#which it's true that all the lyrics are absolutely genius

[that-was-a-bit-stupid-of-you]

ttpd review: thoughts (and prayers)

cuz wtf was that. (also providing my two cents that no one gives a shit about)

Is the promotion in the room with us?

Not going to lie, this part pissed me off. As a post evermore release swiftie, the first album release I got was midnights. And while the promotion for midnights wasn't astoundingly genius, the track list release (midnights mayhem with me) was smart. Everyday, there would be chaos all over social media of taylor taking out a number and releasing the track name. The excitement over YOYOK was to die for. But after reaching peak fame, girlie just decided shit wasn't necessary anymore. Absolutely no promotion for ttpd, except a few lyrics that provided no context (or excitement) whatsoever. That, and the very non subtle "hinting" of some big reveal of what went down between her and joe, by making some playlists, that not only ruined the perspective of many of her fans and the relationship they had with her previous songs, but ALSO. THE ALBUM HAD BARELY ANYTHING ABOUT JOE. (Not that i personally care about what happened, but it was so unnecessary to center the ONLY promotion done around someone who was barely a part of the album). Swifties went on the internet to harass joe alwyn (and his female coworkers) who might as well be called a special mention on a matty healy album. Why even do all that then? We will never know.

Confusion?

taylor released 31 songs, and while a double album theory coming true would be a dream come true for any swiftie, it just... wasn't. Out of 31 songs, barely 10 stood out. Some of it just didn't make sense, in any way. "Why is this on the album?" "This sounds like a midnights vault track." "No issues, maybe this is just a skip. I'll listen to the next. Oh wait nvm. Um." Like girl what. It just feels like a giant vault album of synth pop music.

Also, it's called the tortured poets department. There is barely anything poetic or tortured about the album aesthetic. Except maybe it's torturing me, but I'm as much of a poet as she is, which basically means I'm not one.

The album just feels so different than the other albums, in the sense that they followed an aesthetic, a certain style of music and lyrics, and created some sort of story. This one just feels like she wrote many songs and put them all on an album, picked whatever track name seemed interesting enough as the album name, and called it a day. Some of the songs are gems, some create a confusion as to why they are on this album, and some just make you cringe- or atleast go "wtf". Which is fine, but if not even half the songs fall under the first category out of 30 songs, then it's a problem.

These were written by... taylor?

The lyrics omfg. I'm not going to be one of those ppl who go around saying that the lyrics sounded like an emo middle schooler (I've heard this take) BUT again, some songs have lyrics that make you question how taylor, someone who wrote the albums folklore and evermore, and many great songs like would've, could've, should've, story of us, all too well, fearless, white horse, dbatc, daylight, red... I could keep going tbh, produced...this.

It was very weird to listen to the words "tattooed golden retriever" from someone who wrote "handsome, you're a mansion with a view" (also who the FUCK is calling matty healy that??)

A very important part of taylor's music is how it is focused on the lyrics. The music itself isn't the most special, or different, in most of her songs, but what makes them (and her) special is her songwriting. However, from her songwriting going from commonly used phrases and idioms to make them tell a story, use a wide range of vocabulary, heavily using personification, allusion, transferred epithet, and a few other figures of speech that she uses in her songs to make elements such as colours, for example, tell a story, in a way it seemed effortless and fit perfectly, to this... now it feels like she's trying to do that, but that's it. She's TRYING, and it's not yielding results, and seems more like a try hard "poet" rather than... whatever she was going for. The songs are filled with self-satisfied "clever" metaphors that are being reused and recycled over and over. This is not what ppl meant when they asked you to be more environmentally friendly, taylor.

Final thoughts I guess?

While the songs are basically only an empty shell of something that taylor used to make, the album isn't all bad. Some of the songs do sound good and go well with taylor's voice (aaron dessner, the fucking legend you are) and are quite enjoyable, if not as memorable as her other songs.

There are songs such as the prophecy, clara bow, so long, london, loml, guilty as sin?, etc., that really do come through and honestly I really like them.

I do feel that the album can grow on people, but it's just... not the best. Like she says so much, and not to quote taylor swift, but genuinely the only thing in my head right now is "the more you say, the less I know".

Overall, the album is fine, but not in taylor swift standards. It's just... not bad, with some exceptions.

[allamericansbitch]

Now that I'm awake and all caught up, I would like to say that I just realised that the reason why some swifties are saying the most outlandish things about Joe isn't necessarily because of Taylor's lyrics in and of themselves, it's because the only way you can justify those lyrics is the make the person being written about/spoken to absolutely horrible. "You don't get the tell me about sad" is a horrible they to say to someone unless they're abusive, You're Losing Me is about someone who doesn't attempt to communicate in any effective, mature way unless the person they're addressing has a history of shutting down all communication, the jealously present in some songs is irrational and unhealthy unless he cheated. People are literally twisting her music into all sorts of ugly shapes to avoid confront the fact that maybe sometimes she writes about herself at her very worst, at her most petty and irrational, which is okay and can even be healthy so long as the individuals involved (the audience to som extent, but especially the creator) don't actually replace these emotional narratives with reality. (which for me is part of the reason why I've been so annoyed with Swift's approach to music recently, because it's hard to read her passivity as anything other than encouraging, or at least allowing, people to take these narratives as absolute truth, which implies that she might also think her reality is shaped entirely by her feelings, which makes her come across as wildly immature)

oh wow this is genius. it's so true because they'd grasp at any straw to avoid the obvious, simple conclusion; which is that Taylor is also responsible for relationship issues and isn't perfect like any human being. and her nonchalant, absent approach to music just fuels fans need to fill in the blanks themselves with these theories because she's leaving the blanks empty in the first place.

[thievesinrippedjeans]

now that long live (taylor’s version) is almost upon us and there’s a 99.9% it’ll actually kill me, i feel the need to impress upon you all the underrated lyrical genius of long live

now of course, a lot of its lyrical genius is not underrated at all and it’s a beloved song for good reason BUT my history nerd brain feels like one particular line gets missed and i just need you a’ll to understand it in all its glory when the taylor’s version comes out okay?

i’m talking about specifically the line “and bring on all the pretenders.” now i think a lot of people assume that whe’s talking about people who pretend and are fake when she says that, and she absolutely is, given that so much of speak now is about being real and true to yourseldf and lovng the people and things that you love and being honest which makes that line very fitting HOWEVER

the word “pretender” is also a word that means someone who makes a claim to a throne that does not belong to them. there are modern-day pretenders to the thrones of russia and france, for example, even though those places don’t have monarchies anymore, and throughout history when several people have made a claim on a throne at once, they would be considered “pretenders” by the rival claimants.

given the imagery in that song about kingdoms and crowns and “we are the kings and the queens,” the line “bring on all the pretenders, i’m not afraid” takes on an incredible double meaning where she’s basically saying, “let the people come and try to take this kingdom that we’ve built away from us and sit on our thrones, i’m not afraid of them because i know history will remember who this magic belongs to”

it’s such an amazing lyric, and i am never going to be over the fact that she wrote it at TWENTY YEARS OLD COME ON WOMAN THAT’S INSANE

[singlesablog]

Fantasia.

“Magic” (1980) Olivia Newton-John MCA Records (Written by John Farrar) Highest U.S. Billboard Chart Position – No. 1

ONJ, queen of the echo, absolutely stole my heart the 4 weeks this was No. 1 on the top 40 charts for all of August, but I am sure it went on long after, because I vividly remember running home from 9th grade to wait by our giant television stereo console—6 feet long, in walnut—to hear it hauntingly waft over FM radio one more time and once again fuel my dreams.  The strings, the guitars, the little bit of ELO-like synthetic thing happening with the voices behind her, and yes, an echo on her voice to make Phil Spector weep, it was and is one of the greatest singles ever.  For certain it was one of the gayest.

