I don't think they're allowed to cast anyone else as Crow now. This is a list of roles mostly roles he's had more than once see Crow and Date Masamune. The first role is from no touching at all(great movie) he's also an old man in the My Hero stage. YK is for his band/group Yousuke Kousuke. I haven't really looked at his twitter since April but love that he updated his bio
[Announcement] イケメン戦国THE STAGE スペシャル 初夢!~ようこそ!くらぶ乱世へ~ (ikemen sengoku the stage special hatsuyume! ~youkoso! club ransei he~)
the show will be running from January 14th, 2022 to January 16th, 2022 (Tokyo) @ シアター1010 (Theater 1010)
Cast:
Ogasawara Ren as Oda Nobunaga (織田信長)
Yonehara Kousuke as Date Masamune (伊達政宗)
Hashimoto Zenitsu as Akechi Mitsuhide (明智光秀)
Takikawa Koudai as Toyotomi Hideyoshi (豊臣秀吉)
Amano Naotaka as Ishida Mitsunari (石田三成)
Maejima You as Tokugawa Ieyasu (徳川家康)
Kudou Hiromu as Maeda Toshimasu (前田慶次)
Yokoyama Masafumi as Takeda Shingen (武田信玄)
Saotome Jouji as Sarutobi Sasuke (猿飛佐助)
Takeishi Gorou as Imagawa Yoshimoto (今川義元)
Harashima Motohisa as Mouri Motonari (毛利元就)
Takenouchi Kageki as Ashikaga Yoshiaki (足利義昭)
Kento as Naoe Kanetsugu (直江兼続)
I cried remembering the hymn made by the son of a god
(1) Izawa tweeted this line separately (linked here) so it’s not actually captioning the picture of CB. But from his wording of both tweets, almost all of the replies are fans getting excited for more Slazy! With that said, there is currently no official confirmation so we should probably wait for more news before popping open the champagne!
Musical Makai Ouji ~ devils and realist~ the second spirit
Cast:
William Twining: Ishiwatari Mashu
Dantalion: Ayukawa Taiyou
Kevin Cecil: Tamura Ryouta
Sytry: Sakurai Keito
Gilles de Rais: Saki Masato
Michael: Yamanaka Kento
Pastor Crosby: Matsumoto Yuichi
Baalberith: Endou Makoto
Leonard: Aizawa Yu
Baphomet: KEN
Camio: Yonehara Kousuke (special appearance)
Clothemble: Umetsu Mizuki & Fukui Shota
The November 11th’s performance is available to watch in niconico until January 31st 2018, free for premium members.
There’s two performance available, the afternoon performance (with comment from Camio at the curtain call) and the night one (with Dantalion’s comment).
Oh yeah figured out that Sengoku stage Kousuke was in. It's called Ikemen Sengoku and there's a new stage happening soon I think and he's in it. I think he's been in all of them except one probably because of scheduling conflicts
After the final Slazy talk event for Extra Invitation ~Malachite~ (2018/05/09)
Izawa Yuuki (@YuukiIzawa)
Come to me 😤 (1)
Yonehara Kousuke (@kosk0313)
SLAZY event in Fukuoka and Tokyo, both parts have ended
Thanks to the best members, the best production, and all the lovely nyan-nyans (2)
I’m tired from laughing so much lol
LOVE SLAZY
Fujita Ray (@Ray_FJT)
To everyone who attended the Slazy event,
Thank you very much!
It was fun! Of course these members are calm ♪ 386s are the best!!
Whether it’s in a LIVE or a movie, (3)
somehow or other, let’s meet again!
#fujitaray #dustz #CSL_TV
Fujiwara Yuki (@fukey0424)
SLAAAAAZYYYY
I went to the event in Fukuoka, then Tokyo.
During Slazy Shuffle (4) I laughed even though I felt like my soul was going to come out, it was so much fun!
Thanks for everyone’s support.
Let’s meet again somewhere.
Kato Ryosuke (@ryosu_kee)
SLAZY
The Final 386 Thank You event
The Tokyo event has ended!!
Thank you very much everyone *\(^o^)/*
In Fukuoka and Tokyo, spending time with everyone was the best Happy STYLE!!
Thank you!!!!!!!
L! O! V! E!
Hey! SLAZY~😁
(1) He’s quoting Act/Deep’s lines before Garnet Star
(2) “Lovely nyan-nyans” is what Cool Beans calls his fans
(3) This is probably just teasing… As of this date, no new live or movie has been confirmed by CLIE.
(4) A game where the cast has to guess which Slazy songs are mixed together
On the first day of Shima's new job, he meets a man with a hangover in the elevator. That was his first encounter with his new boss, Togawa. Though Togawa seems rude, Shima is drawn to the kindness beneath his rough facade. Both men harbor a painful past but unlike Togawa, who is open about his feelings, Shima seems unable to move on.
Review
I admit, I am probably a bit biased, because I simply love this manga to pieces. However, that may be the reason why I am able to evaluate this adaptation better than someone who doesn't know the original work.
So if you are a fan of the manga, but unsure whether to watch, this review is mainly for you. (And even if you're just looking for a good BL movie to pass the time, I hope I can write a worthy review as well)
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The plot isn't exactly anything new, especially for such a short movie. It's about two people meeting, hooking up, falling in love, and the hardships they must overcome.
What makes this movie stand out from others is the rawness of the emotions, the harsh yet beautiful reality. There is nothing romanticized about their meeting or their relationship. It could be me or you, falling in and out of love.
Shima and Togawa in the manga have prickly personalities. They are very different, yet there is an attraction and spark that even transcends their sexualities. I was worried whether there could be actors who would portray their characters well. Thankfully, Yonehara Kousuke and Taniguchi Kenji both did a great job. Shima lost a bit of his cheekiness and seems more timid, but it has to do with the generally darker tone of the movie, right from the beginning, due to time-constraints.
The music was matching but not really memorable. I was surprised at how sensual they even portrayed the erotic scenes. They could have granted a closer view on the kissing scenes, but in BL it's probably something we can only wish for.
What really drives this film is the atmosphere, that is very similar to the manga Doushitemo Furetakunai. This simplicity and 'realness' is visible in every part of the movie. Some people find the long still shots and the calmness boring. I find it beautiful. Not everything in life is restless and fast-paced. Some moments are agonizingly slow. The cinematography, while somewhat simple, plays a big role in this, and it does a superb job. The writing and directing are both also spot-on.
After finishing the movie, I went and re-read the manga, and I was surprised to see how much of the original dialogue was kept. While I was reading, the scenes from the movie kept appearing in my mind, and I found myself unable to separate the two. Usually when it comes to book or manga adaptations, once I return to the original, I cannot help but think: "Oh, but this is so much better after all. They should have done this differently"; However, I didn't have that feeling with Doushitemo Furetakunai. While there were parts that were left out or could have been fleshed out more, there were even moments where I thought the dialogue in the movie was more natural and poignant than in the manga.
I dislike dramas that take the easy way out by having too much narration or monologues to make sure the viewer gets exactly what the characters are feeling at that moment. There is no room for speculation, no room for the viewer to get a grasp on the emotion, just by observing. Eventually, this trait of the movie, the actors' ability to convey their pain and longing without using too many words, is what made me applaud to this successful adaption of Yoneda Kou's manga.
In summary: It's a bit slow-paced, but if you learn to appreciate the beauty within this calm atmosphere, you will be presented with a fairly satisfying movie that you won't easily forget. I recommend it whole-heartedly.