#yamamura takuya

[x0401x]

Tsurune —Tsunagari no Issha— Official Fanbook Interview

Director Yamamura Takuya

Debuted as a director in 2018 with “Tsurune —Kazemai Koukou Kyuudou-bu—”, recapping the series with a movie four years later. What has he found through working on “Tsunagari no Issha” with his team?

Making an animation that would “tear into everyone’s hearts”

——About the sequel’s production, what kind of work did you want to make it into?

I wanted to create an animation that would tear into the hearts of the viewers. There are so many animated works out there in the world, and unfortunately, some of them end up being forgotten. However, I believe even those works leave something behind that marks our hearts, like, “I love that one scene from that one movie”. I think this is the animation “tearing into your heart”. Up until now, even while working as an episode director for series other than “Tsurune”, I’ve always thought, “I want to make animation that will leave a strong impression”. With “Tsurune”, I have taken the position of series director, and this desire grew stronger during the production of the movie and second season.

——You have used ribbons for the OP and key visuals of the second season. Where did this idea come from?

One time, when I was gathering references of Japanese archery, I felt that there was an invisible connection between the clubmates. I figured it was both a connection between comrades and a connection with the things they had been doing until then. It was then that I decided to write the story of season 2 with “connections” as the theme. When I thought about how to depict it, I figured I wanted a motif that would make people feel a “connection” through imagery, not words. From there, after thinking about how to represent the characters’ relationships through bringing out their designated colors, the result we got to was the ribbons.

Portraying the paths of three archers

——How did you want to write Minato in the second season?

We depicted Minato’s “recovering from target panic” in the first season, but in the second one, I wanted to write Minato as a positive and cheerful protagonist, as the ochi of Kazemai. I wanted to portray him as pulling everyone along, until he could feel from the bottom of his heart that he “loves the bow”. From the start of season 2, Minato has become resilient, enough to be able to face any walls he hits with nothing but positivity, while also enjoying kyudo.

——You were also able to depict the shortcomings that come with being obsessed with kyudo.

When you research kyudo, you find out that some parts of it have things in common with our daily lives and how we work. There was a time when I was too preoccupied with nothing but myself, which gave me tunnel vision, and when I looked back, I realized I had been acting selfishly, but although I repented for it, the fact that I had a negative impact on the people around me means I wasn’t able to see things objectively. I wanted to depict these kinds of shortcomings, which everyone experiences at least once in life, in this story. That’s exactly what making animation is—there’s a limit to what a person can do by themselves. I think that only with someone else’s help and support can you finally accomplish what you weren’t able to do by yourself.

——There were many cuts in season 2 where Minato’s eyes left an impression.

Just as it says “I want to keep looking at this ‘infatuation’” on the thumbnail of the first key visual (page 9 of this book), I intended to portray the act of “looking” with care. This is also something I realized when gathering material about Japanese archery—that the archers look at the target very seriously. When I saw them doing that, I felt like this is how it goes—they “observe, take notice and learn”. We have also made the highlights bigger for the designs of the characters’ irises in the second season, in order for the photography of their eyes to feel convincing. I wanted to make it so that the movements of Minato’s heart, such as being stimulated by what people say to him or relating to someone else’s feelings, would be conveyed through his eyes. The way that Minato’s eyes motivate the people around him is implied in the expression “fire-starter”, which was used in the first volume of the novel. When you see someone doing their best, you also feel like doing your best, right?

——How did you plan to write Shuu, who is also Minato’s rival?

About Shuu, we could only depict fragments of him in the first season, so I wanted to portray his private life in detail in the second one. Born as the eldest son of the Fujiwara family, Shuu was raised with the expectation of behaving as an heir from a young age, so I think he had come to be called “the young nobleman” without even himself realizing it. But he shows a gentle face in front of Sae-chan, so the truth is that he does have a normal high school boy side to him. I’m glad we were able to show this casual facet of Shuu in the second season.

——Shuu’s attitude towards archery seemed to be different from Minato’s.