The big push behind the Xanadu soundtrack was that one half of the LP was Olivia (and I know now her genius producer and songwriter John Farrar) and the other half a then riding-high ELO (Electric Light Orchestra).  Now ELO will show up here again; in the mid-70s the band produced Beatle-esque pop songs I adored, but at this stage I felt the singles were starting to verge on bombast (“All Over The World”, “I’m Alive”,  and “Xanadu”—which is possibly even more camp than the movie, and a famous flop—were the hit singles by ELO).  I also felt that the gorgeous things on her side of the record were rather sneered at as Top 40 pap, even though if you were to turn on any 80s station today it would be clear that the lasting hit from the soundtrack is “Magic”, and that you would be very hard pressed to hear “All Over The World” ever in your life again.   But no one is prepared to admit that, even though neither artists where ever considered cool, then or today.

The Pan Pacific Auditorium, built in L.A. in 1935 and used as an exterior for the motion picture Xanadu (1980).

I actually loved the movie, and ran home eagerly right after to make paintings inspired by the Los Angeles/Art Deco fantasia it presented, plus Olivia’s hair and clothes, which were peak that year.  All of the songs on Side ONJ (the album, which I am looking at, actually says ELO side and ONJ side!) were the really dreamy ones, and included two underrated ballads, “Suddenly”, her duet with Cliff Richard (Billboard No. 20) and “Suspended in Time”, another pyramid of echo.  But none of them could touch the hem of “Magic”, where the planets aligned so rare, and there were promises in the air, and she’d bring all your dreams alive…. for you.  

Well, me.  Especially me.

-

“Magic” 1980’s third biggest seller, was right behind Pink Floyd’s “Another Brick in The Wall” and behind the no. 1 of the year, Blondie’s “Call Me”, the theme song to the motion picture American Gigolo, starring Richard Gere, written by Giorgio Moroder with lyrics by Deborah Harry (based on her impressions of the movie).  Gigolo, a film about a straight hustler in Armani clothes who works for a gay pimp, is one of the true style representations for the L.A. of 1979/80 (a feast for the eyes in terms of fashion and West Coast interior design), signaling both the extreme 70s feel of the movie, alongside the more Euro-centric eye toward the clothes and modernism that would define the first half of the 1980s that lie ahead.  It would be a Los Angeles/Art Deco fantasia of a very different and darker attitude.

As a further aside, Gere’s hustler character in the film was named "Julian", which was soon to be borrowed for the drug dealing character Julian in Bret Easton Ellis’ classic dystopian novel Less Than Zero (1983), leading to a vision of L.A. even darker still.

[residentraccoon]

Ok we have all the songs, time to make a top, with comments even 😳

1. Norway - I love love love this one, this eerie, thrilling melody mixed with the medieval theme and old norwegian language just makes this song perfect and no other song of this year can come any closer to it. Very unique, true to their homeland, absolute masterpiece. I'm definitely following more of Gåte's discography from now on!

2. Estonia - Well they're singing about drugs here and this song is exactly like a drug - addictive. What sells it is their awesome, slightly batshit crazy energy (I absolutely love it) and let's not forget the traditional instruments. I can see a Trenulețul scenario with this one tbh.

3. Slovenia - Absolutely magical, the structure of this song is pretty uncommon and the lil RRAH sounds are interesting, love how it takes a while to build-up and I just get chills all over. This one is a piece of art.

4. San Marino - This song is destroying my Spotify wrapped and it's not even funny, there's something about this one that makes it instantly addictive. I've listened to Megara since last year when they were at Spain's NF with Arcadia and all I can say is that I love their style. Sassy pink and punk rock with a touch of Spanish traditional sounds during the bridge, they just mesh together so well. I don't understand why it's so underrated (currently last in the odds lmfao) and I'm looking forward to their live performance.

5. Denmark - Generic pop song my beloved, why is it so catchy though? I've said it in a previous post, I just reminds me of songs I'd hear in 2013 or so and I love the "Oh-Oh" parts. Lovely

6. Lithuania - The beat hits, it's just awesome fr. Lovely staging and colors, Lithuanian sounds so pretty and melodic as well as his voice.

7. Belgium - Wonderful build-up, the song at first sounds very chill and gives me Blanche vibes (I looked it up and they have the same composer so not surprised lmao) but man, the climax is greaaaaat!! Especially with that choir in the backing. My only gripe would be that he keeps repeating the title over and over again, which can become a bit tiring. But just a bit. It's still a great song!

8. Switzerland - I don't know whose idea was to mix opera and drum n bass together but they're a genius, this is really cool, like absolutely nuts. I love how the bridge is very soft and quiet, opposing the loud and dramatic chorus, I feel like the song itself is pretty messy and inconsistent but I really like that, it's very out of the box and innovative. Genius entry.

9. Latvia - Underrated, I can see why it might fail to grab an audience in the fandom but I really like this one, especially his voice. The song flows nicely too, I only wish the staging would be a bit more...dynamic though? I really want Latvia to qualify for once, felt like it might have a chance since it could attract some casual viewers (some of my casual friend watchers really liked it!) but seeing how brutal semifinal 2 is (and one spot will be inevitably taken by...yeah won't elaborate) I'm afraid Latvia's out for this year as well. I hope at least for a surprise or who knows. That's only how I feel at this moment.

10. Spain - My biggest grower of this year and a total banger, I don't understand why it slaps so hard it has no business to, the message is SO real and it's so unapologetically sassy.

11. Czechia - Same story as with Latvia, underrated to hell and back, I know the live version is...a lil terrible but the studio one I really like. Love how you can feel the frustration through her shouty lyrics and how she's blaming herself for not loving herself more instead (also the beginning might or might not remind me of Aijā I mean the intro with the drums makes me think of it-) ANYWAY

12. Croatia - Listen I'm very happy for Croatia being seen as a most likely winner of this year, they deserve it, Baby Lasagna is an amazing man and the message is on point, even if it's not exactly my favorite I definitely root for him!! Please meow back if you agree. Besides this, the glam ethno rock sound is just 👌 chef's kiss

13. Armenia - Love love love that they brought something ethnic!! The girl's energy is infectious and she's such a joy to watch, the music video is very pretty and describes their culture so well, overall I adore this.

14. Netherlands - GREAT I relistened to it so I can rank it and now I have Europapapapapapa stuck in my head how wonderful. This tells me already that this is such an infectious bop that will never leave your head. Possible televote winner, love the quirkiness and Joost is really goofy we stan.

15. Greece - Welcome to Greece, everyone who visits the country is obligated to listen to this the moment they step out of the plane- /j It's so Greek, so fun, so ethnic, geez what's happening with everyone being so diverse and true to their culture this year? This song screams summer vacation in Greece and I'm here for it.

16. France - The raw emotions in this...he sings with his heart and soul, his voice is very deep and gruff which feels a bit unusual to hear such an intimate and emotional ballad from him, but this is what makes the song special.

17. Italy - Love her attitude and how she sells the song, it's very sassy and fun, won't be surprised to see Italy get yet another Top 5 finish with this.

18. Ukraine - Interesting mix of melancholic pop and energetic chanting and rap. Alyona just nails the rap part perfectly. Overall nice song, grew off me but still great.

