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mimisempai · 3 years

Text

Wait for me on the other side 3/8

Chapter Summary:

Rain... Fireworks... Romance?

https://archiveofourown.org/works/32948254/chapters/82052251

April 15, 2021 - 7:00

Loki, his heart pounding, approached the mailbox whose flag was raised.

He opened it and unfolded the small note with trembling fingers.

Thank you for this lovely attention. I haven't stopped wearing it since I received it.

You tell me that this connection with me allows you to open up to others and not feel alone anymore and you ask me if I want to continue this correspondence?

I don't want to stop either!

I don't know if we'll ever meet, but I want to continue to get to know you and for you to get to know me.

Tell me what you like.

Yours, Mobius.

Loki breathed a sigh of relief, put the letter in his pocket and left. He would have to work before he could write. This was no longer a matter of a quick word, he wanted to take time to think before he wrote.

As he walked through the school gates, although he loved his job, for once he couldn't wait for the day to be over.

April 17, 2019

Mobius was sitting in what had become his special Loki spot, the armchair in front of the bay window, a steaming cup of coffee next to him, reading Loki's latest letter.

I love Norse mythology and my work.

My favorite cocktail is Gimlets, gin and lime.

This brings me to my favorite color: green.

I have a sweet tooth, I like all kinds of sweets and pastries, and on the other hand I also like everything spicy.

I like quiet evenings reading and listening to music.

I like Jane Austen, The Brontë sisters and Paulo Coehlo.

I like to use metaphors but I have heard that they are not always great.

And although I can't stand violence, I like daggers, especially old ones.

Oh and I forgot, I like the house on the hill.

Mobius promised himself to go and see in Sylvie's antique weapons store if she had any antique daggers.

I can't stand cruelty, condescension, and lies.

And although they are green I hate peas.

Mobius laughed at the last sentence, he finished his coffee and went to get his notepad to start writing.

April 19, 2021

Loki, sitting cross-legged on his couch with Croki's head on his leg, was reading Mobius' latest letter.

I like to take watches apart and put them back together, to see the mechanism inside. They are all different.

I like to walk in the streets of New York and discover places by chance.

I like to draw, or rather make sketches that I never finish.

I like whiskey, Jack Daniels, and occasionally a good glass of red French Bordeaux wine.

I like all kinds of music, but my preference is for jazz.

I don't like lies, preconceived judgments, and gratuitous meanness, well, just plain meanness.

And I also like the house on the hill.

How did you end up living there anyway?

Loki read the letter again, folded it up and put it in the little box with the others before going to bed and thinking about what he would answer the next day.

April 21, 2019

Mobius went out still in his robe because it was a day of rest. He was surprised to see that Loki had already answered if he was to believe the little flag. He refused to question the fact that his heartbeat had accelerated.

He went to get the letter, then read it in front of his breakfast, Croki at his feet.

I rented it after college. It was the strangest place I had ever seen. I couldn't imagine anyone building it. Or... I couldn't imagine anyone building it and not living in it. I liked the way it sort of...hovered over the water. I loved that path that led to it. I don't know why, it has a strange, timeless charm.

April 23, 2021

Loki, on break between classes, took the letter out of his pocket and read it again.

Yes, the fact that you have to walk so much to get to the front door and that it's uphill, it's like you have to earn the right to enter the house. Every time you enter the house, it's like you're embarking on a quest whose prize is the right to enter.

I'm sorry, I must sound eccentric.

April 24, 2019

During his lunch break, and all day, he read that simple phrase from Loki over and over again.

Don't apologize, you can be eccentric. You can be whatever you want.

Mobius had always felt different, both in his personal and professional life choices, and this simple phrase eased some of his inner struggles. He couldn't ignore the warm feeling in his chest.

*********

A few weeks passed. The wind was blowing violently on a late spring day in New York. Loki was walking rapidly towards the school. His phone started to vibrate in his pocket, he grabbed it to answer the call.

-Yes?

Loki lost the smile on his face.

-Look, this isn't easy for me either. You know that... no, I'm not mad that you called. I just... I'm sorry, I have to go to work and I...

He was approaching the school and didn't want to continue this conversation as more and more students came in.

-I don't think that's a good idea. No. Sigyn, I'm asking you not to come. Because we need more time... Especially if we want to stay friends. I just don't think we should... look, I'm on my way to work, we'll talk about it. Bye.

Loki sighed, shaking his head as he walked through the large front door.

" Already feeling demotivated?" asked Natasha as she greeted him with a smile.

"Oh no no!" protested Loki.

"That's good timing. Heimdall has caught the flu and we need someone to cover his classes while he's absent. Since you have an art degree, I was wondering if..."

"No worries! I'm happy to oblige."

"Perfect," Natasha thanked him, "You can check with the assistant about Heimdall's schedule and make arrangements then. Thank you Loki, really. If the exams weren't coming up, I wouldn't have asked you."

Loki replied, "No worries, really."

If anything, he was glad to see that even though he was the last one in and the youngest teacher, he was trusted.

At the end of the week, as he walked home with his arms full of groceries, he thought maybe he should have thought about it before saying yes.

Because he was exhausted.He hadn't realized how much time and energy it would take to handle two positions.

Fortunately, Heimdall was back at work on Monday.

Loki put his groceries in the car and thought he'd stop by the house on the hill before heading home.

When he arrived, the little flag was up.

He took the letter and opened it.

Hi, pen pal. You haven't written in a while. I hope all is well.

You actually I

This is ridiculous, just a few words to write and it makes me sound like a babbling teenager.

Well I'm writing it down: I MISS YOU

It was obvious that the last words had been written with force.

Loki felt a strange warm feeling in his chest. He had also hugely missed the correspondence, so he hurried to answer on the spot and put the letter in the box before going home.

**********

Parking the car in front of the mailbox, Mobius chose to ignore the butterflies in his stomach as he saw the little flag raised.

He took the letter out of the box and once he got home, Croki fed, he went to his favorite place to read the letter.

It has been a difficult week.

I couldn't get away from work and only had the strength to go to bed at night. I can't remember the last time I looked up at the sky, or saw a damn tree. That's what I miss. The nature around me.

It's not so bad when I'm busy. It's when I have a minute to breathe, to look around, that it seems really hard. I wonder what I'm doing here, alone, in this gray city. I miss the trees.

PS: I missed you too

June 15, 2019 - 9:00 pm.

In the evening, Mobius left the house with a small tree in the pickup's trailer. He was driving towards the city.

June 15, 2021 - 9:30 pm

In the middle of the walk from school to his apartment, Loki saw the black rain clouds gathering in the sky. Suddenly there was a rumble of thunder in the distance and as he was on the home stretch, the rain began to pour.

June 15, 2019 - 9:35 PM

Arriving at 105 MacDougal Street - Greenwich Village, obviously still under construction, Mobius parked the pickup and pulled a shovel and the tree from the trailer. He began digging a hole outside the construction site that would become Loki's apartment building. Once finished, he began planting the tiny, fragile tree.

June 15, 2021 - 9:35 pm

Loki was completely soaked as he walked the last few yards to his front door. He struggled to find his keys, dropped them, and grew more and more frustrated as the rain poured down on him, when suddenly it stopped. He was baffled, as thunder and lightning continued to flash across the sky, and the rain continued to fall all around him, but not on him.

