tinker-jae-spam

[tinker-jae-spam]

boyfailure yaoi my heart my soul

Pt 2 to this https://www.tumblr.com/gerblinbones/735091082559471616/is-this-anything i <3 boyfailure yaoi

[tinker-jae-spam]

giving me life rn

Is this anything

[tinker-jae-spam]

This is really fucking important

Postcards we will be selling to raise money for our local homeless friends to survive the winter. Sales will be in person only. You can contribute by helping out the homeless people in your area!

Had a lot of fun drawing these! Will post them individually as well.

[tinker-jae-spam]

Our sample pack for Doctors Without Borders (MSF) is finally out! Thank you for your patience, questions, and of course for all the artists who submitted their work! And it's a lot of them - the sample pack consists of 205 tracks by 40+ artists/bands/even art residencies! Donate, download, and have fun creating your own stuff with the use of these amazing and original sounds.

How to get the album? Please DON'T buy it on Bandcamp (hence the super high price) - donate any amount of money to Doctors Without Borders and e-mail us your receipt or a screenshot confirming your donation. We will send you your personal download code in the next 24 hours.

Stay tuned for we might have a fun little project/challenge regarding these samples! More news soon!

[tinker-jae-spam]

Happy I got to see this on my fyp today. I love computers and machining :)

I have determined that milling is specifically for people who think computers are too easy.

I had a problem today, my block wasn't sitting perfectly straight in the vice. The way in which I kept fiddling with and adjusting different things reminded me of trying to fix audio issues on a PC, but with the following substitutions:

In order to check the volume of your mic, you must turn two different cranks and watch for very subtle variations in a spinning thing's position. You must turn one of the cranks and imperceptible amount.

In order to unplug your mic and plug it back in, yank really hard on a wheel, then fiddle around with your fingers in a narrow gap, grab a paintbrush off the rack, and tap things with a 10-lb mallet.

In order to reboot your computer, get on a step stool, use a wrench to unscrew a long bolt, get down off the step stool, get a different tool, climb back up, and screw the bolt in again.

[tinker-jae-spam]

CHILCHUCK TIMS SAYS WORKERS RIGHTS!!

Inspirational words for freelancers, hourly paid workers and salarymen alike

(There will be stickers, watch this space :,,)

[tinker-jae-spam]

Need him 💖

Likes me a man that can cook

🥰 yet another Senshi because I’m enamored w that dwarf

[tinker-jae-spam]

The Oghma Infinium from Skyrim. This book is a powerful Daedric relic belonging to Daedric prince Hermaeus Mora. You can only read the book once (this is the single page shown) before it disappears back to his realm in Oblivion. 

[tinker-jae-spam]

Fujimoto has never talked so much about love as in this chapter 

This chapter is incredible, not only for the multitude of answers it offers but also for the beauty of its writing on first reading alone. 

It opens with a man who appeared in chapter 101 of CSM, as passers-by passively walked past him, this stranger was actually right: humans, one of whose major causes of death are demons, are leading to a cold war (ironic to talk about a Cold War for a manga set in the 90s)

But it's as if the whole of society refuses to notice, that everyone hides behind Chainsaw Man and consumes all these derivative products like lucky charms. Chainsaw Man embodies a demonic anomaly, a demon at the service of the people who make them forget this war. 

And that's exactly why Yoru has a grudge against him. Chainsaw Man is an instrument of peace, wielded in times of peace and sacrificed in times of war. Chainsaw Man is there to make us forget the conflicts or become the scapegoat, in either case, he is there to make us forget the war in which humanity is trapped.

A machine into which all hopes are projected, cries of suffering directed, whose childlike quality is seen only by the predators who exploit him constantly. 

What we need to see in this dialogue between Nayuta and Fumiko is a struggle for domination. As we have seen, Fumiko is someone who, despite her aggressions, drowns them in a constantly contradictory protection: she wants to protect a child, but moleste Denji, plays a game in which she places him as older in order to hide her predation, and has saviour syndrome.

Fumiko thinks she's easily understood the nature of weapons, she's sensitive to Quanxi's bodily sacrifices and only repeats to the one she's abusing like an unrestrained fan of a child. Fumiko is the symbol that even when she belongs to the same camp as those she intends to protect, she still can't understand them.