19. Ireland - This makes me have chills all over my body. It's very haunting and suspenseful, I love the uncommon unique sound and how they recite the lyrics as they are a poem/creating a curse, I simply love how avant-garde Ireland are this year! Finally they're taking a risk and even if the song is unconventional i hope it will have a following that will help them get through the semi! 🤞

20. Poland - Oh look another grower, it's such a cute song for some reason and her voice is so pleasant to the ears.

21. Serbia - At first I thought it's a bit boring but now I find myself mumbling "Lila Ramondaaaa", like it has a hook even if it's a melancholic ballad.

22. Portugal - The emotions in this are immaculate, she conveys all her struggles in life so well into a ballad that's somewhat soft-sounding. Epic.

23. Australia - For some reason this song takes me back to 2015-2016 and I don't get why?? Maybe I heard music that's similar to this in that period, who knows. That chorus slaps immensely, as well as the didgeridoo(I hope that's the instrument), but I'm not extremely head over heels about it. It's enjoyable still!

24. Malta - Contrary to popular belief I enjoyed the revamp, she made it easier to sing live and it just has more oomph, good job, Malta.

25. Finland - The whole 3 minutes are absolutely batshit insane and I love it fr, these dudes are a delight to watch. The song tbh I like it but not that much to rank it higher, but I appreciate the craziness, the message, what sells it is definitely the staging and the guys' stage persona.

26. Austria - Mmmmm I know it's a fan favorite but I'm not a big fan of this, like I've said before in some other posts. The hype at first was highly irritating (especially on twitter, dear god 💀) for such a...just okay/good song? First of all I appreciate the throwback to the late 90s/early 00s eurodance/synthpop music that was popular back then, I think it does a great job imitating the vibes of it, but at the same time is it just me or this song feels so...calculated and has this eurovision-specific formula in its structure/sound? It was definitely made for it being performed live and to pander to the yass queen slay ate and left no crumbs-side of the fandom? Which honestly kinda drags it down a lot for me.

27. Sweden - I can't unhear parts of Air in this, well actually that's their style, neat electro pop tbh, I can bop to this, pretty enjoyable.

28. Moldova - Falls flat but what makes it a bit stronger is the vocalisations in the chorus, as well as the lil ethnic sounds. That drum is also quite catchy. They have to pull out a wonder-staging for this to qualify.

29. Georgia - If Georgia isn't qualifying with this one then that means their only hope is borrowing Loreen at this point. It's a competent girl bop with powerful vocals, that has a dedicated following, but I appreciate that even if it's a girl bop it's not so aggressively in your face like...other examples I've seen before. I'm personally not big on it, but it's nice.

30. Azerbaijan - Oh? Azerbaijan sends something in their language, what is this 2050? And not with a melfest reject? For the 2nd year in a row? I'm very impressed, but even with all these I don't feel that attached to the song, just glad they took a risk instead of renting a swede for safe qualification like they did in the past years. I love the ethnic touches though.

31. Luxembourg - Cute and peppy french bop, although a bit generic and that's about it, no strong feelings.

32. Cyprus - Mmm your regular girlie pop of the year, unsurprisingly from Cyprus as well. Pretty catchy, has a cool vibe but I'm not feeling anything about it.

33. United Kingdom - Just a competent mid-tempo boy bop, honestly nothing much to say since it kinda failed to impress me. Good effort though.

34. Albania - I don't get why they changed it into english, why they turned it more upbeat (I liked the balladier version more) and the rap part feels disjointed. Albania wanted to relive their 2016-2017 era I see.

35. Germany - I'm sorry but this song bores me to death and can't listen to it without zoning out which is a shame because he's a competent singer (his voice is the best thing about Germany this year) and I'm afraid they're again heading for a bottom 3 finish 💀

36. Iceland - Mmm this isn't is, Iceland. Very sorry. Sounds like it would get 13th in 2004, it's a very by-the-letters eurodance.

I will not rank Israel here. It's still mind-boggling that they're still allowed to participate.

[an-honest-puck]

I have watched Pray Don't Be Fickle far too many times than is normal (thanks @personinthepalace for sharing the whole scene lol) and I simply cannot get over how incredible Jonathan's voice is- like, the tone of his voice?? so crisp and clear it's amazing

(also, I love rewatching it and watching everyone reacting to him lol)

the fact that it's Harry who first summons him and names him Reverend Jon

Nancy suggesting a silly summoning spell to give Jonathan time to get on stage

the musicians in the background looking at Jon, waiting for him to cue them

Nancy double checking that he's coming and Harry trying not to break as he watches Jon walk on

ok no but hold on, the pure delight on Nancy's face when she realises that Jon's actually going to get on there and sing is so wonderful and lowkey kinda heartwarming?? idk, she's just so hyped for this moment y'all, it's hard not to get swept up in the excitement ya dig?? lol

not Jon Oscar starting his cameo with a pun XDD

"I sense someone has become something jarred!" - Oscar

Charlie: Our headmistress has been turned into a pickle! We need you to reverse that. Oscar: Of course. Well, my children, there's only one way to do that of course. Charlie: Of course- Oscar, breaking half way through this sentence: Which I fear is through song.

Nancy absolutely setting Jon up for a big dramatic song and of course the kicker: "Why don't you take... centre stage?"

listen, I know Nancy literally gestured for him to be centre stage, but that still doesn't explain why he starts this song kneeling pfffff- fr who knows, but it's a bloody power move if I ever did see one

speaking of brilliant moves, shoutout to Charlie for inviting everyone in the cast on the stage to be a part of this iconic moment 😌

Oscar: Uhh. My children, I must say, I'm disappointed that tonight is the only show my parents are watching.

Almost everyone else in the cast: *breaking*

Oscar: But here we go.

the band and Jonathan being perfectly timed on that opening chord and note??? wtf is this improv magic????? /amazed

I'm sorry but even from that very first line "When you've been turned" his tone is so crisp and so strong my god

also, I can't tell if rhyming 'jarred' with an alternate pronunciation of 'prepared' (i.e. 'preparred') is lazy or lazy enough to be genius XD

I adore Lauren and Nancy's all the little interjections in the first few lines and Jon including them in the song XD

Jon: When you've been turned into something jarred Lauren: Sing it, Reverend! Jon: You must be prepared, be preparred Nancy: It's just you! Jon: It's just me it's a solo, that's unfortunate Nancy (literally just as Jonathan has goe up to the two Henrys and Shields looks like he's about to help him lol): Don't try and pass it, Jon! Jon: But do not worry, things are gonna turn out great!

the knowing laugh of the audience when Jonathan sings "Pray, don't be fickle..." (because how else are you gonna rhyme 'pickle' ya dig?? XD)

but fr tho, Jono vocally popped off on the chorus!!!!!!!

also can we spare a moment to appreciate the way he physically embraces this song?? he's not dancing, but he absolutely nails the 'possessed by the music' acting direction of the scene and I friggin love it!!!!!

(the man is surprisingly light on his feet I would love to see him tap - Charlie says he was a great tap dancer back in their LAMDA days lol)

gotta love the musicians changing the rhythm of the song on him - to be fair, they are keeping in the gospel style of shifting the rhythm lol

and in true improv style, Jono incorporating that into the song XD

"A different kind of rhythm has started / And I know that we're all gonna see the change!" - Oscar

(yo how did he hit that note on 'change'?!!?!?)

and then of course he pops off lyrically and vocally

yo I legit have to record it here because this bit of lyrical improv is Showstopper level!!!!

