#willy harlander

[rwpohl]

lady dracula, franz josef gottlieb 1977

[nekromantiiks]

yeah...

[badmovieihave]

Bad movie I have The Whole Nine Yards 2000

[addictedgallery]

Let us get #INYAFACE with our Guest Curation on Printed Editions

Thanks to the team for giving us the opportunity!

[insidecroydon]

Parish's dynasty of vergers caring for Croydon for 100 years

Family service: two generations of the Butler family helped run Croydon Parish Church, now Croydon Minster, for most of the 20th Century SUNDAY SUPPLEMENT: In another discovery from the Croydon Minster archive, DAVID MORGAN has found the first-hand account of one of the church’s most senior lay officials which covers much of the history of the 20th Century When Frank Butler retired from his post…

[extraordinarymen2]

Willy Harlander (1931-2000), gorgeous German actor 🔥🔥

[eucmh]

B17G #4297904 Lady Jeannette - B24J #4251226 I Walk Alone (1944) (Part One)

(Document Source:) This is the ultimate and improved version of this archive by Willis 'Sam' S. Cole and Doc Snafu. This is not just a simple republishing. A series of articles laying out the true events behind the crash of the Gott & Metzger B-17G and the creation of my best seller book The Best Kept Secret Of World War Two published a couple of years ago and still available on Amazon. I think it is also interesting to let you know that I have published a second book, also available on Amazon under the title Why We Killed Patton because he had stated that he was going to quit the Army and then, he was going to destroy those bastards who were going to destroy him! In December 1945, when it became known that Gen George S. Patton had told his staff he was quitting the Army so he could speak freely and after the New Year 1946, he was going to tell the American public the truth about what those who were attempting to destroy him had done. He was positive, once that truth was known, he could live freely and it was their careers that would be destroyed. A series of day-by-day articles beginning on Nov 9, 2015, which was the 71st anniversary of the crash of the Lady Jeannette, B-17G, SN: 42-97904. I will describe the shooting down and the crash of two American bombers in France. One was the B-17G #42-97904 (Lady Jeannette), and the other, was B-24J SN:42-51226 (I Walk Alone) which was flying a top-secret night mission while attached to the 100th Group Royal Air Force. The B-24J also crashed in France, early on the morning of Nov 10, 1944, 138 miles from the crash site of the Lady Jeanette. CREW MEMBERS #42-97904 2/Lt Joseph F. Harms (Bombardier) 729th Bomber Squadron - 452nd Bomber Group Eight Army Air Force (Heavy) Air Medal, Purple Heart T/Sgt Russell W. Gustafson (Flight Engineer) 729th Bomber Squadron - 452nd Bomber Group Eight Army Air Force (Heavy) Air Medal, Purple Heart 1/Lt Daniel J. Gott (Pilot) 729th Bomber Squadron - 452nd Bomber Group Eight Army Air Force (Heavy) Medal of Honor, Air Medal, Purple Heart 2/Lt William E. Metzger Jr (Copilot) 729th Bomber Squadron - 452nd Bomber Group Eight Army Air Force (Heavy) Medal of Honor, Air Medal, Purple Heart 2/Lt John A. Harland (Navigator) 729th Bomber Squadron - 452nd Bomber Group Eight Army Air Force (Heavy) Air Medal, Purple Heart T/Sgt Robert A. Dunlap (Radio Operator) 729th Bomber Squadron - 452nd Bomber Group Eight Army Air Force (Heavy) Air Medal + 2 Oak Leaf Clusters, Purple Heart S/Sgt James O. Fross (Belly Gunner) 729th Bomber Squadron - 452nd Bomber Group Eight Army Air Force (Heavy) Air Medal, Purple Heart S/Sgt William R. Robbins (Gunner) 729th Bomber Squadron - 452nd Bomber Group Eight Army Air Force (Heavy) Air Medal S/Sgt Herman B. Krimminger (Tail Gunner) 729th Bomber Squadron - 452nd Bomber Group Eight Army Air Force (Heavy) Air Medal, Purple Heart

The crew of the #42-97904, B-17G, Lady Jeannette arrived in England on D-Day (Jun 6, 1944). As a replacement crew, the men were assigned to the 452nd Bomb Group, 729th Bomber Squadron (Eight Air Force) until their last mission over Saarbrucken (Germany), then the crash in Hattonville (France), November 9, 1944. On November 9, 1944, the 452nd Bomber Group, was assigned a support mission ahead of Patton’s 3rd Army in the Army's new push into Germany. The day’s targets were located along the German border in the area opposite the region of Metz–Thionville (France). One of their B-17G bombers was the Lady Jeannette, piloted by 1/Lt Donald J. Gott.

The 452nd Heavy Bombardment Group (USAAF)(45th Combat Wing) was activated on Jun 1, 1943, at Geiger Field (Washington). The group was immediately sorted into four squadrons: 728th Bomber Squadron, 729th Bomber Squadron, 730th Bomber Squadron, and 731st Bomber Squadron while the Cadre formation took place at Salt Lake City Army Base. During training, the troops would be sent to various locations, including Ephrata, Walla Walla, and Moses Lake (Washington); Rapid City (South Dakota); Lincoln (Nebraska) Grand Island (Nebraska); Sioux City (Iowa); Wilmington (North Carolina); Shaw Field (South Carolina); Oklahoma City (Oklahoma); Pendleton Field (Oregon); Redmond (Oregon); Peyote (Texas); and Great Falls (Montana). They would become one of twenty-four B-17 Heavy Bomber Groups in England. On Jan 2, 1944, the 1st wave of the 452-BG's troops embarked from Camp Shanks (New York), many on the RMS Queen Elizabeth liner, arriving in Scotland on January 8. The servicemen experienced cramped quarters, taking turns on deck, and eating meals twice a day. Many flight crews assigned to Station 142 started their journey in a B-17 via Newfoundland and Labrador. The troops spent a month getting used to the British weather, attended classes, and received tips on how to operate their 'Stove Pipe' heaters, and warm beer. Although the 452-BG arrived late in the war, it proved critical timing. On February 5, 1944, the 1st mission was flown, target Romilly (France). After take-off from Deopharm Green (UK-AFB-15), the Group joined the mission stream and crossed the English Channel into France. Over the Channel, each of the gunners tested his weapon and the bomb bay doors were opened to verify if they were operating properly. Their bomb load that day was eight 500-pound bombs in the bomb bay and two 1000-pound bombs, one under each wing. As they approached the IP (Initial Point) of the Primary Target, the Group in front sheared off and went toward the IP of their Secondary Target, the marshaling yards at Saarbrücken (Germany), just across the German border. The mission plan varied little, except they would fly south toward the new target, drop their bombs, and circle around to the east to begin their flight back to base.

