#and is MY fault apparently

[gomzdrawfr]

Being “denoted” as the techie in the family meant you need to sit 4 hours sorting out your ma’s phone storage system and getting mad at the “data supplied of wrong time” error like the 8th time and debating for the nth time if it’s better to buy a subscription of those cloud server to transfer them files—

[morganbritton132]

Steve keeps trying to flirt with Eddie by asking him to teach him how to do things but he keeps picking up on it too quickly. After a couple tries, he’s better at it than Eddie is and now Eddie is pissed off.

[coline7373]

"For Life and Light."

Pffffiuuuuu... I didn't thought I would finish it in time but I did! *fist pump*

Just in time to thank the @codywanfirstkissbingo 's mods for such lovely prompts and to wish everyone a very merry Christmas and/or Winter's Holidays!!!!!!!!!

Big love sent to everyone!!!

💖❄🎄💖🌞💖🎄❄💖

[omegalerc]

my last post of today is to chewis really loudly at you all because the potential here is not talked about enough for me… these two are supposed to shooting a professional celsius ad but where are lewis’s eyes locked? on the chussy

[oifaaa]

Fuck local business man how did I accidentally spend £30 on one mechanical pencil I'm poor you can't do this to me

[foxstens]

kevin grew up without a microwave

[unforth]

There's another post getting popular on this hellsite that boils down to, "in my anecdotal experience every child is perfectly reasonable as long as you just treat them as a tiny adult" and I'm ready to scream.

Actually mental illnesses are still mental illnesses! No matter how you treat the mentally ill person sometimes they will still show symptoms of being mentally ill because they are mentally ill! Yes even children!

I swear the minute it's about parents or children all the ~uwu take care of yourself~ acceptance crowd on Tumblr instantly reverts back to ableism and cultural Christianity - because obviously children are perfect and pure beings who are only misbehaving because the adults around them, especially their parents, aren't ~doing it right~ aren't ~trying hard enough~ actually mental illness just comes from parent fuck-ups ~obviously~. So any parent that isn't perfect 24/7 is bad and any kid is perfect until an adult messes them up. And yall haven't even unpacked your attitudes enough to realize that's the logical conclusion of these "well I work with kids and I just listen to them and everything goes perfect" posts and never fuckin reblog my angry posts where I try to point it out and I am absolutely fucking exhausted yall are exhausting. Sometimes, for parents with mental illnesses, the mental illness mental illnesses! Sometimes, for kids with mental illnesses, the mental illness mental illnesses! If your premise is "the only problem with kids is how the adults around them treat them" you are completely disconnected from reality.

It's ableist.

It's ableist.

I.t. i.s. a.b.l.e.i.s.t.

I am *begging* yall to think for five minutes before you make yet another "well I saw a kid in the grocery store crying and I asked them what was wrong and they were fine after we talked so clearly this is the secret to parenting" post viral on the 2% of people have children website. Just accept you don't know jackshit about parenting, shut the fuck up, and stop spreading ableist garbage!

[girl-drink-drunk]

even with all of beyond reanimator's flaws it still ended with herbert getting into his little reanimator outfit of white dress shirt and skinny black tie. man was in jail for thirteen years or whatever and the first thing he does upon potential freedom is get into the only outfit he's ever worn. most relatable thing i've ever seen. ten out of ten stars

[skapediem]

hey the computer program created from my likeness saw you from across the bar and we really hate your vibe. we're gonna run an exposé on you to put an end to your unethical business practices

[bringerofdarkness-fancomic]

Bringer of Darkness: Arc 1, Page 28.

That can't be good....

<PREVIOUS | FIRST | NEXT>

[transusopp]

ive started watching saiki k

[roykleinberg]

sorry for epic mickey posting on main in 2024 but the remake has me brainrotting so hard again. and I need desperately to unpack the psychology of oswald not only a) recreating mickey's house in wasteland and b) putting it right next to ortensia's house. gus frames it as oswald "hoping you would be forgotten someday" which makes it sound like another act of bitterness on oswald's part, like he believes mickey ending up just like him is inevitable and he's crossing his fingers in anticipation of it. which seems very much in line with his attitude elsewhere in the game, to be fair.

but.......... he recreates a space to feel just like home for mickey. oswald's spent his time in wasteland either carefully constructing a world free of mickey mentions, or living on top of a literal mountain of garbage mickey merch stewing about how much he hates him. but he still makes and maintains a familiar place for mickey to be comfortable, just in case he ends up forgotten too. he also makes him neighbors with ortensia. you could argue that the house would just be a big gotcha when mickey is forgotten, something for oswald to rub in his face in a see, I knew you'd end up here sort of way. but I don't think he'd make that neighbor arrangement out of malice. he wouldn't do that to ortensia, at the very least. she's the most important person in his life -- and part of mickey's family too, by extension. maybe he did actually want mickey to feel like part of the family, like he wasn't totally alone with his sister in law living right next door.

oswald is bitter and jealous and angry -- but he also knows how awful it is to find yourself in wasteland, removed from everything (and potentially everyone) you know and love. for as much as he resents mickey, he doesn't actually want him to suffer. so he's got a house and a family waiting for him.

[vaguely-concerned]

rook x lucanis: romance with a commentary track! solas and spite contribute with their thoughts and opinions along the way whether anyone wants them to or not. it's like a MST3K episode up in here as you try to get hot and heavy. in. in the pantry. love among the radishes at the end of the world (rifftrax version)

[revive-the-fandom]

How would Jack act if he was sick (in modern AU) or in rotg/rotbtfd verse?

Hello, sorry I didn’t get to this sooner! (Omg April???)

In a modern AU I think it’s really the authors choice because every modern AU interprets his situation differently, which would change and affect his reactions. Plus he’s aged up or down sometimes depending on the context.

In canon I think that he’s the type to conceal it and curl up somewhere to recover. I mostly say this because of how he reacted to a) getting accused of trading baby tooth for his memories, b) getting his staff snapped, c) getting knocked unconscious when defending sandy, and d) getting knocked out of the sky in the final battle.

All of those examples have him get injured, yet he seems to jump back quite quickly.

If we look at it as a doylist, then it’s just a mechanic to soften the stress of the situation and get back to the action fairly promptly.

But if we look at it as a Watsonian, then it’s just looks a lot like Jack is embarrassed and trying to play it off and shake off attention/concern.

So I think Jack would generally hide or tough it out in front of others to avoid that type of pitying attention.

I do think tho that he would react differently when faced one-to-one. He tends to react more openly when in private - speaking to north in his office, tooth at the pond, bunny in the warren.

So he may be a bit more openly miserable when with someone he’s comfortable with and alone with.

As for other factors - I don’t think he’d be particularly clingy or weepy until the illness/injury was bad. Bc then his pride would lose to genuine medical concern or just outright pain. And then that would raise all sorts of alarm bells in his friend’s minds too.

Hope that answered ur question :p

[backpackingspace]

Do we think odysseus started pranking Athena and her temples at some point? Because I do. He argued that it was good for sneaking and evading training. And you know what Athena couldn't argue that. Her chasing odysseus across the island was good training.

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)!