#zhangwei

[talkingpictures2020]

Zhang Wei Empire of the Exquisite Corpse

Without recourse to AI, Zhang Wei pieces together photographic fragments to create images that suggest the way in which ideological revisionism and Newspeak are deployed to encourage collective amnesia while making conformity seem inevitable. Out in the world, the engine that drives this pseudo-reality is an asymmetry of power. The power of the few to reshape the perceived reality of the many. Be it commercial or ideological, such power fragments the continuities of cultural and societal connection, reforming them to serve quite other ends. The darkness that runs beneath the surface of Zhang Wei’s images is the free-fall of disconnection, for the icons that beckon to this brave new world are as lifeless as they are seductive.

Zhang Wei reveals the realities behind his fictions at Talking Pictures.

[yibo-best]

Cr: 无须修图丨0805x1005

[da-zhangwei]

I was just telling people (@mittensmorgul @treefrogie84) how DZW's song lyrics are often either disaffected youth (for his Flowers era) or tired adult (for his more recent stuff) and yet he is the most cheerful and ridiculous person ever to exist.

So here he is singing a Flowers song about how apathetic he is, while surrounded by cartoons and trying not to smile in some parts. Recorded, of course, in his usual livestream studio that is an 8-year-old's dream.

I think after the singing he says "Happy song finished!" and then something about successfully singing a happy song. But I'm nowhere near sure enough to put it in the subtitles.

(I don't love the word era as the translation for 时代 because I think the way he's using it is closer to stage of life, but I couldn't think of a non-awkward to say that in song lyrics. I may just be too sleepy today.)

[porcupine-girl]

《只为自己开的花》 A Flower That Blooms Only For Itself by Da Zhangwei, performed by Da Zhangwei and Penny Tai on Our Song Season 6 Episode 2.

Re-posting this, now with translated lyrics! (I started with a machine translation to have a base to work from, then went through line by line and fixed it with my middling Mandarin + multiple dictionaries. I in no way claim it's 100% accurate, but I think it's mostly ok.)

[heymeowmao]

WMDG S6 - Artist Lineup Group A (updated 7/25)

[mikhaila-bobersky]

Speed actually met up with Zhangwei, the man behind the 内个内个 memes.

https://www.youtube.com/watch?v=hRaTuJqPgNk

[marlo-noni]

Our Song Season 6 episode 10 - Da Zhangwei & Liu Yuning sing "赤裸裸" ("Naked")

[onenettvchannel]

BALITANG ENTERTAINMENT: IShowSpeed's China Tour ends in Changsha City, following the controversial meet-up of Chinese singer 'Da Zhangwei' to be urgently honored with MangoTV VIP grant as a personal and fair apology [#OnlyOnOneNETnews]

CHANGSHA, CHINA -- Ohio-based YouTuber "IShowSpeed" recently wrapped up an extraordinary China tour in the vibrant city of Changsha. In a culmination event held shortly after his LIVE broadcast on a video-sharing and online broadcasting platform 'YouTube' (owned by Google's Alphabet) Monday night (April 7th, 2025 -- China local time), IShowSpeed not only celebrated a whirlwind journey across China's cultural landscape but also staged an in-person collaboration with the controversial Chinese singer named "Mr. Da Zhangwei".

Renowned for his 2018 hit song "Sunshine, Rainbow, White Pony", generating extremely fierce controversies in 2022 over a misheard and offensive N-word lyric that had already plunged him into a proverbial "hot water of rage" on stream, Zhangwei came aboard Speed during a period full of both artistic arrogance and forgiveness. Zhangwei reportedly had multiple charges such as Public Order Offenses, Hate Speech, Defamation and others, following the upload of his actual music video, but this was intentionally resolved without a contesting plea in the Chinese court.

In a recent YouTube LIVE broadcast, IShowSpeed was presented with a highly prestigious VIP grant award by one of China's entertainment streaming platform "MangoTV". The award, which is a gesture universally interpreted as a genuine acknowledgment and a reasonable public apology from a previous song lyric controversy, is an intentional attempt to bridge cultural gaps. The in-stage presentation of the VIP grant not only recognized previous misunderstandings but also paved the way for future cooperation and respect between the two media figures. The gesture is interpreted as a microcosm of China's wider soft-power policy utilizing online influencers for cross-cultural exchange.