As they left their Secondary Target IP, they opened the bomb bay doors and went on automatic pilot under the control of the bombardier. Unable to change altitude or position, the crews felt most vulnerable as they approached the black clouds of exploding FLAK (Fliegerabwehrkanonen – Antiaircraft Artillery) in front of them. As they approached their Secondary Target, the pilots sat with their hands lightly on the controls as the controls moved automatically by the automatic pilot, ready to take over, if necessary. Each man, in his position, followed the routine of their previous missions, except for the co-pilot, 2/Lt William E. Metzger Jr, who was on his second mission with the Gott crew to obtain combat experience, and the bombardier, 2/Lt Harms, who also was on his

second mission, as a fill-in for the normal Gott crew bombardier, who failed to report for the mission. Each of the gunners scanned the sky for any approaching German fighter, however, their minds were on the bank of exploding German FLAK staining the sky ahead. In their previous 27 missions, the crew had never seen a single German fighter, however, at every target they had seen other B-17s going down and crashing due to FLAK. All they could do was hope that Lady Luck would be with them again. In another B-17, in the formation behind them, 2/Lt Collins, their normal copilot was flying with Lt Metzger’s normal crew, to give them a battle-experienced pilot during their first missions. Lt Collins was watching the Group approach the FLAK cloud and suddenly, he saw a FLAK burst on the right wing of the Lady Jeannette.

Immediately, it began to move around, as the pilots attempted to regain control. Aboard the bomber, each of the crew experienced the FLAK burst differently. The pilots immediately tightened their hands on the controls, as the plane began to pitch up on the right side, due to the explosion. The men in the nose, Lt Harms, bombardier, and Lt Harland, navigator, were shaken in their seats and turned to see if they could find out what had happened. The intercom was suddenly full of everyone talking at once, asking what had happened or reporting what they had seen. In the rear, the tail gunner, S/Sgt Krimminger, was badly shaken as the tail whipped back and forth and suddenly, he saw a stream of fire to his left. The waist gunner, S/Sgt Robbins, was thrown to the floor and was getting back up to find out what had happened. The radio operator, T/Sgt Robert A. Dunlap, could not see what had happened, but he had his right hand at his radio controls, in order to broadcast what the pilot might order. In the top turret, the flight engineer and gunner, T/Sgt Gustafson, looked to his right to see what had happened and was astonished to see the number four engine, the outboard engine on the right wing was missing. He had seen B-17s that had returned with engines missing, but the engine mount and cowl back to the wing were still there. Their engine, its mount, and the engine cowling were gone all the way back to the wing, leaving a large hole in the leading edge of the wing. He also saw a large fire flowing back into the slipstream and at first, he expected to see the wing was melting and they would crash, but taking a second look, he realized the engine had been blown down and off the wing, taking the fuel line with it, until it broke and the escaping fuel caught fire. Fortunately, the fire was below the wing and it was no immediate threat to the bomber. Gustafson attempted to contact the pilots via the intercom to find it was not working, so he swiveled around to be able to get off his turret seat and tell the pilots the fire was not going to make them crash. As he put his weight on his right foot, suddenly there was another loud FLAK explosion. A fragment of the shell, which had exploded under the numbers 2 and 1 engines, on the left wing, broke through the fuselage, cutting the bomb bay controls, and slicing through Gustafson’s leg, just above the ankle, cutting out an inch and a half of his leg bone. It then broke into the hydraulic oil tank behind the copilot, allowing the hydraulic oil to flow down and over the flight engineer’s parachute.

The belly turret gunner, S/Sgt Fross, had been looking ahead in order to count the bombs as they fell, so the bombardier would know all the bombs had cleared and the bomb bay doors could be closed when the Flak shell burst within 15 feet of his turret. He was badly shaken, and small fragments of the shell had broken through the turret and embedded in his skull. However, his training kicked in and he began to turn the turret to a position where he could climb up to the waist. In the radio compartment, a fragment of the German 88 AAA shell, flew up through the floor and struck Dunlap’s left thigh. It continued up through the radio operator’s table and through Dunlap’s right arm, just above the wrist, almost cutting his hand away from the lower arm, leaving it hanging by sinew and muscle. In the rear, Krimminger had released his seat belt and was making his way to the tail gunner escape hatch, when a third Flak shell burst occurred. As soon as the second shell burst, a fragment killed the number one engine, leaving its propeller blade in the flight position, causing a great drag. In addition, another fragment or two flew up into the number two engine, where they blew the cylinder head off two or more cylinders. This allowed engine oil to flow out and turn into smoke that flowed back along the slipstream. At the same time, the engine lost its ability to provide full power and this left the bomber with only two working engines, the number three, inside, engine on the right wing was undamaged, and the damaged number two, inside, engine on the left wing. The sudden change in power and the Flak explosions caused the B-17 to dive out of the formation. Lt Collins saw his crew’s bomber begin to spiral down and out of the formation and to him and all those who were watching, it was going to crash from the damage they could see. There was a large flame streaming back behind the right wing and heavy smoke was flowing from the left wing these men had seen other bombers, with much less damage fail to regain control. Collins called the navigator and told him to mark the position where the Lady Jeannette had been seen and then, he and the pilot began to tighten up the formation. As another B-17 closed into the same position the Lady Jeannette had been in, that B-17 was also hit by Flak, killing one engine. It did manage to maintain formation long enough to drop its bombs and turn with the formation to circle to the east, as they began their western return to their base. This B-17 left the formation and parachutes were seen, as it dove to the earth. Along the same route, a third B-17 that had been less damaged by the Flak over Saarbrucken also crashed.

