#anyways I can't wait for the au to develop
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On today's menu there is also HIM!!!
Colin when he's genuinely about to lose it be like:
#lil' doodle#da media#secret media 🎥#past our lessons au#colin the computer#dhmis colin#ooo I can't lie anymore I rlly like this fella for no reason#he's designed to be a boring aa and yet look at him#dhmis#don't hug me i'm scared#dhmis teachers#anyways I can't wait for the au to develop#Colin will be sassier at some point#(filter off basically)
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i think senju should have an arch-nemesis in the tokyo revengers cast. as a treat.
#ooc#idk i'm in a weird hyperspecific ideas mood today#maybe mikey. or maybe......... it could be hanma????#i'm also thinking about various au/fic/verse ideas including time looping senju ones atm#but i don't have the concepts developed enough to post about. yet.#anyway senju........ i love her.................. god she deserved SO much better tbh!#i can't wait to see her in season 4 whenever that comes out. and to hear her voice ;ww;
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I really like the character TV Murderbot (TVMB) but I realised why it feels different to Book Murderbot (OGMB) (and not just because of its appearance)
No spoilers for the show, just my thoughts on characterisation!
TVMB feels 'new' and less hopeless compared to OGMB. OGMB, having been rogue for four years in ASR without managing to escape the company, felt very much like it was so depressed and resigned that it couldn't really comprehend getting away. Its love of media gave the impression (at least to me) of it primarily being a crutch to keep it from sinking into despair. Yes, media was the way it learned and developed much of its personality, but it has gotten to a stage of stagnation where media and its job are the only things it knows and it seems to have given up hope on an alternative existence.
TVMB, having been rogue for less than a year, gives me (at least as of 2 eps in) the impression of a being who is biding its time, and whose adrenaline rush at freeing itself is only just starting to wear off. It's still learning, it still wants to escape, but it isn't sure of the particulars of escape just yet. While it has a similar internal monologue to OGMB, TVMB's delivery of certain lines feels more like its irritation stems from the belief that the humans are an obstacle to its escape. 'Wow, humans are idiots. This is my life for now, can't wait to get the fuck away. In the meantime I'll watch some media. Hopefully that will keep away the existential dread and looming despair. Sure that won't hit me at some point.' *avoids eye contact with humans, and the looming depression*
It is very much how I imagine OGMB would have been early on in its newfound mental/emotional freedom as a rogue unit, at least before the futility of its situation set in. OGMB has already gone through that stage. It's now (in ASR) in a state of 'Wow, humans are idiots. This is my life and it's awful. There's nothing I can do and if I think too hard about it I'll lose my shit. Let me wriggle a little under the dread and despair and elbow it aside a bit to watch Sanctuary Moon again. Uh-oh, I am dissociating again.' *avoids eye contact*
Anyway TLDR; TV Murderbot is just an AU where Preservation Aux contract it before the depression hits too hard.
#murderbot tv#murderbot#the murderbot diaries#i love them both but they do feel different. weirdly TVMB makes me think a bit more of Three
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Ladies, gentlemen and everyone in between... After over 40 hours of work... Here is the full recap height chart of my sw sapphic au !!!

And now that I have all of those pngs, I can do very scientific and serious graphs and charts hehehe :333 (Not measuring how good the ship is btw, take this more as a pH scale)


[COMMISSIONS]
Can't wait for these to become outdated (more on that under the cut vvv)
But now the question is .... Who next ? Because left to my own devices I know I will eventually do Tarkin and I don't know if I am mentaly ready for a fem Peter Cushing- I will become someone else jfkdkd (and it will make me think about wlw tarkin krennic and I'm *not* ready for this level of toxic waste yuri djdjdkn there is one fanfic of this ship that weirdly fascinated me.... And now I'm picturing it as wlw- *oh no*)
But in a sense a fem Peter Cushing would go so well with dooku aka fem Christopher Lee- and anyone who knows me will know I have absolutely no problem with the Hammer movies, I have *not* whatch 37 of them (so far), and have not developed a headcanon/conspiracy theory for the dracula series that would fill plotholes from movies the like of "dracula and the seven golden vampires" kfjfkfk no that would be unhinged behavior
Anyway I've now thought about wlw Tarkrennic for the last few days and I'm sorry for what's to come fjkddk no polls this time, like France this is no longer a democratie I'm doing Tarkin (and Krennic)
PS : don't know if there was already a ship name for Dooku / Palpatine jfjfk but Dookatine sounds good to me
PPS : the tags are a fucking mess sorry fjdjdk
#star wars sapphic au#hanleia#hanlando#sabédala#darthfett#obimaul#anidala#chewbacca#darth vader#count dooku#anakin skywalker#han solo#obi wan kenobi#lando calrissian#darth maul#sheev palpatine#leia organa#luke skywalker#padme amidala#handmaiden sabé#boba fett#star wars fanart#star wars prequels#star wars original trilogy#wlw#my art#digital art#fanart
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QUEENMAKER | CHAPTER 24
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pairing chan x reader
genre ninth member au, angst, fluff, coming of age, social media, cancel culture, anxiety, depression, forbidden love,
summary To JYPE, the solution is simple; take the sole trainee that will not debut with your brand new girl group, and use her to replace the missing vocalist in your male group that insisted on starting as nine.