She thinks it's either Nayuta who finds humans weak, or the fact that Barem supports Denji's demonic quality, that they are threats to his well-being when they are the ones who know him best. This is normal, because the strategy of public hunters is to bank on Denji's human side, but this strategy is not enough.

In chapters 136 and 137, Denji is mistreated when he's playing as a human being, getting into fights at school, being treated badly by his teachers, molested when he was thinking about a date at the cinema, and the closer he gets to normality, the more he suffers.

She symbolises not only Denji's sexual trauma, but also the paradox of the hunter system: a system that intends to offer Denji a family framework, but which is not only failing but also traumatising.

Nayuta says she wouldn't kill humans because they're weak compared to demons anyway. It would be as boring as killing ants! It's a continuation of Makima's point that the demon of control isn't interested in things that can be mobilised or easily controlled, it's powerful demons like Pochita that she wouldn't be able to control. Because the only way to establish a link for this demon is to find a demon as powerful as her, of her rank. Nayuta's superiority complex is always balanced against Denji's inferiority complex.

While the demon of control is only interested in demons, the demon who was martyred by humans cannot conceive of himself without them, but we'll come back to that later. 

I just want to point something out: isn't it paradoxical to reproach Denji for the education he gives Nayuta when Fumiko is supposed to regard him, as she claims, as a child? Once again, Fumiko is in constant contradiction, protecting by controlling and attacking, conceiving of a child as an adult, she is the hold over a child she can't help but see as a weapon while vouching for his condition. 

What's more, Fumiko's thinking is purely human, not universal like Denji and Nayuta. For them, feeding the dogs and their cat is a mission of the utmost necessity, it's like acting to protect one's family, whereas Fumiko refutes this.

Denji has been considered a dog for part of his life, and has bonded and merged with a demon in the shape of a dog, which is the first form of love he received: it was not humans who first gave Denji love, but animals. In the same way, the demon of control likes to form a relationship with dogs who take pleasure in their domestication, either as a form of denunciation or as a clearly established hierarchy. 

Fumiko proves that human sensitivity only stops at their peers, while the rarer demonic sensitivity is more universal and intense, whether it's treating animals as precious beings or forgiving unforgivable acts like Denji's continued love for Makima.

The fact that Denji and Nayuta appear to have no moral barriers is what allows them not to be prisoners of their own, and to conceive of love more extensively, whether it be harmful or inter-species. 

All this just goes to prove Barem's point that, as a weapon, he has a very good understanding of the different species and what they have in common: death is what binds us together.

When humans no longer find interest in a figure, it is destruction that attracts them. In other words, it's intrinsic to them. Even when they have been spared the demon of fire, they intend to spread it. Isn't it ironic, then, that Fumiko intends to protect two demons at the expense of their animals? Humans only see the world in terms of hierarchy, whereas demons and animals recognise that there is more to it than just a food chain. 

Nayuta's emphasis on the exhilaration that comes from abusing and killing demons is spot on. In chapter 137, Denji had fun beating up all those men, even concluding that "this" normal life wasn't so bad. Why was that? Because it's the daily life of a demon.

Denji, who belongs to both camps, has human needs just as much as he has demonic needs, so Nayuta has a point. But just as living solely as a human doesn't satisfy Denji, acting solely as a demon doesn't work any better. 

Denji works through the concrete, through sensations, and what he materialises through his senses, the fact being that he's had at least one kiss without any major damage with a human his own age.

Just a harmless touch is what allows Denji to connect with humanity as a whole, to be sensitive to their plight, even though he has no morals and takes pleasure in human suffering.

It wasn't until Denji struck up a relationship with Aki and Power for the first time that he was able to feel human and stop feeling like an animal. We are empathetic to the fate of those who resemble us, Denji is a universal being, animal, human and demon, he is the one who brings these different worlds together. Barem is right: death is what binds species together. But Pochita and Denji are the symbol that love can also be a common denominator. 

The fact that he thinks of Asa is symbolic because, without knowing it, she is the one who understood the plurality of species in Denji. She began by dehumanising him, Denji's animal phase, placing him below the cat (proof that she too places animals before men), then she had budding feelings for Denji before being disturbed by Chainsaw Man. 

That's why Chapter 101 is so important to understanding this chapter: because in it, Asa makes friends with both humans and demons, getting to know Yuko just as she does Yoru. She is not outraged by the idea of killing, as Yoru asks her to do, having put aside her human nature and accepted the world as it is, which is ruled by death.

