#would anyone be interested in me ranting about all these things?

[daftdrac]

If you were in a conversation, what topic would you like to talk about? :D

Something X-Men related, probably specifically anything deadpool or wolverine (Deadpool isn't exactly X-Men but I'm counting him cause he's also a part of this hyperfixation) anyways I LITERALLY GOT THIS NOTIFICATION WHILE IM WATCHING THE WOLVERING AND THE XMEN CARTOON LMAOOO Yeah I'm super into. X-Men shit right now because I watched Deadpool 3 and my brain said YES. THAT. I am absolutely taking this as an opportunity to rant by the way cause there is so much random shit about this show that has me giggling. Errrmmm spoiler warning I guess ?

FIRST OF ALL LOGANS VOICEEEEEVEVEVDBDBE 👹👹👹 I'm not one to simp for fictional characters (lie) but I'm down bad JUST because of the voice (also lie im down bad for a lot of reasons)

ALSO THE FUCKING AMOUNT OF LOVE INTERESTS HE HAS IN THIS. JEAN, (KINDA-ISH) WHO DOESN'T SHOW UP UNTIL EPISODE 23 OF 26??? SOME RANDOM JAPANESE WOMAN WHO'S MARRIED TO A SAMURAI?? SOME ALIEN-MUTANT-THING WOMAN WHO WORKED WITH HIM AND WAS HIS GIRLFRIEND BEFORE HE LOST HIS MEMORIES OR SOMETHING ?? Emma kinda but not really she's not an explicit love interest but you can kinda tell it's a little implied at some points. I definitely am forgetting a few my memory is still shit but A BISEXUAL CHARACTER AND NOT A MALE LOVE INTEREST IN SIGHT <3 thats why Cyclops is here. He's supposed to be kind of a romantic rival to Logan kinda (cause they both like jean or whatever idk it REALLY doesn't seem like Logan likes jean all that much but I guess he does) but it really just ends in them having tension that feels less like they despise each other and more like they're waiting for everyone to leave them alone so they can go at it so I'm counting Scott even if he isn't like OFFICALLY a love interest he basically is

Oh also gambit is a thing for like 2 episodes. All he does is cause issues which. Gambit core I guess idk much about him 💀 all I know is he is REALLY like. Cunning and confident and shit. Tryin to think of the word. CHARMING yeah he's charming. Or supposed to be I guess he looks a little funny so he just makes me giggle looking at him. Honestly if he wanted to fuck Logan he could probably convince him to buy he's in love with one of magneto's daughters or whatever?? That he met for like a few hours and kissed once?? Before being thrown in a cell for kissing magneto's daughter??? And then abandoning her after promising to take her away from genosha with him?? I don't even know man.

Anyways I'm a complete noob X-Men fan I literally didn't know jack shit about anyone but Logan before I started watching this. Already a hardcore wolverine/cyclops fan they're gay to be fr with you. I should read some of the comics huh. Anyways here's my live reaction to Logan and Scott interacting like normal people:

Also silly goofy images from this show no I'm not sorry 3/4 are Logan he's BABYGIRL in this okay

Here have a poolverine meme to end this post

[camilledlc]

Because I love relating songs to characters and analysing why it works so well, I just have to rant about how So Long, London by Taylor Swift is Vanessa's perspective of her break up with Wade. This one is reaaaally long, so be ready for that if you still chose to read this. It is 4,5k of a weird analyse no one asked for. You have been warned :

I think the main reason why Vanessa (that I will from now call Ness) ended things with Wade was because of how bad he was doing. She tried to be there for him, but there's only so much you can do for someone who doesn't want to be helped. So really, it is quite evident as to how this song can be related to their story. I'll go in order of the lyrics, and really dive in with the meaning of the song. I'll write this as if Ness wrote the song herself, kinda. But despite me relating it to Ness, it will also kind of be a study of the song in itself, if anyone is interested in that.

The opening line "I saw in my mind fairy lights through the mist" shows two main things that to me will be crucial to understand exactly how it all went down and Ness' state of mind. The two central element being obviously the fairy lights and the mist. The mist represents this gloom, this sadness that had surrounded Wade, and therefore herself. He was extremely depressed because of the Avengers' rejection, and didn't seem to be able to pick himself back up. Everything for him became a mist, but it also made everything for Ness turn into a mist. Always being around a deeply person, to whom you're entirely devoted, it will take a huge tole on you. Their sadness become yours, etc. And by that point, you may think that there was no reason for her to stay, but no. That's why the fairy lights are here. The fairy lights doesn't represent the exit, the ending of this relationship that would finally brought her peace. This early on in the song, it wouldn't make sense. The author is still too deep into this relationship. The fairy lights are probably the reason why they are still together by that point, despite all the pain that it's causing Ness. Because while the relationship can generally be associated to a mist, there are moments of happiness, of "fairy lights through the the mist". Not all moments are bad, and they are occasions where Ness can see the old Wade, and what they used to have. And she wants to fight for that. Because deep down, they love each other in ways that can't be matched, and they loved each other for so long.

And so, this leads us to the next lyrics : "I kept calm and carried the weight of the rift / Pulling him tighter each time he was drifting away". Because Ness can see that not everything is bad in her relationship, that there are still pieces of what they used to be left to fight for, she tries. She tries to "[keep] calm", to be the rock Wade is in desperate need of. For Wade, it feels like his world is falling apart, as he can't seem to find a purpose for his life, a way to matter. He falls more and more into depression, unable to pull himself back up. The only thing stopping him from "drifting away" is Ness. But on the other hand, she can't keep carrying them both on her shoulders. It "weights" on her, and understandably so. She wants to be there for Wade, and she tries as much as she can to save him. But maybe it's a responsibility that's too heavy for her, and so, the come the next lyrics.

"My spine split from carrying us up the hill / Wet through my clothes, weary bones caught the chill". Those are pretty easy to understand and very explicit. The weight of Wade's sadness is becoming too much for us, and she is breaking under it. By being the only one trying to lift them up, she's going to end up even more broken than Wade. I of course think that "wet" references sadness in general. Sadness is often paired with deep blues, cold colours and a general theme of water--because of tears. With the "mist" being also a metaphor for this sadness, it isn't surprising. But this means that this sadness that Wade carried, this "mist", finally got to her. The "mist" finally reached her and made her "wet", meaning that his sadness started to become her sadness. She "caught the chill", she started to feel depressed too, because always being around someone depressed--especially if you're the only one lifting them up--makes you depressed too.

"I stopped trying to make him laugh / Stopped trying to drill the safe". Another easily-understandable set of lyrics, yet devastating in the context of Deadpool. We know a handful thing about him and how he is generally perceived by others, and one of his main traits is that he's funny. He is always one to laugh, or crack a joke, the one that makes you happier when things are bad. He is the one supposed to make other laughs, but with how bad he feels, the roles are reversed, and Ness has to try and try and try to make him happier, to "make him laugh". It must have been really heart-breaking to see the dynamics in their relationship change this much, see a person she knew like the back of her hand becoming a ghost of who they used to be. And eventually, he started to close up too much to her. He would be 'somewhere else, not fully there'. He wouldn't let her in, tell her what he was truly feeling--despite the fact that she could sense how bad he was doing. He became a "safe", a total stranger that she couldn't figure out, until she eventually had to give up. This is even more depressing when you know that Wade has had tendencies to lie to protect himself and push people away, which he could've also done here with Ness.