This is but my own interpretation and has nothing to do with the original novel, but I think Shuu was living his life thinking he had to be strong at all times. So perhaps he felt the strength that he had been looking for since early childhood in the sport called Japanese archery, where one has to face themselves. His father built a kyudojo in their home and asked Saionji-sensei to teach him, so it feels like he couldn’t back down (laughs). Because he’d been subconsciously shouldering these expectations from his father, he was taken aback when Ryouhei told him, “I had the feeling that he’s rooting for you”. Ryouhei’s presence must have been a big deal for Shuu, since it gives him different perspectives. I really think it’s great that Shuu started getting along with Ryouhei.

I was the one in charge of the storyboards for episode 7, which delves deep into Shuu. I believe the levels of completion in that storyboard are quite high, even amongst all the storyboards I’ve drawn until now!

——The paintings from episode 7 were also impressive.

We thought about what the most effective way of expressing things through animation would be, rather than saying them through dialogue, and as a result, we came up with the paintings. The painting decorating Shuu’s room carries the meaning of, “through meeting the Boy, the Black Eagle became king”. This foreshadows the fact that through meeting Minato, who can aim for the same heights as him, Shuu wins both the team and individual competitions at the national tournament. The crown in the painting being right on top of Shuu’s head as he sat in front of it was pure coincidence. It surprised me when I was checking the animation, like, “Huh, the crown is on Shuu’s head?!” and then the staff was even more surprised, like, “Was that not on purpose!?” (laughs).

——Could you tell us about the appeal of Nikaidou Eisuke, who appears from season two?

The things Nikaidou does are so main character-like, aren’t they? In order to prove the superiority of the shamen-style shooting, he rebuilt a club on the verge of being disbanded by himself and went as far as the nationals. I think it’s charming that his purpose for shooting the bow was properly established and that he was set on quitting once it was achieved. Personally, I also really like the fact that he isn’t the kind of person who keeps doing things on a whim, but rather who is good at planning and is able to get things done.

——How did you think about writing Nikaidou in season two?

After rewatching episode 1, I noticed, during the regional tournament, that Nikaidou has an incredible way of putting up walls through his words and attitude (laughs). The plan was to make an impact on the viewers at first, like, “What’s up with this guy?” and then reveal the burdens he was shouldering as the story went on. I wrote him while hoping he would ultimately become the kind of character that people root for.

——He did show a lot of facial expressions.

Rather than being two-faced, he’s the kind of skillful character who changes the way he interacts with others depending on who they are. But although he’s skilled, he’s still a high school student, so of course, he has an awkward side to him. There are times when he shows his leadership within the club, yet he also ends up acting rebellious with Masa-san after being told this and that, even though he knows that Masa-san is right. He has many sides to him, but all of it comes from earnest actions in order to accomplish his goals.

——The flashback in episode 9 was an essential scene that shows his backbone.

Within the limited TV series slot of 20 minutes per episode, I think you always want to display maximum effect in the minimum amount of time. It was necessary to think about whether we’d be able to convey Nikaidou’s backbone through the short flashback scene of episode 9. I told Ishihara (Tatsuya)-san, who was in charge of episode 9’s storyboards, “I want you to depict the four seasons in the flashbacks so that they represent the passage of time”. I think it’s a scene that lets you feel the precious days that Nikaidou and his uncle Shigeru spent together along with the change of seasons. I personally think Nikaidou had a superb reaction when his uncle asked him, “Do you have to shoot like that?” as he was about to abandon the shamen-style shooting. The way he averts his eyes and dangles his feet under the table.

[geekcavepodcast]

Mr. Villain's Day Off Trailer

A good work/life balance is important and even villains need a day off once in awhile.

Based on the manga of the same name by Yuu Morikawa, Mr. Villain's Day Off stars the voice talents of Shintaro Asanuma (General), Soma Saito, Yuichi Nakamura, Hiito Ishibashi, Takuya Eguchi, Ai Kakuma, Hibiku Yamamura, and Yuichiro Umehara. Yoshinori Odaka directs.

Mr. Villain's Day Off releases on Crunchyroll in January 2024.