Unfortunately, to the fans and the members themselves, it isn't that simple.
status ongoing
taglist OPEN
a/n hi. it's me. i'm back. i don't have any excuses to make.
please also check out daybreak, posting weekly from now on (yes i did write an entire smau instead of queenmaker and sit on it for almost six months)
previous | masterlist | next
---


Comeback approaches like a hurricane; it's there, developing in the corner of your eye just off the coast of your island, and then all at once it is here, and it is so all-encompassing that you're not even sure where here is anymore.
Comeback. Debut. The most important day of your life. One of those.
Time starts to fly by; schedules and practice and filming and every so often the chance to sleep or to grab something to eat with the others. It drags at your coattails, sticks itself to your feet and settles like a weight upon your shoulders, but you can't stop. There are performances to film, and then there is a concert that you are missing so much of the choreography for, and even when all of that is over, you are headfirst into award season and special performances and group activities for the company and-
First, debut. Second, everything else.
The camera sits on the table in front of you, staring with one dark, unblinking eye as a brush darts across your face, erasing all your imperfections. It fills your stomach with a funny kind of fear, small but poisonous, stinging when you think about turning it on - you've managed to put it off so far, waiting until your face was made up to at least avoid having to see your own naked skin reflected back at you in the viewfinder. No one else wanted to see that either, you're sure, after the things you've read and...well, the experiences you've had in the past. It's good to know your limits, after all.
That excuse is fast running out now though, and the time to go up towards the stage is drawing closer with alarming speed, and if you don't capture any footage before that happens, you're in some real trouble, no matter how loudly Seungmin and Felix are churning out hours worth of content on the other side of the room.
It takes real, deliberate effort to lean forward and turn that camera on once the makeup artist proclaims you ready, your hands delaying still as they fiddle with the angle and the focus, following the motions the manager that had handed it to you had shown you before he left. It gives you a little red light to say it is filming, and you swallow down the stone in your throat and sit up straight, looking around at the room to avoid the stare of its lense.
The first minute of your vlog is very boring. It's probably only the thought of some stranger sitting in a room later and watching you sit there awkwardly for a ridiculous amount of time that spurs you into saying anything at all.
"Hello Stay," you begin, because it seems the only way to begin. The words feel awkward in your mouth, your tongue stiff and undeserving of saying them, and your throat scratches and dries; you think, as you speak, that you do not sound like a singer at all. "It's nice to meet you...for the second time."
A noise rises up from behind you, giving you pause just as you run out of things to say - Han, running his voice up and down the scales as he begins to warm up. You've gotten used to that by now, the volume of the boys around you, but you're grateful for the excuse to pause in your self-rumination anyway, the precious seconds it gives you to figure out what it is you're saying.
Act normal, you tell yourself firmly as you turn back to the camera.
"I guess I should introduce myself, shouldn't I?" you say, your fingers twisting in your lap. "I'm L/N Y/N from Stray Kids, and today we're at [] for our first performance of Back Door, and I have just finished with the makeup..."
In the corner of the viewfinder, you notice a face hovering over your shoulder; Jeongin, waving a peace sign just out of your field of vision. You turn to look at him, shuffling over so that he is in full view for the camera. "What are you doing?" you ask and he leans in closer, automatically fixing the angle for the camera.
"I just wanted to see what you were doing," he says, refreshingly peaceful compared to the chaos that is building in the rest of the room. "Is this a vlog?"
"Mhm," you answer, and he smiles and waves again to the camera. "Are you dressed already?"
"Nearly," he says, glancing down at his white shirt and the black necklace that dangles around his neck. "You have time still."
You glance down at yourself; hoodie and cargo pants, neat but not show-ready by any means. "Mine is cold," you say by way of explanation, thinking of the skirt and thin shirt that wait on a rack in the next room, a far cry from the long pants the eight of them are wearing; and you really do like the look you've been given, but the thought of sitting around cold before you had to was less than enticing. "I was going to go and change in a minute."
"Maybe you should swap with someone," I.N suggests slyly. "I bet Changbin would look good in a skirt."
"Changbin's pants wouldn't fit me," you throw back, and he has to turn away from the camera to hide the ugly laugh that snorts from his nose. "He's too-"
Short, you don't say, your eyes tracking the boy in question as he passes by. He pauses in the back of your video when he notices your eyes on him, looks between you suspiciously, and then dances his way out of frame, having decided, you guess, that you aren't up to anything worthy of comment.
The look you share with I.N almost makes you laugh again. "I'm going," you say, scooping up your camera as you stand, "before he realises we're talking about him."
---
"Why do you look nervous?" Chan asks, a shadow that suddenly stands beside you as someone clips a mic pack onto his belt. You eye him in disbelief to avoid turning to look at the hallway that leads to the stage again, trying to figure out if he's joking or not.
"I can be nervous if I want to," you answer after a few seconds, in a way that definitely doesn't hide how anxious you feel at all.
"But you shouldn't be," he insists, "because there's nothing to be nervous about."
"You know that won't stop me," you scoff.
He cracks a smile despite himself. He almost laughs, except that he's busy turning to nod in acknowledgement of whatever the assistant behind him says on her way past. "It's going to be a good performance," he says, like the simple act of saying it is enough to manifest it into existance, like he would never believe otherwise.
"It's going to be good," you agree readily. "The concerts next week are going to be good too."
That smile flashes across his face again, his eyes lighting up. "You're excited?" he asks - and you almost feel guilty, that he would think that you wouldn't be excited, that you've worked so hard and put on such a stoic face that any of them might start to think this is a chore for you, rather than a dream coming true in front of your eyes.