A different kind of rhythm has started And I know that we're all gonna see the change! Magic's here and the lord is upon us So don't be fearful, now don't be enraged!

his vocal interjections in the second chorus!!!!! the way he becomes a choir director and gets everyone to do the chorus again because no one actually knew how the chorus went, least of all him!!! XD

and then he gets back on his knees and it's all over for us bitches /affectionate because it's me, I'm bitches XD

the way he signals for the music to stop is so fckn cool omg

THE RUN HE HITS ON 'PRAY' ADFSAKHDJFKSLAHLDJSK 😩😩😩😩😩😩😩

(Nancy in the background looking so proud!!!!!!!!!!!!)

THE TIMING OF THE BAND TO COME BACK IN WITH THE MUSIC ASDFHADSFJLKAFHLJK 😩😩😩😩😩😩😩

again with the badass stop-the-music signal?!?!?! we get it you're a fkcn bombass vocalist AND you're musically trained goddang- /jk

and to top it all off: a pitch perfect exit featuring a Shields flourish to end

in conclusion: Mischief, give the people what they want and let Jonathan Sayer sing more in your future productions!!!!!!!

[garbagequeer]

i see your Nationalposting and as a fellow Longtime National Fan I would greatly like to know your favorite Old National songs/lyrics <3

hi!! im not sure what's considered Old the national so i'll go with anything before high violet and i'll leave out the ones that feel like obvious common favorites (about today, slow show, mr november and fake empire all of which i love). and i'll order them by album because i wrote my answer and now it's annoying me that it's in a random order

from the national:

i love the lines on bitters and absolute that go "if i were a spy in the world inside your head / would i be your wife in a better life you led" i think because it builds a good rhythm by using rhymes not only between lines but also inside the same line (wife and life, if i and spy) and a little alliteration by using 4 W words in so little space. it gets stuck in my head so much because it's so catchy phonetically

i'll also say 29 years which feels like cheating bc it couples with slow show but i love the imagery of this song and also the sound of the feedback and guitar in the background is so beautiful (i read somewhere they made it by stroking the cords with a fork but idk how true that is. if true i <3 getting weird with guitars)

THE PERFECT SONG. they really made a perfect song about not finding the perfect song. i love the "shallow minded adult tricks but i know there's a river in me" line and the general theme of this song. no notes it's the perfect song fr i cant talk about this one

from sad songs for dirty lovers:

murder me rachel (love the ribbons imagery and if anyone knows any other songs that uses that id love to know about them... send ribbon songs for my ribbon songs collection please. so far i've got this one, describe by perfume genius and sober by lorde)

lucky you because i love a pathetic ass state of mind forever

it never happened because it is perfect for a somewhat sad walk around the neighborhood and i love the line "now nobody's funny / no god, they took our fashion week" in part because of the twist of mentioning fashion week which is always a little funny when describing all these horrible things that get them depressed (feeling very old, nothing being funny, no god) and the "what to my wondering eyes should appear [dramatic pause] ...nothing" because it is equally funny while serious too. i also love how it changes sound halfway through i love a song with parts.

from alligator:

i adore the menacing lyrics to city middle about having money and ideas and being worked up and drunk/high and wanting to "gator around the warm beds of beginners" and the vague and hazy images of these people pissing in a sink or confessing things. and i like how it builds to being louder as it progresses following the story from the menacing beginning where it seems these people are going to do some damage to other people over this calmer melody to a more anxious melody/repetitive lyrics where instead we find them to be doing damage to themselves. normal binge drinker experience

i love the general frantic desperate energy of abel and the lines "you turn me good and god-fearing / tell me what am i supposed to do with that" and "i see water on the bridge / well, you better hold my hand through this". i love the general conflicting feelings in this song. i should live in salt's crazy older brother

from boxer:

green gloves <<<333 i think they were crazy for this one it's probably my favorite song about friendship ever

i love the line from apartment story about how the stereo "sings to itself of its long lost loves" i think it's a really fun device but also works perfectly in context to depict the sway certain things like art or beauty have over our perception of our lives and how we use these things as covers and crutches to deal with the mundane dissatisfaction of working life. i also like how first he seems more dismissive of the stereo which is just doing "whatever it does", which to me shows the distancing tired adults have to these artistic or beautiful things due to the reality of their lives and a certain level of cynicism. I also really like the first verse with the couple getting ready to go out and the little lines that indicate frustration with this ritual ("i try and try to pin your flowers on", "i can tie my tie all by myself" for offering a similar contrast between appearances and feelings

i'd love to hear someone else's thoughts on favorite songs and lyrics from the national btw so you can send you favorites if you want :^)

[worldenough-and-time]

Fic Song Tag Game

Thank you @spindrifters for the tag!! This is gonna be unhinged jsyk, basically half these songs actually inspired the fic and the other half happened to be my hyperfixation song during an intense period of writing so they do not relate lyrically at all, but the vibes… the vibes.

True Blue by Boy Genius

But it feels good to be known so well

I can't hide from you like I hide from myself

I remember who I am when I'm with you

Your love is tough, your love is tried and true blue

Okay obviously I have to include the song that TTTB gets it’s title from. You’ve never done me wrong!!! Except for that one time!!!! Genuinely the sapphic Wolfstar anthem… what else can I say….

Body to Flame by Lucy Dacus

Longing for your short hair to grow back to the way you like

Thank you for the gesture

I regret ever implying that you could be better

Didn't mean to empty your perfect body

And fill it with my passing will

Easily won, weary of losing, gullible girl

Weak and alluring, well, we break our rules

Get drunk in the dark

Laughing aloud at the spinning stars

Ok this one is scary- so what happened is I wrote two scenes for TTTB before I ever heard this song, and then Mel read them and then she listened to this song and she was like “dude… this song is about your fic and those two scenes specifically” and I was like “haha yeah it’s Lucy Dacus, the Queen of Sapphic Pining” but then I listened to the song and like… the specificity. They lyrics match up exactly. You will see when we get to fourth and fifth year, but, Lucy, my wife, we were drinking from the same mother lake…

Vampires by Tommy Lefroy

And I know you

I know you

I know you know

I know you feel everything

Okay so this one has the above lyrics, which became a sort of source code for TTTB Sirius. I associate this song with her and it helped to ground my writing of her character in the first couple chapters. Anyway I love her, also Tommy Lefroy rules, they’re gonna get big, I just know it.

Holland, 1945 by Neutral Milk Hotel

The only girl I ever loved…

This one has absolutely jack shit to do with anything related to this fic, but I was deeply hyperfixating on it back in January when I was first outlining TTTB, sooo yeah. I also wrote the first scene I ever wrote for this fic while listening to this song on repeat at my favorite coffee shop.

The Bench by Like Roses

Break down with me on the phone

Just like we did those nights when I was at home

This is another one that lyrically doesn’t have much to do with anything, but really helped me achieve the specific angsty headspace I needed to be in to write the year one Christmas chapter when Sirius goes home to Grimmauld Place. Also the above lyrics really gave me ‘prongsfoot talking through the mirrors’ vibes. I know this song is actually about addiction, like I’m aware.

Francis Forever by Mitski

I don’t think I could stand to be

Where you don’t see me

Mel texted me in a panic because she had read a snippet of a scene I wrote from sixth year and then listened to this song in close succession and she said that she had never really listened to these lyrics before, or she didn’t fully get what they meant, until she read that snippet and thought about this song and had a breakdown. Anyway, something for y’all to look forward too. Post prank vibes, delicious angst.

Honorable Mentions go to:

The entirety of Transgender Dysphoria Blues by Against Me- nothing is more punk rock than being transgender and if you haven’t listened to this album yet, do yourself a favor and turn that shit up right now. Fucking bangers all the way through.

Dreamt We Were Closer by Ash Tuesday- look it’s not my fault that this is a Wolfstar song, okay???

For Sale: Ford Pinto by Rosie Tucker- my current hyper-fixation song, idk what will come of it yet but it is a whole vibe.

