#with examples of messages in code!

[marryat92]

I love seeing Captain Marryat's Code of Signals in your last photograph!

Signalbooks from the 18th and 19th century

Photo by me - IMM Hamburg

[bonefall]

Yo, need some help with the BB au's warrior code (working on the wiki). Cus 1-4 are confirmed from the history post, but what order are the rest of them in??

Oh this is actually something I've been meaning to get to. I swung over to the wiki page and I see you're working with a bundle of unconnected posts, and the REALLY old first draft-- it's waaay overdue that I make an update that also contains an official addressing of some of the biggest changes that have happened since then.

I'm gonna try to fix that for you now. Here's a rough draft of BB!Warrior Code 2.0, including snappier names and new thoughts for the associated stories.

I'm also trying to make each commandment more... sociological. In contrast to canon's code, I want these to be more open to interpretation, but also gesture at deeper social values that Clan cats have.

After all, it's the Warrior Code. I've always felt like it should have a similar vibe to chivalry or bushido, y'know? Not just a list of laws, but a "guide" to living as an honorable warrior.

(and, like chivalry and bushido, it's much less "inherently" noble than it seems, easily twisted into something destructive and only protecting other people in your caste.)

The plan here is that I'm going to post this in a rough state so you can get it on the Wiki, AND everyone can toss up input on this. When I feel satisfied, I'm gonna hit up Trout to make official Clanmew translations, and then I'm going to work with one/some of the artists in my spreadsheet to make this its own post.

So, the next time you see this will likely be a lot cleaner and have revisions.

IN SHORT:

Law of the Border "A Clan is the exclusive ruler of its domain; a Star is the exclusive ruler of its Clan. Borders are set to mark this land. To trespass is to offend the stars."

Law of Honor "An honorable warrior does not need to kill to win their battles, except when the foe is dishonorable or it is necessary for self-defense."

Law of the Deputy "The Star is to choose a responsible Deputy to rule alongside them who shall carry the starlight after their death. A Clan must never go past moonhigh without a Deputy appointed."

Law of Loyalty "Defend your Clan, even with your life. No love for an outsider shall outweigh your loyalty to your Clan."

Law of Priority / Prey Priority Privilege "An honorable warrior would starve before letting those they protect go hungry."

Law of Grace "StarClan is to be thanked for what it provides. To waste their blessings or blaspheme their light is treason against the Stars."

Law of Seasons "A kitten must see two seasons before it can become an apprentice. An apprentice must train for two seasons before it can become a warrior. A warrior should handle all four seasons alone before becoming a mentor."

Law of the Challenge / Right to Challenge "All warriors who bare a blessed name from StarClan are entitled to defend their honor. The right to challenge, or to accept a challenge in turn, shall not be infringed upon without reason."

Law of the Wild "A warrior rejects the soft life of a kittypet."

Law of the Cleric's Vow "A cleric who takes a mate or has kittens has violated their sacred vow, and must have their privilege of being StarClan's herald revoked."

Law of the Gathering / Full Moon Truce "Under the light of the full moon, all Clans shall send representatives to the Gathering to hear the news of the leaders. There will be a truce that lasts from sundown to sunrise, and attendance is a privilege."

Law of the First Tasks "Before an apprentice can receive their holy name by the power vested in their Star, first they must complete three sacred tasks; a warrior's assessment, a complete vigil, and a pilgrimage."

Law of the Leader's Right / Dalestar's Law / The Leader's Rights "By the power of the Star they carry, the word of a leader shall be recognized as the warrior code."

Law of the Three Kittens / Darkstar's Law / The Queen's Rights "No action, inaction, or accusation may ever allow a kit to be put in danger, no matter what Clan their parents were from. All queens shall have the right to not reveal the origin of their litter, even under suspicion of codebreaking."

Law of the Lake "Every Clan has the right to fight for its honor and independence, but the Clans of the lake shall never allow another to suffer or collapse. In dire times, all the cats of the lake understand their ancestral command; unite or die."

Law of Love / Bristlefrost's Law "If a cat wishes to walk alongside the warrior of another Clan, their beloved may ask their Star to issue a challenge to prove their new loyalty. If this challenge is overcome, their love shall be known as StarClan's will."

Law of Kickum Buttocks / Leader-B-Gone "girl help im still figuring out how I'm going to rewrite the new law about kicking out leaders. It is too long and too hyperspecific. There's absolutely no way for it to get legitimately used in canon, let alone be a relevant plot point."

If a previous post contradicts this one, assume this one overrules it. You can feel free to ask about it though! There's probably a reason I changed it, and I'll hear you out if you think an older version was stronger.

The Borbior Bode. I mean the BB!Warrior Code.

(Under the cut)

COMMANDMENT 1: Law of the Border "A Clan is the exclusive ruler of its domain; a Star is the exclusive ruler of its Clan. Borders are set to mark this land. To trespass is to offend the stars."

The legend goes that after the carnage of the First Battle, StarClan granted a fragment of a star to the leaders of the five Clans. This piece of a star is what legitimizes their right to the land they rule, so the leader is technically the owner of the Clan's domain and has authority over it.

In practice, this means that Clan leaders have the right to claim and control everything that is "part of their land," their domain. This usually refers to prey, but also includes herbs, goods, and even warriors with a holy, StarClan-ordained name that swear fealty to them.

Most often, this is the law that is cited to justify territory expansions, by changing borders. It also tends to come up in "economic" circumstances. When Onestar launched an embargo against ShadowClan during the Yellowcough Epidemic preventing mullein from being brought to them, he cited this law, because that herb only grows in WindClan moorland.

The intent behind this commandment is VERY different from its modern use. There were originally just two "commandments," this one and the Law of Honor, and it was essentially serving the purpose that later laws (namely 6, 8, 10 and 13) would more explicitly outline. Its purpose wasn't to put absolute power over territory into the paws of a leader, but to command the Clans to respect each other's autonomy.

In fact, the wording is weird to reflect that.

In Clanmew, the verb here for "trespass" is meant in the sense of "to disrespect," and which "stars" are being offended is unclear. It was originally meant religiously-- the angry ancestors who halted the First Battle would be offended if the Clans treated each other poorly. Over time, "the stars" came to be interpreted as offending the leader of the Clan, as in "issuing a challenge to them."

But its modern interpretation is all that matters, now. And it's widely accepted to mean "Leader owns everything in its Clan's borders, fight them if you don't like that."

COMMANDMENT 2: Law of Honor "An honorable warrior does not need to kill to win their battles, except when the foe is dishonorable or it is necessary for self-defense."

I'm considering rewording this one in a small but significant way because I have plans to play with the "dishonorable foe" clause. The ideologies of Fire Alone and Thistle Law clash over the philosophical idea of the Code's protection applying to outsiders at all, so I realized that I don't need to have "unless they are outside of the code" written into any specific commandment.

So, instead, this version would mention dishonorability. To invoke this commandment to kill is always an accusation, and to accept that it was used against your loved one means admitting they were "dishonorable." To be outside of the code, to be unable to contribute, or to be HalfClan could mean you're inherently dishonorable... if someone like Tigerstar wants an excuse to hurt you.

Unsure, though. I do like the wording of the canon commandment, "unless they are outside of the warrior code or it is necessary for self-defense." I do like the way that it says, right away, that they don't see outsider cats as being protected by this law. I like how weaselly it is.

COMMANDMENT 3: Law of the Deputy "The Star is to choose a responsible Deputy to rule alongside them who shall carry the starlight after their death. A Clan must never go past moonhigh without a Deputy appointed."

Developed as a result of the events of Riverstar's Heir. When King Riverstar passed away with the inheritance of the River Kingdom unclear, his oldest living biological son stepped forward to claim his "birthright." The son decided to throw a celebration before going to claim his lives, not knowing that there was a saboteur prepared to slip poison into his prey.

The cat who would have been considered Riverstar's "deputy" by modern standards, Flowers Come First, desperately tried to keep the Kingdom together as other cats tried to carve out claims to the leaderless land. After dozens were killed and injured in a civil conflict (sometimes called The Second Battle), the ShadowClan Cleric, Redscar, was called in as a mediator to determine the rightful leader.

But, before he determined that Flowerstar would lead next, it was ensured that all of the Clans would come together to accept this as a new law. To prevent this kind of succession crisis from ever occurring again.

(BB!ASC LOOMS IN THE DISTANCE)

This commandment was technically the first "addition" to the law, but at the time, it was considered the "birth" of the Warrior Code. Before this, it was more of a pair of principles from StarClan.

As a note; in the Clanmew, "Responsible" Deputy implies a warrior who has trained an apprentice or has raised children. I'm unsure if linguistic drift now means that HAS to be an apprentice or not, but there are probably historic cases where a Mi with a ton of grown kittens took power.

COMMANDMENT 4: Law of Loyalty "Defend your Clan, even with your life. No love for an outsider shall outweigh your loyalty to your Clan."

This law was famously introduced after Ryewhisker gave his life to defend his mate, Cloudberry, in a battle between their Clans. It's usually considered the first proper "addition" to the Warrior Code, but a real debate about if 3 or 4 is the first "amendment" would probably be considered a sort of pedantic argument by most.

(side funfact; In Clanmew there's a term for that. It's called a "Shineless Fight," or a "matte match." Basically a silly battle that doesn't invite attention from StarClan.)

Its ratification came even in spite of Cloudberry's heated opposition to it. The ancient practice of Kitten Stealing was born from this commandment, justified by ancient actions taken by Skystar during the Dawn Era. Cloudberry watched her kittens grow, inheriting a world far worse than the one she'd loved Ryewhisker in.

When she was reunited with her mate in death, they refused to be part of a StarClan cruel enough to support and approve of a law written to condemn their love. Without a moment's hesitation, the lovers fled into the Place of No Stars together, vowing that they would not rest in peace until the evil commandment was overturned.

They do even more than just that, too.

When cross-Clan mates need protection from discovery, the lovers will hide them from watchful eyes under the cover of yew branches. If the stars burn brightly to document the sins of forbidden friends, Cloudberry will cool them with rain while Ryewhisker bends the grass to guide them to safety. They are demons acting as guardian angels, for those who God has abandoned.

...Also, author's note, I've done rewording to this law. I'm trying to make sure all types of love (platonic, romantic, familial, plus the clan culture concepts for these) are equally important narratively. It's both something I care about as an artist, and also something I think makes the story better.

DIVERSITY WIN! Your queerplatonic cross-clan relationship is equally treasonous!

On that note, I also cut the "reassurance" from the law entirely. The canon law says "you may have friendships, but be careful because you might meet them in battle," to imply it's fine to just be friendly, but I feel like it fits BB better to just not explicitly spell that out. I generally think it's a better idea to stress how individuals interpret the law.

COMMANDMENT 5: Law of Priority "An honorable warrior would starve before letting those they protect go hungry."

In Clanmew, the wording will be closer to this; "The true warrior Wants before those they protect would Need," which means that the warrior's desires go unfulfilled if their "charges" have unmet needs. It applies very broadly to almost anything-- food, medicine, rest, tools, etc. It's not just about hunger, but it's been translated in a way to communicate its spirit to an English-speaking audience.

This does typically mean that kittens, elders, and the Cleric eat first, but it's also one of the laws that particularly noble warriors would repeat to themselves as a mantra. It stresses self-sacrifice in service of the weak. On the flip side, a more authoritarian cat can easily twist this code to accuse someone else of being dishonorable, if they're "taking" too much.

