Fanfiction Writers Appreciation Day: Coco Edition
Today is the day where we as consumers of fan-made content show our appreciation for those that take the time to write stories that extend universes, fill in gaps, and leave us wanting more. And since I am always a slut for good fanfics and making lists, I have put together a collection of my all-time favorite works of fanfiction. I decided to split up the fandoms, because having them all together in one post made Tumblr mad. I tried to get them all done by the 21st, but the universe conspired against me. So I’ll be posting different lists for different fandoms throughout the week.
But this post is about Coco.
Coco surprised me. When I watched it on Netflix, purely on a whim, I wasn’t anticipating falling head over heals in love with the characters and the story and the music. Immediately after finishing Coco I began looking up fanfiction. And there are so many good writers in the Coco fandom. It was hard to keep this list a reasonable amount. But I did! So without further ado, let’s get to the fics!
Down to Dust by @pengychan
Soccoro Rivera accidentally gets herself cursed on Dia de Muertos and needs the blessing of her friend Cheque to send her back home. But when Cheque can’t give her the blessing, the Riveras must search for another of member of his family to do it before it’s too late. A complex fic with complex characters and very well written.
El Amor Domestica el Corazón by @seasidefanasties
WEREWOLF AU WEREWOLF AU WEREWOLF AU WEREWOLF AU WEREWOLF AU WEREWOLF AU WEREWOLF AU WEREWOLF AU WEREWOLF AU WEREWOLF AU WEREWOLF AU WEREWOLF AU WEREWOLF AU WEREWOLF AU WEREWOLF AU
El Camino a Casa by Bookwormgal
Ernesto skimps on the poison and Héctor is able to make it back to Santa Cecilia... but not back home. Aresenic poisioning is unpleasant.
I’ve noticed that we as a fandom love to make poor Héctor suffer.
Elegy by @dogbearinggifts
It’s Dia de Muertos, 1942, and Imelda Rivera finds a familiar red book amongst the possessions of the recently deceased Ernesto de la Cruz. A fresh take at the “someone other than Miguel gets cursed and sent to the Land of the Dead” idea. Héctor and Imelda both need hugs.
I’m Lost and I’m Found by @loracarol
Instead of poison, Ernesto gives Héctor a potion that turns him into a werewolf. Three years later, Imelda runs into a giant wolf with strangely familiar eyes.
This fic isn’t finished, but it’s really good. It definitely satisfies my need for werewolves and romance. And if you are a fan of SeasideFantasies’s fic, or werewolves in general, you’ll really like I’m Lost and I’m Found.
La Guitarra by @dogbearinggifts
Based on the idea floating around here on Tumblr that the famous skull guitar is actually Héctor’s alebrije. The first fic is chilling and the last fic gave me all the feels.
Like a Gentle Refrain by Bookwormgal
So it didn't matter how good Héctor looked, cleaned up and well-dressed as her brothers settled him into a chair. It didn't matter how she couldn't seem to drag her eyes away from him or how it felt like a phantom heartbeat was racing in her ribcage. It didn't matter that the shy and uncertain nod of greeting seemed wrong and part of her wanted to reach out to him.
She had to remain firm. She needed to keep her distance. It would make things easier. It would hurt less this way. She just needed to do the smart thing. Though that would be trickier when her family seemed to be conspiring against her.
This fic... is.... so good. Just read it.
Little Bones by The_Mad_Hatter
Héctor gets roped into helping out at an orphanage outside Shantytown. And because Héctor is a good Papá he sticks around. If you need a good cry, or just want to read a fic that will rip out your heart, shove your heart into a jar of alcohol, light that jar on fire, throw said flaming jar into the window of your home, breaking the glass and burning your house down, all the while asking for more because it’s so just heartbreakingly beautiful - this fic is for you.
Neither Can You by @babycharmander
In the months following Dia de Muertos, Héctor is attacked and he and the rest of the Riveras must learn how to deal with the resulting trauma. For the record, it’s not nearly as depressing as it sounds. Don’t get me wrong; there are sad bits, but there are parts that literally made me laugh out loud as well.
