#working men's club

[post-futurism]

Somebody tagged me to post the 4 albums i've been listening to lately and i'm sorry i can't remember who that person was, the mention is lost in my notes. anyway these are the ones i've been circling back to a lot lately.

Green Hat by Tsuzing

Excess by Automatic

Divorce by Girl and Girl

Minsky Rock Megamix II by Working Men's Club

Gonna tag a few people, do it if you wish - @adz @peter-weir @stardustings @mafaldinablabla @sage-oceiros @reunionandthen @chikyful @deddy-tuchamp @darthvaporwave @yeasayers @submalevolentgrace

[rastronomicals]

7:52 PM EST November 11, 2023:

Working Men's Club - "Adar Newelan (Montagnes)" From the album   Mojo Presents Handle With Care: New Music 2022 (January 2022)

Last song scrobbled from iTunes at Last.fm

[newmusickarl]

Top 50 Albums of 2022: #40-31

40. Present Tense by Yumi Zouma

As ever the Music Twitter community have handed me some incredible recommendations over the last 12 months, and one strong favourite came earlier this year from Twitter pal Kiley Larsen (@kilarzleesen) and his Check This Out! blog. 2022 was flush with great dream pop records with the likes of Cannons and Beach House narrowly missing out on a spot in this list, but my pick of the bunch was the mesmerising fourth album from New Zealand’s Yumi Zouma.

The sound of a band hitting their stride, this is gorgeous, string-tinged dream-pop that will frequently move you and whisk you away to some place magical. Front-to-back this is just a blissful 34-minute listen, with a special shout out to Haunt, Of Me And You, If I Had A Heart For Chasing, Mona Lisa and Astral Projection, which are probably my five favourites from the sub-genre all year.

Best tracks: Haunt, Of Me and You, Astral Projection

Listen here

39. Sing With Abandon by VLMV

Every year there are multiple albums that fly under the radar and don’t get the attention they deserve. One of the big ones for me this year was this absolutely spellbinding album from London-based ambient post-rock outfit, VLMV.

If you are partial to soaring instrumentals from the likes of Mogwai, Explosions In The Sky and Godspeed You! Black Emperor, then do not sleep on this album. Boasting haunting, beautifully atmospheric, string-drenched soundscapes, it makes for a constantly enchanting and spine-tingling listen. With the album almost a 50/50 split between complete instrumentals and some vocal-led pieces, the moments when the soft ethereal harmonies come in really take the record to another level. On tracks like There Are Mountains Underneath Us, For Empire and The Navigator, it adds just another dimension to the melancholic beauty that seeps out of every pore of this record.

Also perfect winter listening!

Best tracks: For Empire, There Are Mountains Underneath Us, The Navigator

Listen here

38. Radiate Like This by Warpaint

There were more than a few welcome comebacks in 2022, with one of the top ones being the re-emergence of American indie rockers Warpaint, who returned with their first new album in six long years.

Whilst Radiate Like This mostly sticks to Warpaint’s usual winning formula of understated, wonderfully chilled-out guitar grooves, the big difference this time is the emotional heartbeat of the record. It’s the same four women that first captivated the world with their dreamy shoegaze sound over a decade ago, but their perspective has changed as they’ve grown and that shines through in the writing here. Across this collection of songs, they explore motherhood, relationships, and their own lasting friendship with one another, as only they can - in a shimmering haze of desert rock that indeed radiates.

Welcome back Warpaint, please don’t leave it so long next time!

Best tracks: Champion, Melting, Trouble

Listen here

37. Fear Fear by Working Men’s Club

With their first album placing 13th in my final Albums of 2020 list, whilst also being my highest rated debut of that year, Yorkshire industrial synth-pop outfit Working Men’s Club had given themselves a tough act to follow. However just two years on, Fear Fear arrived packed with songs troubled by loss, panic, isolation and trepidation – perfect for the times.

