#Promise I'm getting to them!!

[blakeshaw-oracle]

Also teehee real quick-- Besties in my inbox, don't worry, I will be answering you later!! I'm closing today so I'm gonna start writing my replies at work 👀 Wish me luck lmao

- εϊз

[wardingshout]

I see alttp Zelda, I pick her up and put her in my pocket............

in order -> @clowns0up-felix @casunnart @kokirizeldas and 🧍

[noahl-art]

Sweet morning, laying with each other in bed 🥹❤️

[numbuh424]

Day 6 & 7 of @dnrarepairweek | Prompts: PROXIMITY & JUDGEMENT

We interrupt this showdown to bring you an intervention ft. Near and Light who have a serious discussion about where their colleagues' priorities lie.

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[hexbaiting]

[silverquillsideas]

you could stain your hands the deepest scarlet, and I'd wash them clean for you.

🔗 prints

[semperama]

if you're still taking setting prompts - 46 💛

the back of a taxi stuck in traffic

"Where are you?" It's Buck's voice in Eddie's ear, crackly from poor signal and thready with...something like panic?

Eddie feels an answering anxiety stir in his stomach, because—Buck doesn't know, right? He can't know. Eddie shoots Christopher a look, and Christopher looks back at him, eyebrows raised. When he mouths Buck, Chris's eyes widen and he makes a cutting motion with his hand across his neck, like Eddie needs to be told not to blab.

"What do you mean, where am I?" Eddie asks. He cranes his neck to look out the front window of the Uber—a Prius, as luck would have it—but the traffic still stretches interminably ahead of them, cars inching forward at the customary crawl. Eddie almost picked the 5 am flight for exactly this reason—so they could avoid rush hour—but he's pretty sure waking a teenager up before dawn is against the Geneva Conventions, so. Here they are. Stuck in traffic. The anticipation of surprising Buck fizzing under his skin, making him jittery.

But now Buck has called him, is asking where he is. Does he know? How can he know?

"I'm, uh." Buck pauses, clears his throat. "I'm at your house," he says.

"I know that, Buck," Eddie says slowly.

"No, I mean. I'm at your house. In Texas. Right now." Each word drops like an ice cube into Eddie's stomach. "But you weren't answering the door, and—and I looked in the front window and there's no furniture here?"

That's—what? No. Eddie shoots a panicked look at Chris, who must be starting to put it all together too, because his expression is scrunched up with dismay. Their furniture isn't in Texas, because it's on a moving truck on the way back from El Paso as they speak. And if Buck had showed up at the house a few hours later, he'd have been tipped off by the For Sale sign the realtor promised she'd put up later today.

Did Buck drive all the way to El Paso? Or did their airplanes pass each other in the air?

"Buck," Eddie says, "Chris and I are in the back of an Uber on the 405. We're like three miles from home."

Silence on the other end of the line. Crackling static, like a puff of air. Then, "You're in LA?"

"We were going to surprise you." Eddie had it all planned. He tested the waters a couple weeks ago, told Buck that Chris hinted about maybe wanting to come back to LA eventually and asked him if it was okay if they all shared the house for a while. Of course Buck said that was fine, more than fine, they could stay as long as they wanted, It's really your house anyway, Eddie.

Eddie called the realtor the next day and got to work making little last-minute repairs so he could sell the house for enough of a profit to recoup his down payment. He'd had to cut back on FaceTiming Buck from the house so Buck didn't see the boxes, calling more between rides to make up for it. And he swore Bobby to secrecy when he called last week to ask for his job back.

Everything was going off without a hitch. Eddie should have known something would go wrong.

"Surprise me?" Buck repeats. "I was going to surprise you."

"Well, I—yeah, I'm pretty damn surprised, Buck," Eddie says. He shoots an apologetic look at Chris for the swearing, but Chris just rolls his eyes.

It's just...this kind of sucks. Eddie has been looking forward to this for weeks. Longer than that, actually. Even before he knew for sure he'd be coming home, he imagined it, the look on Buck's face, the way a smile would spread over his face like the sunrise, the way they'd fall into a hug, the scratch of Buck's stubble against his neck. Before Christopher moved back in with him, sometimes imagining that moment was the only thing that got Eddie through a day. And once it became a real possibility, once Chris said he wanted to go home, it became all Eddie could think about, the reunion playing in his head in technicolor all day long, in a hundred different ways,

"Shit," Buck says on the end of a sigh.

"Yeah," Eddie agrees. He scrubs a hand over his face. The traffic keeps inching, inching, but it doesn't matter as much anymore. They'll get there when they get there. "Please tell me you didn't drive."

"No, I flew," Buck says, and thank God for that. "I was only going to stay a couple days. I just thought—Chris said he was kind of missing LA, and—"

It's Eddie's turn to roll his eyes in Chris's direction. "And you thought if you showed up, you'd remind him of what he was missing even more, and he'd want to come home?"

"Something like that," Buck says, and Eddie can hear the sheepish grin in his voice. "Ugh, changing my return flight is gonna cost an arm and a leg."

