#Estimation Techniques
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asestimationsconsultants · 3 months ago
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How a Cost Estimating Service Prevents Budget Overruns in Government Projects
Government projects, from infrastructure development to public sector building projects, are often large in scale, highly complex, and come with strict budgetary constraints. In such projects, ensuring that financial resources are properly allocated and spent is critical. One of the most effective tools in preventing budget overruns in these projects is a cost estimating service.
A cost estimating service helps government agencies and contractors accurately predict the financial needs of a project, helping to prevent overspending, misallocation of resources, and financial surprises that can derail projects. In this article, we will explore how a cost estimating service plays a crucial role in preventing budget overruns in government projects.
The Importance of Accurate Cost Estimation
In government projects, budgets are often fixed, and any deviation from the allocated funds can cause significant delays, loss of public trust, or, in some cases, legal consequences. This makes accurate cost estimation a key element in project planning and execution. Poorly estimated budgets are one of the leading causes of budget overruns. A cost estimating service provides the necessary expertise to predict costs accurately and manage risks effectively throughout the project.
How Cost Estimating Services Help Prevent Budget Overruns
Accurate Initial Cost Forecasting
One of the primary roles of a cost estimating service is to create a detailed, accurate initial cost forecast. This involves gathering data from multiple sources, including historical project costs, labor rates, material prices, and other essential elements that contribute to the total project cost. The cost estimator uses this data to generate a comprehensive budget for the project that reflects both direct and indirect costs.
By developing a clear and detailed initial cost estimate, a cost estimating service helps government agencies understand the financial scope of the project and ensures that they allocate resources appropriately. Without this accurate forecasting, the project could face unexpected financial challenges down the line, leading to costly overruns.
Identifying Potential Risks Early
A key benefit of using a cost estimating service is the ability to identify potential risks and financial challenges early in the project. Estimators are trained to consider various scenarios that may lead to budget issues, such as increases in material costs, supply chain disruptions, and delays caused by weather or regulatory issues.
By identifying these risks early, cost estimators can factor them into the project budget and propose contingency plans. For example, if the cost of a key material is projected to rise, the estimator can adjust the budget to accommodate this increase. This proactive approach helps to prevent surprises that could lead to cost overruns during the project's execution.
Real-Time Budget Monitoring and Adjustments
Once the project is underway, the cost estimating service continues to play a key role in monitoring the budget in real-time. By tracking actual expenditures and comparing them to the original estimates, cost estimators can identify discrepancies and take corrective actions quickly.
If costs are higher than anticipated, the estimator can work with the project manager to adjust the budget, reallocate resources, or find cost-saving opportunities to keep the project within financial constraints. Real-time monitoring allows for adjustments to be made in a timely manner, preventing small issues from snowballing into major budget overruns.
Detailed Breakdown of Costs
A cost estimating service provides a detailed breakdown of costs, which is especially important for government projects that require transparency. Each aspect of the project—whether it’s materials, labor, equipment, or overhead—can be tracked and monitored separately.
This level of detail allows stakeholders to see exactly where money is being spent and identify areas where costs might be higher than expected. For example, if labor costs are consistently exceeding estimates, the project manager can investigate the cause and implement measures to reduce these expenses.
By breaking down costs into clear categories, a cost estimating service helps ensure that resources are used efficiently and that there are no hidden or unnecessary expenses. This transparency helps prevent budget overruns and ensures that the project remains on track financially.
Integration with Project Management Tools
Many modern cost estimating services integrate with project management software to provide seamless tracking of both costs and progress. These tools allow real-time updates and visibility across different project phases, ensuring that all stakeholders, including government officials, contractors, and project managers, have access to the latest financial information.
This integration allows the project team to monitor expenditures against the budget as the project progresses. It also facilitates communication between different teams, which helps in addressing financial issues as soon as they arise. By using integrated tools, government projects can stay on track and within budget.
Providing Accurate Change Orders
Changes in scope are common in large government projects, whether due to regulatory adjustments, design revisions, or unforeseen issues. Each change can have a significant impact on the project budget. A cost estimating service helps manage these changes by providing accurate cost estimates for change orders.
When a change is requested, the estimating service can quickly assess how it will affect the overall project budget. This allows stakeholders to make informed decisions about whether the change is feasible within the existing budget or if adjustments need to be made. By evaluating the financial impact of changes before they are implemented, the cost estimating service helps prevent the project from exceeding its budget due to uncontrolled changes.
Ensuring Compliance with Regulations and Guidelines
Government projects often have strict regulations and guidelines regarding budget management and expenditure. A cost estimating service ensures that the project remains in compliance with these rules by adhering to established budgeting standards and reporting requirements. This is crucial for preventing budget overruns that may arise from non-compliance or mismanagement of funds.
By ensuring that all estimates are accurate and that costs are tracked according to regulatory standards, the estimating service helps government projects avoid penalties or delays caused by budget mismanagement.
Creating Contingency Budgets
One of the most important tools in preventing budget overruns is the use of contingency budgets. A cost estimating service helps create a realistic contingency budget that accounts for unforeseen costs or changes that might arise during the project.
Contingency budgets act as a financial cushion, providing the project with the flexibility to handle unexpected costs without exceeding the overall budget. By allocating a percentage of the total budget for contingencies, a cost estimating service ensures that the project is prepared for any surprises that may occur during construction or development.
Conclusion
Budget overruns are a significant challenge in government projects, where financial resources are often limited and must be used efficiently. A cost estimating service helps prevent these overruns by providing accurate cost forecasts, identifying potential risks, and offering detailed breakdowns of expenses. With real-time monitoring, accurate change order assessments, and the creation of contingency budgets, a cost estimating service ensures that government projects remain financially on track from start to finish. By using a professional cost estimating service, government agencies can reduce the risk of budget overruns and ensure that taxpayer funds are used effectively to complete projects on time and within budget.
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amdentalarts · 22 days ago
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rosakikoz · 2 months ago
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Fixing Car Scratches: Average Costs and Tips
Learn More Understanding Car Scratches and Their Impact Car scratches are not just aesthetically displeasing; they can also lead to more serious problems if not addressed. Whether they appeared while parked at a shopping center or happened on the road, discovering scratches on your car can be frustrating. Understanding the different types of car scratches is essential for determining the…
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origami-mama · 3 months ago
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Après mon accouchement et en pleine crise du Covid, j’ai vu ma confiance en soi s’effondrer. Peur de mal faire, d’être jugée, d’échouer… Et pourtant, j’ai réussi �� la reconstruire, brique par brique. Dans cet article, je te partage : ✅ Pourquoi on perd confiance en soi (et ce que dit la science sur le sujet) 🔬 ✅ Les 3 étapes concrètes qui m’ont aidée à retrouver mon assurance (et qui marcheront pour toi aussi !) ✅ Un bonus spécial pour celles et ceux qui veulent aller encore plus loin… ✨ 👇 Clique ci-dessous pour lire l'article !👇 🔥 Dis-moi en commentaire : quelle situation te fait le plus douter de toi ? Je te donne des clés pour avancer ! 👇 #ConfianceEnSoi #EstimeDeSoi #PasserÀlAction #DéveloppementPersonnel #Mindset #Oser #BienÊtre #ÉnergiePositive #Motivation
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semcoinfratechworld · 9 months ago
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Advancements in Precise State of Charge (SOC) Estimation for Dry Goods Batteries
In the dynamic world of dry goods batteries, accurately determining the State of charge estimation (SOC estimation for dry goods batteries) is crucial for optimal performance and longevity. This article explores two widely used methods for SOC estimation for dry goods batteries: the Anshi integral method and the open-circuit voltage method. By examining their mechanics, strengths, and limitations, we aim to understand each method's suitability for different battery types clearly, highlighting recent advancements in SOC estimation.
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I. The Anshi Integral Method
The Anshi integral method precisely calculates SOC by considering critical variables such as charge and discharge currents, time, and total capacity. This method is a cornerstone of Precise SOC estimation technology and is versatile and suitable for various battery chemistries.
Operational Mechanics
Current Measurement: Accurate measurements of charge and discharge currents using high-precision sensors are fundamental to SOC measurement for dry batteries.
Time Integration: Integrating measured currents over time to determine the total charge transferred utilizes advanced SOC algorithms for batteries.
SOC Calculation: Dividing the total charge transferred by the battery's capacity to obtain SOC ensures Accurate SOC estimation methods.
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Strengths
Versatility: Applicable to different battery chemistries, enhancing Dry goods battery SOC improvement.
Robustness: Resilient to noise and parameter variations, supporting reliable Battery state of charge monitoring.
Accuracy: Provides precise SOC estimation when combined with other methods, contributing to Improving SOC estimation accuracy.
Limitations
Sensor Dependence: Accuracy relies on the quality of current sensors, affecting overall Battery management system SOC.
Temperature Sensitivity: SOC calculation can be affected by temperature variations, necessitating adaptive measures.
Computational Complexity: The integration process can be computationally expensive, impacting real-time applications.
II. The Open-Circuit Voltage Method
The open-circuit voltage method estimates SOC by measuring a battery's voltage when no load is connected. This method is particularly effective for ternary and lithium manganate batteries due to their unique voltage characteristics, representing significant Innovations in battery SOC tracking.
Operational Mechanics:
Voltage Measurement: Measuring the battery's open-circuit voltage is a fundamental aspect of State of charge estimation techniques.
SOC Lookup Table: Comparing the measured voltage to a pre-constructed lookup table utilizes Battery SOC prediction advancements.
SOC Determination: Obtaining the corresponding SOC value from the lookup table ensures reliable Real-time SOC estimation for batteries.
Strengths:
Simple Implementation: Requires minimal hardware and computational resources, making it an Accurate SOC estimation method.
High Accuracy: Provides precise SOC estimates for specific battery chemistries, enhancing SOC measurement for dry batteries.
Temperature Independence: Relatively unaffected by temperature variations, improving overall SOC estimation accuracy.
Limitations:
Limited Applicability: Effective only for batteries with well-defined voltage-SOC relationships, restricting its use.
Lookup Table Dependence: Accuracy depends on the quality and completeness of the lookup table, highlighting the need for comprehensive data.
Dynamic Voltage Fluctuations: Self-discharge and other factors can affect open-circuit voltage accuracy, challenging State of charge estimation.
III. Suitability for Different Battery Types
The open-circuit voltage method is generally applicable, but its accuracy varies depending on the battery chemistry:
Ternary Batteries: Highly suitable due to distinct voltage-SOC relationships.
Lithium Manganate Batteries: Performs well due to stable voltage profiles.
Lithium Iron Phosphate Batteries: Requires careful implementation and calibration for accurate estimation within specific SOC segments.
Lead-Acid Batteries: Less suitable due to non-linear voltage-SOC relationships.
IV. Factors Affecting State of Charge Calculation
Several factors influence SOC estimation accuracy:
Current Sensor Quality: Accuracy depends on high-precision sensors, critical for Battery state of charge monitoring.
Temperature Variations: Battery capacity changes with temperature, affecting SOC calculation.
Battery Aging: Aging reduces capacity and increases internal resistance, impacting SOC accuracy.
Self-discharge: Natural discharge over time can lead to underestimation of SOC.
Measurement Noise: Electrical noise in the system can introduce errors in SOC calculation.
V. Enhancing SOC Estimation Accuracy
To achieve accurate SOC estimation, several strategies can be employed:
Fusion of Methods: Combining the Anshi integral method with the open-circuit voltage method improves accuracy by leveraging dynamic and static information, representing key Advancements in SOC estimation.
Adaptive Algorithms: Real-time data-driven algorithms compensate for changing battery parameters and environmental conditions, enhancing SOC algorithms for batteries.
Kalman Filtering: Advanced filtering techniques reduce measurement noise, enhancing accuracy and reliability.
