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#wilhelm grimm
nervouslittlewreck · 1 month
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I was today years old when I realised Reckless' Jacob & Will are Cornelia Funke giving us Jakob & Wilhelm Grimm? As in, the brothers Grimm, authors of multiple folk / fairytales?!
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Gretel & Hansel, 2020
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merp-blerp · 8 months
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So… Rachel Zegler and Snow White… (My Thoughts)
(This is a long ass post, but I wanted to make myself clear)
Disclaimer: I just wanted to express my opinions on the controversy, as the Disney princesses, fairytales/folklore, and their influence on kids and adults is very important to me as someone who grew up with them and wants future generations to as well in the best way possible. My opinions are mine, so I can only speak for myself and my experience with girl-boss-feminism and other related topics. It’s okay if you feel differently and have different experiences than me. I’m not trying to tell anyone how they “should” feel. Just express yourself civilly and do not harass anyone, please.
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Opinions under the cut ↓
If you don’t know the situation, in short, Rachel Zegler, who is cast to play Snow White in Disney’s remake of the animated film has made some statements on the original that have angered fans. Some of these statements include: “I just mean that it’s no longer 1937. We absolutely wrote a Snow White that ... she’s not going to be saved by the prince, and she’s not going to be dreaming about true love…” and “There’s a big emphasis on her love story, with a guy who literally stalks her. Ha, ha—weird! Weird! So we didn’t do that this time!” and “Cast a guy in the movie, Andrew Burnap, great dude. All of Andrew’s scenes could get cut—who knows! It’s Hollywood, Baby!”
I recommend watching the clips of her in these interviews. I can’t possibly give every controversial quote here.
Let me state right out of the gate that I have no issue with a WOC playing Snow at all, as a WOC myself. I’m not here to say she can’t. Yes, the fairytale traditionally states that she’s named after her white skin, but this is an adaptation and things can change in adaptations; they could easily change the reason for her namesake, like maybe she was simply born around winter. Outside of her name, Snow being white doesn’t have much bearing on the story. Even if you want to pull the historical accuracy card, fairytales aren’t meant to be history lessons like that. They’re fantasy, where any kind of reality is possible. Last I checked queens owning literal magic mirrors wasn’t very historically accurate to any place at any time. And of course there are other countries where people of ethnicities other than European ruled.
I also don’t enforce hate or harassment to Zegler for any reason. Just fair, constructive, criticism. I think she’s misguided, and I want to unravel that in this post, but I don’t hate her. I don’t suspect she’s sexist, just mistaken.
The issue many are having with these statements is that Zegler not only comes off as ungrateful to some, but that she disrespects and misrepresents the original movie. I personally don’t agree with her statements. There was nothing wrong with Snow being saved by the prince and he was definitely not stalking her. They had one conversion at the beginning of the film, he exits the film for most of it’s run time, with Snow barely mentioning him outside of the two scenes where she sings “Someday My Prince will Come”, and then he comes back at the end of the film once he hears of her death and kisses her goodbye when he thought she died, only for her to wake up; then she goes to live with him in his (likely metaphorical) castle in the sky on horse back (live with, not marry him, we never actually see them marry if they do). Due to sexism, AFAB people are often shamed for enjoying feminine types of media and activities , such as romance and princesses, so this has led to the “girl-boss” or “not like other girls (NLOG)” mentality in some AFAB people, causing an often aggressive rejection of femininity. This also led to the “Strong Female Character(s)” trope, which often preaches rhetoric similar to Zegler’s statements. Though I’ll of course never know, I suspect this rhetoric could be what’s going on with Zegler to some capacity. She’s somewhat around my age (Zegler’s 22, I’m currently 19, I’ll be 20 in Dec. 2023), so she and I grew up right when this girl-boss rhetoric was becoming popular. Snow is a very traditionally feminine character, so maybe that has made Zegler feel negative towards the character. Maybe—I’m not a Jiminy Cricket inside her head. There’s nothing wrong with wanting a man, you just shouldn’t be co-dependent on one, and Snow was not; as mentioned before, she spends most of the film getting along without him. Snow’s prince, along with most princes from this era of Disney, are more symbols of freedom rather than actual characters by todays standards; this is reflected in the fact they don’t even have names, apart from Prince Philip, who is more of a character. And of course Snow wants love, she has an abusive step-mother, with her biological mother and father out of the picture; the dwarfs and prince (and maybe the huntsman—if you count him) were her only true company. Her only source of love and kindness. I personally see Snow White and the Seven Dwarfs as a story of survival. Snow’s vulnerable, being a princess who’s likely only ever lived in castle walls, and she’s been mistreated by a woman who was supposed to mother her, to the point of her having to run away to live on the woods for safety on a whim (as well as maybe due to her age if you believe she’s 14 years old, but Disney has never confirmed this odd internet rumor, so I don’t personally believe she’s 14—nor her prince being in his 30s—no clue where that comes from). But she adapted by coping with her fear and pain by calming herself by singing and finding refuge in her found family of the dwarfs and animals. She found the love she lacked in her life though the dwarfs and the prince. That’s strength if I’ve ever heard of it! She doesn’t need to be a “Strong Female Character” type to be strong. It’s sexist to imply that femininity equates to weakness. The new Snow White can be strong, but so is the original in her own beautiful way, as well as the other subsequent Disney princesses after her. I find that people who tend to have these sexist takes on the Disney princesses, especially the original three (Snow White, Cinderella, and Aurora), tend to have not seen their films much if at all, and/or have only watched them passively, not truly computing the story because they feel like they know every beat from memory or cultural osmosis. Zegler has admitted to having only watched the film once when she was a little kid, being scared of it, and then only recently watching the film a second time after being cast for the remake.
