#and in going insane slightly

[punk-and-anxious]

....if i has a nickel every time i got obsessed over a character who is a scientist in a robot based war who is in love with their lab partner who they hate. Is very loud, obnoxious, and thinks they are the cleverest person in the room.

Who also tries to end the world on purpose....

Id have two nickels

Which isn't much but its weird its happened twice

[hihello-what-are-you-doing-here]

I have had a horrible thought

June 2nd vers

June 3rd vers

[deviouz]

whatever you do, don’t think about how matt murdock’s holy silver cross necklace dangles in front of your face while he fucks you oh-so-deviously.

don’t think about how matt murdock's breath against your neck was like that of a silent confession, each exhale a sinful prayer that made you tremble from the need of it all.

don’t think about how matt murdock will have you moaning out a variety of expletives and the occasional ‘oh god, matt’ when he angles those dexterous hips just right.

don’t think about how matt murdock smirks at you with such sinful lips, or how they had been buried between the plush of your thighs only moments before.

don't think about how matt murdock's voice, intoxicating and rough, pulled you in like a prayer you didn’t want to answer. every word he uttered was like a unholy promise that set your heart racing with an urgency that was impossible control.

don’t think about the way matt murdock uttered praise down at your blissed out form was practically unhallowed — “come on, angel, you can get louder than that.”

don’t think about how matt murdock’s very touch was downright unholy. your skin beneath his tempting hands burned with nothing but pure need and desire, and it was practically etched into just features just how well he knew.

don’t think about how matt murdock’s pace was a rough, steady assault, each movement building a tension too intense to bear. it was almost if he was testing your limits, drawing you closer to the edge with every deliberate and divine thrust.

and absolutely don’t think about the way matt murdock has your back arching, eyes rolling back as pure euphoria washes over your angelic form. that silver cross of his dangled before you, taunting, served as an all too familiar reminder of how every intimate encounter with matt murdock was sure to be sacrilegious.

[lizards0up]

posting this by itself aswell

[keferon]

I’ve been reading through your Spellbound AU and thought of something funny, so naturally I wrote a short story for it.

My take on how Jazz came to work for Orion.

———————————————————————

Jazz slunk across ruined stonework overtaken by forest growth. Form shifting as subtly as the shadows he crossed.

Which would it be?

Tall and slim? Nah, that one already served it’s purpose. The twins saw something lank and dark looming in the trees, and now the young knights were distracted looking over their shoulders.

A hulking brute? No, that’d inspire an all out confrontation. Jazz already had all of them keyed up to act on instinct.

The twins were easy. Young and expecting a straight fight. Pax, his target, was harder to ruffle. He had the reputation of a courageous selfless hero and damned if the mech wasn’t dedicated to the ruse.

Pax wasn’t spooked, but he did take his underlings concerns seriously. He marched forward as a pillar of confidence and safety, but Jazz caught the way his gaze scanned the ruins. His white shadow seemed indifferent, but he was just an audience member anyways, not a real fighter.

Primed to play the part. Pax just needed his queue.

Jazz got into place on his stage. He shifted into something small and weak (in appearance alone). Bent a leg at an unhealthy looking angle, and slumped like he was exhausted and chased here.

Jazz sat with his back against the wall, the partially collapsed stone room was small enough that a mech of Orion’s stature would have difficulty moving quickly. It had the nice bonus of blocking anyone else from coming through the main entry point as well.

Through a crack in the wall, Jazz watched as the leader in blue and red got closer, his “loyal knights” lagging behind. The white one lagged as well, distracted by scolding the twins for being distracted.

Jazz focused on his target. Pulled at a thread from within Pax and strung it within his own chest.

Jazz set his new voice and with all the terror and innocence he could conjure screamed.

H̴͉̮́͂͗̐͌̍̇E̸̡̞̅̎̒͗͂L̷̛̻͎̮̽̏͝͝P̴̛̭͈͌̔̃̊͛̓ ̶͉̩̖̔͛͋̃ͅP̴̫͔̖͔̼͗̑̔͘͝L̸͓̣͖̫̭͎̊́̑̀͐̈́Ḙ̶͕̪̳̟̥͂̓̈̅͂͝Á̵̖̳̱͙͋ ̸̭̤̹̔͑͒̈͆̓͘Ȏ̵̡̥͈̪̟͛́̑͆̐͜Ḣ̷̡̻̪̘̯̹̊̂́̒͠ ̷̭̭͕̙̟̬͈̇̄̌̅̂̚̕W̸̺̯̦͔̼͇̄H̷͖͛̎͐̄͊̂͝À̶̘̙̈́̎͛̒͘ͅṰ̴̻͉̜͂̐̽̀̇ ̴̬͓̝̞̀̆̕T̸̙̖̲̺̯̆͛͜Ḥ̵̱͚͕͔̆̉ͅȆ̶͙̆́́̌̋ ̵̧͔͔̰̰̰͕̿͂̆̂̅̅F̵͕̘̰͓̓̔͜͜U̵̧̝̳̔̍̇̅̿͜͜͝Ç̵͎̎̓̒̓̊̂K̷̨̈́?��̱͈̖̺̘͓͆̄͒͋

He slapped a hand over his mouth.