VI. Impact of Accurate SOC Estimation
Accurate SOC estimation has significant implications across various applications:
Optimized Battery Usage: Avoiding overcharging and deep discharging extends battery life and enhances performance, contributing to Dry goods battery SOC improvement.
Improved Safety: Reliable information on remaining capacity prevents safety hazards associated with improper charging or discharging.
Extended Battery Lifespan: Minimizing stress on batteries prolongs their lifespan, reducing costs and environmental impact.
Efficient Battery Management: Accurate SOC information enables optimized charging, discharging, and prevention of premature failure, integral to Battery management system SOC.
VII. Applications in Various Industries
Accurate SOC estimation finds applications beyond dry goods batteries:
Renewable Energy Systems: Optimizes energy storage in solar and wind power installations.
Electric Vehicles: Predicts driving range and optimizes battery performance, leveraging Battery SOC prediction advancements.
Portable Electronics: Provides reliable information on remaining battery life in smartphones and laptops.
Medical Devices: Ensures reliable operation of battery-powered medical devices for patient safety.
VIII. Future Development
Advancements in SOC estimation can be expected in the following areas:
Advanced Machine Learning Techniques: Analysing data patterns for even greater accuracy.
Battery Health Monitoring Integration: Comprehensive insights into battery performance and failure prediction.
Wireless Communication: Real-time monitoring and remote battery management, enhancing Real-time SOC estimation for batteries.
Conclusion
Accurately estimating State of charge estimation is crucial for optimizing dry goods battery performance and lifespan. Understanding the mechanics, strengths, and limitations of the Anshi integral method and the open-circuit voltage method allows informed selection and implementation for different battery types. As technology progresses, further advancements in SOC estimation techniques will enhance the efficiency and reliability of dry goods batteries across diverse applications, driving forward Innovations in battery SOC tracking and Battery SOC prediction advancements.
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historyofguns · 11 months ago
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In the article "Long Range Shooting with Iron Sights" by Richard Wilkins, published on The Armory Life on August 11, 2024, the author discusses the capabilities of long-range shooting without using high-quality optics, focusing instead on iron sights. Wilkins argues that modern shooters often overlook the precision achievable with iron sights due to the widespread use of advanced optics. Using a Springfield Armory M1A Loaded Precision semi-automatic rifle chambered in 6.5 Creedmoor, the author tests its effectiveness at 500 yards, highlighting the importance of factors like rifle type, optics, ammunition, and environmental conditions in achieving accuracy. He emphasizes the value of zeroing iron sights and recommends using steel targets for immediate feedback. The article also offers insights into setting up shots and the benefits of specific rifle calibers like the 6.5 Creedmoor for long-range accuracy, especially when optics are not an option.
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moe-broey · 1 year ago
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You would not believe how badly history is repeating itself.
#at least i had half a mind to not continue the piece angry. but man. it is deeply upsetting.#a part of me really wants to catch up on feh too but like. i have 'if you're sick enough to stay home#you're too sick to play video games' syndrome. i wasn't even raised like that i do this to myself.#NO fun allowed. accomplish your task or flog yourself over it 10000 times.#whenever i wanna ref heikala's work i should take that as a Sign. that it's so over for me.#i had a coffee but i don't even know what to do now. i'm just going to seethe over it. forever.#like i cannot emphasize how badly i feel like i'm Not Allowed to do anything else.#i feel like there's no way i'm gonna make it. like. i've gotten a p good sense of how much time goes into a piece actually#esp from this experience. not something i've EVER done before. but i do sort of have a measure on it now#and can conceptualize a rough estimate. for like each phase of the piece.#if it were a simplier piece MAYBE. i'd make it. but there are a lot of factors here that are adding to time/effort needed#like i've gotten really good at coloring. but this one requires something slightly different. a new technique essentially#something i think i'd have to practice at least a few dif times to really feel confident in using on a Piece#and in all of this i have to do it x2. i thought i was cheating the way i did it but i think i just made more work for myself.#it's just.... SO deeply upsetting........ bc it's not even a responsibility. this is something that is so significant to me personally.#idk i think you should all throw tomatoes at me and boo me off stage. never let me do this again.
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3liza · 2 months ago
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i said this YEARS ago when the 'vibes based literacy" discussion started because i had been reading about dyslexia to try to help my partner at the time, who was undiagnosed: the book about dyslexia that i was reading described precisely the techniques used in the "contextual guessing" reading education system, but as dysfunctional adaptations by dyslexic children. the contect guessing and memorization thing is a way of teaching entire generations of children to be functionally dyslexic, a profound and devastating disability, when they do not have dyslexia and do not need to have it. it's horrifying. it was how my partner read things, and watching him try to read something out loud was extremely demonstrative of the struggle he was having.
ken goodman probably had dyslexia and didn't know it, it's the most common learning disability in the world, an estimated 20% of all humans on earth have some degree of it.
In the paper, Goodman rejected the idea that reading is a precise process that involves exact or detailed perception of letters or words. Instead, he argued that as people read, they make predictions about the words on the page using these three cues: 1. graphic cues (what do the letters tell you about what the word might be?) 2. syntactic cues (what kind of word could it be, for example, a noun or a verb?) 3. semantic cues (what word would make sense here, based on the context?) Goodman concluded that: Skill in reading involves not greater precision, but more accurate first guesses based on better sampling techniques, greater control over language structure, broadened experiences and increased conceptual development. As the child develops reading skill and speed, he uses increasingly fewer graphic cues.
he's completely wrong, this not how fully literate people read. this is how dyslexic people read. fully literate people are using phonics and the alphabet all the time, that's how we read so fast and so easily, even texts that we're unfamiliar with or that aren't in our native language. i can scan a page of italian, french or norwegian and get the gist of it even though i don't speak the languages. i can sound out those words and pronounce them, even if im pronouncing them incorrectly, just by reading the actual letters and phonemes.
relying on context to predict which word comes next is what leads to the kind of aphasia dyslexics often exhibit not only while reading, but when speaking aloud. my partner would swap words that were contextually correct but not what he actually meant all the time. for example if he wanted me to hand him a blue comb lying nearby on a table, he would say "could you please hand me the green brush?" or if he was describing a cat he saw, he would often swap in another contextually-related word, one that sounded the same, like "bat", or one that was conceptually related but incorrect, like "dog". as a result i had to ask him to clarify or repeat himself many times to figure out what he was trying to say. it created profound problems for him and separated him from me and everyone else. the worst part is that he was barely aware of this. when he was driving it was extremely difficult for him to follow or give directions because he would swap out "left" and 'right" randomly.
you cant actually read like this.
She thinks the students who learned three cueing were actually harmed by the approach. "I did lasting damage to these kids. It was so hard to ever get them to stop looking at a picture to guess what a word would be. It was so hard to ever get them to slow down and sound a word out because they had had this experience of knowing that you predict what you read before you read it."
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asestimationsconsultants · 6 months ago
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How Commercial Estimators Accurately Determine Project Costs
Accurately determining project costs is one of the most crucial responsibilities of a commercial estimator. In construction, the success of a project—whether it’s a large office building, a shopping mall, or an industrial facility—depends heavily on how well the costs are predicted before work begins. An estimator must account for a wide range of variables, including materials, labor, equipment, permits, and unforeseen challenges. This complex task requires a combination of technical knowledge, experience, and the right tools to ensure accuracy. In this blog, we’ll explore how commercial estimators accurately determine project costs and the key factors they consider during the estimating process.
1. Understanding the Scope of the Project
Before any costs can be estimated, a commercial estimator must first have a thorough understanding of the project scope. This means reviewing detailed architectural plans, drawings, and specifications that define the scope of work. It’s essential for the estimator to identify and comprehend every element of the project, including building dimensions, materials, design features, and site-specific requirements.
Estimators often meet with project owners, architects, and contractors to clarify any ambiguities in the plans. Misunderstanding or overlooking certain aspects of the project can lead to underestimation, which can be detrimental to a project’s budget. Therefore, it is critical for estimators to engage in careful discussions with all stakeholders to ensure they have all necessary information.
2. Performing a Detailed Takeoff
A critical part of determining project costs involves the takeoff process. Takeoff refers to the act of measuring quantities from the project plans, which could include the number of square feet, linear feet, or cubic yards of materials required. A takeoff essentially helps estimators calculate the quantity of each material needed for the project.
For instance, if a building requires concrete for its foundation, the estimator will determine how many cubic yards of concrete are needed based on the foundation’s dimensions. This process extends to every aspect of the construction, from the amount of steel for framing to the number of windows to be installed. Accurate takeoff is vital because it serves as the basis for all further cost estimations.
3. Material Cost Estimation
Once quantities have been determined through the takeoff, the next step is estimating the cost of materials. This is often one of the most challenging parts of commercial estimating due to the fluctuating prices of materials. Factors such as location, time of year, and market conditions can impact material costs.
Commercial estimators need to stay up to date with material prices and ensure they use accurate pricing data for every component of the project. They may consult industry databases, supplier quotes, or historical data to determine the current price of materials like steel, concrete, drywall, and roofing materials. Additionally, the estimator must consider delivery costs, potential material wastage, and storage requirements.
4. Labor Cost Estimation
Labor costs are another major factor in determining the total cost of a construction project. Estimators must calculate the amount of labor needed for each phase of the project, taking into account factors such as crew size, hourly rates, and the expected time required to complete tasks.
Labor rates can vary depending on the type of work being done, the region, and union regulations, so estimators need to ensure they account for all these variables. Additionally, they must consider factors such as overtime, the skill level of workers, and productivity rates, as they can influence overall labor costs.
Estimators may consult labor union agreements, wage surveys, or historical project data to accurately estimate the labor costs for specific tasks. Proper labor cost estimation also involves factoring in potential labor shortages or delays, which can increase costs.
5. Equipment and Tool Costs
Construction projects also require a variety of tools and equipment, ranging from cranes and bulldozers to hand tools and scaffolding. Estimators need to calculate the cost of renting or purchasing this equipment, including transportation and maintenance costs.
In some cases, estimators may need to account for equipment downtime or the wear and tear of machinery. For larger projects, specialized equipment may be needed, and estimating these costs can become more complex.
If a project requires equipment that is not readily available, the estimator may need to include additional costs for mobilization and demobilization. These costs can have a significant impact on the overall budget, especially for long-term projects.
6. Contingencies for Unforeseen Costs
No project is free from unexpected challenges or changes. A key aspect of accurate commercial estimating is accounting for these uncertainties with contingency plans. Estimators typically include a contingency percentage—often ranging from 5% to 15%—to account for unforeseen circumstances that could arise during construction.
These contingencies can cover a wide range of issues, from delays caused by weather to price fluctuations in materials or labor. Estimators must ensure that they don’t underestimate these risks, as failing to include sufficient contingencies could lead to project cost overruns.
7. Using Estimating Software and Tools
Modern commercial estimating relies heavily on specialized estimating software and tools to enhance accuracy and efficiency. Estimating software like ProEst, Buildertrend, or Procore allows estimators to input quantities, prices, and project data, and generate detailed cost breakdowns.
These tools streamline the process by automating calculations, helping to avoid human error. They can also access databases with up-to-date material costs, labor rates, and other relevant data, ensuring that the estimator has accurate pricing information. Many of these platforms also integrate with project management software, allowing for real-time updates and collaboration among all project stakeholders.
8. Accounting for Overhead and Profit Margins
Another important aspect of commercial estimating is ensuring that overhead costs and profit margins are incorporated into the estimate. Overhead costs can include things like administrative expenses, insurance, office supplies, and project management costs. These costs must be factored into the overall project estimate to ensure that the construction company remains profitable.
Similarly, estimators must add a reasonable profit margin to the estimate. This margin varies based on the type of project, the level of competition, and market conditions. Adding an appropriate profit margin ensures that the contractor can meet their financial goals while still providing a competitive bid.