All of this leads her to start being angry, and confused, and wanting answers from him. Not the Wade she saw before leaving him, but her Wade, from before all this. She wants to understand : "Thinkin, how much sad did you think I had / Did you think I had in me?". I see this as both a rhetorical question, telling him that she can't handle all of his sadness and that she has to leave him behind at some point. That she doesn't have this much sadness in her to support him. But I also believe it has some genuine aspects of an earnest question, always waiting for an answer. Yet, she will repeat this multiple times, probably alluding to the fact that she doesn't have any. Because Wade doesn't have an answer to that either. She wants to know just how far Wade was willing to let himself fall down while thinking that Ness would stay, that she would pick him up. In a way, I think she felt betrayed and hurt by the way he was treating her, waiting for her to be there for him while he purposefully let himself drown in his own misery. So, eventually, she's angry and demands answer, demands an explanation to all of this, because this isn't the Wade she fell in love with.

And that's why it's so tragic : "Oh, the tragedy... / So Long, London". In this, we see just how heart-breaking their entire story is. It wasn't supposed to end this way, yet at that point in time, she saw no other issues. She didn't want to leave him, but she had to. It was tragic because it couldn't have been avoided, yet she felt as if it wasn't fair, and it wasn't meant to be this way. She can only constate that their ending is tragic, and she has to accept it despite the evident pain and sorrow (the punctuation). And so, she leaves. All of this, only could lead to that conclusion. She went through all stages, from loving him, to trying to support him, to giving up on helping him, to being angry at him, to giving up on them altogether now. She isn't fully saying goodbye, as she still feels as if their lives are too intertwined for them to not see each other again eventually. They both love each other too damn much to never do so, to truly end things here. By that point, she accepts that she must leave, and that their story ends, but she knows the love hasn't completely disappeared yet.

But when she says "You'll find someone...", she does admit that while love may persist, the relationship is over for good. By that point, she only includes him in the finding someone part. I think it's because she herself hasn't moved on from him, and she isn't sure by that point that she can. They know they can't date anymore, but she doesn't think that she'll fall in love as hard as she did with Wade with anyone else. But for him, she wants him to move on and find someone who will be able to handle Wade. In a way, she may feel guilty for leaving, despite knowing that it was killing her on the inside to stay. So she wishes for Wade to find someone who, unlike her, will be able to help Wade, or at least carry his burden with him without splitting under the weight.

I feel that the next part is a bit trickier, so if my ramble doesn't make sense, feel free to ignore it! But otherwise, I think that the lyrics "I didn't opt in to be your odd man out / I founded the club she's heard great things about" are definitely laced with bitterness. To me, it really represents that moment of Wade getting better, and how Ness will view herself into that. One the one hand, she knows she isn't entitled to anything regarding Wade anymore because she chose to leave, but on the other hand, she feels as if she didn't have a choice to leave. Everything was so awful that she had to leave for her own sake, so she didn't opt out of his life. She didn't want to be his friend, but she couldn't be anything else. Yet, everyone--including Wade--will make her feel like it was her decision. Even though they respect it, she feels that they don't understand that it wasn't truly her decision, and that under other circumstances, she would've never left Wade. If it wasn't for her survival, she would still be with him. But now, she is purposefully being left out of everything regarding Wade and all of his accomplishments. People will say that it's great to see him better again, to see him happier, and a true hero that wants to matter, etc. And yes, he did that on his own, but it does feel to her as if it invalidates everything she went through. She helped him for so long, and eventually had to give up. So he got better on his own and is praised for it, but what about all of her efforts? Don't they count in his recovery? Isn't her support the foundation of the person he is today? She is one of the reason Wade found his spark back, yet because she left before he did, she can never say as much. And it must feel bitter to see how much time and energy and love you lost trying to help someone who got better after you left them, after you've had enough.

Which is why we have "I left all I knew, you left me at the house by the Heath". Because, yes, she may have been the one who left Wade first officially, but Wade had left her way before that. When letting himself become a shadow of who he once was, he left Ness to fend on her own, the only one keeping their love, their home alive. The "house by the Heath" represents this home that they made for themselves, it was their lives, their futures. But Wade abandoned that mentally. Yet, it falls on Ness when she decides to abandon it physically. In this whole verse, she is feeling bitter, and angry, and regretful. She left everything behind, because Wade felt like her everything. But she wasn't the first one to do so, and Wade had actually done it before. She had in the past tried to support him when he had cancer, only for him to leave her to bear this alone. So, actually, she was the only one trying actively not to leave, not to let this relationship die.

"I stopped CPR, after all it's no use / The spirit was gone, we would never come to". It implies that for a long time, she tried to maintain their relationship alive, but it was for nothing. "The spirit" of their love had left when Wade did too, when he metaphorically left the relationship. It couldn't be brought back, and even if they had tried, it would've been too late. Their relationship was already too damaged to be salvaged. There is no use to perform CPR on a dead body.

The next lyric is heavily marked by the voice of the singer, showing the anger and resentment growing : "And I'm pissed off you let me give you all that youth for free". For this one, I think it's crucial we remember the context of both who they are in general. Ness is a woman in her mid-thirties/forties, meanwhile, Wade is an immortal guy who can't age nor die. Wade still has the whole eternity in front of him to do whatever he wants, to be someone great. But Ness spent most of her life with him, and now she's getting older. No matter who she ends up with it will be a very recent and new relationship, and it will take time to grow, and so she may have trouble later having the family she'd wanted. For her, it may feels like as if she's spent so many years with Wade, only to be back at square one. Except that for him, he can take the eternity to move up a few square, but her, she doesn't have that time. She doesn't have eternal "youth", which is why she may be so pissed, both at herself and at Wade. It can be very easy to start resenting someone when you feel like you have wasted so much time on them, for nothing to come out of it eventually. And it would be better if Wade was in the same boat as her, because then they would both have wasted time and it would be no one's fault. But she is alone in this, she is the one who gave her "youth for free".

The "For so long, London / Stitches undone / Two graves, one gun" only reinforce this idea. She gave her youth "for so long" and now she's feeling resentful. In a way, it feels like her decision killed them both. She knows the negative impact their breakup had on Wade, of course. But here, she also acknowledge just how much it affected her too. With "one gun", aka her decision to leave, she killed the both of them ("two graves"). Kind of in a "you had to kill me but it killed you just the same kind of way". And now, the relationship that she carefully spent time stitching up each time it split is now completely broken, the "stitches undone".

And so, she accepts that she has to move on : "I'll find someone". She knows how bad her decision also affected her, and how hard it will be to get back everything she lost to this relationship. But she can't stay down, and she has to find a way to move forward somehow. And she knows that it's possible, that eventually, she'll find someone else, she'll fall in love again and that life goes on. It's a way for her to try and find peace, to definitely put her relationship with Wade past her. And by the beginning of Deadpool and Wolverine, she believes that she has found that someone, she found Dermot. Someone good, who is different yet someone she is really happy with. She can fully move on, and so wants to try and befriend Wade, as a way to really put this all behind. Because despite knowing they can't ever get back together, she still has a lot of love for him--whether it's romantic or now platonic, she'll always love him, as he is one of the most important person for her. But it's clear that while she's almost moved on completely from him, he hasn't done the same. And because of the way he still holds out hope for them to be together again, she feels as though he thinks she abandoned him all over again.

So in a way, the upcoming bridge is her way of defending herself. "And you say I abandoned the ship / But I was going down with it" is literally her reiterating that she wasn't the one who left first, she was actually holding onto that relationship even more than Wade was, even though it was killing her, "My white knuckle dying grip". The singer's voice is by then really angry, and I think Ness is too by now. It feels unjust to be blamed for leaving a relationship. I don't think they are blaming her consciously, because Wade would never want to make her feel bad about it. But the sole fact that he's still holding out hope that they work out put the blame on her for the fact that it isn't working out. In a way, him still wanting her and not being able to move on makes her even now the responsible for Wade's misery, which is unfair because she already had to bear it and suffer from it for long enough in their relationship.