[maoichimichi]

M・A・O in My Master has no Tail Special Event with Hibiku Yamamura, Lynn, Takuya Eguchi and Hinano (04.09.2023)

Date: April 9th (Sun) Venue: Science Hall Cast M・A・O, Hibiku Yamamura, Lynn, Takuya Eguchi Guest Artist Hinano

Photos:

[apparently-artless]

Kyuujitsu no Warumono-san PV [broadcast starts 01.2024]

VOICE CAST Warumono-san "The General" - CV: Asanuma Shintarou Akatsuki "Red Ranger" Red - CV: Ishibashi Hiiro Blue - CV: Eguchi Takuya Pink - CV: Kakuma Ai Mugi & Sora - CV: Yamamura Hibiku Black - CV: Umehara Yuuichirou Rooney - CV: Saitou, Souma Trigger - CV: Nakamura Yuuichi

[akianessrosa]

Tsurune s2

[Sorry for my baby english] Does 12 ep is the end and 13ep is a special?

Tsurune story by Kotoko Ayano is so good and Kyoto Animation destroyed it. I can't believe how bad animeTsurune is, and they still call it adaptation. This anime has nothing to do with adaptation, it's completely different story, everything is different (story, personality, events, relationship). KyoAni made this story ridiculous, boring and homophobic.

Tsurune is my favorite story and I had high hopes for season 2. I thought they'll do better than season 1. Ohh I was sooo wrong. Director really said: "Adaptation? What's that? *reads* That's too good, and gay, ew- *trows light novel into trash can*". Too many ridiculous moments like Minato forgot how to shoot, Minato hurts his nail so Seiya freaks out like Minato was dy'ing, Seiya-Nikaido "pee" moment (wtf was that?), etc. Most dialogues were on kindergarden level or weird - It feels like writers didn't have ideas about what characters should talk. Homophobic - yes, KyoAni got rid of every gay moment, and LN has it a lot! Director Takuya Yamamura is disgusting. Tsurune is about Minato and Masaki relationship, their bond, fate. Weird things happening to Minato and Masaki is there to protect him. Kyudo is right next to it. KyoAni completely disposed of MasaMina relationship. AnimeMasaMina feels like they're strangers, in whole season 2 we got only few seconds of strict master-pupil moment and that is it. They're not close, not a lil bit. Minato not thinking about Masaki all the time, about his body, touch, their alone time, how he wants Masaki only to himself, how he's afraid of losing him. We didn't get Minato' confessions and Masaki's scar doesn't mean anything. Masaki has more screen time with everyone else, especially with Seiya and Nikaido, than Minato! Minato doesn't feel like MC, he's like an emotionless ghost in this season, MC is Seiya, Nikaido and Shu right after him. KaiSei, RyoNao and SaseMoto also don't exist. So yeah, no boys relationships screentime but we got a lot of girls screentime and even het love…Takuya Yamamura is really disgusting. What are they gonna do with book 3 and Masaki's real name, past and family? Because right now, when they got rid of MasaMina relationship, Masaki's name doesn't mean anything also cuz it's connected with Minato. I have a feeling that season 3 will be worse than s2. KyoAni gonna ship Masaki with 'that' woman.

Artstyle, animation, music, soundeffects - I'm on my knees! No words, 100/10, chef's kiss, delightful, respect. I have only good things to say.

Imagine if we could get an adaptation of LN, all that good moments from LN on screen - how popular this anime would be! Pls, Kotoko Ayano don't listen to KyoAni, keep writing the novel like you did with 1&2 book.

Anime Tsurune s2: art & animation - 100/10 music & soundeffects - 100/10 adaptation - 1/10 writing - negative/10 overall - 4/10 *crying*

Now I'm thinking to draw some moments from the novel in manga form, hmm… If some LNreader read also this post, pls leave in the comment what are your fav moments from LN :)

[anytubenews]

"Kyuujitsu no Warumono-san (Mr. Villain's Day Off)" - New PV & Key Visual

🔹OP by Singer-songwriter Ivudot

🔹ED by Rock Band GLASGOW

Scheduled for January 2024! (Studios: Shin-Ei Animation × SynergySP)

Anime Cast

🔹Rooney (CV: Souma Saitou)

🔹Trigger (CV: Yuuichi Nakamura)

🔹Red (CV: Hiiro Ishibashi)

🔹Blue (CV: Takuya Eguchi)

🔹Pink: (CV: Ai Kakuma)

🔹Sora, Mugi: (CV: Hibiku Yamamura)

🔹Black: (CV: Yuuichirou Umehara)

Anime Staff

🔹Art Director: Hiroki Matsumoto, Hisae Arimoto

🔹Color Design: Kayoko Oono

🔹Director of Photography: Shinichirou Nagano

🔹Editing: Michiko Fujimoto

🔹Sound Director: Kouji Yamamoto

🔹Sound Production: DAX Production

Yoshinori Odaka (Bem) helms the anime at Shin-Ei Animation and SynergySP. Midori Gotou is handling the series composition and Tomomi Shimazaki is designing the characters. Nobuaki Nobusawa is composing the music.