As the Group continued on its bomb run, aboard the Lady Jeannette, the pilot, and copilot struggled with the controls. Sitting on the deck behind them, in agony, Gustafson thought, they were going to crash. However, they were an excellent team and as they dropped in altitude the wings gripped the heavier air and the control panels, allowing the spiraling dive to end. Due to the large hole in the right wing, the number three engine had to be sped up to emergency RPMS to balance the hole. The left wing’s un-feathered numbered one engine props created a great drag that almost overcame the pull the damaged number two engine could provide. The damage was extensive. From both Flak explosions, the bomb bay doors were open, the two outside bombs and the eight bombs in the bomb bay were still aboard and all they had was one and a half working engines to keep the plane above stall speed, so they could keep flying. As control was being obtained, the navigator dropped the nose escape hatch and the bombardier went up the crawlway to the cockpit to see if he could help. By this time, Gustafson had pulled on the sleeve of the copilot to let him know that he was wounded and he had gotten one morphine shot out of the first aid kit and was attempting to inject it. The bombardier realized his problem and helped him open his pants to inject the morphine into his leg. Having realized, when he tried an emergency bomb drop, that the system was no longer working, he moved past the flight engineer and hand-dropped the large bombs under each wing. Then, he went into the bomb bay to try to manually drop the bombs. Realizing this, he tried to kick the bombs out, but their shackles had jammed, so he went back into the radio compartment, as the pilot had requested, to find out the condition of the men in the back. In the waist, S/Sgt Robbins had just gotten to the belly turret to help S/Sgt Fross get out when the second Flak burst took place. He held on, as the plane went through a violent shaking and he felt the plane begin a dive which made him think it might crash. As it settled down, he looked down the fuselage and saw Sgt Krimminger crawling out of the tunnel to the tail with his bell badly ringing and he looked very shaken up. Immediately, Robbins opened the turret hatch and helped Fross climb out. Fross looked and acted like his bell had also been rung and he was hardly able to talk. Realizing he had not seen Dunlap, Robbins told the two to go to the waist escape hatch and prepare to bail out, as he turned and opened the door between the waist and the radio compartment. He was shocked, as he saw blood spattered all around the compartment and Dunlap was collapsing onto the deck. Then, he saw that Dunlap’s hand was hanging by shreds of muscle and skin and blood was squirting out with each beat of Dunlap’s heart. Robbins immediately knelt down to help Dunlap and at the same time, he saw the door from the bomb bay to the radio compartment open and an officer that he had never seen came into the compartment and knelt down to help. Between them, they got a tourniquet on Dunlap’s arm and used a bandage to hold his severed hand to the stump of his right arm with the hope it could be sewn back on and saved. It was obvious, that Dunlap had lost a lot of blood. He must have tried to get up and get help, then spun around several times before falling to the deck. Read the full article

[wwwrecktagle]

real artist name list of names

JACKIE RUSSELL SAMMIE PORFIRIO TREY ROBT AUGUSTUS ODIS SHAYNE LUIS CHADWICK FABIAN TUAN RON ARMANDO JUDSON FERMIN CARTER PAT GABRIEL BRYCE FREDRIC DERICK EARL NATHANIEL JOHNSON FOREST ARIEL IKE SYDNEY LONNIE LESLIE ROOSEVELT JEFFEREY BRENDON LIONEL GAIL WERNER DOMINICK NORBERT ELISHA REINALDO RICKIE ANTIONE JERRELL NORBERTO THANH MICHAL AVERY DUSTIN CLEO RUBEN SHANNON TRENTON LESTER ROBIN WILEY CLEMENTE WILFREDO HAYWOOD COLE HUNG GIL VAL TAYLOR TONEY GARY MAURICE LUCIANO ZACHARIAH JACKSON JAN RANDOLPH ROY NEWTON XAVIER DONTE LEONARD LYMAN ROBBIE WILTON STEPHEN ROGELIO JOSH ROBERTO GONZALO ROYAL ELOY WILBURN MONROE MERLE TRINIDAD RODERICK COLEMAN JACINTO MARCEL SHAUN ISSAC TRISTAN EDUARDO PIERRE DALE JAVIER KENNY MARTY LUCAS SHERWOOD RICKY SANTOS PABLO JERROD RAFAEL CORNELIUS DEWITT KEITH BENNETT AMADO JOESPH NORMAN WESTON GEORGE CLIFFORD ODELL BARTON STEWART ROLAND VON CURT WILLIS SAMMY EMMETT CHET LUCIUS DEL COY AUGUST ETHAN HONG JAMISON KELLY MILFORD RHETT MARCOS MARLON FLOYD EVAN KASEY ALAN DANNY HARLAND DILLON ANDREA BENNY WARREN JEROLD ALFONSO QUINCY JEROME CARROLL KORY BRODERICK FRANKIE JAKE AHMAD SID JUSTIN TRUMAN NORMAND ENRIQUE KIRBY FELIPE HIPOLITO SHAD OTIS HOSEA ADAN SHAWN OLLIE ALPHONSE ALLAN GAVIN ANTOINE CONRAD NESTOR JAMIE CLEVELAND EZEKIEL JARED PASQUALE JASPER ELROY SAMUAL CHAUNCEY DARRICK TONY WILFRED JED HOBERT COLIN LAVERNE JORGE JOHNIE VALENTIN HERMAN NATHAN TRACEY TYRELL BUFORD HORACE THURMAN DALTON MARVIN SYLVESTER LANDON LEWIS BRANDON VINCENZO DANILO IAN TIMMY REUBEN RENATO CHONG MINH MYRON TYREE MCKINLEY MYLES CORY ANTHONY ANDRE TORY RAY RANDELL THERON JONAS DONNIE ELLIS JAIME GILBERTO BERT MOSE ADRIAN VERNON DOYLE GARRET GUS REYES EARLE DOMENIC HECTOR RONNY DARELL MATT ERVIN OLEN DINO HAYDEN ROD MICHEAL DAREN HUGO CHRIS LESLEY IVORY MARQUIS SALVATORE DEMARCUS BENEDICT WADE MAURO JARRETT CORTEZ TOMMY CHRISTOPHER RICKEY HARRY RYAN TIM ALFONZO DEXTER TED DOMINIC ZACHERY LEONARDO MARCELLUS LOU MICAH BUDDY CARMINE VITO GEOFFREY ALBERTO DARREN NED EDWARD ERNEST CHUNG NEIL BRAD CLETUS OLIN DARWIN ADOLPH JONATHAN DORSEY OTHA RICK THADDEUS LINCOLN DWIGHT ALEXIS JIM HOWARD MITCHEL EZRA GLEN JAMAL DAVID GRANVILLE JEAN WALTON WILSON ALFREDO CHESTER ELIAS IRWIN LES ANTONE KEVIN SCOT JOHNNIE TANNER PERRY ALVIN LAMAR GERMAN KAREEM ROMEO KELVIN LORENZO FIDEL MERLIN JOSEF SALVADOR CRAIG JOHNATHON SOLOMON CHANCE LINO MAC CORNELL RUDOLPH HOMER DANIAL NAPOLEON ROLF AGUSTIN RANDAL ROMAN LANE VICTOR GERARDO ELMO TRAVIS TOBY HYMAN ANTON AARON FRITZ JOE JIMMIE DUDLEY ALEC PRINCE COURTNEY CARLO REFUGIO DOUGLAS ERNIE JAMAAL HOLLIS DONG HERSCHEL DOMINGO BRYAN DREW DERRICK VINCENT KENDRICK SERGIO SUNG CLINTON CHARLES EDDIE PAUL MORTON ARLEN SAUL JOSPEH RALPH IVAN DANIEL VALENTINE DAN TY DALLAS ARCHIE BARRY MATTHEW OSVALDO ROYCE ALVARO TOD RAPHAEL REX GERARD WALTER ISIDRO CLINT HOYT DOUG GORDON LEONEL SEYMOUR ROSCOE BORIS LUTHER CODY ANDREAS KIETH FORREST QUENTIN JULES DUSTY WILL LINWOOD LAWRENCE LEIGH STEPHAN GRADY CLIFF HUEY SANTIAGO BRUCE SCOTTY GAYLE RAMON DEON CESAR ANDERSON SAM BRENDAN JEREMY JUNIOR ERWIN MARK LAVERN WAYNE WHITNEY WAYLON HAL ALDO WILLY ORVILLE MASON FREDERIC MONTY LUPE RAUL RANDALL TITUS ULYSSES NICK DEWEY ERIN ISIAH NOAH TERRENCE JERROLD CARL JOSEPH PETE OWEN BARNEY RILEY JESSE FRANCIS TAD ELISEO THOMAS HOUSTON ALLEN BRADY VANCE ANGELO ARTHUR JOSE HARRISON OMAR MITCHELL LOWELL MARGARITO CLYDE KEVEN STEVE ELI BRIAN PERCY DONNELL LEON DAVIS MODESTO RIGOBERTO RUBIN FELTON BERNARD TRENT LYNDON OSWALDO CHARLEY ELLIOT MIGUEL VINCE DIRK AURELIO KEN VICENTE GERALDO MERRILL DEVON WESLEY SHANE MIKE BROCK JOAN HORACIO ERICH JEFF LUCIO MARCELINO BLAKE SILAS DENNIS EDWARDO PALMER ISREAL KRIS BENJAMIN GASTON CRUZ JARRED ROLANDO DEREK MARCO EZEQUIEL MERVIN KURT FELIX LACY ROLLAND DENNY EMANUEL BOB JUAN DESMOND MOHAMMED ALEX CARROL GENARO JAYSON BURL WILBUR IGNACIO ALEJANDRO JAROD NEAL KIM JOSUE BEAU REYNALDO MILO GRAIG LOUIS DUNCAN RUDOLF EMERSON JOEL KIRK WINSTON LENNY STUART HANS ANTONIO LUCIEN EFREN HERB OLIVER ARTURO ABRAM BURT DARRELL FERNANDO GROVER JOHNNY GRANT DANE DARYL JEREMIAH JAMEY SHELBY KENETH RUFUS