The next lyrics will all be analysed as a whole, so sorry for that : "Holding tight to your quiet resentment and / My friends said it isn't right to be scared / Everyday of a love affair / Every breath feels like rarest air / When you're not sure if he wants to be there". This may be a bit triggering, se be careful, but I think that while the original song may be talking about not wanting to be there in a relationship, from Ness' point of view, it will be more like there at all in this life. Wade is canonically a character that has a severe mental instability, a lot of traumas and issues, and he is one of the character who tried to off himself the most--even before having a regenerating factor. He clearly has always struggled with his mental health, and it was even worse during his depression. So when Ness feels scared that because she's "not sure if he wants to be there", she's talking about being scared that Wade would take the opportunity to off himself if he could die. It is extremely scary to be in a relationship with someone who doesn't wish to live anymore, when you never know if they are faking their smiles, planning on leaving it all behind, if you're not sure you'll wake up and they'll still be there. Even while knowing he can't die, it is still a terrifying thought. So now, their entire relationship, their "love affair" is completely overtook by this fear that it will all end at any moment, and also by this need to take every good thing in because they may not last, or there won't ever be any other good thing afterwards. Every moment of true joy "feels like rarest air". Because now, everything in her mind revolves around Wade's sadness, his "quiet resentment" of feeling like he doesn't matter, of not finding his purpose in this world.

But there's only so much that one person can take, and so, eventually, she is back to asking "So how much sad did you think I had / Did you think I had in me? / How much tragedy?". This times, it really feels as though she exposed previously during the bridge every arguments in her favour as to why she had to leave, and now she's showing him all of those arguments and telling him 'see?', and in the words of the song "Just how low did you think I'd go? Before I'd self-implode / Before I'd have to go be free". And those two last sentences summarize pretty much everything : she was self-imploding, so she had to leave and be free. This relationship, despite still having some good moments that guilted her into staying, was more like a prison to her by that point. In this bridge, she seems finale with her explanation, and feels a certain form of validation of her decision. By then, she is certain she made the right choice, and she is trying to show others, and especially Wade, that she had to move on and that still holding hope for a relationship together was just invalidating everything she went through (even if Wade isn't necessarily wanting that, or even realizing she might feel that way. He can't help but love her, but respects her decision nonetheless. There is no bad guy here, just a very complicated situation).

The very end of the song is definitely right by the end of the events of Deadpool and Wolverine. Wade tells her explicitly that he still loves her, still wants her, wants them. But when he tells her he still loves her, all she can think of is : "You swore that you loved me but where were the clues? / I died on the altar waiting for the proof / You sacrificed us to the gods of your bluest days". She may know, realistically, that Wade really did love and still do, but during the end of their relationship, she couldn't feel it. Everything in Wade's life was now centred around his sadness, which is here represented by the "gods of [your] bluest days". Their relationship was too much, and so he "sacrificed" it, because in his mind, there was no room for anything other than his depression. Which is valid and comprehensible, but extremely hard to live for Ness. She was desperately waiting for him to show her that he cared for her, that he still loved her, that he was still with her, like shown in the flashback when Cassandra Nova peered through Wade's mind. She asked him directly for proof of his love, and she eventually had to leave the "altar" because she was dying there otherwise. Wade was feeling so awful that he couldn't remind Ness just how much he loved her, so even now, she can't accept that he still does.

Besides, we know she has supposedly moved on, as she is happy with her new boyfriend Dermot : "And I'm just getting color back into my face". After everything, she eventually felt like a lesser version of herself, beaten up by this tragic relationship. Wade's constant sadness got to her. But now, it's been a while, and she had time to move on, to find her own new happiness. It might be different colours than when she was with Wade, but she has colours nonetheless. She is happier out of the relationship. Yet, she can't help but be mad : "I'm just mad as hell cause I loved this place / For so long, London". It is quite obvious that despite being happy now, she had also been happy with Wade before all this. There had been so long where she thought she was gonna marry Wade, found a family together, that he was her soulmate. She knows it's for the better, but there's also something so frustrating about having to leave something that brought you joy for so long because now it has soured. The lyrics "Had a good run / A moment of warm sun" reminds that. Before Wade got depressed, there relationship was truly and utterly an happy relationship. There was so much good in it, and for a long time, it seemed like it would last. But it didn't.

"But I'm not the one / So long, London". She is here fully letting Wade go, and letting their romance go. In admitting that she isn't the one for Wade, she is admitting that they weren't soulmates who were meant to be, and that maybe it's better this way. She is admitting that even the earlier stage of their relationship was extremely good and happy, it was not enough. She isn't the one for him because she could love him at his best, but couldn't at his worst. And there is no shame in that, she knows now that some people aren't meant to be, despite being perfect for each other in every other aspects. For example, when she sees Logan, she understands that he can handle Wade at his worst, that he can lift him up. At the same time, it's a bit bitter because she wished she could've been the one, but she is also really grateful to be out of this relationship, and yet knowing that Wade's got someone else that will be there for him. She can leave peacefully knowing that.

Then, we have another repetition of "Stitches undone" which symbolize definitely the end of relationship, with nothing holding it together anymore, and "Two graves, one gun". Personally, I always heard something else and liked what I heard more, which is "Two graves, one gone". Here, it would be a representation of how they felt during Wade's depression. He was so sad that he was almost dead, which killed her on the inside too. They were "two graves". But some graves aren't meant to be side by side. She left the graveyard, found happiness again somewhere else. She brought herself back to life by leaving. Now, there is one grave that is "gone". But by using the last sentence "You'll find someone...", she is in a way giving him permission to move on from her as well, to leave the graveyard that was their relationship. She hopes for him that he'll find someone who will bring him back to life to, and she even thinks that Wade found that person already, found that in Logan. Now that she let go, she's telling Wade to do the same. To let her go.

The three different instances of "you'll find someone / i'll find someone / you'll find someone" really represents the progression of the breakup and the healing from it. At first, it's a way to convince herself that she has to leave, that she isn't made to handle this. By then, none of them have moved on. Then, it's her finding her own way of happiness, admitting that she's moving on. And the last one is her telling Wade to move on too. By the end of the song, their relationship has definitely ended, it's over for good.

"So long, London".

[cloudysarts]

Hi there!!

