#with apologies to Phil Hartman

[thatsbelievable]

Friday Funnies!

[theloverscardtarot]

I read a comments about what I said and I want to say I do not condone abuse of anyone. I’ve been mentally abused and threatened in the past but I kept going back to him because he always made it seem like it was my fault. Or the reason why I’m single was because something was wrong with me. It got to the point were I was mentally checked out from the relationship which made it easier for me leave.

I’m sorry if people came to that conclusion from what I said. When I wrote that I said it was my opinion, which just means that. It doesn’t mean that yeah he actually believes what Emma preached. I understand that Emma put him though a lot which is not right by any means and I understand giving someone a chance over and over again because you believe that they will change and do it because they love you. But sometimes in the end they don’t want to change. Like for instance The Phil Hartman story that ending horribly.

So I do hope Evan and anyone going though or has been though abuse finds one day peace and happiness because people do deserve that.

But again I apologize to the anons that I’ve offended.

Thank you for clarifying, Anon.

[saphyrenights]

i hate every tr*mp i see

from trumpan-a to trumpanzee

no you’ll never make a trumpy out of meeee

[jayrockin]

Hello there, I was wondering and I apologize if this has been asked before, but do you have any voice canons for your characters?

I actually did answer this already in this post but I forgot about Bip the A.I., so I'm here to say that they sound like something in between Bill Cipher and Phil Hartman's performance as Jiji from the English dub of Kiki's Delivery Service.

@dracogriff actually whipped this up today on Discord and I'm kinda freaking out about it, makes me want to scrub the movie for voice clips I could use in animation:

Completely unrelated hahaha but if anyone has suggestions for a suitable actor I could rip audio lines from for modulating into the voice of an anxious, nerdy, 3 meter tall alien woman let me know

[popculturebuffet]

The Critic Valentine’s Day Double Feature (Pilot/Sherman, Woman and Child)

Vivia Jay Sherman! Viva Quebec! Viva Valentine’s Day! And Viva WeirdKev who as happens for a good chunk of my content payed for this wonderful double feature for one of my favorite shows.  The Critic was created by Al Jean and Mike Reis of The Simpsons fame, a comedy team supreme. While I knew the two wrote for the simpsons, more on that iin a minute, I had no idea just how many classics the two churned out: There’s No Disgrace Like Home, Moaning LIsa, The Telltale Head, The Way We Was, Stark Raving Dad (Sadly tainted by it’s guest star being a horirble monster but that’s not their fault), Mr. Lisa Goes to Washington, the treehouse of horror segments The Bart Zone and Clown Without Pity (The second of which may be my favorite treehouse of horror segment), and later coming back to write the story for one of my all time favorites Round Springfield and to outright write the classic “SupercalfragalisticexpalliDOHcious”.  And to his credit Jean would later go on to write some classic post-golden age simpsons episodes during his tenure as producer: Lisa’s Sax, Mom and Pop Art, and Children of a Lesser Clod, which is notable if nothing else for this gag. 

So yeah the guys are legends and were right to start their own show under Simpsons producer James L Brooks over at ABC. The show followed the adventures of film Critic, Jay Sherman, a parody of film critics with high brow tastes, impossibly high standards, and a huge opinon of himself, having won the pultizer at least once.  Despite this he was also constnatly spat and shat on by society, divorced, lonely, depressed and eats like a thousand pigs combined in some horrific science accident. And given the last three parts describe me, as well as my profession of b eing a critic, naturally I love the guy and this show. I’ll get into his cast as we go as the first episode does an excellent job of introducing the entire cast so there’s no sense repeating myself.  But the show’s style I can and will talk about: It’s basically Golden Age, i.e. season’s 1-10, simpsons, but with more pop culture refrences and movie parodies, since the show would often feature multiple on Jay’s show coming Attractions and took place in the celebrity hot spot of new york and was a love letter to the city.. and sometimes a hate letter but only when those digs at the city would be funny, which to be fair depsite never having been to or lived in new york most really are. That’s the series key asset: while a LOT of the jokes haven’t aged well as a lot of the celbreity refrences are dated as are some of the movie parodies, most are hilarious wether you get what their making fun of or not and to me tha’ts a good parody: where knowing what their making fun of HELPS, but you can laugh regardless. The show had the charm and pace of the Simpsons while having it’s own unique style and cast that was just as charming and I love it dearly.  The show sadly only lasted two seasons, with ABC canceling it after one, and Brooks having it moved over to FOX, which was a good idea and lead to what’s probably my faviorite simpsons episode, a Star is Burns. Ironically despite you know, the show being created by two simpsons writers, backed by one of their producers and perfectly in line, creator Matt Groening was against the idea, publicly ranted about it to the press, and generally was an ass about it. Look I love the guy and even Brooks, Jean and Reiss were all nice enough in thier criticsim of the guy, but sitll very much understandably pissed off. .and i’m with them. 

It gave what’s again, my faviorite episode and what is not a “30 minute add” but an episode that easily stands on it’s own and also you know, pokes fun at itself for being a crossover a few times. You don’t need to see the critic to enjoy it, and episodes most iconic gags, Boo-Urns, Man Getting HIt by a Football, Senior Speilbergo, all don’t involve jay. And again the shows were not at all dismilar: While the critic was it’s own thing it still had the simpsons sense of humor and pacing so I saw it more as a petty rant against having a crossover in general more than a legit critcisim. Especially since Groening had no such complaints decades later with the family guy crossover after both shows had all tehir talent surgically removed and had the gall to NOT remove a cheap shot at Bob’s Burgers. And yes i’m still bitter about seeing that in a promo for the special, Bob’s Burgers is fantastic, to the point that now, in a fabulous case of history repeating itself, it’s got it’s OWN show like the critic made by talented former crew members using a similar but sitll throughly unique comedy style , The Great North. My point is that controversy pisses me off, and The Great North is spectacular go watch it while you read this. 

So yeah the Critic is awesome, me and Kev are both fans, and there are plenty of romantic episodes abound as the show digs into Jay’s love life quite a few times and has episodes about his son’s first love, his boss finding a wife towards the end of the series, his parents rekindling their spark and in what’s easily my faviorite episode, his sister dating a grunge rocker. So there was no shortage of choices but the choice made was brilliant.. and i’m not saying that because i’m being paid to, as my review of splatter phoenix’s first episode in darkwing duck and woops should show, paying me does not guarantee that I have to LIKE what your paying me to review. But here I did and he pointed out the first episode of each season, with season two being a soft reboot that while keeping the premise and supporting cast changed a few things around and added two new main characters, and both involve jay finding a new love intrest and intorduce a lot of the cast. I found him to be right, so where we are and after the cut i’ll dive into the good and bad of both episodes and see what changed inbetween seasons. 

That gag will make sense.. later. Right now it’s time for our very first episode, the show’s very first episode as you could probably tell by the title. 