9. Bid Preparation and Review
Once all costs are estimated, the final step is preparing the bid. A commercial estimator will create a detailed, organized proposal that includes a breakdown of all costs, including labor, materials, equipment, overhead, and contingencies. This bid is presented to the client for review and negotiation.
During this phase, the estimator may also need to review the bid with other team members or stakeholders to ensure that it aligns with the project’s budget and scope. Adjustments may be made if necessary, particularly if changes arise during the negotiation phase.
Conclusion
Accurately determining project costs is a complex process that requires attention to detail, industry knowledge, and the right tools. Commercial estimators must consider numerous factors, from material and labor costs to contingencies for unforeseen events. By performing a detailed takeoff, staying up to date with pricing data, and utilizing advanced estimating software, estimators can provide accurate, reliable estimates that help ensure the success of construction projects. This precise and thorough approach ultimately helps clients and contractors manage costs, avoid overruns, and complete projects on time and within budget.
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thecubes · 2 years ago
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my unpopular opinion is that first person can be an interesting perspective to read and write AND it doesnt mean that *youre* doing it it means the narrator is writing the story COME ONNN "dont tell me how to think and feel" IT ISNT YOU DUMMY
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livecrow · 6 months ago
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You're out with friends and joke that you're “un-kidnappable”.
John Price and the lads think that’s interesting. 
Soft!Dark!John Price x fat fem reader
cw: debatable self-deprecation, kidnapping, noncon
You don’t recall exactly how it came up. Maybe it was the latest episode of a popular true crime podcast a couple of your friends mentioned listening to the other day.
All the same, while lounging in the familiar bar’s cozy glow, the atmosphere at the table stayed light and relaxed, despite the morbid topic.
Between drinks, your friends detail stories of encounters with dubious men and swap self-defense strategies—anything to avoid an impromptu debut on a Dateline special.
They were mostly the basics. Remember to lock your doors immediately. Keep your phone on you. Never leave a drink unattended. Always travel in groups. Oh, and carry pepper spray. It turns out all of your friends carry some.
Not you, though.
When you are inevitably questioned on the matter, you concede that you have some, "...somewhere."
Your mom gave you a little canister years back. But you don’t actually know where it is, much to the displeasure of your friends. Upon further interrogation, you guessed it’s probably forgotten in a drawer somewhere, lost among AAA batteries, tangled cords of unknown origin, and appliance instruction manuals. 
As one friend suggests the classic keys-between-your-fingers trick, some of the men at an adjacent table laugh.
“Best use for keys when you’re attacked is opening a damn door.”
Apparently, they had been following your conversation. It was the oldest man who spoke, rumbling over the rim of his glass with aplomb that leaves little room for argument. He has a resonance that makes you pause, reminding you distinctly of the distant rolling thunder that forebodes a coming storm. 
The dark, handsome man at his elbow agrees. “'Sides, they’re not brass knuckles. No stability. You’re not actually gonna cause any damage like that.”
“Aye, ye’r better off jus’ takin’ one key an poppin’ the bastard’s een out.” A man sporting a mohawk added with a grin, crudely miming gouging an eye out with his free hand.
“Fine, I’ll punch them out then!” the smallest of your friend group counters, palming her fist loudly while trying to keep a straight face.
That just earns more amusement, of course. The huge masked man at the end of their table scoffs, “Like that you’ll jus’ break your fuckin’ thumb.” He proceeds to instruct her how to make a proper fist. 
It's all in good fun. They’re an interesting bunch, probably military of some sort, you’d wager. Three Brits and one Scot. Your group welcomes the interruption, despite the biggest one of the lot looking particularly murdery himself, decked out in all black and a fucking skull balaclava. 
The gregarious, younger two made up for it. They were all smiles, speaking candidly as if they’d just run into some old friends. Before long you’ve practically joined tables. Why not? After all, the four certainly look like they know what they’re talking about, each man large and brawny.
The younger men did the vast majority of the talking, answering questions and enthusiastically offering techniques to their audience while Voorhees only interjected a brusque retort every so often. Your friends were utterly charmed by the Scot’s cheeky beam and the pretty Brit’s warm eyes as they moved from outlining bodily weak points with an emphasis on “soft targets” to discussing the pros and cons of different weapons.
But there was something about the man who initiated the discourse—some quality. He held an unspoken commanding presence, despite saying little. Here he was, the catalyst of the entire interaction, and yet he seemed content to observe rather than participate. It brought to mind some indifferent, deist higher power.
You estimated he was a decade his mates' senior, give or take. Apropos stormy eyes framed by heavy brows and the beginnings of crow's feet. Odd, antiquated facial hair, wood brown with smatterings of grey. Privately, you thought it suited him—looked distinguished. At some point earlier he caught your gaze.
He introduced himself as “John.” Although, curiously, none of his cohorts called him that or introduced themselves in turn. Not that your friends seemed to mind; that, or they didn’t notice. 
Along with his name, he offered a subdued Duchenne smile that disarmed you, softening his gruff countenance in an instant. For an instant, anyway.
You’d swear that, even in the bar’s low lighting, you caught his eyes twinkle. Some uncharacteristically childish sentiment swept over you for a moment, making you want to believe that the look was for you and that he wasn’t in reality only being polite.
“...honestly, if you have the stomach for it, your best choice is always gonna be a strap.”
The Scot readily agreed with pretty-boy, as he reclined, his chair balancing precariously on just the back two legs. However, they did quibble over the type of handgun, debating various specifications that were gibberish to the rest of you. While they all listen enraptured, only one of your friends really seems truly open to the idea. The rest unsurprisingly remain gun-shy. 
Another friend suggests a taser as a compromise.
“Not for me,” you laughed, “there’s absolutely no way my ass wouldn't immediately accidentally taser myself."
“No mace, no taser, no knife—not even one of those keychain alarms!” your friend groused. “You should have something—”.
Your eyes met again. You and John. Even with the subtle haze of alcohol relaxing you, it felt penetrating. 
Your eyes retreated down to his drink seeking relief. One of his large hands flexed slightly around his glass, thick tendons shifting under the skin and scattered vellus hair peeking over his cuff, dusting as far as his knuckles.
He seemed to be in thought as he took a drink. Whiskey you think it was. His shrewd eyes didn't leave you; maybe he was just looking through you—
“How do you keep yourself out of trouble then, love?” 
His timbre immediately cut through the chatter. If you weren’t feeling so fizzy from the drink, you might feel put on the spot when suddenly everyone’s eyes are singly on you.
You were effectively the token “fat one” of your group. While the rest of this friend group happened to be straight-sized, there was absolutely nothing “straight” on your body. Hell, there was hardly a part of you that didn’t jiggle, at least a little bit.
You didn’t resent it; you were just self-aware. You were perfectly cognizant that you blended in among them about as well as a hippo “blends in" with oxpeckers.
If you were entirely sober, you might be a bit put out, might worry he’s being mean, poking fun at your expense. But no, the alcohol thankfully chased away any anxiety from building in your gut.
Besides, there’s no humor to be found in his expression, no edge of malice in his eyes. None of his mates crack a smirk either, apparently also interested in your answer.
You were mid-sip when the question was lobbed your way, and you used it to stall. You weren’t sure precisely why, but you found yourself squirming in your seat a bit before recovering half a second later. 
“Me?”, you grinned around your straw, cocking a brow. “Trust me, I’m not worried about it. I’m practically un-kidnappable,” you asserted, in a way that sounded suspiciously boastful.
John’s focus remains steady on you, appraising, but the other men share a glance. 
You could have left it at that, but pretty-boy chimed in, brow furrowing. "How do you figure that?" 
You weren’t completely sure that the men weren’t just being intentionally obtuse, but you’d entertain a ridiculous question with a ridiculous response. Flippancy came naturally. 
You carefully set your drink back onto the table. You lean in, voice lowered to a grave tone, biting back mischief that threatened to give you away. “Listen, my strategy is airtight,” you paused. “If some guy comes along, tries something?" You hold again for dramatic effect.
"...Sit on him."
"Oh my god," your friends groan collectively.
But you went on, unfazed. "It's all over for him! Why would I need a weapon when I have positional asphyxia? Besides, if that doesn't kill him, the embarrassment will."
Any outrage falls on deaf ears considering your friends are fighting back grins.
Buoyed, you continue. "It’d be like someone trying to ‘kidnap’ a grizzly bear. I am not gonna get abducted unless the guy just happens to show up with a forklift—", that earns a swat from your friend sitting closest.
"—And if that's how I get caught? Honestly? I’d have it coming if I somehow missed the fucker rolling up and can't, what, power-walk out of there?"
Another friend beseeches, "Be serious!" 
“I am serious!" you shot back, laughing. "Those things go, what, 5 miles an hour, tops?"
Apparently, the rest of the group also found the image of a low-speed fucking forklift chase funny, judging by the Scot's almost spit-take that left him choking a bit. You were pleased that he and pretty-boy had a sense of humor and didn’t bother with the pretense of finger-wagging. 
You were disappointed you didn't get John, though. He only hummed thoughtfully, an odd liminal not-quite frown on his lips that was mostly obscured by his glass as he took another sip. 
Tough customer.
One friend challenges you, “Oh, yeah? You say that, but what if he pulls a gun and tells you to get in the car? What then?”
You pressed your lips together, tilting your head in consideration.
"Well, at that point, I guess I’d have to accept I'm going to die.”
"What?!"
You shrugged, "There's no way I'm getting in that car. You never go to a secondary location. Everyone knows that. Why drag things out unnecessarily when you can die in the street? After all, there are plenty of worse ways to go than by a bullet—besides, at least then my body will be found."
Worried the last bit would have more of a sobering effect on your company than you intended, you pivot and retrieve your drink. You tilt your chin up, gazing off into the distance dreamily, gesturing with your glass.
“My final words? 'Good luck trying to dispose of my corpse, asshole. Hope you know a good chiropractor.'"
With that you slurped down the dregs, ice clinking noisily at the bottom, finally giggling with everyone else at your own joke. Cue lots of your name and "Stop it!"s.
Hell, you even eked out a single low "heh" from Hot Topic that you’ll claim as a proper laugh. You were 3 for 4.
Your friends, bless them, are extremely predictable when you’re so candid self-deprecating. They laugh only to retreat to feigning scandal. When they recover, you’re peppered with more scenarios and protests. 
You’re barely able to suppress an eye-roll at their persistence. "I mean, it's a moot point from the start. I'm not the mark for that kind of thing in the first place."
Before your friends could cut you off, you clarified, “I’m not saying anything bad. I would just be—" you paused, searching for the right word—"an interesting choice." 
"No, I’m not the target demographic for something like that.” You waved a hand dismissively. “I'm simultaneously not preferable aesthetically and not worth the hassle logistically. So that ends up pretty convenient, considering I’d rather not be kidnapped." 
You swabbed the ring of condensation you left on the table with a bar napkin absently. "They want some dainty thing—they don’t want me,” you gestured to your person flippantly. “They want a trophy, but not the 'big game' variety," you gave a lopsided smile.
Your friends’ chastisement was swift, distracting enough that it didn’t quite give you a second to contemplate the strange, tenebrous emotion that was simmering just under the surface of John’s expression or that of his mates’. The nuance was lost on you. 
Mercifully, after experiencing a couple more variations of “You should be more careful!” from your friends, the topic finally changed.
It transformed and split, becoming a bit too chaotic for you to follow in your current state; several simultaneous threads of conversation going at once turned into white noise.
After a while you must have zoned out a bit, because among the din you didn’t notice that John was now sitting near you. He leaned over discreetly, at a respectful distance that still made your head foggy and face warm, voice low.
“They’re right, you know. You might think you're an exception, but you’re not. Is dangerous to think that.” 