She also seems to disregard the original film’s importance in history. Snow White as a character was seen as a beacon of hope during war times and the Great Depression. It was one of the first, if not the first feature-length animated film ever. And so much more! There Will Be Fudd has a great video essay on the importance of Snow White and the Seven Dwarfs as a film and also expanded on this topic I’m discussing here (I don’t claim any of this as a purely original opinion, I know many also view Disney Princesses this way, just throughing my own personal tidbit to the conversation). I think Zegler had failed to consider how she subtly insulted women who are more traditionally feminine by speaking of Snow this way, as well as people who enjoy this movie. I know that girl-boss-feminism made me feel really bad about myself as a kid who was naturally a bit more of a classic Disney princesses type of person rather than a kin to the newer Disney princesses that were coming out at the time, like Rapunzel or Anna. I just wasn’t super spunky or outgoing like them (not that they are bad at all—I love them). The Disney princesses have so much variety between them, so any kid is bound to relate to at least one of them a little bit; I should’ve been able to relate to Cinderella or Snow without shame, but the girl-boss rhetoric told me that they were bad and therefore I subconsciously thought I was too since I saw myself in them more. I attempted to force the more feminine traits away from myself and kind of become a blank slate, till i realized in my late teens that I didn’t know who I was. I’m still in the process of reclaiming myself from that phase of my life, trying to remember who I am. I’m not saying every personal issue I have was birthed from girl-boss rhetoric, but it did have an effect early on, and I don’t want anymore people to feel this way. I think Zegler’s statements can be harmful. Girl-boss-feminism is not what people need anymore if it was ever needed at all. We should let every person of every gender live as feminine or as masculine as they please, as long as no one’s harmed. Femininity is beautiful. Masculinity is beautiful. Just don’t be toxic.
Another thing I wanted to mention that I’m surprised I haven’t seen anyone else bring up: the way she spoke about Andrew Burnap, her co-star playing the prince (EDIT: Apparently he’s actually playing a character replacing the prince… okay I guess…?), in one of the quotes I mentioned above, which was pretty bad. Another thing this kind of pseudo-feminism can enforce is putting down men because women are “superior” in someway, because they’re girl-bosses, all in the name of “feminism”. Burnap is just as worthy of having his work get displayed on screen as Zegler is. It would be really unfair if all he’s scenes were cut. It’s very… strange at best that she said that. I don’t think people are in the wrong for being upset at her words and I don’t think people are getting mad at her “over nothing”. It’s something.