He looked up.

Above him were the dense green leafy branches of a young tree that formed a canopy swaying in the rain right above Loki. It hadn't been there a second ago, but now it was sheltering him, and Loki was stunned.

June 15, 2019 - 9:37pm

Mobius smiled as he swung the shovel into the pickup's trailer before heading home.

June 15, 2021 - 9:37 pm

Loki, overcome with emotion, broke into a smile and whispered to Mobius, even though he couldn't hear him, "Thank you."

Raindrops fell through the green branches as Loki danced under the tree, his face to the sky.

*********

2019 - A few days later

Casey stood on the small path in front of Mobius' house, "Wow!!!"

Mobius motioned for him to follow him inside.Casey entered, still stunned by the house.

"So, this is where you're hiding?"

Mobius replied with a smile, "Yeah.You want a beer?"

"Yeah thanks."

Mobius pulled two beers out of the fridge and they went to the chairs in front of the bay window and talked about the house for a while. Casey had lots of questions.

Casey took a sip and his face became more serious.

"Mobius. I didn't just come here to escape my pathetic existence in the city. I came to talk to you about TK and ask you to come back with us. We need you."

Mobius shook his head, "TK? Sorry Casey but no."

"I'm sure if you talked to her..." insisted Casey.

"Forget it.Ravonna doesn't want me to come back. I don't want to come back. Everyone's happier now."

Casey argued, "What about your work? Your work was awesome. Even she admitted that. Look, I know it's hard, but if you put your problems with her aside, you-"

"I said forget it." replied Mobius, this time with a sharp tone before softening, "Sorry. It's just... I like it here. And I like my job at the store."

Casey nodded and accepted the answer before asking, curious again, "Are you in a relationship with anyone?"

Mobius answered after a slight hesitation that didn't go unnoticed, "No."

"Why did you hesitate?"

"I didn't hesitate."

"Yes, you did."

Mobius insisted, "I...I'm not involved with anyone, okay?"

"Okay." replied Casey, who smiled playfully before continuing, "All I'm saying is that maybe you should think about the future."

Mobius began to laugh. He couldn't stop himself.

Casey looked at him as if he had gone crazy, "What?"

Mobius continued to laugh.

"What?"

**********

A few days later, with Loki's letter open in the passenger seat of his pickup, Mobius drove to the train station near Brooklyn College of Arts.

He parked, picked up the letter and got out, heading for the entrance to the station.

Around this time two years ago, I lost something.

In the Brooklyn train station.

I was going back to my parents and left it on the platform. See if you can find it for me. I won't tell you what it is.

Then put it in the mailbox. It's your mission if you choose to accept it.

Mobius could not resist a challenge. So he found himself at that moment looking for an object he knew nothing about. He walked through the station. There were a few people. He looked for a single man and saw none. Just a few families and an elderly couple.

He continued to search when suddenly, through the window overlooking the station platform, he saw a young man with long black hair get up and get ready to board the train.

Mobius wasn't sure if it was him, but he felt deep down that he was Loki, and he was amazingly handsome. Mobius hurried through the door and onto the station platform. He was about to head towards him when he stopped.

The young man had embraced a woman who had her back to Mobius.

They kissed and said goodbye.

Neither of them noticed that Loki, for it was undoubtedly Loki, had left a book on the bench behind him. Mobius saw it, but it would be awkward to approach and interrupt the kiss. He hesitated.

The train driver announced the final boarding.

Loki separated from the woman, obviously reluctantly, and boarded the train.

The woman Loki had kissed did not move and watched the train pull away until it was completely out of sight. He did not notice the book. Mobius watched him leave and once he was gone, he approached the bench. He looked at the book that Loki had left behind. It was a well-worn copy of Persuasion by Jane Austen. It had definitely been Loki.

********

Loki impatiently went to the mailbox, thinking that perhaps Mobius had already been to the station.

He opened it, and was disappointed when he didn't see the book and just a little note.

WHAT ARE YOU DOING ON THE 4TH OF JULY?

Loki, a little disappointed, answered immediately on the same piece of paper and just as he was about to leave, he heard the characteristic sound of the little flag being raised and went back to the box and opened it. He grabbed the small paper and unfolded it.

L: Going to the fireworks, I guess.

I go every year. Why?

M: Would you like to watch them together? From the cliff. The fireworks on the lake are beautiful

L: I know, I watched them from the house the time I lived there.

You're not asking me out, are you?

M: No, no. I just thought it might be nice to do the same thing, that's all.

L: The same thing, two years apart.

M: It's better than staying home.

L: Okay. Let's go see the fireworks.

M: See you in 10 days then. July 4th at 10pm in front of the mailbox.

Mobius did not wait for an answer, and walked happily back to the house. Even though he had denied it, it still felt like a date of some sort.

The butterflies began to fly again.

July 4, 2019/2021 - 10:00 pm.

Two years apart, in the same place, Loki and Mobius sat next to the mailbox. Mobius brought one of the seats from the garden furniture and Loki brought an old folding camping seat in his car.

He is armed with his pad and pencil.

The strange and timeless conversation started again, always punctuated by the little flag that went up and down.

L: Did you go to the station? I never got my book.

M: Let me keep it for a while. I want to read it.

By the way, there's something I wanted to ask you.

Who was the girl at the station?

Your fiancée?

Why didn't you tell me about her?

Loki thought it sounded like Mobius was jealous, but didn't want to get the wrong idea.

L: You don't tell me about your love life either.

M: Because I don't have one unfortunately.

My God, I can't believe you didn't tell me you were married.

L: I'm not married. We broke up when I moved to New York.

I'm on my own.

The fireworks just started.

M: They started here too.

I'm sure yours are better, since it's supposed to get better every year.

L: Probably. Let's enjoy the sight.

Afterwards, during the fireworks, the flag did not move for a while. Then when the grand finale was over, and the silence fell, the flag suddenly rose, making Loki jump.

M: At the station, when I saw you... I didn't expect... I mean, you didn't tell me you were so gorgeous.

Loki read these words and could not suppress a small gasp of surprise. He looked around embarrassed even though he knew for a fact that no one was there.

L: Not fair.

You saw me but I still don't know what you look like.

Mobius ran his hand over his face and figured that since it was truth night, he might as well go for it.

M: You're right. I wouldn't mind knowing what I'll look like in two years. Why don't we meet in the future and tell me what you think?

Loki thought about it and then looked at his watch, it was 10:43 pm, he took a deep breath, suddenly excited and nervous

L: Why don't you call me on July 4, 2021 at 10:44 pm

As Loki finished the last line of the "4" the phone rang.

He almost fell out of his chair.

He steadied himself with a pounding heart and picked up, "Hello?"

________

Who is on the other end of the phone...?

Chapter 1 - Chapter 2 - Chapter 3 - Chapter 4 - Chapter 5 - Chapter 6 - Chapter 7 - Chapter 8 (End)

As always, bear with me as it is not beta'd and english is not my native language I hope you enjoyed it nonetheless🥰

#lokius fic #alternative ending #no powers au #loki #mobius m mobius #loki series #lokius #loki x mobius #time husbands #timefrost #developing relationship #penpal

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the-art-of-styles · 3 years

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Ping-Pong

✧ Harry’s a foster kid who always seem to get abandoned until this particular family stays with him, but he can’t seem to trust them. Aylin, the girl across the street, talks too much and her parents fight a lot more. Both of them want to just get out of their houses, and playing ping-pong on the town’s fair brings them together for years.