Tagging Mel @capacity-for-wonder who is on her honeymoon but will never miss a chance to make a playlist.

[jiminsproof]

the most difficult tag game to ever attack me in my hour of need (what she means is a saturday) ✨️

I was tagged by @kimchokejin to post my top 5 of bangtan songs!!!!! haha THIS IS FINE!!! very happy to have an opportunity to talk about my favourite songs but VERY SAD I HAVE TO CHOOSE. 😭 thank you Ashley, reading your post was an amazing experience and I recommend it to all. 😩👌 you're lucky you're not only smart, but also funny and pretty, otherwise you'd catch these hands in the metaphorical parking lot of life

WITHOUT FURTHER ADO and no specific order:

🍷dionysus🍷

I wanted to start with a song that actually got me into bangtan!! JUNG HOSEOK YOUR MIND. I think I've told this to some of my lovely mutuals here before, but to me this song is really built like a rock song if that makes sense?? the build up and structure is so similar!! but it is also so HIP HOP and CATCHY and lyrics are ABSOLUTE ART. as a greek mythology hoe i had no choice but to stan bangtan sonyeondan. it is also widely known as natalia's wine song among my friends so you can say i like it a little.

🥲outro: tear🥲

I love this masterpiece beyond words. If I had to pick just one bangtan song to listen to forever, I'd possibly pick this one though PLEASE DON'T TELL MOM* (*my other bias). This song got me through a lot!! The lyrics are so beautiful and heartbreaking, and it hits even more after you know the context in which they were written. YOONGI MARRY ME as usual he is a genius he said so himself but also Hobi kills me every single time with his performance of the last verse. I have NEVER not cried watching a live performance of him rapping it. The emotions he gets across are... pardon my French but holy fuckity fuck.

😩lie😩

speaking of my other bias... LISTEN. I love Filter as any other folk BUT if I have to pick just one out of Jimin's solo songs, it has to be this one. It has it all, beautiful performance, identity crisis vibes, stunning vocals of the baby himself, AND THOSE LYRICS TOO. It hits so much especially if you've had to hide yourself in one way or another, and it can be applied to so many situations - power of art and Park Jimin. also, in my mind, this one and bs&t are connected...? idk if by the vibes or the era, but I love both of them almost equally, though this one still hits harder. also, although the performance completes it very well and Jimin can express the emotions so well through movement (one of my very favourite things about him as a performer), it can easily stand on its own and it's still so captivating!!

🦋butterfly🦋

This song is so beautiful in EVERY SINGLE WAY. The soft vocals, the longing, the lyrics!! It's such a good depiction of young love (or just very soft love, sort of 'too-good-to-be-true' love), NOT TO MENTION THE HARUKI MURAKAMI REFERENCE I SEE YOU KIM NAMJOON (and I love you). It might be my favourite track from the whole HYYH era actually though please don't ask me 'and what about [insert track] cause I WILL change my mind. The vocal line shines in this one, not only for their skill but PRIMARILY their emotional expression. I'm a big fan in case you haven't noticed??

🦢 black swan 🦢

I honestly love this song so much!! Not only is the concept beautiful and the performance is ABSOLUTELY STUNNING HAVE NEVER BEEN DONE BEFORE (bangtan sonyeondan trendsetters), and even the mv is something you can watch multiple times in one go because it's so aesthetically pleasing, but also there is the song IN ITSELF. It's so raw and honest, and let me preach about the lyrics once again (KIM NAMJOON!!! CATCH THESE HANDS!!!) - it's such an amazing depiction of an artistic burnout, oh my god. the idea in itself that the first time an artist (or here more so a dancer) dies is when they no longer have energy to continue with their craft... IT'S SO POWERFUL.

🤧epilogue: young forever🤧 no this is not 6 you just can't count sorry you had to find out this way

this one is just always going to hit different, and even more so the live version. the lyrics are... I can't even stress it enough, but they might have altered something in my brain chemistry. The idealisation of youth, never wanting your best moments to end, but also knowing that there is no way to stop the time from passing - WOW. WOW. Also I especially love the lines about running endlessly towards your dream even if it hurts you - it just HITS SO HARD. Even though in terms of the way it's built, it's quite a simple song, it really gets the message across perfectly and I love it for its straightforwardness!!

honorable mentions: whole bts discography actually but especially autumn leaves, mic drop (my most streamed bangtan song), boy meets evil, epiphany (I WISH IT MADE TO THIS LIST TF it's so important to me), paradise, outro: her (BIPHOBIC THAT I CAN'T PUT IT ON THIS LIST), magic shop, intro: persona, first love, make it right, home, intro: singularity (AND SAME WITH THISONEHSIFKDK) .. ok I should stop???

hello to my fellow sufferers 🫂💗 I'm doing this out of love I swear, and also NO PRESSURE AT ALL this shit hurts: @pjm-1 , @wistfulocean, @shrimpmsg, @aprylynn, @hopeonthestreets, @hopeinthebox, @cordiallyfuturedwight, @ki-limepie. 💗

[madmadder]

Another unwanted presentation for you to read (or not)

TRIGGER WARNING: I mean it's just detail but I do mention non con briefly and just a lot of gay booty

Why hello Tumblr.

Since my brain didn't let me open this app a lot recently for??? Some reason?? I'm gonna take my revenge and do a full presentation about a song I associate with paras. Because that's fun.

Now this isn't the first para song I wrote down, FAR FROM IT, but I really love it okay leave me alone 🥹

It's called ''Middle of a Breakup'' by Panic! At The Disco, tis about a breakup (would you have guessed??) and people having a bunch of sex which is always fun to hear about. I associate it with two of my paras, Stryne and Octavius, who got married recently (*screeches*). Their relationship is very complicated but not toxic and definitely NOT over. The song reminds me of them not because they're breaking up (dear Lord never!! My babies!!) but because they have this unbelievable passion that just. Grrrr

Stryne

Stryne is the prince of a kingdom named Trys'han. He's an elf and rough shit happened to him and my point was he's SUPER badass. Very stoic and calm in most situations even with extreme danger. He has a very strong Laurent of Vere energy (if you read Captive Prince and you should btw), but I made him before I knew about the book which makes me a genius and C.S. Pacat's soulmate. What? It does

Stryne is known to be one of the most beautiful people ever which puts him in a lot of trouble sometimes cause some people just won't respect consent.

Octavius

Octavius is human and also insane. Like super weird. He's the most polite (and cynical) young king you'll ever meet but also he likes to break bones. Yknow. He rules a kingdom named Tarnstrang.

He actually perfectly ignored Stryne's consent when Stryne was caught as a war prisoner but what's weird is that they ended up in this weird ''enemies with benefits'' thing and they actually fell madly in love?? Idk don't ask me I thought it was weird too but now they're in a somehow healthy relationship. Please keep all questions til the end of the presentation.

The song

Now this song is a frickin banger. I absolutely love it. It has a very vintage vibe which always SLAMS

There's such a strong ''I hate you but I want your titties'' energy that you cannot hate. And the LYRICS!!

