#what could the metaphor be

[grinchwrapsupreme]

Saw a post about helping people that used the analogy of "if you see someone fall off a cruiseship and theres a life preserver ring on the wall next to you do you walk away or do you throw them the life preserver? Of course you throw them the life preserver." And i dont want to add to or tag the post with any sort of correction because its literally not the point at all but i am desperate to say that the first thing they teach you when you work on a cruise ship is that if someone falls overboard you Do Not Look Away

If theres a life preserver nearby but you have to turn your back to get it, tough luck. If theres someone nearby who can't hear you but you could run and get them, absolutely not. You see someone go overboard you point at them and never ever let them out of your sight because looking away even once could mean losing them forever, so you just have to trust that someone will hear you scream for help but you cant for any reason look away

And maybe that adds to the life preserver metaphor somehow but mostly i just need you to know if you spot someone in the water you point at them and you watch them close and you scream for help

[efplanning]

what'll be left of me, if i let myself go completely under?

[robonoba-zorbo]

First impression Law vs. actual Law is so crazy cause when we first meet him, he's this asshole(affectionate) who makes whimsical little torso tornados and travels with a bunch of dudes in jumpsuits, and then you meet him for real and he's some... edgy twink with a friend group that consists of a furry and bunch of dorks, and an inability to play nice with people who're at the same skill level as him.

I love both versions so dearly tho-

[unganseylike]

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“Love Like Ghosts" // The Raven Cycle

When your true love is destined to die, is already dead, or will always be leaving. And other moments of ghostliness. 

[princessamericachavez]

like yes yes eddie needs to choose and buck needs to be chosen but also 

Eddie needs to get over the very big trauma of losing his wife. Last time he dated someone he had literal panic attacks at the thought of her being mistaken for Chris’s mother and as much as we saw him work through in therapy we never?? really?? talked?? about?? that?? So, yeah, Eddie needs to realize that he’s at a point where he’s ready to risk his heart and give love a second chance 

(and maybe realize he already did becase there already is a partner in his life who gets consistently confused for Chris’s guardian and it feels natural to him?? but he still needs to realize he’s ready for love)

And Buck needs to be ready to be in a relationship where he’s loved for who he is, where he doesn’t bend and twist to fit someone else’s expectations. And for that Buck needed to die, and needed to come back, and now he needs to process that trauma and steady himself. 

(and Buck loves so quickly, so openly, so loudly, and he gives so much of himself and he wants to be loved that way, and maybe he’ll realize that he already?? is?? loved?? but he needs to let himself accept it)

so basically, it’s not only a matter of choice... eddie needs to be ready to love and buck needs to accept that he is loved if they are ever going to find each other properly together

and that, my funny little friends, is the point of their arcs were we are at right now

[wentzologist]

why did none of you tell me that pete said heaven iowa is about “drinking an entire screw-top bottle of wine to try to DRIVE OFF A CLIFF”????

[bakudekublogblog]

izuku didn’t just have to see katsuki’s dead body, he also had to see the fucking all might card right next to him. physical proof that katsuki always had a tender spot in his heart for izuku and their childhood together. evidence that katsuki fucking LOVED HIM THIS WHOLE TIME and now it’s TOO LATE. it’s actually so devastatingly romantic and fucking tragic. izuku really only finds out katsuki loved him all along when he thinks he’s lost him forever.

[vlindervin7]

so interesting how mitski called her album ‘the land is inhospitable’ when all throughout it, however alone she feels, the land is there and present. there’s the mosquitos, there’s a bug at the bottom of her glass, there’s the snow, the frost, a bird, the moon, the darkness as a living, breathing thing. and more importantly, every one of these elements is a manifestation of her feelings; the loss she feels, the love she feels. like a love that’s haunting the land. and then we get to the second part of the album name, ‘and so are we,’ we understand that it’s bc she is also being haunted by love. it’s the only thing she has, ´my love mine all mine’. except it’s everywhere. the land is inhospitable because it’s being haunted by this love, meaning she belongs, meaning in the end she can say she’s ‘king of all the land’ bc it’s her love that reigns, meaning no matter how ‘inhospitable’ it is and how much it hurts, she could never let it go

[sexy-sapphic-sorcerer]

1: Magic is a Metaphor > 2: Morgana is a Lesbian > 3: Merlin is Gay > 4: Arthur is Bi

Obviously, magic is a metaphor for being gay. It is something that you're born with, that you can't change, but that you have to hide because the society around you won't accept you. Both Merlin and Morgana are always saying that they've been made to feel like a monster, an outsider, and they just want to be accepted for who they really are. And it's no coincidence that they are the most queer coded characters in the whole show.