"Of course I'm excited," you tell him emphatically, before he can get any ideas. "I can't wait to-"
"Y/N noona!" Changbin says as he strides across the room, stopping the thought halfway through. You turn to face him and the phone he waggles in his hand questioningly. "Take a photo with me."
"Right now?" you ask, looping your in-ears over your shoulders as if to demonstrate just how poor his timing is.
Changbin doesn't notice at all. "Why not now?" he questions. "I'm supposed to take a photo for instagram. Come and take one with me."
Beside you, Chan looks like he still has something to say, but when you glance at him, he only shrugs, turning away to fiddle with his own equipment. "Alright," you agree easily and follow Changbin, over to a bland enough piece of wall with decent lighting. You have a feeling someone has already scouted the room earlier for the best places to take photos, judging by how easy it is to find and how well it photographs.
It's a good distraction from the nerves for a few minutes, but it doesn't last much longer than that; especially not when Changbin barks and fusses over the angle and the faces, and then Hyunjin comes wandering over to take the camera out of his hand, and you realise that he's occupying you as much as doing what Skijigi have asked him to do. After that, you laugh and poke fun back at him with just the same vivacity, but it does nothing to assauge the anxiety that's planted deep in your gut, roots curling out to envelop you.
Somehow, when you're done, it is time to go up to the stage - and suddenly, you are engulfed within the group and walking that hallway you had been staring at what feels like moments ago, trying to swallow with a dry mouth and a stone in your throat and wondering if you'll actually be able to get any of the notes out at all.
Chan's hand touches your shoulder as you walk, appearing by your side in just the same way as he had earlier. You wonder if he can smell fear or something; or if you really are just that pale and drawn in the face, if your hands are shaking or something. Whatever it is, you're clearly not doing a very good job of hiding it.
"You still look nervous," he tells you cheerily, and if he's aware that he's reading your thoughts, he doesn't give any indication of it, not even as he pulls you aside as you reach side-stage and glances up at the huddle of boys that continue to the bottom of the stairs, eyeing them as if there's something he doesn't want them to hear.
"I got you something," he says, when he's sure there are no eavesdroppers, and lets his lips curve in a secretive, delighted smile.
Your eyebrow raises in surprise, almost certain that he did not forget, but rather has been looking for the right time to bring it up - but he doesn't notice the look of disbelief, fishing a small, velvet bag out of his pocket. He offers it to you on an outstretched palm, a bridge to form the gap between you.
With timid, shaking fingers you take it, noting the pink that stains his cheeks and the way he cringes away from meeting your eye as you pull the drawstrings loose. "I saw you playing with the ones at K-Con," he hurries to explain before you can even see what's inside. "And you - fidget a lot. I thought it might help."
A ring tumbles out of the bag and into your palm, the full stop to the end of his sentence. It's only a plain silver band, softly curved at the edges and gleaming where the light hits it - nothing ostentatious or gaudy. Just a simple band for you to twist around your finger, the letters SKZ engraved on its inner circle.
"Thankyou," you manage to say as you slip it onto your finger - and then fiddle with it, twisting it and forth to distract yourself from the nervous hum that seems to hang in the air between you.
"Oh, no." He waves you away before you can even get the words out, that pink flushing his face. "Look, it works already."
You glance down at your fingers and the twist of the ring, and feel the grin that bites at your face. "I like it," you admit, and try to breathe the nervous jitters out of your chest with the words.
He looks...relieved? You're not sure, when the music blasts on stage and then cuts off and the crowd roars in response, cutting him off before he can say whatever it is that now lines the back of his teeth. It looks like relief on his face though; as if he'd been worried you wouldn't take the gift or something. Wouldn't see the sentiment behind it even if you didn't like it. What does he think of you, if that's how he thinks you might react?
The thought sends another thrill of fear down your spine, one that the scrape of that ring on your finger can't quiet. So does the scream of that crowd - adrenaline rises from your chest, wrapping its hands around your throat; that wild, senseless energy tensing in your body like you're about to run from a fight-
A hand claps your shoulder. "Are you breathing?" Seungmin asks, balancing on one foot as he leans around you to frown at your face.
You have to inhale to retort, and he smirks. "That's what I was wondering," Chan says behind that grin - but the brush of his hand over the back of yours is much softer; questioning, rather than the jolt of contact from Seungmin.
"I don't need to breathe," you throw at them weakly. "I'm a robot."
"How do I turn you off, then?" Chan asks, and then laughs when you stare at him, surprised. Betrayed, maybe, when you would have expected such a thing to come out of Seungmin's mouth rather than his.
You're distracted by the call of a staff member, waiting to usher you onto the stage - and there, again, are your nerves, returned in two-fold. Debut, you remember again for the thousandth time today. Your dream. Your reward. Your life's work, the only work you've ever learnt how to do.
The group huddle together, say some quick words of encouragement that float past you with registering at all. Your hand is warm in the centre of all of theirs, crushed by the weight of someone's palm as eight hands go down and whoever is on the bottom goes up, ruining the whole thing. You know that you laugh, between the groans and cries of retribution, but it doesn't reach right into your chest. All your attention is laser-focused on the steps before you and the buzz of the crowd waiting beyond.
You are not alone in your daze, at least. Many hands pat your shoulders, smooth your hair. Felix throws an arm around you until you reach the stairs, a one-armed hug while he talks about something in your ear. He lets you go while you climb, and follows on your heels out onto the stage.
