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#yes half of it is that one scene
br-disaster · 4 months
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Nie Mingjue's Fatal Journey crying scenes appreciation post
There's no way I wouldn't make this post, but it ended up way longer than I intended.
Fighting with Huaisang
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When is this man not tearing up?
This fight is so important for Huaisang's character development and the movie's themes, with Huaisang being ready to challenge and question the Nie ways and Mingjue doing his best to uphold those traditions and keep the peace through the only way he knows how.
But it's still hard to be challenged like this and to face the possibility that everything you've ever known might not be right, actually.
And this gif specifically is from the moment Huaisang questions if Mingjue even knows what they're there to fight and what this supposed great evil that will come to Qinghe if they fail to balance their blades even is. Mingjue has no answer, of course, I suppose he was only taught this and never had reason to question it.
But Huaisang is also talking about the disciples they already 'lost' at this point of the movie, and he says something along the lines of " You don't know anything, you only know how to bring them here to die" and that does it. Because it's both "you can't follow these rules blindly when they rely on sacrificing people" and "you've changed and I don't trust your judgement on these matters anymore".
And as he says it, Mingjue looks at their disciples and he sees the puppets for a moment. And Huaisang just questioned if the other disciples were really attacked by puppets.
So that's a big moment and Huaisang is right, of course, but he doesn't have a confirmation that this is the result of Mingjue's health deterioration yet, so he keeps pushing. And Mingjue doesn't really have a counter argument because he knows what's going on with him, but it must be very scary to hear it from the person you care about the most and realize just how much you're being affected.
(Actually, Mingjue has one counter argument and that is "Well, I am at least trying to do something while you're painting and living a carefree life", and he's not wrong either. Huaisang is right and rightfully harsh, but this is the first time he's being confronted with these difficult choices and all their family history. He can reflect on and question it, but his brother has been meking those hard decisions since he was 14, when did he ever had a break to question and change things?)
Which leads us to
The Talk
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After seeing his brother sacrifice himself for him at the bridge, and then seeing Mingjue be so vulnerable and lost, that anger from their fight is gone. They can meet in the middle with "You are right, I wasn't thinking straight, this is not a long term solution and I've failed at changing our ways" and "It's not your fault, you did everything you could but you're not responsible for this situation" and it's very beautiful and heartbreaking.
Mingjue is so remorseful, both because he has condemned Huaisang to die with him and because he feels like he failed everyone and everything (even if he doesn't seem to know what he could have done differently to avoid all this).
And Huaisang's reaction in this scene is so calm it made me think this Huaisang is somewhat used to his brother displaying vulnerability around him. This isn't book NMJ with all his victories, this isn't a man who never let the Unclean Realm be conquered and who could afford to keep Huaisang far away from the war. This is a man who was attacked and subdued in his own home, who had to send Huaisang to the hands of the people who killed their father.
This Huaisang doesn't have reasons to see Mingjue as this unmovable force, he has seen Mingjue hurt and threatened and fearful; and he's now seeing him remorseful and defeated.
(I'm sure Mingjue telling Huaisang about the fact that he's dying and admiting his mistakes and insecurities is something new, especially considering their previous fight, but this Huaisang doesn't take it as a shock, because he knows his brother is only human and there's only so much he can handle. He even, like, explicitly says this)
And so he assumes this calm, reassuring and empathetic posture, because that's what his brother is asking for. And it's the most beautiful thing, Huaisang has so much love for him, so much empathy. And this is Mingjue's reaction to his brother's reassurance that it's okay if they have to die there:
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I'm sure Huaisang is still processing Mingjue's "I only forced you to practice because I'll die soon", but he's so good at reassuring his brother.
Because Mingjue just told him "I am dying and I'll go as a failure" and Huaisang insisted "None of this is your fault and you did everything you could and more, and if I have to die here with you today, I don't regret a thing, and you shouldn't either".
There's no despair or anger that his brother is only telling him this now, there's only understanding and acceptance and so much love and they really knew what they were doing with this movie.
His people love him
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Mingjue is so moved. He just admitted to Huaisang that he's not in peace with his accomplishments, or lack thereof; that he feels ashamed to face his ancestors, having done so little.
So I truly believe Mingjue doesn't consider himself worthy of this much trust and support. (And I can't ignore how this is tied to the Nightless City situation, where he led the men who trusted him with their lives to a dangerous situation and couldn't save any of them).
As we see in the confrontation at Jinlintai, that technically happens after this movie, that is still a very sensitive topic.
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And here he has his loyal disciples saying they will follow him yet again, despite his previous 'failures'; just like Huaisang was ready to die with him. They have so much trust in him, and the way he's nodding a little here, just like he was nodding when Huaisang reminded him of everything he's done for their sect since their father died, is like he's convincing himself of it. That he can do this and he can do this right this time.
And yet
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He fails again. And I don't even think he knows it was him who killed those disciples, like some people say. He doesn't need to because it doesn't matter. His men, who followed him till the end of the world, are dead again. And so is the hope he had of doing this one right thing before he dies.
Yes, he supressed the saber spirit like he had to, but they're still dead, all of them.
He falls apart, how could he not?
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At some point I'm sure Huaisang his holding all his weight because he just gives up. There's only so much loss one can handle and that's way too much.
And look at the way Huaisang is watching him as he realizes something inside Mingjue shattered forever.
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There's so much pain in this scene, it looks physically taxing and I hope people gave Wang Yizhou a break after he shot this. I know it's his job and he's phenomenal at it, but this has to mess with your head a little.
And hey, it's a Huaisang crying scene as well. CQL Huaisang only really cries twice. First he watches his brother have a mental breakdown in his arms after unknowingly killing his own disciples; and then as he watches his brother qi deviate and die, while unable to do anything to either stop or comfort him.
(And a lot of people said there's no hesitation on Huaisang's part when he rushes to his brother's aid when Mingjue is hurt on this post's notes, and that's true for book Huaisang too, because he runs towards Mingjue as he is qi deviating, gets hurt in the process, and still keeps calling for him, which makes CQL's decision to have JGY holding him back kind of cruel, tbh, there's not a Huaisang who would run from a hurting Mingjue regardless of the risks
But at least we have this scene.)
And that's it, I guess. There's nothing uplifting to say about this, really. He just went through a lot and kept shouldering everything until he couldn't anymore. I just wish book NMJ had gotten to receive the same love and comfort and acceptance from NHS before he died, I wish he had been able to tell his brother what was actually happening, but thats kind of the purpose of this movie, so I'm just very grateful that it exists.
It's like that post says, it didn't change anything but the love was there, you know? That's how this movie feels for me.
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seyaryminamoto · 3 months
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Fic-to-Art #39: Gladiator's ELEVENTH Anniversary! (+ BONUS: Fic-to-Art #36...)