[animeeveryday]

The year 2023 kicks off with Tsurune’s triumphant return, courtesy of Kyoto Animation. Key art and a trailer for Tsurune Season 2 were unveiled on Friday. Takuya Yamamura returns as director for season 2. In August, the first teaser for Season 2 made its debut. The most recent Tsurune film, Hajimari no Hitosa, was released on August 19. Season 1 of Tsurune premiered in October 2018, ending with a special OVA in April 2019. The series aired for a total of 13 episodes. Here is all you need to know.The official Tsurune anime website now features the first promotional video for the second season. It will premiere on November 25, 2022. However, For the upcoming second season of the anime Tsurune, which is about an archery club. The official YouTube account of Kyoto Animation has posted a new 30-second CM. It shows the new opening theme song for the show. The second season of Tsurune has a brand-new teaser trailer. This time, though, we have a real teaser with plenty of new and familiar faces from the cast. It’s also a great introduction to fresh faces.Tsurune Season 2: Official AnnouncementA new iconic photo was also unveiled alongside the news. One of the new cast members is Takayuki Kondo, who will play Toshiro Fuwa. Moreover, Yuchiro Umehara plays the part of Reiji in the play. Jun Fukuyama will play Eisuke in Tsurune. Takuya Yamamura returns to the helm for Season 2 of Tsurune at Kyoto Animation. The songs “°C” by Luck Life and “Hitominaka” by Tei will serve as the season two anthems. However, The Tsurune Light Book Series was written by Kotoko Ayano and Chinatsu Morimoto and published in Japan. The studio’s first book was released in December 2016, after it had won a Special Judge Award at the 2016 Kyoto Animation Award competition. You can check the new trailer right here:[wpcc-iframe loading="lazy" title="TVアニメ『ツルネ －つながりの一射－』PV第1弾" width="500" height="281" src="https://www.youtube.com/embed/6wHkaDhMKt8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen]What Is The Plot?Tommy-sensei, the advisor of the archery club at Kazemai High School, promptly offers an invitation to Narumiya Minato. To become a member of the group after she enrolls at the school. At first, Minato is cautious about taking part in the exercise. But his boyhood friends eagerly agree to take part in the activity. Since Minato is the only other student in the class, who knows how to shoot an arrow. Tommy tells him to show the rest of the group how to do it right so they can learn. Even though Minato follows orders, his arrow flies wide of the target. However, It turns out that Minato has got a significant fault in archery.Tsurune Season 2: Release DateThe highly anticipated second season of Tsurune, called The Linking Shot, will air on Japanese TV on January 4, 2023, according to plans. Based on the same-named series of light novels by Kotoko Ayano, Tsurune ran in Japan for a total of thirteen episodes from October 2018 to January 2019. All of the episodes are available on the Crunchyroll website. Be on the lookout in case there are any new developments.

[otakuplayerfr]

Tsurune : The Linking Shot en bande-annonce - date de sortie le 4 janvier

La saison 2 de Tsurune, intitulée The Linking Shot, a révélé une nouvelle bande-annonce et un visuel clé. L'anime sera diffusé à partir du 4 janvier et est animé par Kyoto Animation. Takuya Yamamura réalise cette suite. Yamamura a également réalisé la... source http://www.otakuplayer.fr/2022/11/tsurune-the-linking-shot-en-bande-annonce-date-de-sortie-le-4-janvier.html

[thefinalcinderella]

Tsurune DVD Booklet 1 Episode 1-3 Comments

Full list of translations here

Episode 1 - The Young Man on the Shooting Range

Comments by Yamamura Takuya (Storyboard and Episode Director)

We made the episode in such a way as to properly convey the protagonist Minato’s “present.” I wanted to show at the beginning what the boy Minato was suffering from and what he couldn’t do. Minato’s kyudo started with the tsurune he heard with his mother when he was a child, it stagnated temporarily, but it started again with the sound of Masa-san’s tsurune--that is the first episode. In addition, we made sure to depict the important characters and scattered items that would become important in the future throughout the story to emphasize that Minato’s story begins here.

