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“To be loved is to be changed” but instead of well worn and lovely I’m jagged and sharp. I’m ruined like a feral dog off its chain. I’m chasing after the scraps of myself with you at my heals, holding me far from who I used to be. I’m bloody and disgusting. Love has turned me into something dark and dangerous and evil, something consumed, something consumable.
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once again thinking abt ORV as one of the most brilliant and self-aware genre commentaries ever, cus' isekai/transmigration is-- in my experience-- a deeply lonely genre. the yearning to be plucked from the stress and apparent dead spiral of real life and dropped into a setting where you matter somehow. the fact that this transmigration is often by way of death, completely abandoning the real world, is particularly telling and... bleak. but whether it's a recognition of being 'the most baddass dude', the narrative satisfaction of trying to 'fix' the plot of a doomed story, or even just befriending characters we've laughed and cried for, we want so badly to be a part of something more.
and the way ORV recognizes that and doesn't mock it, but gently reminds us that... real life isn't removed from that. it may not be as straightforward and 'narratively' satisfying as a constructed story, but we can enact change in the world around us, and we can find connection and solidarity in others. the things we want from escapism are things we often can achieve in real life, at least on a small scale. if only we recognize the inherent depth and complexity of others as, y'know, fully-realized human individuals. hell, if we recognize ourselves as more than simple characters with set paths and tropes.
ORV takes every opportunity to remind us that we are not alone, no matter how bleak and isolated we feel. our lives are constantly touching others and vis-versa, and we leaves marks on the world we can't possibly predict. we matter, we always always matter
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how can you not be angry
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how i find banger fics on AO3
tips and tricks by yours truly
are you an avid ao3 reader like myself? do you ever find yourself at a loss for what to read next and unable to find anything worth your time? well worry no longer (hopefully!), because i'd like to share some ways i filter through the endless amount of fics to find ones i like;
SORT BY KUDOS
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while doing this isn't foolproof and it leaves underrated fics out of the equation, it is generally a good starting point. most fics that have a lot of kudos, do so for a reason after all.
2. EXCLUDE WHAT YOU DONT LIKE
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this is a feature i wasn't really utilizing until recently, but it has saved me so much effort. when your on a fandom, tag, or pairing, you can exclude whatever ticks you off and make finding a good fic easier. for example, sometimes i go on my favourite tags, like time travel, and find that it is mostlyyyy clogged up with harry potter or mha and im just not feeling it that day; well i simply exclude it.
3. MAKE NOTE OF/JOT DOWN WHAT YOU'D LIKE
what i mean by this, is whenever you think about a specific character or pairing/dynamic, fandom, etc.. during the day or when doing something else and find yourself craving that content, a good idea would be to write that down for later on your notes app or something, and specifically search for it later on. otherwise, sometimes when faced with the damning ao3 search bar you forget everything you like and your entire personality. ive certainly been there.
4. MARK FOR LATER
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whenever you see a fic that you don't really feel like reading at the moment, but know you could like, you can hit the mark for later button. i find it much easier then having endless numbers of open tabs that you cant sort through.
5. SEARCH COLLECTIONS
i like to go to my favourite fics i previously read and look through the collections that have that fic saved to them and browse. i have a collection of my own where i save my fav fics if you feel like checking that out!
6. SEARCH THROUGH OTHER MEDIA
going on tiktok or tumblr and searching the #fanfiction or #fanficrec tags can be a lifesaver. better yet, when you find tumblr masterlists of recs.
7. CHECK OUT AUTHORS OTHER WORKS
this ones self explanatory; if you really like a fic, try checking out the authors other works in the case that you find them just as good.
8. ASK FRIENDS!!!
you dont no HOW much i bombard my friends by asking them for recs, and ive found some really good ones through them. you can even ask mutuals, anyone on discord if you have it, etc...
LASTLY,
9. BE PICKY
this one is a bit redundant but its something i often find myself wishing i had done earlier. if your reading a fic and something about it just isnt right for you, be that the writing style, the chracetrization, etc... don't feel like you need to continue. theres nothing wrong with just dropping shit when it gets too boring or when its not tickling your fancy, otherwise you may end up putting so much time into a work that leaves you upset/frustrated, and thats no fun. seriously, i have spent hundreds of thousands of words on fics that left me hating my life and not because of how good it was written ill tell you that.
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Absolutely embarassing
Aftermath:
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As pride month begins, let us not forget our Palestinian brothers and sisters.
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Whalefall💫🩸
I saw this post and haven't known peace since
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severe. but effective.
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I've been thinking about Sasuke's trauma a bit today to try and convey him better in my writing. And I had an epiphany of sorts that may help others too, not just for Sasuke but other characters aswell.
Every corpse has an insanely strong smell. Scientists think its a defense mechanism so other humans can recognise danger near by. Because the smell of rotting Is said to be unlike like any other scent. Under the main scent of regular rotting you'd get, is described to be this powerful, sickeningly sweet smell.