And here we are! March 26th arrived and I did not forget about it, but I paid for my ambitious madness with my wrist and forearm. Somehow, I finished my intended pieces on time, but I do not advise that you ever try to make 9 artworks in 3 days. No, sir. Bad life decisions, that's what that was... but this fic, as anyone knows, moves me to do things I never thought possible, starting with writing the fic itself!
It's really crazy every time it hits me that I've been doing this for as long as I have. It's been a complicated, chaotic journey, with its many ups and downs, but ultimately, it has been our journey. For some people, this is just one more fic in the pile: for me, it's been the best adventure of my life so far. Everyone who has ever been touched by Gladiator, who has ever cherished this story, who's looking forward to the big conclusion, who wants to see how the chaotic war is going to end... you're all part of this crazy adventure along with me, and I can only thank you for joining me.
This year, I had no time to make as big a project as I usually go for. Thus, I did a sort of free-for-all edition of Fic-to-Art over at Patreon and challenged myself to draw as many scenes as I could, out of their suggestions. I even sprinkled in a few scenes I impulsively wanted to draw because I loved writing them or because I look forward to writing them... and this is the result!
In order, the scenes are as follow:
Sokka combing Azula's hair, a common occurrence throughout the story.
Azula watching over a convalescing Sokka in the Chase of Jeong Jeong arc.
The outcome of Sokka's final battle in the Superior Gladiator League, namely a moment where Sokka and Azula more or less gave away their relationship's true nature to the public by raising their hands towards each other...
And now, spoiler territory! Some were by my choice, some by Patreon requests:
An important moment shortly after Sokka and Azula reunite.
Azula confronting her father, with a LOT of backup.
Xin Long's long-awaited freedom.
The aftermath of the final battle.
The full-blown confirmation of their relationship to the general Fire Nation populace.
Sokka, Azula and Hotaru's first night together
And the big final one is ACTUALLY Fic-to-Art #36 but hahaha woops I didn't post it here on time because it was super hard to finish since I had a LOT of things going on... but here it is now! :'D it's a glimpse VERY far into the future of this fic's timeline!
Alright, that should be enough talking and explaining. Some things are vague, some things aren't, but ultimately I really hope you guys will be looking forward to the scenes you haven't seen yet, and to Gladiator's eventual outcome.
So now... with all this being said and done, I'm gonna go take a trip down memory lane and watch my Tenth Anniversary video once more! Feel free to do the same thing if you'd like to commemorate the fic, I think it's a good way to experience Gladiator all over again, hahaha.
Thank you if you read all this, and if you read all THAT: 5 million word landmark, here we come! Thanks for hanging out with me across ELEVEN years of Gladiator!
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gendrsoup · 1 month
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i love the way george rexstrew was so committed to edwin as a character and full representing him onscreen send tweet
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demigod-of-the-agni · 7 months
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A DEVIL REBORN
Happy Halloween!!! A detailed ID will be placed under the cut (it's close to being 1K i could literally post this to Ao3)
p1. ड्याम्म (dyamma) - Nepali for "(feeling) full", "hitting something"
p3. Chutiya - Hindi for "idiot", "moron" and other related insults
p5. க்ரீச் (kreech) - Tamil onomatopoeia describing scraping/screeching sounds
[Extended Image ID: DYAMMA! Slamming his hands on a table, Achanba Okram finds himself in the darkness of his laboratory. He is wearing black clothes and a white lab coat on top, and has a bowl cut with rectangular glasses.
His thoughts whirl within boxes that are coloured gold and are outlined with red; they put a voice to the uneasy feelings Okram knows are stirring inside of him. The thought boxes read:
With Pavitr gone, I finally have time to string my thoughts together. Half-drowned answers bleed out of my pores. Coalescing like some great, abysmal creature of unknown origin.
Bracing his hands against the table, Okram is acutely aware of his body, of the gaping holes in his back that bubble with demonic energy. His thoughts narrate, My body quakes when I begin to question, wracked with paranoia. With dread, as if the idea of what I had to face was unbearable.
The holes in back — four of them, spaced evenly from each other — begin to ooze golden liquid, hot like fire and viscous like tar.
And yet, Okram thinks, I felt it all the same: that crawling, scintillating horror of my reality. Of my tainted flesh and blood. My being here is the work of demonic forces.
Golden arms, fluid yet bony, powered by some otherworldly thing, unravel from the void in his back. They flounder and expand around him, filling the lab with a cold glow. The fingers are tipped with talons, and, if he looked hard enough, Okram swears they are edged with blood.
I died years ago, Okram thinks. I lost my humanity to the fire of the devil's madness. Thus, the question remains: what is the future of Achanba Okram, a DEVIL REBORN?
The lights of the lab suddenly brighten, and Okram hears him before he sees him. His arms register the presence of the other person, immediately unraveling and slipping out of reality. Just outside, Pavitr Prabhakar's voice calls, "HEY, DOCTOR OKRAM! Sorry I'm late! Traffic was abysmal today."
Pavitr's entrance catches Okram by surprise, and he stutters out, "PAVITR?! You- ah- you have one of your shifts today?"
His thoughts reprimand him, You CHUTIYA! Pavitr always has his shifts on Tuesdays!
Pavitr is unaware of Okram's turmoil, sauntering into the laboratory while hefting up a white plastic bag. He's wearing a black and white flannel shirt, and he has circular earrings. Pavitr's eyes are trained on the bag in his hand. He answers Okram's question with, "Yeah, I do. I, uh, got a little hungry along the way (I'm always so hungry)." Pavitr whispers the last part as he lifts the bag up. He continues, "so I went and bought some vada pav, and—"
He suddenly pauses, his eyes locking onto Okram. He can't tell what is going beyond Pavitr's eyes, but the other man's analysing gaze unnerves Okram to a degree beyond description.
(In Pavitr's POV: his Spider-Sense was just triggered. Red and gold squiggly lines emanate from and surround his head in a halo.)
Pavitr lowers the bag slightly in concern. "Uhm," Pavitr says "are you okay, Doctor?"
Dread and fear floods Okram's system. Suddenly he is hyperaware of everything in the room, including the golden arm that has sprouted from his back and was lying on the workbench behind him, right in Pavitr's line of sight.
Play dumb! Okram's mind screams at him. Accordingly, Okram replies, a tad too tightly, "Of course I am, Pavitr! Why wouldn't I be?"
KREECH. The golden arm scrapes its taloned fingers across the table, no doubt giving away its location.
Okram chuckles nervously, sweating almost immediately, at which his mind howls, Not that dumb!
Pavitr narrows his eyes at Okram and at the golden arm on the workbench. "Are those...demonic arms?" he asks Okram, a shadow crossing his face.