Pilot:  The pilot starts with Jay getting touched up by his Makeup Person Doris. Jay is played by legendary comedian John Lovitz, who this show gave me a deep and lasting appreciation for. Lovitz was at the time best known for his 5 year long stint on SNL, and film wise is best known for Three Amigos, the Brave Little Toaster, The Wedding Singer and Rat Race. Sadly while I do geninely love the guy.. he has been in enough crap to destroy the New York Sewer system, as everyone needs money and sadly not everyone appricates the talents of John Lovitz like I do. 

So naturally he’s also been in The Stepford Wives remake, Grown Ups 2, The Ridiculous 6, Eight Crazy Nights, North, Benchwarmers and Benchwarmers 2: Breaking Balls. Yes that’s an actual movie, though it’s already better than the first one for virtue of not having Rob Schnider and David Spade starring in it despite.. that title. The irony is not lost on me that Lovitz has essentially made his money starring in the kinds of films Jay was forced to see for his job.  Still a VERY talented, very lovely man.

Before we get to our next voice actor up, no profile of Jon would be complete without mentioning that time he slammed Andy Dick’s face into a bar. To make a very long story short, Lovitz was friends with the late great Phil Hartman, who even did some voice work for this very show, whose wife who had severe drug and mental ilness killed them both. Phil had told Lovitz he saw Dick give his wife cocaine, so after Phil’s tragic murder when Lovitz and Dick ended up on the same show, Lovitz ended up exploding at the guy out of grief and blamed him for her death, but later apologized like a gentleman.  Living up to his name though Dick later went up to Lovitz at a restraunt Lovitz owned and said “I’m giving you the Phil Hartman curse, you die next”. Granted he was drunk but still...

Naturally Lovitz banned the guy and Lovitz later demanded an apology when the two ran into each other when they ran into each other at Lovitz regular gig at the comed store. Dick not only refused to apologize even when Lovitz put him against a wall, but said it was because “you blamed me for her death”... which was a decade ago with change by this point, the actions of a man GREIVING for his best friend whose wife’s relapse you caused which inadveradntly lead to her and her husband’s death, and something HE APOLOGIZED FOR. Naturally Lovitz took this how you would and did what we’d all like to do in general and broke the shit out of his face and only didn’t do more because they were seperated. IN short this man is a hero and I wil lbring up this story at every opportunity.  Doris was played by the late voice actress Doris Grau, a script supervisor who worked on a LOT of films as one , the most notable I could find on wikipedia being Clue. This is a fact I just learned today but boy if it isn’t neat. Grau mostly did aditional voices for shows, most notably Ducktales and the Simpsons, where she played Lunchlady Doris, and of course this show. Still she seemed like a very funny and talented woman and it’s sad she’s gone.  The two start the series mostly sniping at each other and while that never ENTIRELY goes away, Doris gets more supportive after a spotlight episode where she and Jay bond and Jay thinks she might be his mom. And while she’s not this surprisingly sticks and for the rest of the series while still not above making potshots at him on occasion, she’s far more supportive. She also informs him she’s out of spray on hair “I’m bald and ugly, get more!”. This show is naturally comedy gold and a lot of it relies on Lovitz sense of timing, though the rest of the cast aren’t slouches but we’ll get to them as we go.  She ends up putting a hat over him and we get our first film parody, Rabbi PI starring Anuld, which is alright. Not one of the series best but passable and gets the gimmick of having film parodies on jay’s show across, which was a nice way to set it apart from the Simpsons. Jay reviews it on the Shermometor, a gimmick jay hates and that disappeared by season 2, giving it a bellow zero to the ire of his boss Duke Phillips.  Duke is one of the best parts of the show, an unhinged southren billlonare who was a modeled after Ted Turner, down to the mustache, who built up his fried chicken franchise into a multimedia congrlomorate and is also mildly nuts, though that part would be more of a thing in season 2. In season 1, he’s mostly there to make Jay’s life hell, with about half of the seasons episodes having him either fire jay or put his job in jeapordy versus 2 the next season. He’s still not unfunny, but most of his best stuff is in season 2 when Charles Napier’s allowed to cut loose a little more and the character wasn’t shoehorned into just being a clueless executive.  Charles Napier is a longtime character actor who showed up in TONS of films and tv shows too many to list.. and trust me with some of the lists of credits before and after this that’s saying something, his biggest voice rolls being in this series and Men and Black the Series as Zed. But needless to say he was ALWAYS this awesome and sadly passed in 2011.  Jay’s guest for the day is Valerie Fox, an up and coming actress whose first film kiss of death is coming out soon.. and whose age is an engima and it’s only a problem because if she’s 20, like the episode mildly suggests giving her starting career and her voice actress being that age, then this gets really gross as jay is 17 years older than her then. But given she looks older than that and sounds certainly older than that, i’m going more with 30, since she looks more like it, and sharon stone, who she’s mildly based on given she stars in a basic instinct knockoff and does the leg thing, was 32 at the time of basic instinct.  Valerie is voiced by Jennifer Lien, aka Kes from star trek voyager who I only know about because of reviews done by SF Debris and Allison Pregler. She was the childlike love intrest of Nelix, the ship’s resident pain in the audience asses who made them BEG for early seasons wesley crusher and who once, and I saw footage this wasn’t SF Debris exagreated, lunged at a crewmate in a jealous rage, unfounded by the way since Tom was AVOIDING kes depsite being attracted to her as he just wnated her to be happy and to not mess up her relationshpi, and screamed “i’ll kill you!”. Point is she hasn’t had a huge career, but was still worth noting and does a fantastic job here. Again I did not realize she was that young at the time by her voice, and that means she did a great job. 

So Jay’s smitten with her, finds her super attractive and she asks him out.. but to the show���s credit, and Jay’s he does try to rebuff her because he knows ther’es a conflict of intrest there.. but ends up giving in. However at least the show not only is upfront that there’s an issue here but that ends up being the thrust of the last act. Granted there’s still some.. questionable stuff like when she does the basic instinct leg cross and he says “can we get a shot of that”, which no.. Jay.. no you can’t. Ewwww. Seen far worse, like It’s Pat, which was a VERY real SNL sketch about people trying to guess the titular pat’s gender because that’s not creepy or invasive even for the time. And they made a movie out of it because Wayne’s World was popular forgetting that Wayne’s World, one of my faviorite movies by the way and one I need to cover here sometime this year now the thought’s occured to me, was a labor of love, with a talented director and actual ideas from it’s two leads who actually fleshed out the character versus a concept that was NEVER funny to begin with and has gotten down right horrifying with age. And wasn’t I talking about the Critic? Not the abusive jackass mind you, Jay Sherman. 

Ah yes so Jay takes Valerie to a date at Lane Riche, the rich jackass where we meet Vlada, a vaugely european man whose your typical hollywood suckup. As Jay puts it in a later episode  Vlada: I love you too Jay: You only love my money Vlada: That’s true but it is a love that will never die.  He also naturally scoots Jay to a less nice table in the Critic’s section once Conan O’Brian shows up... which WAS supposed to be a different kind of joke, as at the time Conan was just a writer on the simpsons and SNL, but now given he has a decades long career in late night and famously said fuck you to NBC during that whole Tonight Show debacle, which netted him his own show on TBS, it comes off more as the kind of self deprciating gag Conan makes about himself. So in other words it’s actually funnier now? 

