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Preorders are now OPEN for Two Girl Revolution!🌹⚔️

Bundle Info & Samples:

DIGITAL: ($15)

A digital PDF copy of the zine

Utena and Anthy emotes

ZINE-ONLY: ($30)

A physical copy of the zine (about 92 pages, A5)

PAPER BUNDLE: ($45)

A physical copy of the zine

Print 5x7

Sticker 3"

Sticker 2.5"

Sticker Sheet 4x6

Notebook (A6)

Memo Pad

PARTIAL BUNDLE: ($60)

Everything included in the Paper Bundle, and...

Heart Button

Keychain 3"

Keychain 2"

FULL BUNDLE: ($70)

Everything included in the Partial Bundle, and...

Phone Charm (1.5")

Charm Bracelet (5 acrylic charms, 1.5cm)

All physical bundles can be purchased with a digital add-on for $5! In addition, we have four stretch goals:

50 Orders: A6 Print

75 Orders: Hardcover upgrade to all physical zines

100 Orders: Enamel pin

125 Orders: Acrylic standee

Shop HERE

Thank you to everyone for your support! Let's revolutionize the world!💜🩷

Reblogs appreciated! @anizines @zinefeed

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Pre-orders for Two Girl Revolution, an Utena/Anthy RGU zine, are now open! Incredibly honored to work with such a wonderful team of creatives, here's a little snippet of something I wrote for it! 🌹⚔️

You can find more information and links to pre-order at @rgu-zine ! Thanks so much for having me!

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Some Things I Wish I Knew as a Baby Writer

You can find writing advice of every shape and form online, and most of it will never fit your process entirely.

I wish someone had told me that it's ok to disagree with the advice you see, even if the person is more experienced than you.

I wish someone had told me that writing is part craft part art; there is no right way to build a fictional concept, only tried and tested ways to bring it to life.

I wish someone had told me that it's ok to fail.

So I'm telling all of you this:

Failure is a blessing because we can learn from it

Success is dangerous because it can make us complacent

The joy of creation outweighs the comfort of acclaim

Persistence matters more than talent in most cases

Writing as a hobby and writing as a job are two different beasts, neither is better or worse

The stories you hate most may be your best because they have tried you and frustrated you; we rarely see the beauty in our own faces - our writing is no different.

You deserve to love your stories, but it's not the only way to measure growth.

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Does anyone have any tips on writing flashbacks? I'm finding the tense a pain -- "When Jonathan was a boy, he had once run into friends at the local chip shop. "What are you doing here?" Biff had said .... But if not using perfect tense, what's a good way to transition into and out of flashbacks?

I know I've read good ones, but I can't remember how it worked (because it was "invisible")

One big issue with flashbacks is that there are so many ways to do them. That makes juggling when and where to do them a bit tough. However, there's definitely some things to keep in mind:

Some Don'ts

Don't use a flashback right before conveying information the flashback makes essential. The one is a bit confusing, but imagine this - you're in the middle of a confrontation with the big bad. Right before they start fighting, a flashback reveals the villain killed your main character's brother and therefore this is personal! ...Except that information would have been better revealed much earlier in the novel, especially if everyone but the reader knows it.

Don't start a flashback in the middle of an action scene. You could, for example, throw some quick remembrances of something that happened in the past, but if you're interrupting a critical scene to yank the reader back to a multi-page event in the past, you're killing all the tension in the story.

Don't let a flashback take over the main plot. If the flashback is more important than what's happening in the present, you're writing the story from the wrong point of time. You might want to consider shifting the narrative to that time period, and dealing with the "current" plot at a later point in the book or settling for quick, contextualizing flash forwards.

Don't use a flashback to hide things from the audience. The absolute worst way to use a flashback is to make a scene look like it happened in a way that it didn't. If your flashback is deliberately misleading in a way the characters of the story are aware of, don't use it. For example, let's say your MC flashes back to her father's murder. It's framed to look like her uncle did it. But your MC has known all along her mother was the murderer. The flashback isn't a story she's telling, it only exists for the readers, and audience she's not aware of. Even in first-person with an unreliable narrator, a flashback is not a good way to introduce doubt in a story. It makes the reader feel as if they've been cheated.