You're so struck by the intensity of his steely gaze that you were slow to catch up to the actual words. You couldn’t fathom how blue eyes could feel so searing; you’d swear you could feel their heat. Completely caught off-guard by the sudden seriousness, you struggled with how to respond to that. “I—”
Before you could say anything, you realized the Scot was talking to you, asking you something, reeling you back into the fray.
Time seems to pass differently after that; you have no idea how long it’s been, all talking and laughing, sharing bants. More rounds of drinks. It’s a good time. 
But the night is winding down for you; you can feel exhaustion creeping in. By the time one of your friends’ partners shows up ready to continue the fun elsewhere, you decline the offer.
You hated being seen as a wet blanket, but right now all you wanted to do was go home and take a hot shower. Peel off your “going-out” clothes and change into something comfortable. Maybe order in and catch up on a show. A little, "dolce far niente".
They invited the men too, but apparently they had other plans. Your friends didn’t waste any time pouting, exchanging quick, tipsy goodbyes before heading out.
It’s much quieter after that. Even the light conversation between the men has fizzled out. The small bar that night was particularly slow, consisting mostly of your two groups to begin with. You pull out your phone to check the time, frowning when you find it dead.
“...I can call you an Uber?” John suggests, as you stand.
The silence is loud, somehow. Oppressive. It looks as if the men are waiting. The air is heavy with something unsaid, some kind of significance that’s entirely lost on your fuzzy mind.
You never noticed the inscrutable look Voorhees sends John after he spoke. You’d find too late that a lot of things skipped your boozy notice that night.
Your lip tugs at the offer. “Thanks, but I promise it’s fine. I actually live pretty close.” 
John simply inclines his head, doesn’t press further. As you’re headed to the door, glancing back, you offer an earnest, albeit tired, smile. “Was nice meeting you. Maybe I'll see you around?” 
“Maybe.”
You were barely halfway home before suddenly, out of the darkness of a Cimmerian passing alley, arms locked around you, ripping an undignified squeal out of you.
When you catch sight of the familiar faces of your “attackers”, you clutch your chest, trying to calm your hammering heartbeat.
“Fucking hell!” you heaved.
If you weren’t so rattled and clamoring over your words, you would have been especially mortified by the incidental contact on your squishy middle. You couldn’t remember a time someone has grabbed you so brazenly. By process of elimination, it must have been Hot Topic’s large form who was holding you against his front.
“Shit! You guys are assholes,” you exclaimed between pants. “That’s not funny!” Your hands grasped at the large forearms around you, yanking fruitlessly.
It was John who was standing in front of you, thumbs hooked in his pockets, backlit by a streetlamp, haloed in faint breath vapor. It was the first time you’d recall seeing him standing; he was even bigger than you expected. They all were. 
“You left, what—” he pulled out his phone and glanced down at the blueish light in his hand, “20 minutes ago?” His eyes return to your face, raising his thick brows. “Not very ‘close’, is it? Your home.”
John spoke conversationally, a picture of ease, like he was commenting on how chilly it was for this time of year, and hadn't just jumpscared you.
“Dinnae even try tae throw a punch, no’ even one o’ those girly slaps—” the Scot muttered, not particularly quietly, to pretty-boy, who kissed his teeth in disapproval.
You’re running on fumes, so your brain is moving in slow motion, only just processing John’s words, not yet able to summon even a glare for the Scot’s commentary.
“It is close,” you insist, coming out slightly more defensively than you intended. You’re still embarrassingly working overtime to catch your breath while trying to pull away from the hard body at your back in irritation. “Besides, how do you define ‘close’? That’s completely subjective.”
Not as if that’s any of your business. You held back that particular remark.
You took a measured breath or two more. “Look, of all people, I appreciate the commitment to a bit,” you clawed uselessly at Voorhees’ iron grip around you, “but can you call your dog off?” 
Hot Topic’s previous abridged facsimile of a “laugh” echoed in your ear, an amused huff so close that it made you flinch. That wasn’t really what you expected from your unadvisable barb.
You think it was the material of his mask that you felt slightly graze the shell of your ear, but it was fleeting enough that you couldn’t be certain.
“You can call me Ghost, sweet’eart”.
On any other day that edgy moniker would have garnered some kind of mirth, but your clouded brain didn’t seem fit to supply a witty retort with some strange man at your nape.
While John said nothing, something in his expression must have communicated to Ghost. You instinctively relaxed when his arms released your middle.
It soothed your nerves a touch, enough that you didn’t register that you were in the process of being edged backwards and were now partway through an alley you should have passed on your route home.
You crossed your arms, opting to ignore the introduction in lieu of another shaky inhale. “Just wait till my friends hear that you guys blew them off just to fuck with me. So much for having ‘plans’, huh?”
You tried to tease, still desperately attempting to slow your heart, recoup some composure, and match the men’s nonchalance. You’re not sure how convincingly you pulled it off. Some nagging anxiety still seeped out of you in a slow leak, despite your best effort to pull yourself together, to not be a buzzkill in response to a technically harmless pran—. 
“This is the ‘plan’, love.” John replied simply, not missing a beat.
You huffed in exasperation, brows pinched. “...What, ‘making a point’?”
John paused for a moment, seeming to weigh his words, “That’s one way to look at it, if you’d like.”
There was a pregnant pause, and suddenly the scrape of shoes on the dirty pavement seemed loud in your ears. The smell in the alley is particularly damp and musty now. Had you been moving this whole time? You’re getting all turned around—
Pretty-boy cut in, “You know, your whole premise was faulty from the start. ‘Sides you didn’t account for more than one person being involved”. 
“Involved in what?” you blinked, bewildered. 
“Your kidnapping, obviously.”
“My k—?”.
“—Speak for yourself, Gaz. I’d ‘ave ‘er either way.” Ghost interrupted, making you jump, a stark reminder of the presence still at your back.
You were stunned into silence for a couple of excruciatingly long seconds before choking out a pained laugh.
“Ha-ha. Alright—alright, fine. I get it.” You raise your hands in surrender, head swiveling back to John as you turn to press your back against the rough brick of the alley wall, trying to keep them all in your field of vision. 
“I’ll get a taser or something, is that what you want?” you offered, wearing your best expression of deferent contrition.
When John finally peels his eyes from you, he just sighs heavily, shaking his head at the pavement; either in disapproval or disbelief, you couldn’t be sure which. 
“Bit late for that now.”
“…What—what the hell is that supposed to mean?” You stutter indignantly.
You were starting to feel woozy; maybe you drank a bit too much.
Your sole scuffs against some debris, almost tripping you up completely if not for the brick wall to steady you. Your palms sting as they slide slightly on the stone, but you don’t dare take your eyes off them to look down for even a second. 
Suddenly, with a furtive glance over Ghost’s shoulder, you realize you're almost out on the other side of the street. His massive form fills the alleyway, destroying any hope you’d be able to squeeze your wide body past him or John and the others on your opposite side.
Your mouth is painfully dry. Your throat works, trying to swallow but still managing to somehow choke on nothing. You force some authority you don’t feel into your tone, but it tapers off rather weakly.
“Listen, you’ve had your fun. I really need to get home.”
You were struck by how different they all seemed compared to hardly a half an hour prior. The shift was dramatic—made your head spin. It was hard to rationalize that the people who were just sitting across from you in the homey local bar sharing drinks and the people now caging you into a dreary, abandoned street corner were one and the same. 
An approaching streetlamp visible through the yawning maw of the alley cast harsh shadows on their faces. A literal “light at the end of a tunnel” that only offered you dread.
You swayed slightly on your feet, head darting around, desperately trying to keep an eye on the four of them. You were feeling suddenly inexplicably drunker than you felt mere moments before.
As your knees quivered and you tried to steady yourself, John remained a pillar in your wobbly field of vision. Watching. Waiting. 
You're not sure which was preferable, the ominous comments or the ominous silence.
You weren’t small. You’d never felt small in your life. But with a group of large men looming over you, it was suddenly hard not to. It was not a feeling you were accustomed to and one you didn’t enjoy now.
You needed air, it was getting impossible to think. You tried to speed your gait to no avail; you couldn’t gain any distance. They prowled, following you closely, as if there was a gravitational pull anchoring them to you. 
“Fine. Fine! Okay, you proved your point, alright?!” you exclaimed, getting more frantic by the second, louder. “Let me pass. I’m serious.”
“Oh, so now she’s serious…” Gaz teases, somewhere off to your left.
“You think I’m not?” John husked, sounding incredulous, forehead lines deepening as he raised his brows, tucked his chin to stare down at you through hooded eyes. “Love, I’m serious as a heart-attack.” 
Then he was smiling at you again.
It looked the same as before. Sincere. But where previously it endeared you, now, now it makes your heart stall, then shudder in your ribcage; fill you with the sensation of a freefall, the one that jolts you awake while on the very precipice of sleep, leaves your heart racing, despite the tranquil darkness. 
His eyes flick over your head.
Before you are able to register the glance, Ghost is suddenly on you again, grabbing you round the middle quicker than someone his size had any right to be, this time actively herding your large form forward.
You realized dully that his last grip on you must have been relatively loose compared to his grip on you now; it was clearly only a fraction of his actual strength.
“What are you doing?!” You cry, a hair's breadth away from a shriek. Your head whips back to John, imploring, “Stop—Stop, I don't know what you want!”
This is probably what it feels like to be a frog. Pounced on and scooped up roughly by some huge creature—some grubby kid’s scrambling fingers. Slippery, round body gripped tight.
You were finally out of the alley, pulled by Ghost as well as your own unsteady feet, your body's instinct to try and avoid cracking your cranium on the concrete abetting him, betraying you.
“What we want?” Ghost chaffed over you, mimicking your voice. “Go on then,” he urged, “give your ‘ead a wobble?” 
You could practically feel him cocking his head, feel his smile even with him against your back, even behind the mask.
The open air did nothing for you. It didn’t clear your mind or relieve the claustrophobia churning in your belly a single iota. After all, it wasn’t really the walls closing in on you—it was bodies.
“You’re just trying to scare me!” You accuse sharply, voice strained, grunting as you only manage to nearly heimlich yourself on the last attempt to free yourself from the steel grip around your midsection.
Gaz and the Scot chuckle.
John says your name. He utters it like it was a complete sentence, but you're not sure what it means, what he wants. Either way, it made you regret giving it to him. You suddenly preferred not hearing it on his lips in that rumbling baritone.
Ghost scoffs. “For ‘avin such a smart mouth she’s a bit thick, eh, Soap?” he comments meanly over your head.
Soap’s responding before you have a chance to voice any displeasure, somewhere between a laugh and a scold.
“A bit? Haud yer wheesht!” He turns his attention quickly back to you, leaning in close, “Aw, pet, dinnae pay him mind…Lt kens our bonnie is well thick”, he pats your cushioned hips affectionately.
A shocked gasp slips out of you unbidden at the brief but unmistakable gentle fondle of your fat love handles.
They all drank in the vulnerable, little noise. It would be the first of many. It was impossible to interpret the gesture as anything but “familiar”.
Your body jolts. You would have practically jumped a foot off the ground if not for Ghost anchoring you. With the hold, stark realization floods you like a bucket of ice water—there’s quite literally nothing you can do to avoid any of their touch. Your skin crawls at the unfamiliar contact and doubly so at the threat of more yet.
“Dead fit,” Gaz says readily, sounding like an agreement if you’ve ever heard one, his eyes roam your form.
Words were stolen from your overheating brain, still trying desperately to reboot, to process what the fuck is going on.
“Captain ‘s a man of taste—such a pretty, dainty thing,” Ghost sneers in your ear. “Playin’ coy now, when she was practically battin’ ‘er lashes all night.” 
“—It’s not too late—it’s a joke, right? Let’s—we can just forget about this—”
Ghost completely ignores you. “Soft thing like you prancin’ ‘round, cunted at this hour, thinkin’ you're safe?”
“Cun—? I’m not fucking drunk!”