But building off of that subtext, I think that you can read the different way that Merlin and Morgana go about trying to achieve equal rights as being an allegory for queer identity politics, where Merlin embodies this homonationalist assimilation strategy. He believes that if he stays closeted and conforms to the status quo, then eventually he will prove that sorcerers are good, moral, normal people and therefore worthy of rights. But over time, he internalises all of this shame and self-hatred and becomes increasingly obsessed with Arthur and dependent on his validation until he becomes complicit in his own oppression.

Meanwhile, Morgana represents a radical rebellion ideology. Even though she comes from a place of privilege, she quickly realises that she can't achieve meaningful change through constitutional methods and therefore resorts to violent protest. But her downfall is that she's more motivated by personal vengeance than a genuine desire for equality. So she creates a lot of infighting within the community by shunning anyone whose ideas aren't as extreme as her own, and she inadvertently confirms all of the negative stereotypes about 'angry witches' that she has been trying to fight against.

Obviously I don't think that all of this political commentary is intentional, but the basic idea of magic being gay is definitely intentional. As evidenced by this quote from the executive producer of the show, where he says very sarcastically, "some people say that (magic) is a metaphor for his sexuality, but that's just read in by them, isn't it? On no level is magic metaphorical in this show." And then Katie McGrath says, "it's funny because I don't actually think you're being sincere." And then she says directly to the audience, "Julian is lying right now."

[cuntstable]

this is so sad. the morrowind fandom is alive and well on tumblr but the thing is they do not know how to read either :(

[paellegere]

what attracts me to the transfemme fitzjames headcanon is that it has potential to add another layer of tragedy to his story. like he never had the chance to even consider who he was or what he wanted; he died before he could even explore the options. he never got to pull off the mask—he lived a man, he died a man, and he is remembered a man. the end of vanity came too late for him

[paintalyx]

explaining chainsaw man part 1: "you know, when you're 16 and also a boy it really does feel like every girl you try to talk to wants to murder you and like there are chainsaws shattering your body to bits every single day"

explaining chainsaw man part 2: "you know, when you're 16 and also a girl it really does feel like you can't take two steps without tripping and like the only person who wants to talk to you is the bloodthirsty demon possessing your body"

[gorgynei]

NEED a werewolf movie thats extremely similar in concept to ginger snaps except its about a trans guy. at the beginning of the movie the person starts hormones and later that day gets bit by a werewolf and then the lycanthropy coincides with all their testosterone stuff and its a metaphor for how society reacts to trans bodies and queerness in general. "im growing hair. lots of it. and my voice feels hoarse. and i think im a lot stronger and have more energy than before." "thats all very normal, dont worry :)" <- about to be mauled by a werewolf

[vaxieth]

thinking about imogen and laudna, telepathy, and the modifying ordeal of being loved unconditionally again

[zer0point5ive]

“how did i get here? i had everything in order. my whole life was in perfect order” really was crazy considering that was .. simply not true but. if i said that ‘in perfect order’ means something very specific to lawrence

if i said that, for lawrence, order is being able to maintain the facade of being the perfect family man, the doctor with certificates on his office wall and a wedding band on his finger, the guy who also attempts to pursue an affair with another woman because he’s desperately trying to convince himself of .. something

creating this narrative around himself and making sure everything he thinks he is or wants to be is maintained in little boxes, meticulously organised to the point that it’s falling apart in front of his eyes and it’s still ‘in perfect order’, it’s still preferable to the alternative .. having to face himself. and then ! well then he wakes up locked in a room with his choices that led to this point laid bare

chained up with no way out as he’s suddenly forced to confront it all, a front row seat as the careful persona he’s built crumbles before his eyes when the man opposite him pulls out a bunch of photos. lawrence, who’s so careful to only be perceived in a very specific way, who presents himself as this guy he’s created, is suddenly faced with someone he can’t hide from, someone who’s seen at least partly beneath the exterior and developed it in black and white. lawrence, who claims that he’s never in photos, suddenly being faced with this reality of himself being captured in the flash of adam’s camera

[elysiarte]

..gone