Word count: 2144

Warnings: — (for now)

Part I (you’re here!)

Part II

Part III

Part IV

Part V

Part VI

Part VII

Part VIII

A/N: hi ! this will be a short story so there will be multiple parts, obviously lol. there will be a number on the beginning of each chapter which means what age they are. I know the description makes it seem a bit boring but honestly is fluff and stuff like that :) hope u like it

Harry's head vibrated as he was leaning against the window while the car seemed to be cruising through sky, sea, and land, fighting storms and a giant monster when in truth they were just passing a dirt road.

Lilian, who was sitting co-pilot, looked back with fireworks exploding in her eyes every time she saw Harry, while Dev squeezed his wife hand tightly, her cheeks burning from the prominent smile that adorned her lips, which has remained intact since they left the place where the foster kids wait for someone to take pity on them and take them home. A real home.

On the other hand, the emotion was the least throbbing in the being of the boy, because he has already lived this process twice, three counting now and he knows that it will end in dissolving the existing family—the family by blood and then later go back to the orphanage and repeat the same process over and over and over again.

Well that's what he thinks. How could he not? The two families who took him in threw him out again like a stranded dog in search of the warmth of real love. So no, Harry doesn't want to allow himself to get excited and think that maybe they will keep him (yes, as an object) and that maybe they will love him and that maybe he will love them and that maybe Lilian will make him cookies with a glass of milk when he feels bad or that maybe Dev would teach him to cook or do his homework and that maybe everything will be fine.

"We have a lemon pie waiting for you at home, we — we don't know if you like it, I hope you like it, we prepared it with a lot of love for you, Harry."

"We prepared?" Dev laughed and Lilian rolled her eyes in amusement. "It would sound better if you say that I prepared, don't you think?" He looked in the mirror at Harry. "Champ, the kitchen almost burned down! Doing a lemon pie! Can you believe it?"

The curly-headed simply looked directly at Dev in the rearview mirror and tried to smile at him, which did not work and managed to slowly hide his prominent smile, Lilian giving him another firm grip on his hand and smiling at him with sorrow because deep down they both know that Harry isn't going to trust them just like that. He has felt used, but he also think he's useless, people have abandoned him, he doesn't have parents or a real family, so they understand.

And they will wait for him to open up, because having a child on their own was something that, unfortunately, they could not fulfill.

Aylin's small hands covered both of her ears as she hid under the covers, without first making sure to close the door to her room. Her eyes were tight and a melody came from her lips that she sang every time this happened; but even so, the screams and loud words coming from the floor below her were not drowned out and managed to enter her brain.

It has been a full two weeks now where breakfast, lunch, and dinner were a big plate of arguments from her parents. Now, apparently, it also came in snacks.

Another sound was added to her brain, they were more murmurs and an engine being turned off, although the murmurs were not from her incredibly angry parents, but from some who were calm and trying to gain the trust of a new family member.

Curious as always, like a monkey hanging from a tree, she got out of it (that is, her bed) and went to the window where her big eyes filmed a new scene that she had never seen before: the Evans were getting out of their car with a boy in a black joggers and jumper, dirty sneakers, and a hat. Aylin's mouth parted slightly, surprised that the Evans had never mentioned a cousin or that they had a godson.

She doesn't know how long she was watching them, but she was fed up because now the only staging was the house across the street and the car parked outside was already inside the tiny garage.

Even her parents' screaming stopped, so she supposed that the hands of the clock turned the clock several times in a row and extremely fast; speed of light, up to.

Suddenly, her eyes caught how the same boy from a while ago came out and closed the front door ever so softly, squeezing his eyes a little as there was no longer any open space between the frame and the wood, placing a hand on his chest and releasing all the air in his lungs. Then, he put on the hood that came with his jumper and started walking. Aylin, with a smile on her lips, ran down the stairs and also left, obnoxious about the fact that her parents don't even care where their thirteen-year-old daughter will go alone, but that was already typical.

The truth is that lately she has been feeling lonely, her house no longer feels like home and love was not a prominent thing in her heart, so the opportunity to be with someone who is probably her own age coming at a silver tray for her is something she cannot throw away, so jogging and running short of breath to reach the boy, Aylin yelled:

"Hey! Wait! You! Wait – please!"

Harry stopped walking and turning his torso a few degrees and pulling his hood off, he made eye contact with Aylin, who was still jogging with one hand outstretched in a 'stop please I'm dying' sign.

"Um. . ." he started looking behind her in case Lilian or Dev sent the stranger after him. "Do you need help or. . .?"

"You arrived with the Evans, didn't you?"

"Er, yes."

"Are you their godson? Cousin? They never told me about a cousin," Aylin said the last more to herself, pursing her lips.

"Um. . . I'm—" Harry debated whether to admit that he was taken in from an orphanage or that he was a cousin — a godson, whatever. He thought that, thanks to past experiences, they will get rid of him in about three weeks, or a month, or even less, so: "I'm a. . . godson. Yes. That's what I am."

"Oh, cool!" It wasn't. Aylin's illusions of having a new friend were crushed like an ant walking through a crowd, because if he was a godson then he wouldn't stay that long, anyway, it doesn't hurt to befriend him in the time that remains. "Where are you going?"

"I don't know. I wanted to walk— "

"Cool! Let's walk together. I'm Aylin. What's your name? There's this really cool fair at the center of the town, it has a loooot of cool games and cool stuff! Let's go there!"

". . . alone." Harry's word was lost with the wind as Aylin wasted no time in entwining her arm with his to pull him and walk with him while smiling from ear to ear for her new friend; on the other hand, Harry grumbled and what he wanted the most was to have duct tape to place it on the girl's mouth, she never stopped talking!

". . . And so the teacher farted and everyone laughed and— look! We arrived!"

The two (still with arms intertwined) were standing in front of the start of the fair: lots of people, perhaps everyone who lives here in this small town came and went, children with cotton candy or candied apples, teenagers joking with their friends and parents waiting for the adrenaline rush in their children's bodies to relax. Immediately one could see the great white ferris wheel, the biggest game of all.

"There are so many games!" Aylin kept talking as the two of them walked through the crowd. Harry must admit that his mood improved a bit when he saw all the attractions and happy faces and the smell of candy, but he stopped short when he saw an unoccupied ping-pong table, when she noticed this, she looked at the boy and smiled. "You like ping-pong, huh?" He nodded. "Me too! Let's play!"

And so now the two of them were at either end of the table, paddle in hand, Aylin the black one and Harry the red one, the latter holding the white ball in his left hand, his tongue peeking out the side of his lips as he concentrated to make a good shot.

Although it's hard to concentrate when she keeps talking, and talking, and talking.

Some say it's a quality, others say it's irritating, but she can't help it, her tongue is never in a knot and words always roll down from it as easily as if they were made of butter. Aylin knows well how talkative she is, and there are times when she hates such quality because she does not know when to stop talking, and sometimes, inadvertently, she begins to talk about personal problems. . . like now.

