Hold me tight and don't let go
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THERE AIN'T NO ATLAS, KID. NEVER WAS.
if you peel him back far enough, there's nothing but a pile of theater masks
like, it's really fun how fontaine starts spiralling out the closer jack gets to him in the final arc of the game and returns to appropriating the image of family (the fake family in the beginning, the flawed father position later) to try and appeal to jack in some way but it's like. buddy. baby. you already took off your mask. anything you try and put on after this is going to come across as cheap and desperate. the magic is gone! and personally? I'm hooting and hollering
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / insta
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they honestly couldve done so much with junpei beheaded/dismembered and im disappointed that it ended up just being mira. so much of his character and his relationship with akane is characterized by his lack of bodily autonomy, and him being openly beheaded during the nonary games would be the ultimate example of this. its perhaps the most brutal death in the game, and it never really gets explained or developed beyond the one puzzle that we get with it. junpei has been shown repeatedly to be subject to akane's plans or follow her blindly and i just think that would have been a really interesting angle to approach his beheading from. junpei has willingly signed up for nonary games in two different timelines just because he knew he would see her. he was infected with a deadly virus trying to find her. he grew desensitized to death as he took underground jobs to try and find her. his safety always comes second when shes in the picture, and his beheading wouldve been a prime opportunity to 1. exploit his willingness to let himself die/be injured for her and 2. make akane confront the fact that her confidence that junpei will always follow after her is not necessarily a positive thing.
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thinking again about how in trigun 98 they had nick kill someone with the face of a child posing as an orphan for vash, and how in tristamp they had him kill a child in the body of a monster who had no choice in what had been done to him, and how instead in trimax nick for vash kills a man who'd approached vash for a death match, who'd demanded to either kill or be killed, a man nick had given vash a fair chance to fight and win against and who nick would have left alone hadn't said man attacked vash when his back was turned after the duel was over and done with, a man who'd been one step from possibly seriously harming vash hadn't nick stepped in. and about how after in all three versions vash yells at nick for it, but only in trimax nick tells vash that he's lucky he's there to play the devil for him so that he can stay a saint, and only in trimax in the arc right after vash ends up thanking nick for killing for him and protecting his home when vash couldn't because of his own morals, and only in trimax in the end when nick isn't there to play the bad guy for vash he ends up being right, and vash ends up having to dirty his hands himself to protect what he loves - while both in 98 and for now tristamp vash stays a saint until the end, and that fight they have ends in itself, and the only lesson it leaves you as a viewer is that nick is jaded enough to kill a child
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Something something imagine a parallel between Adam and Cain (a son that's fallen into disgrace being driven away by a higher being that his parents can't negotiate with, the anger that meets heartbreak and the pain of seeing a child exiled onto a wasteland, the confusing consolation of his curse being a mercy of sorts) with Adam and Sera
That is, Adam reproaching (as much as he can) Sera for how heaven handled the whole Cain and Abel thing, and Sera remaining steadfast on their decision, until Adam dies -> reincarnates as a demon, and only then understanding what Adam had been going through.
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On the one hand, I love weekly drops for episodes because you get time to sit with each section of the story and really dig into it.
On the other hand, some people don't quite understand that characters can say/believe something at the beginning of the series and then - gasp - grow and change through the episodes so that by the end, they don't believe that thing anymore!
Also, what a character believes isn't necessarily the 'message' the writers are pushing - the character could have a flawed world view that turns out to be in need of change.
Anyways, apropos of nothing, Loki s2e4 was great, huh? Nice little debate about philosophy between two characters - neither of which has the 100% right idea at the moment and events might transpire to get one or both of them to alter their 'goals'.
Almost like media isn't there to be a guide to life you need to follow word for word but rather an exploration of fantastical problems and how flawed characters deal with it through their own, limited frame of reference
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