Full disclosure, this one's still pretty big WIP material. I haven't made a lot of progress on the origin story of this one, or what its sociological impacts were.

In fact, laws 5, 6, and 7 are WIP territory. They might get shuffled in order or reworded in the future, though their "spirit" is going to stay the same.

What I DO know about the Law of Priority's backstory is that it's probably not going to be born from a battle on Sunningrocks. Most of the canon equivalent law from COTC is actually going to get repurposed into BB!Darkstar's Commandment, and Commandment 11 by proxy. It's more likely I'll take a bunch of the spare ancient warriors and come up with some original big disaster that spurred it on.

COMMANDMENT 6: Law of Grace "StarClan is to be thanked for what it provides. To waste their blessings or blaspheme their light is treason against the Stars."

Also known as Dovestar's Law. Possibly one of the most prone to being interpreted in different lights between leaders. It's not a law explicitly requiring belief, but it does command religious performance from all Clan cats.

...which, functionally, does mean that cats like Cloudtail and Mothwing have always been pressured into taking part in rituals they don't want to be part of.

For example, when prey is killed, Cloudtail gets offended looks when he doesn't send a prayer to StarClan. If it wasn't for Ferncloud and Elderberry being so close to him, he might have been denied getting Ashpaw as an apprentice due to a refusal to swear a religious oath. Worse, if Bluestar hadn't been leader at the time, not pressing his nose to the Moonstone might have prevented him from becoming a warrior at all.

(as a personal note, as an atheist, ive always found the way that canon dances around acknowledging the destructive aspects of organized religion EXTREMELY frustrating. Especially in COTC, where it's mentioned that Dovestar wanted to codify a religious commandment but failed, and Leafpool smugly chuckles at the leader for being so surprised. It felt like such a "writer's mouthpiece" moment. girl it's a cult in the woods. you wrote scourge as an evil atheist. your cats have catholic guilt, just own it)

The second most important legal use of this law is to punish contact with the spirits of demons-- residents of the Place of No Stars. There are several forbidden techniques for utilizing the power of these spirits, namely "Channeling," the direct summoning of a spirit (as opposed to "Invoking," which is when StarClan as an entity is used as an "operator" to get in touch with an angel in its ranks).

Casually this is referred to as "witchcraft" or "forbidden magic."

But, in addition to being a religious law, it is also a law against overhunting and waste. Especially of "blessed" animals, such as bats and songbirds, which are considered downright sinful to kill. If you knowingly destroy beautiful things without a good reason, "wasting" a blessing, it's not JUST a sin, but a crime.

It's possibly one of the most relevant laws in the day-to-day lives of warriors. ShadowClan cats in particular take this VERY literally, believing that they should also try to salvage a use from ALL things they kill. Including badgers.

COMMANDMENT 7: Law of Seasons "A kitten must see two seasons before it can become an apprentice. An apprentice must train for two seasons before it can become a warrior. A warrior should handle all four seasons alone before becoming a mentor."

This commandment was worded and introduced by Daisytail, rallying all the parents of the Clans, to protect young cats from two battle hungry leaders who were foisting fights and responsibilities on those who physically could not be ready.

This story won't change much from its COTC equivalent, besides maybe adding an extra detail that young apprentices were being given to young warriors, less than two years old. A very young warrior might had never handled the season they're now training an apprentice in, leading to things like;

Being unable to identify thin ice

Not knowing how cold temperatures change how scent works

Unfamiliarity with hunting in snowy conditions

Lack of education on wintertime animal behavior

Ultimately though, the point of this law is simply to codify "minimums" of the age brackets. Most cats train longer than that, and they are strictly grouped socially.

In fact, because of the fact these cats age so rapidly during their first year and then "slow down" afterwards, "rank" is a LOT more important socially than chronological age.

As an example, Reedwhisker has a nightmarish, two-year-long apprenticeship due to mentor abuse. He was considered an apprentice in age that entire time. Having an extended mentorship is literally like being forced to stay a teenager. This is as hellish as it sounds.

Overall though, for BB, this commandment is going to be a lot more relevant for the mentor/apprentice aspects instead of "early apprentice" infractions. Even the most evil, short-sighted leader can realize that getting kids killed before they turn into adult soldiers is self-defeating.

One of the more notorious changes of BB is the fact Brokenstar isn't going to be using child soldiers. What he DOES do is approve of Runningnose's plan to murder a blind kitten so that they can frame Shroompelt for it, exiling her as Yellowfang and FINALLY getting her out of the way so they can commit a massacre against WindClan.

(still evil just a different kind of evil <3)

I've been really wishy-washy on what happened with Badgerfang specifically, because I didn't want to eliminate the tragic story beat of a young life being wasted. But I've finally decided what I'm going to do. Badgerfang was just a fresh apprentice, nothing special, nothing "illegal," just like all of the other adolescents who took part in that battle.

I don't think he should have to be legally too young for it to be absolutely horrific that a kid was killed during the invasion of someone else's home. He was the equivalent of a 13-year-old and he was gored by someone who was confused and terrified in the middle of the night, bleeding to death in his uncle's paws.

For Flintfang, in that moment, it has nothing to do with recommitting himself to the "warrior code," but realizing that the only way this madness stops is if someone puts an end to it.

COMMANDMENT 8: Law of the Challenge "All warriors who bare a blessed name from StarClan are entitled to defend their honor. The right to challenge, or to accept a challenge in turn, shall not be infringed upon without reason."

Attempting to stop a war from breaking out between ThunderClan and WindClan, the ancient leader Morningstar prevented his warriors from fighting back against Rabbitstar's border transgressions. Furious and offended that they could not prove themselves in battle, his cats came to resent him. After skirmish and sickness lead to the "honorless" death of several cats including his deputy, the Cleric, Pearnose, lead a revolt against him.

Morningstar was branded a coward by StarClan, deemed unworthy of joining their ranks and sent to the Place of No Stars to wallow in his misery. Afterwards, Pearstar gained her nine lives, beloved by ThunderClan and blessed by StarClan, and her decree was made into code.

This law is being invoked when a warrior mentions their "right to challenge." As a quirk of the wording, it's also widely accepted that an official challenge involves saying your opponent's full name, to get the attention of StarClan.

"without reason" is another one of those little clauses that gives a leader wiggle room when they need it. Legitimate "reason" to cancel a challenge includes the full moon truce, promise to allow the battle at a more appropriate date, or the fight being shineless or dishonorable to begin with. Still, leaders are rarely eager to get compared to Morningstar, so there's a lot of social pressure to not infringe the right.

The Clans culturally value the idea that "might makes right," and this commandment is both a result of, and a contributor to it. A LOT of small-scale quibbles over aspects of the Warrior Code end up being resolved by an invocation of the Right to Challenge, because trying to argue with a warrior that they're wrong about how they interpreted the code is easily interpreted as an attack on their honor.

COMMANDMENT 9: Law of the Wild "A warrior rejects the soft life of a kittypet."

During the destruction of SkyClan's historic territory in the White Hart Woods, Flystar witnessed many of his warriors turning to humans and the town to live double lives. In response, he started very strictly enforcing the warrior code, believing that if his Clan lived more piously, this would stop the destruction.

it did not work. Old Man Flystar died and left Cloudstar as a young leader, desperately keeping SkyClan together in its exile. Even death did not stop him from honoring his vow.

...But the Forest Four did not care. The amendment that Flystar suggested for the warrior code was born from his need to discourage his warriors from leaving, but it was approved because of shared cultural hatred for human beings. The destruction of SkyClan's territory just made an existing problem much, much worse.

During the Crusade Era, this law was invoked to justify violent invasions into Chelford. During other eras, it makes cats hesitate to take food from humans, or even interact with kittypets at all.

It's also a very weird translation; in Clanmew, this is the "Law of the Unbunched Scruff." It could also be translated as "Law of the Uncollared Neck" or "Law of a Free Nape." It's referring to the back of the neck being unburdened by a collar, but it's also REALLY common for little kits to learn about this law and immediately start using it to protest their Mi carrying them back to the nest for bedtime.

This was also the last law to be introduced before SkyClan's exile! Modern SkyClan has complicated feelings on if this one should be respected as part of their "version" of the code.

ALSO;

I've so far kept it as short and simple as canon, but I'm thinking of making it longer to match the others. I can't find the right words for it, though-- something about "A warrior rejects the soft life of a kittypet, and resists the deceitful temptation of humans" or "and remains vigilant for the tricks of man"

I want to capture the vibe of Flystar trying to convince his warriors that humans are liars, and any gifts they give you will actually make you weak. Part of me is trying to avoid wording the commandment in a way that could result in people thinking Firepaw himself is a "trick of man," but maybe I should just lean into it instead.

COMMANDMENT 10: Law of the Cleric's Vow "A cleric who takes a mate or has kittens has violated their sacred vow, and must have their privilege of being StarClan's herald revoked."

Moth Flight did not create the vow to be ratified as code. It was a desperate, painful oath she made her four kittens make before they were taken away from her to become the first Clerics of the other Clans.

She made them promise her that they would not have children of their own who would be ripped away from them. It was a mother's plea, to spare them from the pain she was experiencing, to encourage them to value medicine over connections to a Clan that stole them, and to punish the Clans for treating their bloodline like something that would produce prophets like livestock.

Their gifts would die with them, and all future Clerics would be trained, not born. The Cleric's Vow was a non-binding tradition for generations, until the exile of SkyClan.

Larkstripe, Cleric of WindClan, rallied the other Clerics into going on strike until the leaders reversed their terrible decision. Swiftstar stubbornly refused to give into this demand, even when sickness landed him on his deathbed. She remained firm, informing him that he was free to gamble with his life if he wanted to face StarClan's judgement.

His successor, Dalestar, sought a way to brutally crush the strike. So he hit Larkstripe at her one weakness-- her son, Ripplekit.

With the ringleader's reputation destroyed and her son ripped away from her and sent to ShadowClan, the other Clerics quickly folded. Dalestar got his way, and was celebrated for it.

This commandment doesn't have too many unique interpretations, though there are occasionally interesting cases where Clerics have kittens before taking their vow. While it's a "gray zone," kittens who are the child of a parent-turned-Cleric are sometimes considered cursed or unlucky.

(contrast to SkyClan where it is actually considered a plus for a Cleric to have kittens.)

COMMANDMENT 11: Law of the Full Moon "Under the light of the full moon, all Clans shall send representatives to the Gathering to hear the news of the leaders. There will be a truce that lasts from sundown to sunrise, and attendance is a privilege."

Taken from Larkstripe and raised at the belly of Birdflight, mate of the exiled Cloudstar, Ripplekit grew into Ripplemoon and became Ripplestar of ShadowClan. Spurred into action by a blight that was spreading up the now-dead fifth tree of Fourtrees, he declared war on the other Clans. "If you will not make room to fetch SkyClan home, then I will carve it out."

Before this time, the Gathering was simply a tradition, not code, but Ripplestar's deadly total war tactics recognized it as an excellent target. Attempting to bring a swift end to his bloody campaign, he planned an attack that would surely have many innocent casualties.

However, he was betrayed by his adopted brother; Gorseclaw. The other Clans were prepared for his attack, bringing nothing but warriors to the Gathering. In fury at Ripplestar's audacity, having lost the SkyClan ancestors who would have supported these actions, StarClan struck the base of the blighted tree with lightning. The falling trunk crushed Ripplestar against the Highrock and snapped the oak in two distinct places; at the base, and in the middle.