The crowd is smaller than K-Con, to your mercy, even if they scream and cheer just as loud as that massive crowd had. It seems like a stupid thing to find comfort in a moment later, when the thought hits you again; of course the crowd is smaller. This is only a broadcast recording, not the concerts that leer at your from the near future.
Some of the boys are already at the centre of the stage, waving and talking to fans. You join them long enough for the official greeting - and then melt away into the background when Changbin immediately commands attention. You find Han there with you, arms swinging by his sides in one last warmup, but you can't think of anything to say other than the tight grin that offers itself to him, no doubt writing all you nerves right onto your face. The smile he gives you in return is sympathetic, and devoid of pretty words to go with it; just a flash of teeth, a puff of air that blows into his cheeks before exhaling. It's a little comfort, at least.
The call to begin shatters any calm it pulls over you just as quickly as it arrives though, the stage a hive of activity as everyone finds their places. For a long moment, no one moves and nothing plays, the tense, still seconds ticking by at an excruciating pace-
And then the music starts.
And then you dance.
And then you sing, loud and clear and bright - and steady, even with the complex movement of your body and the increasing cry of your chest for air.
The finale rises and culminates with Felix's voice, standing at the end of the line behind you. You feel his weight bump against you as he shifts on his feet, hear the moment of silence and then the renewed cheer of the crowd when his ending fairy comes up on the screens. You can't see when it ends, so you count to five before you turn, ducking out of the line as requested and immediately finding the red light of the camera that was told to be waiting for you. Finger hearts, Felix had suggested backstage and Hyunjin had agreed, and so that is what you give them, angled just so by your cheek and the giddy smile that had been pulling on your lips before the music was even finished.
The stage goes silent, the few scattered beginnings of applause quickly throttled by the hands that remain in their laps. The seconds tick by at a glacial pace, the smile threatening to slip from your face. You glue it there with all the fire that remains in your veins.
You could swear the camera lingers, just to drink in your pain. Logically, you know it is the same time as Felix had. Somehow, the thought isn't comforting.
Finally, that lense clicks off and the boys move around you, giving the crowd something else to hawk and squeal at. Something they really want to see, you allow yourself to think acerbically, and carefully avoid looking any of them in the eye as you do your forced, casual wander off the stage. It is hard enough to achieve in your own bubble, to resist that urge to run, let alone if you catch anything like sympathy on their faces.
The first one below, you take one look at the playback monitor and excuse yourself to the staff, fleeing towards the bathrooms. You're dimly aware of footsteps behind you and the sound of your name, but they do not process and your feet won't stop - not until the heavy door slams shut behind you and the propel of your walk carries you in sight of the mirror over the sinks-
Beautiful, you'd dared to think earlier, staring vindictively at just the same image that looks back at you now. The careful fit of the navy shirt, the short skirt flattering the length and lines of your legs, the layered bangles and the diamonds that glitter around your neck...perfectly crafted to slip right in amongst the silk and patterns of the boys - and not unlike Midnight's dark queen concept either, the concept you hadn't had the right look for. You'd even liked your face, and the unearthly glow they'd painted into your cheeks, the perfect frame of your dark hair-
But something had displeased that crowd. Whether the look, or the dancing, or stupid, stubborn pettiness over girlish crushes - or all of it put together. It took a lot to silence an entire crowd. You knew that - you'd seen one refuse to be silenced before, but never nominally refuse to cheer. Never pass the sentiment around and come to an absolute mutual agreement.
It's a talent, to be able to do that by yourself, you think as you stare into your own eyes in the mirror; and you don't have it in you to deny the rush of feelings that wells in your chest this time, or the hot prick of tears in your eyes. Your thoughts are swept off in the storm, the questions clamouring, crying, begging for one answer; why, why, why, why. Why do they hate you, why are they so mean about it, why didn't you just go home? Why did you ever come to this country in the first place? Why id you think you were good enough to be worth their love?
A soft knock on the door precedes the tentative entry of an assistant; one of the girls from JYP that always travels with you on schedules. You know her name, but you should know her better; instead, you've just been keeping to yourself. Another point of failure, probably.
"Y/N?" she says, daring to put one foot through the door as you blink and nod in acknowledgement. "Sorry - we need to start heading back now. You can have another moment - if you need-"
"I'm coming," you hurry to say; and it is shame that colours your cheeks and gives you the strength again to swallow it down like a hard stone. The tears burn as you blink them away, as you stare at the mirror and decide that no more will fall except for the traitorous three that have already escaped. You'll have to go back on that stage - you won't go red-eyed and puffy, won't give them that satisfaction.
You'll have to do that ending again too, though. Weather that storm a second time. Well, you'll just have to make sure this take is perfect, and then no one will ask for a third. You'll be able to go home and hide.
Your moment is up. You know that, and so you turn yourself away from the mirror, to the girl that waits. She willingly averts her eyes as she steps out, holding the door for you until you grip the edge of it with your own hand and follow her.
Chan is waiting in the hallway, leaning against the wall and staring at nothing as he waits. There's a dark anger in his eyes when he turns, but it isn't for you - no, the tissue box in his hand is for you, offered like a bridge that spans the gap between you.
Warily, you draw one and turn aside to dab at your eyes and try to cool the burn in your cheeks. You want to cringe away from yourself and hide in the bathroom again, to put off facing him until he goes away - but if you do that, he'll know you're hiding, and the hovering assistant will bear the blame of not bringing you back, and those fans will think they know why it's taking so long-
Stupid. They already know that they've won. Chan can see you crying. There's no one left to make a fool of except yourself.