"I can split it with you," Eddie offers automatically, but Buck scoffs.

"It was my stupid idea, not yours."

"Uh, we had the exact same stupid idea, Buck," Eddie says. This will be a funny story later, but for now, it stings a little. All this waiting around, and he doesn't even get to see Buck at the end of it.

"I wish I could laugh," Buck says, echoing Eddie's thoughts, "but—"

"Yeah," Eddie says softly. He glances at Christopher, then away, willing his blood to stay away from his face. "Look, Buck—"

"No, hey," Buck says in a rush, "don't—don't say anything, just. I'll get the soonest return flight I can, and I'll see you soon, okay?" And then Buck does laugh after all. Just a little chuckle, but it warms Eddie all the same. "The way LA traffic is, maybe I'll be on the plane before you even make it home."

It doesn't happen quite that fast. Eddie and Chris have time to make it home, to take showers, to order pizza. They have time to put a good dent in the stash of cookies Buck made with Jee the previous weekend, and then to clean up their crumbs. They have time to blow up an air mattress for Chris, because Buck left his room empty.

It's midnight, and Eddie is fast asleep, when a rush of cool air wakes him up. The blankets pulled back, then hiked up again, a warm body at his back. He turns, slow, and there's Buck, looking at him wide-eyed in the dark.

He puts his hand to Buck's face. Buck's fingers wrap around his wrist. This isn't the reunion Eddie pictured.

"You're in my bed," Buck says.

"Mhm." Eddie shifts forward, his knees slotting between Buck's. "That's what you get for leaving it empty."

"Are you—?" Buck whispers, stuttery. "Can I—?"

"Yeah," Eddie says. "Of course. Anything."

This isn't the reunion he pictured, but as Buck nudges their noses together, as they breathe the same air for long moments before their lips brush, Eddie finds he doesn't regret it at all.

[r-aindr0p]

Silver yawns and the mini rollo's go into his mouth lol

It's like those videos of people laying back with their hamsters or baby chickens and the little critters just... dive in

[outer-andromeda]

"Well well well, would you look at that? A fellow curious brain!"

UPDATED THIS GUY'S DESIGN RAGHHHH. Meet DC (Delight & Cynical, goes by he/it) !!! Still developing its whole story and stuff but you all can't understand how invested I am in him at the moment. It's terrible.

[stlamb]

2025 has been the most non-year year of my life like i'm still waiting for this year to actually start, what is this mess

[violetscanfly]

long post alert

Marleyan Hange au

I've wanted to try my hand at a Marley au for ages and well I have been doing it for ages too because this got way out of hand lmao, like this is part one out of at least three (that's how far I've drawn), probably more if I follow my plan to go over the whole canon in little vignettes like these.

| next part | animatic

There's a bit (a lot) of yapping about the au itself under the cut if you want some context:

First of all disclaimer this isn't like super thought out in the logic sense and when you spot plot holes just uh ignore them ig xD this whole thing started from me just wanting to draw a few specific scenes

So basically Hange is born and raised in Marley, trained into a warrior and sent to scout out Paradis a few years before the Marley kids in canon do. In the pic there's a little bit of their childhood, they and Zeke are friends and I gave them a little sister for reasons:)

Hange's parents are fanatically loyal to Marley and so were they before they actually were sent out to war as a warrior candidate and saw how Marley uses eldians as disposable weapons, which caused them to question how things were and become kind of disillusioned. They kept their true feelings to themself and continued going along with it, feeling that gaining honorary status for their family is the best thing they could do for them and it would give their sister Essie a peaceful life.

After they come back from the war they and Zeke are promoted to warriors, Zeke gets the beast titan and Hanged gets... Also the beast titan?? Or maybe jaw I really don't know XD (here's kinda the biggest plothole so if you're super attached to the canon lore and rules I'm sorry idgaf I'm just here to draw freaky titan and put blorbo in situations so there's an extra titan now) anyway it's based on a hyena, I also thought about a kangaroo but that felt too powerful, imagine that thing jumping super high and slamming down to cause an earthquake or something.

Anyway Hange is sent to Paradis to look for the coordinate. They immediately fall in love with odm-gear the minute they see it since they're still their ever curious scientist self. This leads them to join the military, though they justify it to themself by researching what the enemy can do. They find that they actually really like life on Paradis, not the least because they can be their true self and most people accept them as they are, whereas in Marley they had to assimilate to stricter gender roles.

Eventually a certain Levi is scouted into joining the survey corps and Hange's immediately interested in him (totally for research purposes, yeah) and it takes a while but suddenly they realise Levi is their closest friend and maybe not just a friend anymore, which seems mutual but they dance around the subject until Levi's had enough and just straight up kisses them. They get together and on the other hand Hange is the happiest they've ever been but on the other they're panicking inside cause they know this can't last and the guilt is eating them up

Canon happens pretty much as it does, Reiner & co are sent to Paradis cause Hange has taken too long without presenting results. Once the kids are in the military Hange makes sure they don't blow Hange's cover even when the kids are revealed to be titans. The Marley kids are shocked when they realise Hange is in a relationship with Levi and have differing opinions on it, but Hange can be scary when they want to to shut their questions down

Shit has been going down, it's the night before they'll leave for Shiganshina and Hange knows this is the last peaceful time they're going to spend with Levi, because tomorrow they're going to have to go back to their old life and fulfill their mission.