CLAY DONOVAN LEANDRO JERE WINFORD GUILLERMO FREDRICK RONALD RODOLFO PHILLIP EUGENIO HARLEY NOE GALEN JAY CLEMENT HILTON CLAUD WILLIAM BOYD ERIK KARL GALE HERBERT GREG DAMION EVERETTE EARNEST SCOTTIE HAROLD BRITT MARKUS WILFORD CLAIR NOBLE TERRY EDMOND DAMIEN VAN FREDERICK ELTON BYRON VAUGHN ANTWAN FEDERICO JEFFERY KYLE EUGENE CAMERON CYRIL ISRAEL ALPHONSO ELIJAH ISAAC ALONSO BOBBIE MILAN MAX JESS BUCK BOOKER SHELTON BERNARDO JODY JOHNATHAN KENT BRUNO GENE MARSHALL GARRY PETER JAMES GARLAND PEDRO ZACKARY JEFFREY KRISTOFER RUSTY ROSENDO MOHAMMAD FLORENTINO JERALD RAYMUNDO AUBREY CALEB DAVE TOMAS ROGER NOLAN EDMUND MAYNARD JOSHUA DELBERT LINDSAY OREN WILLIAN ELLSWORTH CONNIE YOUNG CLARK DEANGELO FREDDY MAJOR GUSTAVO IRA FLETCHER LOYD STEVIE CLAUDE TYLER JESSIE MANUEL WARD EDGARDO BRANDEN EMMITT PARKER RODRICK ROBERT ANDY MAXWELL WILLIAMS MARLIN WILMER MILTON BENITO ERROL CHASE ROSS GERALD DICK RALEIGH MACK RICO DARRON ELVIS FRANKLYN LLOYD NEVILLE MICHALE JAME MAURICIO BOBBY DEWAYNE KENNETH SANDY BERNIE DARNELL IRVIN BILL STEFAN LINDSEY BILLIE FRANCISCO EDGAR RUEBEN ZACK JEWELL BRADLEY HILARIO CHAS LANNY TYSON HIRAM RODNEY MARCELO RICHARD MOHAMED COLBY SEAN ARNOLD SETH JEFFRY DOMINIQUE CHAD ARNOLDO DANA ERIC ESTEBAN RUDY SHON STACEY TOBIAS TODD CLAYTON ABEL GUY DARRIN BRENTON JUDE EDWIN CALVIN MALCOM ARDEN BERTRAM COLLIN WYATT LON DEANDRE BEN KRAIG CLARENCE FAUSTO GILBERT DIEGO STANLEY EDDY ROCKY DOUGLASS DESHAWN DENIS AL FRANK SANTO CURTIS CRISTOPHER LYLE JULIUS RICH JESUS DARREL DWAYNE NIGEL ISMAEL ELBERT ABRAHAM FRANKLIN DARRYL REY FOSTER CARLOS KRISTOPHER GAYLORD PRESTON WELDON ANDREW STERLING PORTER LARRY SANG GARRETT EMIL TOMMIE EMILE ELDEN DANNIE DONNY ENOCH BRADFORD RAYMON ALTON RORY TERRANCE HENRY LAMONT RAYFORD AUGUSTINE OTTO BRENT JACK GINO PHILIP MARC ALFRED FRANCESCO DELMAR RUSS VIRGIL LAZARO DWAIN PATRICIA DARIUS EDISON ADAM HANK ANTONIA MAXIMO MALIK NORRIS JOSIAH GREGORY MILES SAMUEL EMORY THEODORE NATHANIAL PHIL GREGG MITCH AUSTIN VERN MONTE WENDELL TEDDY JERMAINE KIP CASEY JONAH LONG BLAINE ELVIN JIMMY CYRUS ISAIAS KENNITH RENE KERMIT BO FREEMAN JARROD GRAHAM LEOPOLDO ZANE PARIS JERRY MIKEL MOSES LENARD JARVIS LELAND REGGIE JASON DAMON DEVIN SIMON GARFIELD LYNWOOD OMER BRICE ARRON GUADALUPE MARIANO YONG TYRON KELLEY STANTON NUMBERS LYNN ASA TERRELL GERRY ADOLFO ANIBAL BURTON NOEL GARTH MAN DENVER ALEXANDER JONATHON ANGEL JAE WALDO DION FLORENCIO DYLAN LEMUEL HAI DONALD BRYANT KURTIS MORRIS BRET DUANE ELWOOD BRAIN CHANG ARNULFO STEVEN FRED JULIAN WALKER HARRIS JOAQUIN ABDUL BENTON ADALBERTO RASHAD ZACHARY COLTON JACOB ELDRIDGE LEIF NELSON ARLIE FERDINAND BOYCE HUGH CLAUDIO DELMER GIOVANNI MANUAL KEENAN GIUSEPPE LONNY JAMAR FREDDIE JEROMY DEAN HASSAN WOODROW BUSTER MARTIN WILLARD ABE RAMIRO LAUREN WILLIE BRYON MARION MATHEW MOSHE EDMUNDO JC BARRETT JORDAN MICKEY MEL WILBERT DARON SIDNEY RUPERT ROCCO JEWEL BERRY MORGAN AHMED LUIGI AMOS HUNTER ERASMO CLIFTON DARIN ERNESTO MICHAEL KENDALL RODRIGO KERRY HERSHEL CHUCK THAD CAREY TOM CHI BRANT STACY QUINTON RUSSEL ASHLEY FILIBERTO MARIO DANTE TREVOR SAL GLENN COLUMBUS HEATH HARLAN EMMANUEL RANDY BILLY MURRAY FAUSTINO HERIBERTO LEO BRETT EMERY MARCUS NICKY ELMER BENNIE TERENCE AMBROSE TIMOTHY SHERMAN ROB IRVING RONNIE CAROL ARMAND CHRISTIAN JOEY NICKOLAS CARMELO GREGORIO DARIO ALDEN DAMIAN ANTONY CHRISTOPER JOHN SANFORD JAMEL WARNER COREY DONN LANCE MICHEL BASIL JEFFERSON RODGER WALLACE LOREN BRADLY JORDON STAN MARIA MELVIN BART DEE ORVAL VIRGILIO RENALDO OCTAVIO KING CEDRICK LOUIE LAURENCE CEDRIC ROSARIO EVERETT OSCAR REGINALD TRACY EUSEBIO JULIO ALBERT ARON FRANCES THEO TYRONE WILBER MALCOLM CARMEN BLAIR ELLIOTT RICARDO LAWERENCE ALONZO ERICK QUINTIN KOREY ALVA LEN CRISTOBAL NICOLAS REID WINFRED QUINN DORIAN ORLANDO BROOKS TROY WES HARVEY REED NICHOLAS LEVI TEODORO CARLTON HUBERT CORDELL ED CARY ISAIAH SHELDON EFRAIN KENTON MARY STANFORD WRECKTANGLE JACQUES SEBASTIAN HUMBERTO MILLARD ART SHIRLEY JERAMY ANDRES ELDON MIQUEL ALI LUKE LOGAN SONNY CECIL WALLY EMILIO SOL JON SPENCER RAYMOND SON SCOTT DON LEE PATRICK CARSON MOISES CHARLIE RICHIE NATHANAEL DEMETRIUS