Also, in the original work, there were many kyudo terms that were explained in detail, but for those who watch the anime, there was a risk that they would be distracted by all the new words and wouldn’t be able to keep the show in mind. That’s why we tried to keep the explanation of kyudo rules and terms as simple as possible and mainly explained with images. This is based on my own experience when I went to interview people.

Episode 2 - At Wit’s End

Comments by Fujita Haruka (Episode Director)

This episode is about Minato’s meeting with Masa-san and how he decides to face kyudo once again after he left it. Facing something again is a painful and difficult thing to do, but you can’t run away from it, but Minato is able to realize that his feelings of love outweigh that, and I hope you will watch how Minato with grow with the Kazemai members through kyudo until the end.

Episode 3 - Just as They Met

Comments by Takemoto Yasuhiro (Episode Director)

This was where I was first exposed to kyudo, through pictures. There is still a lot of things I don’t know, and looking back on it now, it was quite a frightening experience. This is where the advice from experienced archers in the studio comes in handy! I am truly thankful. Whenever I work on a project about club activities, I always find out that there are a lot of experienced people in the studio, no matter what it is. This time as well, there were so many people that I went, “Huh, there are so many?”

Is kyudo actually a major sport and I just didn’t know?

[x0401x]

It's kind of... funny, actually.

I mean it. Everytime I read something from the Tsunagari no Issha fanbook, it's like reading a detailed record of everything the show gets wrong about the novel. It's so easy to pinpoint all the things the director fails to understand, his caricature-like way of portraying Minato and his blatant bias towards Seiya and Eisuke. But even then, the character highlights section is really something.

The vehement refusal to see Minato as a human being is evident in the way they approach his feelings during the regional tournament. He can't be mad that Eisuke is shit-talking Shuu! That's not positive! Minato has to be Positive TM all the time! Maybe this was also a conscious decision to make Eisuke look less shitty, because that's also one of Yamamura's main goals. To give spotlight to characters that he likes, forget making sense of the protagonist. Minato is selfish all of a sudden now and no longer cares about team harmony.

Speaking of team, while I do like that Kaito and Seiya's relationship wasn't ignored in S2, it's hilarious to see it being described as a "president and vice-president" thing in the fanbook. Because since S1 doesn't even get to portraying them as proper friends, it's still awkward to try and define them as such even now. It's hysterical to see the fanbook saying that they "balance each other out" when the anime doesn't really show it. Like, yeah, that's how it's supposed to be according to the novel, but it's just... not really happening in the anime, lmfao. The fanbook really went, "that's how it is, don't worry about it" on this one. But even more hysterical is the fact that they go "Kaito is the only one who notices Seiya goes overboard with Minato". Like, no. Everyone can see it. Only the blind wouldn't. It's just that Kaito is the only one who confronts Seiya about it.

And Seiya. Oh, Seiya. There's so much delulu going on about him here. The choice of words is interesting when it says he "obtained enough skill to be able to line up with Minato and Shuu in a short time". Like, sure, he was lining up with them in team competitions, but he was on their team, lol. That doesn't mean he was on the same level as them at all. Even now that Seiya has, in the novel, achieved a non-stop hit ratio at the regional tournament, although by a much smaller margin than before, he's still below Shuu and Minato in "skill" (between quotes because that's not really the word that should be used, given that skill isn't what matters in kyudo). For the record, Shuu himself is also a little below Minato, because although they have the same achievements, Minato does everything uncosciously. By Zen standards, he comes out on top because of that.

On the topic of Shuu and Minato, I'm losing my mind at how the fanbook addresses them as people who "aim for the top". That's not really what they're aiming for. They don't really care about the tournaments themselves. What they want is to draw the bow with their friends and each other.

Above all, it just becomes very evident that the anime misses the point of what this story is about in general when it concentrates so much on getting personal with what goes on inside the boys. It forgets the rest, the outside influences on what happens in the circle, and how they all got there in the first place. It kind of puts too much decision power in the hands of these kids who don't really get what archery is just yet, because nobody does at that point. It's almost like they know exactly what to do, for the conflicts barely give them any doubts and answers come all too quickly. Every step they take is very linear because of that. In turn, the journey feels robotic and very much... fictional.

