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20 Compelling Positive-Negative Trait Pairs

Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:

1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.

2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.

3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.

4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.

5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.

6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.

7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.

8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.

9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.

10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.

11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.

12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.

13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.

14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.

15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.

16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.

17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.

18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.

19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.

20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.

These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.

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a writing competition i was going to participate in again this year has announced that they now allow AI generated content to be submitted

their reasoning being that "we couldn't ban it even if we wanted to, every writer already uses it anyway"

"Every writer"?

come on

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WHAT ARE WE?!

WRITERS!!!

WHAT ARE WE GONNA DO?!

WRITE!!!!!

WHEN ARE WE GONNA DO IT?!

((Disgruntled muttering))

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“why do you ship them? I thought the ship wasn’t canon?” bro we’re talking about fictional characters, who don’t actually exist in real life, from a media that focuses solely on fictional events that are not real either. so what if these two made-up characters didn’t kiss in their source material? they have lots of nasty gay sex on archive of our own and thousands of novel length slow burn enemies to lovers fics written about them. the fanon content at this point far exceeds the whole canonical franchise. the problem isn’t “it’s not canon” the problem is that you don’t allow yourself to let go of canon and enjoy the wonder of fan contents that are just as good / valid

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fic writers, put in the tags how often you update your fics

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Me before getting into fanfics: ¨Eh, I don't get the appeal of Chatfics, I mean, if I wanna read chatlogs that much? I can just check my Discord.¨

Me, years later, in the middle of writing my own story and needing to write a group chat chapter for the story:

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This is an appreciation post for the fanfic authors who aren’t included on rec lists

For the fanfic authors who don’t get art of their fics

For the fanfic authors who can’t get to 1000/500/100 hits

For the fanfic authors who don’t get comments/reviews

For the fanfic authors who write for small fandoms

For the fanfic authors who write rarepairs or gen fics

For the fanfic authors who get hate for the ships/characters/fandoms they write

For the fanfic authors who write in English despite it not being their first language

For the fanfic authors who don’t write in English

For the fanfic authors who don’t think anyone reads or likes their work

For the fanfic authors who aren’t big name fans

For the fanfic authors who don’t get requests in their inboxes

For the fanfic authors who can’t write stories that are more than a thousand words

For the fanfic authors who only write one ship

For the fanfic authors who are just starting

For the fanfic authors who have been writing fic for years

For the fanfic authors who use fanfic to practice writing

For the fanfic authors who write self-insert fics

For the fanfic authors who write about their OCs

For the fanfic authors who write to vent or cope

For the fanfic authors who are just waiting for their big break

Keep creating, I love you ❤️

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heard someone say archive of our own should install a "dislike" button and I thought I should say this: no, there's absolutely no need for archive of our own to install a "dislike" button.

why? because archive of our own isn't tiktok or youtube or twitter/x where users can monetize their content. archive of our own is a nonprofit site run by fans for fans, which means every content — every fanfic — you see on archive of our own was made out of pure love and passion from the artists/authors.

ao3 authors write because writing about these characters is their happiness and passion. they write for themselves, but they were generous enough to share with you their creations.

they're not "content creators" the way tiktokers or youtubers or instagram models are. they don't "make content" for views and engagements that can be monetized.

so no, you don't get to "grade their works" unless they specifically and directly ask you to.

you don't get to "say what you dislike about their works" unless they specifically and directly ask you to.

you don't get to "dislike" works that are not made specifically to please you in the first place. you're just a guest in someone's house, a house in which they let you in because they were kind, you don't get to roam around their house and say what you dislike about their furniture. you don't get to roam around their house and say you "dislike their house".

of course, you can have your opinion about the house its host invites you in. but if it's a negative one and you find yourself not liking the house, the polite things for you to do is excuse yourself and leave without telling them you dislike their house.

and just because you personally dislike the house doesn't mean the house is "ugly" either. the house you dislike could be a favorite, most luxurious place to many others.

my point is, don't be entitled by wanting the rights to voice your disapproval of things that you get to enjoy for free. don't be entitled by wanting the rights to voice your disapproval of things that were made out of love and passion — things the artists made for themselves for fun.

it makes you look like an entitled jerk with main character syndrome. the universe does not revolve around you.

now repeat after me: don't like don't read. no one forces you to continue reading a fic you don't like. quietly leave instead of being rude to authors who write for free because writing is their source of comfort.

people are so used to contents that were made because it's a trend / contents like tiktok that were made with the main purpose of reaching high engagement and making profits that they forget sometimes things can be made out of love and be made just for fun. sometimes things are supposed to just be for people to enjoy, and if some people don't enjoy them, then they can simply leave without being unnecessary unkind.