As for the critic’s section that’s a part of the series I’ve neglected to talk about so let’s do that: The kind of critic Jay is, one who plays clips of the movie and reviews them.. on television. And were usually academics who looked down on popular film, the kind Siskel and Ebert popularized, and both suprisingly had a huge guest apperance in season 2 and even reviewed the show on their show. This kind of film criticism just dosen’t exist on tv that i’m aware of anymore, and mostly lives on with internet reviewers , many of whom were inspiried by critics like this, and who range from acadmeics to average joes to some mixture of both. It never went away just simply went to a younger generation. Some of which squandred it and somehow still have a career like certain abusuive jackasses i’ve mentioned enough with that one gag a few paragraphs ago. Point is it’s a much more varied and different game now so the critic ended up as one of those shows or movies where the main characters very job feels like an artifact of it’s time, like our heroes in Wayne’s World hosting a public acess show, when nowadays they’d just put it up on youtube or the entire idea of a UHF station in well.. UHF. It’s not a BAD thing, just something to note. 

But the date goes well as Valerie shows she’s really into jay and even takes him oggling her in stride, though we do get an utter classic of a gag when Jay says something about women being drawn to him.. and cue an old woman asking to rub his nonexistant hump for luck “You hunchbacks are all alike”. She does so anyway to his understandable annoyance. 

But the two go back to Jay’s place, talk about his acomplishments including a pulitzer and then well.. the obvious happens they go to bed together and the next day after Valerie is horrified at his just woke up fac,e he gives her an easy out but she’s fine with it. It honestly shows just how low the poor guy’s self esteem is that he just.. assumes a woman will regret having slept with hima nd walk out and while played for laughs it really gives a clear look into Jay’s mental state: He’s so full of self loathing, not helped by the world being out to get him, that it’s really oddly endearing. And VERY releatable.  The two are interupted by Jay’s son Marty. Marty is played by the very recognizable and very wonderful Christine Cavanagh, who sadly passed away in 2014. She voiced Chuckie Finster, Gosalyn Mallard, Oblina, Dexter from Dexter’s Lab and the titular pig from Babe. She decided to retire in 2001, so while her career was only about a decade she made quite the impact and is sorely missed. Unsuprisingly her usual voice is perfect for the very awkward Marty, who Jay asks to tell eveyrone about the beautiful woman in his bed especially his unfaithful and utterly loathsome ex wife ardith. 

This scene demonstrates two problems. The first is just the pilot as Jay’s kind of sleazy. While Jay being thirsty wouldn’t go away, especially in the episode Lady Hawke, it’d be made more awkwardly endearing. Here there are moments of him just plain being creepy like the aformentioned oggling, which while not bad in itself, if a bit awkawrd, also has him creepily muttering to himself while doing so which removes any charm or relatability and just sends it straight into needing 10 showers just to wash this scene off. The rest of the series would just turn him into a bit desperate at worst.  It also explains why the only other romantic story the guy has in the season is a pastiche of misery. Thanfully this would be GREATLY adjusted next season but we’ll get to that. 

The other problem is just the tone... we get a good half a minute of Marty talking about how he calls Ardith’s boyfriend “Uncle Al” because he likes him a lot.. to his dad’s face. And granted his dad is being creeptastic this episode but the early episodes just pile on the Jay hatred by the world a bit thick, to the point one episode puts him as “worse than hitler”. Granted the audience is full of idiot teens who have no idea who hitler is, and the gag is kinda funny, but it makes my point: Jay is just utterly shat on by the world, and while he does get a few wins, most are undercut by something awful and it gets taxing sometimes. The guy is just too loveably pathetic to hate, too relatable even as a teen and not snobish enough to be really loathsome or WANT to see him knocked down by the world. It’s not overwhelming enough to ruin the first season, it still has good episodes but this episode does highlight a LOT of these problems.  He does get to spend the day with val though, dancing outside the trump buliding, seriously even back then he was a joke and his lack of money half the time was well known.. how did the last four years happen, and they tell each other they love each other. I’d aww if I didn’t know how this ended.  So jay relates the good news of how he feels to his best friend, Jeremy Hawke, played by Maurice LaMarche. LaMarche is one of the most talented voice actors alive, a master of impersonations paticuarlly orson welles, who was naturally brought on board because they knew they were going to need a lot of celebrity voices for the film parodies and needed one or two guys to do them to keep it cheap. The guy is like most of this cast a legend in the industry, having voiced the Brain, Squit, Dizzy Devil, the Human Ton, Big Bob Pataki, Egon Spengler, Sleet,  Kiff Kroker, Headless Body of Agnew, Morbo, Various other Futurama characters because that list is long, Mortimer Mouse, Blue Falcone, Father, Yosemite Sam, Vincent Van Ghoul, Doctor Doom, Abradolf Lincler, and Odval. Point is the guy has been engranged in my childhood and adulthood and will probably even after he’s gone come back from the grave to do some voices. He even got the part of Jeremy Hawke here because he happened to do a REALLY good australian accent depsite not being australian. Jeremey was a combination of paul hogan, the star of the Crocodile Dundee movies and at the time sex symbol and at this time known anti semite Mel Gibson. Obviously neither of those refrences has aged paticuarlly well, but since hollywood ALWAYS has room for a super hunk from australia, just ask Chris Hemsworth or before him Hugh Jackman, the character still works and his breakout role, Crocodile Ghandi is so ludcrious it works. I.e. a white australian man playing the mahtma and saying before he brings peace “First a tasteful shot of my bum for the ladies. Jeremy, while sometimes increidbly oblvious, is still a fairly nice easygoing guy and an extremley loveable character. And whie Jay worries about Valrie meeting him because he’s sex on a cracker she ignores him and jay gloats for a bit, paticuarlly with the great bit “take your genatalia right back to australia”. And while Jeremy’s happy for him he tries to reign Jay in when Jay talks asking her to marry him.  As Jeremy later relates on Jay’s fire escape “Bubala, i’ve learned there’s two things you should never do: Marry an actress and wear blackface to the naacp image awards. Two things I found out the hard way. “

So Jay takes her to meet his parents and finds out he’s adopted.. and their also rich. Jay’s waspy parents are his cold and overly honest mother Elanor, played by  Judith Ivey, his kooky dad and THE best part of the series Franklin played by Gerrit Grahm and his loving and free spirited teenager sister Margo played by Nancy Cartwright.  Okay (cracks knuckles) here. we. go. Judith Ivey is a tony wining stage actress and has also directed numerous plays and is mostly known for her stage work but I know her from Designing Women where she played BJ in the last season. Garret Grahm apparently shows up in a lot of brian depalma movies, including Beef in phantom of the paradise, a lot of tv work and to my shock the asshole dad from Child’s Play 2. Another thing I genuinely love I wasn’t aware an actor or actress from this series had a part in.  Finally there’s Nancy Cartwright, who you DEFINTELY know from the Simpsons, where she plays Bart, along with Nelson, Ralph, Kearny, Database, and Maggie, and Kearny. Other credits include Pistol Pete, Mindy from Animaniacs, Chuckie Finster picking up for Christine Cavanagh ironically enough, Lu and Rufus from Kim Possible. She’s a talented lady and i’m glad sh’es still around. Whew. 

