#which suits these two characters but not others

[bones4thecats]

Hello, you can, Tfa Starscream x Conjux femme reader, where Starscream's clones are in love with the reader 💙❤️

➸ Clones v. Starscream; Trans. Animated

Character: Starscream and his Clones (Transformers Animated) A/N: This was actually one of my favorite things I've written for the Transformers Franchise. I hope you enjoy it as well, 💙❤️Anon! Disclaimer(s): Nothing, except maybe poly relationships? I'm not sure, didn't get that deep into it.

Star - 💫 / Slip - 💐 / Ram - 🪶 / Sky - 😱 / Thunder - 🌩️ / Sun - 🌦️

╔══════════════════════════════════════════╗

╚═════ Starscream Clones v. Starscream ══════════════╝

💫 Starscream landed, transforming back into his bi-pedal mode. He was not very amused. Those Primus-forsaken Autobots managed to stop him from gaining another object for his plans! How annoying!

💫 As he walked around the run-down ship that was once the Nemesis, Starscream could hear the voice of his conjunx coming from a couple hallways down. But his conjunx's voice wasn't the only one he heard, he also heard his clones' voices

💫 Speeding up his pace to almost a full-out sprint, the seeker stopped in front of a doorway. There you stood, speaking to Slipstream while Skywarp held onto you from behind. He was acting as if you were his personal plush

💫 Starscream's anger was now soaring. How dare these knockoffs of him start getting along with his conjunx! You were his, not theirs! He's been with you for hundreds of thousands of years, they had only been with you for a couple Earthly months at most!

💫 Hearing a scoff from the entry-way, you turned and saw your conjunx, Starscream, standing there. He was leaning against the doorway with a sour expression on his face. You chuckled and motioned for Skywarp to let you go, which he did

💫 You walked up to Starscream, wrapped your arms around his midsection, and hugged him. Your grasp was better than almost any Cybertronians, especially a femmes. Starscream smiled smugly and hugged you back, glaring at the Clones behind you, you being completely oblivious to the action

"How was your mission on Earth?" You asked.

"I bet he failed." Slipstream voiced.

"Starscream? Fail? That's nonsense." Ramjet said, making Starscream narrow his optics and bawl his servos into fists.

"I recommend you shut your intakes, Clones."

"Exactly. Starscream is one of the best Decepticons ever created. Even better than that bucket-head Megatron." Sunstorm praised.

"Thank you, Thundercracker." Starscream said.

💫 You looked as Slipstream rolled her optics and walked off, her metal hips swaying as she did so. While many mechs would match, you preferred the sight of the original Starscream's hips moving as he walked around

"Oh please. I am obviously the superior Starscream. You're all mere pieces of scrap compared to my genius." Thundercracker boasted.

"Exactly. And you totally didn't fail your last mission against the Autobot Repair Team."

"Why you-"

"Enough, you two. I think you guys need some time to recharge. Go to your chambers and relax," you added, "and don't bother trying to flatter me out of it. Sunstorm."

💫 Sunstorm shrugged and walked off, the others following suite. You then looked at Starscream and chuckled, hugging him once more as he picked you up and walked to look out of one of the many huge windows that surrounded the now-destroyed war ship that you lived on for many years

"You know, sometimes I think that you like those Clones more than me." Starscream teased, a smirk ever so present on his face.

"More than my original sparkmate? Not possible."

💫 Starscream laughed lightly as you leaned forward and leaned your forehead against his. You could feel the bit of the Allspark in his helm pulsing with his own spark as you gave him affection. While many called him sparkless and a monster, you knew the real Starscream. And he could feel love. And right now was extreme proof of that claim

[matrixbearer2024]

I know it's probably shitpost but imagine Ford and his triplets dressing as the different Doctors from Doctor Who- like- it would be so fucking cute- and yes all of them are actually Doctors, they all have PhDs. Literally just imagine them binging the Dr. Who series, somebody's gonna call out some science shit and another is gonna go full theorist like the paranormal and cryptic hunters they all are.