Just like their debut, the album’s dark underbelly is glossily sheened over thanks to the neon-soaked drench of pulsating, nostalgia-laced electronica. Addictive lead single Widow is my personal highlight, carrying shades of New Order and the spirit of the 90s Madchester rave scene, with a wonderfully hypnotic central synth groove.

With a dark, moody aura, lots of fun sonic exploration and plenty of replay ability, Working Men’s Club continue to ride their wave of momentum on this very solid second outing that is just as fun as their brilliant debut.

Best tracks: Widow, Ploys, Cut

Listen here

36. Every Moment, Everything You Need by Deserta

Another album recommended to me earlier this year by Kiley and then duly reminded of its greatness recently by Twitter Shoegaze guru Stevy (@StevyK1973), this majestic second album from Matthew Doty is something quite special to behold.

Bringing together those atmospheric walls of sound synonymous with shoegaze alongside some welcome synth and dream-pop stylings, Matthew’s second Deserta album is an utterly awe-inspiring listen from beginning to end. The fact that Every Moment… was recorded at home during the pandemic while Doty was continuing his day job as a nurse makes it even more impressive.

There’s plenty of highlights here too courtesy of some dreamy melancholic soundscapes, with Far From Over my personal favourite, standing out as the album’s glistening six-minute centrepiece. Elsewhere, I’m So Tired is the record’s most pure pop moment with its scintillating melody, It’s All A Memory hits you like a gentle breeze amidst a siren of synths, and Goodbye Vista is just a gorgeous glide across some towering guitar weaves towards the end.

Overall, this is an incredibly enchanting record and I’m so grateful to have had this one sent my way several times this year, as it’s turned into a really big favourite – so huge thanks to both Kiley and Stevy for the recommendation!

Best tracks: Far From Over, Goodbye Vista, I’m So Tired

Listen here

35. Hugo by Loyle Carner

Hip-hop as a genre has had an absolutely massive 2022 and I think I could’ve easily made a separate list just for all the great rap records this year. Although I couldn’t find space for them all here with heavyweight records from the likes of Vince Staples, Denzel Curry, Nas and Billy Woods all just missing out, there’s still several that have made the final cut. The first to feature in my year-end list is the dazzling third album from young British wordsmith, Loyle Carner.

Hugo finds the rapper back on top form, as he eloquently explores racial identity and fatherhood across the album’s brilliant 10 tracks. Usually friendly, calm and collected, opener Hate finds Carner in an angry and defiant mood, as he puts the world to rights over racial inequality and injustice against an infectious piano-driven beat. Recent single Nobody Knows is then a soulful exploration of his heritage whilst Georgetown is a Madlib produced track that is interspersed with spoken word poetry from Afro-Guyanese playwright, John Agard.

As great as the singles are though its arguably the album tracks that hit the hardest here, as Speed of Plight sees Loyle let loose his frustrations over a brilliant electronic beat, whilst Polyfilla and A Lasting Place show off his softer side with a pair of beautifully written, piano-backed pieces.

As a huge fan of his Mercury Prize-nominated debut Yesterday’s Gone, it’s been great to hear Loyle back to his best in 2022 and producing one of my favourite hip-hop releases of the year.

Best tracks: Hate, A Lasting Place, Speed of Plight

Listen here

34. Stellar Drifting by George Fitzgerald

Speaking of genres that have had an amazing 2022, there has been a real abundance of fantastic electronic records this year. Again whilst I sadly couldn’t include them all, a shout out to the likes of Bonobo, Brothertiger, Daniel Avery, Hot Chip, Lane 8, Kavinsky, Moderat, HAAi and Mall Grab, who are just some of the artists who have helped make this year a hallmark one for synth-soaked, mind-bending sonic whirlpools. However, representing the genre is my personal favourite from this brilliant bunch, the imaginative latest outing from Mr George Fitzgerald.