They were both quite good at playing ping-pong, their wrists moved with fluidity and a technique that was not naive at all, the harmony of the game rarely was cut off and the ball rolled on the floor where one of the two had to come out chasing after it like an idiot.

"My parents have been arguing a lot lately. I mean, they always argue but now it's like a lot, everyday. Last night," ping–, "I heard them saying some things. I think my dad is with. . . you know. . . another woman,"–pong.

"They will probably divorce. I've seen it. . . in movies! Yeah. . . movies."

Aylin stopped the game by catching the ball and setting her paddle on the blue table. Harry frowned. "Why did you stop?"

"A-are my parents going to break up?"

Harry swallowed the accumulated saliva inside his mouth as he realized that Aylin's usually lively eyes had now passed away and a layer of tears was the only thing that made them shine.

"I, um, er, I mean, they probably will— not! They'll probably figure it, uh, out?" By then, the girl's cheeks had turned red as a watermelon and tears were already streaming down her cheeks like a winter storm, placing a hand over her mouth and running off, losing herself in the crowd.

Harry's mouth fell open in agape as guilt filled his heart. He wanted her to be quiet, but not in this way, so the only thing he could think of was to chase her, although it will be difficult to find her when there are hundreds of people running from one place to another and many loud sounds.

"Aylin! Aylin! Where are you Aylin?!"

Now he was getting desperate: according to the watch that was stolen from one of the houses he was in, twelve minutes have passed since he went out in search, but without being able to find the treasure. Thousands of situations and thoughts crossed his mind: she's lost, it's your fault, she was kidnapped, it's your fault, maybe she's dead, it's your fault, it's your fault, it's your fault.

In the end, it seems like it's always Harry's fault.

Then he saw her. She was sitting on the ground, the darkness playing in her favor, her knees bent toward her chest and her arms hugging herself.

In the end, it seems that Aylin will always have to hug herself.

He hadn't even noticed when his feet guided him to one of the tent shops and now he had a cotton candy in one hand and a candied apple in the other. He had no idea where he got the money from; he just rummaged in his pockets and voilà! Money.

Harry sat next to her somewhat nervous, he didn't know what to say, or how to act, what he should think, less how to give her what he bought her. Aylin already knew of his presence, but said nothing.

"Ejm, I — I bought you this, I'm not sure if you like cotton candy more or candied apple. . . uh, which one?"

She sniffed her nose that looked like Rudolph the reindeer's nose and turned her head to look at Harry. Her eyes were swollen and from time to time she would shake from the force (and consistency) of her crying.

Slowly, with her index finger, she pointed, surprisingly shy at the cotton candy. Harry smirked because at least she accepted his ‘forgive me gift’. He kept the apple and the two of them silently began to eat the sweets.

And Harry thought that perhaps he wanted to hear her speak more, since now there was no sound between the two, not even of her breathing, nor of her thoughts. But at least she ate with him.

#harry styles fanfic #harry styles writing #harry styles blurbs #harry styles #harry styles one shot #harry styles fanfiction #fanfiction

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caranfindel · 6 years

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Recap/review 14.06: “Optimism”

THEN: Starts out pretty ominous, with clock-ticky music, Jack's grace getting sucked out, "this is the end of everything," and Jack considering himself useless. We're reminded that New Charlie exists (aw, Dean looked so pretty in AU Land) and Jack has "the mind of a hunter." Michael hurting people and Dean feels guilty (aw, Sam's Beard of Despair, how I miss you). Sounds like we're in for a real downer of an episode, friends.

NOW: Nebraska. Happy music. A cheerful librarian opens up shop, and she's cute as can be but I wore that blouse in the 80s and it needs to stay there (JUST SAY NO TO THE RUFFLED YOKE, LADIES). Her name is Harper, and she has a kind-of-date with a guy named Winston tonight, though she is clearly Not Into You, Winston. An (apparent) coworker named Miles hears her "scream" and comes to her aid, brandishing a stapler, and is reminded that he needs to mind his own business. Winston leaves, clearly walking on air, and then STAYIN' ALIVE STARTS PLAYING and we focus on Winston's feet just like the iconic opening scene of Saturday Night Fever (if you're too young to remember, watch this, IT'S IMPORTANT CULTURAL KNOWLEDGE and there WILL BE A QUIZ LATER) and y'all don't even know how much I love this song. YOU DON'T KNOW. I can't help it. My mom was a huge Bee Gees fan, partially because she was very into Barry Gibb.

Coincidence?

What can I say? I am my mother's child.

Now, where were we?

(Pretty much where we always are, so could you please just move this along?)

Sorry for the digression. Anyway. Now I suspect this isn't going to be a downer episode after all. (Turns out it was directed by Richard Speight, which would have been a clue if I'd known that earlier, bless him.) While I've been digressing, Winston has happily bopped down the street, only to have a hand cover his mouth and drag him off-screen. There's a record scratch and a squirt of dark goo and a scream, so I guess it did turn out to be a downer for Winston, but not for me.

Title card!

{Sidebar: I didn't realize Saturday Night Fever was directed by John Badham, who went on to direct several episodes of Supernatural.}

Jack's drinking coffee in the bunker. He takes a sip and then pours a huge amount of sugar into it, which immediately makes me think of this scene from The Fly when Jeff Goldblum, who does not yet realize that he is turning into a fly, does the same thing.

(Spoiler alert: Ahem.)

Dean walks in and asks what he's doing, and Jack explains that everything tastes different without his powers, and he can't get the coffee to taste the way he likes it. That's because coffee is nasty, Jack. (And also, thanks to the Continuity Fairy for remembering that food tasted different to Cas when he didn't have grace.) Dean asks if Jack has seen Sam, because that's what Dean does; he probably walked in the door and felt a disturbance in the Force and realized he didn't know where Sam was. From Jack, we learn that (1) Dean went on an overnight run to Mobby's love shack cabin and (b) Sam went on a hunt with Charlie without telling Dean. Is Dean okay with this? Are we gonna okay with this? Couldn't he have at least sent a text message? He's supposed to be setting an example!

"Explain to me again how you just let Sam LEAVE."

I guess Sam had to go himself, rather than send someone else, because this is one of those times when there's no random hunters in the bunker. (And where's Rowena? Did Charlie abandon her in the Southwest? Did they have a fight?) Jack imagines Sam and Charlie are doing something "really exciting."

Cut to Sam and Charlie sitting quietly in a truck outside Memphis, bored out of their minds. Hee! It's the kind of crappy old truck I always want Sam to drive, so I love it. They're staring at a bus stop with an ad for Pete the Pestinator, who seems to be an insect exterminator. (Spoiler alert: ahem again.) Sam confirms that "this is where all those people went missing," although if he's been sitting in that truck long enough to be bored, he really should have nailed that down by now. Charlie says "yep." More silent sitting.

Back to the bunker. Dean seems surprised that Sam left Jack there alone (where's Cas?) and Jack says "Sam wanted someone around when you came back. He's worried about you."

"Yeah, that sounds like him," Dean grumbles, and hello, kettle, the pot just called, and said you're black. Jack offers some encouragement, telling him no one blames him for Michael, and Dean says "Cool. Well, I blame me, so." His self-flagellation is interrupted by Jack's Cough of Great Concern. "Maybe I'm allergic to sitting around doing nothing," Jack snarks.