[EDIT: I wanted to acknowledge that I am currently aware, and also was when I made this post originally, that other live action Disney Princesses cast members have said similar things akin to Rachel Zegler’s statements before. The reason why I didn’t initially mention it in this post was because I didn’t think it mattered to Zegler’s controversy as it had to do with other films, but after some thinking, I realized it does add some context and it could be debated in this conversation. I also don’t care for those statements for very similar reasons I don’t care for Zegler’s. I think the reason why Zegler’s words are being so scrutinized in comparison to the others is because 1) the pop-feminism movement as a whole being scrutinized in some aspects is something that’s happening only very recently, in the very late 2010s and early 2020s so far. It seemed like this girl-boss stuff really began to be condemned hard around when Mulan (2020) came out, which in part caused that film to flop. Zegler is only the third live action princess to have a film come out in the 2020s, if I’m correct. These ideals weren’t being so criticized when say, Lily James, made her statement(s?) on my favorite princess Cinderella in 2015. Zegler’s just happened to make her comments at the worst time. 2) It could also be the way Zegler’s said her comments. It’s not just the words but the way she said them that rubbed people the wrong way, and maybe that’s not fair, as tone can be very hard to fully decipher in a true way and sometimes your tone doesn’t match how you feel. I don’t agree with the idea that “Rachel HATES Snow White” as some have said, but I see how people think she does based on the really taunting tone of the viral clips, but a few clips don’t paint a full story; she probably doesn’t hate Snow White. 3) It might be racism for some people. A lot of people are upset to see Snow White being played by a WOC, especially since in the standard version of the story it was stated specifically that Snow was white, unlike, for comparison, the The Little Mermaid where Hans Christian Anderson never stated what race the mermaid was. Evil people want to be racist, but not called out as racist, so Zegler’s outdated sentiments gave a very easy scapegoat for hating her and her casting without being overtly racist. If Halle Bailey said something similar to Zegler she might’ve experienced the same hate train as Zegler is, not just because it's a sexist view, but because people also hated seeing her play Ariel as a black woman and wanted to do so openly, but couldn't without showing they're racist and being called out. Not saying every person criticizing Zegler is racist, however. 4) It’s the newest remake and people hate those. I don't think the concept of remaking films is bad at all, as if you don't keep telling stories they die. Many of the fairytales that Disney has adapted like Cinderella, Aladdin, Snow White and more wouldn't have existed in any way if people didn't tell them over and over in different countries and time periods till they were written down over and over. Remaking them over and over is a modern option to do that. Everyone has the right to remake Beauty and the Beast, The Wizard of Oz, etc. if they want to because that’s how stories stay alive for generations to come (and because versions of those particular stories I mention are in the public domain). But the reason Disney’s remaking their films at the moment doesn’t seem to be so they can bring something new to the stories or showcase it to a new generation, but to make money, as a lot of these films have been making bank for some unholy reason. That's why so many of them fall short quality-wise. This is really an overall problem with Hollywood right now and Disney is arguably of how the biggest perpetrators of the issue. We are all overexposed to these low-quality remakes to the point where a lot of people hate the concept of them at all, calling them “unnecessary”, but I personally think this is a bit too pessimistic. The idea of remakes isn't bad, the executions of them are.]
There was also some controversy on the fact that they cut the seven dwarfs from the film; the remake is actually simply called Snow White, not Snow White and the Seven Dwarfs like the original. This was done (allegedly?) to not offend little people. They will be replaced by some magic creatures. Now, I am not a little person, so I can’t decide what’s offensive to little people, but I can repeat what I’ve heard from some little people online who’ve spoken on the topic; I recommend looking up more testimonials from them if you want more opinions from little people. It is very odd that, in order to not offended little people, Disney excluded them from one of the few roles Hollywood would allow them to play. It would’ve been better if they evolved the dwarfs from being mostly comic reliefs to being characters who were treated more like characters, along with hiring actually little people actors and having little people writers in the writers’ room. That is all I’ll say on this topic to the reasons I mentioned before.
It’s worth noting that Zegler has addressed the situation (yes, that link to an ET TikTok vid is the best place I could find it—I guess it’s the original source? If I find a better video I’ll change the link) and I don’t really know how to take it. (EDIT: I've been notified by an anon that this video was actually a response to something else; If so, sorry for the incorrect info. My feelings forward still stand when it comes to the idea of pardoning her actions.) While I understand she’s young and was pushed into notoriety very quickly, I feel like, specifically when it comes to her comments about Burnap, she should know better. You should know at age 22 that comments like that aren’t seen as very appropriate. I suspect Zegler wanted to come off as a down-to-earth and playful, cool girl, and assumed that the girl-boss takes on the Disney princesses from the 2010’s were still popular, not realizing that they’re more often condemned rather than uplifted, and rightfully so. All I know is that will likely be hard for Zegler to come back from this behavior. The internet is pretty hard on people who they see as “mean girls” and other phrases like that, sometimes to a really unwarranted level that leads to things like doxxing and death threats. Zegler doesn’t deserve treatment like that, but she does deserve constructive criticism, as does everyone when they do something that’s arguably wrong.