Seriously just imagine seeing Ford one day not wearing a turtleneck, instead sporting a dress shirt(still high-collar no shaz) and a vest, not to mention he's wearing the black trench coat that he came out of the portal with. Man looks like he's about to go to a party in the 20s so you had to stop him and ask why.

"Hun, what are you doing?"

"I'm just passing through-"

Stanford wanted to laugh because of how cutely the confusion rested on your face. Granted, you probably wouldn't have realized who he was dressing up as since his wardrobe wasn't too distinctly different from the character he was referencing.

"Ford? Darling? Are you okay?"

"Nooo- I'm inside a Dalek!"

That reference hit you immediately and Ford couldn't help but start laughing at your befuddled expression. You just shook your head at the man amused as he leaned against the wall in a fit of giggles like the adorable nerd he is. Married to geekazoid with six fingers but hell yeah he was cute. It was an initial worry that your husband wouldn't properly assimilate into how earth is now, but it seems like he's taken well to bits and bobs of media.

Especially Doctor Who.

You wondered which of the kids decided it would be a great idea to introduce the show to him. Dipper was likely, but so were the chaotic triplets.

"Alright, so which Doctor are you supposed to be?"

"The twelfth! I found his character quite interesting and humorous, as well as oddly relatable compared to the other reincarnations."

You couldn't say that wasn't expected, but you definitely didn't predict what was gonna happen next. Not when your eldest son was frozen in the doorway sporting suspenders and a bowtie. Seems like it you found the culprit and it wasn't just your anomaly loving partner dressing up today.

"So... I guess the both of you are going to go cryptid hunting like this?"

"You say that as if it's a bad thing, but honestly ma– it's the best thing there is!"

You shook your head again as the two men laughed. As if that was the end of that chaos, soon after your other two children made an appearance.

"Alexander Euler Pines are you wearing a suit??"

"I mean, what else would I be wearing ma?"

You elbowed Ford when he started snickering, who really was the one who orchestrated all this? Seriously?? Not to mention- you weren't invited! How rude!

"Okay- so who are you supposed to be?"

"Well, that's the question isn't it?"

You facepalmed, causing the three men to just erupt once again in laughter. You looked over at your only daughter and she finally gestured to the other three and explained.

"10, 11, 12, and I'm 13."

"Huh, that explains the printed tee and white coat. Anything else I should know about?"

It was finally your turn to laugh when the lot of them suddenly whipped out the iconic screwdrivers, each of them buzzing with a high-pitched whir. Somehow you felt like it was safe to assume that they actually did have some functionality and it would be safer not to ask.

A family of doctors! Thank goodness nobody owned a TARDIS!

All of them did plan on going hunting like that though, something like a funny little family excursion. Ford offered that you join them but you figured it would be a great time as any for him to reconnect with the three so you declined.

"Stay safe you rascals!"

"We will!"

You smiled at them and waved before Stanford kissed the top of your head prior to exiting the shack to follow his triplets. As if today hadn't already been full of surprises.

"We'll be back in time for dinner, love you!"

And like that he was out the door. You couldn't help the warmth that bloomed in your chest watching the four of them scurry off into the forest to cause who knows what kind of chaos. You didn't mind or worry however, you knew that they'd all be fine.

Genius and oddity are apparently hereditary- and in this family, being ordinary is overrated/j

[monstersandmaw]

Monthly story - male bat-like forest monster x male character (nsfw)

This one was a really sweet one to write, though as ever, it's about 10k words longer than I intended. I hope you enjoy these two and the autumnal forest vibes. There are also a couple of tiny little Gabe & Odessa easter eggs in there, if you spot them...

Summary: a heartsick author books a remote fire lookout tower for some solitude after a messy breakup, and for the chance to finish his latest novel, only to fall slowly in love with a voice over the radio.

Content (light spoilers): stormy conditions, then lost while hiking, forest entity attacks with constricting vines (not romantic interest). Nsfw includes oral, no penetrative, messy sex, come marking(?), and there's some purring too.