Dean sits down for a heart-to-heart, and Jack says he's been hunting with Cas and wants to do more. Dean says "No offense, Cas is an insurance policy on those hunts." Jack looks hurt. I don't understand this at all. Why wouldn't Jack already know that Cas is there to protect him? And why would this hurt his feelings? I'm so confused. But I immediately forget it, because Dean says "Sam's just trying to keep you safe, okay? He's a smart guy." AND THEN WE CUT TO THIS.

Bless you, Richard Speight, writer Steve Yockey, bless you both.

I literally did burst out laughing at Sam and his fidget spinner. Charlie is not amused, and Sam puts his toy away with some embarrassment.

Bunker. Jack's found a report on our dead friend Winston, who seemed to have human bitemarks taken out of his corpse. And others have gone missing in the area. We skip part of a conversation, but whatever it was, Dean says Sam won't like it. "Sam's not here," says Jack. Oh, no you don't, Jack. Don't you go ignoring the Chief's directives just because he's not here. Dean says he'll go check it out alone, but Jack suddenly remembers Sam's Law and reminds Dean about the Buddy System.

We can be hunting buddies!

Okay, uh, (a), don't call it that, and (b), YOU'RE gonna back ME up?

Oh, Dean. You didn't do the (1) and (b) thing that I love so much. Jack gets to be the one to bare a little bit of his soul now, telling Dean that he also feels guilty about Michael, because he could have killed him but he was "distracted and stupid." He doesn't want to sit around feeling guilty all day, he wants to hunt.

Looks like that was the right button to push, because we cut to Sam on the phone, clearly not a fan of the plan and telling Dean to be careful. I assume his reluctance is because he doesn't trust Jack to watch Dean's back. But Sam, if you can trust Maggie to hunt alone, you can trust Dean with a novice backup. (I know, I know, Dean is more important than Maggie.)

Sam asks again if Charlie is sure this is the right place, and she says it's where four people disappeared. And while she was scouting around, she found a mason jar full of goo. Is this the same goo we saw when Winston was killed? (Spoiler alert: no.) And now she's trying to figure out what they're hunting, so she's reading. I'd have done my reading before the stakeout, but that's just me. (I'd also have done some reading instead of sitting there glaring at Sam while he enjoyed his fidget spinner, but that's also just me.)

(I also might have thought of more interesting things to do while I was stuck in a car with Sam, but they would have interfered with the stakeout. And they aren't anything Charlie would have been interested in anyway.)

Cut to Dick's Red Rooster Diner (ha ha, I see you, Speight). According to Winston's obituary, he had breakfast here every morning. Jack agrees with me that it's an odd thing to put in an obituary, but Dean says that when someone dies young, you don't know what to put in those things. (Oh, think of 20-something Dean's obituary.) He introduces them to the waitress as Agents Berry and Charles, and the only thing I can think of is Chuck Berry, so if someone has a better idea, let me know. He asks for details about Winston, and the only detail she can provide is that he's dead. Jack dutifully writes that detail in his little notebook. (BLESS.)

This waitress is wonderfully snippy, knows her rights, and isn't the least bit interested in talking to these FBI agents, but when Dean hands her some cash she changes her mind. She says they should should be more interested in Harper, who Winston just started "courting," and Jack is confused.

What's courting?

It's what you do before you start dating.

Ah, and that's the thing you do before the sex.

Sometimes you just have the sex.

Okay, Dean's wrong, courting is what you do instead of dating, but this is still a wonderful exchange. And the next part is wonderful too, cutting between the waitress and some customers explaining that Harper was popular in high school, but her boyfriend ran off, and now all these men connected to her have died, and she's really into romance books, and ending on I've heard too much Dean and I'm confused Jack.

Love this.

Back at the stakeout, Sam's biting his nails, which I also love for some reason, and of course the only time we've ever seen him bite his nails was when he was worried about Dean. New Charlie picks right up on it. She tells him Dean will be fine, and comments that he's got other friends, right? Which I don't understand, because it doesn't matter what other friends he has, he's not hunting with them. He's hunting with Jack. "He used to have a pretty damn good wingman," Sam says, and I think no, Sam, what are you saying, he still has you. She says he should call "that guy" to check on him, and Sam says "that guy was you." Charlie gives him a look. "No, it wasn't." And she's right, Sam. SHE IS NOT YOUR CHARLIE. And also, was Charlie ever really Dean's wingman? I don't think so. Sam, of course. Cas, literal wingman. But not Charlie. Charlie was the little sister.

Sam apologizes, and then says "I'm just saying, I'm not surprised you survived the apocalypse." Which isn't what you were saying at all, Sam. Charlie is surprised she survived, because she was just a programmer at Richard Roman Enterprises (Dick Roman! I wonder what happened to your AU version), living with the love of her life, Cara. My heart skipped a beat because I was so ready, guys, for the love of Charlie's life to be Dr. Cara Roberts from Sex and Violence, but apparently not. {Sidebar fic prompt: Sam. Charlie. Dr. Cara. Three-way.) Charlie's Cara was a baker. Charlie tells a sad story about waiting for help that never came, and Cara eventually being killed by people, not angels. Society falls apart. (Or, as Dean once said, demons I get; people are crazy.) Sam insists society isn't falling apart here, and Charlie says "not yet."

Just like last week, we're getting some needed differentiation between the characters we lost and their AU counterparts, which I appreciate.

I also appreciate pretty, attentive, sympathetic Sam.

Diner. Dean calls Jack "Mighty Mouse," for some reason, and congratulations him on finding a case. He tries to teach him about the importance of pie, but Jack's more interested in courting. He's never been exposed to off-screen romance, unless Gabriel and Rowena counts (Dean assures him it doesn't, but how would Jack have been exposed to Gabriel/Rowena anyway, since it happened while he was in AU Land and Gabriel didn't make it back?) Dean promises he'll give him The Talk when they get back, but right now they need to concentrate on finding Harper. {Sidebar fic prompt: Dean's and Sam's versions of The Talk. Would Dean's be like Dean's speech from Rock and a Hard Place?} Jack speculates she might not be human, and Dean says they're going to find out, and it's going to work like a romance novel. Hmm!

Cut to the library, where Harper is working. Dean enters and identifies himself as FBI, with questions about Winston. She doesn't want to talk, and he pushes. Then Jack shows up, asking for a book about the area's history, and defends her against the big mean FBI guy. Dean says "why don't you back off, kid" and Jack responds "No, you back off, old man" and DEAN'S FACE. This was clearly NOT IN THE SCRIPT. I love it. Dean slinks off, dejected, to examine his gracefully-aging face in the rear-view mirror. {Sidebar: I honestly think Jensen is aging a lot better than Dean is. Dean looks tired a lot of the time, and I'd like to believe Show is doing that on purpose, but I don't think it's the case. Jensen always looks awesome.} Harper is delighted, and apparently smitten, judging by the music. Jack introduces himself as "Jack Smith" and she invites him to her apartment, where she has the perfect book.

Why does this library have those convenience store perp measurements at the door? Does it get robbed a lot? Also, how many episodes have signs in the background with the title of a different episode? Not very many, I'm guessing.