LEROY WM ROBBY BUD

[kwebtv]

Alarm in den Bergen  -  ZDF   -  February 15, 1965 - May 24, 1965

Adventure (13 episodes)

Running Time:  30 minutes

Stars:

Armin Dahlen as Hans Maussner

Gerhart Lippert as Toni Kaiser

Sascha Hehn as Christian Maussner

Lotte Ledl as Anna Maussner

Willy Schäfer as Kriminalbeamter Maier (Criminal Officer)

Willy Harlander as Kriminalassistent (Crime Assistant)

Günter Clemens as Skiläufer  (Skier)

Thomas Alder as Loisl Mehrlinger

Theo Frisch-Gerlach as Kommissar

[tfc2211]

01 - Louise (My Cajun Woman)  - Bubba Fowler 02 - Rock and Raunch - James Burton 03 - Lay Back - Curt Johnson 04 - Soul And Wine - Danny James 05 - In A Moment Of Weakness - Johnny Adams 06 - The 'Ella B' - The Amazing Rhythm Aces 07 - Harland County - Jim Ford 08 - Spiders and Snakes - Jim Stafford 09 - Willie Was A Honkie - Rob Galbraith 10 - I'm Movin' On - John Kay 11 - Gotta Travel On - Bob Dylan 12 - Short End of the Stick - Donnie Fritts 13 - Ko-Ko Joe  - Jerry Reed 14 - Muscle Shoals - Donnie Fritts 15 - First Anniversary Cut  - The Artie Cornfield Three 16 - Everybody's - Paul Slade 17 - The Son Of Hickory Holler Tramp - O.C. Smith 18 - Time And Changes - Brewer And Shipley 19 - Shootout on the Plantation - Vicki Britton 20 - Life's Little Up's And Downs  - Country Coalition 21 - Lars Gunnar And Me  - Lee Hazelwood 22 - I Still Wanna Be Your Man - Eddie Hinton 23 - Bone - Chris Gantry 24 - The Harvest - Bob Darin 25 - I Got  - Charlie Brown 26 - Burned  - Supa 27 - Fuzzy Was An Outlaw - David Allan Coe 28 - Sligo - Trip In The Country  - Area Code 615 29 - All Night Feeling - Wayne Carson 30 - Wanderin' Soul  - Gary Atkinson 31 - Ain't No More Cane  - Delbert McClinton 32 - Love And Little Joe - Lee Conway

[nekromantiiks]

God bless mods.

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[incarnationsf]

Date & Time: Saturday June 22, 7:30  p.m. Venue: Incarnation Episcopal Church, 1750 29th Avenue, San Francisco Tickets: $20 General, $15 Seniors/Students

Eventbrite Ticketing:     Buy tickets online

Ben Rosenblum Jazz Trio

Ben Rosenblum – piano/accordion Greg Feingold – bass Ben Zweig – drum

Award-winning jazz pianist, composer and accordionist Ben Rosenblum has been described as “mature beyond his years,” (Jon Neudorf, Sea of Tranquility), and as an “impressive talent” (C. Michael Bailey, All About Jazz), who “caresses [the music] with the reverence it merits” (Bob Doerschuk, Downbeat Magazine). Ben is based primarily in New York City, and is a graduate of the Columbia-Juilliard program (in 2016). His original music combines his extensive knowledge of the history of jazz with a free-wheeling, modern melodic sensibility and powerful narrative approach to the piano. His profound passion for jazz, swing and world music genres finds expression in his unique fusion of harmonic and rhythmic elements from a wide array of sources, and gives rise to a signature compositional sound and style at once iconoclastic and deeply rooted in such figures as Bill Evans and Wynton Kelly. Ben’s first priority in his composition and in his playing is always narrative – to tell a compelling story with his music, while reaching the hearts of his audience, connecting on an emotional, an intellectual and a spiritual level.

Reviewers of his debut album Instead – released in 2017 with bassist Curtis Lundy and drummer Billy Hart – have been impressed by his musicality and his tasteful playing in light of his immense technical skill. Bob Doerschuk of Downbeat Magazine gave the album four stars, and wrote, “He has the chops to shoot off a few fireworks, … but that doesn’t seem to be a priority when covering sacred material.” C. Michael Bailey notes approvingly: “there do emerge conservatoire aces with grit in their imagination and a facility to express such in their playing. Ben Rosenblum is one such performer/composer. The Julliard-Columbia trained pianist brings a freighter of technique to the keyboard, while still maintaining enough earthiness in his playing to satisfy even the fussiest listener.” Fred Stal of RG Magazine most recently described his experience of listening to Ben’s live CD release performance: “The music keeps you on your feet and not wanting to miss a single moment of magic. … Raindrops from heaven poured down with style and grace from Rosenblum’s piano.”