Looking back from a month ago in late-March of 2025, the China tour has been characterized by a string of high-impact occurrences that have reverberated well beyond the usual entertainment circles. Viral billboards plastered with "thank you" cards commemorating his in-real-life (IRL) streams and the biggest role in "bringing China to the world" have dominated Chinese social media platforms such as Weibo.

Moreover, impromptu community encounters, breathtaking video displays of native Chinese culture surrounded by the theme of futuristic metropolitan landscapes, and blanket coverage from Chinese state-owned and mainstream news organizations have all helped to reinforce IShowSpeed's position as a global legend of online celebrity. Such well-conceived interactions not only boosted his international popularity but also created awareness of the success of the tour as an individual achievement and as a programme of cultural exchange.

Where he was once, most infamous for his outrageous antics in the online and physical world, IShowSpeed seems to have rebooted himself. Entertainment analysts and insiders identify the visit as a successful Chinese soft power initiative because he managed to connect East and West through his public activities which led to widespread media attention. The high-profile encounter with Da Zhangwei and the symbolic VIP grant award from said Chinese entertainment streaming platform, signals a possible new era where scandals are turned into positive opportunities for artistic collaboration and discussion for one simple condition.

When the virtual and real worlds collide, Chinese audiences and critics hold their breaths. This Western streaming culture integration with Eastern entertainment awareness transformed hot-fouling mouth public opinions and created potential standards for international co-productions involving celebrities. IShowSpeed will soon fly back in-flight to his state of Ohio, before the Holy Week break in the United States to resume normal online activities, following the conclusion of the China tour.

SCREENGRAB COURTESY: IShowSpeed via YT LIVE VIDEO BACKGROUND PROVIDED BY: Tegna

SOURCE: *https://www.youtube.com/watch?v=7cAzQjnEqXs *https://www.youtube.com/post/UgkxSDVXUOJZ8w2S7R4xGXAjYk4a-R_aj7bu *https://www.youtube.com/watch?v=YG4iTGjuoKw *https://www.sportskeeda.com/us/streamers/news-ishowspeed-gets-featured-thank-you-billboards-changsha-china-viral-irl-stream and *https://chinadigitaltimes.net/2025/04/tour-by-youtube-star-ishowspeed-hailed-as-soft-power-win-for-china/

-- OneNETnews Online Publication Team

[accio-victuuri]

it’s not a secret that i’m a ttxs bros fan and i love that show! it was my end of week treat and i knew that no matter how stressful the weekdays were, i have ttxs and wyb to watch and be my sunday reward. wyb had 3 performances for 2023 nye and we knew about the 2 and i was excited for it but that night, my fave would be his duet with dls of the song that never ends. aside from the dls/wyb/wh moment, i think that personally, it was the kind of performance i needed that time. nye stages are expected to be flashy but sometimes what we really need is a heartwarming song to remind us of the past year and the people that we love. it was really special <3

so i’m sharing this clip of dls/wh talking about that stage:

DLS: I remember that Wang Han said something casually before, so I wrote it in the song, but he said that there are some things that cannot be said or forgotten, and cannot be even thought about, because as soon as you touch it, you will feel it, and then the feeling will disappear. going back, I have written this song for more than two years. I originally wanted to make this song my own, and I thank Hunan for allowing us to be on this stage. Later, Wang Yibo and I sang this song live. I used to sing it and it felt so good. I sang and performed, and that night, maybe I felt that Wang Yibo didn’t know that we were going to sing this song because of Wang Han, and we both had the mentality that this song is coming, are you sure we should start singing it, because when we sang it, the feeling was... We will come back a lot. When we were together, we kept talking about whether we should watch Wang Han, because you know, we were afraid that we wouldn't be able to sing when we saw Wang Han, and we would start crying. Then later we found out that Wang Han was watching from below.

How can I say that I feel that sometimes there is a relationship or a piece of work that will always end. When it becomes a song, a paragraph, a poem, a painting, it will always be in our hearts. In this melody, Wang Han and I are slightly different in age. But I feel that my friendship with Wang Han is like a song that can never be finished.

WH: Thank you. In fact, the time gap is not particularly long because it was December 31st and today is only March. Da Zhangwei means a lot to me.Every time, I look forward to him coming, and then I'm so afraid of him coming. I really want to see him but i’m afraid cause i don't know what to say. The two words he says the most are, "Just be happy. Just be happy. You'll be happy." So what I especially want to say is that if he wants me to see him happy, I will see him happy. If one day he wants me to see him unhappy, I just need to use my eyes to see him and my ears to listen to him. Wang Yibo is cold and he is warm. They are my cold and warm life.