Okay so yeah I do love the shermans and fraknlin is again easily the best part of an already excellent series and unlike Duke that’s in full display here, with him saying, when his wife mentions they were going to give jay back at one time, “Son if I’ve said it once I said it a thousand times.. who are all you people. “ and he’d only get better. Sadly he’s NOT in sherman woman and child. Our loss really. But he’s in pretty much every other episode of season 2 thankfully and most of this season so eh, fair trade off. Also we get the classic line, after Jay says he’ll love valrie even when he’s decaying in the ground, his mom quips “Cna’t we go one meal without talking about your rotting corpse?” Though Eleanor understandably thinks Valarie is using jay for a good review. Margo suspects her of the same and takes her on a horse ride, though all she can gleam is that Val genuielly loves jay and welcomes her to the family.  Jay however does decide to duck out of the inteview by faking sick, which leads to a really sweet moment where Valerie visits him and they dance, in a hilaroius but oddly sweet parody of Beauty and the Beast, Beauty and King Dork. Despite the title and the song insluting him a LOT it’s still just endearing. This is a problem but we’ll get to in just a moment WHY all these touching moments are a problem.  So naturally things don’t go that well for Jay as Duke has a tape of the film sent to him “My shrink was right: GOd does hate me!”

Naturally kiss of death is bad and valrie is bad in it and Jay is left uncertain what to do, but eventually decides he has to do what he feels is right,.. though he does take a picture of her while she’s sleeping. “In case you do leave”

So in a tender and heartbreaking moment Jay is honest, the movie does suck and she’s not good but he does compliment her, for her personality not her body despite his skeevy behavior and say she could get better. Instead when he arrives home.. she dumps him to his face and leaves never to be seeen again while he assumes she’ll come back. And that’s the issue it’s GENUINELY hard to tell if we’re supposed to side with Jay. On one hand he genuinely loves her and does the right thing and on the oth er he’s kinda creepy. It’s a mixed tone that just sorta hurts thing and something the series DID fix after this, as it found a better ballance of the guy being pitable while also still being an ass and ONLY usually being punished when he does something actually wrong, the only exception being Dial M for MOther which is easily the weakest episode of the series. The episode does close on a really funny moment as Jay’s dispondent because “I’m sitting on top of a volcano of rage and I don’t knwo where to direct it”. Marty mentions a new Sylvester Stallone movie where “He plays a concert pianst who” And jay dosen’t even need the rest of that to shout “To the multiplex!” The man is back

Final Thoughts for Pilot: This episode is not bad. It has it’s flaws as I said, mostly in tone, but the series would iron that out and it’s still a great pilot that organically introduces the entire main cast in one episode and really gives us the full idea of who Jay Sherman is. It’s also REALLY funny, as the series should be and it would get better, but i’d still put it over some more awkward first episode like Letterkenny’s “No Reaosn to Get Excited”, even with it’s brilliant ending or Bojack Horseman’s first episode  whose title is way too long to put here in an article that’s already long as hell about about to get longer. But like those series this pilot worked pass the awkwardness and the result is a damn good series. but if you want a better idea of what it became.. wellllllll

Sherman, Woman and Child: So yeah as you can tell JSUT by contrasting images a few things were changed up between seasons, part of it at network instance. The designs were softened , the color palette was brightened with jay being the most noticably alterted between seasons. 

The execs wanted jay a bit warmer, so his face was given wider more expressive eyes and was also scrucnehd down a bit. He was also made slightly less of a jackass, with his elitisim toned down a bit and his creepeir moments gone. For instance he no longer had a split personality/imaginary secretary named ethel. That was actually a thing. It didn’t even really change Jay as a person, this very episode mentions him not liking the Lion King, and he’s still snooty, he’s jusst not as punchable about it and that was for the best.  But the cringe comedy in general was taken down a peg and replaced with more fun weirdness, which wihle present in season 1 really pops more here, especially with Jay’s dad who sadly dosen’t show up in this episode, but at various points dresses up like El Kabong, puts on the mask from the mask (”He did the same thing at Nixon’s funeral”), and blows up famous works of art while babysitting. But yeah things get a bit more surreal like the simpsons from season 4 onward, ironically enough given these guys left to make their own show, and it’s to the show’s benefit. 

But besides a lighter tone, they also wanted two things to hook viewers in: A permenant love intrest for Jay, and an adorable kid character. The former.. was acutlaly quite resonable, as i’td both give jay a “win” as it were, allow the cast to have another femlae character and give him someone else to confide in besides Doris or Jeremy, to give those characters a break. The other was less so and we’ll get into why when we meet her. 

This episode really is a second pilot, reintroducing about half of the main cast. Marty, Elanor, Margo and as I said Franklin are all absent. But their reintroduced soon enough with the fourth episode in both broadcast and dvd order, and my personal faviorite “A Song for Margo, is entirely focused on Jay’s parents and sister, while Lady Hawke has marty breifly at the start for broadcast order and he’s in the frmaing device for Sherman of Arabia in dvd order. So the characters all get a proper reintroduction to new audiences, but it was the right call to NOT shove them into this one, still introducing new people to the new cast, but letting the two new additions to it breathe and get properly intergrated into this universe.. well more Alice than Penny but we’ll get to that. It’s part of why, besides the genuine extra coat of polish aand seasonal changes I feel this is the better episode. 

So we open with Jay on his show and two parodies in a row. The first is a few good men but with Jack Nichelson making fun of Christan Slater for sounding like him even though. they honestly aren’t too similar other than both doing that pause thing a bit. So yeah not their best but the second segment makes up for it “The Nightmare Before Channukah” a parody of the nightmare before christmas that was so beautifully animated and funny, that they actually bumped it up to the season premiere.  But while the parodies are good Jay’s show is once again, this happened a LOT in season one, in jeapordy, being beaten by the Benedictine monk variety hour. Which while the Bendictine Monks are VERY much an artifact of the 90′s a choir of monks that somehow went mainstream, the whole segment is so absurd and wonderful it stands on it’s own and is still funny to me in 2021. Duke comes in anda fter trying to softball things shows the change I mentioned: He’s actually sorry the show is in danger and is genuinely sincere that he’s sad he’ll probably have to cancel it versus season 1 where he was ready to cancel it what felt like every other episode. And I prefer this, where he can still mess with jay or flex his power over him, but is more cordial with the guy and it allows more jokes between the two. 