Since the release of Ben’s debut album, Ben has been touring regularly – both nationally and internationally – celebrating the album and collaborating with artists around the world. Ben’s trio made debuts in Japan and in Canada in 2018. During his two-week tour of Japan, Ben performed in eight different cities, including in Tokyo at Akasaka B-flat, and in Yokohama at Himawari-no-sato Concert Hall with famed koto player Yuko Watanabe. Highlights of his Canada tour included appearances at Upstairs Jazz in Montreal, Maelstrom and Bar Ste-Angele in Quebec City and the Southminster “Doors Open For Music” Concert Series in Ottawa. In the United States, Ben has traveled extensively throughout the Northeast, Midwest and West Coast, with trips planned for the South and Southwest. These domestic tours have featured performances at some of the most well-respected venues in the country, including Kuumbwa Jazz Center (Santa Cruz), Ravinia (Chicago), Cliff Bells (Detroit), An Die Musik (Baltimore), The Bop Stop (Cleveland), Mezzrow (New York City) and many others. As a sideman, Ben has had further opportunities to tour the world. In 2018, he traveled for three weeks through Croatia, Slovenia, Italy and Serbia with Astrid Kuljanic, during which the group performed at multiple festivals, including the Ljeto na Bundeka Festival in Zagreb and the Soboško Poletje Festival in Murska Sobota. He also performed for two nights at the Blue Note in Beijing alongside famed jazz singer Deborah Davis.

Born and raised in New York City, Ben had the opportunity to study with some of the most influential figures in jazz piano, including Frank Kimbrough, Bruce Barth, Ben Waltzer and Roy Assaf. At the early age of sixteen, the originality of his work was already being recognized with numerous awards, including the ASCAP Young Jazz Composers Award (2010), the Downbeat Student Music Award for Best Original Song (2010) and the Downbeat Student Music Award for Best Arrangement (2011). As a result, even before entering Columbia, Ben was commissioned by the XIBUS World Orchestra to write a piece for performance at New England Conservatory’s Jordan Hall in 2012. Ben has continued to earn numerous distinctions and honors in recent years. In 2015, he was a finalist at the American Jazz Pianist Competition in Melbourne, Florida, and in 2016, at the Jacksonville Jazz Piano Competition in Jacksonville, Florida. In 2018, he earned further recognition from the ASCAP Young Jazz Composers Award competition in the form of an honorable mention, and he was featured at the ASCAP Foundation’s 2018 “We Write The Songs” event at the Library of Congress in Washington D.C.

In addition to his own work, Ben often collaborates with other musicians. He has worked extensively with Grammy-nominated singer Ryland Angel on several compositional projects, including the project Unspoken, which premiered at the Weisman Art Museum in Minneapolis, in November of 2016. His debut album Instead has received very favorable reviews from a wide range of sources throughout the world, including Downbeat Magazine, All About Jazz, Drumset Magazine (Italy) and The Jazz Writer (Germany).

Ben performed with the Bachiana Brasileira Orchestra at Lincoln Center (conducted by Joao Carlos Martins and featuring Dave Brubeck), and he was a featured soloist at Carnegie Hall’s Stern Auditorium with the New York Harmonic Band (conducted by Reona Ito). He traveled to New Delhi, India, to perform at a Max India Benefit, and was a participant at Il Grande Veggio, in Perugia, Italy. He has played at the Masten Jazz Festival (Buffalo), the Richmond Jazz Festival (Richmond), the Mid-Atlantic Jazz Festival (Maryland), Lincoln Center Out of Doors Festival (Manhattan), the DUMBO Arts Festival (Brooklyn), Musikfest (Bethlehem, PA) and the Music Mountain Festival (Connecticut). He has also appeared at Dizzy’s Club Coca-Cola, the Appel Room at Lincoln Center, Ryles Jazz Club, Webster Hall, Symphony Space, The Blue Note, Smoke, Smalls and a host of other music venues throughout the northeast.

Ben has worked extensively with such jazz luminaries as Curtis Lundy, Neal Smith, Winard Harper, Wayne Escoffery and Deborah Davis, and he has performed in bands led by Bobby Watson, TS Monk, Chris Washburne and Warren Wolf. In addition, he has shared the stage with many other jazz legends, including Wycliffe Gordon, Brian Lynch, Phil Woods, Houston Person, Jerry Dodgion, Eliot Zigmund, Clarence Penn, Craig Handy, Dave Stryker, James Cammack, Ameen Saleem, Bob Nieske, Steve Nelson, Yasushi Nakamura, Essiet Essiet, Willie Williams, Patience Higgins, Josh Evans, Kenny Davis and Rogerio Boccato.?

While at Columbia University, Ben founded the Columbia Jazz House, a student-run jazz advocacy group that promotes jazz on campus through concerts, educational workshops and jam sessions. On December 28th, 2015, the Columbia Jazz House was featured in a New York Times article titled “Melodies Night and Day in this Columbia Dorm.”

Greg Feingold started playing bass at the age of 10. He quickly realized that bass was something he would pursue for the rest of his life and was accepted to the Chicago Academy for the Arts. After graduating from the Academy, Greg was given a scholarship to attend Berklee College of Music. Greg was very active both locally and nationally while at Berklee. He began playing with the International String Trio and performing regularly with Berklee faculty such as Bill Pierce, Neal Smith, Jon Hazilla, Doug Johnson, Rebecca Cline and many others. After graduating, Greg moved to New York and began playing in Winard Harper’s Jelli Posse. Throughout his stay in New York, he worked with legendary jazz performers such as Jimmy Cobb, Eric Reed, Eric Harland, Cyrus Chestnut, Steve Turre, Jim Rotondi, Jackie Ryan, Stephen Scott as well as continuing to tour with the International String Trio and the Valinor Quartet. Greg moved to Seattle in 2015 to change his surroundings and currently performs with a variety of groups around the west coast. He can be seen performing regularly with Thomas Marriott, Julian MacDonough, Miles Black and other great local Seattle musicians. He also co-leads the 200 Trio which performs around the country as one of the up and coming jazz guitar trios.