(In Pavitr's POV: In the back of his mind, Pavitr sees a vague and faded image forming in response to seeing the arms. He remembers Doctor Octopus, the man with two extra sets of arms who had attacked him many years ago; he was one of the first villains Pavitr fought as Spider-Man. But... Doctor Octopus died a long time ago. Perhaps...?)
"Oh, Doctor..."
Pavitr's gaze softens as he asks, "Are you being haunted by demons? Have you been attacked by them? Why didn't you tell me? I'm so sorry this has been happening to you. I can't imagine how stressful this is for you." A moment, and then, "Do you want to talk about?"
Okram hides his face in his hands, quickly responding, "No, I'm alright, Pavitr."
Pavitr walks forward, placing his bag down and reaching down to place a reassuring hand on Okram's shoulder. "But, Doctor, men of your generation have ignored their mental health for too long."
"Yes, I know," Okram sighs.
"It'll be okay, Doctor," Pavitr promises, "we can figure something out!"
"And what?" Okram asks somewhat sarcastically. "You will be here with me 'every step of the way'?"
"One hundred percent!" Pavitr says.
Behind them, one of Okram's demonic arms reaches out to peer at Pavitr and Okram; if an arm could be happy, it certainly was. The arm is seemingly pleased with Pavitr's helpful and understanding nature. /.End ID]
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hi. here's a little over 5k words for the modern human au! entirely unedited, as usual! you'd think this is a full oneshot... ha... no... i actually have some warnings for this one - hospitals, panic attacks, major character injury / discussion of death / clinical description of injury.
in short, my writing comfort zone <3
~
The dial tone plays, and Barnaby looks down at his phone. Call ended stares back at him under Wally’s cheerful profile picture.
“He hung up on me,” Barnaby states. His lips twist and he tosses the phone onto the couch with a snarl of, “That little bastard.”
“Hey now,” Howdy says sharply, frowning at him. “That’s our friend you’re talking about.”
“Like he doesn’t deserve it! All I do is be supportive, understanding, and worry about his damn well being. And then he goes and acts like my very much well-founded concern is an attack!”
Howdy’s frown softens as he watches Barnaby pace, gesturing wildly.
“I love that RV. Maybe not as much as Wally, obviously, but it pains me that it needs to go. And it does need to go! Thing’s becoming a damn deathtrap.” Barnaby pushes his hair back and huffs. He glances at Howdy. “Right? I’m making the right call, here?”
“Of course you are,” Howdy says. “But-”
Barnaby cuts him off. “I tried to be nice about it. I tried to warm him up to the idea of retiring Home, yaknow? And what does he do instead of handling it - he revs up the tin can and runs. Home shouldn’t be started, let alone driven. It’s dangerous.”
It’s extremely dangerous. Wally is skilled at driving it, but no amount of skill will save him if it breaks in the middle of the freeway. What if the engine catches fire? What if a tire pops, or comes loose? Home is old, and wasn’t made to crumple in a crash. Barnaby doesn’t even know if the airbag still works. It’s not safe. 
The thought of Wally bringing Home hurtling down the freeway at ten at night in a - quite honestly - not great mental state turns Barnaby’s stomach. 
“I just wanted him to come back so we could talk about it,” Barnaby says. “I let him keep worming his way out of a serious conversation and now - now he’s -”
“Running away,” Howdy finishes. The point of his pen taps a rhythm against his notepad. 
Barnaby jabs a finger at him. “Exactly. One tough, necessary decision and he turns tail. This isn’t gonna go away if he skips town! Not to mention how he isn’t giving a thought to how this might affect the rest of us.”
“Especially you.”
Barnaby throws his hands up with an indignant look. “Now not only do I have to hunt him down-”
“That would be a we scenario, Barn.”
“But we,” Barnaby concedes, “gotta try to knock some sense into that thick skull ‘a his, and drag him back home - kicking and screaming if we hafta.” 
Howdy’s pen taps faster. “What if he doesn’t want to come back?”
“What if he-” Barnaby stops short and stares at him, wide eyed. 
That’s not. 
That wouldn’t happen, right? Wally would come back in the end. He wouldn’t decide to up and leave entirely, would he? He is in Home… all the essentials he needs are in that RV. Barnaby sits down heavily on Howdy’s threadbare couch. “What if he doesn’t want to come back.”
Wally would have to come back to clear out his studio - he’d never abandon his art. Then they’d have to go through everything inside the house and see what he wants to take, since not all of it is Barnaby’s. A lot of it is shared, so they might have to bargain on who gets what. 
Then they’d all have to watch Wally get into his motorhome and drive away. Possibly for good. 
Barnaby would be alone in that big house with Welcome, knowing that his closest companion is out of his life. Living somewhere else. It's sickening. 
“I’m sure it won’t come to that, Barn,” Howdy says, watching him with furrowed brows and a deep frown - if Barnaby were feeling like himself, he’d crack a joke about him emulating Frank. “I can confidently say that Wally loves you more than that old RV.”
Barnaby snorts. “You sure about that?”
“Unflinchingly. Believe you me, he’s going to wallow for a day or so, and then Home will come rumbling back down your driveway like it never left.”
“I wish I could have your faith,” Barnaby mumbles. He exhales and picks up his phone. No missed calls, no messages. “Maybe if I call him and ask him to just come back, no strings attached, he will.”
“That’s the spirit! Save the talk for another day - tell you what, I’ll help you corrall him so he can’t escape the conversation. I’ll tie him to a chair and bar the door if needed!”
“Good luck with that. Kid’s slippery.” Still, Barnaby hits call again. It rings only a couple of times before a robotic automated message states the caller as unavailable. Barnaby doesn’t enjoy being upset with Wally. However, it feels like his blood is simmering, and the wall is starting to look like great target practice for his phone. He grits his teeth. “He turned off his phone.”
From the corner of his eye he sees Howdy’s eyebrows shoot up as the man turns back to his paperwork. He exhales a controlled breath and writes something down. “I have to say, I’ve never known him to be such a-”
“Pain in the neck?” Barnaby offers.
Howdy clicks his tongue. “You said it, not me.”
“Yeah, well, he’s full of surprises.” Barnaby lets out a frustrated huff. He’s half tempted to run Wally down right now, but he wouldn’t even know where to start. There’s only one freeway out of town, but it goes both ways, and it branches. Wally would have hit one of those branches by now, and who knows which he took. North, south, east, west. Deeper into the woods, or towards the city? To the coast? Somewhere else entirely?
He has to face the facts - there’s nothing to do. He just has to wait until Wally pulls his head out of his ass and realizes how stupid and insensitive he’s being. Those are two words Barnaby would never normally use to describe Wally, but after tonight? They seem fitting. 