Some Dos

Use flashbacks to convey something essential to the story. You might have pages of past events that you've cut out of your story. I certainly do. But including them slowed down the pacing and killed the tension, and ultimately, I narrowed it down to what was essential for moving forward the plot. If the flashback tells us nothing about the character, the plot, or the world in relation to either, it's probably not necessary.

Use flashbacks for character-building. Your character is formed by their past. You will need to touch on that past in some ways. A flashback triggered by a painful memory (discovering an old toy, looking at a photograph, etc) might be a way to go about it.

To show how the character got there. Your character stumbles into a bar with a head injury. As they attempt to have a normal conversation, we flash back to the car accident they fled from.

Use flashbacks to highlight but not show the real issue. This is harder to convey, but if your character is trying to avoid the truth of an event, they might often revisit the event (a fight, an argument, a conversation), but not cover all the details. This skews toward hiding things from the reader, so you should be careful about it. However, if the narrator is avoiding the truth, there are ways to do it (flashing back but not covering the whole event, flashing back to pieces of the event, etc).

Use flashbacks to frame what actually happened. Your character tells a story about themselves the whole book, but the flashback reveals what actually happened in a moment that reveals the true nature of their character.

Types of Flashbacks

Mid-scene, short paragraphs. Good for characters struggling with trauma, trying to avoid the truth of something, or looking at an image or thing that jogs their memory.

A few pages of needed context. Your MCs are at a party. They're laughing it up, seemingly having a good time. The next page or so steps back into the fight they had in the car on the way there, and how they spent time fixing their makeup before going inside.

A whole chapter - maybe. As I said above, the longer you spend in a past event, the more likely that is the main story. But if you need the POV of a character from the past, or need to highlight a critical event that you deliberately skipped over when it happened, a chapter might be a good call.

How to determine what kind of flashback you need and where you need it? That depends on where you're at in the story.

Does this flashback convey critical information about your character?

Does this flashback convey critical information about your plot?

Does this flashback add to or fit into the tension of the scenes around it?

Does the flashback slow down or stop the action? (It may be in the wrong place in your story.)

On that note, is your finale flashback-free? (If you're wrapping up the story, you need to have all your cards on the table.)

There's many, many more things we could get into, but that's a decent start. Working in flashbacks is a matter of trial and error at times, so don't shy away from them when drafting. You'll figure it out!

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to write, you must write. to make art, you must make art. it doesn’t need to feel holy. i find that others expect too much of the process, like a magical euphoria

you can go through the motions like a piece of machinery. it will often be dull, draft work. again, again, and again.

but you must start. you may create something amateurish and ugly now or you may do so in five years from now -- but wouldn’t you prefer that it was now?

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Outside the World We Dreamt We Built

AO3 LINK

Rating: T

Pairings: Soul/Maka, Tsubaki/Liz, and a whole lotta friendship

Summary:

“Hey, Soul?” Liz started. “Have you ever considered what you were going to do after this?” “The gala? Go back to Death City, I guess.” He flicked a rhythm on the can’s tab before bringing it to his lips. “Maybe try to bleach the image of Black Star’s bare chest from my brain.” “No, I meant,” she made a vague sweeping gesture in the air, cigarette ash dusting her jeans like freshly fallen snow. “All of this. Everything.”

Three years after the Battle on the Moon, the Shibusen kids go on a road trip and think about what comes next.

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you COMMENT on fic? you comment on the story like it's worth something? oh! oh! love for reader! love for reader for One Thousand Years!!!!