THEY ARE SO PRECIOUS 🥹🥹🥹🥹

[i-read-in-five-languages]

oi, bom dia!! tudo bem contigo?

desculpa invadir seus asks assim, mas vi que você é brasileira aprendendo mandarim!! eu tô começando agora pelo HSK1 e vim humildemente perguntar se você teria uma dica ou outra para dar, se você tiver um tempinho :D

Oiiii! Ai que bom ver mais brasileiros por aqui haha

A minha dica é sempre tentar ler sem o pinyin, pois quanto mais você tentar ler sem o pinyin mais seu cérebro vai ser acostumar e você vai começar a lembrar do som e significado dos caracteres. Você pode começar tentando ler palavras do HSK 1 e depois evoluir para frases, depois diálogos simples e assim por diante.

Além disso, uma coisa que eu gosto de fazer é criar minhas próprias frases quando aprendo uma gramática ou vocabulário novos. As vezes eu crio frases escrevendo no meu caderno ou as vezes eu posto uma foto com uma legenda em mandarim que eu mesma criei 😆 Isso ajuda bastante a desenvolver a compreensão dos caracteres.

Com relação a tons e pronúncia, no início eu sei que é bem difícil, mas algo que me ajudou foi pegar as frases que eu criava e ler em voz alta falando no microfone do celular. Se ele reconhecesse a palavra certa então eu estava falando certo.

Ver vídeos (pode ser no douyin que são mais curtos) e realities shows (tem vários no YouTube) também ajuda muito na compreensão. O meu favorito se chama “Great Escape”, aqui o link para a temporada que saiu ano passado:

Espero ter ajudado de alguma forma 😅 eu não sou muito boa em dar dicas porque eu também não estudo com frequência, mas tô tentando.

[yibo-best]

Wang Yibo said that we should treat ourselves better🤗

[porcupine-girl]

Guess what!

Remember how I said back here that I'm in the middle of a project to edit down Our Song episodes, fix the subtitles, and add annotations?

Well, I'm starting to post them! I've got Ep 1 up now and Ep 2 I need to adjust a few translations but then it's ready. Ep 3 and 4 I've got rough drafts of. The rest of the season (12 episodes in total) will take a while, since I haven't started editing them yet.

I also have help with translation now!! @artknifeandglue offered translation from Chinese in @fandomtrumpshate and will be doing song translations for me - since I'm mostly done with the first few episodes he'll just be doing some spot-checking of things I wasn't sure on, but beyond that he'll be doing full translations of many of the songs!

I'm hosting the videos on GDrive, because they'd probably get taken down from YouTube for copyright violation, and I also have copies of the annotations in docs in the same drive.

But! I am also posting the annotations - with links to the videos - on AO3!

So if you're actually interested, you can subscribe so you're notified when I post a new episode!

I'll post here, too, of course.

Below the cut I'm tagging everyone who expressed interest before - please let me know here if you'd like me to keep tagging you when I post future episodes (even if you're not tagged here, let me know if you want to be added!)

@json-derulo @poetry-protest-pornography @emmajanereading @percy-persephone @nuttysaladtree @thelima-aka-chickwriter @writergamermom @oneringtorulethem @trickybonmot @lovebird17 @erza155hasleftthebuilding

[heymeowmao]

我们的歌 | WMDG S6E2 - Mao Buyi x Liu Yuning x Da Zhangwei - 花心 (The Flowery Heart)

[rainbowsky]

The X show stage is open for a limited time! Da Zhangwei and Wang Yibo surprise us with the collaboration stage "Never Ending Songs", and spend a warm New Year's Eve together in their warm songs. I hope that every beautiful moment will be a song of "Never Ending Singing".