Barnaby can’t even muster up guilt for thinking such harsh things. He tried to be nice. He was patient. He’s always kept a lid on it whenever Wally frustrated him, which doesn’t happen often, but it does happen. And what does he get for caring? For being tactful and careful about a shitty situation? 
Avoidance, a shove, and a cut call. Wally left Barnaby’s been left to stew in his own anger and worry. Right now, he’s inclined to lock up that worry in a tiny box in the back of his mind. 
Barnaby pushes himself up with a grumbled, “I’m makin’ some coffee, want some?”
“If you’re offering then I will not decline.”
Barnaby pretends not to feel Howdy’s eyes following him to the apartment’s tiny kitchen. It’s hell to maneuver around in, and the frustration of bumping into something every five seconds only makes Barnaby’s mood worse. By the time the coffee is brewing, he’s ready to punch the cabinets. He won’t, but he wants to. He’d regret it immediately, but he stares at the chipped paint and fantasizes. 
The coffee machine breaks after brewing a whopping single mug. Barnaby stares at it for a long moment, and tallies up the consequences of taking a hammer to it. In the end, he just clenches his fists for a long moment and counts to ten. He takes the mug and sets it in front of Howdy, then goes to the window to brood. Thankfully Howdy is too reabsorbed in his work to notice beyond a mumbled thanks.
For the next hour, Barnaby’s thoughts are entirely composed of Wally. Different scenarios of what might happen next, how Barnaby might handle those situations without shaking Wally for doing something so needlessly reckless, and cruel daydreams of setting Home on fire. Barnaby wants to feel bad about that. He doesn’t. That damn RV has caused two different rifts between Barnaby and Wally - and Barnaby was the one to fix both of them, because both times Wally just left. 
He gets it. He really does - for a time Home was all that Wally had. It’s been with him since Wally was thirteen, and if the thought of retiring it to a dump makes Barnaby sad, he can only imagine how much it distresses Wally. Well, he can do more than make an educated guess. Wally practically told him tonight, if not with words than with actions.
Still. They’re adults - Wally is older than him, if only by a handful of months. When does Barnaby ever ask something of him? When does Barnaby ever push? Why can’t Wally see that Home is becoming a liability, and why won’t he listen? Barnaby can’t make it make sense. 
Wally has always been more inclined to avoid conflict, but this is too far. Barnaby swears, when he tracks Wally down he’s going wring that scrawny little-
His phone is ringing. 
Barnaby lunges for it, relief dousing his anger. He picks it up, ready to give Wally a piece of his mind and then beg him to come back-
“It’s an unknown number,” he says, shoulders slumping. Of course it’s an unknown number. Wally wouldn’t change on a dime and decide to be considerate for once. He exchanges an exasperated look with Howdy and declines. He goes to set the phone down - the number calls back.
“That’s one determined scammer,” Howdy says. He leans back in his chair and holds out a hand. “I’ll deal with ‘em.”
Barnaby is all too happy to hand it over. Let the poor sap on the other end of the line deal with a master swindler. 
“Howdy-hi, how can I help?” Howdy starts with a mischievous grin thrown Barnaby’s way? He leans back in the chair and hums. “Who, may I query, is asking?”
All at once, the ease drains out of Howdy and he stops fidgeting. He sits up, already looking at Barnaby with a paled expression that has something cold slithering down Barnaby’s spine. Something is wrong.
“He’s right here.” Howdy holds out the phone. His throat works uselessly for a moment before he plainly states the obvious, “It’s for you.”
Barnaby takes it, his mouth abruptly dry. Howdy is already up and moving - grabbing his coat, his keys. “Hello?”
“Is this Barnaby Beagle?” a professional feminine voice asks, tinny through the phone.
“B. Beagle, yeah.”
The woman introduces herself as the nearest city’s hospital, and Barnaby’s heart drops through the floor. She asks him to confirm that he’s Wally Darling’s emergency contact. He confirms, his voice sounding distant to his own ears. Howdy takes his arm and gestures to his shoes by the door, spurring Barnaby into motion.
“Is he okay?” Barnaby manages to say. He puts the wrong shoe on the wrong foot and almost curses aloud as he switches it. 
“Mr. Darling was involved in an automobile accident,” is all the hospital employee says. “He was brought in a few minutes ago.”
Barnaby steadies himself against the doorjamb, choking on a whispered, “Oh, god.” 
Keys jingle as Howdy opens the door and pulls Barnaby through, then locks the door behind them.
“But is he okay?” Barnaby asks again as they hurry down the short hallway to the stairs. 
“I’m not at liberty to disclose that information at present.”
It’s bad. It has to be bad if they won’t say anything over the phone. He must be silent for too long, because Howdy takes the phone, tells her they’ll be there soon, and hangs up. He tucks the phone into Barnaby’s pocket before opening the door to the store’s back lot. 
The frigid air slaps the shock out of Barnaby, and sensation comes flooding back in. He grabs the keys out of Howdy’s hand and strides to the car with long, powerful strides that would leave anyone shorter than Howdy in the dust.
“Are you sure-”
“I’m driving,” Barnaby growls, cutting Howdy off.
Howdy makes a disapproving noise, but relents. They get in and Barnaby adjusts his seat with harsh movements, jabs the key into the ignition because Howdy’s car is a dated hunk of junk, and peels out of the parking space before Howdy even has his seatbelt all the way on. 
Howdy clings to the ceiling handle as the car tears down the mostly empty street, going at least ten miles over the speed limit. Barnaby doesn’t know exactly where the hospital is, but he knows how to get to the city. They can figure it out from there. Several people honk as Barnaby brings them flying onto the freeway. 
“Holy Marilyn marmalade!” Howdy screeches as they narrowly avoid side-swiping a minivan. 
Barnaby ignores him and cuts off a pickup to get into the right lane for the interchange. Howdy whispers a string of something high pitched and strained and clings to the handle with both hands. 
It takes him a moment to parse out the constant ramble as, “-pull over pull over pull over pull over-” Two honks and a squeal of tires as Barnaby almost causes an accident, and Howdy yells in a louder and deeper tone than Barnaby has ever heard from him, “PULL OVER!”
Barnaby clenches his jaw and cuts across the carpool lane’s double whites. It only takes a moment to reach the shoulder. Howdy leaps out of the passenger seat as soon as the car stops, marches to Barnaby’s side, and wrenches the door open.
“Out,” he snaps, breathing hard. “Barnaby, I swear to all things priceless, get out. “
Barnaby meets his steely gaze for all of a second before unbuckling and getting out. Cars whip by. Howdy huffs at him and slips into the driver’s seat, muttering about recklessness and disasters and if you would wait to try and kill us until we’re right outside the hospital, if only to save us the ambulance fee-
When Barnaby gets into the passenger seat, Howdy waits for him to buckle in with fingertips drumming on the steering wheel. He merges onto the freeway smoothly and carefully. They go slower than the speed Barnaby had them flying down the asphalt at, and it makes something deeply impatient itch in him, but it’s safer. 