The Z-shaped cracks would be seen again many years later, as Brokenstar's tail. The guardian spirit of SkyClan, incarnated in the flesh through a birth from a Cleric, furious and manifest.

But, before that time, there was an immediate "Clan Pride Tide" that washed over the culture of those who won. The Law of the Full Moon was the first of three additional Commandments born from Dalestar and his peers during this time.

There are three significant "rules" to Gatherings that were established by this law;

The leader may arbitrarily exclude any cat they don't want to bring. Before this commandment, you could just go. Now, the most freedom you have is your ability to linger longer for the Aftergathering.

It is mandatory to completely listen to the "opening speeches" of Gatherings before you're allowed to mingle. Even if grandma mistystar is going off on a tangent again

The truce is now enforceable. It was previously just a taboo-- scuffles would break out now and then, and there was the occasional playfighting match. Now, you can't even get heated at another cat without people getting uncomfortable.

COMMANDMENT 12: Law of the First Tasks "Before an apprentice can receive their holy name by the power vested in their Star, first they must complete three sacred tasks; a warrior's assessment, a complete vigil, and a pilgrimage."

The second law to come from the post-Ripplestar tide was more codification of traditions, to "instill a sense of pride and honor into young warriors," but these were also a sneaky way to weed out dissidents.

Apprentices would typically do these tasks naturally as part of their rite of passage, but now, if ANY of the cats involved in this process did not like you or your mentor, they could hurt you by delaying them. A leader could choose not to bring you with them to the Moonstone. They could force you to re-do the vigil for making a noise. A vindictive mentor could keep flunking your assessment for stupid reasons because she hates you.

Bad mentors "poorly preparing" an apprentice they have a duty to guide into adulthood is good grounds for punishment. It's a massive dishonor to have an apprentice taken from you. Of course, this all depends on the Clan "taking the side" of the tormentor.

So, this is rarely used for political reasons in more recent eras, because of that potential collateral reputation hit. Making an apprentice's right of passage difficult for no reason tends to make you unpopular with that apprentice's friends, family, mentor, and peers-- but it served its purpose, back then.

Nowadays it's just celebrated as a part of Clan traditions. The First Tasks are much older than the Commandment, but most cats don't think so hard about history that they notice it's strange they got codified during this era.

(Plus, this commandment is popular. Apprentices and their families feel cheated if these first tasks are glossed over.)

COMMANDMENT 13: Law of the Leader's Right "By the power of the Star they carry, the word of a leader shall be recognized as the warrior code."

The big, bad one. Also called Dalestar's Commandment.

With this decree, the Clan leaders announced an exile of all the cats who had been revealed to support Ripplestar. ShadowClan's next leader, Marshstar, was made to deal with an immediate refugee crisis on top of overseeing the injuries of all the cats who fought at that Gathering.

It's the sort of law that would be considered a massive mistake within a few generations, but by that time, it was too entrenched to remove. The leaders had seized power over anything that could legally challenge them-- the Code, their Clerics, and their warriors in turn.

Only the rule of the Impostor would cause this part of the code to be altered, but not before the Clans nearly collapsed under his tyranny.

Future generations would look back at the fallout of Ripplestar's rebellion, and the following tide of Clan pride, and generally reach a consensus; this was the birth of the ideas which would become known as Thistle Law. Maybe it wasn't their origin, and contributing thoughts had existed for a long time beforehand, but this was the watershed moment for what would develop into modern Clan politics.

COMMANDMENT 14: Law of the Three Kittens "No action, inaction, or accusation may ever allow a kit to be put in danger, no matter what Clan their parents were from. All queens shall have the right to not reveal the origin of their litter, even under suspicion of codebreaking."

Famously referred to as Darkstar's Commandment, and cited as the Queen's Rights. Put a decisive end to the barbaric practice of Kitten Stealing. Drafted, fought for, and codified in honor of Mapleshade's three children who drowned in the swollen river.

StarClan was so furious at the sheer amount of senseless death in one season that they blasted Darkstar with lightning to drag her into StarClan to witness the Trials of those who had died. They made her watch as Ravenwing, Frecklewish, Appledusk, AND Mapleshade were all damned to the Dark Forest, and bellowed that her and Oakstar would fix it or suffer the same fate.

She listened and proposed this law. Oakstar did not, and fought against its implementation. He tried to make up for this by beginning the Crusades, but this wasn't enough to "atone" for his disobedience.

Darkstar ruled that the birth of innocent kits shall could never be used as evidence of guilt, because of the fact it would inevitably put those same kittens in danger.

It was StarClan's privilege alone to judge if the behavior that lead to the conception of those kittens was codebreaking or not. Flawed mortals, such as Mapleshade who lied to keep her kittens safe and only endangered them through panic, and Oakstar who exiled children into the rain because of personal offense leading to bias, could not be trusted to be objective about this.

That said-- the Queen's Rights are a very complicated and particular topic. They exist to protect the kitten's birth from being used as evidence; they do NOT protect the family from any consequence of their actions. There are lots of ways for the Queen's Rights to be voided.

If the kids find out their parentage and reveal it, it's void. If a cat who recently gave birth shows the kits are theirs, it's void. If you let it slip that you acquired the kitten from your sister who wants you to raise it as a Clan cat, it's void.

And, no, you can't even safely talk to your Cleric. They are within their full rights to reveal it, too. There is no Cat HIPAA. Whoever you trust with this information had BETTER BE someone you trust with your life, because they might be!

Cats who lean towards Fire Alone think that the Queen's Rights don't go far enough. Cats who lean towards Thistle Law are obsessed with the contradictions.

COMMANDMENT 15: Law of the Lake "Every Clan has the right to defend its independence and to fight for its honor, but the Clans of the lake shall never allow another to suffer or collapse. In dire times, all the cats of the lake understand their ancestral command; unite or die."

First proposed in response to the disastrous lack of response that allowed the rise of the Kin, a deadly Yellowcough outbreak, and the eventual collapse of ShadowClan, this commandment was approved without contest when SkyClan found its way to the Lake.

It's both a promise to SkyClan that what happened to them will never happen again, AND a somber acknowledgement that what happened to ShadowClan was avoidable if they'd only intervened sooner. Heartstar takes this commandment VERY seriously.

Too seriously, many add. Perhaps more out of ambition than compassion. But she doesn't care-- they weren't the ones suffocating in their own lungs watching their family die, as Onestar sat on a hill of medicine across the lake, glowering. Perhaps they should take it more seriously.

COMMANDMENT 16: Law of the Lovers / Bristlefrost's Law "If a cat wishes to walk alongside the warrior of another Clan, their beloved may ask their Star to issue a challenge to prove their new loyalty. If this challenge is overcome, their love shall be known as StarClan's will."

AKA Bristlefrost's Law, created in her honor after sacrificing her Afterlife to barrel Ashfur out of the sky, burning up in orbit.

In life, Bristlefrost was innocently meeting with Rootspring. Two warriors with a small crush, breaking the code discreetly during a time of increasing tension. When Bramblestar's impostor caught them, he decided to make an example of the couple. Brought Bristlefrost to the Gathering, and demanded that SkyClan strongly punish Rootspring to comply with the code.

Waspstar of SkyClan, successor of Leafstar after her poisoning at Juniperclaw's tricks, refused. So the impostor lifted his claw, and sliced Bristlefrost's neck. Her body plunged from the tree, dead in an instant.

With her ghost, Rootspring joined the resistance to depose him immediately. After her sacrifice, he demanded reforms for the code and a new commandment in her honor. It was not as sweeping of a change as he wanted it to be, but with the Law of the Lovers, there was finally a mechanism to bring another cat into your own Clan.

It could have saved her, he argues. He could have taken her out of that dangerous Clan, gotten her away from the Impostor, convinced her to run.

(...the truth is, Bristlefrost would never have run from ThunderClan. Not until the bitter end. She wouldn't just die twice for her family, but even more than nine if she had the chance. but this was the leverage that Rootspring was able to use.)

AUTHOR'S NOTE: I keep going back and forth on the "love" wording of this one. On one hand, I like the idea a lot that Clan cats will have to perform friendship or love even if it isn't there to "legally" change Clans as a story device. I enjoy the idea of exploring that, and how it would be particularly messed up in an asylum scenario.

On the other hand... I'm not really using "love" in the romantic sense here, and "sponsor" is both closer to what I'm intending, AND the Clanmew version. By "beloved" I mean it equally in the sense of both an aunt and their "beloved" niece, and a lover and their traditional "beloved." But I'm not sure if that's coming across.

Is there a better word for "Sponsor" but like, in a warm and affectionate sense? Legal Buddy? Guy Who Will Vouch For Me? Sweet Cheese? Not to mention there just not being platonic words equal to "lover." The amatonormativity of the English language has harmed me once again

Law of Kickem Buttocks / Leader-B-Gone "girl help im still figuring out how I'm going to rewrite the new law about kicking out leaders. It is too long and too hyperspecific. There's absolutely no way for it to get legitimately used in canon, let alone be a relevant plot point."

I know FOR SURE that the first time this law is going to be used in BB, it is against Bramblestar in ASC. He's declining, manipulating Nightheart to use in a petty squabble against Squirrelflight, and suffered two massive blows to his reputation in both Squirrelflight's Horror and BB!TBC.

But the canon law is so specific that it's useless. Like, it may as well not even exist.

A non-deputy needs to call the vote

BOTH medcats have to agree

AANNDD you need a 75% supermajority in the Clan.

FINALLY, the other leaders, of Clans that are completely irrelevant, are asked if it's ok and ALL of them have to agree.

only THEN can all of the medcats of ALL the Clans go to StarClan, and ask if the lives can be taken away.

If the sky is cloudy then screw you. you have to wait even longer. Even if your Clanmates are getting murdered or tortured or whatever.

This frustrates me because, this is a MASSIVE change to the Warrior Code, something the audience has been desperate for. Drama in this series has practically dried up, and barely anything happens for books and books.

To make such a long-awaited addition be something this useless feels like an insult. Like they just begrudgingly did the bare minimum so they could ignore it. Even the "drama" of Reedclaw trying to oust Leafstar in CC was pointless, because if the writers were just less boring with their characters, she could have called for that vote all on her own.

"Ah but the code--" characters are capable of arguing that laws are ineffective and drastic measures need to be taken. Other characters can agree with them. it's that simple. Law is a social construct, not a wizard's magic barrier

Like. It could be that easy. Reedclaw doesn't want to physically harm Leafstar so she calls for a vote of no confidence. Cats quibble about if it's "legal" or not, Hawkwing proposes that it be 75% supermajority because then it would be extremely clear this is the will of SkyClan, etc. This would also be more interesting because then it's not established, it's new ground.

BUT. For BB I do want it to be law. Just a law that actually gets used.

So right now I'm leaning towards something like;

"If a leader is no longer able to rule with honor by their Clan's three-quarter decree, the Star shall undergo a ritual to return their blessings. This ritual must be both invoked by a cleric and a warrior, and then carried out by them if successful."

I still feel like three-quarters is a tall order, but I think I can work with it. At the very least, I can remove the requirement for ALL the Clerics to be in agreement.