Outside, everyone went deathly quiet. Jazz didn’t dare move.

“Um.” Spoke their fearless leader.

Who apparently had thing for asthmatic dragons.

“Are you alright in there?”

Movement started to approach his hidey hole. Jazz could still salvage this. He could.

The white shadow came through first. Damn it. New plan: save own life.

Jazz plucked a new voice from him and made himself look as unthreatening as possible.

“ - ?! !”

Nothing. He loves the concept of nothing. Not even a celebrity crush? A favorite singer? The sound of his own voice?

Some of the functionalists were like that. That’s probably half the reason they “allowed” him to take on their commissions. All the money in their coffers wasn’t worth this however.

The white mech frowned, scanning over Jazz with a cold blue look. He turned back to the entrance, “Sir, there is a ‘hypothetically’ injured person inside the building. Most likely they orchestrated our current circumstances in an attempt to assassinate you.”

Jazz lunged from the wall, dagger slipping between armor gaps to pierce the spoil-sports spark, ready to dash past in the resulting chaos when his lifeless body guttered before them.

And just like his voice, Jazz got nothing instead.

He gaped at the way his blade cut into hollow air beneath the plates. Numbly, he pulled out his dagger and stabbed again, like it’d do something different this time. The mech was unamused.

“Sir, the assassin is trying to assassinate me.”

Jazz pulled a working voice, “I̷͕͍̓̒͝ͅ’̵̝̂m̵̼̲̓́ ̷͚̑́͗͜n̶̢̬͈̉o̷̦̓̎͝ṱ̶̟̼͒͊ ̵̨̮̠̿̀ǎ̷̫̹n̶̫̜̚̕ ̸̹͙͐a̵̛̯̻̹s̶͍̈́s̵̳̲͎͂a̷̻͉̅͆̑s̴̛̫̞̽̈s̵̳̑į̸̝̽̊n̷̙̟̤͊!̸̪̃”. And discontinued his failing assassin attempt to cringe.

A massive hand closed around Jazz’s wrist, stopping him cold.

“Do not.” Orion lessened his grip but did not release him, “Harm my friends.”

Jazz had to crane his head back considerably to make eye contact. Orion was built like a brick house and Jazz had enough experience fighting mechs like him to know his kill window was gone.

Groveling it is!

“I̷̍����̧̲ ̴̟̩̗̀̿̊a̵̹͙̔m̵̠̜̳͍̀̽̾̏ ̷͕͕̔̿͆̂s̸̡͋ơ̵̦̜ ̶͍̫͔͔̒̈̈́̌s̶̻͓͔̆͜ò̸͙̥̻̀r̷̢̠̈r̵̘͑̎͂y̸̰͓͆͗̔.̵̯͇́̌͒ ̵̳̞̏̇̕I̶̦͚̦͠’̸̞̯͙̟́ḿ̵̢̜̅̍͜ͅ ̴̮̩͓̀̓̈͜j̷̻̒̀u̷̯͂͋ŝ̴̭͇̱͎͑͆ẗ̶͎̬͗́͝ ̷̥̰̗̃a̸̼̫̦̾̚ ̶͕͉̓͌͋͝d̴͖̗̰̒̎̈͘ͅe̸̗̞̤̲̽͗̈́͛s̸̖͐p̵̢̎͊e̴̢͖͉͑̿̾͘r̶̩̬̰̈́́ą̵̧̰̋̊͝t̶̻̯̞̦̆e̷̱̥̪̍͜ ̴̠̱̼̣̌̾t̴̙̐̔h̵̟̪͈͛̚ǐ̶͕ě̴̻̺f̸͕̠̯̤̀̆!̷̗̩̩̃̽ ̷̮̩̆̾Ǐ̷͍̭ ̴͕͕́ṅ̸̗̰e̸̯̱̝͚͆͂v̴̛͓͉͇̍́e̴̺̞͖͂͑̏͐͜r̶̢̼͠ ̴̗͙̐͒̋̚m̸͓͆͐e̶̱̩͕̐̚͠a̵͉͇̟̺̋̇̑n̶̢̖̙̣̾͝t̷̘̔ ̵̦̉̈́̈́͗t̵̳̻͇̔̎̃͜o̴͈͖̓ ̵̬̦̞͖͌͋͂͆h̷̲̓͑̎̃a̵̛͇̾͗r̵̠̗̩̾̏̈̚m̸̭̃ ̷̢̗͇͈͑͊a̵̧̠͑̒̚ ̵̢͉̮̌̀k̵̼͈͎̳͒̀̐͂ǹ̸̛̘͈͔í̶͓̜̜͉g̸̨̖̗̜̽͊ĥ̷͉̫͉̻̾̽̉t̵̜̣̲̹̑ ̸̡͒̃o̶̮͉̺͝r̷̬̎̓̚͝ ̵̡̠̩̓̈́̐̏ḣ̶̨͖̼̥̎́i̶̖̋͝s̷̻͍̭̒͜ ̵̢̖͓̿̍̌̾f̶̣̜̒̎r̶̝̈͊̍̋ǐ̶̝͓̱̱̆̐ẹ̷́̅n̴̢̛̘̍ḑ̷̪̈́̀͒̚ŝ̷͍̹!̷̪͙͕̬̐ ̵̨̡͆̏P̸̧̢̼̿͝l̶̡̧͔̳̍̉͋̆ẽ̶͉ȁ̸̦̜̤̀̉ͅs̴̮̙͍̘̐̂̉e̴͇͚͊̔̈́͋ ̸̧̳͒̈̃͠h̸̡̧̰͛̈͐ͅḁ̷͔̗̱̓̌̉v̸͖̼͓̜̽̏ę̵̬̤͎̄̅̓͆ ̷͍̯̗̥̋̀͛̉m̸̹͈͔̑͂͠ͅé̴͎͕ȑ̴̢̖̘̎c̴͙͇͙̤̐̔͒̕y̷̨͈͗͛͛!̶̹͝͝”