Titled Stellar Drifting, this third album from George began life with him using pictures of stars and galaxies and turning them into audio wavelengths. From there he would build the sounds out, until they eventually became the 10 tracks found on Stellar Drifting. Cosmonaut Alley takes the listener on a journey across Jupiter whilst The Last Transmission imagines a spaceman’s final message to Earth. Therapeutic and uplifting, this collection of ambient tracks will charm, soothe and relax in equal measure. Amidst all the celestial wonder, there’s some great collaborations to be found too with George teaming up with the likes of Panda Bear (Passed Tense), SOAK (Rainbows and Dreams), Ellie Goulding (Cold) and London Grammar (The Last Transmission).

As a huge fan of George’s last album All That Must Be – which also finished in my Top 20 Albums of the Year back in 2018 - I’m pleased that this latest effort is as equally spellbinding. Magically constructed from cosmic patterns, it’s an interstellar trip that you’ll want to take again and again.

Best tracks: Cold, Passed Tense, Setting Sun

Listen here

33. Cub by Wunderhorse

One of 2022’s biggest surprise packages and another one of the year’s top debuts. Having seen that Wunderhorse (the solo project from Jacob Slater, the former frontman of now-split London outfit The Dead Pretties) were due to support Fontaines D.C. on their UK tour, I dived into this record back in October to get a heads up on what I could expect to hear and see. With no expectation going in, I was quite frankly blown away with what I found.

On this brilliant solo debut, Slater serves up a blistering collection of country-infused rock songs with plenty of replay value. Leader of the Pack draws big shades to Lynyrd Skynyrd’s Sweet Home Alabama but without the cringe, whilst Purple is a heartfelt track reminiscent of some of Idlewild’s more melodic cuts. After Teal’s bluesy guitar slides, Poppy then offers up big Stone Roses vibes with plenty of added haze. All that said, Slater arguably saves the best moment for last as the aptly-titled Epilogue delivers a raw, coming-of-age track, drawing comparisons to Nirvana as the pained acoustic-backed vocals steadily build into a big, grungy finale.

If you are a fan of rock music or any of the bands mentioned above and ended up having this album bypass you during the year, then definitely give Cub a spin. It really is an excellent introduction to Wunderhorse’s chameleonic sound and chances are, like me, you’ll find plenty to enjoy.

Best tracks: Leader of the Pack, Purple, Epilogue

Listen here

32. Where Myth Becomes Memory by Rolo Tomassi

There wasn’t too many metal records that captured my imagination in 2022 (although further recommendations always welcome!), however one early year highlight did leave a lasting impression to make it onto this countdown – this majestic sixth album from Sheffield metalcore outfit, Rolo Tomassi.

The charm of Rolo Tomassi’s music has always been how they manage to seamlessly marry the beautiful with the ugly. This is characterised in their music by effortless switches between frontwoman Eva Korman’s gentle clean vocals to her loud screams, as well as jumps from melodic electronica over to brutal, pummelling metal riffs. This is again what they lead with on Where Myth Becomes Memory, however now with years of songcraft under their belt, it has become second nature to them. The compositions are masterfully constructed and more refined, with various pieces from across their musical spectrum intricately sewn together.

Almost Always is the perfect scene-setter, a glorious six-and-a-half-minute opener of hazy noise, spine-tingling vocals and ambient piano. Mesmeric 2021 single Cloaked is then propelled initially by a mind-melting heavy central riff and Eva’s aggressive vocals, however towards the back end it morphs into a twinkly pop song contrasted against some crushing drums and thrashing guitars.

From there, Tomassi pretty much spend the album swaying between divine beauty and ferocious anger, with gorgeous piano-driven pieces like Closer and Stumbling sandwiched between more high-octane cuts like Labyrinthine, Drip and Prescience. It all plays out like a captivating trapeze act, with not a single dull moment to be found.

The isolation of lockdown has clearly given them the time to fine-tune these songs and their flawless waltz between the angelic and the punishing has never been more enthralling. This album set the bar for other metal albums early on in 2022 and in the end, for me at least, nothing toppled it.