It’s statements like Zegler’s that are making me somewhat worn-down on Disney, or rather Disney-corporate, as I feel that this pseudo-feminism they’ve sprinkled in some of their modern films has been a problem for a while now. In highsight, I feel like in the early 2010’s Disney could’ve been on their way to another renaissance, with hits like Tangled, Frozen, and Wreck-it Ralph, plus adult interest in Disney sky-rocketing with social media. But the remakes got in the way of that. It doesn’t come off as Disney wanting to retell stories in a new way, but as Disney, due to the cynical takes on their past works from the 2010’s, trying to fix what wasn’t really broken out of almost shame. Like they want to prove a Buzzfead article from 2014 wrong rather than make a good story. They don’t seem to understand that this line of thinking is dangerous and sexist in and of itself. This isn’t an improvement, but a downgrade. You’re supposed to make characters, not walking, talking political statements; you can totally make political statements in film—they’ve always had them—but you need to do it carefully because they’re important topics, especially when you’re including it in media made for a general audience, as it could be someone’s first exposure to the topic and you want it to be correctly done. And you need to make the characters who make or represent these political statements well-rounded or you end up coming off as still offensive, but in a different way. Think about all the Disney original concepts for animated movies based on older fairytales such as Gigantic, Newt, or Hiawatha that were canned, with these often try-hard-y remakes in there places (I know Hiawatha was cancelled decades ago, but I still would’ve preferred Disney revive that in a more culturally sensitive time rather than what they’re doing). With the exception of Cinderella (2015) and maybe The Little Mermaid (2023), I feel like all the remakes are just Disney’s attempt at besting critics who either lacked media literacy or were just critiquing for shits and giggles. Other than the exceptions I mentioned, they all range from not awful but meh (like the 2016 The Jungle Book), to insultingly bad or bland (like the 2020 Mulan or the 2019 The Lion King). Even though this film is still in development and I know I can’t/shouldn’t truly have an opinion on it’s quality yet, I fear it’ll be more a kin to Amazon’s Cinderella rather than a good film. Amazon’s Cinderella had many of the issues with pseudo-feminism Zegler’s statements had. I don’t think this movie will be very good if Zegler’s sentiments reflect how the film’s themes will be. Hopefully I’m wrong, but I’m admittedly not too optimistic.
I don’t think it’s wrong that people care this strongly about Disney and the quality of their films. I’ve seen people ask “Well, when did people start caring about Snow White?” And my answer is that people have always cared, this situation is just making people speak up about it. That’s normal. And saying “It’s just a movie” negates it’s importance to the history of film, not just animation, and it’s role in the lives of people who enjoy it. It might not be important to you, and that’s okay, but it is to other people and you should respect that.
Well, I think that covers my thoughts, If you’re still here, thank you for getting this far. I appreciate that you seemingly care about my opinion that much. I just wanted to get these thoughts off my chest.
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fallingsunbindery · 1 year
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Grimms' Fairy Tales 101,528 words | 276 pages Completed April 28, 2022
How could I make a second volume of fairy tales and not make it a companion piece to my first volume? But because the Grimm brothers' original stories are, well, grim, I used black laval bookcloth to contrast with the red.
The drop capitals at the start of the chapters were a headache because of the letters with long tails, like you can see in the picture. The way to avoid unsightly gaps is to make each letter an image, snap the border to the shape of the letter, and then wrap the text around it. I did not do this because I am lazy.
The other issue was with the ribbon, which is really not meant to be loose like this and therefore tends to fray and bunch up because of the weave. But I forged ahead anyway because it looks so good :)
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movie-titlecards · 2 years
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Schneeweißchen und Rosenrot (1979)
My rating: 6/10
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tiredtales · 2 years
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“Critics have accused Wilhelm Grimm not only of creating a homogenous, stylized language for the tales, but also of introducing messages, motivations, judgments, morals, and other often pedantic touches. A prisoner of his passion for order, logic, and instrumentality, Wilhelm Grimm unfailingly smoothed the rough edges of the tales he heard and read, even as he imbued them with the values and pedagogical demands of his time.”