Pepita and Dante need a buddy cop spin-off.
Pan Dulce by papergardener
While the Rivera family are adjusting to life with the long-estranged Héctor, Imelda realizes she has forgotten what his favorite pan dulce, or pastry, is. And in true Imelda Rivera fashion, she will stop at nothing to covertly figure out what it is. This fic is funny, heartwarming, and just so incredibly.... sweet. *ba dum tis*
Reflection by @beckytailweaver
It’s Dia de Muertos and a seventeen year old Miguel is upset that one of his childhood dreams will never come true. Luckily Papa Héctor is here to make it better. This one made me cry. Partially because it was three in the morning when I read it, but mostly because I can relate to Miguel in this one.
Somos Familia by @whattimeisitintokyo
Ernesto grows a conscience at the last minute, letting Héctor go home to live his life with his family. This fic had me laughing and crying in equal measure. It also includes art by the author which just adds to the charm:
(Art by WhatTimeIsItInTokyo)
The Bedside Ghost by @pengychan
Instead of killing him, the bell accident leaves Ernesto de la Cruz paralyzed from the neck down. He is soon visited by the ghost of Héctor Rivera, who tells de la Cruz he can let him die, but only if he tells his family what really happened that night in Mexico City. If you like dark with a (relatively speaking) happy ending, you’ll like this fic!
The Musician with Poison Tears by @sweetiepie08
Eighteen year old Miguel travels to Mexico City to visit family and to see if he can find the mysterious ghost that haunts the old train station. Spoilers: the ghost is Héctor and he just wants to go home.
The Road Home by FernWithy
After the events of Dia de Muertos, the Riveras on both sides of the veil must learn to cope with the murder that shaped their family’s lives for generations. It alternates between Enrique’s (Miguel’s papa) and Héctor’s point of view, deals with themes of forgiveness and moving on, and has some really cool OCs. Also, Héctor writes an opera about Vikings which is neat.
The Way You Keep Me Guessing: Coco Teacher AU by @slusheeduck and @im-fairly-whitty
If you are invested in the Coco fandom even in the slightest and you haven’t at least heard of the Coco Teacher AU.... what are you doing? Set in modern-day Mexico, local Hot Teacher(tm) Héctor takes in his kid cousin Miguel after an accident kills his parents.
Un Mundo Raro by @starberry-cupcake
“All these years I’ve been clinging to the past, trying to fix my mistakes, trying to get back to Coco…” He didn’t know what to do with his hands so he took off his hat and played with its frayed ends, witnesses of the afterlife he was describing. “But you became... you”, he gestured at her, all-encompassing, as if he couldn’t encapsulate the grandeur that she was. “All the things you told Ceci that you are, how could I live up to all that? How could someone who has been clinging to the past, never moving forward, ever catch up with someone who became... all of you”
Another fantastic slow-burn reconciliation fic that will make you laugh and cry in equal measure. Seriously, I can’t recommend this fic enough.
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Oscars 2019
Yep it’s that time of year again, the 91st Annual Academy Awards is on the 24th Feb 2019. An interesting year for the oscars, after announcing there will be no host and that the awards for editing and cinematography won’t be aired lived before revoking that decision. It seems like the awards are up in the air and there were a lot of snubs. After a lot of debates, I have finally narrowed down (sort of) my oscar picks for the year.
Writing
Adapted Screenplay
“The Ballad of Buster Scruggs”Joel Coen and Ethan Coen
“BlacKkKlansman” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee
“Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty
“If Beale Street Could Talk,” Barry Jenkins
“A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters
I really loved The Ballad of Buster Scruggs and the six different stories however I struggled to see how they worked together, it very much felt like a broken up film. Can You Ever Forgive Me was a surprisingly intriguing story that uses McCarthy’s performance to keep it going. If Beale Street Could Talk is a beautiful story that focuses on young black lovers that rarely get represented in Hollywood. A Star is Born also a beautiful story that managed to differ from previous versions and provide a unique take on the story in the modern era. Best adapted screenplay for me however is BlacKkKlansman, a powerful and inspiring story that connects America’s past with present times to comment on the absurdity of today’s political climate.