“I know you’re upset,” Howdy says, eyes still fixed on the road, “and I know that you’re scared. But what in hell’s bells was that, Barn?”
Barnaby side eyes him and grimaces, folding his arms. “I don’t know. I’m sorry - I shouldn’t have put you in danger like that.”
“You put yourself in danger too, you know.” Howdy sighs and relaxes his grip on the steering wheel. “We’re of no use to Wally if we get ourselves in a crash. What would he say?”
“Whatever he’d say would be hypocritical,” Barnaby says before he can think better of it.
Howdy glances sharply at him. “What is that supposed to mean?”
“He..” Barnaby’s voice fails on him, and he swallows hard. “He was in an accident.”
Howdy is silent for a full few seconds before he exhales a thin, pained sound. “Oh, Walls…”
He must not know what else to say, which is good and well, because Barnaby doesn’t either. A long few minutes pass of silence. Headlights of passing cars on the other side of the freeway flash over them before plunging back into darkness. The dials on the dash glow. The check engine light is on. They’ll need to get gas in order to make it home. 
“I’m sure it’s not as bad as you’re thinking,” Howdy says. He’s tapping the steering wheel again. “It’s likely just a few scrapes and bruises, at worst a broken bone. Nothing Wally can’t handle, and certainly nothing to be concerned over.”
Barnaby can’t bring himself to agree. Maybe… maybe if Wally was driving slowly… but that wouldn’t matter if someone crashed into him with enough force. Home is a large, sturdy vehicle, but it isn’t invulnerable. Wally certainly isn’t.
Without the distraction of driving, all Barnaby can think about is the what ifs. Yeah, what if he’s only a little bit hurt, but what if it’s worse? All of the worst images Barnaby can think of roll through his mind like a messed up movie reel.
Wally dead on the scene, caught in a hunk of twisted metal. 
Wally, choking on his own blood in an ambulance, dying en route to the hospital.
Wally flatlining on a metal table. 
Wally’s small body covered with a sheet-
“Almost there,” Howdy says, slowing at a stoplight. It bathes them both in red. Barnaby didn’t notice when they got off the freeway. 
Barnaby squeezes his eyes shut and presses his forehead to the cold window. After a moment, a slender hand rests on his thigh and squeezes. It’s such a small, stupid thing, but Barnaby breathes a little easier. 
Despite the drive down the freeway feeling like it took hours, the drive through city streets to the hospital passes in a blink. Before Barnaby knows it the car is spiraling up to an upper floor of the parking garage. The floor is mostly empty - Howdy pulls into a spot right by glass double doors. 
Barnaby gets out a split seconds before Howdy, staring at the pristine white walls just inside the doors. In a moment he’ll find out if it’s not that bad, or if he’s about to have the worst night of his life. He’s been to a hospital twice. The last time was for Howdy, but he went with the knowledge that it was only a precaution. The other time was for Mama’s health scare. 
That had been terrifying. The waiting, the wondering, the too-bright hallways and the staff’s rigid smiles. It ended well, but it had still been horrible, and hospitals took center stage in some of his recurring nightmares. Barnaby never wanted to see another loved one in a hospital bed again.
Looks like he doesn’t have a choice. 
Howdy comes around from the driver’s side and lays a hand on Barnaby’s shoulder. “If you need a moment to-”
“Nah,” Barnaby says, his voice rough. He nods and adjusts his sleeves. “Better rip the bandaid off.”
They go into the sterile maze. The bright overhead lights dazzle Barnaby’s eyes after being in the dim parking garage, and he grimaces at the strong odor of antiseptic and floor polish. Howdy makes a beeline for the nearest receptionist and talks to her in rushed, low tones. 
Barnaby shuffles after him, rubbing his shaking hands together and eyeing every person in scrubs that walks past. Something beeps somewhere. He thinks he hears someone crying. This is a place without color, art, or happiness. 
“This way,” Howdy says, walking past him and tilting his head at the elevator. Barnaby follows, feeling like a lost puppy dropped at the side of the road. 
A nurse gets into the elevator with them and politely smiles before staring at the floor counter and pretending they don’t exist. It’s fine with Barnaby. If he has to make small talk right now, he might actually snap. The man’s pink scrubs are almost an eyesore in the harsh lighting. 
The elevator dings, and they all get out on the same floor. Howdy reads door plaques and wall signs like a hawk, his head turning on a swivel as he reads everything at lightning speed. Barnaby nearly has to jog to keep up with his hurried pace. 
Howdy changes direction without warning and heads straight for a door at the end of a short offshoot hallway. Barnaby reads the sign next to the door.
[can’t remember if it’s icu or the other thing, research later]
It’s bad.
The waiting room is small - longer than it is wide, and there’s a woman sleeping in a chair in the corner. It looks nicer than the emergency room, or where Barnaby waited to see his mama. The benches have colorful cushions, and the walls are a pastel green instead of white. There’s an abstract geometric painting on the wall next to the woman. 
Barnaby slowly takes a seat on stiff cushions, watching Howdy talk to the receptionist from afar. He nods and pats the counter before joining Barnaby. He sits close enough that their legs press together.
“Someone will get us up to speed as soon as there’s news,” Howdy says. “I tried to pry some more out of him, but he wouldn’t give up another word.”
Barnaby nods, staring down at his hands. His nail polish is already chipping, despite Julie painting them only last weekend. Barnaby picks at the bright red on his pinkie until Howdy pulls his hand away and enfolds it in both of his own. 
When Howdy takes a deep breath, Barnaby finds himself mimicking him. Their gazes meet - Howdy’s is unflinching, and steady. He smiles and runs his thumb over Barnaby’s knuckles, soothing the nervous trembling, and Barnaby is struck by how darn grateful he is to have Howdy with him. 
If he had to do all of this alone… Barnaby doesn’t think he could. Either he’d have gotten himself into a crash to join Wally, or he would still be sitting in his car, staring at the hospital doors. He doesn’t have the courage. But Howdy does, and Barnaby loves him for it. 
For once, Howdy lets the time pass in silence, though after a long stretch of indeterminable time he gets up to pace. The bench cushions are high quality, but they start to feel uncomfortable. Barnaby doesn’t dare go for a walk. At least they’re not the usual waiting room chairs - he’d rather stand than try to fit into those plastic, narrow things. 
At some point the woman in the corner wakes up. She startles seeing two strangers in the room with her, but quickly ignores them. Barely a few minutes pass before she leaves, mumbling something about coffee. She doesn’t come back. Barnaby spends a while wondering why - did she go home, or wait somewhere else, or did she receive news in the halls?