So Jay’s not doing so good.. and during his crappy day he spots a 30 something woman and her young daughter struggling in the rain and stops his cab to help. And gets maced for it “MMM, Jalapeno”. Though Alice does apologize and Jay does understand as it is New York and she graciously takes the offer. It’s in the cab their properly introduced. Aliice thompkins and her daughter penny who in a great bit punches jay in the nose for not liking the lion king (”rex reed did the same thing”) and then kissing him on the nose in apology (”Rex did that too” And he acompanies them in.. and also gets conked on the head by a potted plant and put in a materinity dress. 

So we get to know Alice and what her deal is: Alice was once married to and supported the career of country star Cyrus Thompkins who was.. less than subtle in his music about how faithful he was

Easily one of my favorite gags of the series if in part for Pat Overall’s delivery. So she moved from Knoxville to New York to prove to her daughter a woman can make it on her own, and proves she’s smart, talented and driven she just needs a break. She seemingly gets one in a man in a bright white outfit who says “this is your ticket out of this rundown flophouse” only for him to cheerfully exclaim “Your being evicted!”... PFFFTT. Cue where the commerical would be

So during this lull in the action let’s talk about Alice and Penny’s voice actresses: Alice is voiced by Park Overall, though for some weird reason I thought she was voiced by Hollly Hunter. Dunno why. Park is an outspoken liberal, supporting my boy bernie sanders in 2016 and in general seems like a fascenating lady. Naturally like with Jay’s parents I know her from something more oddly specific, the sitcom Reba, as I did not realize she voiced alice depsite using a similar voice for her character there, Reba’s best friend Lori Ann.. And while Park TRIED her best.. the character didn’t work out: a combination of it being simply funnier that barbra jean tried to wedge herself into the roll and the fact Reba really didn’t need a horny abrasive sidekick meant the charcter had a very short shelf life and the audience had very low patience for her.  I did like her constnatly insulting Brock as he was not a good person andi t was nice SOMEONE besides Reba actually got to roast him on a regular basis. 

Penny was voiced by the one and only Russi Taylor, who sadly passed in 2019. She voiced Huey Dewey and Louie, Webby Vanderquack, Minnie Mouse, Fantasma, the imcomprable martin prince...

Among tons of smaller rolls. She’s sadly missed. We’ll get more into what they add or subtract from the show in a minute, as the next day at work Jay wonders how to help, though Duke’s interjection gives us two great gags: his “30 second workout” which involvees throwing jay around like a medicine ball and.. well this. 

The man is a legend for a reason. He earned that golden statue. So Jay TRIES slipping alice the money only to give it “To my good friend crazy postman”, and Alice refuses the money due to pride.. even if you know, she has a small child and new york is expensive but Jay finds a better solution, hire her.. even if it’d make it impossible for them to date. For all of one episode. What keeps the power dynamics from feeling EUGUUUUGGHH here is that Jay treats alice like an equal partner at work and dosen’t let their relationship really impact things outside of one episode, and dosen’t use his position to get into a relationship with her nor does she use being responsible for a turn in his fortune for hers. 

And yes turn in fortune, as a makeover and a change of attidue under Alice’s direction, which is utterly amazing to watch and wow’s duke and hte audience, wins back his fans and his job is secure. Duke meets alice and we get more great duke stuff. including something truly iconic...

I want bears who sing for me, doo dah, doo dah. But yeah things are well though Jay ends up admitting to Jeremy he can’t stop thinking about her “Her merest smile is like pedals of the empreror’s bathwater, BATHWATER I TELL YOU BATHWATER. “ So Jeremey encourages him carpe canum “Seize the dog”. He does so.. and the day but instead finds Alice with her ex Cyrus whose trying to win her back. Wuh oh.  Once the asshole leaves, and agrees to give her the night to think, Alice admits the only reason she’s considering it is she has a weakness: his singing melts her like butter on a bagle (”God i’ve been in new york too long”. )  Jay tries to talk her out of it at the critics meeting for “Dennis the Meance II Society” which involves Dennis pulling a drivebye on mr wilson.. why wasn’t this the second live action dennis the meance movie? WHY I ASK YOU. But Jay gets a good idea, as Alice TRIES to tell the asshole to get to stepping (And to see penny often, she’s not a monster), he works his evil song magic.. only for Jay to undercut it with his own amazing song on acordian. “Cyrus is just a virus, he wants to tie you down while your still young. Your potetial, is what’s essential, you could someday be another connie chung!” And that ultiamtely shows WHY jay is the better man. He just wants what’s best for her and dosen’t care if it’s him, he just wants it not to be THIS asshole. He’s not even trying to win her over, which a lot of these gestures creepily lead to. He just wants to help her be who she’s MEANT to be. And that’s why this works better: Instead of a fake relationship built on lust and someone conning the other person, it’s a real one built on genuine chemistry. Also Alice you know dosen’t just.. vanish after an episode but is a permenant part of the cast. I mean she does for the webisodes but we don’t talk about those. 

So our hero undercuts Cyrus one more time  Cyrus: “Loverrrr, without you there’s no other” Jay: Give him a chance he’ll do your mother....

I mean he’s not worng, So Cyus is sent packing and we get a nice romantic moment between the two. 

Final Thoguhts: Sherman, Woman and Child This one is truly excellent. It relaunchs the show on all cyllanders. And frankly Alice was a fine addition to the cast: her own fully fleshed out woman with her own personality outside of jay, who was tough, smart and a good counterpoint and confidant to Jay and it felt like she’d always fit. Penny on the other hand, apologizes to the late Russi Taylor who tries her best, just dosen’t work and feels ultra cloying and out of place in the series and unspurisingly is barely used after this. But overall a better pilot than the actual pilot was already pretty good and a fine pair of episodes. Check em out whenever the series eithe rgets on a streaming platform or pops back up on youtube as Sony’s struck it down... despite not putting it up anywhere i’m aware of. Seriously sell it to HBO Max or Disney I want a reboot. But for now this series is awesome check it out and until the next rainbow, it’s been a pleasure. 

[crowleytakesall]

Books Read in 2017

I really don’t know what else to say at this point. Other than I toned it down a bit from last year. ;)

OH actually: I noticed I was being a failure at listing the illustrators of graphic novels. So I’ll try to do that from now on. I apologize to all those artists I’ve neglected to include in my bylines, but thankfully I believe you are all listed on the linked pages. Which is better than no credit at all....

