#work it baby work it

[dancing-homestuck]

I wish my cat had a phone so I could text him while I’m at work and tell him I love him and I miss him and he could send back blurry pictures of random things, incomprehensible gibber texts, and audio recordings of his crinkle ball

[filmnoirsbian]

It's fun reading writers who clearly grew up in suburban/urban environments as someone who grew up on a farm because they're always like "oh it was so creepy, woods at night, eerily breathtaking, something was living in there..." and it's like yeah that'll be the deer.

[istandonsnowpiles]

What’s up late night folks? Here’s an eerie shot I took down a pitch black road in the middle of the night

[canonkiller]

This is expected, being human.

[mad-serotonin]

Take It Easy☀️

[strawberri-draws]

Cannot wait for the Mom Team Up

[lucybellwood]

Another piece I did for The Nib back in 2015! Gonna keep posting these until they shut down at the end of the summer. It was such a treat to hear that Matt and the whole editorial team just won an Eisner for their work on the magazine and website. Much-deserved.

Anyway: this is a parody and isn't representative of every screenwriter's experience, but it certainly feels relevant with all the strikes rolling out right now. Did you know what kind of credit you get on a film directly impacts how much you're paid? For writers you'll see "created by," "written by," "story by," and all sorts of other things, all of which translate to different levels of compensation! (Highlander, for example, has Story by Gregory Widen and Screenplay by my dad and his writing partner, Larry Ferguson.) The Writer's Guild is often responsible for arbitrating those decisions. They have a whole MANUAL to help writers understand the process. It rules.

Thanks, WGA. Thanks, The Nib. (And you can always make more of these comics possible on Patreon.)

[sewerdad]

The hardest part of baldurs gate 3 is actually rejecting Wyll’s dance scene when your romancing someone else. Nauseating.

[elviradreaminess]

karlach my precious heart 🥺🤲🏼❤️‍🔥

[sketchnwhatevr]

I really like them a lot🔥💧

[hattersarts]

rebound ship

(one youtube video was recommended to me and then i read fic for like 4 days)

[thymechaos]

i just can't believe that oda fucking create sanji, a stereotypical ladies man who simps to an embarrassing degree for women while having his hackles comically raised around everyone he perceives as a man - and most notably butting heads with the more obvious ~manly man~ of the crew. haha, classic anime running gag, the kind that gets obnoxious at times but still makes you laugh.

AND THEN, like a billion chapters later, motherfucker steeples his fingers and goes "soooooooo... what makes a person Like That?"

and the answer is that he grew up in fucking Toxic Masculinity, The Kingdom. the answer is that he was always Different, in a way other guys instinctively perceived as weak, and that made him the target of visceral scorn and violence. the answer is that he was sensitive, sweet, caring, nurturing - feminine-coded traits which are only valued by patriarchy insofar that they're performed by women in service of men. the answer is that in a kingdom comprised almost entirely by violent men, the only ones who were ever kind to him, the only safety he ever had, were a girl and a woman.

so cooking is for women and servants, it makes you less of a man. only women will ever really value you for your passions and dreams. women are also actively hurt by the way the world works, they are unsafe unless they comply with men's violence, and you have to protect them.

(men will always know what you are, and they will hurt you if you let them.)

and even after he leaves... at baratie he is cherished and respected, but even that is an extremely masculine environment. we don't talk about our feelings, we don't let our guard down, the only love is tough love. when he tries to express his artistry and express himself through his cooking, rather than just filling orders and making money, he gets mocked.

so here is a man who will not raise a hand to a woman, because he rejects the masculinity he was raised with and refuses to become yet another man subjecting women to violence. he is desperate for women's attention and affection because it's SAFE, it's the only kind he can trust. other men are potential threats and must be treated as such. he must at all times be snarky, tough, Not Feminine, because to be perceived otherwise is to be powerless, to be hurt.

like y'all. the queer coding of it all? the overtly feminist themes? the active rejection of toxic masculinity and the way it's shown to be directly tied to imperialism? what the fuck.

[amelia-yap]

warrior

[rendevok]

“Promise” - a nrmts + trucy comic

This comic is for @metaphorical-goblin for the Nrmts creators server art/fic trade!

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[dinoserious]

cast shadow