The Tsurune novel is a story that feels real, no matter how fantastical and mythical it gets sometimes. Everytime I see kids on their way to school or kyudo practice here in Tokyo, I'm reminded of the novel and how those boys are such a faithful portrait of them. It feels like I'm reading about real children. Meanwhile, the anime, rooted as it is in realism, is a story that feels exactly like that. Like a story. All because of the very obvious decision to take focus away from the very essential figure of the master.

Masaki has been put in his own category since S1, where he's placed as far away as possible from these kids he's supposed to guide, while in the books, he's regarded by them as, quite literally, one of the boys. The "let's leave Masaki to the sidelines" game got super real in this season, since he barely shows up and even more barely interacts with these little dudes who are his pupils but don't feel like such.

I just wonder what's gonna happen if there's ever a sequel. Masaki's backstory is the only thing that resembles a plot in volume 3. Other than this, it's all the usual training and the usual tournaments. Ayano has really driven KyoAni into a corner with that one, but they've managed to dodge Masaki like a bullet until now, so I feel like they'll be able to do it again if they want to.

Maybe it's contradictory of me, but I hope they don't do that. If there's one thing I've learned with the anime is that I'd rather see Masaki's story being reduced to an out-of-character fraction of what it originally was, as has been done in in S1, than see him fading into the background like in S2. I thought his character being butchered was enough of a disservice, but seeing him out of the picture? That was true pain.

[jess-the-plebeian]

tsurune season 2 is happening!! official title is tsurune - tsunagari no issha - director takuya yamamura returns as its series dir and it is scheduled for january 2023 release! jun fukuyama also joins the seiyuu ensemble as nikaidou eisuke! #tsurune nation, we move!

[nichijouofficialartsandstuffs]

Nichijou Parapara Trump Cards

Key Animators: Masaya Makita (Spade), Tatsuya Sato (Diamond), Kayo Hikiyama (Club), Takuya Yamamura (Heart)

Illustrator: Futoshi Nishiya (Joker)

Paint: Rina Miura (Heart, Diamond, Joker), Rie Takaki (Spade, Club)

CG Art: Shinya Tomofuji

[dennou-translations]

Tsurune Translations Index

Never really meant to make one of these for Tsurune but I have translated too much of its content not to do it. Sorry for taking long with it! As always, the novel has been fully translated to English by @thefinalcinderella​ and can be found here. Please support the creator if you can by purchasing the books here and here.

Drama CDs: Blu-ray/DVD Volume 3 Blu-ray/DVD Volume 4 Blu-ray/DVD Volume 5

Interviews Pash!+ (Yamamura Takuya) Pash!+ (Uemura Yuuto and Ichikawa Aoi) Pash!+ (Ishikawa Kaito and Yano Shougo) Ok Music (LUCK LIFE) Chou Animedia (ChouCho)

Cast Comments: Episode 1 Episode 2 Episode 3 Episode 4 Episode 5 Episode 6 Episode 7 Episode 8 Episode 9 Episode 10 Episode 11 Episode 12 Episode 13 Post-Broadcast Commemoration

Extras: Quote by Uemura Yuuto Your Archer Diagnosis Chart Questions and Answers with the Archery Men Points to Pay Attention to by Director Yamamura Tsurune the Movie PR Audios Production Staff Memos Tsurune Archery Classroom

[pkjd]

“Tsurune: Kazemai High School’s Archery Club” anime new PV, key visual and additional cast. Series begins October.

-Synopsis-

“The archery youth story novel follows Minato Narumiya. Minato played Japanese archery in middle school, but after a certain incident, he ran away from the sport. In high school, Minato meets new friends, and together as part of their school’s archery club they aim to win the prefectural tournament.”

-Staff-

Director: Takuya Yamamura

Series Composition: Michiko Yokote

Character Design: Miku Kadowaki

Music: Harumi Fuki

Studio: KyoAni

-Cast-

Minato - (CV: Yuto Uemura)

Seiya - (CV: Aoi Ichikawa)

Ryouhei - (CV: Ryouta Suzuki)

Nanao - (CV: Shogo Yano)

Kaito - (CV: Kaito Ishikawa)

Shintarou Asanuma

Kensho Ono

Website: http://tsurune.com/