[feroluce]

I have finally finished 2.4 and oh my GOD watching Dan Heng be so protective of his friends nearly killed me, MY HEART.

And yes, the cutscene where he pushes the trailblazer out of the way and even cushions their fall with his own body, but I mean even before that! When he was already trying to protect them and March 7th from Feixiao and Lingsha!!

Because if you watch the dango trio throughout the main quest, you'll notice that they often position themselves in the same way, which is a detail that makes me super happy that Hoyo thought to include- when the three of them aren't evenly spaced, March 7th and the trailblazer tend to gravitate towards each other and stand very close together, frequently side-by-side. And by comparison, Dan Heng usually stands slightly away, and often even slightly behind them, where he can pull on their leashes to wrangle them keep an eye on them.

This is probably a habit learned through experience, since March 7th said during Belobog she is the "queen of unannounced disappearances" fjdksajfkldjsak

And of course at least a little bit of it is just done for like, aesthetic purposes. It's a video game. Things have to look nice for the player. The trailblazer and Dan Heng are the same height, March 7th is a bit shorter, and Yanqing is even smaller. It makes sense to have the trailblazer and Dan Heng stand on the ends, with March 7th and Yanqing in the middle, it just looks nicer and more balanced that way. But still! Even when they're accommodating for Yanqing in this quest, they still all arrange themselves the same way, almost every time!

But this changes after Dan Heng and Yanqing become suspicious of the visitors from the Yaoqing.

The dango trio still stand around relaxed and in their usual manner when they go to the artisanship delve and meet Skott,

but Dan Heng takes notice of Lingsha when she arrives, and he and Yanqing mentioned her specifically when discussing their worries.

Yanqing worrying so much about Jing Yuan got me right in the heart, he's such a good boy WEH

And when the four of them go out to the alchemy delve to meet Lingsha for tea, the pattern breaks. Suddenly Dan Heng is standing right up front, and even walks in and enters the scene before March 7th and the trailblazer to get to Lingsha before them. He stays a step in front of them the whole time, too.

And then when Dan Heng and the trailblazer have to go be interrogated by Feixiao! The same deal! Dan Heng walks in ahead of them and stays in front of them! Noticeably so! Enough that even Feixiao takes note and voices it!

Dan Heng is so so fiercely protective of his companions, and I love it, I adore hyper vigilance in the wake of trauma like this, I'm so excited to see what else he does in 2.5, I hope we either get to see him get fucked up or the trailblazer gets fucked up in his place, I wanna see them run through the meat grinder!!!

[thimblings]

c'mon ashley it's not even grammatically correct (planning a fic mentally and working out dialogue for a scene and then suddenly Viago says "y'all's" because i'm southern and despite my best efforts some phrases are ingrained in me and honestly i would like to personally apologize to him for it)

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[homielander]

i'm sorry but hotd positing that all women are innately cautious and peaceful and compassionate while men are rash warmongers is not a feminist win! i could see the value in everyone being hesitant to go to war at the onset of the story because it intensifies the tragedy of this house tearing itself apart, but at this stage, rhaenyra has as much reason for bloodlust (if not more) as the men on the show. it's pretty heavily implied that the shock of her usurpation killed her daughter, aemond killed lucerys, and one of aegon's kingsguard snuck into her quarters with the intent to assassinate her. most importantly, she has felt entitled to the throne since she was named heir as a child. she should be incensed! rhaenyra's inaction in the season 1 finale due to a sudden aversion to violence was already stretching believability -- this is the same woman who expressed nothing beyond mild shock at vaemond's beheading, who plotted with daemon to have an innocent man killed to facilitate laenor's escape while declaring that the realm should fear her. to have rhaenyra insist on peace at this point in the story, when war is already well underway, is incredibly irrational.

this problem is not limited to rhaenyra. alicent ordered larys to kill mysaria's network of spies and any suspected traitors in the red keep, presumably without any due process, and neither of these decisions was depicted with the gravity they deserved for a character who was once horrified by any bloodshed. meanwhile, aegon had a few extra ratcatchers executed, and not only was the direction sufficiently ominous, but we also got a lengthy monologue from otto about how it would spell his doom. it is probably pointless to bring up rhaenys because she is written less like a believable human being and more like a mouthpiece for the writers to assert whatever political opinion they believe is correct in a given episode -- but she did very much kill dozens if not hundreds of smallfolk last season. she did do that and very clearly did not care. why is she an advocate against war? for both alicent and rhaenys, there is a strange dissonance where their actions are at odds with their attitudes about opposing large-scale war for the good of the realm. i'm not saying this dissonance cannot exist, but it should at least be acknowledged.

helaena raising concerns about the losses suffered by the smallfolk might have worked in isolation, but for it to accompany everything above is exhausting. can none of these women be allowed to feel for themselves?