Best tracks: Closer, Prescience, The End of Eternity

Listen here

31. The Family / TM by Brockhampton

It is never fun when a band you love decide to call it a day, however when they go out on such a high and with a sense of finality to their work, it can really help soften the blow. Thankfully that closure is what rap troupe Brockhampton gave to their fans as a parting gift when they finally split up in 2022, delivering not one but two great albums to round off their tumultuous but rewarding decade together.

Taking inspiration from Frank Ocean’s Endless/Blonde release a few years back, the two albums were delivered back-to-back on consecutive days in November, with The Family emerging first and feeling more like the band’s definitive final album. On that record, group leader Kevin Abstract takes centre stage and essentially presents a whirlwind tour of Brockhampton’s entire journey – from their initial meetings on a Kanye West Fan Forum, through to their supersonic rise to stardom, as well as the reasons behind their eventual split. Each chapter is short and snappy, with most of the tracks either well under or just over two minutes long.

As a project to close the book on Brockhampton, they really couldn’t have asked for a better swan song – not only is it one of their finest albums to date but also one of the very best hip-hop records all year. Lyrically it is sharply written, the mix of hard electronic-driven beats and soul samples is dazzling, and the performance from Abstract is also both frequently impressive and heartfelt. There’s a bucketload of highlights and eclectic sonic treats throughout, but the eponymous closer is the one that ends up hitting the hardest. A string-soaked, real gut-punch of a finale, it sees Kevin bidding a touching final farewell to the band and all its members.

Before fans could even fully process The Family, a day later TM arrived featuring a collection of songs that were started by the group during a two-week stint in California last year but were never originally completed during those sessions. Now finally released, this may be more of a full band project compared to The Family but it feels more like just an extra treat for fans than anything else. That said though, there’s some great trap-style thumpers to be found such as ANIMAL, NEW SHOES and MAN ON THE MOON.

If The Family is the emotional goodbye, then TM is the jubilant celebration of everything that made the band so great. Together, it’s a triumphant final send-off for a group that have put their stamp firmly on the hip-hop scene over the last few years and leave behind an impressive legacy. Farewell Brockhampton and really, thanks for everything.

Best tracks The Family: Brockhampton, All That, My American Life

Best tracks TM: MAN ON THE MOON,GOODBYE, ANIMAL

Listen to The Family here

Listen to TM here

The countdown continues on Thursday with #30-21!

[reckonslepoisson]

Fear Fear, Working Men’s Club (2022)

As if a teenage MES were caught blaring over the beats of a club (but as if he would); Sydney Minsky-Sargeant is much, much less poetic than his hero but certainly no less bitter or spiteful. Fear Fear is quite pretty, rather rough and still shows Working Men’s Club has the potential to create something very special – even if this isn’t quite there yet, the best is surely yet to come.

Pick: ‘Widow’

[angelolsenwife]

reminisce that feeling lucid technicolor daydream

[chumby4life]

Can anyone recommend me more evil synth sex music? for those in the know

[sonicziggy]

"Los Angeles (feat. James Murphy) - Working Men's Club Remix" by Lol Tolhurst, Budgie, Working Men's Club, Jacknife Lee https://ift.tt/KdcSmQ1

[littlemantravels]

Saturday Night at the Workies - oops "Sports & Social Club"

#SaturdayNight "Out, Out" - it all happens down at the former #KnottEnd Working Men's Club - now known as Knott End Sports and Social Club. Nothing has changed - only the name: it's still a normal Saturday Night at the Workies agenda.

Check out the description in the YouTube shorts video below: This is "Junction 27" a Trio, performing at Knott End Sports and Social Club (formerly Knott End Working Men's Club). The club is in Over Wyre, across the River Wyre opposite #Fleetwood, #Lancashire - on the #FyldeCoast.