Every corpse will smell different depending on their genetic makeup. Some will have a fruity smell, some sugary, it's all pungent and absolutely vile.
The smell is stronger than anything you'll ever smell, it clings to your clothes, it goes through the walls and it doesn't leave easily.
Sasuke would routinely visit the Uchiha district, and sit right in front of where his parents were murdered. That smell must have been everywhere. When he walked through the district, his own home, his clothes and himself. It all would have radiated death.
Even after the district would have been wiped clean. The smell would still be there, and it would be overwhelming. When Sasuke finally stopped visiting his old home, the smell would have already seeped through his clothes, and been all around his new home.
He went to school during that time too. Do you think his classmates didn't notice that putrid smell? And do you think every single one of them knew what death smelled like- and would they have been respectful enough to leave him be?
And imagine, when he became a ninja, him having to face that scent again. Plus- would he ever have been able to forget it? A scent so strong you can taste it, it makes your eyes water. Not only the image of his brother slicing his parents up would have been on his nightmares, but that horrific scent would have infected his nostrils aswell.
Just something to think about.
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truly a horrible day to be both a gojo and yuta enjoyer... "haven't we been pushing all the burden of becoming a "monster" onto gojo sensei alone? if gojo sensei is gone, then who else will be the "monster"?"
YUTA was there when gojo had to kill his best friend. he knows what the jujutsu society forced his teacher to do, become a "monster" and throw away the very last vestiges of the humanity he had possessed. that's why he tries to kill kenjaku, in his own trying to lessen some of gojo's burden. gojo basically names yuta his successor in shibuya. the fact that he has to use gojo's corpse isn't out of character, it's the TRAGEDY that plagues both of their existence..
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this panel isn't just his visceral reaction to gojo's death. it is his slow, horrific, catatonic realisation of his succession as another "monster" and thus what he has to do...
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if i cannot be wanted
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i will be needed
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and if i cannot be needed
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let me be used until there’s nothing left of me
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THE FRUITS BY PARIS PALOMA I LOVE HER
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"angel, " he calls me does he know that I'm falling from a precipice that I tripped off long ago?
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「 Read it again. 」
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「The story 'Life and Death Companions' wants to continue.」
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cant let gang know i fw this
“You’re in love with him,
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“And he’s in love with you,
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“And it’s like a goddamn tragedy,
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“Because he looks at you and sees the stars,
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“And she looks at you and sees the sun.
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“And you both think the other is looking at the ground.”
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Quote from @lostcap
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this doesn’t excuse the trope but it does shed light to why it’s more of a kishimotos writing fault than the actual characters. that is how he has decided women work in naruto 🤷‍♀️
Thinking again about how Sakura and Tsunade are depicted as violent women for comedy relief purposes and how much it links to their value as people in the war setting of Naruto.
Let's start with the obvious: In Naruto, the more capable of violence an individual is, the more the shinobi system finds them valuable.
That's because they are always at war or waiting to be at war. They need to be a threat in order to be respected and in consequences, defenseless people can't speak without someone with great power or influence willing to back them up.
The Land of the Waves is the perfect example.
Now, it's very important to say that comedy relief moments in Naruto aren't meant to be taken all seriously. They tell us about the characters and their dynamics, but "women beats men" is a trope that most of the time is meant to be taken as a sort of compliment for the female characters of Naruto. It means they are strong and won't take any bullshit, that they are assertive, have a strong personality and generally they are great fighters.
I'm not defending the trope. I don't like the trope myself, but it is what it is.
This sort of "masculinization" of the women of a story is common for older media. "She's not like the other girls!", "she was raised with 5 brothers, so she's very tough!", "she does (insert activity that is associated with the male stereotype) so she worries no man will ever find her feminine enough to date her", blah blah blah.
It is followed by the author stating that they are still very much women, capable of being wanted and being feminine— you know the rest.
Those characters are always overcompensating for some vulnerability of their past. They were or felt like helpless little girls at some point, so they decided to grow strong to prevent anyone from hurting them or their loved ones again.
It doesn't matter if their natural positions should have given them some advantage. They were kids and more than that, they were women. It's a given that they were going to be discredited.
In Tsunade's case, she was the granddaughter of the two Hokages, a student of the third one, she was a Senju, a promising medic nin. Yet, it took Dan to speak for her for other shinobis to take seriously her proposal of assigning a medic nin to each team, at least until the war was over.
Tsunade innovated the way wars were fought. It is a fact. What needs to be said about medic nins in times of war is that their services will always work in favor of violence. They save soldiers so they can keep fighting, right? To have the best medic nins on your side makes your tropes terrifying to other countries, 'cause yours would not stay down for long. They would die less, get less sick, it'd be harder to take them down.
Tsunade's first vulnerable moment was when her little brother (Nawaki) died. That's her first time really feeling like a helpless little child. Orochimaru was a strong punch to the gut too, but nothing as bad as losing Dan. She convinced herself that she had put a curse on them by accident and isolated herself.
You remember what she's famous for?