I'm particularly fond of the idea of the idea that the two accusers have to carry out the WHOLE thing. The Cleric performs the parts of the ritual that would "wash" the lives away from the Leader, and the Warrior performs the parts of the ritual that would allow the Deputy to take them early. Overall, I think it would be generally better if the "difficulty" of enacting this commandment came from the fact the Cleric and the Warrior have to be EXTREMELY dedicated to it.

Like, instead of dealing with a lot of waiting and asking, if you want them gone, you have to do something very tedious with no reward.

As for what that ritual looks like, I want to reference BB!Rowanstar's sacrifice. The leader will probably have to bathe or be rinsed by the water of the Moonpool, and the deputy gets dunked in that.

bramblegirl bathwater

[raddest-laddest]

ok. someone’s gonna have to come get my dad or i’m gonna tweak.

[snuuyfanged]

finally did a proper update on my toyhouse profile. passes out

[inkyquince]

hey inks, hows the game youre working on going? the tiny snippets we got had me chortling

SHSJAISJSJJAJA OH GOD

I'm still having a stupid amount of fun coding and writing. Like, im so excited, but I'm bogged down by other work.

If people are interested I could upload stuff for it? Quiet is already humping most of the characters

AND THE FUCKIN THING I USE TO MAKE NOTES? LOOKS INSANE RN

[toystore]

Remake of my previous post — my name is Mochizuki Hajime, I am an LGBT Asian Latino man. I am saving money to support me leaving my abusive family. I have been mentally, physically and sexually abused and traumatized, and I am deeply depressed living here. Much of my anatomy is taken from me by my family (I am not allowed to have a job, leave the house, or have friends) and I'm often overworked physically to the point of chronic pain. My family often threatens to take basic necessities from me (food, water, shelter, basic sanitization things) as well.

I have no real life family or friends to rely on, and will have to build my life over from the very beginning. I am going to lose nearly all of my possessions, as well. I really will need any help that I can get.

I was recently accepted into university, and I am currently applying for housing. I am able to afford the immediate enrollment and travel fees right now, but I will need assistance with purchasing essentials (like clothes and hygiene products) as well as school supplies. The rest of the money I receive will go towards supporting my livelihood and paying for any other fees.

My goal is currently $500. I can accept money through c.app at $primaveral or ko-fi here. Please message me for payp. I can draw, code, or make web graphics for payment if you'd prefer something in return. My art examples are here, and my web design examples here.

Thank you so much for everything. ᯓ🪼⭒˚. ࣪

[unnonexistence]

have just discovered that the other half is hunting down bugs

i think about half of learning to code is sitting around puzzled by something going "there HAS to be an easy way to do this" until you remember the right term to google

[l0vergirls]

take the reins

you've dug too deep, but there doesn't seem to be a downside to that.

batfam x reader

wc: 1382

a/n: i started watching mr. robot (plz no spoilers im literally on the 3rd episode) and fell in love with it and .. started thinking !!!.. & this is lowkey set up like the start of a series, but i'll see how it goes considering i have nothing plannef at all. .. pls do send asks about this story and this reader since i would love love love to expand on it hehe

It was as if time had stopped for a moment.

You found out a lot of secrets. Secrets that can put people behind bars. What do you do with those? Send in an anonymous tip to the rare non corrupt cop, of course. You like to think of it as being a non-violent vigilante. Instead of running around Gotham in a costume and beating the bad guys within an inch of their life, you sit comfortably behind your computer screen and dig.

You dig for anything and everything you can find on everyone you encounter. Why? Maybe it's the unrelenting feeling of needing control, or the fear of simply not knowing.

By breaking something down to its source code, you're baring it all; the rights, the wrongs, everything that makes or breaks you. You won't get caught off guard if you just know how something— someone works.

Sometimes, you find nothing noteworthy. Your neighbor in 405, for example. The first time you had passed her, she sneered at you. That was good enough reason to hack her.

The woman at 405 is Emma Davis, aged 35, 5'7, date of birth: May 15th. Studied at NYU, worked a desk job at some company in Star City before getting relocated to Gotham. Yeah, I wouldn't be ecstatic either. Brings home a different person every week. Occasionally smokes weed. Also your occasional hook up. Don't make decisions while intoxicated.

Emma Davis is just a run of the mill office worker, with the same vices as most people. Nobody special.

But this? This could get you in serious shit, if you aren't in for it already.

Bruce Wayne, date of birth: February 19th, 6'2, CEO of Wayne Enterprises, adoptive father of multiple children, and... crime fighting vigilante at night.

Bruce Wayne is Batman.

It wasn't hard to connect the dots after uncovering the man behind the cowl; you figured all his children were Robins at one point. Even the dead one. Except the dead one isn't really dead, is he?

Richard Grayson, Jason Todd, Tim Drake, Damian Wayne— all crime fighting vigilantes. What a family. You wonder who else you can unmask.

Fuck, you need to go home. Doing this at a coffee shop was a mistake, but damn it, their connection was fast. Too many people, too great a chance of a breakdown.

Close all the tabs, all the windows, scrub yourself clean of all evidence of intrusion. Don't leave a trace.

Shut down the laptop. Leave.

The sun is still out, they wouldn't be around yet. Everyone knows they all work at the dead of night.

You drown out the meaningless conversations around you, and you're on autopilot, heading to the apartment that you call home.

<>

The Waynes pride themselves on their secrecy. Hiding their vigilante alter egos behind carefully crafted lies. They built walls as tall as the buildings with Bruce's name plastered across the front.

It was a little too late when Alfred Pennyworth received an alert from the Batcomputer. Alfred sent all the vigilantes a message, and they came running in. After all, a security breach is detrimental to all of them.

The butler found a location, The Last Drop. A café right in the middle of the city.

Bruce looked through all of the files, recordings, reports— everything. The hacker didn't take anything, and didn't make copies. He deduced that whoever it was simply read.

That's no good either. Someone out there is aware of who they are, who the man under the mask is.

"Alfred, pull up CCTV footage at The Last Drop at the time of the hack."

On the screen were the grainy videos of the café, with at least 6 different angles. It was fairly crowded, filled with busybodies coming and going through the door. With 7 people on their laptops, they could narrow down the search for the culprit. But not by much.

Until two figures left the café at the same time, approximately a few minutes after the breach, but neither of them were sitting next to each other.

It was one or the other.

Tyler Hess, banker. Went to school in the city, stayed in the city. Clean records, comes from an upper middle class family. Nothing of note.

[Y/N] [L/N], cybersecurity engineer at LabyrinthTech, and one of the more favored employees. Born and raised in Gotham, graduated college a year early, and by all accounts, highly intelligent. Clean records, but skilled enough to be the one behind the hack.

"Well, I think we found our suspect. What're you gonna do about it?" Jason bristled, apprehensive that this person knew all about him.

"'You'? What, you've got your own plan?" Dick retorted.

"Maybe. Not like I'm gonna hurt the little thing," he spat. It was invasive enough that you'd hacked into their records, he thinks a little scare is warranted.

Bruce interrupted, "No, I'll deal with this. They accessed our data for a reason."

<>

It was inevitable that one of them was gonna pay you a visit tonight.

After locking yourself in the apartment, you figured a quick nap would be a good distraction from it. And it was, for a couple hours. Upon waking, you walked into the living room and lo and behold, vengeance himself was standing in your apartment.

"Can't say I didn't expect this, really," you spoke carefully, avoiding his gaze.

He grunted, "Then you know why I'm here. Why'd you do it? What do you gain from figuring out our identities?"

Out of the corner of your eye, you see a shadow moving across your window.

"Nothing. I just got curious. All billionaires are shady, and they're all hiding something. You were, by far, the most suspicious," you let out a breath. "Don't worry, that's not what anyone else thinks, at least not anyone that can do what I do,"

You hear another voice joining the conversation.

"Do what? Invade people's privacy? You should really be careful where you stick your nose in, hacker."

If looks could kill, you'd be dead ten times over. God, this guy's intense even through that helmet.

Jason Todd, aka Red Hood, date of birth: August 16th, date of death: April 27th, 6'0, occasional smoker, former Robin. Likes pot roast.

Batman— no, Bruce Wayne interjected, "Suspicious?"

"Might just be me, but I found it hard to believe the richest man in the world would be throwing so much money into this dump of a city without an ulterior motive," you look at one of the ears on his cowl, it was almost cute, "Every other rich guy did. Whatever money they put out, it came back to them ten times bigger. Nobody really felt for this city."

That was your angle? The two men went still at your somber admittance. Sure, Gotham wasn't the best city, but that's why they did what they did, wasn't it? They had the slightest urge to show you that they really did care. And perhaps show off a bit.

Jason shifted, "You did it because of a gut feeling?"

You shrugged, "It was right, wasn't it? Something was up, just not... in the way I expected,"

It wasn't everyday you uncover a vigilante that turned out to be Gotham's beloved billionaire.

"Anyway, congratulations on not being an entirely bad guy. 'm not gonna tell anyone," you murmured, "not like anyone's gonna believe me,"

You see Red Hood look at Batman, a silent conversation was, no doubt, occurring.

The two vigilantes head for your window— do these guys ever use the front door?

Bruce turns to you, "Try not to do it again,"

"No promises," you huffed. "But your defenses could use some work. Comms, body cams, and other recorded footage— they were just there."

Red Hood's helmet glinted as he tilted his head at you. You shivered.

"Right, won't do it again," and that was that.

It was like they were never here.

What a night.

<>

You scrutinized the letter in your hands.

A job offer for a position you've never interviewed for. At Wayne Enterprises.

Batman works quick, that's for sure.

The pay was good, very good. You reckon there wasn't a single complaint about that.

Hm, they're making sure you're under their watch. If you were a threat, you'd be easier to keep an eye on. Easier to control.

You weren't one to give up control, but potentially having access to the city’s… well, everything, was something too tempting to give up.

Looks like LabyrinthTech was losing their best employee.

[starrysunbeam]

observations 10₊˚｡⋆❆⋆｡˚₊

(numerology edition)

•in numerology, 9 energy is about the end of a cycle. you can expect leaving a lot behind in a 9 personal year, intentionally or not. however, 8 is often overlooked as encompassing completion as well. think of the infinity symbol on the world card in tarot. you will wrap up loose ends and karmic cycles in an 8 personal year. 9 is utilizing the lessons learned and reflecting on the past 9 years, non-judgementally and honestly. your spirit guides will be close by.

•speaking of tarot - a life path 16/7 is associated with the tower card. 7 is very spiritual, and 16 challenges you to take on many soul lessons. this is actually a beautiful opportunity to transform over and over and recognizing your power to shed skin.

•a soul urge 7 will forever be students of spirit itself. they long for solitude because, whether they realize it or not, they are receptive to a lot of energy and need the space to listen, process, and analyze. they see synchrinocities as well as chase the unknown, because they are connected to the other side. they also have the willpower to challenge themselves and grow.

•if you're into angel numbers, always pay attention to what's happening when you see one. where are you? are you listening to music, does the song possibly have meaning? do you see this number consistently, or sporadically? this can help you receive more guidance from spirit.

•if i bought a custom license plate, angel number 444 would be on it. it would protect you from road rage or accidents. a black car increases that protection as it's associated with it as well. (edit: idk anything about cars and someone corrected me, this isn’t true. black symbolizes protection in general but black cars are actually more likely to get in accidents.)

•get in the habit of reducing numbers. example, 19 reduces to 10 which reduces to 1. recognizing the core numbers in your daily life or the collective can help you understand energies around you better.