Howdy sits down again and starts typing furiously on his phone. When Barnaby gives him a curious nudge, he quietly explains that he’s texting the group chat. Barnaby feels a twinge of guilt at that. He completely forgot to let everyone know that there’s a… situation. Who knows if any of them will see it until morning. 
Message sent, Howdy gets up to pace some more. His rhythmic gait gives Barnaby something to focus on, seeing as the clock on the wall is silent, and the receptionist seems to be sleeping. Barnaby could probably pass time on his own phone, but every second spent distracted is a second he might miss someone coming to tell them…
What? Tell them what, exactly? That Wally is okay? That he can receive visitors? 
That he didn’t make it?
The door opens, startling Barnaby to his feet. Howdy scurries over from the far side of the room and rests a steadying hand on Barnaby’s lower back. A woman clad in blue scrubs enters, reading something on a clipboard. There are shadows under her eyes, and she looks beyond exhausted. Barnaby can sympathize.
“Mr. Beagle?” the doctor asks, looking between them. When Barnaby nods, she smiles thinly, gaze flicking briefly to Howdy. “Hi. I’m Dr. Allen. Before I disclose any sensitive information, I’d like to confirm what your relation to the patient is.”
The question gives Barnaby pause. He’s always had a difficult time putting his and Wally’s relationship into simple terms, because it’s anything but. Wally is his best friend, his dearest companion, the man he lives with and can’t imagine being without. 
“He’s my partner,” Barnaby settles on, because it’s a good umbrella term. Partner can mean a lot of things, and people don’t usually pry for specifics. “We’re as good as family.”
Dr. Allen writes something down on her clipboard. “No worries, I’m not going to kick you out if you’re not - you’re his emergency contact for a reason, after all. It’s just basic information that I’d like to have on hand.”
“Course - so how is he?” Barnaby cuts straight to the chase. He’s not in the mood for niceties. 
“Well, Mr. Darling is certainly giving us a run for our money,” Allen sighs. “He’s not out of the woods yet, but I believe he’s gotten through the worst of it.”
“He’ll make it?”
Allen offers another tight lipped smile. “We’re doing our best.”
Barnaby has seen enough hospital dramas to know that we’re doing our best means no promises, prepare for the worst. Howdy must feel the tension gripping him like a vice, because his hand slips from Barnaby’s back to his hand. 
“What are his injuries, if I may?” Howdy asks. 
“I’m not sure-”
“Please. We’d rather know than wonder.” 
Allen looks between them and sighs again. She flips a page on her clipboard. “Unfortunately, there was a bit of time between the crash and when emergency services were called. Between blood loss and the near-freezing temperatures, Mr. Darling developed mild hypothermia.”
Wally was dying, cold and alone in the wreckage of his home for who knows how long before anyone came to help. Barnaby sways in place, and Howdy helps him sit down on a bench instead of the floor. Allen looks apprehensive.
“Keep going,” Barnaby rasps. He needs to know.
Allen doesn’t look happy about it, but she continues. “Mr. Darling also suffered several low-grade lacerations from shrapnel, some fractured ribs, a compound fracture in his left tibia, and currently unidentified damage to his right hand and lower arm.”
Barnaby swallows a mournful sound. That’s fine, it’s fine. Broken bones heal - Wally will be painting again in no time. 
“He also developed an intracranial hematoma. It’s been treated, but we won’t know the extent of the damage until Mr. Darling wakes up.”
“What is that?” Howdy asks before Barnaby can figure out how to speak again. “Intracranial hematoma - tell me if I’m wrong, but that sounds like a head injury.”
“It is - in layman’s terms, it’s a brain bleed. Head trauma can cause bleeding inside the skull, which puts pressure on the brain. We caught it as quickly as feasibly possible, which should raise his chance of a full recovery.” Allen flips the clipped page back into place. “There may still be lesser complications and injuries we haven’t been able to diagnose or address yet. I’ll be forward with you - this is one of the worst crash cases I’ve seen in some time. Mr. Darling was lucky to be found alive.”
Allen goes on to offer platitudes that Wally is a fighter, and easily answers the flood of questions Howdy has about the mentioned injuries. It all sounds distant. Underwater. The room is too small and the air is stale - are the vents working? Is there a window they can open?
In a blink - and yet the conversation lasts ages - Allen promises to come back with more information as soon as she has it. She smiles one last time and leaves. 
“Barn?” Howdy sounds muffled. “Barn, are you alright?”
What kind of question is that? Of course Barnaby isn’t alright - his best friend is dying, likely on this very floor. There’s a chance he’s already dead. Barnaby might have already lost him, he just doesn’t know it yet. 
Mr. Darling was lucky to be found alive. 
One of the worst crash cases I’ve seen in some time. 
Mild hypothermia - brain bleed - lacerations - fractures.
Lesser complications and injuries we haven’t been able to diagnose or address yet.
We’re doing our best.
“He hung up on me, the little bastard-”
Barnaby is up and out the door before he registers moving. He staggers down the hallways in a blur, everything swirling together into a mess of sight and sound as his lungs struggle to get a full breath. He bypasses the elevator and takes the stairs down to the level they parked on. 
The cold air does nothing to help him breathe. Barnaby chokes on it as he leans against the rough wall grasping at his chest. Howdy is there immediately - he must have been on Barnaby’s heels the whole time. 
“Talk to me, Barn,” Howdy pleads, a hand on the back of his neck and the other over the one Barnaby has on his chest. “What is it - you’re not having a heart attack, are you? Tell me you aren’t, I can’t handle that right now.”
Barnaby doesn’t know. Maybe? He feels like he is. He can’t breathe. He tries to say so, but the ragged gasps his breathing has devolved into doesn’t allow it. Howdy must know something he doesn’t, because he doesn’t run to get a doctor.
“How can I help?” he asks instead.
“Don’t - don’t - know,” Barnaby wheezes. 
“Okay, alright, don’t worry, Barn, I’m here, I’m not going anywhere. Let’s try, ah - what were the steps? I didn’t exactly write them down, though in hindsight I should’ve - that’s not the point! It was… what a time to take after Eddie’s memory-”
It shouldn’t be helping, but Howdy’s constant stream of words grabs Barnaby’s attention. He manages to inhale nearly a full breath before it stutters back out and he’s struggling again.
“Breathing!” Howdy says. “Yes, that was it - Barnaby, I need you to focus on me. Copy my breathing.”
He sucks in a slow, dramatic breath through his nose and exhales just as slowly through his mouth. Barnaby catches on and tries to mimic him, but-
“Can’t, I ca-an’t,” Barnaby says. His chest hurts. 
Howdy presses their foreheads together. “Yes, you can. Come now, Barn, in… out. Simplest thing in the world.”