Jazz drummer and educator, Ben Zweig, “is able to combine history with the current musical environment, making it sound fresh” (Don Sickler). After moving to NYC in 2011, the 26 year old has accompanied an impressive array of jazz luminaries, including; Randy Weston, Johnny O’Neal, Larry Ridley, David Williams, Roy Hargrove, Deborah Davis, Joe Cohn, Champian Fulton, Jerry Dodgion, and Steve Nelson. Described by downbeat as “especially crisp and articulate,” Zweig has presented his personal sound performed with tours throughout the continental US, Asia and Canada. He currently tours regularly with Ben Rosenblum’s trio and leads a bi-weekly residency hosting the Sunday late night jam sessions at Smalls Jazz Club in NYC. Zweig is an avid educator. He has taught clinics across the country with the Champian Fulton quartet and has also directed the after-school percussion program at WHEELS middle and high school. Mentored by master drummers such as Joe Farnsworth, Billy Hart, Kenny Washington, Rodney Green, Justin DiCioccio, Christopher Brown, John Riley, and Rogerio Boccato, Ben is committed to passing down the information he has received from these legends. In his formative education, Ben was classically trained by Kenneth Piascik, culminating in performances with the NAfME All-Eastern Orchestra and as principal percussionist with the MENC All-National Concert Band. He currently maintains a private drum studio in Morningside-Heights with students of all ages. Ben received his B.M. and a M.M. from the Manhattan School of Music.

[lacrimis]

Helmut Fischer was the son of a businessman and a tailor and grew up in the Munich district of Neuhausen in Donnersbergerstraße 50a, where he also went to school. When the secondary school rejected him, he joined Otto Falckenberg's drama school, which he quit after a short time. In the subsequent period Fischer worked as a theater actor. In 1952 was his stage debut at the Würzburg city theatre as Albrecht III in Friedrich Hebbel's Agnes Bernauer. The reviews were devastating.

For almost 20 years Fischer remained largely unknown and had to deal with minor supporting roles. Among other things, he worked at the Munich "Oktoberfest" at the Zuban show as part of a zebra's behind. In 1953 he married the dancer Utta Martin, with whom he lived up to his death (44 years). In 1961 saw the actor's debut in Bavarian Television: as a hairdresser in Ludwig Thoma's comedy Die Lokalbahn. Fischer described himself as "terrible" and said in retrospect: "Richtig g'schämt hab' ich mich, wie überzogen ich damals g'spielt hab (I was terribly ashamed about my totally excessive acting)". As he was under-worked with acting alone, Fischer also worked as a film critic for the Munich Abendzeitung.

In 1972 he played in the Bavarian Television's first episode of the Tatort series, as assistant to then-time Inspector Veigl (played by Gustl Bayrhammer). When Veigl was "retired" in 1981, Fischer was "promoted" to Commissioner Ludwig Lenz and as such he solved a total of seven cases until 1987. In 1974 Helmut Fischer, in his favourite café Münchner Freiheit met director Helmut Dietl. The latter recognised his friend's true talent and in 1980 gave him a major role in the TV series Der ganz normale Wahnsinn in which Fischer for the first time got to play a manquéed playboy.

Memorial for "Monaco Franze" (Helmut Fischer) at Münchner Freiheit The final breakthrough came in 1983 with Helmut Fischer's series Monaco Franze – Der ewige Stenz. Again Helmut Dietl was the director, Patrick Süskind cooperated on the scripts to almost all episodes. In the series, which has now reached cult status among fans, Fischer alongside Ruth Maria Kubitschek, Christine Kaufmann, Karl Obermayr [de] and Erni Singerl [de] in inimitable way embodied an easygoing dandy, charmer and ladies' men, who always manages to master awkward situations with a sheepy smile. Famous sayings by the character role like "A bisserl was geht immer (Anything goes)" were adapted into daily language use. Matching this, Fischer also recorded a successful single titled "Spatzl (Schau wia i schau)) (Sweetheart (Look like I'm looking))".

From now on, the actor was busy with roles whose character were always based on Stenz though. Until the end of his life Fischer kept assuring that the figure of Monaco Franze had nothing to do with his real life. In the mid-1980s, Fischer played with Thomas Gottschalk and Michael Winslow in the two Zärtliche Chaoten films, from 1987 to 1992 he could be seen as "Josefbärli" along Veronika Fitz and Ilse Neubauer in the series Die Hausmeisterin (The House Keeper). Fischer enjoyed his last success in the series Ein Schloß am Wörthersee (A castle on the Wörthersee), where he played the absentminded estate manager Leo Laxeneder, and as the fictitious mayor of Hohenwaldau, Peter Elfinger in Peter and Paul alongside Hans Clarin.

In 1993 Helmut Fischer was diagnosed with cancer. He kept this diagnosis largely secret, only his wife Utta knew about it. In 1996, the actor underwent treatment by the well-known and controversial cancer specialist Julius Hackethal. In November he celebrated his 70th anniversary with a great number of friends and colleagues. At the occasion the told the press: "Das Leben macht sich ja mehr und mehr aus dem Staub (Life is more and more buzzing off)". Eight months later Fischer, to the surprise of the common public, died in Chiemgau. More than 1,000 people participated in the funeral service at the mortuary of Munich's northern cemetery and the subsequent funeral at the Bogenhausen cemetery (gravesite no. 2-4-2) on 19 June 1997. In his funeral speech Munich's Lord Mayor Christian Ude, a friend and neighbour of Fischer, said: "... Populär war er in ganz Deutschland - in München wurde er geliebt. (He was popular throughout Germany - in Munich, he was loved.)"

Filmography :

1958 – Cherchez la femme (Curse the Women); with Helen Vita

1959 – Hunting Party; with Angelika Meissner and Wolf Albach-Retty

1960 – Oh! This Bavaria!; with Liesl Karlstadt and Ludwig Schmid-Wildy

1960 – Die vor die Hunde gehen (Those Who go to the Dogs)

1962 – Florence und der Zahnarzt (Florence and the Dentist)

1970 – Der Röhm-Putsch (Night of the Long Knives); with Hans Korte and Gustl Bayrhammer

1978 – Sachrang (Order of the Case); with Gustl Bayrhammer

1978 – The Unicorn

1978 - Derrick - Season 05, Episode 04: "Ein Hinterhalt"

1979 – Blauer Himmel, den ich nur ahne (Blue Heavens which I can but sense); with Jörg Hube and Hans Stadtmüller

1979 – Der Durchdreher; Director: Helmut Dietl

1980 – Die Undankbare (The Ungrateful)

1984 – Mama Mia – Nur keine Panik [de] (Mamma mia - don't panic); with Uschi Glas and Thomas Gottschalk

1987 – Hexenschuß (Lumbago); with Birte Berg and Beppo Brem

1987 – Zärtliche Chaoten (Tender Chaotics); with Thomas Gottschalk and Michael Winslow

1988 – Starke Zeiten (Hard Times); with Karl Dall, Hans-Joachim Kulenkampff and David Hasselhoff

1988 – Zärtliche Chaoten 2; with Thomas Gottschalk und Michael Winslow

1989 – Jede Menge Schmidt (Lots of Schmidt); with Anja Schüte

1992 – Der Unschuldsengel (Innoncent as an Angel); with Hans Clarin and Iris Berben