Orion cringed behind the mask.

“I- I’m sorry I don’t think I quite understood that.” He paused, “Would…you like a cough drop?”

Orion seemed to take stock of what he had on him, patting his sides with his free hand. He turned to the white mech.

“Prowl, would you happen to…um nevermind.” He turned to the twins, “Sunstreaker?Sideswipe? Do either of you have a cough drop?”

The twins searched their pockets for a magically appearing cough drop. Jazz searched for his sanity.

Jazz plucked a voice from the twins and couldn’t care less which it came from.

“Listen!” Oh thank fuck the twins were normal.

Jazz smiled while slowly uncurling Orions fingers from his wrist. Prowl narrowed his gaze at the new voice.

“You got me! I’m a thief! And I panicked! And I am so, so, so-.”

“A mimic.”

Smile frozen in place, Jazz turned his head so slowly there was an audible grounding noise.

Prowl remained impassive.

“Um.” And Orion…let him? Pull his wrist free. “Are you going to continue trying to kill me?”

Jazz snapped back to Orion, his target. The words aren’t what gave him pause, but how he said them. Like he just asked Jazz “Are you sure you want to go with puce green?” As if the mech was more concerned that Jazz was going to make a poor decision than for his own wellbeing.

“No.” Jazz said definitively. Because Primus knows he lost the upper hand now and wasn’t aiming to try again so soon.

“Are you genuinely in need of money? Food and shelter?” Orion continued, optics softening.

Jazz didn’t recognize the play. He bit his lip beneath the cowl.

Jazz decided to capitalize on whatever got him the most sympathy. He nodded seriously. “Yes. Of course. It’s not easy when the functionalists decide you’re a monster.” A bit of a lie and a bit of the truth. His favorite combination.

“Do you like your current employers?” Orion asked and Prowl started to narrow his optics.

“No…I don’t.” Jazz answered without enough dishonesty to feel comfortable.

Orion kneeled so he was on optic level with him. “Would you like to join my order?”

And when Jazz just stared at him he continued. “You’d be free to leave if you ever found it not to your liking. And your skills would be very useful in keeping people safe. And of course we’d ensure safe lodgings, fair pay and-.”

“Sir.” Prowl ground out with the most emotion Jazz had ever seen from the guy. “He tried. To assassinate you.”

“Well, he wasn’t very invested.” He shrugged.

Orion looked at Prowl. The twins looked at each other. Jazz looked at an opportunity.

“Deal.” Jazz took Orions hand, shaking it before his better thinking caught up to him.

Orion’s optics crinkled in delight. “Wonderful! Welcome to the Autobot Order!”

Prowls face betrayed nothing, but Jazz hadn’t spent his entire life studying people to miss the way something ever so subtly cracked under Prowls stoney facade.

Jazz didn’t need their Order to survive. But he had become desperately curious to know what in Pimus’ sweet name was going with those two. And more importantly, after outing him twice in a row, Jazz was going to BREAK Prowl.

“T̴͓̹̚h̸͖̘̀̈͠e̸̡̗̳͊̓͝ ̴͚̘͆n̶͉̰͐͜ą̸̦̉m̸̮͙͋é̴͉̫̥͘s̴̮̔͑̄ ̶̰̚J̷͎̀͝a̸̟͎̽̒̇z̷̰̆͑͜͝z̵̨͎̈́.̴͎́ ̷̡͉̱̒̾̕N̵̳͚̈͘i̴͙̓̎c̶̪̅̆ḛ̸̂͂ ̷̰̻̊͝ͅt̷͖̤̓͋o̴̗͇̭͑̿͛ ̴̮̹̉̃͜m̴̼͈̝̍ë̸̗̫̘́̊͌ē̸̘̹̅t̷̛̞̙̫ ̵͙̎̄y̵̩͂̓̚a̴͉̲̪͌̍.̶̖̻̒”

———————————————————————

The silent sentence was “Did you hear that horrib- Huh?! OH COME ON!”

I just really liked the idea that because Jazz talks in Shockwaves voice around Orion, the first time it happened everyone nearly shit themselves.

-SSTP

"Who apparently had thing for asthmatic dragons."

LMAO

"The twins searched their pockets for a magically appearing cough drop. Jazz searched for his sanity." AHAHAJCZTYLVXFUJKCDYKFSS HELP

Jazz, looking at OP: There is something really wrong with you. Five weirdness points out of five.