As they leave, Miles the Stapler Guy follows and asks where she's going. It must be close to closing time, because Harper says she'll come back and lock up. Miles, who's carrying a bag of trash, refuses to shake Jack's hand. As Jack and Harper go one way, he stomps off in the other direction. I'm suspicious, and so is Dean, who gets out of the car to follow him. As Miles puts the library's trash in an inappropriately small residential bin, he hears a noise. We then cut to Dean, who hears Miles scream but just keeps walking? But then a trash can is knocked over and that gets his attention. He finds Miles dead, and we get a monster POV shot watching him.

Stakeout. Charlie's still reading. Apparently she brought all the books. She says she hates hunting, which surprises Sam, because she's so good at it. She points out that she's good at it because the alternative was death. "I mean, no offense, but who wants to be a hunter? This job, just a lot of tears and death."

Sam says "you said something like that to me once, long ago, about hunting." He quickly apologizes for once again conflating her with Our Charlie. At first I was annoyed at him, but then I started thinking about how awful Our Charlie's death was for him, with the MoC, and the fear, and the worry, and the guilt, and his brother saying he should be the one on the funeral pyre instead, and you know what? I'm gonna cut him some slack for trying to forget all of that ever happened. A lot of slack, in fact.

Charlie casually drops that she's glad this is her last hunt. Did you give the Chief your two week's notice, Charlie? I DON'T THINK SO. She plans to get away from monsters and people, and "live on a mountaintop or something... as long as there's good wifi." I'm sure Sam can get you set up with his magical wifi, Charlie, if you stay on his good side.

Harper's apartment. She seems to be all about love, with a decorative "amore" sign in the kitchen and a big red heart hanging on the wall. She suddenly realizes it's weird that she brought him to her apartment, though she's thinking "putting the moves on you" weird and I'm thinking "inviting a potential serial killer into your home" weird. But maybe I listen to too much My Favorite Murder.

She leaves the room to get the book (odd that it's not on the stuffed bookshelves in her living room, but they're all full of romance novels). Jack asks why the FBI was "hassling" her, and she tells him about Winston's death as he surreptitiously puts a silver coin on the floor and splashes holy water all over his hands. A call comes from Dean, but he ignores it. When she comes back with the book, she notices the coin on the floor and picks it up. She touches his hand when she gives him the coin and notices that it's wet. I would have put the holy water on the coin, although a wet coin on the floor might be as weird as wet hands. He just laughs weirdly and then does a fake cough AND SAYS CHRISTO. SOMEONE FINALLY REMEMBERED CHRISTO. Oh, my heart. I've been waiting 13 years for this moment. She doesn't react to it, so she seems pretty human. He says he's nervous, so she sits on the couch and pats the seat next to her.

Stakeout. Charlie has found something in the books called a Musca. Sam already knows it's a man-fly hybrid (IT'S THE FLY; OUR MONSTER IS JEFF GOLDBLUM) and that no one's seen them, so if they do exist, they keep to themselves. She's impressed with his Sammy smarts. He says he's read all the books, but if he'd read this one, he'd know that every few hundred years a male Musca can't find a mate and he "abandons his community and starts using people's bodies to nest, binding them together with a viscous goo." Ew.

As they walk, in the background we see a figure approaching the two women who are sitting on the bus stop bench. It's clothed in black, carrying a black briefcase, and it has a giant head. At first I think it's literally a giant fly's head. But when Charlie notices it, we get a closer look, and it's a large black hood, like a beekeeper's outfit. It sits down and then casually scoots closer to the women, who scoot away, and it's hilarious.

Harper's apartment. She asks Jack where he's from, and he tells her he lives in Lebanon, Kansas. NO, JACK. DON'T TELL ANYONE WHERE YOU LIVE. Jack coughs some more and then notices a picture of Harper with her boyfriend, Vance. She says he left town after high school because he wanted to see the world, and Jack seems astonished that anyone would leave her. And that was when her bad luck started, but she tries to stay optimistic. "Me too," Jack says. "I had some not-so-great stuff happen in my past. Trying to be positive... it can be hard." Oh, Jack, sweetie. They gaze into each other's eyes and it looks like they're going to kiss. Jack's phone buzzes with a text from Dean that says CALL ME NOW.

Jack? Do you believe in love at first sight?

Do you... (music swells)... mind if I use the bathroom?

Ha!

Jack hides in the bathroom to call Dean. He tells him Harper isn't a monster, and he thinks she's in love with him. Although Dean's sure that's not the case, Jack says "but if she is, I need to know everything about sex. Go." Ha again! Dean tells him about Miles's death, which makes Jack wonder if she's cursed. Dean says it's more like all the guys around her are cursed. "Like me," Jack ponders, just before we get another monster POV shot and a strangled shout from Dean. The phone goes dead.

Jack comes back into the living room and Harper asks if he's okay and if he wants to go for coffee. Then the door bursts open and Dean comes in, and I wonder why she's freaking out until I remember that Dean is Bad FBI Guy to her. He quickly blocks the door and tell her they're here to save her from... whatever it is that's suddenly growling and banging on her door. "At first I thought it was a ghost," he says, "but then it punched me in the face." She's freaked out about a ghost, but Jack reassuringly (NOT!) tells her that he's saying it's NOT a ghost. Dean recognizes a photo and it turns out the monster is her old boyfriend Vance, who she didn't even realize was dead.

For some reason Dean isn't carrying a lot of weapons, but he has a silver knife and finds a silver letter opener on Harper's desk. Silver will slow it down, he tells them, but there's only one way to kill the undead boyfriend. Vance breaks the door down before we learn what that is. Dean starts fighting with the silver knife and tells Jack to get Harper out of there.

Stakeout. It's nighttime now. A lone man sits at the bus stop as Sam tries to convince Charlie that she can't drop out of society. She needs people, and also, it's hard to walk away from being a hunter. "I tried. Our Charlie tried." You know, for someone who did want out of hunting, and did try to get out of it, Sam spends a lot of time convincing others to do it, or at least enabling them. I mean, Dean was all "Patience, if you can live a normal life, do it," and Sam was all "well, Claire, if you're gonna hunt, I guess I should show you how to hack." Although that (and teaching Ghoul!Adam to shoot) was more about protecting someone determined/forced to be a hunter than recruiting. So maybe I don't know what I'm talking about. Anyway, if anyone recognized the futility of getting out of the life, it would be him.

Jeff Goldblum shows up again and sits by his next victim. Charlie wants to go for the kill, but Sam thinks they should wait for him to make his move, in case he's just into weird fashion. Look, Sam, if a guy likes wearing a black beekeeper's bonnet and sidling up to random strangers at bus stops, he deserves to be hunted, whether or not he's actually part bee. When the bus shows up, it blocks their view of the duo. When it leaves, the bench is empty. Which could mean they just got on the bus, but we see something disappearing behind the stop. Sam decides it's a go after all.

Let's stick with this story, rather than cutting back and forth between them like the show did.

Sam and Charlie find a door with a bunch of goo on the handle. Sam says Charlie found something in the books that theorized a brass nail dripped in sugar water would kill a musca. Because yes, of course sugar water, WHICH FLIES EAT, would kill a fly man. (Rolls my eyes at this otherwise delightful episode.) Charlie reminds him they have neither of those things. "So we get creative," Sam says. I'm expecting some kind of MacGuyvering involving a can of Coke, or Sam's sugary coffee. (Spoiler alert: I'm wrong.)