“You’re lucky someone with bad intentions didn’t hear you.” The grin is loud in his tone, oozes off every syllable.  
“You think I'm a dog? So you knew wha’ you were doin’ then? You were teasin’ a ‘ungry dog, waving a juicy steak under ‘is nose. Rubbing it in all our faces, of any bloke ‘n earshot? That it?”
“What—what the hell are you talking about?! You—you can’t be serious!” You finally parroted uselessly, equal parts baffled and horrified. These men are crazy.
“She keeps sayin’ tha’,” Soap comments, perplexed.
“‘Denial’ ‘s not just a river,” Gaz shrugs.
Ghost continues. “Captain—” A big hand is suddenly on your jaw, centering your gaze back on John, ”—‘s doin’ you a kindness. Keepin’ you safe n’ sound, makin’ sure you don’t get yourself chewed up and spit out 'n some dirty fuckin’ alley,” nodding back towards the way they came, “Nice of ‘im, innit?”
You flailed desperately, hoping to catch Ghost off guard for even a second. You send your elbow into his ribs, as hard as you could manage at the awkward angle.
It was akin to hitting granite. You sucked in air through your clenched teeth as pain radiated through your ulnar nerve. His grip on you didn't waver, he didn't flinch. He laughed.
A true, low “heh, heh, heh”, that you regretted ever wanting to hear—could have happily gone your whole life without hearing. It sent rogue shivers down your spine and piloerection up your arms as you gawked up in shock, pain forgotten.
“Och, that’s a bit better, Bonnie.” Soap feigns, judging your strike like he’s trying not to hurt your feelings.
“John—” you plead helplessly, turning your gaze back to him. But saying his name was a mistake, deepening the look already there. Rubatosis filled you.
“Think you're strong, eh?" His words still swollen with caustic amusement, "That you could ever ‘urt any of us? Show ‘im you can fend f’ yourself then.” Ghost wobbled you to and fro, shook you, as if you were some weightless bauble.
As your world tilted, you instinctively gripped his arm for dear life, dizzy, afraid you would topple over.
You knew he was right, of course; there is no point denying it. 
But a man like him, like them—saying it? It was wrong—it chilled your blood. It felt needlessly cruel, to rub in how weak you are compared to them. The provocation freezes you, making Ghost’s dark eyes crinkle. 
“Slim pickings, huh? Must be feeling desperate?” you bit out, before you could stop yourself, voice bitter and thick with emotion—panic and anger congealing into snark. A hole is a hole, after all. Bad luck that you happened to be the one around.
Who would you trade places with? Better you than someone else, your conscience whispered faintly.
“You really don’t get it?” John wonders aloud, bafflement mixing with a heady intensity.
“Imagine thinking no one would want all this—” Fingers grazed your curves. Touched every roll, every hill and valley on your side with a reverence that shocked you for the hundredth time that day, left your mouth literally agape. 
“—thought is an utter travesty. One of life’s greatest pleasures is a big, soft girl. Nothing sweeter,” he declared breathily despite himself. “Nothing. So much more to hold, to squeeze—”
There was a certain palpable greediness to his touch, even while he was clearly restraining himself. Groping, not bruising. He only went so far, skirting frighteningly close to your more private bits.
At least it appeared your actual debasement was not going to happen on this particular street corner. His hands make a slow jaunt, mapping your contours. Down your back, your side, your belly, your thighs—kneading and squeezing your ample flesh.
A pitiful, “Please stop—” is eked out of you. Your unadulterated fear on full display, sincere and raw. Begging. You were begging, or trying to, anyway. Your breath hitched, flesh jolting with every unwelcome brush against you, sending your nerve endings alight, already feeling overstimulated. 
There was that expression again, that you didn’t recognize before. But it was no longer just simmering under the surface; it was boiling. Emanating out through his pores, muddled with a touch of pity. You finally recognized it—hunger.
“I’m not cross with you,” he adds oddly. “You don’t understand now, but you will. This isn’t a punishment—it’s a consequence.” 
Your throat clamped painfully, words tumbling out of your mouth incomprehensibly, trying to find the right thing to say to make him stop. “Please, I don’t, I can’t, wh—”
More hands were on you, pulling your wrists together in front of you.
“Am not going to hurt you. You have my word.” The solemnity of the promise rattled you. Maybe he truly believed it, but you certainly didn’t. After all, you’d wager you had different definitions of “hurting”. You’d die on the hill that this was “hurting” someone.
Somewhere inside you, your body was screaming at you to do something. You’d take the inspiration.
Scream what, exactly? You couldn’t be sure. You should scream “fire” not “help”, right?
But you’d never get the chance, because on your inhale, John’d somehow divined your intentions, and suddenly a hand was clamped over your lips before a sound could escape them. The pressure of the palm was close to bruising this time, unyielding—he wasn’t taking any chances, apparently. 
Jerking your head did nothing to dislodge the hand, unlike those on your limbs. It followed the movement rather than impede it. As fate would have it, your struggles only left your head spinning, vision partially obscured by the force of the hand pushing your plump cheeks into your eyes. Whiplash pinched in your neck at the frantic jerks. God, you felt sick.
After that, everything happened very quickly. Suddenly it felt like there were hands all over you, everywhere. Grabbing, holding, pressing. You could hardly tell up from down.
You’d shut your eyes for even a momentary reprieve, willing the vertigo to cease. For everything to stop. For all of them to stop touching you. Hoping desperately that you’d wake up and find yourself safe in bed, this all a bad dream. 
Then there was a ripping sound, then a couple more. Someone was pushing stray hairs out of your face. The hands on your wrists moved up instead to grip your forearms. No sooner than you heard it, the large hand had fled your lips only to be immediately replaced by some large sticky substance that was stretched taut across your mouth, from cheek to cheek.
Startled, your struggles renewed, some expletives trapped by the stuff, transforming into useless “mphhhing!” as your hands jumped to pull the offending material from your face. An entirely fruitless endeavor considering the grip on your arms, which didn't budge an inch. John seems fit to ignore your pitiful struggle, simply smoothing it out carefully, layering a couple more pieces. He hums in satisfaction, wide palm patting his work, cupping your mouth and jaw again for good measure.
There was that sound again. With the fear it shot through you, it might as well have been a gun racking. You couldn’t see it, but this time your sloshy mind recognized the distinct creak and shrill shrrrrrrrrrrrp. It was duct tape being pulled from the roll, then wrapped noisily around your wrists, aided by the hands forcing your arms together. 
Trying to shove, to bully yourself between them was hopeless. They were all too close, too strong, too heavy, all bearing down on you. You didn’t have room to throw your weight around or even properly kick out at them. Round and round, the tape went, and round and round again for good measure before the end was ripped, smarting where it snagged slightly on the hair on your arms. 
You're quite literally fighting for your life, sweating with exertion and panic, panting behind the tape, but your desperate flailing didn’t deter them at all; you didn’t receive even a single hitch in any of their breath for your effort. Hell, it couldn’t even hinder some conversation. Not that you caught most of it with your head swimming, heart pounding loudly in your ears.
“—‘course she’s scrikin’, we’re nicking ‘er,” Ghost rolls his eyes. 
Something else was said, probably by Soap, based on the accent.
Ghost just doubles down. “No point tryin’ to talk sense into ‘er. Thing doesn’t know what’s good for ‘er—“
John took his time; he’s dedicated to his task. Precise yet generous with the tape. As soon as the hands left your forearms, more tape was applied where they departed, this time around your entire body, effectively pinning your arms down at your front, circling you enough times that you lost count.
Your struggles and thrashes reinvigorate, an absolutely method portrayal of a snared rabbit. It hurt—hurt how hard you were pulling against them. Bruises would undoubtedly bloom in the coming days wherever their hands gripped you from your wild jerking. That is, assuming you lived that long. Your chest heaves with anxiety. The men allowed you a bit more space, enough that you didn’t feel actively compressed on every side. By them at least.
Not John, though. It was his face that filled your vision, his eyes that pinned yours.
“Shhh. There’s a girl. It’s already over.” You hadn’t yet noticed the tears gathering, that you were so close to falling apart. He said it like it would be some sort of comfort, cupping your plump cheeks delicately. John spoke to you gently, in the softest tone you’d heard yet, softer than you would have believed his husky voice capable of, and yet, with an disturbing finality. “It’s done. Nothing you can do now,” he whispered into your terrified face. 
He was too close—there was a little mole on the right side of his nose you never noticed before. He smelled of smoke, and under that, something woodsy and spicy. A large, rough palm smoothed over your hair. Your terrified eyes squeezed shut, willing him out of your face, to stop looking at you. You’re certain he could feel your terror; hell, he could probably feel each little panicked puff of air forced out of your lungs on his face as you tried vainly to regulate your breathing through your nose. “There you go,” he praised, “In and out.”
Shining tears wobbled precariously in your waterline. You tried with all your might not to let them loose, to salvage any shred of dignity. Any sense of control. As if that would somehow make things worse, as you sucked in a wet, sniveling sound.
Your internal pleas for space were less than useless, as John leaned in ever closer, cradling your skull in his hands, pressing his lips to your crown in a chaste, whiskery kiss.
The sheer intimacy of the gesture made you balk. Held and boxed in, there was no way to move away, making you whimper pathetically. Sounding foreign to even your own ears. A savourable sound, that went right to John’s belly.
Trying to hold it in was all for naught; as soon as John’s lips touched you, your resolve shattered. Shattered into so many pieces even Kintsugi couldn’t repair it.
Your face was soaked with the onslaught, tears traveling as far as down your neck. Dizzy with panic, the duct tape swallowing up most of your damp sobs. You couldn’t recall the last time you'd broken down like that in front of another person, much less four near strangers. 
“I’m keeping you.” He says suddenly. He waits for you to take in the words, thumbs stroking slow circles into your cheekbones.
You hiccup behind the tape, teeth chattering in your clenched jaw as you realize you’re shaking. Face tacky with tears. You angrily tried to pull away again, but John just held you still as you quake. 
…John didn’t need Ghost for muscle, you realized dully. His grip was an epiphany, the promise of strength in his hands alone—it made you feel all the more useless.
Calloused thumbs rasped over your cheeks, wiping away the wetness there, only for more to replace them. “I won’t try to stop you from crying, won’t punish you for being upset,” he rumbled, “but, you have to understand it won’t change anything. What'll happen. From now on, you’re mine—but I take care of what’s mine. You’ll see.”
Why?! Your heart ached. You couldn’t understand how people you’d been chatting and laughing with mere minutes ago could do this to you. People who had seemed so normal—
Gaz smirks, nudging Soap, murmuring, “Oh, don't worry, she’ll feel heaps better when she’s creamin’ on—”
You didn't think you were capable of feeling worse. Your eyes bulge in horror, breath snagging again in your throat.
John sighs, interrupting him with a harsh jangle of metal as he pitched some keys to Gaz, who caught them easily in one hand. “Bring the car ‘round will you?” John asks, but it’s really not a request.
“On it!” Gaz’s reply is prompt and cheery as he steps off the curb into the darkness beyond the reach of the streetlamp, practically a spring in his step. 
You sniffled, sinuses starting to burn, following your eyes’ watery influence. Feeling humiliated as you can feel your nose start to run, tickling your philtrum. Soap cooed over your teary face. You flinched as he raised his hand to you, but he only wiped your nose, disgustingly with his own sleeve. 
He had the nerve to look chagrined at your reaction. When he spoke again, it was uncannily quiet compared to his familiar boister, as if he was trying to soothe a spooked horse. “Dinnae fash, it’ll be awricht, bonnie, swear it.”
His words were worthless; didn’t pacify you at all. You were possessed by a primal terror of a cornered animal that couldn’t fathom what was going to happen to it. Your eyes flooded, everything in your vision warped by tears. You couldn’t see, couldn’t hear over your own hammering heart. Soap’s cursin’, saying something. Maybe it was fucking Gaelic, you didn’t understand what he was saying.