•lastly, be careful to not get analysis paralysis. as someone with anxiety and some ocd behaviors, it can be easy to go past our intuition and acknowledgement of different energies to overload ourselves with it. it's exhausting to interpret messages, we're not meant to crack the code of the universe - we're spiritual beings having a human experience, and being in the present moment is what's most important.

[mythalism]

blah blah thinking about the popular rebuttal to complaints about veilguard's politics being "bioware was never leftist so you shouldnt have expected veilguard to be" which is... interesting.

true, of course. the expectation part i disagree with but thats not what ive been thinking about. im thinking about what made it feel so different to the very similar centrism of da:i. and maybe someone who didnt black out the entirety of veilguard as a cognitive protective mechanism can speak to the specifics but i think ive settled on it being that da:i is undoubtedly neoliberal and centrist just like da:o and da2 before it but despite their clear framing and limitations there was always the encouragement to think and the freedom to do things that the game might condemn narratively as "too radical" but you could at least do them. or say them.

this erodes by the time you get to da:i but in veilguard its absent completely. like making leliana divine or putting briala on the throne, for example. the game presents these options in a very neoliberal and centrist way. the un-softened leliana divine epilogue slide features much of the "radical violence bad!!!!! bad choice!!!!" connotation that all of veilguard has. but you can still do it. briala has incredibly limited power as gaspard's puppetmaster and her epilogue slide similarly slaps the player on the wrist for behaving so radically by putting *gasp* an elf in power resulting in Bad Disruptive Uprisings throughout orlais. but you can do it. hawke can spare anders and let him go. again, the game slaps you on the wrist via character disapproval and the fact he becomes a wandering hermit or whatever the fuck but. you can still let him go. in origins you can make shianni bann and the consequences are disgusting and horrible and writing it that way is literally sickening, but the game lets you do it. origins lets you do a lot of buck wild shit, some decisions less real-world politically coded than others, but you get to DO IT. even if the game and its writers scold you afterwords for getting too disruptive. YOU CAN STILL DO IT.

and this goes the other way too. there is a reason people like greg ellis had a home with dragon age for so many years and his beliefs were able to go under the radar for so long. there is a reason transphobic gamerbros love origins. there is a reason there was backlash to da2's rampant bisexuality. because dragon age let you be leftist about as much as it let you be a racist misogynistic asshole. you can do horrible things in these games. you can quite literally sell people into slavery. templar aligned hawke lets the kirkwall circle get annulled and becomes viscount as a reward for their loyalty. the inquisitor can just execute literally everyone they judge. now, i'll be the first to say that a lot of those options are not nearly narratively condemned enough. bioware has fumbled many a topic in their misunderstood pursuit of "grey morality" that leads them to feel the need to morally equalize situations of clear, unambiguous injustice (cough mage templar war cough). in fact, decisions like sparing anders are often far more clearly narratively punished than things like giving fenris back to danarius, (which kind of just blows over after some approval loss???) and in my opinion that is a writing flaw. i do think RPG games should have choice, and allow players to be evil, but i also think that writers have a responsibility for the message their writing sends to the world. some decisions in dragon age are well-handled. many others recreate and reflect real life racism or misogyny or islamophobia, and reveal the writer's bias against real-life groups of people or political movements. this is the risk of writing stories like these.

but veilguard does not let you do anything. in either direction. ive been calling it a "thought-terminating fantasy cliche" because... it really is thought-terminating. you are not supposed to think about alternatives that may be too radical in the writer's eyes (what if i let anders go instead of face the justice [haha] the game clearly thinks he deserves? what if i install an elvhen puppetmaster on the orlesian throne despite all of my advisors recommendations? what if i support the murder-pope in reforming the chantry through violence and bloodshed?). veilguard has..... what if i save this city over that one? the only one i can think of is saving isseya. are there any others? genuine question. theres nothing to decide and therefore there is nothing to think about. you dont get to think of possibilities past the narrow centrist path presented to you. you dont get to think about an end for solas that doesnt end in jail. you dont get to think about who becomes tevinter's archon and what policies you might like to see them have. you dont make choices between major factions based on ideological and/or practical differences like recruiting mages vs templars. you barely even get to decide anything for the characters, half of the choices are purely cosmetic.

like i feel like theres something to be said for having the choice even if the overall narrative still condemns it. the writer's bias leaks in to the world's reactions to your decisions but you are still allowed to make them. i always intentionally leave leliana hardened because i think radical insane murder-pope who diversifies the church through ASSASSINATION is based. i dont give a fuck if david g/aider thinks its too crazy and tells me so in a thinly veiled epilogue slide reprimand about "the consequences of my actions". idgaf! 1. its a video game and 2. idc what he thinks.

and yes, nothing ever actually changes. dragon age has never allowed you to make radical change within its world even with the decisions that brush up on the possibility. but you can still be someone who believes in the possibility. you can play a mahariel who hates humans and poisons the ashes of their prophet because why should they care when they stole everything from the elves first? you can play a blood-mage circle-abolitionist anders-apologist hawke doing their best to survive in a city where survival and self-preservation sometimes forces them to act against their values. you can play a lavellan inquisitor who refuses to believe in andraste or the maker, advocates for elvhen liberation, and installs an elf on the orlesian thrown despite being forced into the role of figurehead for a religious empire. sure, you cant really actually do anything for the elves, but you can be someone who believes that change should happen. its not perfect. its certainly not some radical revolutionary fantasy nor does literally anyone expect it to be and when people say that its always in bad faith.

bioware has always been canadian liberal centrists and so have their games. but they used to let you get a little fun and crazy and then just reprimand you via epilogue slides or retcons in later games that we all just got to complain about online. but veilguard forces you to roleplay someone else's ideology; a boring centrist status quo loving fantasy with no opportunity to do something different. elven rooks cannot question dorian on tevinter slavery like elven inquisitors could. rook cannot ask lucanis about the child recruitment practices of the crows the way the warden could to zevran. rook cannot ask davrin about the warden's pressure into conscription, joinging and eventual calling the way the warden could alistair or hawke can to anders in legacy. you cannot ask about alternatives or question a single authority or character of any kind. you cannot voice dissent. the dialogue option does not exist. what was once a slap on the wrist in previous titles has become reactionary and preemptive. you wont get slapped on the wrist in the first place because you're stuck in a boring, empty room for after-school detention, railroaded into "good" behavior and confined to one path so you cant get into any trouble on your own. thought-terminating fantasy cliche. it didnt need to be some insane groundbreaking revolutionary work of marxism or whatever the fuck hyperbolic nonsense people are trying to straw-man the criticism into to disprove it as unreasonable. it needed to not advertise itself as an RPG and then force me to roleplay white canadian millenial neoliberal afraid of getting canceled on twitter simulator 4.0 because if i knew thats what i was signing up for i would have respectfully declined and saved my $70 on something that doesnt condescend to me for enjoying bald war criminals and stories about revolution

[kujainvidiata]

„Risotto Nero Observes“ - English Translation

(and my long thought session about it)

Thanks to a kind person, I finally have a link to an English Translation of the recently released short novel about Risotto Nero, called „Risotto Nero Observes“, written by Ayato Toya and translated by Hudgyn Sasdarl. It was published in the official JOJO SUMMER Magazine 2025 along with other short novels, also some festuring La Squadra members. But this one here is focusing on Risotto Nero and it is honestly a fantastic read. I would appreciate if you also share it around, so more people learn about more about Risotto Nero, since he is a beloved character of the JJBA fandom.

⚠️TW for: Canon typical violence (also involving children), murder and the whole mafia stuff you should be familiar with.

Below the cut, I will talk about my own thoughts about the short novel of my favorite character in fiction. It is just yapping in the end I needed to write down, but I also tried to analyze some stuff. I am not a native English speaker, so I am sorry for my mistakes in language. I did also not proof read it, so I am sorry for missing words or typos.

I am also adding some art I made of him because why not ✂️

First of all. Hi, my name is Kuja. I am a dedicated Risotto Nero centric artist and also a yumejoshi of him. Maybe you saw my art before if you like this character. If you do, maybe you also know how much this character means to me since he basically changed my life and brought me back into art and is the reason I found a wonderful community. Which is the reason I want to take my time and talk about this novel in my own interpretations and observations.

In short, this novel is exactly what I wanted to read about regarding to Risotto Nero.

It features no romance, introduces all of the members of La Squadra Esecuzioni and their steuggles, new characters and mostly is focusing on Risotto and his thought process, aka. his „observations“ which will be a reoccuring theme in this novel, which makes it a joy to read.

The short novel is timeline wise in the time around Christmas playing shortly after the murder of Gelato and Sorbet, which will also be a central theme.

Chapter 0:

A short scene where we witness Risotto Nero committing another successful assassination. As imagined, he is mostly using the camouflage abilities of Metallica to hunt down his targets. The kind of k1llingd he does keep being brutal and bloody, as we know later on also often to send an example and message from the highest of Passione.

It is interesting how peaceful the scene was written with the festive christmas music in the background which slowly fades into horror as the corpse is getting discovered by the passengers on that festive day.

Highlight of this chapter is for sure the absolutely high contrast of Risotto's deeds. On the one hand taking a life in a cold way, as expected from the leader of a hitman team. On the other we are experiencing a softer side on him, which many fans often speculated about. The target of Risotto's mission was just kicking a young pickpocketing girl away, making her almost fall to the ground and hurting her while Risotto, still invisible, catching her hand. Her only seeing iron powder on her small hands, probably wondering what just happened.

Seriously guys, this scene alone made me as a die hard Risotto Yume tremble in joy since it confirmed a lot of my own interpretations and headcanons about him, like having a soft spot for the younger generation. He did NOT have to help the girl, but he did, without ever getting anything in return since the girl could not even see him.

Risotto then sends a message of the confirmation of the hit to the boss who interestingly immediatly answers. Diavolo, are you camping your phone and computer all day?

Chapter 1:

One of the most interesting chapters for me personally because of the amount we learn about the hitman team again by observing how they interact with each other.

It is early in the morning and the hitman team is interacting not in person, but in a computer group chat, their personalities shining through.

We learn that Risotto Nero is currently residing inside a room which is part of a cheap apartment inside the outskirts of Naples. So is this only a temporary spot? It is written that Risotto brought his computer so it seems like he is only for a brief time living there. Do they have actual homes? Or do the members rather travel between short lived hideout spots from Passione? In the end, it is no luxury how they live. And this story often reminds us about this fact.

The hitman team is discussing about the most recent news recieved from the boss himself, about a new hit of a man called Rossi who plans to flee real soon and that Passione is entering the business of waste disposal. And two of their members should forcefully (a no won’t get accepted) transferred into this new branch: Formaggio and Illuso. Which causes a big uproar in the chat. Not gonna lie, it is very charming how they all are interacting and even throwing jokes in between. You see once again they all seem to have close bonds to each other. The typical duos are interacting, Pesci with his anniki, Illuso and Formaggio and once again Melone and Ghiaccio who really seem to get each other well, how they interact with each other really tells a lot about their dynamic.

Only one is not fully participating and rather „observing“, Risotto Nero, who tries to read in between the messages and how his subordinates are really feeling in this moment.