Wordcount: 13,238

(for the tower lookout vibes, this reddit link should help)

Preview:

“You’re renting a what?” Lavinia snorted, setting down her coffee cup with a clunk and gawping at Bowen like he’d just grown another head. Or maybe like he’d lost the one he’d had to begin with.

“I’m renting an old fire lookout in the Pinewatch Range for a month.”

“Have you lost your fucking mind?” she blurted. “Seriously, I know the breakup with Mike fucked with your head, and with good fucking reason because the man is a complete —”

“— it’s not about the breakup, Lav,” Bowen interjected heavily, taking a sip of his own drink and wincing. Instead of his usual coffee, he’d opted for a remarkably bland chamomile tea, and was regretting it enormously. “It’s just… I’ve been wanting to work on my novel. I think a place with no electricity other than a solar panel to charge my phone and radio, and no running water, is going to suit me just fine.”

“No running water?” Lavinia looked truly horrified at that. “Seriously? How are you gonna shower? And, like… flush the toilet? Oh my god, don’t tell me you have to shit in the woods…”

At that, Bowen bit back a rare, true laugh. “There’s a composting toilet in an outhouse. It’s not like I’m turning into a bear.”

She eyed Bowen’s gut, which was just a little softer than it had once been, and raised one eyebrow. “Sweetheart, if you put on a red flannel shirt and grew that thick scruff out into a proper beard, you’d be the definition of a bear.”

He rolled his cocoa-brown eyes at her and leaned back in the farmhouse style chair, gazing around at the new coffee shop that had opened up on North Street. Lavinia looked out of place in the cutesy, rustic tea room, but as usual, she paid her surroundings little mind. Instead, she regarded him from under her heavy, Goth makeup, with a back-combed bird’s nest of box dyed, black hair piled atop her head. Behind the dramatic makeup and the false eyelashes that looked like the kind of spiders Bowen only found in the deepest recesses of his basement, he could see real concern in her features,and his heart squeezed. He’d isolated himself too much from his friend in the past six months, and now he was running away to the wilderness.

He leaned forwards, just catching the creak of the rattan beneath his jeans above the clatter of the cafe as the chair shifted and groaned a little, and he rested his weight on his forearms. “Honestly, this will be good for me, Lav. I need to unplug for a while.”

“I’m just worried you’re not gonna be able to plug back in afterwards,” she muttered darkly. “I take it you don’t get phone reception out there?”

He shook his head. “Nope. There’s a radio that connects you to the forest service in an emergency, and there are a few other old lookout towers in the area, but unless there’s a very lost hiker, I won’t see another soul for the whole month.”

“Jesus,” she hissed. “Well, I hope you know what you’re doing. And if I come across Mike in the meantime, I’ll hex his bollocks off and make him rue the day he dumped you.”

“You already did that.”

Something flashed in her eyes. “I made him rue the day he dumped you, but it was sweet little ‘butter-wouldn’t-melt’ Hazel that hexed him.”

Bowen rolled his eyes and chuckled fondly. “You and all that witchy shit, Lav. Ever since you watched The Craft in high school…”

Easy-going Bowen had always respectfully humoured his best friend’s interest and belief in the Occult, but he’d never subscribed to anything spooky himself. The spookiest thing that had ever happened to him was a traffic light going from red to green as he approached it. Hardly cause to call the Ghostbusters in, after all.

At first, he’d thought Lav had been joking, or just using some affectionate name for the group of people who had all met after class and at the weekends, calling them ‘her coven’, but over the course of their university degree, and the subsequent years of employment, he’d come to discover they all actually believed in the supernatural. Then again, Mike’s apartment had flooded the week after he’d ditched Bowen, and his had been the only one to suffer any damage. There was now some lingering problem with a particularly stubborn and rather toxic mould all over the ceilings, according to Lavinia’s mystical sources…

“Just promise me you’ll take good care of yourself, and you’ll fucking phone me the second you get back to civilisation,” she growled, and he solemnly promised with hand on heart to keep her updated when he could.