-Maria Tatar, The Hard Facts of the Grimm’s Fairy Tales
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zagan-akerman · 2 years
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Inktober Día 12 - Froschkönig
Y ella le amó y lo aceptó como compañero, exactamente tal como había deseado el rey. El príncipe le contó que una bruja malvada le había lanzado un maleficio, y que solo ella, la princesa, podía rescatarle del pozo. Es más, le contó que al día siguiente llegaría un carruaje para llevárselos a los dos al reino del príncipe.
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wolfman-al · 2 years
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Monument for the Brothers Grimm on the main square of Hanau.
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blacklilyqueen · 2 years
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Wann hear a story about one of the Brothers Grimm (you know those who collected and wrote down all those fairytales) procrastinating to return a book he borrowed and making up weird excuses for it and an extremely related quote?
I'm taking a class about Georg Kloß (1787-1854) this year. He was a German doctor and historian, but he is mostly known for his large collection of books. In this class we're looking at letters Kloß wrote to other people about those books and their responses. The last letters we looked at were between Georg Kloß and Wilhelm Grimm. Kloß basically borrowed a book to Grimm over a year ago, so that Grimm could copy it and then return it to Kloß. Kloß then wrote Grimm to ask if he's finally done.
But Grimm basically wanted to keep the book and wasn't really intending to give it back and made up some excuses. One of thise excuses being that he didn't trust the post and therefore didn't want to send it back because he was afraid it would get lost.
He also answered Kloß's question about if he finished copying the book yet by saying.
"I finished some part of the work and still got a lot ahead of me." ("Ich habe manche Zwischenarbeit vollendet und noch einige vor mir.")
I just have to say Wilhelm Grimm procrastinating and working extra slow just so that he doesn't have to return a book is a mood.
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banned-books-daily · 8 hours
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Banned Book: Grimm’s Fairy Tales
Intro: Grimm’s Fairy Tales, by Wilhelm and Jacob Grimm  in 1812. Banned across European and American school campuses for violence, sexism, and apparent anti-semeticism. Challenged in many religiously-leaning communities for references to magic and witchcraft.
Major Plot Points/Topics in Book: It is not as easy to differentiate topics and plot points in this book, due to the nature of its writing being a collection of smaller stories and not a single plot line. As for the authors, The Brothers Grimm, Jacob Grimm and Wilhelm Grimm, were German academics, cultural researchers, linguists, lexicographers, folklore collectors and writers. They established a methodology for collecting and recording folk stories that became the foundation for folklore studies.
Brief Synopsis:A collection of German folktales, translated into over 70 languages since it’s original publishing in the early 19th century.
Trigger Warnings: -Violence -Sexism -Ant-semeticism -Blackmail
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A sunny, lazy day in Hanau😎
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Marketplace (with market on every Saturday) and town hall (in the typical red stone of the region) in Hanau.
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Brothers Grimm Monument – ​​the Brothers Grimm were born in Hanau and it looks like they are watching the happenings on the square.
„A good friend doesn't let you do stupid things ...alone.“
-Jakob & Wilhelm Grimm, Grimm‘s Fairy Tales
Comment: The Brothers Grimm began collecting children's and domestic fairy tales in 1806. They were fancies which came from their circle of friends and from literary works.
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bauerntanz · 6 months
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Grimms sämtliche Werke - leicht gekürzt
Grimms sämtliche Werke - leicht gekürzt. Ein Märchen für Erwachsene von Michael Ehnert #Meppen - Theater, Heute, Freitag, 10. November  -  20 Uhr, Karten ab 20 Euro
Grimms sämtliche Werke – leicht gekürzt Ein Märchen für Erwachsene von Michael Ehnert Meppen – Theater, Theaterplatz 1, Aula Heute, Freitag, 10. November  –  20 Uhr Karten ab 20 € – Abendkasse und online Die „Kinder und Hausmärchen“ der Brüder Grimm sind ein deutscher Bestseller, der in mehr als 100 Sprachen übersetzt und öfter verkauft wurde als die Luther-Bibel. Man kann also davon ausgehen,…
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Blancanieves, 2012
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noteverticali · 11 months
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I raccontastorie: Nicholas Jubber gioca con gli autori di fiabe
“Un viaggio nella storia segreta delle fiabe e dei loro autori” è il sottotitolo de I raccontastorie, il romanzo dello scrittore inglese Nicholas Jubber, in cui gli autori delle fiabe divenute leggendarie con l’incipit “C’era una volta” non passano in secondo piano rispetto alle stesse. La forza del romanzo, edito da Bompiani e tradotto da Andrea Asioli è anche quella di ricordare ad alcuni, o…
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