#your drawings are all adorable

[puddii-ng]

big fan of the new kids,,

[julijbee]

girlbossing too close to the sun.

[loversmore]

art by jimin. for @avizou ♡ by mona & ems.

[drawnfamiliarfaces]

hot man hot birdman im so sorry hot fire bird man?!?!

aka glorious gijinka!Tengu Jin design by @hirumi25 has made me 👀💦?!?! because wowie thats some hecking fire design!

and of course i couldnt just not draw Hirumi's Nomi-kun with him too

[lunarharp]

more phoenix wright situations

[0bir]

i love the new mount for mhwilds like LOOK AT IT 0A0

[somerandomdudelmao]

Hi. First, I wanted to let you know that you're a huge inspiration to me :)

Second, as a fellow fanartist I wanted to ask: how do you get over the fear of people perceiving your artwork as too unfinished (if you have that fear at all?) How do you tell yourself "okay stop. This is as much as I'm gonna work on this page" and then hit the post button? I have this thing where I start a piece and then never post it cause "it's not completed yet".

Thank you in advance!

Ah thank you:3

Honestly, I just prefer speed over finality. My goal is not to create perfectly beautiful art. My goal is to tell a story. To convey information. To convert my train of thought into something that can be perceived with the eyes.

I can do smooth linework, detailed renderings, correct anatomy and all that. But I don't really need that, as the sketch is enough to convey the story. And it's very quick too~

For me, an artwork is considered complete when it says everything I want to say through it. And sometimes that means making the hands look like two blotches. Simply because for my story, the hands aren't important at that point. I'll draw them well in the moment when I want to tell something through them:)

So, usually I just make sure that the most important elements look clear. The facial expressions, the curves of the cape, the position of the hands, whatever. The things I really want people to see and process. Everything else serves solely as a backdrop.

If people think my work is unfinished, that's their problem. I don't have to adjust to their understanding of "completeness." If they want to see my work "finished" according to their value system, they can finish it themselves and then happily look at its perfection lmao

________

Just as a funny addition and proof of my words.

Important Hands:

Not important hands:

And still, for me, they are all - finished:)

[casualavocados]

marcille hair appreciation post because she's sooooooo cute (chapters 1-29)

[noxious-fennec]

A little thing i drew of @metfell's insanely cool dnd characters whom i am obsessed with now

[crowsdove]

Imagine you and your f/o sharing a beverage with two straws (sweetheart sipping!)

(like in these pictures I mean. Could also be cute drawing references for you and your f/o maybe?)

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> antis please dni <

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[suzukaperodi]

currently binging Bob's Burgers! i adore this family &lt;;3

and also hellooo zeke and tina??? adorable right???

Instagram || Twitter || Ko-fi

[arom-antix]

Happy birthday to the man, the myth, the legend, trophy husband of Yuuri Katsuki, Viktor Nikiforov!

[whereismyhat5678]

*RUNS INTO YOUR ASK BOX*

PEPPINOS GIVING OUT HUGS???

*BULDOZES MY WAY TO GO GUVE THAT UNCLE DAD MAN A HUG*

(I tried drawing your sona! Hope you like it <:D)

[sheepalmighty]

Some more of that Chai joins Vandelay for half a day AU. Or just a picture of a kinda OOC Kale chilling if you wanna gloss over those comics. I'm still not sure if the colours are too garish or not.

These were mostly done with the premise of treating Kale's office like the hideout. I also really like how mundane, or familiar, the interactions between Chai and Kale can be in the game so I wanted to draw some stuff exploring more like that. But also, there's the ulterior motive of shipping so I included an out of context scene because I can't bother drawing the rest of it (though it seems like a huge jump in their relationship as a result. I think they're so big headed that they get stuck in a feedback loop of stroking the other's ego if an excuse comes up to do so)

[sneez]

more of my oc tervis (any pronouns), the creepiest most miserable little weirdo in town. which is saying something [id under cut]

/ ID: four digital drawings.

The first image is a series of drawings of Tervis on a paper-textured background. A heading at the top reads 'Tervis (Humble)'. One is a coloured headshot of Tervis looking to the left; they have a gaunt face, short receding hair, a scar bisecting their lip and right eyebrow, greyish skin, and are wearing a red shawl around their neck. An arrow pointing at their right eye reads 'one blue eye (mostly blind)'; another arrow pointing at their left eye reads 'one brown eye'. They have a serious, hostile expression. The second drawing is an uncoloured full-body sketch of Tervis. Next to this is the same drawing but coloured and with more polished lineart. Tervis is a thin, hunched figure wearing a long, dark brown robe, a greyish bag on their back, and a red shawl around their head and neck. They are barefoot, and are leaning on a walking staff with both hands. An arrow pointing to the walking staff reads 'needed for walking, useful for hitting'. Tied to the belt around their waist are several long scrolls of paper with writing on them. An arrow pointing to the scrolls reads ''blessings' they paste on infected houses'. Tervis is looking warily out at the viewer from beneath their eyebrows. An arrow pointing to their head reads 'scar from getting hit in the face with a brick (also knocked out a tooth)'. Alongside these drawings are a series of bullet points giving information about Tervis. These read:

   indeterminate age, indeterminate gender

   religious fanatic (unclear which religion)

   lives alone somewhere in the steppe

   dislikes everyone but is nicer to children than anyone else

   has every disease

The second image is a fake screenshot from the video game Pathologic. Tervis is looking out at the viewer; the background shows scenery from the steppe. The text on screen reads:

CHANGELING: I still don’t see what you could have done that would make you personally responsible for this plague. TERVIS: Responsible… no, not merely responsible! This is my plague, cast upon my head alone. I am the originator; my sin is at the root of all. I have ventured into the town. I have seen the canker there. No matter how many houses I bless, my sickness sinks deeper. The rotted limb is the death of the body… Surely you understand me. You are a healer, are you not? CHANGELING: What is it that you are asking me to do? TERVIS: Let me be the lamb, worker of miracles! My blood shall wet the earth, and bright flowers shall grow… My putrefaction will provide the soil within which new life will burgeon, pure and free of sin and decay. Let it be done. I am ready. My failing flesh is but little sacrifice; in death my weakness will be my strength. Soon these torments will be at an end.

Below are two dialogue options:

You’re insane!

What makes you so sure your death would solve anything?

The third image is a fake screenshot from the video game Pathologic 2. Tervis is looking out at the viewer, and has been painted in semi-realistic style. The text on screen reads:

Tervis: Why do you force me to live? Damn you! Your cure is poison to me. Now I shall never be blessed. You should have left me to bleed.

Below are three dialogue options:

Don’t be absurd. I wasn’t going to watch you die.

What makes you think you deserve suffering?

I wish I had.

At the bottom of the image is a line of dialogue which Tervis has just spoken:

The air is foul. There is rot in this place. The stench of corruption shall be – what was it? What was it? The stench of corruption shall be… swept aside…

The fourth image is a coloured scene depicting Tervis and Clara. They are central in the composition; around them is the steppe, which has been rendered in a loose, painterly style. Tervis is kneeling, their walking staff cast aside, and are reaching out their hands to Clara in a desperate, pleading gesture. They are crying, their face contorted in an expression of agonised ecstasy. Clara stands beside them, one hand reaching out, the other held above Tervis’s head as though about to touch their brow. She has a solemn, pained expression. Behind her head, a break in the dark clouds gives the impression that she is haloed by sunlight; rays of the same light fall onto Tervis, illuminating their face and red robe. End ID. /

[moeblob]

Windy at my house + power flickering = no comm work = quick laptop doodle