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We looked inside some of the posts by xxkingcrustxx and here's what we found interesting.
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14
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Stabbing - Ravenous Psychotic Onslaught (2021, Comatose Music)
#saw em live with 200 stab wounds last year#killer performance even tho their vocalist couldn’t be there xp
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#punk#crust punk#crust#mincecore#grindcore#punk aesthetic#photography#anarchopunk#aesthetic#noisecore#stenchcore#edgy#me n my bro went full mince gang and took a bunch of stupid pics while drunk xp#I’ll edit and post more probs but I’m also a lazy Fuck#go be cringe and listen to shitty music with ur friends it’s peak living#my edits#my shit#SoundCloud
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// SLOGUTIS - SLOGUTIS //
#slogutis#punk#hardcore punk#hxc punk#crust punk#crust#chain punk#death rock#blackened punk#black metal#no wave#grindcore#music#music reccomendations#music recs#Bandcamp#album#my shit#noise not music
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Racism starts with a twisted idea
Genocide starts with the squeeze of a trigger
Both are easy to do
Both are fucking stupid
#dystopia#crust punk#lyrics#punk lyrics#punk#music#music recs#anarchopunk#anti capitalism#antifascist#dystopia band#ignorance of pride#anger#crust
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"Stations of the Crass" is the second album by Crass, an English anarcho-punk band, released in 1979. It is an excellent example of the cut-up/collage aesthetic used by the collective, with strong influences from Dadaism and political surrealism, also referring to protest art and subversive propaganda.
The chaotic and violent composition, such as the figure decapitated by a revolver and the woman apparently in panic, reflects the moral collapse of a society ruled by institutional violence, the media and patriarchy.
The nude figures arranged in aesthetic positions refer to the exploitation of the female body in Western culture, criticizing both pornography and passivity in art and advertising.
The child pointing a gun and the animal (apparently a snake or an animal skull) refer to the animalization of human behavior and the loss of innocence from an early age, fueled by an armed and authoritarian society.
A parody of the "Stations of the Cross" (Via Crucis, or the Stations of the Cross, in the Christian tradition). It mocks the sacralization of suffering and obedience in society, something that Crass has strongly attacked, including institutional Christianity as part of the oppressive system.
The graphic aesthetic of the cover, made by Gee Vaucher (artist for Crass), is deliberately confusing, uncomfortable and loaded with symbolism. Its purpose is to provoke, shock and destabilize, a visual attack on normativity and conformity.
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from greggdeadface of Choke
#anarcho#anarchopunk#punk#crust punk#poetry#punk poetry#lyrics#punk lyrics#hardcore punk#antifascist#anti capitalism#queer punk#trans punk#fuck the system#fuck politics#I’m sick of it all#but thank god for music#my posts
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