The format of the evening is exactly the same as your usual Working Men's Club - starting off with a few rounds of Bingo, followed by the visiting Live Entertainment hired for the evening for the first 45 minute spot (21:00 - 21:45). Bingo > Tote Double Draw > Raffle Ticket Draw > Flyer (more Bingo) > Open the Box. At 23:00hrs the entertainment returns for their second spot of the evening - another 45 minutes and generally a couple of extra songs for the encore.

The second half is usually when people get on the dancefloor, although artistes often encourage people to dance in the first spot, if they want to do so.

This video was recorded during the second, and final part of the evening of Saturday 12 August, 2023.

[maquina-semiotica]

Working Men's Club, "Valleys - Minsky Rock Megamix"

[school-in-london]

Working Men’s Club

[rastronomicals]

10:14 AM EDT April 25, 2024:

Working Men's Club - "Flood Plain" From the album   Mojo Presents Handle With Care: New Music 2022 (January 2022)

Last song scrobbled from iTunes at Last.fm

[newmusickarl]

Album & EP Recommendations

Fear Fear by Working Men’s Club

“Trapped inside a town, inside my mind” - the self-titled debut from Yorkshire outfit Working Men’s Club will forever remind me of the strangest of times.

When the album was released in late 2020, the world was still tightly locked into some fairly strict COVID restrictions. Here in the UK, although things had opened up somewhat, live music was still a way off returning. This meant any band promoting a new record had to think outside the box for their album launch shows. For example, I went along to the launch event for Working Men’s Club’s first album here in Nottingham and reflecting on it now just seems so strange.

Firstly, the band couldn’t perform live, so basically a projector in the bar played a video of them performing instead. Even though the band themselves were in attendance at the venue! Then everyone in the crowd was sat down at socially distanced tables and once the video performance had finished, frontman Syd Minsky-Sargeant begun to play a DJ set. However, before he had even gotten into the swing, everyone was ushered out of the bar because of the 10pm curfew. A fun but quite bizarre night and obviously not the ideal launch conditions for a new band just starting out!

However, despite the restrictive nature of the release, Working Men’s Club came through and their debut was a decent commercial and critical success. Placing 13th in my final Albums of 2020 list, it was also my highest rated debut of that year. Now just two years on, Working Men’s Club get what feels like a second shot at making a first impression, with this their excellent sophomore album - Fear Fear. Not completely rid of the association with the pandemic, Fear Fear arrives packed with songs troubled by loss, panic, isolation and trepidation. However just like their debut, the album’s dark underbelly is glossily sheened over thanks to the neon-soaked drench of pulsating, nostalgia-laced electronica.

Opener 19 is an early highlight, featuring a glitchy instrumental rumble of ominous synths, that slowly build before morphing halfway through into what could easily be mistaken for a dark and gloomy New Order track. After that, the album’s title track interrupts with a cacophonous drone of acid-soaked and quite alarming electronic shakes. As the Caribbean-style drums kick-in, suddenly the track becomes a swirling vortex of buzzy, vibrant sounds. It's one of the album’s more experimental tracks and may put some people off early doors, however addictive lead single Widow then arrives to pull everyone back onside. With a mesmerising central synth groove, Working Men’s Club continue to channel New Order and the spirit of a 90s Madchester rave to maximum effect.

Another single Ploys then keeps the momentum going with some very welcome early Hot Chip energy before the 80s-tinged, mini-epic Cut takes the listener on a mind-melting sonic adventure. After the trippy clanks of Rapture, recent single Circumference then serves up a colourful rainfall of glowing synths - a must-listen for any Nation of Language fans. The album then finishes strongly thanks to the playful funk bounce of Heart Attack, the jittering robo-dance of Money Is Mine and the climatic, whirring finale of aptly titled track, The Last One.

Working Men’s Club may have set a high standard with their debut, but it’s great to hear them continue to ride their wave of momentum on this very solid second outing. With a dark, moody aura, lots of fun sonic exploration and plenty of replay ability, you’ll struggle to have a bad time listening to this one.