Also because of the most recent trauma they endured, the brutal loss of Sorbet and Gelato, two members who were tired of being treated like dirt and dismissively by the whole organization. Not respected, awful pay and the high risk of losing their lives on the daily. It is always interesting how sympatheticly La Squadra Esecuzioni is written, sure, they are assassins for the most dangerous Italian mafia but you can still emphazise with them. Many of us probably can relate to these feelings, not being treated and paid properly for the hard work we do and wanting to get their deserved amount. Their coworkers and close friends being sent to another occupation without their consent. Their capabilities not respected. Who wants to be treated like this? Sure, the motives are mostly motivated in an egoistical sense compared to an altruistic like some members of Bruno‘s gang do, which is one of the main differences of these gangs. But this is also why the hitman team feels more close, since they operate and think as a group, they want the best for themselves, the others coming afterwards, contrary to wanting to stop entire branches of their business for a better cause as a whole.

Even the boss is sending them more and more not so subtile threats how they have to submit and be obedient to his will. Like Pesci realizes, the messages are hidden in numbers. „Smorfia napoletana“ as it is called and we learn about which is a very clever stylistic choice of this novel which are basically numbers with meaning. And the boss knows very well what he wants to communicate to his hitman team, that he has the sole power over them.

And then we have Risotto Nero again. Who is, like I mentioned before, rarely participating in the talk and more inside his head and thoughts, trying to form plans, trying to see patterns and things. Now even more than before.

Because he feels guilty. Because he feels responsible for the death of two of his subordinates. He is angry at himself to not catching on clues of their planned rebellion against the organization. For not preventing them. For not hinder their deaths. In the end, he has to grief again. Something Risotto Nero always has trouble to deal and process. Once again there were people close to him taken away from him. By death. Something he now himself is known for. He, as the jet-black executioner of Passione. It is quite ironic.

Risotto really can’t let these thoughts of guilt go, he constantly is tormening himself about his and now decided to be even more keen on his men. To analyze, to think about their next steps, to prevent such a mistake. To observe.

It is not only that Risotto Nero is „surface“ level invested in his men. No, he „couldn't“ lose anyone else. He is responsible, as their leader. But why he can’t lose them?

Is it just because of the team itself? Do endure even more consequences by the boss and being dissolved by being useless? Is it because of the team spirit? Is it because he needs them for being able to work in the first place? Or is it actually because he can’t stomach any more losses? We don’t know anything about the lives of the hitman team outside their job. Do they have friends? Family? Or only each other? It seems they go around quite a lot, and being gangsters is not easy forming honest relationships between them and civilians. And even other teams inside Passione seem to be cautious, even hateful towards them. They don’t seem trustworthy for anyone else outside the team.

Also, this novel also confirms that Risotto truly cares about his subordinates since he is absolutely trying to analyze and insight for their mental states. He knows his team is processing trauma. They are still human. Luckily he knows as well how many of his members can deal with the stress or who of them is capable protecting themselves most efficiently. He thinks a lot, analyzes a lot and tries how to make a change and impact for their benefit and therefore a raise of the group morale. The mention that Risotto is thinking about giving Formaggio missons with a high chance of succeeding, just to improve his mental wellbeing because he alone found the corpse of Gelato…it tells so much about him. Risotto is absolutely observant and does not tolerate his own mistakes and puts on actual effort of being a good leader for his men. He does not want to any bad causality ever happen again between them. And losing them. As their leader, he needs to look out for the hitman team, they only have themselves.

After the team points out how quiet Risotto is the whole time, he tells them to take on this assassination by himself alone. He really is losing himself a lot inside his analytical thoughts.

Chapter 2:

This chapter is more revolving about the setting itself. We get to know the urgent this assassination is, putting pressure onto Risotto who usually keeps a cool head. Risotto will take out this murder of the soon trying to flee Rossi in a very crowded place, directly inside the mansion of this man who is tainted by very crude and unethical businesses himself. To put an example. Don’t mess with Passione. A job suited for Risotto’s brutal Stand capabilities.

The party being thrown in the luxurious mansion was right before Christmas, Rossi is intending to show his new adoptive son, Gennaro, another central character in this story.

This decadent luxury is a nice way to show again the difference of the worlds they live in.

By the way, it is very cute to imagine Risotto Nero inside a proper elegant suit he is wearing for this event. Sorry, needed to let this out.

In the next scene, an elderly couple speaks to Risotto about the over the top interior of the mansion. It made me actually laugh that Risotto was seriously being called „a wallflower“. I seriously can see this, he does not seem like the center of attention of a party. He also doesn't need to, he is supposed to be blending into the scene after all.

Afterwards Rossi appears into the spotlight and talking about the mystery of the „unopenable door“ and also just spewing out some meaningless anecdotes.

Also a rising and uncomfortable heat is described by the pair which is unsually also affecting Risotto Nero himself, which is surprising him. But it the reason is a sense of unease he tries to pinpoint to, until he realizes it is actually Metallica wriggling and moving inside his body and not actual nervousness about the mission itself. They are reaction to something inside this mansion which also is affecting Risotto‘s body. All this while he is planning how to cover the walls in red real soon.

Later on the party, Gennaro, a 14 year old boy is finally introduced to the story and guests, seemingly innocent and youthful, full of enthiusiasm.

Then the party guests were starting a tombola game, an Italian tradition, where we also get to know about the smorfia napoletana again and get introduced to new numbers and their meanings.

While Rossi and Gennaro are playing a farce in front of the crowd, Risotto thinks about the numbers and their meanings, as well as getting further affected by the temperature and discomfort inside his body.

The numbers are really dire and somewhat ironic when we take Risotto‘s backstory into account. 14 and 18, which are ages which his life turned around. 14 meaning „drunk“ and „18“ blood-stained. It is incredibly ironic just how these numbers describe his past, while the 90, before in his apartment room poster, is also appearing on his tombola card as well. His reaction and realizing these numbers was followed by a snort of him.

It really is amazing how much the author of this novel is taking Risotto‘s backstory into account and building onto that or referencing it. He constantly gets reminded of the cruel acts he decided to do many years ago which led him chose a path without any redemption.

Right after this, when the party and speech of Rossi is reaching its climax, Risotto plans to kill him, approaching him to close the Stand distance. It is interesting how he also is pointing on the target. It seems a bit suspicious, but the whole story is constantly describing that the others are not paying any attention towards Risotto Nero anways, he mostly blends in.

Also, Risotto seems to view himself as a „professional“ regarding his job as a hitman, not doing these murders for the fun of it. As long as they are paid and not caused by his own Vendetta. It seems like it is thrilling for him to catch up the ideal chance to carry out the murder for the most dramatic moment for reaching the biggest impact.

But right before Risotto could activate his Stand, the light faded, panic invokes between the guests and he lost track of his target who completely vanished after the lights come back to, the family of Rossi, his wife and Gennaro, worried about his absence and calling the police. But Risotto does not give up yet, further being suspicious of the unopenable door which not even the police who arrived could open.

After many unsuccessful attempts of opening the door and getting a new signal of Rossi outside the mansion, the police leaves again, making the party end.

It is very fascinating to witness Risotto Nero using his brain power to connect the dots and uncovering the secret of this unopenable door, using Metallica again to form objects like forks to the keyhole, which is also fake and therefore detecting a lie of Rossi losing its key. Risotto Nero has such an analytical and smart way to approach matters, trying to stay calm and composed. He knows this mission can't fail, the stakes are high.

Still, he fails to control his feelings once again, as stone faced as he is, a remark even his team mates are using towards him, which is truly sweet in a weird way, how they joke about this with their leader. He got a new message from the boss, who revealed how poorly Illuso and Formaggio will get paid and basically disrespected on the waste disposal branch. Succumbing to his anger, Risotto Nero breaks his phone, not realizing it until he hears the cracking sounds of the broken phone and through his Stand again inside his bloody hand, who seem to express his true thoughts and burning anger, screaming in their usual noises ordinary people can’t hear.

Metallica here in this novel acts very metaphorical as they really seem to be a vessle for his true feelings at times he has trouble expressing at the exterior. Be it the need of a leader of a hitman team, his past trauma or other reasons, but Risotto Nero often seems not in tune about his own feelings until later on. It is heartbreaking in my eyes that the unfair treatment of his men causes such reactions inside him. He does not want such a reality for them, he as a leader can’t allow to fail them again. And he is so sick of getting treated like this by the boss, his resentment growing stronger as well as his own rebellious spirit he tried to bury to protect his team, despite being treated worse every day. It is an endless circle of torment these hitmen need to endure. The boss basically told them to put their lives on the line, it is understable how enraged Risotto gets by that remark.

Risotto‘s appearance also gets briefly mentioned. He seems to have scarred lips, afding to his very rough a gruff apperance. Are these scars because of a neglect of himself of are these results of his past encounters?

But there was an even stronger reason making Metallica roar, the door seems to be connected and controlled with magnetism, also being most likely the reason for his own permanent discomfort on this place, which only faded within the power outage, which he now realized, the dots are connected now inside his head.

Chapter 3

In the end, the police did throw everyone outside before leaving but knowing Risotto and his Stand, He camouflages himself yet again and enters the mansion once more, iron will determonstion to uncover the secret and to carry out his bloody mission.

Inside he not only realizes all the stolen and proudly displayed good from Rossi, but also meets the adoptive son, Gennaro, once again, who detects the presence of Risotto despite not being able to see him. All while Rossi knocks and screams behind the unopenable door.

The mystery as Risotto figured out was an electromagnet inside the door, which is also the cause of his Stand reacting before.

Interestingly this novel confirms another headcanon I had about Risotto since a long time, as he tells Gennaro about the mechanism of the electomagnet which he read inside a book about waste disposal. He really seems like an intellectual and sophisticated person, reason he seems to be naturally curious about a lot of the world and its functions around him.

Gennaro lies about his reason being here, but the knife in his hand reveals his true intention, as Risotto observes, seeing the boy as a hindrance and thinking about peacefully assassinating him as well if he keeps being an obstacle of his urgent mission. Seeing that Risotto thinks about this dark act but not carrying out this murder of a young man, shows his hestitation despite him being a ruthless and experienced hitman. But, he is also seemingly intruiged by him, curious about his motives and the plan of the boy and realizing the benefit of unrevealing the crime of the young man. Also we can see that Risotto very well decides how „brutally“ he will take out a murder of a person.

Risotto lays out his own observations and detective work how the disappearance of Rossi was made possible during the power outage, which was caused by the extreme indoor heating and the lights of the christmas tree.

Quite funny how Risotto also uses his Stand powers to make a metal Tombola piece float in the air, it must have confused the boy to no end, not knowing about the supernatural Stands. He reveals another meaning of the numbers, 77, the devil, which was Gennaro‘s own remark against his new father. The man the young boy planned to kill himself, just like Risotto Nero.

Risotto is seemingly impressed how well crafted Gennaro is in planning his own assassination, but even the boy begins to flinch by the ghostly presence of Risotto, being called a grim reaper, which was also always part of his overall design.

He is curious about the motives of the boy, who wants to reveal the secret in front of Rossi himself, so they release him, with ordering the boy to drop the knife.

Rossi, completely out of breath, storms out of the room behind the door, questioning his son about the reasons of his hostile acts.

Then Gennaro revealed it all, how much Rossi has tormented him all these years after making him witness the torturing and murder of his own mother, just to get adopted by him again, probably making him suffer even more behind the disguise of a noble man, a habit of Rossi‘s twisted games. He even underestimated the boy to remember him after all these years, showing his arrogance and belittlement of others. All while the boy suffered in silcence and played an act, until now the time for his own assassination and revenge has come.