But she is no fatalist, and in the face of a demon, she protects Yuko, continuing to love despite her mistakes "as long as her heart is in the right place". What matters is not so much our actions as the cursor through which we place ourselves to apprehend the world. 

Relationships are full of mistakes, imperfections, misunderstandings and a game of dominance. Denji doesn't realise it, but the one who kissed him wasn't Asa but Yoru, and it was for a bad purpose: to turn him into a weapon. Paradoxically, in wanting to make Denji a weapon, Yoru conceived him as he was, a hybrid being, a weapon. It was the first kiss in which he was seen for what he was.

But not only that, just as Asa loves the different natures of the multi-species being that is Denji, so Denji loves Asa's dual nature, what holds him together is as much the memory of the human in the aquarium as the physical contact with the demon inside her.

While Asa, in her desire to protect Denji, was distancing herself from him, hurting him and making him doubt himself, it was paradoxically the demon, with evil intentions, who gave him some peace of mind.

The chapter is called Devil's choice, an expression which means that we only have two choices, that we can't have everything. In this case, that would mean choosing a species, a side. But what Asa and Denji still represent in this Shakespearean symbolism is not belonging to any side, but loving in a universal way.

The rejection of men has opened up other perspectives for both of them, be it the animal or the demonic connection. 

Once again, the answer lies in plurality, in what begins with two: Asa and Denji decide, on the contrary, to have it all, there is no Devil's choice. 

By deciding to bond with animals rather than humans when they lost their parents, Asa and Denji forged a destiny guided by love without barriers.

Their bad experiences - sexual harassment for Denji and bullying at school for Asa - at the hands of adults have naturally created a distrust of humanity that is rekindled by contact between the two of them. It's when Denji and Asa come together that they regain hope, because they are the definition of loving each other fully.

Those who stand in the way of this universal love are the public hunters who avoid this natural crossing.

The public hunters are there precisely to fuel the fight against humans and demons, the link they carry is not love but the other common denominator, death, destruction. Even if it means crossing the moral barrier to exploit children with Yoshida by forcing them to harm other children like Asa, Fumiko being once again the symbol of this danger.

Denji has both human and demonic needs, so he's destined to love Asa because she's both human and harbours a demon with a thirst for violence. Chainsaw Man was used to make us forget the war, but by loving the demon of war, they both unravel.

Only Chainsaw Man and the demon of war can conquer death, because love is the second common denominator that links the species. Why? Because everyone has a heart. Even demons. Who not only have one, but become one.

[tinker-jae-spam]

Thank you for making this post, you put into words something I've thought about in the back of my mind for years.

All useful things turn to shit when you privatize them.

[tinker-jae-spam]

I LOVE YOU ORANGE ACCENTS

THANK YOU ORANGE ACCENTS

[tinker-jae-spam]

check it

hello everyone, it is shameless self promotion time!!

if you like this blog, you might also like some of my others:

hugyourcomputer, a general techcore blog featuring more modern technology (though some retro stuff is there as well)

cutecomputers, more techcore but with a cute/kawaii aesthetic

machine-guts, dedicated to the insides of computers, circuit boards and the like

cats-and-computers, which is…images of cats and computers together. pretty straightforward

also, somewhat less often updated but still relevant:

irreversibleglitch, a glitchcore blog that’s also sort of an aesthetic for a glitchy semi-evil AI

welcome-to-my-page, a blog primarily centered around that old internet aesthetic

evildotexe, a blog with an edgy, evil AI/virus sort of aesthetic

check ‘em out!!!

[tinker-jae-spam]

let me kiss them all bro

fat trans men I am telling YOU 🫵 that you are part of an elite group known as the coolest motherfuckers on the planet

[tinker-jae-spam]

TECHNOLOGY STIMS MY BELOVED this is cools hit tho

magnets and an old mac classic

[tinker-jae-spam]

hee hee hooho

Web Celebs

Minecraft streamers, Dropout stars, and D&D enthusiasts, all in one neat and tidy list.