Listen here

Hellfire by Black Midi

Elsewhere this week, experimental rockers Black Midi are back at their batshit best with their third album - Hellfire.

Whilst I wasn’t completely taken with their debut Schlagenheim, last year’s sophomore outing Cavalcade did win me over with its frequently fascinating and erratic sonic leaps between jazz, math, prog and art-rock. Hellfire pretty much picks up where that album left off, but with the big difference being that Midi finally start to knit things together to bring some semblance of cohesiveness to their auditory madness. Coming from the opposite end of the spectrum to The Weeknd’s Dawn FM, a polished pop record about the beauty of the afterlife, Hellfire feels almost like its bleak, demented cousin. Also featuring radio transmission interludes, it’s a brutal rock opera focussing in on the horrors of war and humanity.

Its hard to pick out certain tracks as highlights, as this really is a record that demands to be listened as a whole body of work – the bonkers rollercoaster from beginning to end being the real highlight. However, I did see this week second track Sugar/Tzu described as “the soundtrack to a James Bond chase scene, if James Bond was played by a cartoon mouse” which I thought was too perfect a description to not include here. Elsewhere Welcome To Hell with its stuttering riffs and rambunctious orchestration also stands out, as does folky, subdued centrepiece Still and the theatrical, early Wild Beasts-style shades of tracks like The Race Is About To Begin and 27 Questions.

Black Midi will always be a marmite band and if you weren’t a fan before then this is certainly not the album to get you onboard. However, if you enjoyed the over-the-top dramatics and frenzied ridiculousness of their previous two efforts, you might even find this to be their best album yet.

Listen here

The Present Is A Foreign Land by Deaf Havana

“Overall, The Present Is A Foreign Land is a magnificent rebirth – a deeply personal record from beginning to end, simply brimming with all the heart and resilience the Veck-Gilodi brothers could muster. Although they probably didn’t realise it at the time, everything they’ve been through seems to have been a blessing in disguise. And whilst not everyone has been through the same battles as them, an album that documents coming through unimaginable lows to ultimately have a more optimistic outlook for the future, couldn’t feel any timelier.”

Read my full review for Gigwise here

Read my full interview with Deaf Havana for Gigwise here

Listen to the album here

Also out, also great: Why You Lacking Energy by Cassia, World Wide Pop by Superorganism, I Exist EP by Vukovi, Beatopia by Beabadoobee, A Kid Name Cudi (Re-release) by Kid Cudi

Tracks of the Week

Guitar Songs (TV / The 30th) by Billie Eilish

On the tracks front this week then and global pop sensation Billie Eilish made a return with her first new music since her history-making headline set at Glastonbury last month. Titled Guitar Songs, this duo of heartfelt acoustic songs see Billie and her brother FINNEAS return to their early roots with some gorgeous, stripped-back, no-fuss songwriting.

Listen here

Alright by Sam Fender

Also currently conquering festivals across Europe this summer, Geordie Springsteen Sam Fender has dropped his first new music of 2022. Written during the Seventeen Going Under sessions, it thematically fits the personal and reflective nature of that album, whilst featuring his signature mix of soaring guitars and big bold horns, along with a climatic refrain of “We’re alright, it’s time to put the world to rights.”

Listen here

How Will I Know? by The Amazons

Reading rockers The Amazons continue the build towards their third album, this week unveiling the album’s opening and spiritual title track. As with recent singles Bloodrush and Ready For Something, it continues to suggest the band’s songcraft is maturing nicely with How Will I Know If Heaven Will Find Me looking set to be their most accomplished project to date. As for the track itself, it boasts a huge singalong chorus that will surely go down an absolute storm at their upcoming summer festivals appearances.

Listen here

Kill Or Be Killed by Muse

The latest single to be taken from Muse’s upcoming album Will of the People is another welcome return to their early heavier roots. Featuring hard chainsaw-like riffs, pulverizing synths and Bellamy’s signature operatic vocals, it’s easily one of their best songs for a very long time.