“—Wee lamb, greetin—”
“‘Nough fussin’, Soap. You’re almost as bad as ‘er.” 
“Ah ken, ah ken…”
“I did warn you, even gave you an out.” John sighed, commiserating, as if he weren’t the source of your angst. It wrung completely hollow, he didn't sound disappointed in the slightest with any of the events. If anything, you'd suspect we has trying to tamp down the opposite.
“Jesus wept, Cap—” Soap blurts, any remorse apparently long forgotten as he suddenly grips your ample belly possessively, making you shriek, “—almost made us lose out,” he grumbled. “Ah knew ye were tryin’ tae tip ‘er aff”.
You thrashed in his rude hold, face hot, but he just grinned, loved how your squirms just showcased your enticing bounce. Despair and humiliation ached in your chest, heavy like lead. You just wanted to go home.
Headlights round the corner.
In a last-ditch attempt, you allow yourself to completely go limp, following through on the threat of being unmovable. You barely start tipping before Ghost and Soap are on either side of you, holding you up between the two of them, completely halting your descent.
Your mind shuddered to a halt with the idea they might actually be able to lift you. When you tried to buckle your knees, they went ahead and confirmed your fears true. Not even a slipped grunt of exertion gave you any satisfaction, when you were being half carried, half dragged practically kicking and screaming to the car. Well, as much as you could through the tape. As you’re urged onward, you lock your knees as your legs jam against the car’s running board.
“You’re going one way or another,” John calls simply, tapping something into his phone.
“Watch your head, trophy.” Ghost grins, huge hand spanning your skull, pushing you down past the door frame, but you think you just might have preferred the concussion. Your own weight does the rest of the work, sending you sprawling belly first onto the back seat, teary cheek smooshed against the cool, leather interior.
You should have been prepared to be absolutely as difficult as possible, regardless of whether or not it’d change your fate, but you were utterly spent. Your limbs ached at all the struggling. You couldn’t muster any more fight as Soap and Ghost maneuvered you into the middle seat. Your plentiful "handholds" aiding the process.
The lone lap belt buckled tightly across your lap before Ghost and Soap followed you in, sandwiching you, sitting in the seats on either side. You were practically spilling over onto them, it was a tight fit. 
You couldn’t quite swallow a yelp as rough fingers were wedged under your plush form on either side. Apparently unsatisfied with your positioning, you were swiveled so your ass remained in the seat while the rest of your body lay flat. Your upper body in Ghost's lap and legs curled in Soap’s, the seat belt digging into your soft belly at the awkward angle.
You were normally hyperaware of the space you occupied and tried to be as respectful as possible about it. You would be mortified, feel a bolt of white-hot shame if any squishy bit of you even accidentally brushed up against someone else. You’d do anything to risk a stranger's look of annoyance or disgust, god forbid someone say something. And yet, here you were, your fat body draped across two men's laps, both looking quite fucking pleased with the arrangement. There was nothing you could do about it, as Soap paws at your thigh, humming happily.
“Behave, you lot.” John stoops, smiling at the group fondly as he shuts the door.
The car is moving.
You were completely adrift. Maybe you were in shock. All it took was a handful of seconds for your life to become entirely and irrevocably derailed. 
While lying prone, the motion rocked you slightly. Outside the window, the world flitted by. All you could make out from your vantage point was the wide expanse of sky, purplish, the color of a dusky developing bruise, only swagging power lines and the tops of towering street lamps flashing across the horizon.
Just like that, slow conversation started up again, right above your head. It was as if they were back at the bar; the normalcy of it was chilling. Soap’s hands were still resting over your thick thigh, petting you. Repetitive strokes up and down your thigh that also eventually blended into the background. The car was so warm now—John must have cranked the heat. You feel the warmth dust across your face where it filtered into the backseat.
You're feeling floaty—disconnected. Your body couldn’t sustain the level of terror that should still be at the forefront of your mind. Adrenaline burned everything out of you, drained you till there was nothing left but fog, thick and cloying. It became a task to keep your eyes open.
You were so tired. 
Your limp body bounced lightly as the car went along. The voices were even more distant now, a muted background noise, like someone speaking on the phone in the next room over—you can just hear the mumble through the wall but can’t decipher any of the words.
“—get some proper rest on the plane.”
(I horked this up originally after re-reading one of @391780 posts. I think it was the one where Simon calls dibs on you while you're out with friends? Clearly things deviated a lot, but still. Do yourselves a favor and read all of their stuff.)
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grison-in-space · 2 years ago
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Sure, but I still want to know their priors and sampling techniques. Failing that, using the most easily accessible methods to gather data can still yield potentially interesting information about overall dynamics even if we apply mathematical analyses that assume oversampling of queer users to "correct" the effects of snowball sampling. It's worth noting that sampling information about human sexuality is pretty much uniformly nightmarish in any case; this is actually not that much worse than published peer reviewed sampling efforts, horribly enough.
I am taking everyone who made a poll to gauge the True Percentage of Queers on Tumblr and putting them through a statistics course
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reiding-writing · 2 months ago
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Heyyyy, I think it would be soo cool if you could write a scenario where cold!reader actually works a case like idk but yk the typical talking w witnesses or family members.
I also would loveee to know what her interrogation style is like, morgen was always pretty aggressive and Hotch was always so straightforward etc. so I would love to know how she interrogates suspects.
Have a nice one, ly and ur work sm !! ^_^
THE REID TECHNIQUE. /spencer reid/
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you volunteer to interview a middle-aged woman suspected of kidnapping a little girl.
cold!reader 4.2k series masterlist. main masterlist.
a/n | had this one in the works for a few weeks after learning about the reid technique in my forensic psych lecture ✊
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The clock above the whiteboard marks every second with an unforgiving tick. It's been twelve hours since the child, eight years old, brown hair in braids, green jacket, was last seen.
You know too well how thin the margins are.
“Local PD has brought in a suspect. Margaret Ellery. Lives four streets over from the family. No hard evidence yet, just circumstantial.” Hotch discards his phone in his pocket.
You push off the table, the movement casual, but inside something sharp and certain slices through the haze. Margaret Ellery. The name means nothing to the others yet, just another possibility. To you, it burns.
“They've got CCTV placing her car near the park at the estimated time of abduction,” Emily says, flicking through images on her tablet. “No witnesses saw the actual snatch, but...” She hesitates. “It’s something,”
“Something," you echo, voice flat.
You can feel Spencer’s gaze flick towards you from his desk. You don’t look at him. If you do, he’ll see it—the thing coiling under your skin, the certainty you can’t explain.
You know it was her.
The others begin discussing who should lead the interview, voices overlapping—Emily suggesting herself, Morgan arguing the woman might respond better to a softer touch—and for a moment, you let them talk.
Then, calmly, you speak.
“I’ll do it.”
The words drop like stones into the room.
The conversation stalls. Morgan frowns, one eyebrow lifting. Hotch studies you, impassive. Spencer’s pencil stills in his hand.
You don’t volunteer for interrogations. Everyone knows it. You only step in when everything else has failed—the nuclear option. The last resort.
You have built your reputation on results, not likability. You dismantle people, piece by piece, until there's nothing left but the truth. It's not pretty. It's not kind. It's necessary.
But this time, without waiting for anyone to fail, you want it.
Hotch’s mouth tightens into a line. He doesn’t like it, but he also knows better than to argue when you make that face—the one you wear now, cold and still, like a weapon waiting to be drawn.
“Are you certain?” he asks.
You nod once. Precise. Final.
“She’s guilty,” you say. Not a question. Not a theory. A statement of fact.
“How do you know?” Emily asks, cautious.
You flick your gaze to her, then away again. You don't explain things like this. You never have. You just know.
Hotch’s brow furrows. “You’re sure?”
You nod once. Crisp. Certain.
“I can get her to talk.”
He hesitates. You don’t blame him. It’s not just that they’re worried about the woman cracking under your methods, it’s that they’re worried you will push too hard, dig too deep, and leave something broken beyond repair—something in her, something in yourself.
But there’s no time for cautious sensibilities. There’s a child missing. The longer they dither, the colder the trail gets.
Hotch considers for a beat longer, then relents with a sharp nod. “On your lead.”
Morgan shifts his weight, clearly cautious. “I’ll second,”
“No.”
Hotch exhales slowly, measuring you with a look that’s half reluctant approval, half silent warning. “You know the protocol.”
You incline your head with a sigh of exasperation. You know it backwards.
“I work better alone,” you say calmly, before he can open his mouth to suggest otherwise.
That’s non-negotiable. You’ve explained it a thousand times—too many cooks spoil the broth. Too many variables ruin the interrogation. One misplaced glance, one ill-timed question, one unspoken judgement radiating off a team member— it can destroy hours of work.
No one interrupts you when you’re working. No one even breathes too loudly.
Hotch nods once. Reluctant but resigned.
“Room Three,” he says. “She’s waiting.”
You turn sharply on your heel, the heels of your boots clicking lightly against the floor, and make your way down the corridor without looking back.
Behind you, the team watches you go in silence.
Spencer’s gaze lingers the longest.
He understands. Not completely—no one ever could—but enough.
Enough to know that once you step into that room, you’ll become something else. Something sharper. Harder. Merciless in your precision.
And God help the woman on the other side of the glass.
You pause outside the interrogation room, hand resting lightly on the door handle. Through the one-way glass, you see her: hunched, fidgeting, a picture of nervous innocence.
She’s shorter than you expected. Plumper. Her hands twist nervously at the hem of her cardigan.
She looks like someone’s kindly aunt. To the untrained eye, she might seem harmless. Sad, even.
You don’t let it fool you.
You close your eyes for a moment. Centre yourself.
This is not about rage. Rage clouds the senses. This is about control. Subtlety. Precision.
When you open your eyes again, you’re a blank slate.
The woman jumps slightly at your entrance. Good. She’s on edge already. You file the information away for later use.
You close the door with a soft click and cross to the chair opposite her, sitting down with a deliberate, unhurried grace. You say nothing for a long moment, simply studying her, letting the silence stretch taut between you.
She fidgets again, clearing her throat. Her eyes flicker up to meet yours and then away, unable to hold your gaze.
You watch her, utterly still.
Already, you can see the cracks beginning to form.
You offer a thin, perfunctory smile.
“Good afternoon,” you introduce yourself, voice low and even. “I’m going to ask you a few questions, alright?”
She licks her lips nervously. “I already told the others— I didn’t do anything,”
You tilt your head slightly. Not a challenge, not an agreement. Just an acknowledgement.
“Of course,” you say smoothly. “We’ll go over everything again. Just to be thorough.”
You slide a thin manilla file onto the table between you. The movement is calm, almost lazy.
In reality, every microexpression, every twitch of her fingers, every catch in her breath — you’re cataloguing all of it.
You see guilt. Not the guilt of a wrongfully accused woman, but the heavy, aching guilt of someone who knows precisely what they’ve done and is terrified of the consequences.
You suppress the flicker of satisfaction that rises in your chest.
This will be easier than you thought.
You fold your hands neatly on the table.
“Let’s begin.”
You watch her closely, noting the way her shoulders stiffen under your gaze. She’s nervous.
“I’d first like to briefly remind you that you don’t have to answer any question that you’re uncomfortable with, and you have the right to an attorney if you require one,” You keep your tone measured, almost conversational, as you begin. “This interview is being recorded, and can be submitted as evidence if needed in court,”
Margret’s response is nothing more than a brief nod, and you quickly move on.
“We’ve spoken to several people who know you, Margaret,” you say, glancing briefly at the file in front of you for show, though you don’t need to. You know the contents backwards already. “Your neighbours speak highly of you. Friendly. Involved. Always ready to lend a hand.”
She swallows, nodding a little. As if being agreeable will somehow absolve her.