It doesn’t feel simple, but Barnaby tries. It feels like forever before he manages a full inhale. He butchers the exhale, but Howdy praises the minor win before launching right back into measured breathing. 
Barnaby finally manages a slow inhale and exhale, and suddenly it feels like the pressure filling his chest has vanished. He slumps against the wall, worn out. He puts his hand over Howdy’s mouth in the middle of another dramatic demonstration.
“You’re alright now?” Howdy says, peeling his hand off. Barnaby nods, and Howdy leans next to him with a whoosh. “Thank the stock market - I was starting to get light headed.”
It takes another few minutes for them to catch their breath. Barnaby straightens enough to rest his head on Howdy’s shoulder, breathing in his cheap cologne and homemade laundry detergent. Howdy cups the back of his neck and massages the tense muscle there. 
“This will all turn out okay,” Howdy promises. “Wally is stubborn - I think we both know that well enough. By this time tomorrow we’ll be moving forward.”
Barnaby wants to be that optimistic, but this is real life. For all they know, moving forward means making funeral arrangements. His breathing stutters and he forces it to even out before he can start hyperventilating again. 
A car pulls into a parking space with a gravelly sound. Barnaby pays it no mind until Howdy makes a surprised noise - Barnaby looks up, and his stomach churns.
Frank, Eddie, and Julie are all getting out of Frank’s car. They’re all in various states of dishevelment. Frank’s hair is a mess, and he has what looks like Eddie’s company jacket thrown on over his pajamas. Eddie is in little more than a shirt that says male? lol, more like mail! and boxers - he’s even wearing slippers instead of shoes, and his hair flops over his forehead in soft tufts. Julie’s hair is still in curlers, and though she’s wearing shoes, she’s in a too-long shirt over sweats that don’t belong to her. They’re paint-stained. 
They rush across the parking lot, all worried faces and tired eyes. They’re already asking what happened, is Wally okay, Sally is getting Poppy, they should be here soon, has there been any news-
Barnaby lunges at the nearest trash can and vomits.
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alumirp · 7 months
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White Blood, Red Teeth
a story where Luffy is constantly found by his friends having overdoses. It's a terrible behavior that started after Ace's death and everyone thinks it's a horrible coping method and finally gets together to admit him to a rehabilitation clinic. It's against his will, of course, so he resists and has withdrawal attacks and it's so bad that he goes on a hunger strike and loses a huge amount of weight and subsequently ends up with deteriorating health. A year and a half later, finally, after all this, the clinic considers him rehabilitated, although he is still underweight and doesn't eat as much as he should, but everyone is sure that Luffy will never look for drugs again. They are wrong and less than forty-eight hours after being released from the clinic, Zoro and Sanji find Luffy having another overdose in the bathroom of the apartment the three share. This time, the two decide to take a more aggressive approach and go after Luffy's drug dealer. Luffy is always talking about the guy, whom he calls Torao, who supposedly helped him cope with Ace's death. Whenever asked what he's on, Luffy responds "Torao's white blood", which Zoro and Sanji assume is the name of some homemade drug or something. Whatever it is, this Torao guy, is clearly taking advantage of Luffy's grief. to make a profit, so they stop at the drug dealer's address, almost knocking down the door, ready to give this guy 'Torao' a good beating and deliver him directly into the hands of Luffy's grandfather, a half-crazy police officer. They are surprised when the person who answers the door is a guy who goes by the name Penguin, who, strangely enough, lets them in easily after discovering that they are Luffy's friends. The house is nice, clean, airy, comfortable and cozy, everything you don't expect from a drug dealer's house. The place looks practically sterile in a hospital kind of way, which makes sense when they are finally introduced to the infamous Torao, a tall, malnourished guy who walks around on an IV. They confront 'Torao', who introduces himself as actually being Trafalgar Law, about the drugs he has been giving Luffy and the effects it has on their friend and, strangely, are surprised when: Law says he has never given drugs a Luffy and b: Law is surprised and then irritated when he is told about the "Toraos white blood" thing. Law then sighs and surprisingly takes off his shirt and displays his torso, covered in deep, fresh-looking bites, and proceeds to explain the craziest story of all time: Vampires are real and Luffy was turned into one the day Ace died. Law found him, injured and starving, and saved his life. He then explains that he is sick, his blood was infected from a young age with amber lead and he was living on borrowed time, so he had no qualms about feeding Luffy his blood. But they were both taken by surprise by the fact that, every time Luffy fed on him, his condition unexpectedly improved. But Law had no idea that his blood caused Luffy to overdose. He knew that there seemed to be a factor that made him somewhat dependent and Luffy was always lethargic in the first few minutes after feeding, but he never thought that his blood was acting as a drug for Luffy's undead organism. That's why in the year and a half that Luffy simply disappeared, Law, and his friends, simply thought that the vampire had gotten tired of helping Law and had left. They had been surprised when, last night, Luffy appeared out of nowhere on their doorstep and promptly attacked Law, feeding on him until Law was barely able to stay awake. Furthermore, in the time that Luffy was gone, Law's condition simply deteriorated terribly and he was practically convinced that he wouldn't make it until the end of the year. And now, they have to find a way to balance Luffy's feeding so that Law can survive, but in such a way that Luffy doesn't suffer side effects either. Everything becomes a mess when Robin, a mysterious friend of Zoro, gets involved, announcing that in fact, Law has been cursed by a witch.
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dxscmfrt · 30 days
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well-timed giggle
fic (and more art) under cut // cw eyestrain / high contrast
...
your face hits the ground.
ugh, what is this place?
you get up. your head spins like you've been transported a few months back. the people in the vast dark landscape around you stand still, wordless, not acknowledging your presence.
you walk forward along the corridor, towards the large open window.
a picture frame on a table decorated with flowers stands before you. you pick up the frame.
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a photo of someone familiar.
you take two steps back and drop the picture frame.
it shatters into pieces.
frozen in place, you look in front of you again. the table is no longer to be seen. the flowers lie on the ground, wilting.
the same familiar figure sits atop a wooden box.
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you don't quite remember who this person is, but you know what you did.
you take a step closer.
he stares at you, tilting his head.
a bright red light flashes from the window behind him.
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the light subsides and the figure disappears with it. you feel strangely drawn to the wooden box.
what will you do?
other alternate versions
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lindonwald · 1 year
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soooo,,,,Bridgerton AU?