"Are you alright?" Chan asks - and just like you thought, there is none of that anger in the gentle voice that asks.
"It's fine," you answer, biting at your tongue agains the tears that threaten to stir anew. "Sorry. I just needed - a moment. I'm ready to go again."
"Take another moment," he tells you.
"I'd rather go," you say, and it comes out harsher than you mean it to - but it is only the tears that you are fighting, that horrible, gut-wrenching wave of emotion that wants to wash over you. "I'm fine. Really."
The tissue crushes in your palm. You wonder if the sceptical look he gives you is because of the makeup you've surely smudged, or if he just doesn't believe you. "Are you sure?" he asks, and you steel yourself as you breathe in.
"I will be if we don't talk about it," you tell him tightly, and then you take the lead before he can disagree. He falls into step willingly anyway, thoughtful or maybe brooding as you weave your way back to the stage.
"We're not doing the endings again," he tells you as you approach, right as the flock of makeup artists engulf you. Like they knew you'd be crying, you think acerbically, and then banish the thought before it can unbalance you again.
"Were there any notes for me?" you ask as a brush dusts your cheek. The dancing; that's the only thing you need to focus on. The performance. Do it perfectly, and you can escape. Subconsciously, you fingers find the ring, twisting it around and around.
"Not for you," Chan says. "Just try to enjoy it again, yeah?"
Several choice comments come to mind as you gaze at him, each one as dry and hurt as the last, but a look at the occupants of the room stills your tongue. Assistants and stylists and employees of the show - people that you shouldn't be caught speaking ill of fans or members in front of. You've read your contracts and the company ethics, seen the bill for your training attached to your name. You know how far fans and a good public image takes even the most insidious people.
"I'll try," you promise instead, firmly holding your tongue to your principals. No point complaining about hardships anyway. This isn't an industry that takes pity on those who are too weak to survive it.
Even so, the answer seems vapid and contrived the moment it spills out of your mouth. Chan doesn't have time to contest it; the others are already returning to the stage to entertain that undeserving crowd, and so you must follow too, side by side in silence. His microphone passes restlessly from hand to hand, even when you step on stage and his brow smoothes out. You wonder how long that rage will simmer beneath his skin.
Until he can do something about it, a little voice whispers to you with a thrill, watching his receding back.
The stage sweeps you away after that, Chan disappearing into the midst of the others with just one last glance over his shoulder to make sure that you're following. Seungmin replaces him, appearing unobtrusively in your shadow as Felix slings an arm back around your shoulders and bats his hand away from messing with your hair. They flank you until you drift into your position, and then the stage goes quiet so that the music can start again.
The dance flies by; chorus, verse, bridge, dance break. The fans cheer and chant along as dutifully as they had the first time, but the sound resonates hollow in your chest this time, the faces that you give the camera manufactured rather than brought on by the music. It's hard to forget, now that you know the truth, that those cheers aren't for you; only the boys that surround you, their bodies moving in unison with yours. Part of them, and yet set apart.
You'd come six years ago expecting to be the jewel in that kind of crown, you think. This crowd has made you the flaw, ugly and unmistakably out of place.
It's a relief when the song ends and you can let go, your shoulders slumping and your chin dropping to your chest as you stare at the floor and try to breathe. A hundred emotions sweep by you, there and then swallowed again by the storm that churns in your stomach; you flinch away from the crowd's laughter at something Han does, and then laugh when Changbin's face appears upside-down in your field of vision, his body contorted strangely in an effort to meet your eyes. There's still something hiding in Chan's eyes and Felix is openly angry, but Minho gives nothing away in the nod he gives you as he passes by. Changbin talks about what to get for dinner on the way back down the stairs, but the words just wash over you; you're not hungry anyway, after all of this, just hollow and restless and tired.
Your third filming trudges by much the same, correcting a small mistake by Han in the pursuit of perfection. The boy looks apologetic as he passes you by, but it's not him or the dancing that you resent. It's just a thing you have to do, until all nine of you are pleased, until you can finally leave that stage and draw the hoodie you'd worn here on a very different kind of morning back over your head and climb into a car to go home.
You don't win any awards. The boys hide their disappointment, but you know it is there. You know, too, where the fan vote went and why that trophy was stolen away from them.
You're not really sure what anyone expects you to do about it.
---










TAGLIST
@kokinu09 @rainfallingfromthesky @lixie-phoria @mysweethannie @chlodavids
@hanniemylovelyquokka @tfshouldidohere @lauraliisa @puppysmileseungmin @kalopsian-thoughts
@puppy-minnie @readerofallthingss @dvbkie099 @kthstrawberryshortcake-main @acker-night
@d-chagi @lynlyndoll @borahae-reads @ihrtlix @yienmarkk
@minhwa @i2innie @jinnie-ret @conwunder @amesification
@starssongs98 @weirdhumanbeinglol @morinuu @the-weird-mold-in-the-sink @bokkiesplace
@amyyscorner @jiisungllvr @skzstaykatsy @blackhairandbangs @jungkookies1002
@hyuuukais @imsiriuslyreal @thatonedemigodfromseoul @gini143 @mercurywritesstuff
@splat00z @filmbypsh @palindrome969 @crabrangoongirl25 @enzos-shit
@jabmastersupriseee @kayleefriedchicken @hynjinswrld @duhgurl @cheshireshiya
@keepswingin
#stray kids#stray kids smau#skz smau#bang chan#bang chan x reader#chan x reader#lee minho#lee know#han jisung#skz han#seo changbin#changbin#hwang hyunjin#hyunjin#kim seungmin#seungmin#I.N#yang jeongin#felix#yongbok#lee felix#roo writes#queenmaker
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Hi! :) Back when viv was still developing hazbin and making speed draws, she would often draw art of vaggie with these unique eyes surrounding and staring at her, and the art would display vaggie feeling annoyed or uneasy. I find it still very interesting and was wondering if these were eyes that represented all the demons she killed and her guilt? or had to do with something else entirely. We’re still not completely sure if these are still present in current hazbin rn but I was curious on what your take, theories and over all thoughts are on it! Love your comics and AUs on Chaggie sm and can’t wait to see more!