You continue, letting the words come slowly, giving them weight.
“You knew the Hartleys quite well?”
She shifts uncomfortably in her seat, hands twisting harder in the hem of her cardigan. “We… we live near each other, yes. I used to babysit for them sometimes, when Claire was first back at work,”
You incline your head, as if pleased by the admission. You knew that information already of course, but the fact that she’s supplying the truth to you early is a good sign.
“And you’ve stayed in touch since then?”
Her mouth twists slightly. “Not really. They… they got busy. New friends. Things change,”
You let the silence settle for a beat, as if considering that. Then you lean forward, just slightly, enough that the space between you shrinks.
“The thing is,” you say, voice still calm, almost gentle, “we have several witnesses who say they saw your car near Westwood Park yesterday afternoon.”
You watch her stiffen, the flicker of fear crossing her face before she can mask it. You press on, smooth and relentless.
“That’s the park where Elsie Hartley was last seen.”
Her mouth opens, then closes again. She shakes her head, a tight, jerky movement.
“I must have been passing through. I had errands— the shops—”
You raise an eyebrow, unimpressed. “At four-thirty in the afternoon?”
She falters. You don’t need to press the point yet. Just plant the seed. Let it fester.
You sit back again, steepling your fingers lightly.
“We’re not here to attack you, Margaret,” you say, voice dropping slightly. Softer. Sympathetic. “We just want to understand what happened.”
Her eyes dart to the door briefly. You catch the movement, file it away. Already thinking of escape.
You won’t allow it.
“Things happen to people,” you continue, letting your voice thicken just slightly with understanding. “Painful things. Things that change how we see the world.”
You see the way she flinches, barely perceptible. A tiny tell, but enough.
Good. She’s listening now. Feeling now.
“Tell me about your daughter,” you say quietly.
Her face crumples before she can stop it, a raw flash of grief, there and gone.
She tries to cover it up, sitting up straighter, forcing a small, brittle smile.
“She… passed away. A long time ago.”
You nod slowly. “Nine years.”
Her hands clench into fists in her lap.
You lean in again, lowering your voice further.
“Grief can… distort things,” you murmur. “It can make you see injustice where there is none. It can make you desperate to fix something, to make up for what you lost.”
Her breathing has quickened. You see the pulse hammering at her throat.
“Sometimes,” you continue, “it makes people do things they never thought themselves capable of. Good people. Kind people. People who were simply… overwhelmed by sadness.”
She’s trembling now. Just slightly. You act as though you don’t notice.
“You saw Elsie playing in the park,” you say softly. “Maybe you thought her parents didn’t appreciate her enough. Maybe you thought you could give her the love your own daughter never got to fully experience.”
Tears are brimming in her eyes now, but she’s fighting them. Fighting herself.
She shakes her head weakly. “I didn’t— I wouldn’t—”
You don’t argue. You don’t contradict her.
You simply sit back, offering a small, understanding nod.
“Of course you didn’t mean for things to get so complicated. You just wanted to make things right.”
The denial is there, trembling on her lips, but you ignore it.
You pivot neatly, seamlessly, back to the facts.
“You said you were running errands,” you say, as if returning to a mundane detail. “Tell me about that. Which shops?”
She stares at you, panic flickering behind her eyes. She wasn't ready for the shift. That’s the point.
“I— I went to 7-Eleven. And then… the pharmacy. I had a prescription,”
You scribble something meaningless onto your pad, nodding slowly.
“The pharmacy?” you echo. “Do you have the receipt?”
She freezes.
“No,” she says after a moment. “I must have thrown it away,”
You don’t react. You just jot down another line.
“Which 7-Eleven?” you ask, tone still mild.
She blinks. “The one on Briar Lane,”
You hum thoughtfully, making another note. She’s lying. You know it. And she knows you know it.
You give her another moment to stew in her own fear before steering the conversation back.
“Funny thing, Margaret,” you say, lightly conversational, “we pulled CCTV from Briar Lane yesterday. The store, the pharmacy, the petrol station.”
You look up, meeting her eyes directly for the first time since you sat down.
“You’re not on any of it.”
The colour drains from her face.
You don’t press. Not yet. Let her feel the walls closing in. Let her suffocate on the inevitability of it.
She shifts in her seat, wringing her hands.
“I must have got the times wrong,” she mutters weakly.
“Of course,” you say smoothly. “It’s easy to get confused. Especially when you’re upset.”
She clings to the lifeline you’ve thrown her, nodding desperately.
“Yes. Yes, I was… distracted,”
You offer her a small, almost pitying smile.
“I understand, Margaret. Truly. No one’s here to judge you.”
Another beat of silence. You watch her, patient and unblinking.
“I can see how hard this is for you,” you say after a moment, voice softening again. “Reliving yesterday. Remembering what happened.”
Her mouth trembles. She presses her lips together tightly, like a child trying not to cry.
“I didn’t… I didn’t take her,” she says, almost whispering.
You nod thoughtfully, as if weighing her words.
“Of course,” you say again. Calm. Unthreatening.
Then, without warning, you steer the conversation right back to the beginning.
“Tell me again what you were doing between three and five yesterday afternoon.”
Her face crumples. She wasn’t ready for the cycle to start again.
But you are tireless. Patient. Merciless.
That’s the thing about interrogations — it’s not the dramatic threats or slammed fists on the table that break people. It’s the relentlessness. The subtle erosion of certainty, the slow dismantling of lies.
She tries again.
“I was at home, actually. I remembered— after the pharmacy I went home. I didn’t feel well.”
“Hmm,” you hum noncommittally. “Your neighbour said they saw your car leave around two, and you didn’t return until gone six.”
You tilt your head, watching her carefully.
“They must be mistaken,” she says quickly, too quickly.
You don’t argue. You just let the inconsistency hang there between you, a slow, toxic drip of doubt.
The denials come more frequently now, growing more desperate with each cycle.
“I wasn’t near the park.”
“I don’t even know where she disappeared from.”
“I just… I was having a bad day.”
You let each one slide past you without reaction, without resistance.
Each time she throws out a denial, you seamlessly redirect — not forcefully, not aggressively, but subtly, like water flowing around a stone.
Back to the CCTV.
Back to the witnesses.
Back to her tangled, faltering story.
You give her a moment to stew in her latest denial. Watch the way she clutches at the hem of her cardigan like it’s a lifeline. Her breathing is shallow now, you can almost hear it hitching every few seconds.
She’s trying to believe her own lies. Trying to build walls faster than you can knock them down.
You lean back slightly in your chair, as if relaxing, as if you have all the time in the world. Then you let your voice slip into a more analytical register.
“Let’s review what we know,” you say, tapping your pen lightly against the table.
The soft sound makes her flinch. Good.
“Your neighbour saw your car leave at two o’clock sharp. CCTV from Briar Lane shows you were not at the pharmacy or the store, as you claimed. In fact—” you pause, leafing slowly through the papers on your clipboard, letting the moment stretch, “—your car was picked up again. Not in Briar Lane. But parked a block from Westwood Park.”
You place a printed image on the table between you: the grainy still of a pale blue Volvo estate. Her car. The timestamp in the corner reads 4:14 p.m.
Margaret pales visibly, staring at it.
“That’s not me,” she whispers, voice breaking.
You arch a brow, slow and sceptical.
“Registration plates don’t lie.”
She opens her mouth. Closes it. Her eyes are wild now, darting across the table, as if searching for some unseen escape hatch.
You press the advantage mercilessly, but with a surgeon’s precision.
“You told us you were at home,” you say calmly. “Yet your vehicle was a block away from the site of a child’s abduction.”
You let the words hang heavily in the air. They don’t need dressing up. They’re lethal enough.
“I just— I just parked for a bit. I wasn’t feeling well—”
You shake your head, slow and deliberate.
“No pharmacy visit. No store. No proof of you being anywhere else.”
You place another sheet on the table, another CCTV still, this time capturing her figure, blurred but unmistakeable, moving across the park entrance at 4:20 p.m.
“Witnesses place you in the vicinity. Cameras place you there. Your alibi doesn’t hold.”
Her lips tremble. You can see the walls crumbling now, piece by piece.
You don’t drive the knife in yet.
Instead, you shift your posture — lean forward, just slightly, closing the space between you by mere inches.
Subtle, calculated.
Not enough to threaten. Just enough to pull her attention inward, to focus it entirely on you.
You keep your gaze steady, non-threatening but utterly unwavering.
Your body language speaks louder than your words. I am your only way out of this.
Margaret's eyes flicker between your face and the photographs, her breath hitching audibly now.
You watch as the fight starts to bleed out of her.
Still, you’re careful. She’s fragile now. One wrong move and she’ll retreat into full panic, barricade herself behind the last reserves of her denial.
You soften your expression by degrees. Let the razor edge dull into something gentler. More… understanding.
Margaret sniffs loudly, wiping at her eyes with trembling fingers. Her composure is breaking apart under the sheer, relentless weight of the truth pressing down on her.
“I just—” she chokes. “I didn’t— I didn’t plan anything—”
You allow a small, almost imperceptible nod. Not agreement. Just… acceptance.
You lower your voice, pitch it softer.
“I know, Margaret,” you say quietly. “I believe you. You were overwhelmed. You weren’t thinking straight. You saw a little girl alone, vulnerable—”
“She was sitting by herself!” Margaret blurts suddenly, anguished. “Just swinging on those stupid swings— and no one— no one was watching—!”
The confession hangs there, raw and shaking.
You don’t react. Don’t let the triumph show. You simply soften further, offering a small, almost maternal tilt of your head.
“You wanted to keep her safe,” you murmur. “Like any mother would.”
Margaret’s face crumples. Tears spill over at last, fat and helpless.
You fold your hands neatly on the table. Stay calm. Stay steady. Be the lighthouse in her storm.
“She’s using phased psychological reinforcement,” Spencer says quietly, almost in awe. Like you’ve never quite been so alluring.
Emily glances at him. “In English, please?”
Spencer shifts slightly, tapping his fingers against the glass in a subtle rhythm.
“She’s employing the Reid Technique,” he explains. “It has nine stages that are worked through in order to achieve a state of psychological comfort that elicits more honesty from the suspect,”
“The Reid technique?” Emily raised an eyebrow.
“It’s uh, named after John Reid, he was a police officer in Chicago during the 1950s. It revolutionised formal interviewing, although it’s actually very difficult to implement in practice, because if the suspect catches on then they’re likely to shut down,”
He nods towards you, still composed, still relentless inside the room.
“She’s between stage four and stage five right now— Addressing why the suspect hasn’t confessed, and using mirroring tactics to keep the suspect engaged,”
Morgan hums low under his breath, arms crossed tightly over his chest. “Sounds scientific,” he goads.
Margaret hiccups through her tears, twisting the sleeves of her cardigan into knots.
“I didn’t—” she whispers again.
You make no move to comfort her. You don’t offer tissues. You don't even shift your posture.
You simply remain present. Solid. Reassuring by your very stillness. In her shattered mind, you are the only constant left. Exactly where you want her.
You let the silence stretch just long enough for Margaret to drown in it, her sobs the only sound filling the sterile room.
Then, softly, so gently it’s almost a caress, you push the conversation where it needs to go.
“Margaret,” you say, voice low but firm, threading compassion through every syllable, “I’m not here to judge you.”
She drags her tear-reddened eyes up to meet yours, desperate and wide.
You offer the smallest of smiles. Not kind. Not cruel. Just human.
“You loved your daughter, right?”
Her face crumples. She gives a broken little nod, a whimper catching in her throat.
You lower your voice even further, until it's barely above a whisper. “And now there's this... ache. This emptiness. It’s unbearable, isn’t it?”
She presses her sleeve to her mouth, trying to smother another sob.
You let the moment hang there, let her sit in the shared understanding you’ve carefully, ruthlessly constructed.