Total: 144

All the Single Ladies: Unmarried Women and the Rise of an Independent Nation by Rebecca Traister

Please Excuse This Poem: 100 New Poets for the Next Generation ed. Brett Fletcher Lauer and Lynn Melnick

But What If We’re Wrong?: Thinking About the Present As If It Were the Past by Chuck Klosterman

Culture and Customs of Korea by Donald N. Clark

Making Whiteness: The Culture of Segregation in the South, 1890-1940 by Grace Elizabeth Hale

サイレントヒル by Sadamu Yamashita

A History of Nepal by John Whelpton

Eleanor and Park by Rainbow Rowell

I Little Slave: A Prison Memoir from Communist Laos by Bounsang Khamkeo

Game On!: Video Game History from Pong and Pac-Man to Mario, Minecraft, and More by Dustin Hansen

The Fire Next Time by James Baldwin

The Last One by Alexandra Oliva

Underground Airlines by Ben H. Winters

Crooked Kingdom by Leigh Bardugo

DC Universe: Rebirth - The Deluxe Edition writ. Geoff Johns, illus. Gary Frank, Ethan van Sciver, Ivan Reis, and Phil Jimenez

The Diary of a Young Girl by Anne Frank

Shadowshaper by Daniel Jose Older

The Underground Railroad by Colson Whitehead

Pegasus by Robin McKinley

Symptoms of Being Human by Jeff Garvin

Dark Matter by Blake Crouch

Silver Child, Silver City, and Silver World by Cliff McNish

The Zookeeper’s Wife by Diane Ackerman

A Modern History of the Somali: Nation and State in the Horn of Africa by I. M. Lewis

Uzumaki Vols. 1, 2, and 3 by Junji Ito

Lose Your Mother: A Journey Along the Atlantic Slave Route by Saidiya Hartman

One-Eyed Doll by James Preller

Fantastic Beasts and Where to Find Them: The Original Screenplay by J. K. Rowling

Girl on a Wire by Gwenda Bond

The Vikings: A History by Robert Ferguson

Percy Jackson and the Olympians #1-5 and The Kane Chronicles #1-3 by Rick Riordan

Draw The Line by Laurent Linn

Somalia: A Nation Driven to Despair: A Case of Leadership Failure by Mohamed Osman Omar

Girl in the Blue Coat by Monica Hesse

Essentials of Anatomy and Physiology by Valerie C. Scanlon and Tina Sanders

Ultraviolet and Quicksilver by R. J. Anderson

Harmony House by Nic Sheff

Me Against My Brother: At War in Somalia, Sudan, and Rwanda by Scott Peterson

Bury Me Standing: The Gypsies and Their Journey by Isabel Fonseca

Cultures of the World: Somalia by Susan M. Hassig and Zawiah Abdul Latif

The Somali Diaspora: A Journey Away by Abdi Roble and Doug Rutledge

Half Bad by Sally Green

The Civilizations of Africa: A History to 1800 by Christopher Ehret

Omega City by Diana Peterfreund

Britt-Marie Was Here by Fredrik Backman

Medical Apartheid: The Dark History of Medical Experimentation on Black Americans from Colonial Times to the Present by Harriet A. Washington

Thirteen Reasons Why by Jay Asher

Book Scavenger by Jennifer Chambliss Bertman

The Dragons of Noor by Janet Lee Carey

Asylum, Sanctum, Catacomb, and The Asylum Novellas by Madeleine Roux

Unraveling Somalia: Race, Violence, and the Legacy of Slavery by Catherine Besteman

A Tragic Kind of Wonderful by Eric Lindstrom

Unnatural Creatures ed. Neil Gaiman and Maria Dahvana Headley

Stiff: The Curious Lives of Human Cadavers by Mary Roach

The Politics of Dress in Somali Culture by Heather Marie Akou

The Foundry’s Edge by Cam Baity and Benny Zelkowicz

Diagnoses From the Dead: The Book of Autopsy by Richard A. Prayson

House of Secrets by Chris Columbus and Ned Vizzini

The Panic Virus: A True Story of Medicine, Science, and Fear by Seth Mnookin

A Silent Voice #2-7 by Yoshitoki Oima (read the first one last year)

Super Mario: How Nintendo Conquered America by Jeff Ryan

Maphead: Charting the Wide, Weird World of Geography Wonks by Ken Jennings

Printer’s Error: Irreverent Stories from Book History by Rebecca Romney and J. P. Romney

The Geek Feminist Revolution by Kameron Hurley

Ghostland: An American History in Haunted Places by Colin Dickey

You’re More Powerful Than You Think: A Citizen’s Guide to Making Things Happen by Eric Liu

The Father of Forensics: The Groundbreaking Cases of Sir Bernard Spilsbury, and the Beginnings of Modern CSI by Colin Evans

Forensics: What Bugs, Burns, Prints, DNA, and More Tell Us About Crime by Val McDermid

Tears We Cannot Stop: A Sermon to White America by Michael Eric Dyson

It Can’t Happen Here by Sinclair Lewis

White Trash: The 400-Year Untold History of Class in America by Nancy Isenberg

The New Urban Crisis: How Our Cities are Increasing Inequality, Deepening Segregation, and Failing the Middle Class - And What We Can Do About It by Richard Florida

An American Sickness: How Healthcare Became Big Business and How You Can Take It Back by Elisabeth Rosenthal

The Sleep Solution: Why Your Sleep is Broken and How to Fix It by W. Chris Winter

Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race by Margot Lee Shetterly

The Secret History of the Mongol Queens: How the Daughters of Genghis Khan Rescued His Empire by Jack Weatherford

Dissecting Death: Secrets of a Medical Examiner by Frederick Zugibe and David L. Carroll

Asking For It: The Alarming Rise of Rape Culture - And What We Can Do About It by Kate Harding

ワンパンマン Vol. 1 - 3 writ. ONE illus. Yusuke Murata

Buried in the Bitter Waters: The Hidden History of Racial Cleansing in America by Elliot Jaspin

Forensic Nurse: The New Role of the Nurse in Law Enforcement by Serita Stevens

So Brilliantly Clever: Parker, Hulme, and the Murder that Shocked the World by Peter Graham

The Great Beanie Baby Bubble: Mass Delusion and the Dark Side of Cute by Zac Bissonnette

Word by Word: The Secret Life of Dictionaries by Kory Stamper

The Silence of the Sea by Yrsa Sigurdardottir

Beyond Monongah: An Appalachian Story by Judith Hoover

Earthlight by Arthur C. Clarke

Good Night Stories for Rebel Girls by Elena Favelli and Francesca Cavallo

The Midnight Assassin: Panic, Scandal, and the Hunt for America’s First Serial Killer by Skip Hollandsworth

These Vicious Masks by Tarun Shanker and Kelly Zekas

Uncle Montague’s Tales of Terror by Chris Priestley

Inferno by Dan Brown

Paper Girls Vol. 1 writ. Brian K. Vaughn, illlus. Cliff Chiang, Jared K. Fletcher, Matthew Wilson

The Paper Menagerie and Other Stories by Ken Liu

Evicted: Poverty and Profit in the American City by Matthew Desmond

Warcross by Mary Lu

Life on Mars: Poems by Tracy K. Smith

Moxie by Jennifer Mathieu

Girls Who Code: Learn to Code and Change the World by Reshma Saujani

Head First C: A Brain-Friendly Guide by David and Dawn Griffiths

A Murder in Time by Julie McElwain

Girl Code: Gaming, Going Viral, and Getting it Done by Andrea Gonzales and Sophie Houser

Coding for Beginners in Easy Steps: Basic Programming for All Ages by Mike McGrath