Oh yeah that! I always did find that pretty neat when it came to her earlier arts. Even more interesting, is that this concept was carried over even in one of her trading cards.

I think the eyes are meant to represent a lot of things tbh, especially since eyes in the show had been associated with both Heaven and Hell.
Let's look at Hell's side first.

Your interpretation about the eyes being the demons she killed I think is one of the things it's supposed to mean. I don't know the source, so I dont consider this info canon, but I found out somewhere that the eyes that can be seen all over Hell is supposed to be what remains of the demons the Exorcists have killed. Like being cleansed by angelic steel can't completely erase them but simply make them part of Hell, if no longer sentient.

I have my doubts though, because in the intro backstory, the eyes seem to have already been in Hell before the Exterminations began.

And in the intro, the eyes showed up specifically after Charlie talked about Sin worming its way to humanity because of what Lilith and Lucifer convinced Eve to do. If this timing is in any way relevant, the eyes could be related to Roo aka The Root of Evil instead.

I'm not sure if other characters were drawn with these disembodied eyes as much as Vaggie has been. But at the very least, I think Vaggie's the one drawn the most often with them.

Anyways, considering all this, the more obvious and plausible answer could be that the eyes was just Vivzie's way of foreshadowing her guilt over Exterminating demons. But if Vaggie can be allowed to be more involved with the biggest bad of the show in a more direct way than just her close proximity with the main protag, then maybe it's even meant to foreshadow even more than we already know. I don't have a lot of hope for this tbh. It's not like Vaggie was a very important angel. Exorcists gave me the impression that they could be pretty low in Heaven's hierarchy. So like, idk why this could foreshadow a connection with Roo, but it is a super interesting thought to entertain lol
Now on Heaven's side though, the eyes could also just be for a touch of tragic irony I guess. Angels in the old testament looked a lot closer to this...

... Lotsa eyes and shit. And that's why the seraphs like Lucifer, Sera, and Emily could manifest multiple extra eyes in their "true forms".
But Vaggie was stripped away of everything that physically made her an angel. Lute took away her wings, halo, and even one of her goddamned eyes. Ain't it ironic that she has only one eye when the most powerful angels have been shown with a whole dang lot? Seems to me like it was another cruel way of Lute's to show that Vaggie "has no place in Heaven". And the eyes haunting Vaggie could be a manifestation of her thoughts of it being true.

So to tie this all together(except for the Roo thing), you're right. It could be the guilt over what she did to Hell's denizens. But it could also be an ironic, symbolic reminder that she was an exile of Heaven.
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Hi! I hope you're having a good day
I have a question about your sep au (another one, yes)
What happened to the Splinter and Draxum from Raph's dimension? They died trying to save their sons? Raph kill them too? They even see him?
And after all that, how's Raph's relationship with both of them? He feels guilty? They have a good relationship? Or he just tries to avoid them?
How is Draxum and Splinter relationship with all the turtles in general?
So, it was more than just one question. Srry if you already answered any of these ones or if something is badly written. Anyways i love your au! I can't wait (lie, take your time) for more content:D
Hi! I'm doing great, thanks! 😄
Okay, so I'm starting to realize just how depressing I made Raph's timeline. 🥲
Raphael was kind of like a head commander of sorts in the Kraang's forces, and after the Kraang forced him to kill his brothers, he helped lead the main assault on New York.
April, CJ, Cassandra, and Splinter were a last line of defense. Sad to say, Raph was one of the Kraang's soldiers that took them down.
Baron Draxum had been away for business reasons. He hadn't known the apocalypse would hit during his international travels, and when he heard what happened to his family, he immediately returned to New York, hoping he could help Raph.
Draxum's a smart cookie, and had figured out a way to free Raph from the Kraang's control (or at least had a theory on how to do it) and he was the closest anyone every got to doing just that, even getting as far as holding Raph down.
But before he could test out his theory, Kraang intervened, ending his life.
For the first little while after being in Michelangelo's timeline, Raph was pretty uptight and uneasy around his family.
He avoided Splinter a lot, yes, but not so much Draxum. The difference being that he was the one who killed Splinter (that's how he sees it at least,) while the Kraang were the one's to actually end Drax.
It led to Splints having a lot of self doubt in his abilities as a father, that maybe he was doing something wrong, or even that maybe Raph hated him.
Of course, that wasn't true; the big guy just felt a lot of guilt for what Kraang made him do. It made it hard for him to be around the people he hurt.
Once they cleared that all up though, Raphie develops a wonderful relationship with his dads! :D Along the lines to what Mikey has with them.
With the disaster twins, it's a bit different because of two main things.
1.) Leo's age.
2.) Donnie's trust issues.
Leonardo's not a kid anymore. An adult in his late thirties, he's spent years on his own, and pretty much takes care of himself.