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my 10 holy grail pieces of writing advice for beginners

from an indie author who's published 4 books and written 20+, as well as 400k in fanfiction (who is also a professional beta reader who encounters the same issues in my clients' books over and over)

show don't tell is every bit as important as they say it is, no matter how sick you are of hearing about it. "the floor shifted beneath her feet" hits harder than "she felt sick with shock."

no head hopping. if you want to change pov mid scene, put a scene break. you can change it multiple times in the same scene! just put a break so your readers know you've changed pov.

if you have to infodump, do it through dialogue instead of exposition. your reader will feel like they're learning alongside the character, and it will flow naturally into your story.

never open your book with an exposition dump. instead, your opening scene should drop into the heart of the action with little to no context. raise questions to the reader and sprinkle in the answers bit by bit. let your reader discover the context slowly instead of holding their hand from the start. trust your reader; donn't overexplain the details. this is how you create a perfect hook.

every chapter should end on a cliffhanger. doesn't have to be major, can be as simple as ending a chapter mid conversation and picking it up immediately on the next one. tease your reader and make them need to turn the page.

every scene should subvert the character's expectations, as big as a plot twist or as small as a conversation having a surprising outcome. scenes that meet the character's expectations, such as a boring supply run, should be summarized.

arrive late and leave early to every scene. if you're character's at a party, open with them mid conversation instead of describing how they got dressed, left their house, arrived at the party, (because those things don't subvert their expectations). and when you're done with the reason for the scene is there, i.e. an important conversation, end it. once you've shown what you needed to show, get out, instead of describing your character commuting home (because it doesn't subvert expectations!)

epithets are the devil. "the blond man smiled--" you've lost me. use their name. use it often. don't be afraid of it. the reader won't get tired of it. it will serve you far better than epithets, especially if you have two people of the same pronouns interacting.

your character should always be working towards a goal, internal or external (i.e learning to love themself/killing the villain.) try to establish that goal as soon as possible in the reader's mind. the goal can change, the goal can evolve. as long as the reader knows the character isn't floating aimlessly through the world around them with no agency and no desire. that gets boring fast.

plan scenes that you know you'll have fun writing, instead of scenes that might seem cool in your head but you know you'll loathe every second of. besides the fact that your top priority in writing should be writing for only yourself and having fun, if you're just dragging through a scene you really hate, the scene will suffer for it, and readers can tell. the scenes i get the most praise on are always the scenes i had the most fun writing. an ideal outline shouldn't have parts that make you groan to look at. you'll thank yourself later.

happy writing :)

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fanfic writers are so fucking awesome man. they write novel length fics that are sometimes even better than some published bestselling books written by professional writers. like fanfic writers are professional writers to me and they gift us their masterpieces for free. they give us something we can look forward to after a long day. something from which we can seek comfort when life is hard. something that can be our own little getaway. in a world of capitalism, despite everything, they give us all of these for free. like holy fuck. shout out to every fanfic writer. I wish all fanfic writers a very ‘I love you with all my heart and soul. I thank you from the bottom of my heart’

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no way ppl are using ai to write ao3. what happened to being a tortured writer. what happened to blood on the page. what happened to the ao3 curse. people used to get run over, have their houses burned down, break their entire spines and they still put in the work to finish a chapter. fuck you, using ai. y’all are weak

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Come back, I have to tell you the plot of a fic I’ll never write and get you excited about it so we can all be disappointed with me later

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Reasons Why 80% of Romantic Plots Fall Through.

Haven't you wondered why a romantic story you have so much hope for suddenly flops? Whether it's yours or not, let's see what could be the problem.

• Relying Too Much on the Outcome

Unfortunately, no romance is complete without an arc. In other words, it is more than just the intimacy. When writers don't allow the relationship to develop naturally, it feels forced. Rushing to the final romance without building a solid foundation will make the story feel shallow and unconvincing. Take your time, flesh out the idea, and follow the plot gradually.

• Creating Unnecessary Victimization

I often see writers make the mistake of portraying one character as too weak or pitiful only for the sake of it. This unnecessary victimization can undermine the character's depth and make the story less compelling. Your readers won't cry along with a female character whose decisions are pretty sour compared to a five-year-old. It's just simply annoying.

Instead, both characters should have strengths and weaknesses, make realistic decisions, making them more relatable and balanced.

• Cringy Conflict.

Realistic conflict is essential for a compelling romance. Over-the-top or contrived conflicts can make the story feel forced and cringy. Conflict should come naturally and blend perfectly into the plot. It's not advisable to pop a challenge that's definitely not necessary in the name of 'keeping the stakes high.'

Rather, focus on creating believable challenges that the characters must overcome, adding depth and authenticity to the plot.

• Neglecting Other Emotions Outside Romance.

It's not only about love, or roses, or dinner nights, or lucky dates with the billionaire. Show the other emotions fighting for dominance: the hurts, pains, joy, frustration, desperation, anger, sadness, jealousy, anxiety, or even moments when a character falls out of love with the other and can't understand their feelings.

Focusing solely on love can lead to a one-dimensional story. For a well-rounded narrative, explore these emotions to create a richer and more immersive experience for the readers.

• Underdeveloped Characters.

What's a story without a fully-fledged character, especially if they are the main character in a story?

You might have heard people talk about the importance of backstories and others saying too much of it tires them out, but here's the thing—balance. It's what people fail to incorporate. I'll try to cover this in any of my upcoming blog posts. Follow to keep up.

To better understand why we should cry for, laugh with, pity, admire, adore, scold, yell at, advocate for, and smile with your character, we need to know why they are what they are, who they are, and why they make the choices they make.

It's important to create characters with distinct personalities, backgrounds, and motivations. When readers care about the characters, they become more invested in the story and its outcome.

And that's my Christmas gift from me to you 🎁. Merry Christmas 🎄

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