We Should All Be Feminists by Chimamanda Ngozi Adichie

Monstress, Vol. 1: Awakening writ. Marjorie Liu, illus. Sana Takeda

Age of Myth by Michael J. Sullivan

Native Son by Richard Wright

Courage is Contagious: And Other Reasons to be Grateful for Michelle Obama ed. Nick Haramis

This is the Part Where You Laugh by Peter Brown Hoffmeister

The H-Spot: The Feminist Pursuit of Happiness by Jill Filipovic

Coding for Dummies by Nikhil Abraham

A Darker Shade of Magic by V. E. Schwab

Nobody: Casualties of America’s War on the Vulnerable, from Ferguson to Flint and Beyond by Marc Lamont Hill

Pachinko by Min Jin Lee

Artemis by Andy Weir

Lower Ed: The Troubling Rise of For-Profit Colleges in the New Economy by Tressie McMillan Cottom

C Programming: Absolute Beginner’s Guide by Greg Perry and Dean Miller

The Girl Who Takes an Eye for an Eye by David Lagercrantz

An Astronaut’s Guide to Life on Earth: What Going to Space Taught Me About Ingenuity, Determination, and Being Prepared for Anything by Chris Hadfield

To the Bright Edge of the World by Eowyn Ivey

The Memory Code: The Secrets of Stonehenge, Easter Island, and Other Ancient Monuments by Lynne Kelly

Akata Witch by Nnedi Okorafor

[nancygduarteus]

The Audacity of Blaming 'Sex Addiction'

Some people go to prison, and others go to rehab. Deposed Hollywood plutocrat Harvey Weinstein is reportedly going to rehab. On Tuesday, TMZ said Weinstein was en route to “a rehab center in Europe” to address “sex addiction.”

“We’re told Weinstein still believes he can get help, come back and make a fresh start,” the site reported. “As a source close to Weinstein put it, ‘He wants to come back with fresh, new ideas.’”

After decades of both alleged and admitted patterns of abusive and coercive behavior, the 65-year-old Weinstein appears to be seeking a do-over. Though he hasn’t publicly confirmed it, he alluded to this last week in a postmodernist mea culpa, in which he misquoted Jay-Z and condemned the NRA and also conceded, “I appreciate the way I’ve behaved with colleagues in the past has caused a lot of pain, and I sincerely apologize for it. Though I’m trying to do better, I know I have a long way to go.”

Weinstein posed the conflict as a sort of infection that could be eradicated: “My journey will now be to learn about myself and conquer my demons.” In doing so, he managed to downplay his own agency in harboring or cultivating these demons. He appeared to have taken a note in exculpation from Phil Hartman’s character unfrozen caveman lawyer: “I came of age in the 60’s and 70’s when all the rules about behavior and workplaces were different.”

The implication was that standards of decency and professionalism had shifted beneath his feet, and he is a naive old dinosaur who can’t help how much he loves sex. The answer, apparently, is an (admittedly overdue!) jaunt to rehab for “sex addiction.” Then back with more ideas soon.

The ability to even attempt to sell this narrative is a luxury disproportionately afforded to powerful men—the ones who are not thugs or violent criminals but simply can’t help themselves.

The known facts are at odds with Weinstein’s moment-of-realization story. Weinstein reportedly met with resistance regularly from the people he attacked and people close to them. He was reportedly confronted years ago privately by Brad Pitt and Ben Affleck. He has paid multiple settlements. He has been mocked publicly at the Oscar nominations and on 30 Rock and Entourage. The problem was not new or unknown, and yet it was last week’s revelation that he considered “a wake-up call.”

The more glaring problem with the narrative is the mischaracterization of the incidents as “sexual”— and an addiction to that sex. “Sex addiction” is not included in psychiatry’s Diagnostic and Statistical Manual, as the American psychiatric establishment chose to regard sex differently from other addictive behaviors—largely in that there are no serious physical symptoms of withdrawal. This is a consequential distinction. People can have problematic sex-related compulsions that interfere with daily life, but that’s different. For example, in a very real sense, a person approaching the lethal stages of alcohol withdrawal may rob a liquor store to save his life. This would not be the moral equivalent of raping a person to stem an onset of “sex withdrawal.”

Even for the minority of mental-health experts who would characterize sex addiction as a diagnosable condition, the fact remains that sex is simply not the issue at hand.

The acts detailed in the accounts of the many women reporting abuse by Weinstein were often tangentially sexual, in that they involved certain parts of the body and mimicked the motions of sexual acts. But to consider these incidents sex is a mode of thinking that fell out of use even before the “60’s and 70’s.” Sex is defined by consent. This is not a new concept.

The framing of Weinstein’s problem as one to do with sex reflects no reckoning with the nature of the charges. This is a case of excusing something as sex when it is not sex. There are parallels in this misdirection to what happened with the Access Hollywood tape in which Donald Trump bragged about assaulting women, and it was reported in the news as “explicit sex talk.”

These are rather problems of power and status that manifest as a violent disregard for others—a failure to acknowledge autonomy of women or a problem accepting it and a compulsion to revoke it by force. So it feels especially jarring to hear that same person professing a lack of agency in these acts.

There is a serious role for counseling and rehabilitation, cognitive therapy and introspection in criminal justice case of this sort—and many others. The case of Weinstein, though, casts a spotlight on the disparities in access to these approaches, and the people for whom they are considered acceptable and sufficient penance.

For example, juvenile offenders of all sorts—most of whom are charged with minor offenses like “disorderly conduct” and who might benefit most from a rehabilitative approach to justice—are often given a purely punitive sentence. This leaves the underlying issue at the core of the behavior—an unsafe home, or a unmet basic need, or a lack of reliable adult role models—unaddressed. A single offense becomes a second and a third, and then a life in and out of prison.

Meanwhile, those who violate others with impunity are best positioned to sell their own victim narrative. Weinstein and other powerful admitted serial offenders are often given every opportunity to change—years of warnings and settlements and threats—and have every conceivable financial resource available to make that change happen, and yet don’t. Even after a landslide of allegations finally becomes public, these people have the gall not simply to ask for another chance, but to declare it, through a demand on the sensitivity of a public for the suffering of a person battling addiction.  

If there is diagnosable compulsion on display in this case, it seems to be an inability to hold oneself accountable. In such cases, systems exist to do that.

from Health News And Updates https://www.theatlantic.com/health/archive/2017/10/weinstein-sex-addiction/542619/?utm_source=feed

[ionecoffman]

The Audacity of Blaming 'Sex Addiction'

Some people go to prison, and others go to rehab. Deposed Hollywood plutocrat Harvey Weinstein is reportedly going to rehab. On Tuesday, TMZ said Weinstein was en route to “a rehab center in Europe” to address “sex addiction.”

“We’re told Weinstein still believes he can get help, come back and make a fresh start,” the site reported. “As a source close to Weinstein put it, ‘He wants to come back with fresh, new ideas.’”