I want to say that your “Mabel’s muse” Au concept has absolutely called my attention, Bill mentions multiple times (Dipper and Mabel’s guide to mystery and fun and TBOB) how he likes Mabel’s personality and wanted her to be his ally…sooo the idea of an alternative time where he decided to approach her and where she trusts him and considers him as her friend is absolutely full of potential

I just think about how many stuff would change and how bill would be a little more genuine with her as he for once isn’t pretending to be an all-wise being and having to constantly rise the ego of Genius minds…instead he just has to party with a teenager whose idea of fun is quite similar to his…he doesn’t have to be the “supreme being” for once just a silly fella in order to earn Mabel’s trust

Also about how some episodes would have to take a completely different route:

maybe “Mindscapers” wouldn’t even take place…because I doubt that Mabel would trust a Bill if he went inside Stan’s head

Bill possessing her during the “sock opera”episode instead of dipper

Also don’t get me started on “the last Mabelcorn” episode. All the angst and horror that Ford would feel when he finds out about the whole friendship with bill situation reflecting himself on Mabel and probably Dipper being the one who search for the unicorn hair while ford tries to convince her that Bill isn’t trustworthy

I apologize for my rant but I seriously love your idea and sorry if it’s a bit confusing English isn’t my first language

I hope you have a nice day and thank you for reading this silly thing!!

first of all, your english is great!! second of all, i am SO sorry it took me so long to respond to this ask, it just made me so happy that i wanted to take my time to craft a response!!!!!! :DDDD (context: for people who don't know what my 'mabels muse' au is, you can check it out over here!)

you are practically SPOT ON with my ideas for this au!!!!!! but i'm gonna briefly run through all the things you brought up!!

first of all, yes, absolutely!!!! for bill, partner-ing up with mabel was a very nice change of pace. he likes stroking the ego's of genius', just for his own amusement, but he doesnt get the THRILL of just getting to PLAY very often!! he's a very childish being, at the end of the day. he enables mabel's selfishness, while getting to indulge his own, silly passions right alongside her!! and obviously, mabel LOVES being enabled <3 i imagine most of the dreams he gives her would make any normal persons eyes bleed

as for your episode ideas, you're mostly right!!! :) mindscaperers does, in fact, NOT happen in this au. in my head, i imagine gideon trying to summon him, only for an 'I.O.U' to appear where bill should be. he's busy hanging out with his favorite pre-teen!!! so gideon skips straight to his backup plan, aka, gideon rises ^^

for sock opera, i'm still on the fence a little bit. one of the reasons bill is hanging out with her at all in this au is because, unlike in the regular timeline, this bill actively wants stanford to be brought home. the reason mabel is important to him, is because he can see timelines where she presses the button in not what he seems, and keeps him from returning. in his mind, he has the greatest shot of success if mabel doesn't press it. in this au, she doesnt even hesitate to trust stan, because she has another, trustworthy voice in her head, yelling DON'T PRESS THE BUTTON. its 2v1! ANYWAY, the reason any of that matters for sock opera, is because he wouldnt have any need to possess anyone, because he has no interest in smashing the laptop! BUT.....i can see him doing it anyway. i figure, most likely, he gets mabel to (willingly) let him use her body, so that she can work on her sock opera while her body sleeps. i just imagine a bill-possessed mabel up at 3 am, covered in hot glue and googly eyes as he tries to work it out shjdkfhjsdkf. but......honestly, he probably destroys the laptop in the process :) just to fuck with dipper <3 not that dipper ever finds out its her. he has no idea that mabel was ever possessed/has no reason to suspect her, because at this point, he still doesnt think bill is real. that is....until the last mabelcorn.

IN the last mabelcorn, mabel reveals to ford that she does recognize bill, and that he lives in her brain! she says it really excitedly, at the table, while dipper kind of just rolls his eyes about it. to her, its vindicating, because it's the first time anyone has ever acknowledged bills existence. but to ford, its HORRIFYING, because he knows it isn't just a coincidence. he knows he has to do something, but he doesn't know what, right away. this is where our ideas differ a little bit, because i think that mabel still WOULD be the one retrieving the unicorn hair! ford just didnt tell her what the hair was for. ford sends her off, because he wants to brainstorm a way to get him out of her head, preferably without hurting her/her memories. he also plans to bill-proof dippers mind in the process, just in case mabel is too far gone already. the events here happen basically the same (with minor tweaks), but instead of dipper suspecting that ford is evil/bill-possessed, this is where he finally learns that bill is real at all. ford tells him about his backstory, and explains the REAL reason he sent mabel out to get the unicorn hair, etc etc. he loves mabel a lot, but hes not sure how to go about dealing with this situation yet. its not HER fault she trusted bill, but he knew that if he just tries to tell her hes evil, she wont believe him. shes known 'her muse' longer, and as of right now, he's never lead her wrong. just like what happened to him in the past...

i wonder how mabel would feel if she only heard the end of that conversation...

[winryrockbellwannabe]

this guy is honestly making me question too much shit

bc there's no way in hell is just that nice, right?

at this point either: 1. he's being this nice and kind bc he has a crush on me, 2. he's honestly that nice, which will make me have a crush on him, bc omg. he's just the nicest person ever

[stuffedsand]

for the violence ask game: 8 common fandom opinion everyone is wrong about. for milgram. i know exactly what you're going to say i just want to see you go off again

Hiii bestie. You do know what I'm about to talk about. Yippee

Disclaimer that this whole essay is like. For fun and how I say things is ramped up to be funny. I don't mind if you disagree w me cuz like that's the nature of things! We disagree but we can get along.

Anyways short answer for people who don't wanna see the essay: organ harvesting theory. This is about shidou.

Idk how prevalent it is rn since not many people even talk about shidou but it was prevalent enough in June when I got into milgram that I believed it for a bit anyways the rest in under the cut cuz I'm insane sorrg

SO the main reason I think the theory is WRONG (hyperbole‼️) is because I just think it's unrealistic. Man works in a hospital in Japan. How would he pull it off. Scuff an operation bad enough to cause braindeath/death and I'm p sure they suspend your medical licence, if he participated in an organ harvesting operation pre-family-accident his case would then be black and white cuz he was doing it in complete sound mind with no regard for human life. Also it wouldn't justify the extreme reaction he's had to realizing, specifically, "what I've been robbing people of" (t1 voice trailer), and he wouldn't have as heavy a focus on the relatives' feelings and reactions. At least story writing wise it'd make less sense since it doesn't allude to anything if that's the end goal? Imo at least. Idk maybe this is because I really like tragedies in media. Also because it'd be a really disproportionately severe crime compared to every other direct murderer???? Like. We have strangled someone, stabbed someone, bludgeoning, bludgeoning, kicked someone to death. Organ harvesting looks cartoony in this context. It's also not a very prevelant issue in Japan iirc.

Also to prove my point further. If we use this theories the murders would be

Strangling, abortion??????, cyber bullying, stabbing, organ harvesting, toxic r/s, telling the truth (lmao), bludgeoning, bludgeoning, bludgeoning (minus weapon). Organ harvesting is goofy cuz it seems so.... Extreme,,,,,,,

ALSSOOOOO funny point. If he's not directly involved in his murder (as in, unintentional and indirect) that makes 5 direct and 5 indirect. Silly.

Also also his murder seems somewhat tied to how he feels about his job itself ("I wanted to contribute to society (about his career choice)/I had thought my work was a contribution to society", use of past tense) and to me it reads like hes disillusioned w his job esp since his reason for getting a highly sought after, high paying and high social ranking job is "I wanted to contribute to society". Doctors with that empathy can be affected by the death around them more severely and I think that's a fun topic to look at

I count this under "common fandom opinion" cuz it was common enough around June (whenyours truesly got into milgram) that I believed it. I mean I introduced shidou to my friend (hello clown) as "maybe Dr malpractice. Organ harvesting dude" and said friend (hello again clown) is also the one who's heard me bash the organ harvesting theory like 6 times at least now so. Yippee.