Original Screenplay
“The Favourite,” Deborah Davis, Tony McNamara
“First Reformed,” Paul Schrader
“Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly
“Roma,” Alfonso Cuarón
“Vice,” Adam McKay
This was a particularly tough category to choose from. Vice was not my favourite film and I found it rather messy. Green Book was a step up and I loved the character arc of Mortensen’s character. Roma, easily one of my favourite films of the year had a beautiful story and intriguing characters. I really really loved First Reformed. The importance of climate change along with the often contradicting worlds of science and religion and discussions of mental health, this film had an intriguing storyline that really got me thinking. I think however my favourite original screenplay out of these choices (and not just because of the pun) is The Favourite. It is a uniquely strange film that I have never seen anything like before. A comedy period film is a unique blend of genres that I can’t get enough of. With incredible performances from Olivia Coleman, Emma Stone and Rachel Weisz, the interesting look at behind the scenes of the absurd royal family along with lesbian characters that are almost never shown in films of this time period. The Favourite is a fresh story that as sequels and franchises dominate the film industry today, seems extremely rare.
Technical
Cinematography
“Cold War,” Lukasz Zal
“The Favourite,” Robbie Ryan
“Never Look Away,” Caleb Deschanel
“Roma,” Alfonso Cuarón
“A Star Is Born,” Matthew Libatique
Cold War had particularly stunning cinematography along with The Favourite and Never Look Away. I really loved the cinematography in A Star is Born also. The close proximity of the camera to the couple falling in love as well as on the stage makes this film so intimate. The lighting in this film is incredible and highlights the stunning blue and red colour palette. I think the oscar however should go to Roma cinematographer/director Alfonso Cuarón. I can’t remember the last time I watched a film so visually stunning. The monochrome tone is embraced with the latest digital technology to create a film so stunning it might just win the oscar.
Visual Effects
“Avengers: Infinity War”
“Christopher Robin”
“First Man”
“Ready Player One”
“Solo: A Star Wars Story”
Both Ready Player One and Solo: A Star Wars Story were disappointments for me and the visual effects were far from revolutionary. Christopher Robin was however a lovely film and the visual effects used to create Winnie the Pooh and his friends were impressive, creating a unique look between cartoon and reality. First Man, one of my favourite films of the year had some stunning visual effects both in heroic scenes and heartbreaking as the mission to the moon played out. My favourite use of visual effects in a film however has to go to Avengers: Infinity War. There can be a lot of stigma around superhero films however you have to be pretty ignorant to ignore what these films are doing. Only 3% of the shots in Infinity War did not use visual effects, entire characters are built around CGI including the incredible performance by Josh Brolin as Thanos. The film has created the entire world of Wakanda and features many space scenes. It is safe to say that the Marvel films are leading the way for visual effects and are definitely deserving of the oscar this year.
Production Design
“Black Panther,” Hannah Beachler
“First Man,” Nathan Crowley, Kathy Lucas
“The Favourite,” Fiona Crombie, Alice Felton
“Mary Poppins Returns,” John Myhre, Gordon Sim
“Roma,” Eugenio Caballero, Bárbara Enrı́quez
Again, a difficult category to choose from. Mary Poppins Returns was a visually stunning film to watch as the effects and costumes came to light. The Favourite also managed to bring the 17th century to light with its set. First Man was a highly underrated film this year and the production design was incredible as it reimagined the 1960s in a way I haven’t seen before. Roma was one of the most beautiful films I have ever seen and was a very close second along with First Man. The best production design however has to go to Black Panther. The amount of work that went into that film in order to create authenticity was obvious when watching the film. An almost entire African/African American crew and cast made the film authentic with African culture. The costuming/makeup along with the set design/colours and special effects created a visually stunning film that revolutionised the film industry and even shaped history.