[wolfreader]

april 2025 wrap-up - adult fiction

this month i read eight (8) adult books.

the scarlet pimpernel by baroness orczy 📖 🌟🌟🌟

one of the more fun classics i've read! obviously poorly aged in many ways lmao, like most if not all literary classics, but definitely one of the ones i've read more suited ot a modern audience.

i loved the genuinely sweet and tender relationship between sir percy and marguerite. this is one of the few classics that i want to see modern writers try their hand at retelling or adapting into other literary genres (such as fantasy or scifi), because i feel that the genuinely compelling romance and the action-heavy plot that laid the groundwork for modern superhero media would lend itself well to a reworking by a modern writer.

immortal by sue lynn tan 📖 🌟🌟🌟

i'm disappointed that i didn't like this one as much as i wanted to. i've always loved sue lynn tan's prose and i still do - the prose is one thing that is still great about immortal. but i guess i was just expecting more.

immortal felt very unoriginal. not only in the clear inspiration from beauty and the beast (specifically the disney film, but also just in general) in the first quarter or so, but also just... it lowkey felt like a bunch of elements from daughter of the moon goddess and heart of the sun warrior were thrown into a blender and served up with a few new garnishes. so as someone familiar with sue lynn tan's work, immortal felt very derivative. and given that i love her prose, i was really hoping for something more original from her first work after her debut series.

immortal also seemed like it was trying to have its cake and eat it too. first, in terms of the romance, tan didn't seem (to me) to be able to strike the balance of liyen being independant and self-sufficient while also having the fairy tale appeal of zhangwei sweeping in to save her. that balance is possible: you can have a strong, capable female protagonist who can still rely on her male love interest from time to time, but i don't think sue lynn tan pulled it off in this instance.

and beyond that, the entire conflict between the golden desert immortals and the wuxin felt very much like sue lynn tan was torn between writing a complex and nuanced conflict but also being unable to bear the golden desert (home to our love interest) having done anything wrong. i won't get into it any more than that, but each new reveal about the war felt very contrived.

tan's next work is a young adult cinderella retelling, and while i'm definitely still interested in reading it, i fear that i might pick her work up at the library from now on.

the lies of locke lamora by scott lynch 📖 🌟🌟🌟🌟

i thought i was going to hate this, but it turns out i just started reading it during a reading slump lmao. so, having set it to the side only a chapter in and picked it up after my slump was over, i really enjoyed it!

locke was a far more likeable protagonist than i thought he was going to be, though it definitely took some time to warm up to him. to any interested in reading this book, i'd like to put out there that unfortunately i don't think the (incredibly long) prologue is the strongest and recommend you stick out until the end of chapter one at least.

interesting world, interesting characters, et cetera. while it's not high on my priority list, i'm definitely going to be continuing the series at some point.

the murderbot diaries volume 3 by martha wells 📖 🌟🌟🌟🌟

finally caught up with murderbot! 🥳

fugitive telemetry was a nice little murder mystery that felt like a breather after network effect, especially given that it was relatively self-containted even in within a series of nominally self-contained novellas.

system collapse was obviously the big one, i actually wonder if it could have been made just a little longer and been released as a novel like network effect, especially because it follows the direct aftermath of that novel. but i really enjoyed it! obviously what i've loved about this series (and what the main "story" of the series is lmao) is murderbot's emotional development throughout the books. and therefore seeing it finally acknowledge its emotions and specifically its trauma in a way approaching healthy and constructive was a joy to see. especially seeing murderbot commit to (eventually) seeking help for recovering from its lifetime of trauma! my blorbo <3

an education in malice by s.t. gibson 📖 🌟🌟🌟🌟

after reading all of s.t. gibson's currently released novels, i have to conclude that the only reason i disliked a dowry of blood so much is because i'm just too precious about dracula. because i really loved this!

i loved laura and carmilla's dynamic and its evolution throughout the book. it was very compelling, and the somewhat speedy development of their relationship felt very natural given the tight knit nature of this kind of women's college to begin with and the circumstances the two of them specifically are put through.

the only two things (really one and a half things) keeping this from a five star are: (1) the book felt like it ended a little too quickly. even before the book actually came to a close, i was looking at how many pages / chapters were left and was wondering how everything would be wrapped up in that amount of time. i feel that an education in malice could have benefited from being even just three or four chapters longer. and (2) i don't need this to be a morality play or something, but the ending felt a little too kind to professor de lafontaine. especially given the way laura and particularly carmilla's feelings toward de lafontaine had been changing throughout the book, the level of forgiveness when they parted felt a little out of left field. i get that carmilla and de lafontaine's relationship was incredibly complex and the level of worship carmilla had for her will take years to fully deconstruct, but shortly before the climax of the book carmilla was begging laura to not leave her alone with the professor; i think just the smallest alteration to her attitude toward her at the end of the book would have made it feel a lot more natural.