Jazz, looking at Prowl: ........I need a new scale

[hyperblue]

thinking about tim slowly returning back on the field as his clone twins get older and getting injured at some point with him ending up trapped in a bed between two snuggly (and terrified) kryptonian teens

kon: can i perhaps squeeze in someho-

jackie, muffled from where he's tucked into his dad's side: NO

kon: okay then

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[journey-to-the-attic]

mephistopheles: "ik came out with a freestyle of increasing intensity for every beat we sampled........... a lot of it was unbroadcastable"

[myrruwrites]

A winters night.

. . . Caitlyn x Reader.

CW: SFW, a bit suggestive & references to sex briefly, but it’s mainly fluff. A bit of comfort (r!receiving). Caitlyn walks in on you baking her a surprise on your anniversary. :^)

WC: 1.06K | CC: 5.7K | Proofread: No.. | Notes: this is my first time writing a reader x character fic. One of my first times writing romance at all, actually. I normally write warrior cats. But I wanna branch out to my other interests, one of which is arcane. I hope you like it! | MEN DNI.

It’s starting to get late out, the sun setting. The kitchen’s dim candles are the only things leaving the room barley visible, although, you don’t go to turn the main light on. You’re much too busy for that. You’re working hard making a pie for your girlfriend, Caitlyn. It’s Apple and cinnamon, her favourite. It also happens to be the same dish you made her on your first date. You had worried you’d come onto her too hard, but much to your surprise, she was impressed.

While sprinkling the cinnamon onto the apple mixture, your mind can’t help but drift to Caitlyn. "I wonder what she’s doing right now?" you ask yourself. She’s still at work, you’re positive of that. At least you think you are. You shake your head slightly, as if it’d help you clear your mind. You have to finish the pie before she gets home, even if it’s the last thing you do.

You slowly mix the pie filling, folding it. As you do, you notice the time. "7:30.." you murmur, gulping. Caitlyn finishes work at 7:00 on Tuesdays, she’d be home soon. "Shit, shit, shit." you think to yourself, your breath strained. You try to press on, working harder, faster.

15 minuets later, as you’re beginning to plat the top-crust of the pie, you hear the front door creek open. Is Cait home already? She can’t be, you’re not ready. This isn’t how you had planned it. You were meant to present her with a slice of her favourite pie as she came home from work, snuggling up to her on the couch as you play a movie you both enjoy. This is not what was meant to happen, she wasn’t meant to be home yet. Had it been a Monday, Thursday, or even Friday, she’d be home at 9:00. You’d have more than enough time to finish your plan. But on Tuesdays and Wednesdays, you’re not so lucky.

Before you can start to panic, Caitlyn drops her bag off on the couch. She begins to slide off her uniform, and your gaze immediately begins to take in her curves. Her under-shirt rides up slightly, revealing the soft skin of her stomach. You feel almost sad as she pulls it back down, folding her uniform neatly as she hangs it up to wash later. You gulp, caught off-guard.

"Y/N, you home?" Caitlyn calls out, due to you not greeting her. Suddenly, you realise you hadn’t even said hello. You yell out quickly, almost shakily "I’m in the kitchen! Welcome home, honey!". How hadn’t you done that when she first walked in? You always do. Well.. you know why. You remember the sight seeing you did earlier. How could you not? The way her shirt clung to her body..

Your thoughts are cut off as she walks into the kitchen, she reaches for her ponytail, undoing it. Her eyebrow tilts as she realises you’re baking, a soft grin forming on her face. "What’re you making?" She asks, walking up to you. Her arm wraps around your waist, her hair brushing against your neck. "What do you think it is?" You tease, looking down at the pie. Caitlyn scoffs slightly, before tugging your waist slightly, pulling you against her. "Is it really the pie?". Her phrasing makes you giggle slightly, your hand reaching to cover your mouth. As you do so, her hand meets yours, moving it away from your lips. "Now, don’t go covering such a pretty sight."

The air practically became thicker, a slight blush creeping up your neck. She breaks the silence with a quick peck on the lips, as you lean into it you feel it deepen. Suddenly, you break away from the kiss. "I have to finish baking. How about we.. continue this after?" You explain to her about wanting the pie to be done earlier, but forgot to makeup for her early finish from work. She reaches to cup your cheek, turning you to face her. Her thumb strokes close to your lips. "It’s a sweet gesture, don’t upset yourself."

You smile softly, noticing the sincerity in her eyes. She’s really not mad. You start to think about it, why would you assume she’d be mad in the first place? Caitlyn has always been sweet to you, always patient. You kiss her softly, before quickly turning back around, hiding the stunned look on your face. She lets out a small laugh, her hand still resting on your waist. She watches with awe as you bake, "I’m so glad you can cook, because I sure as hell can’t. Thank you for this, by the way."

You don’t turn to face her while replying, clearly still engrossed in baking, "I was planning to make something, it’s our anniversary after all. And the thought of pie reminded me of you." you admit with a smile. "Well isn’t that cute," she nudges your hip, before releasing it. "Let me help you with that." she moves to the side of you, gently taking the pie out of your hands. She bends down by the oven, putting it in with a smile before turning to you, "there, now I can have your full attention."