A week later, Bowen’s pickup bounced up the rutted track to the fire lookout station, with a fortnight’s worth of water and camping supplies lashed down in the bed. The nearest town of Pinewatch was a jolting, twenty mile trip down dirt roads before even reaching the main, tarmac road to get there, so he’d be using the truck for a resupply run in a couple of weeks, but until then, he figured he had everything he needed. At least, he hoped he did.

Read the whole thing on Patreon, plus gain access to every monthly story so far and join our chilled out Discord server here!

[nie7027]

Maybe buying a drawing table wasn't such a bad idea afterall

[genericaces]

more rambling about a s5 au: lindsey comes back for a redemption arc to act as legal counsel for angel's team. this ostensibly gives gunn a reason to opt out of the lawyer operation, but he does it anyway because he doesn't trust lindsey not to fuck them over.

lindsey acts as a moral foil to gunn, who comes to believe his necessary contribution to the team (since he's no longer their only lawyer) is being the defender of the group's principles while working at w&h. they frequently butt heads while working on a case, but eventually develop a begrudging respect of each other's respective strengths.

this hostile-to-friendly-rivalry arc is tested when it comes out that w&h was responsible for some demon problem that's been plaguing gunn's home community. gunn has, unbeknownst to himself, been somehow contributing to it while working at w&h; lindsey knowingly contributed to it when he was last working there as a lawyer. lindsey is forced to confront who he was, while gunn is forced to confront who he’s becoming.

since he was involved in the project, lindsey uses his insider knowledge to help come up with a plan to fix the problem. they execute it, something goes wrong, and lindsey risks his life to ensure the plan goes off successfully. he expects congratulations and a pat on the back from gunn, but gunn isn't interested in absolving lindsey's sins (or his own), and their warming relationship freezes over.

at some point, gunn lets himself get taken by the senior partners in an effort to deal with his guilt over various lapses in judgment/perceived moral failures. during their rescue mission to the holding dimension, lindsey stays behind in gunn's place so he can escape, assuring gunn that he's the lawyer the team needs right now. their mutual arcs culminate in lindsey rejecting the idea that redemption is done for recognition, and gunn rejecting the idea that guilt/self-punishment is inherently redemptive.

eventually after being busted out by illyria, lindsey is there to empathize with gunn about losing parts of yourself (body, mind, and/or soul) to w&h, relationships to power when you've grown up without it, and what it means to live with the consequences of your actions. both of them reflect on the nature of redemption/forgiveness/intent as they grapple with how to own up to an appropriate share of the blame.

[lightningidle]

Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...

You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.

And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?

(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)

Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?

You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.

You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.

[frankenfossil]

you're never going to be the most popular magical girl when your colour is orange

cassidy from sleepless domain

[internetskiff]

hoo boy. SOMA. I definitely do not think of that game often ahaha that game certainly has not affected me in any way

Anyways!! Catherine Chun is honestly my favorite deuteragonist in gaming because of how well she's written (sorry Wheatley (he's a close second though)). On my first playthrough I (and I assume a lot of other people) just immediately decide "OK, she's the only other sane 'person' on this station, so she's automatically a friend", and hell, it seems that's how Simon himself views her from the moment they first speak at Upsilon's comms center. But reading into her dialogue, she really doesn't seem to view Simon as a buddy at all up until like.. Their heart-to-heart at the Climber methinks. Just look at how she speaks with him whenever he starts getting existential.

She speaks to him as more of an annoying coworker at times. Considering her attitude towards other sentient machines, I think it's extending even to Simon. She sees him as a means to an end, or at least tries to, up until she has to copy and paste his mind into a new diving suit. And then, when she fails to hide the original Simon from the newly created duplicate and he is rightfully distraught and furious - I think that's when the actual weight of it all hits her.