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''what if my writing isn't good eno--'' what if it's a reflection of your of your soul. what if it has a place in this world. what if you write it anyway

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some people think writers are so eloquent and good with words, but the reality is that we can sit there with our fingers on the keyboard going, “what’s the word for non-sunlight lighting? Like, fake lighting?” and for ten minutes, all our brain will supply is “unofficial”, and we know that’s not the right word, but it’s the only word we can come up with…until finally it’s like our face got smashed into a brick wall and we remember the word we want is “artificial”.

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Dirt Road through the Desert, 1969

Doris Thomas

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you should contribute more fics to the cromaso tag i think (only if you want to, of course!)

I WOULD LOOOOVE TO ANON!! I haven't uploaded anything in a while but I've been cooking up a few things on and off in my spare time (this ask might actually give me the motivation to finish one of them...). Gosh I love this ship to death, and it makes me indescribably happy to see that there's an audience for my rare pair stuff! Thanks so much!

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Literally cannot emphasize enough that my #1 writing advice is to stop being afraid. Stop being afraid of sounding too cringe, or too stupid, or too horrifying, or too horny, or too weird, or too much, or too little, or too you. You need to put your entire pussy into your art. Sure, it won't be to everyone's tastes, but if you keep yourself to the blandest tamest safest roads possible you will be of no one's tastes, not even yours.

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curious to see something

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And now the moment you've all been waiting for:

Chibiverb 2024 Sign-Ups are now open!

Please fill out the form provided if you wish to join in on this year's lil' Reverb – You may do so more than once if you wish to participate as both an artist and an author, or a beta and a volunteer writer, etc.

Please click here to sign up!

Sign-ups will stay open from now (Monday, June 3rd) until Friday, June 14th at 11:59pm EST.

All Artists! Please note that your sign up is also the first check in this year. Before the end of sign ups you must provide a rough draft of your idea in the sign-up form. For more detailed instructions please see the rules form or ask a mod for assistance.

Want more information on this year's Chibiverb? Check out our Rules and About pages, or feel free to send in an ask if you have any other questions. We'll be sure to post any new updates here when they come around, so you can follow us if that suits your fancy.

Otherwise, we look forward to seeing what you guys do for this here Revival! Cheers!

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Hello Soul Eater fans!

We Reverb mods have awakened from our much needed slumber to pose a question to you all: "Reverb 2024?"

If you have any interest in participating in a Reverb Revival, please do us a favor and complete this survey by Friday, May 31st, and share with your SE buddies.

Have you come across this post and don't know what Reverb is? Be sure to check out our About page and give us a follow as we'll be sure to keep you updated on all things Reverb!

Wishing you all the best, Your Reverb mods

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Writing Tips - Beating Perfectionism

1. Recognising writing perfectionism. It’s not usually as literal as “This isn’t 100% perfect and so it is the worst thing ever”, in my experience it usually sneaks up more subtly. Things like where you should probably be continuing on but if you don’t figure out how to word this paragraph better it’s just going to bug you the whole time, or where you’re growing demotivated because you don’t know how to describe the scene 100% exactly as you can imagine it in your head, or things along those lines where your desire to be exact can get in the way of progression. In isolated scenarios this is natural, but if it’s regularly and notably impacting your progress then there’s a more pressing issue

2. Write now, edit later. Easier said than done, which always infuriated me until I worked out how it translates into practice; you need to recognise what the purpose of this stage of the writing process is and when editing will hinder you more than help you. Anything up to and including your first draft is purely done for structural and creative purposes, and trying to impose perfection on a creative process will naturally stifle said creativity. Creativity demands the freedom of imperfection

3. Perfection is stagnant. We all know that we have to give our characters flaws and challenges to overcome since, otherwise, there’s no room for growth or conflict or plot, and it ends up being boring and predictable at best - and it’s just the same as your writing. Say you wrote the absolute perfect book; the perfect plot, the perfect characters, the perfect arcs, the perfect ending, etc etc. It’s an overnight bestseller and you’re discussed as a literary great for all time. Everyone, even those outside of your target demographic, call it the perfect book. Not only would that first require you to turn the perfect book into something objective, which is impossible, but it would also mean that you would either never write again, because you can never do better than your perfect book, or you’ll always write the exact same thing in the exact same way to ensure constant perfection. It’s repetitive, it’s boring, and all in all it’s just fearful behaviour meant to protect you from criticism that you aren’t used to, rather than allowing yourself to get acclimated to less than purely positive feedback