cursebound by saara el-arifi 📚 🌟🌟🌟🌟

i don't think it was as strong as the first book but still a really fun installment that left me excited for the next book! there was a twist revealed in the very last chapter that i hadn't guessed completely but i had gotten close; at the very least i guessed there was a connection between these two things, if not exactly what that connection was.

i think the sex scenes were a little cringe lmao. they weren't so horrifically written as to put me off the entire book but they weren't great either. and i think perhaps there are too many romances. there were already two romantic subplots in the first book and this one introduces a new point of view character with his own love interest, and it makes it feel like most of the pages are spent on romantic drama rather than the fucking war where the first one felt more balanced.

the bitter twins by jen williams 📖 🌟🌟🌟🌟

god i love this series. this was definitely the middle book in a trilogy, i didn't abosolutely love it as much as i loved the first book, but i still really loved it and i'm probably going to pick up the poison song and finish out the series this summer. i'm really looking forward to it.

i can't say much for risk of spoilers but there was a reveal about something about the fantasy world in this book and i thought it was really well done.

if you enjoy epic fantasy at all and you haven't read the winnowing flame trilogy thus far you should do yourself a favor and pick up the ninth rain!

beebo brinker by ann bannon 📖 🌟🌟🌟🌟

the very first lesbian pulp novel i've ever read 👍 and it holds up surprisingly well! there are definitely things that have aged poorly (such as the biphobia coming from multiple other queer characters, including beebo herself) but overall it could pass for a modern day pastiche rather than a genuine novel of the time.

i already own odd girl out and i'm looking forward to continuing this series.

[wannabyou]

╰─▸ ❝  ✎You make me feel so groovy        To the rhythm,        body, body movin'

╰─▸ ❝  ✎ BASICS

BIRTH NAME :: Song Jaebeom (송재범) BIRTHDATE :: 17 April 1999 BIRTHPLACE :: Incheon, South Korea HOMETWON :: Incheon, South Korea NATIONALITY :: Korean ETHNICITY :: Korean LANGUAGES :: Korean (native) ,, English (fluent)

╰─▸ ❝  ✎ CAREER

STAGE NAME :: Songjae COMPANY :: CreativeColor Ent. CAREER :: Idol ,, MC POSTITION :: Leader, Vocalist, Center TRAINING TIME :: 2016 - 2022 COMPETITION SHOW :: WANNABE IDOL

╰─▸ ❝  ✎ SOCIALS

INSTAGRAM :: songjaebeom X (Twitter) :: songjaebeom

╰─▸ ❝  ✎ BASICS

BIRTH NAME :: Sebastián Castilla-Ham KOREAN NAME :: Ham Sungwoo (함성우) BIRTHDATE :: 21 June 1997 BIRTHPLACE :: Mérida, Yucatán, Mexico HOMETWON :: Mérida, Yucatán, Mexico NATIONALITY :: Korean-Mexican ETHNICITY :: Korean LANGUAGES :: Spanish (native) ,, Korean (fluent)

╰─▸ ❝  ✎ CAREER

STAGE NAME :: Sungwoo COMPANY :: CreativeColor Ent. CAREER :: Idol, Stage Actor POSTITION :: Vice-Leader, Lead Vocalist TRAINING TIME :: 2015 - 2022 COMPETITION SHOW :: WANNABE IDOL

╰─▸ ❝  ✎ SOCIALS

INSTAGRAM :: singsangsung X (Twitter) :: singsangsung

╰─▸ ❝  ✎ BASICS

BIRTH NAME :: Yoon Riwoo (윤리우) BIRTHDATE :: 18 December 1998 BIRTHPLACE :: Guri, Gyeonggi, South Korea HOMETWON :: Guri, Gyeonggi, South Korea NATIONALITY :: Korean ETHNICITY :: Korean LANGUAGES :: Korean (native)

╰─▸ ❝  ✎ CAREER

STAGE NAME :: Riwoo COMPANY :: CreativeColor Ent. CAREER :: Idol POSTITION :: Main Vocalist TRAINING TIME :: 2017 - 2022 COMPETITION SHOW :: WANNABE IDOL

╰─▸ ❝  ✎ SOCIALS

INSTAGRAM :: yoonwoori X (Twitter) :: wannab_riwoo

╰─▸ ❝  ✎ BASICS

BIRTH NAME :: Shinobu Hinata (忍日向) BIRTHDATE :: 3 September 1999 BIRTHPLACE :: Saitama, Japan HOMETWON :: Saitama, Japan NATIONALITY :: Japanese ETHNICITY :: Japanese LANGUAGES :: Japanese (native) ,, Korean (proficient)