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sysig · 5 months
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Handplates and haircut and more Handplates after that (Patreon)
#Doodles#UT#Handplates#Sans#Phases of reading Handplates: Haircut edition#Lol#Started rereading before the haircut and finished after!#It took about four days - same as my original run on reading Vargas! Huh - which was only one over my projection#I say ''about'' because I did take a fifth day and catch up on all the solo Handplates images as well#All the ones in the main gallery were read along with the main comics tho lol they're important context!#Really I just couldn't read Gaster's ''tear a paper perfectly in half'' without the followup lol#I am planning a full reread sometime in the future but probably not for a while lol - need to simmer#But I know there's even more context than just the DA galleries! Like the QnAs!! Wanna read Everything in order lol#But for now I'm just happy to have finally read the whole main comic (and all the solo pieces on DA lol)#It really is a beautiful piece of work ♥ More context is not the only reason I want to reread!#I have a few things in my notes I wrote for my future self to look out for on rereads lol#Want to study more! Look at the visual language ♥ There's just so many lovely things#Oh yeah! Does anyone remember my tears rating system? X/5 💧?#Well Handplates scores at 💧💧💧💧! :D A very good crying score!#Several scenes that reliably make me cry <3 Yes I have gone back and cried multiple times to them lol#It's important data! <Said not at all similarly to any particular scientist at all (lol)#I did actually find myself empathizing with Gaster wanting to study Papyrus' and Sans' glitch abilities - and thinking about intent to harm#The data collection isn't the problem it's all the everything about how and why he was collecting the data in the first place#Being someone who also collects data as a way to make sense of and not be overwhelmed by - well anything and everything lol#Sans calling him out was really interesting to me! Obviously he deserves to be called out lol but That Particular Action wasn't The Problem#Now if he could just use his coping mechanism in a positive helpful way lol#Anyway lol the images in the post that I'm rambling on pfft - as I mentioned I broke out my colour cube :)#Both of them but I've only really been playing with my 2x2 - I reviewed my notes and remembered!#The haircut really does feel nice ahh <3 I just feel more me in short hair :)#And I really did hurt my hand from drawing too much lol I guess three full pages in one day was asking a lot
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starlightvld · 6 months
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Yet another AMAZING piece by @kibagib!! This time, it's a sneak peek for chapter 1 of my new angsty soapghost fic Broken Bones and Shattered Hearts.
The lighting, the composition (the way John is being pulled out of the frame by someone else!!!), and the colors are all perfect. Thank you so much, Kiba!
I can't wait to share the first chapter with everyone!
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layla-carstairs · 7 months
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lowkey obsessed with some of the scenes chosen for the journal arts I would have never guessed some of them like will and jem saving church?? goes crazy
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antithcsis · 6 months
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29 pages and 13.6k words later, chapter one of my jegulus space au is done
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softesttangerines · 9 months
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If Minjung survived, we could have had it all and by that i meant a trauma bonded family trope 🥲 Honestly when i first saw her character, i was wondering what her role would be and then Jihoon said that Dongsik was basically both her parents at once and i saw the potential flash before my eyes but then she died that same night and the disappointment was real ...
Honestly, i had a flashback to Hannibal's Murder Family thing going on and i hoped we'd have a version of that in Beyond Evil. With Minjung being a serial killer's daughter, Dongsik being the suspect and not really sane himself and Joowon just being obsessed with Dongsik. Trauma induced bonding is neat, we could have had it all. Instead of Dongsik being both her parents, they could have shared duties once Kang Jinmook was out of the picture, but she had to diiiiiiie, unfair!!!!!!
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Yes or no: was whump the first genre you got comfortable with writing? (as in, have you always been primarily a whump writer or was there a different genre you focused on when you first started writing?)
Yes
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cowboyskeletons · 2 months
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thinking about my au where after the trial the dads are actually just transported into another universe where jodie was transplanted and they replaced their alt-universe selves.
so there are small details that the kids notice (except for nicholas) that are kinda... off, but it's not big enough of a shift to notice until reminiscing about childhood memories and like it doesn't matter (it does matter but that's only half of the story)
point is that without them, their home universe kinda crumbles, as the narrative is about Them and why even exist if there's no purpose? so everyone kinda just fades away over a short span of time (thinking around a week) as the world loses its flavor.
....buuuut nick's still there.
because the dads are The Dads, right. it's their defining characteristic. they need to have children to be dads (if the child is dead it doesn't matter, just needs to exist in the universe). the children are... kind of like anchors.
so if their children stopped existing, what then? well, it was a simple solution-- they got linked to the new verse kids. done done. new anchor, continued existence, "forever" relevance, hoorah.
only problem is that glenn doesn't have a kid. and he's not a dad anymore. so like, what's the point of his being there? nicholas is technically completely unrelated to him. in the new verse, it's said that he's darryl's friend who's just. there. in-auniverse and in a more meta concept sense, he really shouldn't have been there.
(eventually, glenn won't need an anchor anymore because of the relationship he develops with nicky but for now he needs a weight to assert his existence in the narrative)
erasing him from existence kind of goes against the court ruling because then why all the shenanigans. so he still has an anchor, though the new universe is unaware of it
so nick is still there.
nick is... not fully what he used to be. he seems overall the same, but he's in a sort of... stasis? like the most obvious effect is not aging but there are mental effects too. his and glenn's relationship and place in the world can't really change, so he doesn't.
he's like an ice sculpture now metaphorically-- fading like the rest of the world, but his process is slower because he's connected to glenn and he's still important to the story. he has approximately until the s1 finale until he starts getting into the danger zone. the worlds aren't exactly synced up time-wise, but time shifts and flows and the universes drift so there's never a concrete ratio-- usually worlds sync by story beat but. yea
so he's just wandering the world as it breaks apart. he's the only reason that it's still there, actually-- it becomes weaker as he does, as it loses its purpose completely.
by some chance, nicholas manages to contact nick then Stuff Happens.
cue shenanigans, primarily with nicholas and nick but several other people come into play too like glenn and jodie and morgan
(yes nick still dies in the end but there is Closure with the family okay. can't spell closure without close. do you get it)
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cupidskissx · 11 months
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Tag Game:
Tagged by the lovely, amazing, sweetest @charlescoded ❤️😍🥹
rule(s): post a snippet (however long or short or longish or shortish) from a wip !!
There’s no point trying to get back to sleep now, he’d only get dragged out of a dream and wake up groggy and sluggish. He’s also not in the mood to start the day off with answering emails so he might as well do something for himself.
He disconnects from the hotel WiFi, opens an incognito window and searches through the latest uploads on a porn site he stumbled upon in his teens. The videos in the thumbnail play on a four second loop, previewing the content.
Max isn’t a prude and he’s no stranger to rough, but he’s very particular when it comes to porn. He scrolls past anything involving latex, ropes or gags.
He clicks and lingers on a few videos that get his dick interested, until it becomes obvious the top is purely focused on his need to dominate and degrade in pursuit of his own pleasure. The bottom isn’t even hard for fuck’s sake.
Tagging: @il-predestinato @badboy-george @sunshineyoujustwait ❤️❤️
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