{Sidebar: Why are all the methods of killing monsters so weirdly specific? Chopping off the head should kill ANYTHING.}

They go through the door, which surprisingly leads them into an abandoned warehouse. It's full of flies (normal ones, not half-man flies) and smells like pine cleaner and rotting meat. Yum. Eventually Sam finds the briefcase, which is full of what looks like candy wrappers and also has a white cloth, which he sniffs to discover chloroform. Dude. Don't sniff the chloroform rag. Charlie finds the most recent victim, still alive, by a pile of bodies. Something grabs Charlie's hand. She pulls loose, but falls off a low platform (seriously, it's like two feet high) and... loses consciousness? Okay. Maybe he chloroformed her and I missed it. I'm old and decrepit and this would have barely bruised me. He must have chloroformed her.

Sam tries to wake her up, but is interrupted by the WORST MONSTER COSTUME EVER. Oh god, you guys, this fly man head is so bad. SO BAD.

{Sidebar: Did you know that you don't see much of the shark in Jaws because the model was so bad, Steven Spielberg decided he wanted to shoot it as little as possible? And it actually made the movie better because the unseen monster was so much scarier? Just saying, Speight.}

(Um, have you watched any movies that were made before 1980?)

Well, that was uncalled for.

Jeff Goldblum attacks Sam and gets goo on him, and if this were really a fly, wouldn't that goo be digesting him? Isn't that how flies eat? (Why yes, it is.) Charlie regains consciousness and stabs it with something, which gets it off Sam long enough for him to shoot it in the head. Creativity in action! So, I guess I got my wish. Interesting that, just like last week, the guys figured out that there are actions that will kill anything.

Aftermath! Charlie and Sam are driving, and Sam says he feels bad for the Musca, which could have been happy if it had stayed home with its people. Subtle, Sam. Charlie's all, yeah, okay, I'm like the bug, except not so much. As we see the Musca family coming to retrieve their brother's body, Sam asks Charlie not to leave. "If we help people, then maybe they'll help people, and all that, and that's worth it. Even with all the tears and death, it's worth it." Oh, Sammy. {sniff} She says she'll think about it.

Back to Jack and Harper. It was broad daylight when they got to her apartment, so I don't know why it's nighttime now. How long did he spend in the bathroom? No wonder she asked if he was okay. Cut to Dean gleefully fighting the zombie, who suddenly stops fighting and runs off.

Jack and Harper run to the library, where she struggles with the keys until Jack remembers she left without locking the door. They scurry inside and he locks it. As they hide behind the counter, they see Zombie Vance run by. Jack tells her not to worry, because he locked the door, and she asks if he flipped the switch under the lock? Obviously he didn't, and she goes to do it herself. As she stands, looking out the door, Vance shows up. She unlocks the door, which Jack obviously DID lock, and opens it. He hands her the history book - I guess Jack dropped it - and they kiss.

Um. whoops. Vance is actually still Harper's boyfriend. And he has to eat human flesh. Like, Jack's, for example. Vance lunges for Jack, who hides in the stacks as Harper gives him the villain dialogue over the library's PA system. She likes Jack, but he's obviously a hunter, and she comes from a long line of necromancers, so it would never work out between them. She killed Vance to keep him from leaving after high school, and killing every other guy in her sights is just a fun little romantic roleplay for them. We get a little scare when a hand appears on Jack's shoulder (been a lot of that going around lately), but it's Dean. He tells Jack they have to get Vance back into his grave and then drive a stake into his heart to keep him there. And they're going to convince him using another romance novel method.

Jack tells her he wants to do things Vance can't do - walk her down the aisle, raise a family. This draws Vance out, who lunges at him but finds himself facing Dean. Vance gets Dean against a wall, and Harper calls out to him. Dean thinks she's going to call him off, but she says "Baby, kill him!" and Dean's "huh" look is precious to me. Instead, Dean slaps a handcuff on his arm and cuffs him to a pole or something. Jack cuffs his other arm to a library cart, I think, which is mobile and therefore defeats the purpose of cuffing, but good try, Jack. The cuffs burn Vance, so they're silver or enchanted or something. Seems like a successful hunt, but when the guys look up, the door is open and Harper is gone.

Later we see Harper and her suitcase at a cafe, writing a letter to Jack. So she had time to go home and pack a suitcase, and Dean and Jack didn't go to her apartment and look for her? Guys. Come on. She's sorry she's going to have to kill Jack, but it means she can bring him back to life and they'll be together forever. See you soon, she writes, sealing the envelope addressed to Jack Smith, c/o the Lebanon, Kansas post office. I TOLD YOU NOT TO LET HER KNOW WHERE YOU LIVE, JACK. Is Harper going to be a Big Bad this season? Or maybe a Little Bad? I wouldn't mind seeing her again. She's a charming little villain.

Finally, Jack's drinking coffee again, probably with a lot of sugar, in the bunker. This scene, with them facing each other, is a nice callback to the beginning of the episode. Dean tells Jack he did good, and Jack pushes for more hunts, because he was right. It's not about being right, Dean tells him, it's about what you do after you're wrong, after you've made a mistake. And about not beating yourself up, Jack points out. Dean tells him he's pretty smart, and Jack smiles and coughs and Dean promises to talk about getting him on more hunts when Sam gets back (BECAUSE SAM IS THE ONE TO ASK, YOU BETTER BELIEVE IT) and Jack lies about being fine and then coughs some more and shows Dean his bloody palm and collapses on the floor with blood oozing from his mouth and nose and WELL. THAT ESCALATED QUICKLY.

And the episode ends, without Sam and Dean sharing a single scene. Has that happened before? It's unsettling. I like the ep, though. I liked the relationship focus - Sam bonding with New Charlie, Dean bonding with Jack. I liked the humor. I liked that Sam wasn't ignored, even though the brothers had separate storylines. I liked the continuation of things that have been happening this season, the gentle reminder (but not constant siren) of Dean's guilty feelings and Sam's leadership and Jack's issues. And, of course, CHRISTO!

And there was one weird thing I noticed on first watch, but it didn't jump out at me on rewatch so I don't remember when it happened... Dean said "Son of a B." This is the second episode where they said something weird instead of bitch. What's going on there? Is Dean never going to say "son of a bitch" again? Because that's not good.

What did you guys think? And please help me stay unspoiled; thanks!

#spn #14.06 #tv recaps #recap #spoilers

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supertransural · 3 years

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My Bloody Valentine, what the hell

Okay. I know I'm probably not writing a hot take with this one, but I just needed to get all my tangled up thoughts out in the form of coherent strings of words ("coherent" is debatable as you'll probably find out if you read this entire thing).

So here I was, watching a random commentary video, and this scene from 5x14 My Bloody Valentine was included in it:

Now that. That's a bi flag. We know how much care set designers put into the details of the scenes we see. This is an episode centered around love. The cupid here talks about "Love", as in, the broad term. The "all-encompassing" term, if you will. He also says he "loves love", which I personally interpret as "in all its shapes and forms", and I don't believe that interpretation of what the cupid is saying is that far-fetched, after all, he kind of is Love (with a capital L). So what does that scene mean?

Let's find out.