╰─▸ ❝  ✎ CAREER

STAGE NAME :: Hinata COMPANY :: CreativeColor Ent. JAPAN ; CreativeColor Ent. CAREER :: Idol POSTITION :: Visual, Vocalist, Sub Rapper TRAINING TIME :: 2016 - 2022 COMPETITION SHOW :: WANNABE IDOL

╰─▸ ❝  ✎ SOCIALS

INSTAGRAM :: shingramm X (Twitter) :: hinata_official

╰─▸ ❝  ✎ BASICS

BIRTH NAME :: Moon Kukrit Renangrong (มูล คึกฤทธิ์ เรนางรอง) KOREAN NAME :: Ren Myeongwol (렌명월) BIRTHDATE :: 15 October 1999 BIRTHPLACE :: Bangkok, Thailand HOMETWON :: Bangkok, Thailand NATIONALITY :: Thai ETHNICITY :: Thai-Korean LANGUAGES :: Thai (native) ,, Korean (fluent)

╰─▸ ❝  ✎ CAREER

STAGE NAME :: Moon COMPANY :: CreativeColor Ent. CAREER :: Idol, Actor POSTITION :: Main Dancer, Vocalist, Sub Rapper TRAINING TIME :: 2018 - 2022 COMPETITION SHOW :: WANNABE IDOL

╰─▸ ❝  ✎ SOCIALS

INSTAGRAM :: wannabmoonie X (Twitter) :: moon_kukritoffc

╰─▸ ❝  ✎ BASICS

BIRTH NAME :: Yeo Kwonyoung (여권영) BIRTHDATE :: 1 August 2000 BIRTHPLACE :: Mokpo, South Korea HOMETWON :: Mokpo, South Korea NATIONALITY :: Korean ETHNICITY :: Korean LANGUAGES :: Korean (native) ,, Japanese (advanced)

╰─▸ ❝  ✎ CAREER

STAGE NAME :: Kwon COMPANY :: CreativeColor Ent. CAREER :: Idol POSTITION :: Face of the Group, Lead Dancer, Vocalist TRAINING TIME :: 2018 - 2022 COMPETITION SHOW :: WANNABE IDOL

╰─▸ ❝  ✎ SOCIALS

INSTAGRAM :: kwonnyoungram X (Twitter) :: - none -

╰─▸ ❝  ✎ BASICS

BIRTH NAME :: Zhang Weiqi (张伟奇) ENGLISH NAME :: Wei Zhang BIRTHDATE :: 4 January 2002 BIRTHPLACE :: Taipei City, Taiwan HOMETWON :: Stanford, New York, USA NATIONALITY :: Taiwanese-American ETHNICITY :: Taiwanese LANGUAGES :: Mandarin (native) ,, English (fluent) ,, Korean (proficient) ,, German (proficient) ,, Cantonese (advanced)

╰─▸ ❝  ✎ CAREER

STAGE NAME :: Wei COMPANY :: CreativeColor Ent. CAREER :: Idol, MC POSTITION :: Lead Rapper, Vocalist TRAINING TIME :: 2019 - 2022 COMPETITION SHOW :: WANNABE IDOL

╰─▸ ❝  ✎ SOCIALS

INSTAGRAM :: zhangwei X (Twitter) :: zhangweioffcl

╰─▸ ❝  ✎ BASICS

BIRTH NAME :: Yeo Ju-no (여주노) BIRTHDATE :: 9 February 2002 BIRTHPLACE :: Mokpo, South Korea HOMETWON :: Mokpo, South Korea NATIONALITY :: Korean ETHNICITY :: Korean LANGUAGES :: Korean (native) ,, English (proficient)

╰─▸ ❝  ✎ CAREER

STAGE NAME :: Juno (formerly Yeojun) COMPANY :: Starborn Ent. (2017 - 2021) ,, CreativeColor Ent. CAREER :: Idol , Actor POSTITION :: Main Rapper, Maknae TRAINING TIME :: 2017 - 2018 FORMER GROUP :: WANDERLUST (2018 - 2021) COMPETITION SHOW :: WANNABE IDOL

╰─▸ ❝  ✎ SOCIALS

INSTAGRAM :: yeojunono X (Twitter) :: yeojuno_offcl