Take none of this seriously I just got off a plane and am so very eepy. If you like the organ harvesting theory good for you!!!!!!!💥💥💥💥💥 you do you bestie !!!!!!!!!!!!!! I literally do not think less of anyone who believes that theory I just personally dont lmao

[britneyshakespeare]

can’t stop intellectualizing about barbie

[impostorsshow]

I love watching Tears of the Kingdom memories out of order /sarc /lh

It took my around 100 hours to even find out the tears were a thing and wondering wtf my mom was talking about when I kept asking for help on what to do but that aside, I had seen #1 and #2 in order, tried to find Tabatha stable for a good 2 hours and then decided to go take a break and got hit with #8, WHICH WAS LIKE GETTING HIT BY A TRAIN

#1: :0 time travel wow oh wait your my old grandparents

#2: "let's go to the castle dear and get some clean clothes"

#8: SHE'S DEAD AND GANON IS IN POWER AND YOUR FUCKING WIFE IS DEAD AND ITS YOUR FAULT RAARU

Also there's 18 memories?? Damn how the fuck is it gonna sucker punch me more than that fucking 180 in story but aside from that i. I really wish it gave you a little way to back out, like it tells you the memory of what your about to watch and if you wanna do it later, I wanted to watch them in order TT AND I STILL HAVENT FOUND TABANTHA STABLE

[thebirdandhersong]

if I had a nickel for every time I had an interest in someone who was a) extroverted, b) very enthusiastic and passionate about very niche subjects, and c) completely and utterly clueless, I'd have two nickels.... which isn't a LOT, but it's weird, amusing, and exasperating that it happened twice

[callingcxrd]

God okay I don't normally complain about petty fandom problems or whatever but I just got a poll from a tag on my dash on if two characters are dating that literally one of them canonically HATES and is outright extremely rude to the other who did nothing and it overwhelmingly voted they were. This is not a cutesy baby and a tsundere one of them is just fucking awful to them for no reason YOU GUYS HAVE TO STOP CARING ABOUT CHARACTERS JUST BECAUSE YOU DECIDED THEY SHOULD BE SHIPPED TOGETHER

CARE ABOUT CHARACTERS OUTSIDE OF BEING A SHIP THEY ALREADY HAVE THEIR OWN STORY AND EVERYTHING STOP CONTRIBUTING TO THE EXTREMELY REDUCTIVE PRACTICE OF TAKING AWAY ALL CHARACTER DEPTH AND STORY BECAUSE TWO CHARACTERS STAND NEXT TO EACH OTHER

[celery505]

My liking for older stuff really came out of nowhere I must admit. Like it has ALWAYS interested me. When I was little the only shows I’d really watch were shows my mum used to watch (70s/80s) and I’ve always wanted more, then peter davison hyperfixation hit and suddenly I know too much (even things my mum doesn’t know even though she was alive when they aired)

[gender-trash]

I would be very interested in hearing the museum design rant

by popular demand: Guy That Took One (1) Museum Studies Class Focused On Science Museums Rants About Art Museums. thank u for coming please have a seat

so. background. the concept of the "science museum" grew out of 1) the wunderkammer (cabinet of curiosities), also known as "hey check out all this weird cool shit i have", and 2) academic collections of natural history specimens (usually taxidermied) -- pre-photography these were super important for biological research (see also). early science museums usually grew out of university collections or bequests of some guy's Weird Shit Collection or both, and were focused on utility to researchers rather than educational value to the layperson (picture a room just, full of taxidermy birds with little labels on them and not a lot of curation outside that). eventually i guess they figured they could make more on admission by aiming for a mass audience? or maybe it was the cultural influence of all the world's fairs and shit (many of which also caused science museums to exist), which were aimed at a mass audience. or maybe it was because the research function became much more divorced from the museum function over time. i dunno. ANYWAY, science and technology museums nowadays have basically zero research function; the exhibits are designed more or less solely for educating the layperson (and very frequently the layperson is assumed to be a child, which does honestly irritate me, as an adult who likes to go to science museums). the collections are still there in case someone does need some DNA from one of the preserved bird skins, but items from the collections that are exhibited typically exist in service of the exhibit's conceptual message, rather than the other way around.

meanwhile at art museums they kind of haven't moved on from the "here is my pile of weird shit" paradigm, except it's "here is my pile of Fine Art". as far as i can tell, the thing that curators (and donors!) care about above all is The Collection. what artists are represented in The Collection? rich fucks derive personal prestige from donating their shit to The Collection. in big art museums usually something like 3-5% of the collection is ever on exhibit -- and sometimes they rotate stuff from the vault in and out, but let's be real, only a fraction of an art museum's square footage is temporary exhibits. they're not going to take the scream off display when it's like the only reason anyone who's not a giant nerd ever visits the norwegian national museum of art. most of the stuff in the vault just sits in the vault forever. like -- art museum curators, my dudes, do you think the general public gives a SINGLE FUCK what's in The Collection that isn't on display? no!! but i guarantee you it will never occur, ever, to an art museum curator that they could print-to-scale high-res images of artworks that are NOT in The Collection in order to contextualize the art in an exhibit, because items that are not in The Collection functionally do not exist to them. (and of course there's the deaccessioning discourse -- tumblr collectively has some level of awareness that repatriation is A Whole Kettle of Worms but even just garden-variety selling off parts of The Collection is a huge hairy fucking deal. check out deaccessioning and its discontents; it's a banger read if you're into This Kind Of Thing.)

with the contents of The Collection foregrounded like this, what you wind up with is art museum exhibits where the exhibit's message is kind of downstream of what shit you've got in the collection. often the message is just "here is some art from [century] [location]", or, if someone felt like doing a little exhibit design one fine morning, "here is some art from [century] [location] which is interesting for [reason]". the displays are SOOOOO bad by science museum standards -- if you're lucky you get a little explanatory placard in tiny font relating the art to an art movement or to its historical context or to the artist's career. if you're unlucky you get artist name, date, and medium. fucker most of the people who visit your museum know Jack Shit about art history why are you doing them dirty like this

(if you don't get it you're just not Cultured enough. fuck you, we're the art museum!)

i think i've talked about this before on this blog but the best-exhibited art exhibit i've ever been to was actually at the boston museum of science, in this traveling leonardo da vinci exhibit where they'd done a bunch of historical reconstructions of inventions out of his notebooks, and that was the main Thing, but also they had a whole little exhibit devoted to the mona lisa. obviously they didn't even have the real fucking mona lisa, but they went into a lot of detail on like -- here's some X-ray and UV photos of it, and here's how art experts interpret them. here's a (photo of a) contemporary study of the finished painting, which we've cleaned the yellowed varnish off of, so you can see what the colors looked like before the varnish yellowed. here's why we can't clean the varnish off the actual painting (da vinci used multiple varnish layers and thinned paints to translucency with varnish to create the illusion of depth, which means we now can't remove the yellowed varnish without stripping paint).

even if you don't go into that level of depth about every painting (and how could you? there absolutely wouldn't be space), you could at least talk a little about, like, pigment availability -- pigment availability is an INCREDIBLY useful lens for looking at historical paintings and, unbelievably, never once have i seen an art museum exhibit discuss it (and i've been to a lot of art museums). you know how medieval european religious paintings often have funky skin tones? THEY HADN'T INVENTED CADMIUM PIGMENTS YET. for red pigments you had like... red ochre (a muted earth-based pigment, like all ochres and umbers), vermilion (ESPENSIVE), alizarin crimson (aka madder -- this is one of my favorite reds, but it's cool-toned and NOT good for mixing most skintones), carmine/cochineal (ALSO ESPENSIVE, and purple-ish so you wouldn't want to use it for skintones anyway), red lead/minium (cheaper than vermilion), indian red/various other iron oxide reds, and apparently fucking realgar? sure. whatever. what the hell was i talking about.

oh yeah -- anyway, i'd kill for an art exhibit that's just, like, one or two oil paintings from each century for six centuries, with sample palettes of the pigments they used. but no! if an art museum curator has to put in any level of effort beyond writing up a little placard and maybe a room-level text block, they'll literally keel over and die. dude, every piece of art was made in a material context for a social purpose! it's completely deranged to divorce it from its material context and only mention the social purpose insofar as it matters to art history the field. for god's sake half the time the placard doesn't even tell you if the thing was a commission or not. there's a lot to be said about edo period woodblock prints and mass culture driven by the growing merchant class! the met has a fuckton of edo period prints; they could get a hell of an exhibit out of that!