Her beauty, her temperament and her skills.
She's pretty, but don't play with her because she will punch your guts to a new galaxy if you dare.
And that's the joke. Haha, this woman won't let you fool around or disrespect her. She doesn't like feeling like she's being dismissed. In many of the comedy relief situations, Tsunade is punching someone (Jiraiya, Naruto) for being inappropriate when talking to women or existing around women
So it's interesting to think how those scenes were supposed to show the audience that Tsunade was strong and capable and worthy of respect. Look, she is dangerous so it's better not to interrupt her while she's speaking or do not underestimate her for being a women
It was explicitly stated in her fight with Madara, where he called her a weak woman. No comedy there.
Now, those funny-violence gags are not reserved for women. We saw Naruto punch people too because he thought they were being unserious.
I think the real problem comes with the fact that such comedy was maximized with Sakura Haruno
Sakura is the original helpless little girl. Before any other female character, we were presented with a too smart for her own good brat with anger issues who based all her worth on how well she could compete on the social scenario of teenage girls.
In order to understand Sakura, we need to place her side by side with Naruto. They are the hero and the heroine of the manga. They were the first male and female characters we saw being bullied. They were both loud and annoying. None of them thought before speaking or considering how their actions could hurt others. They blindly thought they knew what they wanted, who they liked and who they hated. They had their rivals/best friends and that feeling of not belonging, of always being invisible, of being ignored. Naruto accumulated rage appeared in the form of Kurama, but Sakura had that inner version of herself.
All I'm saying is that Sakura is full of issues and insecurities. Her normal life didn't save her from it, despite what other characters could think.
What was Sakura's arc through Naruto Classic? Do you remember? It was her learning that being shinobis was not a game and that she needed to become dangerous if she wanted to be and do anything in that world of hers. It was not enough to memorize concepts, because applying that knowledge in the safety of a classroom was very different from actually fighting for her life.
Sakura spoke mostly through Naruto back in their genin days. We know she impressed Ibiki Morino with her intelligence and Kakashi gave her some high praise during the Chunning Exams. Those comedy relief was meant to show us that she had the potential, but she needed to learn first.
Turning her into a new version of Tsunade was Kishimoto's way of complimenting her. He gave her the beauty, the strength and the skills. Most importantly, Kishimoto gave Sakura the means to make people shut up and listen to her. There is a reason to consider her within the narrative that doesn't extend to her value to other characters (aka how much team 7 cared about her).
What another example? Think of Temari or Chiyo or Kushina. They are all accomplished kunoichis with attitude and a mean punch.
The contrary is the stereotype of quiet girls who are either made fun of for being weird or get discredited for not being the "violent" type.
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Gaara is truly the Character of All Time
-Introduced as main antagonist in a tournament arc, the terrifying bloodthirsty ninja from a strange desert village who kills without remorse and has survived every mission without getting a scratch on him
-He's 12
-Character design 10/10 he has bright fucking brick red hair, literal raccoon eyes, a face tattoo that says "Love" and carries that weird ass gourd; between the fun elements and the interesting tie-ins to Tanuki Lore, I have never seen a more charming design in my life tbqh
-Immediately more emo and chuuni than Noted Emo Heartthrob Sasuke Uchiha by virtue of reciting weird poetry after killing a guy in cold blood
-We get his tragic backstory and by fucking GOD is it sad. I cry just thinking about it. Literally everything about it is just horrible and devastating.
-Talk No Jutsu at end of the tournament arc, Gaara realizes that he should, in fact, go to therapy and immediately decides to turn his life around
-The first thing he decides to do is apologize to his siblings <3
-Shows up a handful of arcs later with a cool new outfit and becomes friends with the kid he literally tried to murder and nearly permanently crippled in one of the best fights of the entire series
-Liam O Brian's English dub of Gaara is Stellar ya know what. The raspiness of the original appearance morphing into the Deepest Voice That Any Kid Has Ever Had Ever was a genuinely hilarious choice
-Has the only good filler arcs in the old show; he's such a good character that the entire show molds itself and rises to meet him
-Post timeskip he is Desert Ninja President at the ripe old age of 15 and is extremely good at it because he's the weirdest little nerd with no social skills (on account of his tragic backstory) and diligently applies himself to doing paperwork and going to meetings
-Has a fanclub in the village mostly of girls his own age that he never seems to talk to?? Or realize have crushes on him?? Oblivious king we love him.
-Dies in one of the most genuinely moving scenes. Comes back like 20 episodes of fighting later because where would we be without him honestly?
-Becomes Super General Ninja President of the Grand Army of whatever where he accomplishes such feats as forgiving his asshole father and emotionally healing from his childhood trauma, stopping a meteor, and nearly dying a second time.
-Collects cacti as a hobby
-Has the only good sequel series arc where it's revealed that in addition to continuing to serve as Desert Ninja President, he's decided to adopt a couple of orphan ninja kids so that he can break the cycle of parental neglect and stupidity that created his tragic backstory in the first place.
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