“Were you trying to cause trouble, Margaret?” you ask, tilting your head ever so slightly, as if puzzled. “Or were you simply trying to give that little girl the love you never got to finish giving your daughter?”
It’s everything.
It’s everything she’s been trying to make sense of for the last twelve hours.
And you’ve handed it to her, neatly gift-wrapped, an explanation she can live with.
Her face crumples entirely.
“I didn’t mean to hurt anyone,” she wails, folding in on herself. “I just— I just saw her— all alone— they weren’t even watching her! She was just sitting there, swinging by herself, and I thought—”
She breaks off, hiccupping on a sob.
You remain silent, giving her the space to pour it out.
“I thought— she deserves better. Someone who’d see her. Someone who’d love her properly. I could— I could do that. I could give her what she needed.”
Tears stream down her face now, unchecked.
“She’s happy with me,” Margaret insists desperately, as if trying to convince herself as much as you. “She’s smiling. She’s laughing. I’ve never— I’ve never seen her laugh like that. Not once when she was with them.”
You allow yourself a single, careful breath.
But you’re not finished yet.
You shift your tone again, turning almost maternal, gentle and firm.
“Margaret,” you say, leaning in just a fraction, letting her feel the sincerity. “I believe you care for her. I do.”
It’s not a lie. Margaret does care. In her own warped, desperate way. “But she’s scared. She misses her family. She needs to come home.”
Margaret sobs harder, hands shaking so badly she nearly knocks the water cup off the table.
“Help me bring her home safely, Margaret. Please.”
For a long, fragile moment, she just cries.
And then, brokenly, she nods.
“She’s—” she mumbles through the tears. “12A, Eversham Court… I made up the spare room for her, I got her toys and clothes—”
She’s rambling now, stumbling over herself to spill every detail she can think of.
You don’t interrupt.
Outside the room, you know Hotch will already be sending officers to the location, moving fast but discreetly.
Time still matters. Every second counts.
Everything has been recorded. Every word, every sob, every admission captured, preserved, incontrovertible.
You stand slowly, gathering the papers with smooth efficiency.
As you move towards the door, Margaret’s voice breaks behind you, small and shuddering.
“I didn’t mean to hurt her,” she says again, voice thick with tears. “Tell them that. Please. Tell them I just wanted to love her—”
You pause, hand on the doorframe, and glance back over your shoulder.
Your face gives away nothing.
“I’ll tell them,” you say simply.
It’s not a promise. Not really. But it’s enough.
The door opens with a quiet click. Uniformed officers step inside, moving with trained efficiency.
Margaret doesn’t fight. She’s too broken to resist. She sobs helplessly as they read her her rights, the words barely cutting through her cries of apology. “I’m sorry,” she gasps as they cuff her. “I’m so sorry—”
You watch silently for a moment as they lead her away.
She’s still crying. Still apologising to no one in particular.
You feel no satisfaction. No triumph. Just the faint, hollow weight of inevitability.
You step back into the corridor, letting the door swing shut behind you.
The others are waiting. Hotch nods once at you, brisk and approving. Emily looks grim but relieved. Morgan mutters something under his breath that sounds like "damn," but you don’t linger on it.
Your gaze flicks automatically to Spencer.
He’s watching you the way he always does after you work. Not with fear, not with pity, but with something quieter. Something sharper.
Admiration. And something almost akin to academic attraction.
“Seven minutes, twenty two seconds,”
You don’t smile. You don’t say a word. You simply walk past him, your boots clicking steadily down the hall.
New record.
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melshifting · 4 months ago
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(uncommon) talents for your DR
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↳ #01 ~ Expert in claws: You know the perfect technique to always win in any casino game and claw machines, making it easy to get your desired prize - every machine works in your favor.
↳ #02 ~ Lip-reading expert: your ability to read lips with remarkable accuracy allows you to understand conversations in noisy, quiet, or silent environments, either in person or via online videos.
↳ #03 ~ Chronological mathematician: You possess an innate sense of time, accurately estimating the passage of minutes and seconds without a watch. This ability makes you the right person to time sports, games and even cooking.
↳ #04 ~ Human scale: You know how to calculate the exact weight and/or measurements of any item without resorting to a scale.
↳ #05 ~ Human GPS: you have an innate sense of direction and can navigate even the most complex and unfamiliar routes effortlessly.
↳ #06 ~ Extraordinary locksmith: Your nimble fingers and keen sense of touch allow you to effortlessly pick any lock. Although this skill must be used legally and responsibly, it can be useful in casual situations.
↳ #07 ~ Eidetic painter: you possess the ability to create detailed and realistic paintings from memory, even if you have only seen the subject once.
↳ #08 ~ Living calendar: You have an extraordinary memory for dates and events, which allows you to remember historical events, birthdays, and anniversaries effortlessly.
↳ #09 ~ The best joker: your mind is a treasure chest of puns - your ability to create witty puns worthy of a joke on the spot can brighten up any situation.
↳ #10 ~ Lost & Found magnet: You can locate lost objects with unerring accuracy, no matter how big or small.
↳ #11 ~ Professional counterfeiter: You are an expert in forgery, as you accurately imitate handwriting, signatures, and documents. Although this talent isn't intended for illegal activities, it makes you a professional expert in the details.
↳ #12 ~ Escape artist: You have a unique gift for breaking free from chains, locked rooms or difficult situations - this skill combines physical flexibility with mental dexterity.
↳ #13 ~ Color identifier: With a quick glance at an image/painting you can identify and reproduce the exact colors, as you excel at distinguishing color ranges to perfection.
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semcoinfratechworld · 9 months ago
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Exploring SOC-OCV Curves in Lithium-ion Battery Management
In the rapidly evolving world of lithium-ion battery technology, understanding the SOC-OCV Curve (State of Charge - Open Circuit Voltage) is crucial for optimizing battery management systems (BMS) and enhancing battery performance. This blog delves into the significance of SOC estimation, the relationship between Open Circuit Voltage (OCV) and State of Charge (SOC), and how these concepts play a pivotal role in the effective management of lithium-ion batteries.
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Unraveling the SOC-OCV Mystery
The SOC-OCV curve is a fundamental tool for estimating the state of charge in lithium-ion batteries. By analyzing this curve, we can gain insights into how voltage changes with varying levels of charge. This relationship is essential for accurate battery state estimation techniques and informs the development of advanced battery management systems.
Our research highlights that precise SOC-OCV calibration is vital to understanding battery behavior, especially around critical SOC levels like 60%. Factors such as active materials, capacity attenuation, and silicon doping can significantly influence the curve's shape and behavior.
Dynamic Factors Influencing SOC-OCV Curves
Several dynamic factors impact the SOC-OCV curves, including:
Active Materials: The type of materials used in the battery, such as lithium iron phosphate and graphite, significantly affects voltage characteristics and overall performance.
Battery Types: Different battery chemistries exhibit unique SOC-OCV relationships. Understanding these differences is crucial for effective performance analysis.
SOC Adjustment Parameters: The direction in which SOC is adjusted during charging or discharging can alter the OCV readings, making it essential to consider these parameters in battery management algorithms.
Negative Silicon Doping: This innovative approach can enhance battery performance but also complicates the SOC-OCV relationship, particularly during phase transformations.
Challenges and Solutions
The complexity of the SOC-OCV curve, especially near 60% SOC, presents challenges for accurate voltage measurements. The voltage step observed in this region is primarily due to phase transformations in negative graphite. Our research addresses these challenges by providing insights into how various factors contribute to the curve's behavior, ultimately leading to improved battery health monitoring and degradation analysis.
Key Insights from Our Research
Our findings reveal that while the full battery OCV is determined by material properties, the shape of the SOC-OCV curve is influenced by several factors:
Active Material Differences: Variations in active materials can lead to distinct voltage characteristics.
SOC Regulation Direction: The method of adjusting SOC impacts OCV readings and must be carefully managed.
Charge and Discharge Cycles: These cycles affect battery capacity over time, influencing both SOC estimation and OCV measurements.
Role of Negative Electrode: The negative electrode's composition, particularly concerning silicon doping, plays a crucial role in shaping the SOC-OCV curve.
Future Frontiers in Battery Management
As we continue to explore lithium-ion battery technology, our research paves the way for future advancements in battery management systems. By enhancing our understanding of SOC-OCV mapping for energy storage systems, we can optimize battery performance and contribute to cleaner, more efficient energy solutions. In conclusion, comprehending the intricacies of SOC-OCV curves is essential for anyone involved in lithium-ion battery technology. As we push forward into a future powered by sustainable energy solutions, mastering these concepts will be key to ensuring that our batteries perform optimally throughout their lifecycle. Whether you are a researcher, engineer, or enthusiast, staying informed about these developments will empower you to contribute meaningfully to this dynamic field.
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literaryvein-reblogs · 5 months ago
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When your Character is Sleep Deprived
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Sleep Deprivation - occurs when you don’t routinely get sufficient sleep at night.
Seven to eight hours of quality sleep time is the baseline for most adults, yet the Centers for Disease Control and Prevention (CDC) estimates that one third of American adults suffer from measurable sleep loss.
This lack of sleep can lead to disruptions in everyday life, from grogginess and delayed reaction times to serious medical conditions.
Causes of Sleep Deprivation
Many factors can prevent you from getting a good night's sleep. These include:
Sleep disorders: Certain conditions like sleep apnea and restless leg syndrome can interfere with healthy sleep.
Mental health conditions: Depression and anxiety can be sources of severe sleep deprivation.
External stimuli: Loud noises, bright lights, and hot temperatures can all prevent you from getting enough sleep.
Work schedules: Shift work at night can clash with your natural circadian rhythms and trigger sleep deprivation.
Physical activity: Exercise can inhibit sleep onset if scheduled too close to bedtime.
Effects of Sleep Deprivation
The consequences of sleep deprivation can be serious. A person operating on insufficient sleep may face increased risk of the following effects.
Daytime drowsiness: A poorly rested person can go through the day feeling groggy. This can lead to drowsy driving, car accidents, mental slip-ups, and poor cognition.
Microsleep: In addition to general drowsiness, a person running on very little sleep can experience microsleep—very short bursts of unconsciousness that feel like blacking out.
Mood swings: A person overcome by sleepiness may be cranky and irritable, and they may also experience headaches that further sour their mood.
Memory issues: Poor sleep patterns that cause a person to get less sleep have the potential to affect memory recall.
Tips for Avoiding Sleep Deprivation
To ensure you get consistent and sufficient sleep duration, consider the following strategies.
Stick to a bedtime routine. Sleep difficulties can stem from inconsistent schedules and routines. Improve your sleep hygiene by creating consistent sleep habits and a bedtime routine. This may involve stretching, an evening shower, or a cup of tea.
Avoid digital screens before bed. The blue light of electronics can mimic the effects of sunlight and prevent your body from entering its natural sleep cycle. Keep digital devices out of the bedroom, and when you must use them before bed, use a blue light filter that keeps the most disruptive light out of your eyes.
Consider a natural sleep remedy. Supplemental melatonin can help you fall asleep when your routine sleep schedule has been disrupted. Take care to not build reliance on sleep medications that may dampen the restorative effects of REM sleep and non-REM sleep.
Lower the temperature of your bedroom. A nighttime room temperature of 60 to 67 degrees Fahrenheit signals to your brain that it’s time to sleep.
Practice mindful relaxation techniques. A bedtime ritual of deep breathing exercises and slow exhales can promote progressive muscle relaxation. Mindfulness can also eliminate tension while allowing your body to drift into drowsiness and get enough hours of sleep.
Monitor your health conditions. Certain medical conditions, like sleep apnea and restless leg syndrome, can impair sleep onset and deprive you of sleep over the course of the night. Seek medical advice for handling such conditions, and work with your healthcare provider to develop treatment and coping strategies.
Source ⚜ More: Notes & References ⚜ Writing Resources PDFs
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