As the night wares on, you watch a movie with Caitlyn. It’s Scream, a shared favourite. You still flinch every time at the jumpscares, your nails digging into Caitlyn’s shirt. Her arms drape around you before pulling you closer. "Scaredy-cat, huh?", she teases. It causes you to smile slightly, amused by her tone. For the rest of the movie, you cling to her tighter. She mocks you for it, but you can tell she secretly loves having you in her arms. She plants a kiss on your forehead, holding you closer than ever. You start to wonder, would tonight be the night? The night you two finally.. you know. You shake your head, burying it in her neck as the next jumpscare hits. As time passes, your eyes begin to feel droopy, and you can’t help but think you could stay like this forever. Your body begins to relax into Caitlyn’s touch, her hand stroking your hair. She smiles softly at you as you begin to fall asleep, your eyes fluttering to a close.

Maybe another time. Tonight, you just want to be held, and she just wants to show you how much she cares for you.

© myrruwrites.

I hope you liked ittt.. its my first time posting my writing. If you do like it, feel free to request! I really wanna write more, it’s something I really enjoy. I wasn’t quite sure where to end this fic, and I would’ve made it longer, honestly I don’t know why I didn’t. I can always make a PT2 if anyone’s interested. Thank you for reading! Reblogs & likes are appreciated.

[artandbrimstone]

tmk on the brain,,,,,,, trey you deserved the whole worlddd

[microtyalm13]

[alimicart]

I am clinically insane!!!!!!!!!!!!!!!

So I decided to use memory of looping, which gives you +5 hp per loop and the death corridor to get Siffrin to max hp because someone had to do it.

Here’s some data because I’m a cringe STEM major!!!!

Starting hp: 495

+100 hp per every 20 loops

+500 hp per every 100 loops

+1000 hp per every 200 loops

I had calculated that about 1900 loops would be needed to get to that hp, but I must’ve been 1 or so short as I had to get to loop 1902 and I could’ve sworn that I started on loop 1 not loop 2.

I started tracking the amount of loops per hour late so the data from the beginning is missing but the average Loops per hour was 188.625 Lph

If I could attach a data table I would, but I’m not sure how to format that so you’re just gunna have to trust me on that number lol.

[silverdrws]

just so you know there are no innocent thoughts going through dean’s head rn

bonus:

[aphemera]

another dany drawing!!

please don’t ask me what’s going on with the outfit idk either

[pippeinnit]

i am so deeply hyperfixated aaaaaaaaaaaaaaaa

[plutoswritingplanet]

Hand That Feeds (Cooper Howard/The Ghoul x Female!Reader) pt. 2

a/n: this one's a bit shorter, next one will have smut, i am so fcking sleepy writing this i'll have to check tomorrow it this isn't a hallucination

Warnings: Horny Violence, Blood and Guts, Suggestive Themes, we're on a steady route to pound town

Summary: Cooper catches his prize, but an uninvited guest puts a strain on an already rocky relationship. Cross-Posted on AO3

PT. 1

You must be a Vault Dweller. Truly. There is no other way to explain the utter lack of self-preservation skills.

Cooper finds you almost immediately after the sun sets. He can see the flickering light of your small bonfire through the trees, and languidly, he stalks forwards, opting to stay in the shadows to observe you a moment longer. 

You're sitting on the ground, back leaning against a destroyed carcass of a plane. Hair pushed out of your face, Cooper can see the flames illuminating your focused expression with warm light. Once again, he's struck by this seemingly regal air around you. Like you've been raised in a castle, far from this fucked up place, that is now his home. A princess, stuck in harsh reality. Eyebrows furrowed, bottom lip tucked hard between your teeth, you seem to be pondering over something.

With quick motions, you take your messenger bag, opening it and dumping its contents onto the ground in front of you. It's somewhat hard to see, but the sound of small glass bottles knocking into each other is telling enough. 

Taking stock of your inventory, you begin to tuck everything back into the bag. Chems upon chems, RadAway, RadX, quite the little drug library, and Cooper's eyes immediately lock onto his most sought after, amber liquid. Why would a Smoothie like you need any of that stuff is beyond him. He hasn't seen any Ghouls in the small town you hail from. 

Perks of the job, he thinks to himself, as you stack away at least five vials.

At the last bottle, you hesitate, bringing it up towards the light, and looking at it with a worried expression. The liquid swirls inside, and Cooper watches from the shadows, as you press the cold glass against your forehead in a motion eerily reminding him of a prayer. Your shoulders shudder, and Cooper's mangled ears strain, as he sees your mouth move.

- Let me be brave - you whisper to the vial, like some ancient spell, and something new tightens in his chest, something he immediately brushes away.

Then, he sees you lift a very familiar piece of equipment, putting it on your wrist, and begin to tweak something in the controls. A Pip-Boy. Old and battered, but apparently still working. All his confusing feelings are wiped clean in an instant. Now, he's truly intrigued. The clasps seem slightly too big for your hand, and the device slides the length of your arm, as you move. 

You sigh, heavily, then press something, and the Geiger meter clicks to life, picking up on stray radiation. Cooper feels his muscles tense, knowing all too well, why the device has activated so rapidly. As a Ghoul, he leaves a trail of radiation, that follows him wherever he goes. He wasn't particularly aware, that a Pip-Boy could pick up on it, but he wasn't surprised either.