First of all, I just feel like I should mention that I think pansexuality would be a better way to "represent" that sort of sentiment around what Love is, but if I'm not mistaken, the pansexual flag was created after this episode aired, and even if the word "pansexual" has existed for a pretty long time in various studies and areas (usually in psychology, if I understand correctly?), and has been used in LGBTQ+ spaces for a while too, it's still not as "commonly known" in the day-to-day life of cishet people, at least not in the same way that being bi is.

That being said, here's one more little nugget before I do a quick analysis of the scene. The idea of being bi is probably the closest thing that any not-very-informed-but-supportive-ish cishet person could think of if they wanted to relate the concept of "love for the sheer sake of love, having love for anyone, love of the masses" to actual characters and how they're able to love their peers (or more accurately, which peers). It's not so surprising to me that this would be the flag chosen by set designers when trying to pass on the message of "this interaction is about love as a general concept, this cupid is love, this cupid loves everyone, and will bless any couple, and yeah in that scene two out of the three characters (other than the cupid himself) stand in front of that light, no reason haha". It makes sense.

Now, onto the actual substance of this.

First of all, because it's funny, Dean why are you literally staring at this cupid's dick, honestly, what the fuck, Sam is averting his eyes (good call), Cas looks like he's only interested in analyzing the cupid's face (more on that later) and nothing else, why are you staring downwards why why why and why (hello, jacting choices). Second of all, because it's funny too, why do you look slightly flustered, in an oh-god-this-is-not-a-drill-shit-oh-god-fuck-embarrassed way? I mean Sam looks like he's been to hell and back, but not flustered.

It's also specifically interesting to see both Cas and Dean being the ones standing together in front of that light. It happens just a little while before, right here:

They're. Staring at a cupid, whose job it is to bless couples, who's Love incarnate, he hugged these two idiots first before getting to Sam, which means something and I'm not exactly sure what but, if you still have braincells (unlike me) please tell me what you conclude of those facts compiled together.

In this particular scene, I don't think the flag is actually a pointer to specific characters being bi, I think it's more of a broad "yeah these guys love a little different" kind of thing. For example, we see Cas in front of that light a lot.

This is season 5, he's barely starting to understand what emotions are, but he's already faithful to Dean and his cause, he's beginning to get what liking things, what caring means. He doesn't figure it all out until way later (in my personal opinion, that is. And I mean... 15x18 anyone?) no, at that point he's driven by things like want, need, yeah, I'll say it, lust, or simple candid curiosity. But that ties into the idea that right now, in that episode, Cas' understanding of "Love" is very broad. He doesn't understand details yet, the only detail he knows is Dean vs the World, and all he gets about that is "the world matters to Dean, there's probably a reason for that, if I follow him around enough I'll probably discover it, and I trust him enough to lead me there". He's still an angel, fairly through and through. He's curious, though.

Refer back to that previous gif, Cas is watching with acute interest what that cupid is doing. Prior to this scene, he's known the "mission" that cupids uphold for thousands of years, but I doubt he's ever really looked at it with the help of the lens of actual humans (read: Dean). He's interested, this cupid's job is to create love, and that seems to be something inherently tied to what makes his charge... himself. That much he knows. Again, probably not in detail, probably not that precisely, but he's got a sense that this cupid represents something he doesn't know and hasn't felt before, yet something Dean and Sam are accustomed to, and driven by. So yeah, he's curious.

Now here's the thing. We see Dean standing in front of that light, both alone, with the cupid, and with Cas. On several occasions.

(something something something bi flag in the background something something something character centered around love something something something the word "dick" something something something what the fuck CW)

We see the cupid standing in front of the light (scroll back up), and we see Cas in front of the light, with the cupid, alone, and with Dean. What about Sam?

...Yeah, no. I replayed that scene several times and I didn't find one instance where we see Sam even remotely lighted by that flag. And when I say remotely, I mean like this:

The light being somewhat noticeable in the background. Even when we see Sam after he moves a bit, like so:

The light is nowhere to be seen. That's after the cupid's left too, so it makes sense the flag wouldn't be relevant anymore: the entity that it represents isn't there to give it meaning anymore. I mean, during that entire scene Sam's a bit (gross understatement, I know) of a background character, but that's simply because he's not the main focus of what the cupid and the flag mean.

Dean though. Dean's a focus alright. No one can ever convince me otherwise, he's bi. That's just a fact at this point. But that's not all the flag and the cupid mean when relating to him here. He's beginning to form a type of bond with Cas, albeit small. He's starting to open up a door that he's never really noticed before: the one that lets people other than blood relatives (or close runner-ups like Bobby) in. And he's facing that head on, like how he's facing the cupid. Both he and Cas do that actually, in their own way. They're looking straight into the eyes of the unknown (Cas literally looks into the eyes of the cupid): for Cas it's this strange foreign thing called emotion, and for Dean it's letting a known emotion be directed at someone new. They're the ones that talk to the cupid, not Sam, because they have things to be curious or apprehensive about, in the context of love (or different love).

They stand in the highlight of that flag, because they're the ones discovering new things (hello, 10x16 speech, yes I'm relating a random scene with a funny light to a speech 5 seasons later, leave me be, I'm insane) and not Sam, who's for one: human, so he already knows what love is, and two: way more in touch with his feelings than his brother. Basically, the concept of Love being something strange, unknown, new, different, scary, worth punching it in the face for, deserving of focused study, take your pick, doesn't really apply to him.

How could I relate this to destiel you ask? Very easily, I say. This, theydies and gentlethems, is a representation of the first step both Cas and Dean take towards each other. A toe in the waters of a frightening and captivating new thing. And again, they face it in a really direct manner.

That is... Right up until the cupid mentions John and Mary. That's when it goes downhill and we understand that whatever Dean and Cas have going on is about to take years of work and a million steps still need to be taken.

Exhibit a:

Look at Cas' face, when the cupid mentions the Big Plan. He starts by studying the cupid (again, curiosity), then looks at Dean, then Dean briefly looks back (perhaps back at Cas but that's debatable), and that's when Cas looks down, embarrassed. I read that as: "Ah yes, as interesting of a concept this cupid is, as fascinating as these two humans' perspective on his mission is, it's still dictated by Heaven, and they're not going to like that. I'm still dictated by Heaven (as I should (???)) and... He's not going to like that. (???)".

Annnnd then Dean punches the cupid in the face, which... Good point, Cas, he indeed doesn't "like that".

So what are those steps highlighted by the ending of that scene? Well, Cas is an angel. Dean is clueless about so many things. He doesn't have faith. Cas isn't exactly free. It's just always about the plan and the mission, whatever comes up in their tumultuous adventures together, it always brings them right back to the core of why there's still such a long way to go: who they are.

All in all, that scene is just. Imagery there, imagery here, reference after reference, big red arrows (yes, I'm using "arrows" in the context of a cupid episode, I fully intend this sentence to have a double meaning) pointing at Dean and at Cas and at them both together. It's not necessarily a direct reference at either of them being bi, although for obvious reasons that's not exactly off the table either, it's sort of a piece of foreshadowing for what's to come, both in that season itself, and the rest of their relationship (here I use "relationship" as a term meaning something like "friendship-that-evolves-into-something-more-later-on").

In short, I'd like to conclude (you can use that as a TL;DR) by quoting my brain when I first saw that flag and connected a couple dots:

"lol bi".

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