This interaction still fucks me up a little. The distress in that "Please, stop" as Simon (very righftully) lashes out at her. It's even worse when you consider this is how most of the people she scanned treated her. They're all desperate. They hope that when they sit down in that Pilot Seat and close their eyes, they'll open them in paradise. But when they end up exactly where they were. and realize a copy of them is going to be living it large on a spaceship while they continue rotting down at Pathos II, it's no wonder they'd suddenly view the whole thing as cruel and disgusting. It's still wrong and selfish, of course - especially directing that anger at the one person responsible for preserving humanity simply because you refuse to understand how brain scans work. It's worse when you realize she never got to defend herself from all of it, and in the end she was killed by her own desperate coworkers. And now she's experiencing it again. Unknowingly, Simon's putting her through the exact same thing her human template went through over and over and over again. She viewed him as a means to an end, but I think that stopped after she had to go through that. She shares her memories of home with Simon. I'd say they only REALLY start getting along at like, Phi, which makes the exchange immediately after the ARK is launched that much more gut wrenching. The thing is, while I think Catherine stopped viewing Simon as a means to an end, Simon didn't stop viewing her as one. From the moment she tells him about the ARK, he was probably itching to get on it. Sure, saving humanity is great, but you'd probably also want to be saved aswell, no?

The fact that this is her last exchange and these are the last words she manages to say is absolutely fucked up. You can just imagine what was going through Catherine's mind as she was saying this - Simon telling her she's "Fucking disgusting!", a sentiment echoed by people she considered acquaintances (people she was saving), seeing her own corpse with it's head bashed in by a wrench.. This wasn't just aimed at Simon, I think. This is basically her finally standing up for herself. Her standing up to everyone who despised her simply because THEY didn't understand how brain scans work. She did everything right, she saved humanity - and she was still treated like garbage in the end. And she doesn't even get to finish her sentence before her chip fries and she dies for the second and final time. And if Simon saw things from her perspective for once, he would have the time to pull her Omnitool out and save her from that.

[thatfunkylittlejesterdude]

Girl help I'm making genuine lethal company OCs

This is Comedy, and he has a partner named Tragedy. Both are masked, if that wasn't already obvious. I haven't drawn Tragedy yet though so like. He'll be revealed later lmao.

I'm debating giving them actual names but I'm getting attached to just calling them Comedy and Tragedy, even if that is a REALLY basic naming convention for them.

Theater kid lookin' ass-

[my-thoughts-and-junk]

what some of the undertale fandom did with grillby fucking fascinates me like my god

[lizardbrainlabs]

spidersona art dump! felt a little sacrilegious to post the au version first when this version has been around so much longer lol. so here he is in all his glory!

[jacksintention]

I say I ship Jack and Lacie, but tbh I don't think I do in the sense fandom understands it. For me it's kind of like saying I ship Heathc.liff and Cathy or Fe.rmín and Ana. Do I ship them? Yes? No? The answer is closer to "I like W.uthering Heigh.ts and La R.egenta"

[the-force-awakens]

not to talk about sw in not a totally positive light (it's not even a criticism, precisely, its just something I'm contemplating), but I've been thinking about the recent string of shows (mando s3, kenobi, and ahsoka) and I am beginning to wonder if Disney/Lucasfilm vastly misunderstood the backlash to the sequel trilogy, because....they keep rehashing plot points and emotional beats from those movies.

And okay, sure you could say it's also to help build up the timeline and show how the FO rise, but it also feels a little bit like they're taking the safest route and just...copying and pasting those things into stories with characters that are (almost) universally loved (Din, Grogu, Ahsoka, Obi Wan) — and combined that with the near radio silence of anything about the sequel trilogy characters, across the smorgasbord of Star Wars content? I really think they're steering clear (aside from the Rey movie they announced) of anything to do with Rey, Finn or Poe because they think they're why the movies weren't popular. And that's... exactly the opposite of the sentiment I've seen in this fandom, but I also know exactly why they have that impression and I hate it.

[barnbridges]

you did NOT ask but i think to the core, part of the dislike between marion and good old francis IS her job. he's seen this bitch a thousand times at the blank institutes for fucking up children. he's naturally distrustful of her. especially seeing her do his own... friend in like he's a child. it makes him question if the straights are ok, but like, unironically.

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[deconstructthesoup]

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!