Film Editing
“BlacKkKlansman,” Barry Alexander Brown
“Bohemian Rhapsody,” John Ottman
“Green Book,” Patrick J. Don Vito
“The Favourite,” Yorgos Mavropsaridis
“Vice,” Hank Corwin
I have already expressed my opinions on Vice and I think the editing is where the film went wrong so not entirely sure how it is in this category. Green Book again, a lovely film but not exactly revolutionary. Bohemian Rhapsody I have mixed feelings about, but there is no doubt that the editing to move between the music scenes and dialogue was very well done. The Favourite, again a unique film that uses editing to merge genres like we haven’t seen before. However the oscar for best editing has to go to BlacKkKlansman. The editing in this film is genius. The pacing allows the comedy to work and the politics to hit the audience in just the right moments. The use of split screens and merging images along with the use of the Charlottesville footage at the end allows this masterpiece of a film to bloom. It allows for the comedy and politics to play out at the right moments, a tactic I think Vice failed to do.
Makeup and Hairstyling
“Border”
“Mary Queen of Scots”
“Vice”
I think the makeup and hairstyling nomination only applies to Christian Bale in Vice, although an incredible transformation it was. And although there are some stunning transformations in Mary Queen of Scots, I think Border deserves to take home the oscar. Eva Melander and Eero Milonoff are virtually unrecognisable in this film as the makeup and hairstyling helps to make this film so special.
Costume Design
“The Ballad of Buster Scruggs,” Mary Zophres
“Black Panther,” Ruth E. Carter
“The Favourite,” Sandy Powell
“Mary Poppins Returns,” Sandy Powell
“Mary Queen of Scots,” Alexandra Byrne
Some great period costumes were shown in The Favourite, Mary Queen of Scots, Mary Poppins Returns and The Ballad of Buster Scruggs. However the costume design in Black Panther was highly unique and revolutionary. The in depth detail and authenticity that went into the African warrior costumes as well as the Black Panther suit was extremely impressive. So much hard work went into making these costumes and it was refreshing to see African culture portrayed this way in a major Hollywood movie.
Sound
Original Score
“BlacKkKlansman,” Terence Blanchard
“Black Panther,” Ludwig Goransson
“If Beale Street Could Talk,” Nicholas Britell
“Isle of Dogs,” Alexandre Desplat
“Mary Poppins Returns,” Marc Shaiman, Scott Wittman
First of all I am absolutely astounded that First Man was not nominated for best score, did they even see the movie ??? Anyway, this category is still extremely difficult to pick. I ended up with a tie between Black Panther and Isle of Dogs. If you read my Mary Poppins Returns review then you’ll already know how obsessed I am with the music in this film. If Beale Street Could Talk also offers some extremely beautiful and emotional piano pieces. BlacKkKlansman was also one of my favourite film scores as the solo guitar melody along with smooth drums and lush strings creates an extremely unique score. Black Panther however had an extremely powerful score that was authentic to African culture. The African vocals and drums creates a powerful score for a powerful King. I also absolutely loved the Isle of Dogs soundtrack as I can never look past Alexandre Desplat. The plucked strings fits perfectly with Wes Anderson’s lively animation. But yeah, still mad about First Man.
Original Song
“All The Stars” from “Black Panther” by Kendrick Lamar, SZA
“I’ll Fight” from “RBG” by Diane Warren, Jennifer Hudson
“The Place Where Lost Things Go” from “Mary Poppins Returns” by Marc Shaiman, Scott Wittman
“Shallow” from “A Star Is Born” by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice
“When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs” by David Rawlings and Gillian Welch
An easy one for me. I do love the Kendrick beat for Black Panther as well as anything Mary Poppins. “When A Cowboy Trades His Spurs For Wings” was surprisingly a very close second. If you would have told me a year ago that a song sung by Tim Nelson would be one of my favourite film songs I would have laughed. The oscar however absolutely has to go to “Shallow”. This song is so raw and unique and has so much power and emotion. Bradley and Lady Gaga’s chemistry and their vocals make this song an oscar worthy performance that I can’t wait to hear live on the day.