 The sound makes you freeze in your spot. Slowly, you scan the area, your hand extended towards the darkening outline of the surrounding trees. As your hand passes by the place Cooper has chosen as his hiding spot, the meter grows louder. 

Jumping to your feet, you raise the blasted thing in front of you, your other hand tugging at the waistband of your skirt, freeing your trusted kitchen knife. As if to double-check, you put your hand somewhere to the back, listening to the quiet cracking noise. 

You can't fully confirm your suspicions on time, as Cooper springs to action. 

A thick line of rope falls over your shoulders, and before you have the chance to react, the loop around you tightens. Your entire body is tugged with surprising force in the direction of the treeline. Loosing your footing, you collapse onto the damp forest floor, chin scraping in the process. The yelp of shock tearing out of your throat, rings through the surrounding area, before you literally, eat dirt. The force of the impact wrenches the knife from your hand, as it bends at an uncomfortable angle. The weapon lands somewhere in the grass, the blade reflecting the flames.

Wiggling like a worm, trying to free yourself from the bounds, you notice a pair of well-worn shoes entering your vision. They cross the remaining distance, stopping just short of your head. Knees crack as your attacker squats down, before taking your hair into a hard grip and lifting your head from the dirt. 

Your face twists in pain, neck craning uncomfortably, and with an overwhelming feeling of finality, your eyes land onto the face of a ghoul. The Ghoul. He turns his head slightly to the side with the meanes of grins, before letting go of your hair, your head falling back into the dirt. 

- Oh, motherfucker - you groan, pulling your legs up, and attempting to get up.

- Stay down - the Ghoul's voice is rough and biting, and sudden pressure on your back pins you to the ground. - Do you know how fuckin' stupid it is, to light a fire in the wilderness? Any unsightly character could pick you off in seconds. 

Spitting out stray clumps of earth and grass from your mouth, you scoff at his scolding tone.

- Thankfully, there are no unsightly characters here, huh? 

- Oh, I wouldn't say that, sweetheart. - the bounty hunter tugs the toe of his shoe under your side, and kicks up, turning your body.

You roll onto your back, throwing a nasty look at the Ghoul, as he secures the loop of his lasso. His eyes reflect the light in the most haunting of ways, and you squirm under his gaze, which drags itself across your body, stopping briefly at the tips of your breasts, peaking from under your shirt. Swallowing thickly, your muscles relax, in hopes of loosening the rope. It barely gives, but your limbs recover some wiggle room. 

Cooper blinks, his head jerking to the side, and only as he brings his hand up, do you register the gun in his hand. Making sure you can see it, he turns towards your messenger bag, grabbing it from the ground where you left it. 

He sits down, somewhere outside your field of vision, and you risk pulling yourself up into a sitting position. He doesn't seem to mind it now, too busy with rummaging through your belongings. Finally, he pulls out a vial of amber liquid, watching it swirl in the flickering light of the bonfire. 

- Now - Cooper starts, as he grabs the inhaler from his pocket, inserting the vial into it - Why would a backwoods healer have something like this on 'er?

Rolling your shoulders ever so slightly, the rope slides further down your arms, and you regard the Ghoul with a venomous rendition of a "are you fucking dumb?" look. Which he doesn't appreciate. His hands tremble, as he closes his mouth over the inhaler, taking a long hit, draining the entire vial. You try very hard, not to notice the low moan flowing out of him, as the drug enters his system. Or the way his eyes flutter blissfully for just a second. 

- You never know, who might be needing help... - you mutter, wincing at the biting pain in your limbs.

- Well ain't that considerate of you - he coughs into his gloved hand, before sighing deeply, his head reclining back against the plane's exterior, his eyes closed.

From where you're sitting, he looks weirdly handsome. Rugged and very much Ghoul-like, but handsome nonetheless. The skin of his neck is pulled taunt, and in the flickering light of a dying bonfire, you can see a myriad of scars, littering any surface of his skin that's visible. Still, there were other matters at hand, that needed your attention, and you try to shift in your seat as quietly as possible, slowly but surely sliding the rope down your body. 

- Next time you try to run away, I'll shoot you - your efforts are stilled by his warning tone, and by the way he waves his gun at you, you know he'll make good on this promise.

- Thought you needed me in good condition.

To that, he finally throws you a look from under his cowboy hat. 

- Good... - he confirms, his other hand slowly shortening the length of the rope connecting the both of you - Ain't the same as mint. 

The loop suddenly digs further into your flesh, and you grunt at the uncomfortable feeling of the rough rope scratching at your exposed upper arms. 

Unfortunately, he's right. During your time as the local healer, you've done many questionable things to ensure the well-being of the town. One of those things, was dealing with organ harvesters. You've only bought a limb or a finger, every once in a while, as if that was some consolation for your darkened soul. Those moments quickly taught you, that something being good was most certainly not the same as ideal. Or mint, as your captor has supplied. 

- You a Vault-Dweller? - the Ghoul finally asks, breaking the small spell of silence between you.

The question doesn't surprise you, and you lift the Pip-Boy as far up, as the lasso allows you. Which isn't a lot. 