1993 – Probefahrt ins Paradies (Test Run to Paradise)

1995 – Drei in fremden Kissen (Three in Foreign Sheets); with Hans Brenner and Fritz Wepper

1996 – Drei in fremden Betten (Three in foreign Beds); with Fritz Wepper and Heidelinde Weis

1997 – Fröhlich geschieden (Happily divorced); with Rainhard Fendrich

TV series :

Funkstreife Isar 12 (Patrol Car Isar 12); with Wilmut Borell and Karl Tischlinger

Graf Yoster gibt sich die Ehre (Count Yoster); with Lukas Ammann and Wolfgang Völz

1972–1981 – Tatort; as Kommissar Veigl's (Gustl Bayrhammer) assistant Ludwig Lenz, with Willy Harlander

1981–1987 – Tatort; as Hauptkommissar Ludwig Lenz

Tatort series as visiting commissioner in:

1968 – Die seltsamen Methoden des Franz Josef Wanninger (The Strange Methods of F. J. Wanninger) - Die Beschützer(The Protectors); TV police series

1972 – Gestern gelesen (Read Yesterday)

1978 – Derrick - Ein Hinterhalt (An Ambush); TV police series with Horst Tappert and Fritz Wepper

1979 and 1986/1987 – Der Millionenbauer (The Million Mark Farmer); with Walter Sedlmayr and Veronika Fitz

1979 – Fast wia im richtigen Leben (Almost like Real Life); with Gerhard Polt

1979 – Der ganz normale Wahnsinn (The Ordinary Madness)

1982 – Meister Eder und sein Pumuckl - Die abergläubische Putzfrau (The Superstitious Cleaner); Children's series

1983 – Krimistunde (Thriller Time)

1983 – Monaco Franze – Der ewige Stenz; with Ruth Maria Kubitschek

1983 – Unsere schönsten Jahre (Our best Years); with Uschi Glas and Elmar Wepper

1986 – Das Traumschiff (The Dreamliner); guest role

1986 – Rette mich, wer kann (Save Me who Can!); with Gundi Ellert

1987–1992 – Die Hausmeisterin (The House Keeper); with Veronika Fitz

1992 – Lilli Lottofee [de] (roughly: Lilli the Lottery Game Fairy); with Senta Berger

1992–1993 – Ein Schloß am Wörthersee (A Castle on Wörthersee); with Uschi Glas

1993–1994 – Peter und Paul (Peter and Paul); series with Hans Clarin

1996 – Wir Königskinder; with Fritz Wepper

1972 Münchner Kindl

1973 Weißblaue Turnschuhe (White and blue Sneakers)

1973 Tote brauchen keine Wohnung (Dead Persons need no Flat)

1974 3:0 für Veigl (3-0 for Veigl)

1975 Als gestohlen gemeldet (Reported stolen)

1975 Das zweite Geständnis (The second Confession)

1976 Wohnheim Westendstraße (Westendstraße Boarding House)

1977 Das Mädchen am Klavier (The Girl at the Piano)

1977 Schüsse in der Schonzeit (Shots during Closed Season)

1978 Schlußverkauf (Sale-out)

1978 Schwarze Einser (Black Ones)

1979 Ende der Vorstellung (End of the Show)

1979 Maria im Elend (Miserable Maria)

1980 Spiel mit Karten (A Card Game)

1981 Usambaraveilchen (Saintpaulias)

1981 Im Fadenkreuz (In the Crosshairs)

1982 Tod auf dem Rastplatz (Death on the resting place)

1983 Roulette mit sechs Kugeln (Roulette with six Bullets)

1984 Heißer Schnee (Hot Snow)

1985 Schicki Micki (Fancy)

1987 Die Macht des Schicksals (The Power of Fate)

1987 Gegenspieler (Opponent)

1976 Transit ins Jenseits (Transit to the Afterlife)

1977 Wer andern eine Grube gräbt (Harm set, Harm get)

1979 Der King (The King)

1987 Wunschlos tot (Perfectly Dead)

Stage plays :

1952 – Agnes Bernauer - at the Würzburg city theatre

1953 – Diener zweier Herren (Servant of Two Masters) - am Stadttheater Würzburg

1964 – Die großen Sebastians (The Great Sebastians) - at the Kleine Komödie in Munich

1966 – Italienische Nacht (Italian Night) - at Residenz Theatre

1969-1970 – Jagdszenen aus Niederbayern (Hunting Scenes from Lower Bavaria) - Münchner Kammerspiele

1975 – Fast wie ein Poet (Almost like A Poet) - at Residenz Theatre - Director: Rudolf Noelte

1984-1985 – Waldfrieden (Peace in the Woods) - Münchner Volkstheater

1984-1985 – Die Brautschau (Looking for a Wife) - am Münchner Volkstheater mit Hans Brenner

On Fischer's favourite spot in the garden of café Münchner Freiheit in Schwabing, a bronze monument by Nicolai Tregor Jr. was revealed which depicts Fischer in his famous role as Monaco Franze.

[thestageyshelf]

Blood Brothers @ Phoenix Theatre 2006 (#22)

Title: Blood Brothers

Venue: Phoenix Theatre

Year: 2006

Programme and Souvenir Brochure duo

Condition: Wear to edges and small tear to brochure front cover

Author: Book, Music and Lyrics by Willy Russell

Director: Bob Tomson and Bill Kenwright

Choreographer: x

Cast: Maureen Nolan, Steven Houghton, Antony Costa, Mark Hutchinson, Vivienne Carlyle, Nikki Davis-Jones, Kieran Gough, Stephen Pallister, Graham Martin, Caroline Hartley, Simon Turner, Michael Everest, Suzanne Carley, Alex Harland, Michael Southern, Sophia Thierens

FIND ON EBAY HERE

[playongivemeexcessofit]

Anthem  🎼

Legendary jazz saxophonist Charles Lloyd debuted his collective The Marvels, featuring Bill Frisell on guitar, Greg Leisz on pedal steel guitar, Reuben Rogers on bass, and Eric Harland on drums—on the 2016 album I Long To See You with special guests Norah Jones and Willie Nelson, and reconvened the band for 2018’s Vanished Gardens which featured Lucinda Williams on half the album. On his forthcoming album, Tone Poem, Lloyd presents The Marvels without guest vocalists for the first time.  The album features Lloyd originals alongside covers of Ornette Coleman, Thelonious Monk, Leonard Cohen, and more. 

“Anthem” is a cover of the Leonard Cohen song from his 1992 album, The Future. The song is reflective of Lloyd’s music these days — combining elements of jazz, blues, country and rock music. Lloyd describes his musical approach as an “elixir in sound and tone.”  And to paraphrase Leonard Cohen that elixir is “how the light gets in.” 

Charles Lloyd & The Marvels · Anthem