Grian

GoodTimesWithScar

Hatsune Miku

Ryan Bergara

Shane Madej

Wilbur Soot

Brennan Lee Mulligan

Jerma

TommyInnit

Philza

Quackity

Solidarity Gaming

Crumb

EthosLab

Technoblade

TangoTek

PearlescentMoon

Ranboo

SmallishBeans

Mumbo Jumbo

Dreamwastaken

Slimecicle

Zombiecleo

BdoubleO100

Inthelittlewood

impulseSV

Tubbo

Smajor1995

Laura Bailey

Docm77

Markiplier

Marisha Ray

GeorgeNotFound

Lou Wilson

Cellbit

Amaury Guichon

BadBoyHalo

Joe Hills

GeminiTay

Skizzleman

Rendog

Maia Arson Crimew

Sam Reich

Ashley Johnson

Matthew Mercer

Jaiden Animations

Foolish Gamers

Aabria Iyengar

Zac Oyama

FalseSymmetry

Siobhan Thompson

Emily Axford 

Sam Riegel

Travis Willingham

B. Dylan Hollis

Sapnap

LDShadowLady

Alan Becker

Jacksepticeye

Brian Murphy

Taliesin Jaffe

Bigbst4tz2

Jenna Marbles

F1nn5ter

Daniel Howell

El Mariana

Thomas Sanders

Baghera Jones

AmazingPhil

Kagamine Rin

Wayneradiotv

Hbomberguy

Shubble

Tom Cardy

Sneegsnag

Isabella Roland

CrankGameplays

Chris Fleming

Niki Nihachu

TinaKitten

Aimsey

Steven Lim

Karl Jacobs

Eret

Brian David Gilbert

Jschlatt

Misstrixtin

Adrian Bliss

Jack Manifold

Awesamdude

Kagamine Len

SnapCube

Punz

Skweezy Jibbs

Megurine Luka

Aphmau

Julien Solomita

Rhett and Link

Colleen Ballinger

Bigolas Dickolas Wolfwood

This is a newly-combined list! Yay!

[tinker-jae-spam]

Here is a philosophy

i am eepy.

uhhh let's make this quick. basically, hee hee hoo hoo. If you take the existentialist mode of thought. Oh wait hold on before I forgot. right so if you take the human mode of thought, not saying there is a default but I guess my mode of thought, looks like it traces back to ancestors in caves, survival, that sort of thing. We(i mean myself) have an innate ability to solve problems, overcome stuff, and think outside of the situation we find ourselves in. anyways I think that's pretty dope, I think that humans are by default, worth living for. Or rather it is worth it to exist. Listen wait here's a premise. I do philosophy mostly for myself and my family and friends, so I don't like generalizing, when I say we I refer mainly to myself and close people I knows experiences. Life is worth living. I think that people have inherent value just by being and it is worth seeking out an existence in this world. However I do think people require meaning, some rhyme or reason or whatever. Not like in the way a fork is made to eat. I think humans are made to exist, and create their own meaning. To be is meaning enough. However certain people seek out that meaning in different ways. Activism, religion, careers, crafts, shit like that. Me personally I think you build your own meaning block by block and that it's not so simple or visible just due to the way that time and life works. Meaning is like a couch, you can see a couch, but you can't see it on all sides, you're always only seeing part of the couch, not the whole thing. That sort of thing. Anyways yeah build your own meaning or whatever I wounder what mine is gonna be when I build it. Building it soon guys I swear. Existentialism is cool ;]

part 2, end.

[tinker-jae-spam]

Yoyoyo

yeah okay whatever, been doing silly. So, here's the deal I guess? I had an idea I stole from a video, that reminded me of something. Your head is a great place for ideas and working on small, specific bits of stuff, but on it's own it can be difficult to process bigger concepts. It takes more time, more energy, shit like that.

Anyways we're thinking about some pretty big concepts here so this is a reminder that it is okay to utilize tools. Humanity's survival has relied on tools for millennia, so it seems reasonable that to achieve something big and new, you'd use the big and new tools available to you. It is okay to use tools, our ancestors have done that for thousands of years.

I say this because I have been, well, kind of depressed. I don't mean just plain old, "wahhh I'm so sad :((((" depression. I mean like real, "god what am I doing here, why do I exist, what is my purpose?" And I know, I know, silly questions, but it's okay to be silly, and sad, and to not know where you're going. Not okay to wallow forever, but it's okay to sit in those feelings. To feel what you're feeling and not wince in malice, or misery, or judgement. It is okay, to just, feel. Anyways if you couldn't tell I'm not doing the best. Not horrible but, I feel lost. I don't know where I'm going and you could say "haha welcome to the club pal, it's a boat with a lot of holes but it's called life," but I dunno man. Just, confused. end of part 1.