- Nah - the flames dance on your suddenly melancholic expression, and Cooper drinks it all up, curiosity spiking with each new information - My mother was. She ran away from her Vault when she was a teenager and joined the Brotherhood soon after. 

- The Brotherhood doesn't recruit women - Cooper turns his body towards you, fishing for lies like a shark sniffing for blood. 

- Oh, it doesn't? - your lips pull back into a teasing smile, which perhaps isn't the smartest thing to do, but entertainment is scarce in the Wastelands, and you're determined to have some fun - She posed as a man for years, picked up a job as a medic.

Cooper hums to himself, inviting you to elaborate with an inclination of his head. 

- There, she met my father - you continue, looking over at the last glowing embers of the bonfire - They were discovered, court martialed for treason. They escaped together and had me somewhere along the way.

Your Pip-Boy still cracks, the radiation emanating from the Ghoul making the Geiger meter go haywire. With soft eyes, your hand traces the outline of the screen, watching the way green light dances on your fingers. 

- The forbidden love of the Wasteland - you sigh into the silence - Sounds like a title of some romance novel, no?

- Or a bad porno - Cooper grumbles, rolling his eyes.

- What's a porno?

His head snaps towards you in record speed, a myriad of emotions running through his mangled expression. It settles on deep annoyance, when he notices the sly smirk on your lips, and you have to bite the inside of your cheek to stop yourself from laughing. 

- Gotcha - your attempt at finger guns is pathetic at best.

- Oh, you think you're a fucking comedian, huh? - the bounty hunter asks, a slight amused tint to his words, which you consider to be a small victory.

- That's why they put a bounty on me - you giggle - I'm too damned funny. 

- Shut it.

The sudden change in his tone catches you off guard, and you cock an eyebrow at him, confused. The Ghoul looks much more tense than seconds ago, his hand tightening around his gun. One of his legs kicks up a pile of dirt, smothering the dying embers of the bonfire, as he leans forward, seemingly ready to jump. 

- Had I known you were such a buzz kill...-

You're not allowed to finish, as the Ghoul basically throws himself in your direction. Your yelp is cut short with a piece of flimsy cloth being shoved into your mouth. A series of muffled sounds, vaguely resembling "is this my robe?" escape you, and the Ghoul pushed against your head, until you fall back down onto the ground. 

His body is hot against yours, as he covers you entirely with his weight. It's quite difficult to breathe through the makeshift gag and the overwhelming scent of blood, gunpowder, and the sickly sweet undertone of rot. As well as the unfamiliar feeling of having someone so close. You were a hermit after all. 

- I said, shut the fuck up - he whispers harshly into your ear, and you shiver underneath him, as his chest rises and falls against your back. 

Then, a sound somewhere close to the forest line makes your head whip in its direction. Cracking of twigs and heavy footsteps, coming closer and closer with clear determination. 

- Healer? - your entire body stiffens, as a familiar voice rings out through the trees. - Are you alright, Healer?

Benny. The same Benny, which led this damned bounty hunter right to your doorstep is currently making his merry way towards the both of you. Your eyes follow the way the Ghoul's thumb loads the pistol with a click of finality, and suddenly new energy floods your system.

- Stop fucking moving - Cooper grounds down on his teeth, as you attempt to free yourself from both his grip, and the lasso's.

Images of Benny, bloodied and dead, flash through your mind, and despite your lack of any sympathy towards the man, you don't want to see it. So, you start to move again, violently shaking under the Ghoul, forcing the lasso to slide from your body. Your hips jerk from the ground, bucking into him like a wild animal, and somewhere behind your ear, you can hear him suck in a sharp breath. Which you have no time to dwell upon. Your tongue fights against the fabric of your robe, and after a second you're able to spit it out.

- Don't shoot him - you plead feverishly, hands gripping the Ghoul's forearm - I'll talk to him, he'll leave. Just don't shoot him, please.

Cooper looks down at you, his eyes hard on your face, as he watches out for any signs of deceit. Then, he presses his lips into a thin line.

- Make it quick, or I'll pop his head clean off his shoulders. - southern accent floods every syllable, and were you not fighting to save a life (again), you would've blushed.

- Yes, thank you. I'll be quick. Thank you. - words spill out of you like a broken faucet, whispered into the space between your bodies, as the bounty hunter tugs off the loop of his lasso. 

You take a moment to steady yourself, as he drags you up with him, hand twisted into the front of your shirt. Still a little stunned, you allow him to manoeuvre you, turning your body in his grasp, until your back is pressed flush against his front. 

Strong arm sneaks over your shoulders, hand clasping around the column of your throat, while the other one waits just outside of your vision. The barrel of the gun rests between your shoulder and your neck, and the coolness of the metal causes a myriad of goosebumps to erupt across your skin. 

- I'm here Benny - you call out, praying to anything that would listen, that your plan would work - Come out, slowly. 

To his credit, Benny has always been quite good at following directions. There weren't many attributes about him either way, a bit dim in the head, a bit too heroic. 

And definitely a bit too quick to pull out a gun.

Which is what he does as soon as he sees your peculiar situation. The Ghoul drums his fingers against your pulse point, and Benny approaches, a simple shotgun in front of him.

- What the hell...?