''You and me don't deserve each other'': true, Octavius is a huge asshole who doesn't deserve Stryne in the first place and yknow Stryne deserves someone better so that works both ways, BUT!! He makes Octavius be and WANT to be better so Octavius feels like Stryne doesn't deserve him or he doesn't deserve to be happy and married blah blah anyway I'm smart

I also particularly love the lyric that says ''feels like we just met''. Like. Okay. How are you so in love with someone that you feel like you're rediscovering them, I mean that is just AWESOME (sorry aro guys I have much love for you too I swear)

Okay, another one: ''I hate those words like destiny, forever and all time''. Sure they're a bit cheesy together (I mean cmon it's sweet) but they've also been through so much they don't believe in destiny and crap BUT they have found each other and that's awesome. They don't feel like they've been Miraculously Chosen, they simply fell in love and made it work. Awesome. (I'm very pragmatic if you couldn't tell 😂)

Plus: Stryne is an elf and he has been raised to speak VERY correctly so he's almost Shakespearean when he talks and it's very awesome because it clashes with this thought he has: no, there's no destiny, just facts. (Plus it allows his husband to make fun of him)

This is them btw

Anyway. That's it. I just needed to share because my brain is going to explode otherwise. I'm now crawling back to my cave ❤️

[haveihitanerve]

this might be my new favorite interview of all time

holy fuck

im cackling like mad and cannot stop grinning.

theyre such adorkable beans

have an image description-

“Its not really in our nature to argue , except through lawyers. We sulked.” -Roland orzabal “Now i've got you!!” Smith prepares a sneak attack.  Duran Duran collect their Q award. Tears for Fears were not, repeat not, even a tiny bit jealous.  Launching the new Seeds of Love in 1989. No mic for Curt, then? Curt Smith, one day he’ll graduate to the driver’s seat.

Roland, is it true that you once foresaw Curt’s death in a motor race? And have you had any premonitions lately? RO: No, that’s made up as well. Predictive astrology I know nothing about.  CS: Basically, we are dull people so the press are forced to make things up about us. That said, he did used to try to pick up attractive young ladies by guessing their star signs and, 95 percent of the time, getting it wrong. RO: Actually, I didn't do that at all. I would ask them their birthday, and was then able to tell them what their father was like. I was spot on, mostly. It was very impressive.  CS: No, you would tell them that it was in their future to have an affair with a middle-aged pop star…

Curt, what have you been doing for the past 10-plus years? CS: Hanging on. [Orzabal erupts into slightly manic laughter. Smith ignores him] The day after I left the band, I moved to New York because I wanted to disappear. It’s no coincidence that I moved into a city in which you could disappear very easily. A while later, I made a solo album, which I hated; I had a syndicated radio show in America; I was an MTV VJ. In other words, I had a life.

How the hell did you spend one million pounds making The Seeds Of Love? And do you still consider it to be a work of genius? RO: It cost a million pounds because it took over four years to record, and the studio was 1500 a day. I don't think that, overall, it was a work of complete genius, but there are definitely elements of genius in it. Parts of the album are overproduced and pompous, and listening to those parts now makes me cringe. But every time I do listen to it, I still go, Wow, how did I do that? That’s amazing. It’s the most genius Beatles rip-off in existence. Q gave us five stars, you'll remember. I wouldn't have given it as much as that. But you did. 

Who ripped off The Beatles more- you or Oasis? RO: Oasis ripped off The Rutles, not the Beatles. But Liam does do an amazing Lennon, he just does, his voice sounds beautiful. We were ripping off one aspect of The Beatles- Sgt Pepper- while Oasis have made a career out of it.

Roland, is Fish Out Of Water (from Elemental, his first ‘solo’ Tears For Fears album) about Curt? If so, those are some pretty cutting lyrics… RO: Yes, it is, and it contains some of my favourite lyrics. “We used to sit and talk about primal scream/To exorcise our past was our adolescent dream/But now its sink or swim since your memory fails/Now in Neptune's kitchen you will be food for killer whales.” Fantastic, no? Pure vitriol.  CS: I couldn't give a fuck, quite frankly. Its a compliment, in some ways. RO: Absolutely. It means I cared deeply for him. [Laughs] That’s one way of interpreting it, anyway…

The ‘80s: an era of cocaine, non-stop fashion disasters and infinte greed. Discuss RO: Absolutely. It was a time of Wall Street’s “greed is good”, of Margret Thatcher and rampant free market capitalism, that kind of thing. True, the mullets were a disaster, although my hair is much the same today. But, by then, we were the very antithesis of rock’n’roll. The drugs didn't come until much later- I didn't start doing charlie until the ‘90s, and only then because I wanted to catch up. In the ‘80s, I’d denied myself many pleasures. I was very introverted, very anal.  [Smith nods in silent agreement]

After the fallout in 1990, was Roland pleased to see Curt’s career flop? RO: I didn't like his first solo album at all, but then nor did he. I felt it was going in the wrong direction. But his second, Mayfield, was really good. I thought to myself, Why didn't he do this when we were together? I wouldn't have let him? Well, thats probably true. I did view Tears For Fears very much as my band, I suppose.

Who is the best singer? RO: I am. CS: I am.

You were really pretentious, weren't you? RO: [laughing again] We Still are pretentious! But we’re much better at it now. We’ve blended our pretensions with humor, wouldn't you say? We are humorous and pretentious and middle-aged. We’re both 42, after all. CS: But I look younger RO: Cunt. (yes he says cunt, not curt)

Duran Duran got a lifetime achievement at last years Q Awards. Were you jealous? RO [scoffing]: I think, basically, you are running out of people to give awards to, so watch this space, because it could be us next year? What I want to know is why you didn't give it to Phil Collins. Genesis, the solo years and of course The Lion King, the best record he’s ever made. Anyway, how do you define achievement? As Sting once said… CS: oh, for fucks sake, please don't start quoting Sting.  RO:.... As Sting once said, Music is its own reward.

[daniigrimm-blog]

Can we just take a moment to simp about the newest album drop by Black Veil Brides, The Phantom Tomorrow, released October 29, 2021. I know, I know, I maybe should have wrote this post like two years ago but really I had a lot to do in the meantime and wanted to give it the true justice this piece of art really deserves. This release is the second album drop since the band's decision to part ways with former bassist Ashley Purdy, (the first basically being a re-master of their former masterpiece debut album "We Stitch These Wounds", now dubbed cleverly, "Re-Stitch These Wounds") and now this! Can I just say, WOW-wowie-wow-wow-wowzers! omg I am just BLOWN away by what has gone into this piece of art and I feel blessed to be born in a time where I got to truly experience its release. Just wow. Welcome to the band Lonny Eagleton, with a resounding, please please don't ever leave.

Tracklist:

The Phantom Tomorrow (Introduction)

Scarlet Cross

Born Again

Blackbird

Spectres (Interlude)

Torch

The Wicked One

Shadows Rise

Fields of Bone

Crimson Skies

Kill the Hero

Fall Eternal

Oh hey did you know that Black Veil Brides released a COMIC BOOK?! It apparently goes right along with this masterpiece of an album because WHY NOT? Siri, can you add "Buy The Phantom Tomorrow comic" to my to-do list? Hell yes. I bought Andy's Ghost of Ohio when it dropped so ya know ya girl is gonna hop this band wagon. And who wouldn't? With such an awesome story and a crazy ass cover like that? Name two people, I bet you cant. And if you can I don't believe you.

From the mouths of babes, as they say. And man is Andy a MAJOR babe. Anyhoo, I figured I would save ya'll a track-by-track personal breakdown because who can do it better than the guys themselves? Amirite? I will say this though, this album feels WHOLE. It feels full. It feels like a really well-rounded album. I'm not a musician myself, but I LOVE music, and I have been watching a lot of different bands grow and rise and it has been an absolutely AMAZING ride. But this band, what a well-rounded flushed out sound they have come to grow into as each individual has honed their craft or joined. And before any of you ask my personal favorite off this particular album is Torch. It's on my On Repeat on Spotify for a reason--but I digress...that brings me once again to Lonny.

