culture. Like this shit has been existing for 14 fucking years, it's part of the childhood of a lot of us, so to find a clip of British hardcore player Philza peacefuly listening to Mexican egg admin Tallulah play this theme on her flute feels like a multiverse fever dream)

Horty has been on Quesadilla Island through cc!Baghera's account, but neither of them really wanted to justify it RP wise. Baghera just wanted to give her best friend a tour of the island. Horty only got to meet Richarlyson who gave her a tour of Cellbit's castle and made her pick a room (she chose Chaos). She also chatted with Etoiles who tagged along for a bit and (this is obviously justified by it being a one-shot out of roleplay filler episode kind of night) they both already knew each other and were on friendly enough terms to bicker with one another Also she was part of the French speakers Quackity reached out to to invite on the server, but she had to decline because she was very busy at that time (and also not interested) Also also she was Baghera's teammate for that Formula 4 event, and Baghera has discussed it and showed pictures to a couple of islanders, including Richas who was very hyped about it

Another player the viewers were hoping to see on Quackity's server is Mynthos. He exists within the server with the picture of him that hangs in Pomme's art gallery, the cursed animation video that used to play in La France, as well as with Aypierre's health potion factory that bears his name

Angle Droit and Zerator are sometimes namedropped when the French speakers talk with their chat. Angle Droit frequently raids Baghera's and Antoine's streams, and though it has never been confirmed, a lot of viewers theorized that she was the +1 player Baghera and Etoiles wanted to invite on the server had they won the elections.

As for Zera, Etoiles went AFK on QSMP a couple of times in order to test some of Zerator's TrackMania maps (which he later discussed with Pac). I also remember a very trivial conversation Etoiles had with Mouse and Aypierre where he laughed about hurting his back very badly after carrying a fellow streamer during a caritative event, said event was hosted by Zerator (he's also the one judging them with concern from his desk)

I'm done.

Bonus alternative design for Angle Droit because at first I thought she was a fox then it turned out she was a corgi but then she changed it again to a fox and woop

[sanasanakun]

One day I will write an entire piece on why Ranni's questline is a perfect example of a subtle, gothic, and chivalric romance story but one that still manages to be so blatantly in your face about both the Tarnished and Ranni's feelings for one another that you can't miss it. And yet, people still insist that it's platonic because Ranni isn't jumping into the Tarnished's arms and proclaiming her undying affection for them (even though she does say she loves them in her own quiet way with the fucking key but I digress) and it makes me fear that reading literacy is at an all-time low worldwide.

[starflungwaddledee]

did you know that coo is canonically lonely? {shipaganza prompt by @veveisveryuncool}

[hiding-under-the-willow]

Incredibly silly stupid warm up sketches from this morning for your viewing pleasure bc I think they are way funnier than they actually probably are

[sneeb-canons]

Headcanon #500:

Mind is afraid that when he distances himself from or above the others, that he will be too far gone to come back down. That when his paranoia gets the best of him, he'll shut everyone else out and then be completely alone with no way back to where he was before.

Heart is afraid that if Mind is right, with the idea that what he does isn't genuine, that he's being manipulative without realizing it. Then therefore being Whole without himself there is the better option. That he'd be thrown out because his ideas would then be "not worth it" or even "vile"

Soul is afraid that no matter what he does or how good things will be, they'll always eventually split up again or even end up worse. Even then he has no clue what he's supposed to do or be during everything, and so because of that he'll never be whole. Or worse that he'll never really "feel" whole.