Sound Editing
“Black Panther,” Benjamin A. Burtt, Steve Boeddeker
“Bohemian Rhapsody,” John Warhurst
“First Man,” Ai-Ling Lee, Mildred Iatrou Morgan
“A Quiet Place,” Ethan Van der Ryn, Erik Aadahl
“Roma,” Sergio Diaz, Skip Lievsay
Yes, finally First Man is recognised for sound. I am happy that A Quiet Place got nominated as it proves that silence is just as important as music in films. The oscar does by far go to First Man though as the sound in this film is astonishing. The way it is editing really highlights the important parts of the movie and turns it into a intimate drama rather than a Hollywood blockbuster.
Sound Mixing
“Black Panther”
“Bohemian Rhapsody”
“First Man”
“Roma”
“A Star Is Born”
Again, same as above although each one of these nominations is deserving of the award. Sound mixing is slightly different as it is about how you hear the sound rather than what you hear. Two different but equally important parts of sound design. The sound mixing works with the sound editing in First Man to create a superb sonic film.
Animated Feature
“Incredibles 2,” Brad Bird
“Isle of Dogs,” Wes Anderson
“Mirai,” Mamoru Hosoda
“Ralph Breaks the Internet,” Rich Moore, Phil Johnston
“Spider-Man: Into the Spider-Verse,” Bob Persichetti, Peter Ramsey, Rodney Rothman
Loved Incredibles 2, loved Isle of Dogs but my favourite animated feature by far was Spider-man: Into the Spider-Verse. I have already written about how much I loved this film as it has completely revolutionized superhero and animated films. The story, the graphics, the sound really brought the comics to life to create a stunning, unique and important animated feature.
Acting
Best Supporting Actor
Mahershala Ali, “Green Book”
Adam Driver, “BlacKkKlansman”
Sam Elliott, “A Star Is Born”
Richard E. Grant, “Can You Ever Forgive Me?”
Sam Rockwell, “Vice”
I always love any role Sam Rockwell plays and I thought he made an incredible George Bush. Adam Driver was also impressive in BlacKkKlansman along with Sam Elliott’s legendary performance in A Star is Born. I can’t quite decide however between Mahershala Ali and Richard E. Grant. Ali is one of my favourite actors and he plays the reserved piano player role so well in Green Book, the reason why the film is getting so much attention. Grant also plays an impressive part in Can You Ever Forgive Me that for me actually overshadows McCarthy’s performance.
Best Supporting Actress
Amy Adams, “Vice”
Marina de Tavira, “Roma”
Regina King, “If Beale Street Could Talk”
Emma Stone, “The Favourite”
Rachel Weisz, “The Favourite”
Again, extremely hard to pick. I am a little confused that Amy Adams was nominated for this performance but not for her performance in Arrival??? Marina de Tavira also surprises audiences with her performance in Roma as she highlights the struggles of being a mother. Emma Stone and Rachel Weisz both play incredible roles in The Favourite, both characters that I don’t think I’ll be forgetting anytime soon. Regina King however absolutely shines in If Beale Street Could Talk especially considering she didn’t have that much screen time. She is a very talented actress and it would be incredible to see the award go to a woman of colour.
Best Lead Actor
Christian Bale, “Vice”
Bradley Cooper, “A Star Is Born”
Willem Dafoe, “At Eternity’s Gate”
Rami Malek, “Bohemian Rhapsody”
Viggo Mortensen, “Green Book”
Some incredible performances by actors this year including Viggo Mortensen who plays an Italian American surprisingly well. I was also very impressed by Willem Dafoe in At Eternity’s Gate who brings raw emotion to the character of Van Gogh. Christian Bale, one of my favourite actors did an extraordinary transformation to play the character of Dick Cheney and I won’t be surprised if he takes home the oscar. Rami Malek also had an incredible transformation to play Freddie Mercury and I think it’s safe to say that the oscar will likely go to him. My favourite performance however was by Bradley in A Star is Born. I’ve already talked about how much I love this film and Bradley absolutely shines in it. He plays the musician, the alcoholic and the lover extremely well as he brings so much emotion and this film definitely moved me the most because of his performance.