A motive and reason we all know defines Risotto all to well, his whole life. We get a glimpse of a backflash inside Risotto‘s head of the funeral of his cousin, many years ago. His mind turning dark just like his clothes. Full of rage and seeking justice of losing someone caused by another person. A person who will soon endure the same cruel fate, to make up for it again. But at what cost?

Risotto sees himself inside the boy. He was in he same situation many years ago, being 14 as well, his mind and spirit not able to process the loss of a family member. But choosing revenge led Risotto to a path of no redemption, a path of endless crime, just to get disrespected at the daily and putting his own life at risk, just to witness his loved ones getting erased from life again, not being able to counter the perpetrator this time and to submit.

No, this is a scenario Risotto experienced himself, he knows what this path will involve. I am very sure Risotto wants another fate for this boy, despite knowing the cathartic feeling of getting the revenge one seeked out for many years. Would Risotto chose this path himself again when he was reliving time? A scenario we will never know an answer of but here we see him protecting the boy for basically ruining his future life, a life without a real future, filled with crime, surrounded by mostly mean spirited people despite the closest ones.

So he tells the boy leave, threathening him to kill him if he refuses. He will carry out the mission, not only for the job, but also to spare the boy a life full of darkness.

But Gennaro does not accept, he suffered way too much from what Rossi has done, sleepless nights, trauma, feeling helpless, he only wants the release of revenge. The boy shows a strong will of resolve. And Risoto can relate so much, he truly understand what the boy is feeling. He knows these moments, this burning hatred and just bringing justice to end this once and for all. This is affecting Risotto even in such a way, that he lets his guard down, revealing his appearance, making the boy gasp in surprise by his dark and ghostly presence.

The moment of tension and two spitits connecting only got suddenly interrupted by the police forces, not hestitating to shoot on Risotto Nero as a quick act to save Rossi. The leader shortly needed a moment to process what just happened but decided to remove enough iron from the bodies of the officers to make them unconscious - a fairly peaceful decision for a hitman. But is it because he does not want to harm people who are not involved in his job or is it rather to spare the uproar of the corpses of police workers? Maybe a mix, still, it shows quite a new light of Risotto, being surrounded by members of his team who do not spare the lives of people close to their target mission. At least sometimes. Even tho, these hitmen seem all to have their own moral codex they act on.

After all, Risotto Nero is still cruel and cold enough to traumatize the people around his targets with his brutal and merciless killings, like he just wanted to do some hours ago with all the guests and family Rossi. I really enjoy how morally grey Risotto is written which really makes him an appealing and interesting character, and I try to say this as unbiased as possible.

While this short moment of being focused on the police, Rossi takes action and stabs Gennaro with his own knife he dropped earlier, directly into the stomach of the young man.

Now it was finally the time Risotto needed to act, bringing a gruesome end and torturing Rossi with nails made from Metallica‘s powers, making him suffer a long time before he finishes finally his assassination.

It is very symbolic that Risotto basically crucifies Rossi with the way he pierced iron nails through hus hands, it is very symbolic for a multitude of reasons and made me think.

If we think about Christian Religion, the punishment of being cruzified was reserved for the sinners. A way to show dominance and control by the upper hand instances, which is Passione.

It was often used for „low-life“ criminals and slaves back then, basically mocking the luxurious life of Rossi.

The dramatic display of the corpse for everyone to see to give off a warning: do not act like this sinner. It is an open display of Rossi‘s long life of wrongdoings and crime and how he now must suffer the consequences, caused by his sins. Since it is also a tool of enforcing and showing social control, it also fits the method of Passione scaring other gangsters and enemies. They are in control and on the top. They are showing psychological warfare and invoking public fear.

But also, does this act also is an act of mercy to bring salvation to Gennaro? Making Rossi die for his cruel sins to release the darkened spirit of the young man? It is quite interesting to think about this potential interpretation.

Risotto then rushed to Gennaro, picking him up, telling him that Rossi will now suffer for his sins. As Gennaro is seemingly dying in Risotto‘s arms, smiling, he found finally peace of his mind. His last act is showing the tombola card with the number 90 again, and we finally get know its meaning.

Fear.

This is what Gennaro wanted to overcome, feared and suffering by his past, not being able to act, not knowing if the feel of being haunted by Rossi will ever fleet away, now that the boy was adopted by him, probably even abused by new methods of Rossi‘s twisted mind.

Fear is what is haunting Risotto Nero and his team since weeks, enforced by the boss, treating them like dogs, making with the hitman team whatever he feels to, not respecting them, humiliating them. No regard for their talents, always reminding Risotto of his failure as a leader he cannot stop feeling guilty for. He needs to act. He can’t let this continue. But it is fear he also feels, not wanting to lose more of his men. But what is the other path? An endless cycle of ridicule? Risotto has enough. In this moment the brave acts of Gennaro must have inspired him to also put a stop onto all this. He can’t let fear to keep controlling him and his men.

And then, while Risotto is scolding Gennaro in an endearing way, talking to him like as if he was scolding one of his subordinates, like a mentor, he transforms the iron tile inside the boys hand and forms a staple.

Chapter 4

A short time skip. The news were talking about the gruesome murder of Rossi by a gangster and how this gangster also tortured a young boy was saved by a „skilled police officer with a stapler“

…a story wirhout any sense. Only Risotto Nero, Gennaro and the reader know the truth about what happened. Risotto did an heroic act, no one will ever know about, probably not even Gennaro himself, since he was barely left conscious when Risotto stapled his wounds with Metallica.

It is unbelievably tragic but also needed, as Risotto Nero has a reputation to hold. On this day, he took a life but he also saved another. And not only in a physical way, Risotto prevented Gennaro, who returned into a orphanage, to chose the same path as him many years ago. He brought salvation to his tormented and young spirit, finally removing his tantalizer from life. The boy has now again a chance of a normal life, a life, Risotto does not have himself.

Once again, Risotto brought success to Passione, without ever getting properly rewarded, payment as low as ever. Nothing changed. Only Risotto‘s resolve has.

He gathered his men again, this time in person, inside their usual hiding spot we know of. Which seems to be a rare occurance as the hitman team remarks, last time being the day they got these dreadful horrible packages of thin pieces of one of their members.

The waste disposal transfer seems to be on hold, Illuso and Formaggio being spared from changing teams this time, and they begin bantering again. Knowing they are essential to the team and valueing being among them.

This scene also confirms the basically fanon of the fandom that Prosciutto is a smoker - he indeed does.

Suddenly Risotto began to talk, he is resolved. The boss won’t continue to play with them like cheap and disposable puppets. The incident with the determined Gennaro and collecting his strength depsite still being scared, made him realize to act as well. Or else he and his men will keep this vicious cycle of being a team of assassins who despite carrying out the missions with success, still are only good enough to get potentially transferred to deal with garbage. It is a clear message, like the boss always does.

It is finally enough, time to free themselves from the chains.

He swears to overthrow the boss and organization. His will and decision strong as iron. Wanting to claim what has been taken from „HIM“.

This remark seems to be a direct hint on his pride, how much he personally has lost in his life and how sick he is of all this, fighting for a better future, for himself. But also for his team. To avenge the deaths of Sorbet and Gelato, to make their loss not being unresolved.

His subordinates being in silence, making Risotto questioning how they will decide, will they stay loyal to the team or to the organization of Passione? By now, they can only hold themselves only the little clues and whereabouts of the boss, events which unfold in the storyline of Vento Aureo.

Until then, Risotto Nero will continue to observe, to catch every clue to fulfill his revenge and bring dark glory and a better future for his team, them alone, against the remaining world. The stakes are high, him being the leader is responsible for the outcome of this resolve. Unfortunately, we know how this decision will turn out in the end. They were so close but it still was all for nothing, the mostly self motivated team of assassins' fate has already decided and it will lose against the altruistic motives of the gang of Bruno Bucciarati.

Okay, this was long. I don’t know how many of you really did read this. If you did,

Thank you.

As a summary, this short novel is a fantasticly written story about Risotto Nero and his team of hitmen, also shining with hints of fanservice, as confirming many ideas the fans had about them, and letting them all stay in character without ever breaking depsite all the bantery conversations, how close these men are. In the end, they are all they have.

This story really did Risotto Nero justice as a character, not once ever conflicting with the hints we knew about his personality but also expanding on them.

He is ruthless, cold and stone-faced, as we witnessed already in the original source material. But what we learned in this novel about him throws a new light on him, showing also his softer side.

He IS concerned about his teammates, he feels guilty about his failures as a leader, he can absolutely not cope with grief and has trouble managing his outbursts of anger - even targeting against himself and hurting himself. He looks after the wellbeing if his men, concerned about their mental health and respecting their trauma, not ever ridiculing them and their feelings. Risotto Nero is absolutely not emotionless, his inner world and thoughts are rich, which he just isn’t able to express for probably a multitude of reasons. He even shows compassion for strangers. There was no reason to save the girl from falling harshly to the ground, there was no reason to spare Gennaro, he even knows Risotto‘s face and could be therefore a danger in the future.

But he did help them. And the most cruel fact about this is, no one of them or the others, probably not even his men, will know about these acts and truths (only if they will maybe figure it out by themselves by the staples).

He is not a person who wants to be a hero, he knows he isn’t and he will never be, too many lives did he take by now. But, these little deeds to mercy and kindness are probably a secret of him, no one ever needs to know about. He has his own reasons to act, his own way. His own moral code and his own way to act.

This all makes Risotto Nero such a very well written character in my eyes, combining some of the worst human sins but also showing signs of compassion and protectiveness, like preventing others from a path full of pain or wanting to fight for his men, to finally get what they deserve.

I thank the author of this story, Ayato Toya, by a lot. This novel was a joy to read, which I already did by a couple of times. Also thanks to Hudgyn for the wonderful translation, which is very well and clearly written.

This novel probably strenghtened my own feelings for this character by a lot. I can’t express how happy I am this was written at all, if now this story gets and animated adaptation, my life will be complete. Come on, who does not want to see Risotto inside a suit?

Thank you for reading.

Oh yeah, here is my artwork of him again I made for this novel, I did imagine how he might look with a suit.

[chongoblog]

HOW TO READ BINARY MESSAGES

Hey there all you gamers out there! Have you ever seen a bunch of ones and zeroes in a television show and wondered "Huh. I wonder if this binary here is some sort of Secret Code?" and instead of googling it, you wanted to try to figure it out yourself? Well I know how to do that, and people always go "WHOA" when I tell them that, and I figured I would teach you all as well!

Now just a warning ahead of time, translating binary yourself will take some time and require a little bit of math, so don't say I didn't warn you.

So let's take a binary string like this frame from the Gravity Falls episode "Soos and The Real Girl" (which, spoilers, IS a secret message)

So the first thing you're gonna want to do is divide the binary into groups of 8. If it is a secret message, then each group of 8 bits will represent as ASCII value (or, for the sake of this explanation, letters). So let's divide them up.

That gives us: 01010011, 01010000, 01000001, 01000011, 01000101, 01001010, 01000001, 01001101, 01010100, 01010111, and 01001111. Now, you might have noticed that all of these binary strings have something in common. They all start with "010"! That's gonna be your first tell that you've got a secret message on your hands. Every letter in ASCII starts with either 010 or 011 for lowercase letters. So if you see the groups don't start with either of those, then it's just random gibberish binary that someone just keysmashed 1 and 0 for. So now we know we have a message, so we can begin translating. And to show off how that works, we're going to translate the first set together!