- Benny, I need you to listen to me - your voice sounds way too panicked, and you swallow hard to fake some illusion of control over this situation - I need you to turn around, and leave.

- But, there's a Ghoul with a gun behind you, Healer.

You nearly jump out of your skin, when you feel the hot breath of your unwanted companion on the back of your neck. You can almost imagine his chapped lips, so close to your skin.

- Time's a tickin', sweetheart - he whispers, and your blood runs cold in your veins. 

- He's a - you swallow, mouth going dry in an instant - He's my friend. Who's getting very anxious with the trigger, Benny, so please, just go home. 

Deep down inside you know there is no scenario, where the farmer leaves alive. He signed his death warrant the moment he stepped out of the shadows, yet for some unknown reason, that just makes you fight against the odds harder. Call it dumb optimism, perhaps you're possessed by your mother's spirit. Or perhaps the chems have finally scrambled your brains for good. 

- He's not looking very friendly - Benny's gun sways slightly, as he tries to keep it raised, muscles evidently straining against the weight - He's the guy that shot Pete.

Oh for fucks sake, your whole body starts shaking at this point, heart thrumming in your chest like a moth batting against a lampshade. You can feel the Ghoul smirk against the skin of your shoulder, and tears prick at the corners of your eyes. His thumb presses slightly into your pulse, feeling it run rampant against his finger. 

- Please - somehow you hope the desperation in your voice will be enough - Please, leave. Benny, please.

Benny looks between you and the Ghoul peaking over your trembling form. You can see his brain working overtime, scrunched eyebrows, smacking of the lips. You're only praying it's working in the right direction. Then, some idea flashes across his expression, and you know in the hollow of your stomach, that this is his end.

- If I save you, will you marry me? - he asks, looking at you with the utmost hopeful expression.

- ...what?

Confusion doesn't even fully register in your mind, as the deafening sound of a gun being fired nearly blows up your eardrums. At first you're not sure, what you're looking at. Where there used to be Benny, now there's a carcass, mangled and bloody. It's hard to figure out, where individual parts of his body are, some bones sticking out from the chunky mush. A spray of red falls onto your face like a morning mist, and the scent of iron and gunpowder is stunning your senses. 

You can't move. Eyes glued to what once used to Benny, you don't even notice, as the Ghoul removes himself from you, placing the lasso over your head and around your body. The loop is secured tightly, and the bounty hunter tugs on it a couple of times, just to test its durability. Then, lazily, he picks up your messenger bag, swinging it over his shoulder. 

- The first time he came to me for help, he tried to domesticate a rad roach - you mutter absentmindedly, not caring if your unwanted companion is hearing you - Wanted it to help with the farm work. I had to stitch half his left side. 

- Stupid life deserves a stupid death.

- You're a fucking monster - you spit out, the feeling of Benny's blood on your lips almost making you gag.

Apparently, the Ghoul takes offense to that, because almost instantly, he's in front of you, his hand gripping your throat, and pushing you hard against the metal plating of the destroyed plane. Stars erupt behind your eyelids, as your head knocks hard into the wall, pain barely registering under the confusion.

- I have been more than accommodating to you, little princess - the Ghoul snarls in your direction, but all you can focus on, is his other hand, grabbing your bruised chin - I've entertained your little medical escapade, I let you negotiate with that dimwit over there.

The warmth of his body suffocates you stronger than any hand around your throat. You can't decide on the color of his eyes, as they seem to shift between amber and green, and completely black. Your mouth opens just a smidge, as you try to defend yourself in any way, but before you can speak, the Ghoul shoves two gloved fingers into your mouth, silencing you in an instant. 

- I could be so much worse, darlin', and I don't think you would like that - his voice lowers itself barely above a whisper, and he watches your expression shift under his grip.

You can't help it, really, the way your body reacts to this rough manhandling. It's not like you could predict being pinned to a wall by a stranger would make your thighs press together. Cooper looks down. He smiles like a cat, that's just found the fattest of mice, when his eyes drag back up to your face. 

- Or perhaps you would - his knee presses against the middle of your thighs, just short of forcing them apart, and you gasp around his fingers.

As if nothing has happened, he pulls away, so suddenly, you nearly fall over. His gloved hand glistens with your saliva, and gracefully, he wipes it clean on your shirt. Blushed, panting, and very angry at this turn of events, you stare daggers at him, as he tugs at the lasso, forcing you to start moving.  

- What is your name? - you demand, blood running hot and defiant in your veins. 

Cooper stares for just a moment too long. The way you seem to bristle in rage, even though that farmer truly was stupid, and you know it too. He likes the way your eyes harden, the way your jaw sets, when you realize this is no longer fun and games. When you recognize, how dangerous he can be, how mean and ruthless. He'd be a fool not to admit it,  it makes him feel powerful, revered. 

And the undertone of humiliation running through the length of your spine is just such a delicious addition. Almost better than chems. Almost more addicting.

Lips tugging back into a nasty smirk, he appraises you with his gaze, surprised when your resolve seems to harden even more. 

- You, Healer - your title sounds wrong coming from his thin lips, worse than any other time you've heard it - Can call me "sir".

Something akin to disgust runs through your expression, and you turn away with a grumble. 

- Fat fucking chance.