or, tying back to an earlier thread -- the detroit institute of arts has got a solid like eight picasso paintings. when i went, they were kind of just... hanging out in a room. fuck it, let's make this an exhibit! picasso's an artist who pretty famously had Periods, right? why don't you group the paintings by period, and if you've only got one or two (or even zero!) from a particular period, pad it out with some decent life-size prints so i can compare them and get a better sense for the overarching similarities? and then arrange them all in a timeline, with little summaries of what each Period was ~about~? that'd teach me a hell of a lot more about picasso -- but you'd have to admit you don't have Every Cool Painting Ever in The Collection, which is illegalé.

also thinking about the mit museum temporary exhibit i saw briefly (sorry, i was only there for like 10 minutes because i arrived early for a meeting and didn't get a chance to go through it super thoroughly) of a bunch of ship technical drawings from the Hart nautical collection. if you handed this shit to an art museum curator they'd just stick it on the wall and tell you to stand around and look at it until you Understood. so anyway the mit museum had this enormous room-sized diorama of various hull shapes and how they sat in the water and their benefits and drawbacks, placed below the relevant technical drawings.

tbh i think the main problem is that art museum people and science museum people are completely different sets of people, trained in completely different curatorial traditions. it would not occur to an art museum curator to do anything like this because they're probably from the ~art world~ -- maybe they have experience working at an art gallery, or working as an art buyer for a rich collector, neither of which is in any way pedagogical. nobody thinks an exhibit of historical clothing should work like a clothing store but it's fine when it's art, i guess?

also the experience of going to an art museum is pretty user-hostile, i have to say. there's never enough benches, and if you want a backrest, fuck you. fuck you if going up stairs is painful; use our shitty elevator in the corner that we begrudgingly have for wheelchair accessibility, if you can find it. fuck you if you can't see very well, and need to be closer to the art. fuck you if you need to hydrate or eat food regularly; go to our stupid little overpriced cafeteria, and fuck you if we don't actually sell any food you can eat. (obviously you don't want someone accidentally spilling a smoothie on the art, but there's no reason you couldn't provide little Safe For Eating Rooms where people could just duck in and monch a protein bar, except that then you couldn't sell them a $30 salad at the cafe.) fuck you if you're overwhelmed by noise in echoing rooms with hard surfaces and a lot of people in them. fuck you if you are TOO SHORT and so our overhead illumination generates BRIGHT REFLECTIONS ON THE SHINY VARNISH. we're the art museum! we don't give a shit!!!

[gay-dorito-dust]

hellooo, your writing is amazing so far i love it 🫶🏼

Could you do one for Hobie x fem reader, where the reader is friends with SpiderPunk AND Hobie. But she doesn’t know they’re the same person. And one day lovergirl rants about her fat ah crush on Hobie to him??

First off, thank you for enjoining my writing, I try my best with what working brain cells I have left 🤣

Ooh I love this idea very much! But I might make it a two parter cuz I defiantly went off request…oops…

Part 2

You were just minding your business, chilling on the roof top of an abandoned apartment complex, mind a million miles elsewhere on a certain somebody when a flash of red and blue caught your eye and before you knew it; you company of one had became a company of two.

‘Heya Spidey, how are things?’ You greeted.

He shrugs, ‘the usual but what about you lil missis,’ he playfully nudges you, ‘head so far off into the clouds I’m actually feeling a little neglected over here.’ You laughed, shoving him away by his arm. ‘Oh come off it, will you? I just been thinking about this guy I’ve liked for a while now.’ You admitted and Hobie’s interest was immediately peaked.

For as long as he knew you, Hobie could barely remember the last time you had ever admitted to him in fancying someone, besides from a couple of incidences from way back that ended up backfiring; but other then that, you kinda made it a point not to talk about it, maybe in due to him thinking that whoever you did fancy at the time weren’t worth the effort you’d give had you perused them. You had often called him overprotective whenever you tell him about your crush of the week but Hobie would defend himself by saying he was merely looking out for you and didn’t want you getting hurt by some douchebag.

‘You don’t have to defend me from everything Hobie,’ you once told him as you were patching him up from beating the breaks off of your last crush because they were chatting shit about you behind your back, ‘whilst as sweet as it is but you can’t always be there to look out for me.’

‘Watch me.’ He replied, his view remaining completely unchanged. You sighed, knowing that once Hobie’s mind was made up, nothing you nor anyone else could do to change that. He was an akin to that of an immovable object when it came to his beliefs and views and it was amongst the many things you adored and admired about him most.

‘Oh yeah? And who’s the lucky guy?’ He asked casually leaning back on his arms, watching as you brought your knees close to your chest before resting your chin upon them as your eyes gaze out at nothing in particular; something Hobie noticed you often do when you were particularly in your feelings and needed something to hold onto and ground yourself before you became adrift in your own sea of emotions. It was cute to see you tucked in on yourself so tightly that he couldn’t be more thankful for the fact that you couldn’t see how dopey he must’ve looked beneath his mask.

‘Hobie. Hobie Brown.’

He blinked twice, nah, he must’ve heard that wrong, surely, his hearing must be going all scewiff.

‘Hobie Brown.’ He said his own name as though it was the first time he was ever saying it. Upon seeing the way your shoulders drop and your body becoming at ease upon hearing his name, along with the way you smiled gently and how your eyes seemed to beam with newfound light which all had only helped In affirming to Hobie that he did indeed hear you the first time. ‘What is it about the guy that’s got you all up in knots?’ He asked, trying to act as though you didn’t just indirectly admitted that you’ve got a crush on him to him.

‘Where do I start.’ You started, unable to fight against your own feelings that were swelling up within your chest when an image of Hobie appeared in the forefront of your mind, he was sat on your bed, eyes closed as he allowed himself to get lost within his guitar rifts, his calloused fingers expertly transitioned from chord to chord as it were muscle memory. ‘He’s just so cool and awesome and so forthright and opinionated in his views and beliefs that he’s not afraid to back down from a fight should it come down to it.’ You tell him with a sense of fondness in your voice.

Hobie was quick to notice how your hand fiddle with one of the many handmade pins he’s made you that you always paired up with any and every outfit you ever wore, even if they styles did clash but you didn’t seem to care; Whatever the reason for you reaching for the pins were, whether it’d be out of a need to feel out the closest thing you had in regards to him or it was just something you did out of habit, made Hobie warm within his chest that soon spread throughout his body. ‘Sounds like me and this Hobie guy are more alike then I originally thought.’

Your fingers stopped their fiddling and you suddenly looked at him as though you were just now realising something with the way your eyes bore into him, Hobie thought that you might’ve developed the ability to see through the mask that withheld his identity and into him, so much so that he couldn’t help but make a comment on it, ‘stare at me any harder sweetheart and your stare might burn right through my mask.’ You must’ve been deep into your thinking as you didn’t seem to have noticed that he had spoken at all and Hobie was starting to think that he might’ve been too relaxed with you as Spider-Man that you might have started to have it pieced together in your mind; after all you were smart, more so then what you give yourself credit for.

‘Now that you’ve mentioned it you and Hobie do share some of the same attributes and habits, I’m also pretty sure your similar height wise and even though your mask muffled your voice, it fills me with a sense of familiarity that it’s hard for me to put a finger on.’ You said as you leaned closer to him until you were partially merely a breath away from each other. Hobie didn’t know he was holding in a breath until you shrugged ‘but I could just be grasping at a straws, so I won’t dwell on it as much.’ and moved away from him back to your previous position.