Lonny Eagleton

Who is Lonny Eagleton you ask? Well, he's a sweet boy from Canada who joined the BVB family, and man does he fit RIGHT in. Well, his website Bio boasts he's a professional musician who has worked with multiple recognizable names in the industry, that he's done his fair share of arena/theatre based tours, and a plethora of other hidden talents all backed by a degree. I mean, that's impressive enough but man he is humble and sweet to boot! I don't think I am out of line when I say that the BVB family has scored big with this addition to the band--especially if the "The Phantom Tomorrow", and the latest ep drop (October 21, 2022) "The Mourning" are any proof of what is to come in the future.

Now that brings me to "The Mourning" EP which I am also very late to mentioning (at least here!). It's four tracks of powerful music that speaks from and to the soul directly. Clearly what went into this was some powerful storytelling, some genius mastery, and some amazing skill-work. Dare I say, that the older these boys get--the more they manage to master their craft? But it's true. And being someone from the sidelines watching them grow, has been a most satisfying experience--man am I PROUD to be in this fandom. NOT TO MENTION the totally amazeballs producer they have, Erik Ron who handled this ep and the previous album before this. Way to rock out with that cock out Erik!

Tracklist:

Devil

Saviour II

The Revival

Better Angels

"How the fuck is one so evil left to just proceed? All the luck and how deceitful that idle minds can be." Lyrics from Devil really hit close to home some days, especially if you're currently living in America (and I am). It's clear from the tone set by the melody of the guitars when the track first open-fires on your eardrums for an eargasmic explosion of what can only be described as pure Black Veil Brides energy. Straight from the speakers to your soul, Andy Black truly has a way with words and the boys on strings (Jake, Jinxx, and Lonny) really know how to nail it home and build a mood to a harmonious climactic point before bringing it smoothly back down again. And may I say, that CC has really just been on fire these last few albums? He is really kicking some ass behind that kit and I think it's fair to give him a mention for it.

In softer tones Saviour II was second on the EP and set a more serious and tender vibe. A soul bearing ballad needs to be on every album right? At least that seems to be a theme for BVB that I personally hope never dies. They do amazing with a good somber heartfelt melody and these new lyrics that sort of offer different softer, more human side to the Saviour we as a fanbase were used to. The first being: "So hear my voice, Remind you not to bleed. I'm here." the message being a strong voice offering a shoulder to lean on here. A superhero almost. Whereas, the second, "So I'm trying my hardest to be what you made, Like a court jester, my smile won't fade. Giving it all, rising to fall to my grave. Answer the call, living in thrall-You're the one born to save." Is a tooootally different vibe. Like someone human just trying to make it through each day. So-so so good.

The Revival is the third track on the EP and it unfortunately didn't get a video but is still really cool and definitely worth a mention. It feels like Saviour II worked right up into this song. I'm sure they did that on purpose but I can hear/see a story playing out before my very eyes. Maybe my imagination is running a little high, but they have a habit of writing a whole ass story and following it up with a rock opera--so I am not sure because I looked all over for like a track-by-track breakdown and didn't find one (so if anyone has one and can link one to me that would be sugar and spice!) but nevertheless the instrumentals in this song are fire but from 2:19-2:35 it is just the best musical soup I have ever tasted. There I said it. I can say it. It is hot fire.

That brings me to the final track on the EP, Better Angels. I think instrumentally, and melodically, Better Angels may actually be personally my favorite track. Lyrically it is one of the coolest things I have ever heard. I came from a really strictly and very strangely repressed religious background and when I hear the stories told in these songs tied up in some sort of religious metaphor it really resonates and I know I am not the only one in the fanbase that is dealing with these issues. "Go back to hell with all your demons-leave me alone to find the pieces inside my mind. They came in to control my life. And all the devils devour- Your better angels devour." Whether it comes from a religious place or not, that is a pretty fire chorus, you have to admit. Not to mention the absolute MELTDOWN I have inside my head when the guitars (2:35-2:50) fuckin slap my dudes! I am telling you, if you haven't heard it already, please do--your life will be more complete because of it. It's one of the prettiest things I have ever heard ringing in my ears.

Really can't wait to see what Black Veil Brides has in store for us next! I mean between the comic-book, the album, and the ep, I'm already pretty stoked and I literally have no fuckin clue outside what Andy has mentioned in recent interviews! But I will be keeping my eye out! you bet!

Also before I go please enjoy this acoustic set I found on Youtube.

SUPPORT YA BOIS:

http://facebook.com/blackveilbrides

https://twitter.com/blackveilbrides

https://www.instagram.com/blackveilbrides/

[writerracha]

OKAY GONNA START SCREAMING

I think wish you back, like volcano, contains a deeper meaning besides missing a lover. THE ENTIRE SONG IS A EUPHEMISM FOR WANTING YOUR OLD/CHILDHOOD SELF BACK SHSHDJDJEK TELL ME IM WRONG

firstly, the chorus. "you were my story" is his younger self, his past self, which is why it's his story - it's his life. he gathers those memories and looks at the photographs of him when he was younger, and cherishes them because he can't go back. he's reminiscing about the past, the good times that he once had, when he had no worries and was happy.

the first verse is even more obvious: maybe he's going through something, or in the process of growing up, he slowly lost the sense of carefreeness and happiness he once had. and it makes him think back to those times when he still had those feelings. he wonders if he'll lose that memory, too. "put your small hands together" is an even more obvious hint that he was a kid then. "in the days when every moment was beautiful and splendid" is EXACTLY the feeling you have as a child where you're not consumed by worries and anxiety. "you were the main character in the movie called me" JUST CONFIRMS IT. because ONLY HIS PAST SELF CAN BE THE MAIN CHARACTER OF HIS MOVIE AHSJEKKEKE

and he says that even if he travels around the world, fill his mind with other thoughts, he can't outrun it, because this feeling is inside of him. he can't escape it.

he wishes his old self back. he's tired of "sitting in a room all day long and turning off the light". he doesn't feel okay, but he knows that he can't go back to the past. you can't rewind time, and even though maybe his past self made a promise to himself to not be defeated, it falls forfeit when he had to say goodbye to his past self as he grew up.

and even though he knows this, he's still holding out for a chance that one day, he can be as happy and carefree as his past self was again. he looks at the picture of his younger self and himself right now, and he wants to be able to see himself smile so brightly again in the mirror. he doesn't want to feel this way anymore. so he holds out hope, and waits.

IDK IT COULD BE A SONG ABOUT A LOVER THAT GOT AWAY OR STH,, but idk the lyrics are kinda way too ambiguous for me to think that way, especially the parts about the main character of his movie ajsjsnsm

OKAY BUT ALSO IF WISH YOU BACK IS ABOUT HIS PAST SELF CLOSE COULD BE ABOUT HIS FUTURE SELF AHSJJSKWKS OK ILL STOP

THIS IS ABSOLUTELY INSANE AND I ADORE YOU FOR THIS. I CANT TELL YOU YOU ARE WRONG!!!!!