After decades of both alleged and admitted patterns of abusive and coercive behavior, the 65-year-old Weinstein appears to be seeking a do-over. Though he hasn’t publicly confirmed it, he alluded to this last week in a postmodernist mea culpa, in which he misquoted Jay-Z and condemned the NRA and also conceded, “I appreciate the way I’ve behaved with colleagues in the past has caused a lot of pain, and I sincerely apologize for it. Though I’m trying to do better, I know I have a long way to go.”

Weinstein posed the conflict as a sort of infection that could be eradicated: “My journey will now be to learn about myself and conquer my demons.” In doing so, he managed to downplay his own agency in harboring or cultivating these demons. He appeared to have taken a note in exculpation from Phil Hartman’s character unfrozen caveman lawyer: “I came of age in the 60’s and 70’s when all the rules about behavior and workplaces were different.”

The implication was that standards of decency and professionalism had shifted beneath his feet, and he is a naive old dinosaur who can’t help how much he loves sex. The answer, apparently, is an (admittedly overdue!) jaunt to rehab for “sex addiction.” Then back with more ideas soon.

The ability to even attempt to sell this narrative is a luxury disproportionately afforded to powerful men—the ones who are not thugs or violent criminals but simply can’t help themselves.

The known facts are at odds with Weinstein’s moment-of-realization story. Weinstein reportedly met with resistance regularly from the people he attacked and people close to them. He was reportedly confronted years ago privately by Brad Pitt and Ben Affleck. He has paid multiple settlements. He has been mocked publicly at the Oscar nominations and on 30 Rock and Entourage. The problem was not new or unknown, and yet it was last week’s revelation that he considered “a wake-up call.”

The more glaring problem with the narrative is the mischaracterization of the incidents as “sexual”— and an addiction to that sex. “Sex addiction” is not included in psychiatry’s Diagnostic and Statistical Manual, as the American psychiatric establishment chose to regard sex differently from other addictive behaviors—largely in that there are no serious physical symptoms of withdrawal. This is a consequential distinction. People can have problematic sex-related compulsions that interfere with daily life, but that’s different. For example, in a very real sense, a person approaching the lethal stages of alcohol withdrawal may rob a liquor store to save his life. This would not be the moral equivalent of raping a person to stem an onset of “sex withdrawal.”

Even for the minority of mental-health experts who would characterize sex addiction as a diagnosable condition, the fact remains that sex is simply not the issue at hand.

The acts detailed in the accounts of the many women reporting abuse by Weinstein were often tangentially sexual, in that they involved certain parts of the body and mimicked the motions of sexual acts. But to consider these incidents sex is a mode of thinking that fell out of use even before the “60’s and 70’s.” Sex is defined by consent. This is not a new concept.

The framing of Weinstein’s problem as one to do with sex reflects no reckoning with the nature of the charges. This is a case of excusing something as sex when it is not sex. There are parallels in this misdirection to what happened with the Access Hollywood tape in which Donald Trump bragged about assaulting women, and it was reported in the news as “explicit sex talk.”

These are rather problems of power and status that manifest as a violent disregard for others—a failure to acknowledge autonomy of women or a problem accepting it and a compulsion to revoke it by force. So it feels especially jarring to hear that same person professing a lack of agency in these acts.

There is a serious role for counseling and rehabilitation, cognitive therapy and introspection in criminal justice case of this sort—and many others. The case of Weinstein, though, casts a spotlight on the disparities in access to these approaches, and the people for whom they are considered acceptable and sufficient penance.

For example, juvenile offenders of all sorts—most of whom are charged with minor offenses like “disorderly conduct” and who might benefit most from a rehabilitative approach to justice—are often given a purely punitive sentence. This leaves the underlying issue at the core of the behavior—an unsafe home, or a unmet basic need, or a lack of reliable adult role models—unaddressed. A single offense becomes a second and a third, and then a life in and out of prison.

Meanwhile, those who violate others with impunity are best positioned to sell their own victim narrative. Weinstein and other powerful admitted serial offenders are often given every opportunity to change—years of warnings and settlements and threats—and have every conceivable financial resource available to make that change happen, and yet don’t. Even after a landslide of allegations finally becomes public, these people have the gall not simply to ask for another chance, but to declare it, through a demand on the sensitivity of a public for the suffering of a person battling addiction.  

If there is diagnosable compulsion on display in this case, it seems to be an inability to hold oneself accountable. In such cases, systems exist to do that.

Article source here:The Atlantic

[mrmedia]

456 Danny Pudi, actor, "Community," "Powers"

Today's Guest: Danny Pudi, actor, "Community"

Inspector Spacetime -- "Conventions of Space and Time": (l-r) Gillian Jacobs as Britta, Danny Pudi as Abed, Donald Glover as Troy -- (Photo by: Vivian Zink/NBC)

  Danny Pudi as Abed on the NBC sitcom "Community." (Photo: Mitchell Haaseth/NBC)

It’s a shame Lorne Michaels didn’t sign up Danny Pudi for “Saturday Night Live” before the producers of the NBC sitcom “Community” cast him as “Abed.” He is so flexible in body, mind and voice as to suggest a combination of Jim Carrey, the late Phil Hartman and a thoroughly modern Rich Little. Pudi looks so unassuming that no matter how often you see him do his stuff on “Community,” you can’t help but do a double-take, rewind and watch him do it again. And again.

DANNY PUDI Audio Excerpt: "It's really amazing to watch Chevy Chase. To learn from him and watch him... His hands are fun. And the fact I have a Christmas card with Chevy Chase on my refrigerator is wild enough, but the other day he told me my Christmas card is on his fridge? I don't think it gets any stranger that knowing my face is on Chevy Chase's fridge right now. It's pretty insane."

Danny Pudi stars as Abed -- and sometimes, Batman, in the NBC comedy "Community" (Photo: Chris Haston/NBC)

In moments you'll hear a clip from a recent episode, in which co-star Chevy Chase goads him into practicing his manly technique with fellow community college student Annie, played by Alison Brie. Here’s a tip: Brie also plays “Trudy,” a character on AMC’s “Mad Men.” Maybe Woody Allen could remake the film Zelig with Pudi as the lead. Besides “Community,” Pudi also had a lead role in the 2009 film Road Trip: Beer Pong and you might also recognize him for a certain T-mobile commercial. Pudi is here to promote his upcoming gig as host of “ACME Saturday Night” this Saturday, April 10. You can watch the online comedy TV show streaming live online @ http://www.acmecomedy.com .

(Note from Mr. Media: I discovered after the interview that I pronounced Danny's last name wrong throughout the interview. He was too kind to correct me, but I do apologize. It was an honest mistake!)

Danny Pudi  Twitter • Facebook • Order "Community" Season One on DVD

Order 'Community: The Complete First Season,' available from Amazon.com by checking on the DVD cover above! Kicking Through the Ashes: My Life As A Stand-up in the 1980s Comedy Boom by Ritch Shydner. Order your copy today by clicking on the book cover above!

    The Party Authority in New Jersey, Pennsylvania, Delaware and Maryland!

Check out this episode!

[thatsbelievable]

may I rupture you?

I’m glad you asked, because, no.