Best Lead Actress
Yalitza Aparicio, “Roma”
Glenn Close, “The Wife”
Olivia Colman, “The Favourite”
Lady Gaga, “A Star Is Born”
Melissa McCarthy, “Can You Ever Forgive Me?”
I’m sorry I’ve just given up now. There are so many incredible actresses out there and they all deserve the oscar. Yalitza was absolutely incredible in Roma, an outstanding performance that brings so much joy to Mexican people as she gets the praise she deserves. Olivia Colman played an unforgettable role in The Favourite and Melissa McCarthy really surprised me in Can You Ever Forgive Me. The tie for the favourites however (and I’m wondering if there will actually be a tie) is between Glenn Close and Lady Gaga. A Star is Born is one of my favourite films of 2018 and Lady Gaga’s performance was a big reason for this. I was blown away by her acting and never once doubted that Ally was new to the world of music and fame. Glenn Close also impressed me with her performance in The Wife, and as we’ve seen with multiple awards ceremonies already, she is clearly a favourite to win.
Best Director and Best Picture
Best Director
Spike Lee, “BlacKkKlansman”
Pawel Pawlikowski, “Cold War”
Yorgos Lanthimos, “The Favourite”
Alfonso Cuarón, “Roma”
Adam McKay, “Vice”
So many great contenders this year but where the hell are the women??? Although I assume the oscar will go to one of my all time favourite directors (so I’m not complaining) Alfonso Cuarón, I think Spike Lee deserves the award. I’m shocked that this is his first time nominated to be honest. He has such a unique vision and all of his films especially BlacKkKlansman manages to connect comedy with politics to create an outstanding film that makes you both laugh and think. He is an extraordinary director and he really deserves this award.
Best Picture
“Black Panther”
“BlacKkKlansman”
“Bohemian Rhapsody”
“The Favourite”
“Green Book”
“Roma”
“A Star Is Born”
“Vice”
Best picture for me has to BlacKkKlansman. I don’t really understand how Vice and Bohemian Rhapsody are even in this category and although I did like Green Book, it wasn’t exactly a favourite for me. The Favourite was an extremely unique film that merged genres and had powerful performances, stunning costumes and production design and an intriguing story. Roma, who has very high chances of taking home the award was a refreshingly stunning film that highlights a mexican family who often do not get to see themselves represented in Hollywood. The cinematography, production design and sound were particular highlights for me along with Yalitza’s performance. Black Panther, a highly revolutionary film that has literally shaped history, has an outstanding cast, spectacular production design and costumes and a powerful score is an incredible contender for best picture and I would absolutely love if it won the award. A Star is Born, one of my favourite films of the year had so much emotion that it moved and inspired me in a way that Hollywood films don’t really do anymore. The directing, performances, cinematography, editing and of course music makes this film an extremely worthy Best Picture nominee. In the end I chose BlacKkKlansman as my best picture. Spike Lee delivers a unique film based on a true story that manages to balance laughter with shock, fact with fiction to represent both the absurdity and danger of racism in America. It combines extraordinary acting, editing, sound, cinematography and directing to create an extremely moving film that successfully comments of the political climate of America in 2018 and inspires a change. This is something that few Hollywood movies actually succeed in doing, and it should therefore win best picture.
Snubs:
If Beale Street Could Talk / Best Picture
Eighth Grade / Literally every single award
First Man / Best Score
Bradley Cooper / Best Director
Michael B. Jordan / Best Supporting Actor
All of the women directors
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