As much as he would’ve loved to have you figure out his identity on your own terms. Hobie would prefer it best if he were the one to reveal himself to you but the moments where he wanted to never felt right and he didn’t want to you in danger by doing so, but he knew that there’d come a time where he would be greeted with a choice in wether to tell you the truth as to who he was or continue living like he has currently and potentially loose your trust because of his lack of transparency; Hobie couldn’t bear to think of loosing your trust but just as he has always done since becoming your friend, he was merely looking out for you and for your safety as they were always his top priorities.

[sp0o0kylights]

Indie horror filmmaker Eddie Munson, high off his first big (underground but notable) success, knows the movers and shakers of the film world have their eyes on him. 

They're just waiting to see if he was a one hit wonder before they open all the doors he's been trying to kick down. 

His next upcoming film is his chance, his shot at finally making it. Of being like Rob Zombie and the other creators he looks up to that masterfully blended metal and horror. 

This is his golden ticket. 

The project starts off smooth. His last success has greased the wheels, and things fall into place faster than ever before. 

He's got the best idea for this insane haunted house story, a true "mazes in mazes" type of deal with a queer twist. A real look at how a place can haunt a person just as easily as a ghost can.

 Everything's going swimmingly--until one of his leads drops out the day they're due to start shooting.

No call no show's, and later, Eddie will find out the guy got a last second call back to be a contestant on one of those Love Island bullshit romance gigs (and laugh his ass off when the main love interest takes one look at Billy Hargrove and goes on a five minute rant about ugly mullets on national television) but right now? 

He's fucked. 

He's called in every favor he has for this film. Maxed out every credit card he owns, tapped every contact, got on his hands and knees and begged his rising star journalist best bud to help him market it. (Which Nancy agreed too, for way less cash than she should have.) 

 Eddie can't get anyone on the phone, much less find a replacement actor and the amazing place they rented, that is so dark and wonderfully eerie, is booked out the rest of the year as an AirBnB. 

If he doesn't film now, he loses it all.

Cue the other lead, unknown theater actor Steve Harrington, watching his hair pulling, tire kicking, 'cursing and hopping while holding a toe' mental breakdown and asks why Eddie himself doesn't act in it. 

"Just go full Kevin Smith man. Act and direct." He says, with an easy grin. 

Jeff, Eddie's tried and true videographer, trades glances with Gareth and Grant (Eddie's long used special effects and makeup team, who double for about twelve other jobs because they're also his best friends and they're all in this together, make or break.)

"We don't really have a lot of other options." Gareth hedges. "You're already using me and Grant as background characters." 

Eddie, hands fluttering around his face as though trying to wave away this entire situation, squeezes his eyes shut and lets out a pained hiss. 

"Fine, fine!" He announces with the air of a man running towards a fire. "Fuck it, this is our one shot and so help me I will be shooting it!" 

Steve politely hides a laugh with a cough. 

"Chuckle all you want big boy, I'm going to tragically romance you so hard people will forget both of our characters actually live." Eddie snarls.

Steve, the handsome bastard, just winks.  "Looking forward to it." 

Eddie blushes, but hides it with a surge of frantic energy, conveyed by lots of yelling and moving and getting the ball rolling. 

Two days later, Steve would give the performance of a lifetime down on his knees, covered in a literal pound of fake gore, booty shorts and nothing else as he sobbed about how a lover could become a home. His hands clawed at Eddie's jeans before resting a tear stained face on a slim leg as he bent his body towards Eddie like it hurt to be away from him. 

Eddie would later receive equal praise in his own acting during the scene, with the world and every reporter in it asking how he conveyed an otherworldly panic so beautifully throughout Steve's performance. What was he thinking, to evoke those expressions on his face? 

The way his own pale hand, unmarred by blood and acting as a metaphor for the plot, would come to stroke Steve's cheeks.

Eventually he'd come up with a smooth polished answer that cheekily pleased his audience, but nothing would ever come close to the truth. 

("Eddie I've known you since grade school." Jeff said that night, a scant few hours after they'd wrapped. "You can act man, but not like that." 

Eddie made a wild "shut up" gesture, looking frantically over his shoulder before admitting; "You saw how close his face was to the prince of darkness!? I was seconds away from popping a boner next to his lips, in front of the 4K camera!” 

Eddie bounced into Jeff’s face so he could hiss: “He fucking had his chin on my thigh, Jeff, and I am only a man. A mere mortal!" 

"So we're gonna unpack all of that later." Jeff said finally, when he'd managed to get his mouth working and Eddie back out of his personal space. "But dude, we've talked about you calling your dick the prince of darkness." 

Eddie flipped him off.) 

One year later and critics named Corroded the best horror film of the year, praising the camera work, practical effects, and how there wasn't a soul alive who was surprised to hear Eddie and Steve were dating after their explosive on screen chemistry.

No one ever quite understood the prince of darkness jokes or why Steve mentioning it made Eddie blush, but that was a secret to find out later. 

Today on WIP’s I have no intention of writing, indie horror movie AU!

[juniperdugong]

Relationship Quirks 97s ver.

Aka habits I can see the boys doing in a relationship || 95s || 96s || 97s || Maknae line ||

The8 Wears your favorite color

Now this one is truly an unconscious thing that Hao does. You mention your favorite color one day during a random conversation and he doesn't do much with it... until the color starts becoming more eye-catching.

Suddenly more and more of his wardrobe is taken over by your favorite color; Not in a way that cramps his personal style but in a way that adds to it, of course. And even when he isn't wearing clothing that's your favorite color then his nails will definitely have sort of accent in or completely be (insert fav color here).

It's funny because he vehemently refuses to believe that's what's happening. If anyone, especially you, brings up how often he wears that color then he will scoff; Something about "no one being able to shake his personal preferences" or something like that.

"Been liking purple a lot lately, huh?" "No, I haven't." "But your nails are purple, your beanie is purple, and your cardi-" "Maybe, It just fits with my current style???" *Rolls his eyes and then buys a belt he's been "eyeing for ages"... just so happens to be purple*

DK Brings you up in every conversation

This sweet summer child~! (He's older than me) You would never in the world have to be jealous when with this man. Because chances are if he's talking to someone and it looks like anything interesting is happening AT ALL he's probably talking about you. Honestly, his dedication to talking about you might make people think he's obsessed (...he is) Maybe people would be even more interested in him because of that though... Call me crazy but dedication is sexy!

Either way, you're the only person in his sight and he swears it up and down. Doesn't leave any room for doubt either! The boys and your mutual friends are constantly telling you how appalled they are at how sweetly Kyeom talks about you when you aren't there. You're at the forefront of most of his conversation when you're with him, you can't imagine it being worse when you aren't around, but apparently, you are DEAD WRONG.

Seeing a pair of shoes can turn into a rant about what pairs of shoes you like. Ice cream flavors remind him of the time that you got ice cream for him when he was feeling sad and he just has to tell the guys about it. A talk with his manager about his recent health suddenly takes a turn and now he's sobbing talking about how much you take care of him. It's all you you you~

Mingyu Has to hold your hand

So we all know that Gyu is the biggest cuddler of all time, there's no doubt that he isn't clinging to your side when you're around. But hand-holding is different, Gyu can stand to not be hugging you 24/7... as long as you're holding his hand.