But he does take the time to develop a relationship with his parents, even if it's a bit of a rocky start at first.
Donatello's wariness and skepticism made it reaaallyyy difficult for anyone to get close with him.
Even though Splinter and Baron Draxum would eventually gain his trust, it would still be a while before Donnie would every truly be able to let his guard down around anyone.
But they're more than patient with him, and he appreciates it a lot.
And no worries! I love answering asks (even if it takes me longer nowadays to get around to them XP)
#rottmnt#rottmnt separated au#rottmnt au#woven ties au#wt!au#rottmnt raph#rottmnt mikey#rottmnt leo#rottmnt donnie#rottmnt splinter#rottmnt draxum#rise raph#rise mikey#rise leo#rise donnie#rise splinter#rise baron draxum#wt!raph#wt!mikey#wt!leo#wt!donnie#wt!splinter#wt!draxum#wt!baron draxum
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I did something, and probably I will yapp about how I see them here below ;)
I just think that Shadow would be stubborn with the idea of Metal being capable of changing, not exactly in the "become better/become a good person" but more in the "become an independent person" type of deal. He sometimes thinks he's being delusional, that the signs of Metal being more than just a "machine" are part of his own desire of them being true. Although, Metal would show him that indeed, he is capable of taking his own decisions
and maybe I'm a little biased, thinking more with my headcannons than canon material, but who cares!? lmao, anyway, now I'm with Metal, yk, I have this idea, (heavily based on my fav fanfic), where Metal always "feels" like something is off, when he can't trust his own memory device, or his database. why is that? well, Eggman is constantly erasing his memories, why? because he's getting attached to Shadow, and hence he cannot exactly get rid of him, he can at least take control over his memories and get his senses corrected.
Surely I'll write an AU about it
how Metal slowly will put the pieces of this puzzle, and surely make things *right*
and... what about Shadow? He stopped trying, he still feels something towards Metal, he surely does, but he cannot bear how always he has to start from 0 (Although, sometimes it's like Metal has developed some type of """"muscle memory""", where he would do things that in theory, he doesn't know how to do it, for example, putting on music when he is in Shadow's place (why he's there? idk, I have this headcannon where Shadow would take advantage and when Metal gets really badly injured, he takes him to make repairs, with the hope of finally do something different that will change the usual outcome)
In other words, a painful/confusing loop, where they are making the same mistakes over and over, till they don't, and things change, who knows if it's for good ot not
...
uh, I really like to yap, anyway, love them, they are eating my brain (wait till you see my divorced Sonadow AU with Metal being a step-dad)
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So shifter!Stan au question that will probably be answered in chapter 4, Maurice lied about why they didn’t teach Stan the reproduction cycle right? Like cause “other shifters wouldn’t want to with you” can mean either they don’t see you as an adult, which no Maurice knows about Stan’s marriages and doesn’t care so Stan has to be an adult.
He also is really talented as a shifter and trusted to take care of another shifter. So it’s not like that’s the reason.
So my personal guess it’s either A. Stan is so young that the older shifters feel weird about it (like a 20 trying to flirt with a 25 year old like you’re technically an adult but you can’t drink?) or B. Maurice saw how desperate Stan was for family and was like “ooooh. I gotta make sure this guy doesn’t think he can marry a shifter and have a child with them”. And just lied.
Love the fic btw
In this case Maurice didn't lie, but they did push off the sex talk because they didn't want to do it. Shapeshifters physically mature quick and reach a full grown state in about a year or so, but mentally age at whatever rate their base does. For wild shifters this means they adapt and head off on their own quickly, but human shifters take a while to learn how to mimic then develop an understanding of how humans think.
By Shifter standards he became an adult the moment he graduated boot camp and started living on his own and taking care of himself. The reason they wait until 50 is because that gives time to adjust to living on their own and establish themselves. They make contacts, find a preferred way of living, build up a security blanket of funds, and learn how to better blend in with humans as an adult. If they spawn right off the bat they might make a mistake that puts them and their spawn in danger. Like being a teen parent, but in this case the population is small enough most shapeshifter have to arrange meet ups and can't just stumble into another shapeshifter and accidentally have an egg, so it's easier to prevent it from happening then with humans. It's more of a culture thing then a ability thing.
Stan was trusted with shifty becaue its the middle of deep country where a lot of creatures live openly anyway and doesn't have any kind of ruling body. Gravity Falls is the center of weirdness and magic, so most of the organizations that would go around kidnapping shifters don't have a presence, and those that do tend to be more worried about not pissing off the gods walking the woods then a potential investment that might be more dangerous then its worth, and humans are more willing to ignore a shapeshifter making a blunder. Plus Maurice is also there hovering over Stan and will be for at least a month to make sure he doesn't totally mess it up catastrophically. It helps that Ford lives in the middle of the woods and has magic defenses, so they weren't as worried.
Your first guess is actually correct here, in that other shapeshifters would feel weird about making an egg with a thirty year old. Shapeshifters here live so long it's like a fourty year old and a nineteen year old. Technically an adult and can live on their own, but still immature and inexperienced in comparison.
But again, Maurice just didn't want to have the sex talk with Stan. A part of them is hoping they can put it off until the moment Stan wants to spawn.
#gravity falls#gravity falls au#stan pines#stanley pines#shapeshifters#shapeshifter stan#dark lord shapeshifter au
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This was actually kind of a pain but I really want to draw some in game scenes with Hopeless and Sinister - also I can't keep calling her "Hopeless", I wanna get her an "S" starting nickname.