The way binary works is that each digit from the right to the left represents a power of 2. The farthest right digit represents 1. The second to last digit represents 2. The third to last digit is 4. Then 8. Then 16. When reading more complex binary stuff, you go further than that, but for reading ASCII letters, we only use 5 digits. For each of those digits, if the digit is 1, then you add the value that the digit represents. If it's 0, then you don't. From there, you add up the numbers you've got, and then run the sum through the handy dandy a1z26 cipher (A = 1, B = 2, C = 3, and so on)

So again, let's have a look at that first string: 01010011

And there you go! Now you just need to repeat this for every letter! It sounds harrowing at first, but over time you get the hang of it to the point where you can do it in your head. Feel free to give is a shot yourself and decode the rest of the message from the Gravity Falls episode

Now obviously there are a few exceptions. For example if you have a number or punctuation it will start with "001", and from there translating a number from 0 to 9 is easy since it's the same thing but without the A1Z26 cipher, but with punctuation you have to remember specific values, which is a pain in the ass, but if you're translating a decoded message, you don't really need to know the punctuation.

And that should do it! Hope you enjoyed this little explanation.

[castiellesbian]

what is the el sol theory. there are so many theories around here

basicallyyyy. the production designer, jerry wanek, likes to do little symbolism with the props. one example is the different kinds of beer he puts in certain scenes. The brothers are often seen drinking Margiekugel, which is named after wanek's mother, so it's usually to denote family bonding. then there's el sol, which is often in scenes where something is wrong or reality isn't what it seems. the most notable instance of this is in 2x20 "what is and what should never be" where dean's "girlfriend" is an el sol model

(he's also drinking it in this episode when he mows the lawn for mary).

cut to the finale and dean is in heaven talking to bobby and they're drinking nasty beer because it's what dean would drink with john. and oh look at that--

it's the beer that symbolizes something is wrong. but that's weird because on the surface, everything is playing out like it's "okay," like it's fine dean is in heaven and bobby doesn't care that dean died at the age of 40.

so the el sol theory is that something IS wrong in the finale. it's not real, chuck won, the writers are sending us coded messages that this wasn't the finale they wanted, take your pick. i'm personally more of the opinion that if it DOES mean anything, it's that wanek thought the finale was stupid and used his shitty beer prop. obviously we will never know save there being a tell-all documentary released years from now (i can always hope lol) so in the end it will remain... a theory.

[solarstranger]

a/n. haven't written something as self-indulgent and self ship-coded as this in a while. been feeling worse than usual lately, and i've since identified one of the reasons for that being the graduation season looming over me :') as someone who can't finish uni because of my chronic illness, seeing my next batch of friends go and graduate is definitely a bittersweet experience that never stops being bittersweet, and is also something that i can't easily talk about with people in my life who are not going through the same thing. so i figured, why not write about it instead? i hope you enjoy this! (1.0k)

“and then i’m gonna go to the mall in a bit,” you finish, looking up from your laptop just in time to see bakugou walk towards your desk with a cup of coffee in hand, eyebrow raised in question.

“i’m gonna buy my friend her gifts,” you explain when he doesn’t say anything, opting to stand idly across from you instead. “you know, the one who’s graduating tomorrow?”

“yeah, i know the one,” he nods curtly, then: “you don’t want me to come with you?”

you hesitate for a moment before opening your mouth to say something, although by the time that you do, it’s already too late—bakugou has already gotten the message.

“i get it,” he nods again, toying with the little dynamight plushie you have by your clock. “you want your alone time.”

“it’s not that,” you start, half-lying, “i’m gonna go to some make-up stores and you’re gonna get bored.”

“i don’t get bored looking at you try stuff,” he corrects you without missing a beat, before taking a cautious sip of his beverage. “besides, you like having me around while you shop, remember? i scare away the sales ladies so that you get to browse in peace.”

“yeah, well—”

“it’s okay, dumbass,” bakugou huffs, the way he always does when he’s getting a bit exasperated. “you don’t have to pretend or some shit.”

“i’m not pretending,” you attest stubbornly, and when he only tosses you a knowing look: “ish.”

at that, bakugou snorts, reaching over to snap your laptop closed. you look up at him, your face contorted in a way that says, ‘what gives?’

the ash-blonde only shakes his head, before rounding your table and taking you by the wrist. you begrudgingly let yourself be pulled by him and into your living room, where he plops you down in your two-seater couch right next to him.

“talk,” he commands as soon as you’re face to face.

you frown. “i don’t have anything i want to say.”

“you look like you’re gonna implode,” bakugou retorts, leaning over to place his mug on the coffee table. “your therapy appointment’s not until tomorrow.”

“don’t remind me,” you grumble.

“well, someone’s got to,” he sighs, “or else you’re just gonna keep thinking until you’re gonna go crazy.”

“too late,” you quip, wringing your hands together, “i think i already have.”

“is it the graduation season?” bakugou asks instead, tone careful. you blanch at the inquiry, although you manage to school your expression quickly enough not to give yourself away.

and when you don’t say anything: “because if it is, then you’ve got to tell me. so that i can counter whatever bullshit your brain’s telling you.”

“it’s not that,” you shake your head, gaze downcast, “well—i mean, it kinda is. but it’s not the whole thing.”

“then, tell me the whole thing.”

“i’m tired, katsuki.”

“then talk to me tired. you don’t have to enunciate or make your voice loud or some shit,” he counters, and as if to further drive home his point, scoots over until your thighs and shoulders are touching before taking your hand in his and placing it on his lap.

“there,” he declares, satisfied, “now, talk.”

you sigh, letting him play with your hand. “what do you want me to talk about?”

“whatever you want. for example, how you feel about seeing your friends graduate.”

“i’m happy for them,” you immediately answer.

“but?”

you turn your head to look at him, frowning. “does there have to be a ‘but’?”

“no,” he responds calmly, massaging your palm, “but i can tell there’s something else.”

“what, like me being envious of them?”

bakugou grunts. “your words, not mine.”

“i’m not envious,” you retort defensively, angry that he’s wielding your words against you, although that anger quickly dissipates into exhaustion. “at least, i think i’m way past that.”

“where are you, then? if not at that point?”

“i don’t know,” you say lowly, shrugging lightly. “i guess i’ve stopped dreaming about what it’s like to finish my degree.”

you pause for a second, letting that sink in.

then, you bump your shoulder with his. “you’re disappointed, aren’t you?”

at that, bakugou whips to look at you, offense etched all across his sharp features. “hah?”

you lean back, chuckling dryly at your wisecrack. “you’re disappointed your girlfriend might be a dropout forever.”

“oh, fuck off, y/n.”

that makes you bark out a laugh, while bakugou’s scowl only deepens.

“stop it,” he demands when you don’t stop laughing, quaking in your mirth. “i said stop it, y/n.”

“i know, i know,” you cackle, “i’m sorry.”

“you’ve gotta stop talking shit about yourself like that,” he gripes when you finally manage to put a lid on your laughter, muscled arms crossed petulantly in front of his broad chest.

“i’m not,” you argue, smiling. “i’m just telling the truth.”

“yeah, well, fuck that,” he spews, shooting you a dirty look. “my girlfriend’s the smartest woman i know, so it doesn’t fucking matter if she finishes college or not.”

“why, thank you,” you laugh again, “although your insulting tone kinda juxtaposes the very nature of your statement.”

“and you’re just further proving my statement by using fancy words such as juxtaposition,” he rebuts, side-eye viciously unrelenting.

“you’re serious, though?” you find yourself asking after the air falls into a lull, with neither of you uttering a word.

bakugou glances at you, still frowning. “serious about what?”

“that you think i’m the smartest woman you know.”

“not only the smartest woman, dumbass,” he huffs again, shaking his head. “smartest person.”

“okay, now you’re just gassing me up.”

“i’m just telling the truth,” he shrugs, putting his hands up in mock surrender. “and you better fucking believe it.”

“i honestly don’t think i can,” you say truthfully, before flashing him a shy smile anyway. “but i’ll try.”

“you better,” he spits aggressively, before, muttering under his breath so softly you barely miss it: “…the fucking prettiest, too.”

˗ˏˋ while likes are appreciated, they don’t do much on tumblr! if you want to support me and writers in general, reblogs, replies, and tags are the way to go. feel free to drop an ask, too—i’d love to chat. have a nice day! ´ˎ˗

[wickworks]

Lancer Tactics dialogue layout crisis of faith

(from this month's backer update)

Every so often, I'll run into something in development that eats away at me until it pushes me to a crisis of faith and I have a breakdown, burn down a bunch of work, and build something better from the ashes. These are moments of transformation and we're almost always able to come out the other side with something much better than what we started with.

This all sounds very dramatic until you take a step back and see the issue in question is just, like, the layout of a menu. But if medieval priests were able to have schisms over angels on pins I can have strong feelings about graphic design, dammit!

This month's episode revolved around how we're doing character dialogue. For reference the plan was to do a standard 4-slot visual-novel talking heads layout. I call it a 4-slot because there's usually four positions that characters can stand; two on the left, two on the right:

I had it ingame, and it was working. But... something felt off. Do you see the difference between every one of the above examples and this?

It's all about perspective, baby.

Answer: all the character art in those examples are drawn at a slight angle so they can be flipped back and forth to be made like they're looking at each other.

Trying to do this with the perspective we chose early — straight on — makes for a chorus line of weirdos who are looking directly into your soul as they ostensibly chat with each other. Credulity is strained; the illusion of these puppets interacting in the same space is paper-thin.

(I was skeptical of choosing this perspective for this reason, but we ultimately went with it to make the customizable assets in the portrait maker easier to fit together)

We tried a bunch of different layouts, but they all at least one of these problems:

they'd stare into your soul while ostensibly directing comments elsewhere.

they felt like text messages; this would be fine if that's what we were going for, but we wanted something that could represent face-to-face conversations. (Tactical Breach Wizards was able to pull this style off because they had little 3D dioramas to go along with it)

or, most damning of all, they felt like zoom calls.

So, my heart aflutter and spirit in want, I spent a day doing a research dive into various dialogue layouts (bless the Game UI Database!) to see if any other games had managed to pull this character art perspective off. I ended up with this massive non-chronological taxonomic tree:

(fullsize here)

The type of layout that particularly caught my eye was this style where each character had their own little box. These layouts borrow a concept from comic books called "closure" where the space and time between characters are left blank. Freed from the constraints of trying to simulate a single space, these layouts allow the reader to fill in the blanks with something that feels more true-to-life than anything we'd be able to render ourselves.

I was especially impressed with the dynamism of Tales of Symphonia and The World Ends With You; rather than sticking to single slots they would animate the entire panels moving around to indicate motion an relative position of characters.

So we threw out the old code and copied them. Here's what we've come up with:

We'll be able to have portraits interact, like smacking each other (I felt like a kid hitting two action figures together, lol)

We can also apply effects like princess-leia-holograms and full-screen "lighting" effects like warning banners:

Carpenter and I came up with a number of arrangements that the portraits can smoothly transition between:

I've also implemented support for choices during a dialogue, potentially leading to branching paths.

Overall, I feel SO much better about this system than our initial designs. It might feel a little more cartoony, but I think we're making a cartoony game so that's not a problem.

Whew. We bit a lot off to chew with this project. I feel like I just made a second visual novel game engine inside of the first. Fingers crossed that it all ends up worth it.