4. Faulty comparisons. Comparing your writing to that of a published author’s is great from an analytical perspective, but it can easily just become a case of “Their work is so much better, mine sucks, I’ll never be as good as them or as good as any ‘real’ writer”. You need to remember that you’re comparing a completely finished draft, which likely underwent at least three major edits and could have even had upwards of ten, to wherever it is you’re at. A surprising number of people compare their *first* draft to a finished product, which is insanity when you think of it that way; it seems so obvious from this perspective why your first attempt isn’t as good as their tenth. You also end up comparing your ability to describe the images in your head to their ability to craft a new image in your head; I guarantee you that the image the author came up with isn’t the one their readers have, and they’re kicking themselves for not being able to get it exactly as they themselves imagine it. Only the author knows what image they’re working off of; the readers don’t, and they can imagine their own variation which is just as amazing

5. Up close and too personal. Expanding on the last point, just in general it’s harder to describe something in coherent words than it is to process it when someone else prompts you to do so. You end up frustrated and going over it a gazillion times, even to the point where words don’t even look like words anymore. You’ve got this perfect vision of how the whole story is supposed to go, and when you very understandably can’t flawlessly translate every single minute detail to your satisfaction, it’s demotivating. You’re emotionally attached to this perfect version that can’t ever be fully articulated through any other medium. But on the other hand, when consuming other media that you didn’t have a hand in creating, you’re viewing it with perfectly fresh eyes; you have no ‘perfect ideal’ of how everything is supposed to look and feel and be, so the images the final product conjures up become that idealised version - its no wonder why it always feels like every writer except you can pull off their visions when your writing is the only one you have such rigorous preconceived notions of

6. That’s entertainment. Of course writing can be stressful and draining and frustrating and all other sorts of nasty things, but if overall you can’t say that you ultimately enjoy it, you’re not writing for the right reasons. You’ll never take true pride in your work if it only brings you misery. Take a step back, figure out what you can do to make things more fun for you - or at least less like a chore - and work from there

7. Write for yourself. One of the things that most gets to me when writing is “If this was found and read by someone I know, how would that feel?”, which has lead me on multiple occasions to backtrack and try to be less cringe or less weird or less preachy or whatever else. It’s harder to share your work with people you know whose opinions you care about and whose impressions of you have the potential of shifting based on this - sharing it to strangers whose opinions ultimately don’t matter and who you’ll never have to interact with again is somehow a lot less scary because their judgements won’t stick. But allowing the imaginary opinions of others to dictate not even your finished project, but your unmoderated creative process in general? Nobody is going to see this without your say so; this is not the time to be fussing over how others may perceive your writing. The only opinion that matters at this stage is your own

8. Redirection. Instead of focusing on quality, focusing on quantity has helped me to improve my perfectionism issues; it doesn’t matter if I write twenty paragraphs of complete BS so long as I’ve written twenty paragraphs or something that may or may not be useful later. I can still let myself feel accomplished regardless of quality, and if I later have to throw out whole chapters, so be it

9. That’s a problem for future me. A lot of people have no idea how to edit, or what to look for when they do so, so having a clear idea of what you want to edit by the time the editing session comes around is gonna be a game-changer once you’re supposed to be editing. Save the clear work for when you’re allocating time for it and you’ll have a much easier and more focused start to the editing process. It’ll be more motivating than staring blankly at the intimidating word count, at least

10. The application of applications. If all else fails and you’re still going back to edit what you’ve just wrote in some struggle for the perfect writing, there are apps and websites that you can use that physically prevent you from editing your work until you’re done with it. If nothing else, maybe it can help train you away from major edits as you go

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this is going to have me on my hands and knees dry heaving