Claims that it feels like he's missing a piece of himself when he lets go, and also claims that you practically disappear if you aren't holding his hand, endless sulking. (Dramatic ass) And why can I vividly see him holding YOUR hand while clinging to the members??? Like he'll be swaying your arms back and forth while LITERALLY HOLDING WONWOO BY THE WAIST & BACKHUGGING HIM!!! Then has the audacity to be offended when you let go.

Also, has to hold your hand to sleep. He would love to cuddle! And he often does!... For like 10mins before this human space-heater gets too sweaty and has to move to the opposite side of the bed. Holding your hand in his sleep is a good compromise though, of course until you're letting go to use the restroom. (Deffo the type to follow you to pee, sits on the sink too)

A/N: I ain't even gonna lie... all of these headcanons could have been turned into full fics. I went insane imagining these habits, the 97s have been killing it in terms of looks and popularity lately. On a real note though, FUCK PLEDIS! PROTECT THE BOYS! Still so fucking pissed about what they let happen to Mingyu and TWS. Calming down... Comments and Reblogs are like super fuel for my writing and are much-appreciated lovelies!

TAGLIST (open): @bemybabiibish @bath1lda

[ashleyisartsy]

Problems (objective and personal) I'm not seeing discussed a lot w this new WatcherTV thing, in no particular order:

-Alienates people internationally who literally CANNOT GET the streaming service!

-Alienates casual fans who don't watch or want to watch all of their shows. Putting down 60 bucks a year to watch just one or two shows is kind of insane, at least for me.

-The volume of content Watcher has produced historically hasn't been enough to justify a separate streamer. I understand there's no way a small team could compete with something like Netflix, obviously, but that's what you're trying to do by putting yourself in the streamer market.

-Will this streamer be secure? What steps are in place to protect your viewers info? ESPECIALLY payment info.

-Will it be easily watchable on multiple devices? I watch YouTube videos on my phone at work 90% of the time, or at home on my TV thru my switch. Is this a browser only deal?

-What are the internet requirements for this? Believe it or not most streaming services won't run on my internet personally. I don't have any for that reason. I can watch YouTube on 360p, or on my 2-bar-reception phone data. Not everywhere has stable reliable internet.

-The suddenness and totality of the move was going to be jarring no matter what, if the idea had been introduced gradually or started as a hybrid model to test audience interest there wouldn't be nearly this amount of pushback.

-I understand the people saying "pay artists!!" Bc I am one, and I get that their quality is expensive and they have a whole company's worth of people to support. I do actually think their work is worth paying for! Everyone's is! But convincing anyone to pay for something they previously got for free is going to be a hard sell. They were still getting paid before, they're now just asking us to pay instead of the advertisers. Idk about you, but that's a way bigger hit to my pocketbook than a multimillion dollar company's bank account.

-I get that YouTube can be a really shitty place to be a creator sometimes, and that being beholden to advertisers is something they don't want to be. It's why they left Buzzfeed! They already have a patreon and merch and it's clearly not been enough for their ambitions. But shooting yourself in the foot because your running shoes are wearing out isn't going to make you a better marathon runner. They had to know that there was going to be a not small portion of their audience unwilling to make this move with them (and again, lots literally aren't able to!)

-If they had a free w/ ads option, or even did a hybrid model with whole shows behind the pay wall, or even just ran a fucking crowd funding campaign to help cover costs of new seasons of shows, any of those things could have worked. They don't even have YouTube memberships turned on, which I've personally seen many many channels do even when they already have a patreon. It really doesn't seem like they've exhausted other options, at least from an outside perspective, which is all we have as viewers!

-I get that this has been in the works for a long time, and that there probably isn't a way for them to back out now. But I hope they can find a way to make this more accessible if they want it to work at all. I truly am not wishing for their downfall, but the whole situation is an awful mess.

Idk, rant over. As a lot of you are I'm feeling very disappointed and upset with this one, and I'm not paying for it either. Hope the boys can salvage this one for their and their crew's sake. Would really hate for this to be the end.

[ctrlchar]

hii!! could you do smn like angry sex where like johnnie and reader are exes and they meet again at a party or something and fuck? reader w/ degradation kink and like an oral fixation?? thankyou smm xx

love/hate

a/n: the title is from love/hate by betty blowtorch and thank you so much for the request!!🫶 I debated on making it angsty at the end but i’m too sensitive for angst 😭😭

you and johnnie had ended on…interesting terms to say the least.to put it in simple words you had gotten into a argument about how much time he spends doing other shit then hanging out with his own girlfriend. eventually this led to the two of you deciding to take a break which ended up in the relationship completely ending a few months later

and now you had been at a party with your friend tara since she said you need to “find a new man” now that johnnie was out of the picture.

taking tara’s advice, you had found a hot guy and were dancing with him to one of the songs that was booming from the speaker

admist your dancing you felt as if someone had been watching you. you look a look around and to your dismay you had been correct someone had in fact been watching you

your heart could’ve fell on the fucking floor from the pit you felt when you made eye contact with Johnnie who you haven’t seen in months. the sight made you quickly apologize to the guy you were dancing with, before you break eye contact and rush to go find tara

“what the fuck!” she yells almost if not as surprised as you are. she begins to go on a quick rant about how this is a ‘window of opportunity’. after the two of you talk for a couple minutes,a few glances at johnnie along the way tara eventually tells you to ‘fuck it out’ or whatever that means

“I mean come on,ive seen the way he’s been looking at you and you couldn’t convince me there’s not even a little sexual tension”

and you couldn’t lie the sex was pretty good,however you were scared of catching feelings for your ex. to make matters worse you eventually run into johnnie which creates a rather strange encounter

“can we talk” he says eyeing you up and down to which you unsurely agree to not knowing whats to come. he grabs your hand before he practically drags you into a empty room

his whole demeanor changed as he says“what the fuck was that? thinking you can grind up against some guy right infront of me thinking i wouldn’t care” he spits out. you were taken aback by his outburst to which you respond, “i didn’t think you would care,you didn’t care enough to give me any attention when we were together so why do you care so much now” your voice beginning to raise

what you weren’t expecting was for him to look at you as if you said the most horrendous thing possible

“because you and I both know that douche out there couldn’t fuck you the way I do.” he says making direct eye contact

his newfound confession is the reason why he has you bent over some strangers bed fucking the living shit out of you while muttering the dirtiest things in your ear

“think you can just go fuck around with anyone? thinkin’ I won’t care just because we broke up?” he grunts,his thrusts hard and relentless

he fucked into you at a fast pace hardly caring about your own pleasure while he watches his cock slide in and out of you

“youre such a slut” he laughs “fucking your ex in someone else’s bed?” he then places his hands on your hips before you grip the bedsheets tightly not even comprehending what he says.

after a minute he orders you to turn around to where you’re on your back. the new angle making him go impossibly deeper

“missed this pussy so much” he moans out as he rests his hand on your face after moving your hair that had been covering it. before you knew it all you could think about was how good his hands looked and how badly you needed something in your mouth.

as if he could read your mind he placed his thumb on your lip begging for entry. the pad of his finger slipped into your mouth, gently pressing on your tounge with the pad of his finger. you whimpered as you began to suck on his finger,receiving a quiet “good girl” from johnnie who was still thrusting in and out of you at a consistent rate

“g-gonna cum” you cried out around his finger and with a few more thrusts you did just that.you practically screamed as the immense pleasure washed over you,your nails leaving deep red marks against his pale skin

after fucking you through your high Johnnie pulls out not cumming himself. Which you realize after you had regained your composure.

after you questioned him he said “you wanted something in your mouth yeah?” to which you nod before he orders you to your knees

“you know what to do”