I absolutely love this analysis. Because I truly believe Jisung is very good at self exploration and introspection HOW CAN HE NOT BE. This man overthinks everything I'm pretty sure about it and his medium is song writing. SO DEFINITELY!!!!!!!! That makes so much sense I don't even know what to tell you except stand up and CLAP

i think all of his songs have double, triple, multiple meaning, it's the beauty of his story telling, he writes about so many things so you can apply it to what speaks to u. that's also just good narrative skills in my opinion. if your story is too obvious it can be good but for me somethng that is open to interpretation is even better, and ji does that so perfectly he understands that i think. or if he doesn't he's just a genius WHICH IS ALSO TRUE

like definitely a past self. his past self. but also his other selves?? all the people he could have been?? and sometimes you change but you want to get that person back??? "the photo engraved in my heart"... i also love how he's able to portray that when we miss someone (or ourselves) it is triggered by things in our day, it doesn't happen in the same manner. it's about being haunted by something but also "you're on my mind MORE TODAY" like. some days you wake up and you're inhabited by something. and that speaks to it SO MUCH. and THE WAY HE SINGS THAT DESPAIR AND FEELING HIS VOICE SENDS ME EVERY GODDAMN TIME THERE'S SO MUCH IN IT AOISFHASF

i also love that he talks about missing something and that it hurts and that we accept this hurt because missing someone also means we care, we love, we are human. and that's so beautiful. THE HUMANITY IN HIS SONGS

I mean I can imagine how someone like Ji could miss previous days... it must be a tough life sometimes, going back to being "carefree" or being "no one"... I get that. That makes me emotional because it's not that he doesn't like his life now, missing our younger self is not about hating our life now, it's just about nostalgia and that's so ok. ANYWAY WOW I COULD TALK ABOUT THIS FOR SO LONG IMMA STOP NOW but thank you for sharing that. truly. i appreciate it so so much, thank you for trusting me with your thoughts

LOTS OF LOVE

(CLOSE NEXT?????)

[white-eyed-girl]

My personal top 37 of Eurovision 2023

Part 1 | Part 2 | Part 3

I think I never met the arrival of the Eurovision month in such a bad mood and with my Eurovision energy so completely down the drain but I had already put too much thought into this top not to post it so here we go :''

37) San Marino - This…just kinda makes me uncomfortable :'' I don't know how to better explain it but yeah…not a song I have felt the need to listen to twice

36) Croatia - I was going to be gentler with this song because the message is there and it's nice, but I've been called ignorant for not liking it one time too many :'' Admirable effort, but I can't shake the feeling that this belonged in the 00's (aka my absolute least favourite ESC decade)

35) Romania - I…I don't even know, the way he sings is very aggressive and that wouldn't necessarily bother me, I actually like his confidence, I am just not sure where the whole thing wants to go

34) Azerbaijan - a friend told me that this song sounds ''suspiciously'' unassuming, his theory being that they are trying to prove that sending music from actual azerbaijani composers isn't productive and successful, basically to justify them being Mello recyclers I may or may not be inclined to believe this lol but if true, they'll definitely succeed in their intentions Twins are always a plus though

33) Germany - It's a daring contribution to this contest, maybe even more coming from Germany, but it's a music style that really has to have some special element to it to capture me and with this one I still haven't found it, also the lyrics don't sound harmonious at all

32) Estonia - she's a good singer but the song is the kind of ordinary ballad that passes me by pretty easily

31) Lithuania - the only part of this I find interesting is the two Lithuanian words, and more because they leave me a tiny bit annoyed, it almost feels like they were put there only because it has (thankfully!) become a trend again to have non-English bits in one's song, not because they are organically integrated into it

30) Albania - now, it wouldn't pass through my head to willingly listen to this on repeat, but I'm still kinda thankful because if we didn't have Albania literally no one would make sure to send this kind of rustic ethnic songs to Eurovision, so thank you either way Albania :''

29) Cyprus - pretty regular contribution from them, but the titular refrain is surprisingly catchy which is why it's not lower in my top

28) Greece - I feel like this could grow on me a lot if I gave it the chance but as of now I kinda regularly forget that Greece is competing this year T-T

27) Switzerland - Issok, very big words well sung by a very young mouth I am honestly not sure what his fate will be without juries in the semis

26) Ukraine - of course everything about this is relative, Ukraine has more urgent issues at the moment, but since they participate an opinion is due, and I think this is pretty much subpar compared to the genius they have accustomed us to Also, it pains me to say it as one of the biggest Ukraine-in-Eurovision stans, but if something like last year ever happens again Eurovision is dead to me right there and then

25) Slovenia - I know everyone seems to adore this, for me it's a bit midfield though, I kinda feel like it doesn't end up being as energetic as it tries to be? They sure are enjoying themselves though!

[dogsinlove777]

B-Sides Vol.3 (2011-2015) by Rav

ALBUM REVIEW

Wow. Just-- wow. I am absolutely astonished and at a loss for words at the moment. Though, I will try my best for this post.

It's 20 minutes after midnight on this April 10. And today, or, well, yesterday, I listened to the album, B-Sides Vol.3 (2011-2015) by Rav. To say I had the unjust honor to listen to this album is a terribly gross understatement; B-Sides is an absolute masterpiece, I've found, and literally perfectly accommodates my eardrum's very specific tastes.

God, listening to this album is an absolutely unexplainable experience. Rav has a very distinguishable vibe, this sort-of... energetic, Cuphead, 50s, walking down the street, arms at your sides swinging to the rhythm like an old-time-y cartoon character: that's how most of Rav's music sounds, to me, at least.

On top of his melodic vintage undertones, Ravs lyrics are just absolutely insane. I couldn’t possibly even touch on his genius lyricism right now; it's simply too much to unpack. He is so, so transparently talented, especially when it comes to his lyrics and references; his extensive puns and innuendoes, also speaking about and reflecting on personal former relationships, and opening up to the listener. Vulnerability as an artist is one of the keys to success, in my opinion. Simply one of the most important things in songwriting, which Rav undoubtedly understands.

The man’s flow is absolutely insane, I don't know how he does it, I just don't. From this project alone I can certainly say that he is one of the best rappers I have ever heard so far, in my life. (aside from Lil Darkie, he’s always #1. so sorry just had to get that out there)

I love the melodies. I love his voice and his flow. I love the lyrics. Overall, I just love this record so, so so much.

Extremely, extremely impressive display of tremendous musical talent from Rav with this project. I loved it so much.

My final rating for this album, B-Sides Vol.3 (2011-2015) by Rav is a high 9. I really, really, enjoyed this record, and so many tracks made me feel like I was on drugs, floating through space, through the sky, with nothing to fear. I held onto Rav, trusting his process; his true fucking genius, and loved every single second of it. I now have many new favorite songs.

If you made it all the way through, thank you so, so much for reading this!!! WHOEVER you are out there, you beautiful soul, I love you so much, and the fact you’re still here right now shows your strength. I’m so proud of you! <3

[tolerateit]

hahahah "then die" would be the tumblr response, i think hahahhaah 😂😂🤣😂

but no, actually, 💛 aaawww 💛 shoulda known u'd be a roman holiday gal hahah ya big ol cheeseball softie hahah u enchanted & miab stan after all right? <3333 (sorrs if im wrong to call u stan of those. but im still right to call u a softie for faving rom hol hahah <3)

i was about to say taste 👌🤌 to ur choices (which is still true gaaghh!) but yeah honestly u know what? halsey's such a fucking genius, you could have chosen any song of hers and i'd still say 🔥🔥🔥🔥🔥Taste™🔥🔥🔥🔥🔥 bc her music is just that insanely good to me imo.

but anw hope my curiosity's not to bothersome hahah but, how about hopeless fountain kingdom and manic?

any faves from those?

mine are the line "i hope hopeless changes over time" and graveyard!! gaaagghhh might be my fave song of hers ngl 😭💙

oh! and thoughts on darling??

halsey just absolutely wrecks me tbhhh huhuhuuuhh 😭🤧

CJEESEBALL SOFTIE SKSJSJ SO TRUE!!! roman holiday is just 💖❤️ dkdkd not bothersome at all, hfk is full.of.gems but 100 letters/heaven in hiding are *chef's kiss* AND this right here are some of my fave lyrics from manic and hfk!!!