Listen here

So Far So Good by Gold Tides

And last but certainly not least, Sante Fe outfit Gold Tides have released their first new music since their impressive debut 2021 EP, Fever Water. Featuring a wonderfully hazy and psychedelic central guitar groove with an instantly catchy refrain of “Through the Void I Saw It / Through The Flames I Saw It”, Gold Tides continue to show bags of potential.

Listen here

[thehappywun]

Working Men's Club, from late September at the Rickshaw in SF. As I've repeated to anybody within shouting distance, the NO comparisons are a bit lazy...some touchstones...Colours-era Cabs, The Fall's electronic phase when Dave Bush was in the group, LCD Soundsystem, The Soft Moon, and a dollop of Gary Numan, but mostly themselves. No encores, no merch due to being on a showcase visa probably preventing them from making $, since they had played SXSW before and this was their only second US gig, no BS, simply brilliant!

[alvertesongdiary]

Working Men’s Club - Ploys

Aight Y'all ain't gone get no money 'Cause I don't got no money And you ain't gone make no money 'Cause if we don't get no money, nobody got no money Know what I'm sayin'?

Big bad wolf, you a cry, you a pussy boy (Boy) Nerf strap and a clip (Huh) I got brand new toys (Yuh) Iced out, blinged out, flexin' in some corduroys (Skrr Skrr) I don't like your ploy (Na, na, na) I don't like your ploy (Na, na, na) Where your mama? She squirtin' Money long, I need curtains Woke up and I'm swervin' Posted in the booth workin' Posted in the back lurkin' Thot girl text me I'm curvin' (Curvin') I don't like your ploy I don't like your ploy

Why you trust your mom? Boy, she with me (Fuck) And she nasty, chowin' on some man's meat (Blergh) Missiology, I pipe your wife so hastily (One two three) Why she mean to me? Like why she usin' me? (Huh) Pipin' like I'm Mario (Ooh) Up, down, left, right (Ching) Woke up with cardio (Skrt) Scurry boy, rest tight (Ooh) Don't play with white flour, but I'm kneadin' all that dough (Baker) Don't play with me bitch, you know I'll melt you like the snow (bbno$)

Big bad wolf, you a cry, you a pussy boy (Boy) Nerf strap and a clip (Huh) I got brand new toys (Yuh) Iced out, blinged out, flexin' in some corduroys (Skrr Skrr) I don't like your ploy (Na, na, na) I don't like your ploy (Na, na, na) Where your mama? She squirtin' Money long, I need curtains Woke up and I'm swervin' Posted in the booth workin' Posted in the back lurkin' Thot girl text me I'm curvin' (Curvin') I don't like your ploy (No, no, no) I don't like your ploy (Yuh)

Fee fi fo fum, swervin' off a double cup Wait, hold up, bitch I'm just sippin' coffee (Skrr) In the mouth like some toffee (Toffee) Asked for clean, but got sloppy (Sloppy) "Yo, we need a clean up on aisle five!" (Gang) On the low, never high I'm a plane, I'm a grow Pesticides, GMO, fuck the lean, fuck the blow Somethin' stank, thanks for stayin', kick her out, was a prank Diamonds clean, diamonds bling, you ain't gang, you a lame

Big bad wolf, you a cry, you a pussy boy (Boy) Nerf strap and a clip (Huh) I got brand new toys (Yuh) Iced out, blinged out, flexin' in some corduroys (Skrr Skrr) I don't like your ploy (Na, na, na) I don't like your ploy (Na, na, na) Where your mama? She squirtin' Money long, I need curtains Woke up and I'm swervin' Posted in the booth workin' Posted in the back lurkin' Thot girl text me I'm curvin' (Curvin') I don't like your ploy (No, no, no) I don't like your ploy (Yuh)

19/07/2022

[stevenvenn]

Working Men’s Club - Widow (from Fear Fear) Yes, really loving the new Working Men’s Club sophomore album Fear Fear out now!