Soft, Sharp, "Stranger", Sinister, and...? Shambly? Struggling? Sapped? Shattered? She's so cute though I love her.
(bit of rambling about Sinister and "Hopeless" down here vv)

I think it's so interesting the way we interact with the stranger princesses.
Instead of cutting Soft's hand off, we can see Quiet actually trying to break the chains instead.
Quiet decides to slay the Sharp, and she defends herself immediately (like in Tower/Adversary?)
Quiet tries to slay the Sinister, but she smiles gleefully (like in Razor?)
With "Hopeless" and "Stranger", Quiet just leaves. Thing is... If we leave Base Princess in chapter 1, she just turns into Nightmare.. so.. um.. maybe a branch off of Soft Princess when we leave her, she turns "hopeless" instead.
And well, Sinister already looks and kinda acts like the nightmarish Princess we see at the end of chapter 1 (leading up to Nightmare lol)
---
THE PROBLEM HERE! Is that I wanted to make "Hopeless" and Sinister to be like extra bases in this "au".. but I'm really not sure on how to do that in chapter 1 since there are already 3 in-game canon actions that can get you Soft, Sharp, and "Stranger"
Exploration options don't count as factors to change the Princess, at least not in chapter 1.
Maybe an action that might work would be to just.. wait in the woods. We've already tried to fight (confront), we've already tried flight (walk away), but there's really no freeze option. Ideas and perspectives could brew in Quiet's mind as he waits. What if she's dangerous? What if she's nothing but a helpless, frail princess? And when Quiet finally gets bored of waiting, he approaches the cabin, greeted by a princess. If Quiet waits long enough, he'll probably get Stranger in the end anyway.
The Sinister, a byproduct of Quiet's hesitation, he's cowered away from his "duty" for far too long. "Are you here to kill me? I didn't think anyone would be brave enough to remember me." (Wait > take blade)
It'd be hard to give her even a bit of a tender side.. I'm not sure about how to develop her next chapters since there are already so many violent princesses already.
The "Hopeless", she has lost any hope of getting out of there after waiting for so very long. "Hi..? Is anyone up there? Please don't give me false hope." (Wait > ignore blade)
Since she's already a pretty depressed character in chapter 1, it might be hard to give her a sharper, active side, but maybe you can lift her spirit up only to kill her afterwards. Maybe it'll anger her in some way. Her dim little spark, rekindled, just to be shattered once again.
#slay the princess#stp#stp princess#stp fanart#stp voices#stp long quiet#stp soft#stp sharp#stp sinister#stp stranger#shitslays#oof#long rant#stp somber
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okay i got around and actually wrote it all down, so please enjoy: timkon clone twins au lets fucking go
— they are not technically twins, they're just two clones who happen to develop back to back at the same time, but those are just semantics since they were raised like brother and sister anyway; wendy is considered oldest but only because she was the first outta test tube (tim had to have a little breakdown moment while holding her in his arms before he was able to get jackie out too; wendy is the only person who actually cares about being oldest, jackie is not thrilled because "you're literally only 10 minutes older can you maybe chill")
— wendy's full name is gwendolyn stephanie drake, bc i believe that if tim Has to honor someone by giving their name to his child it should be steph, plus i am cackling at the thought of wendy naming all her social accounts "gwen stefani"; no one really ever calls her gwen tho, the only reason she's not just wendy in papers is because tim was a little pretentious; i also quite like gwendolyn lois but i don't think tim would actually go for it (kon could tho, if he were alive at the time)
— jackie is jackson bartholomew drake. i personally prefer to think that if tim gave it some time he would probably choose a different name, but he just really missed his dad at the moment (he missed everyone, really), and by the time he actually had enough mental stability to sit on it the kid was already pretty much established as jackie withing the family, so yeah. no one ever calls him jack btw, so it's fine
— they both quite like their names although they can't help but nudge their dad a little from time to time, being like "gwendolyn stefanie, dad, really? it's like you picked up a name on pinterest or some shit" ("language"); they are both referred to as "ducklings" within the family (dick was the first to do it, tim started doing the same by pure accident and then it just kinda stuck)
— wendy took a lot after janet drake genetic-wise, to the point where it almost rubs tim in a wrong way sometimes when she gets older — her hair is much lighter than her father's or brother's and doesn't really curl that much, although she's not as pale as tim and has a distinguish golden undertone to her skin; she also gets freckles in summer. tim is one of few people who can actually see kon in her without deliberate searching, especially when she smiles. she has his eyes though, and she leans more on a shorter side (short queen supremacy)
— jackie is pretty much kon in miniature, or at least he is if you don't know where to look. kon himself insists that jackie is a perfect mix of both him and tim, it's just that distinguish curly hair and golden-brown skin throw people off most of the time — jackie for sure has tim's nose and cheekbones, tim's high forehead, tim's sheepish smiles and tim's cunning smirks. he's also a bit leaner that kon as he gets older and also a little bit shorter, although he's still taller than both tim and wendy
— wendy is a certified horse girl, she took horse riding lessons since she was like five (she was begging tim for y e a r s really, at first he insisted on waiting till she was at least six but i guess her kryptonian powers kicked in a little earlier and it doubled down some of tim's parental anxiety, although he definitely was there for a first few lessons just to keep an eye on her). damian got her her own horse eventually, because of course he did. he is her favorite uncle ever since
— she's a true crime videos/podcasts enjoyer (that's how she bonds with her dad)
— jackie is very much into making paper collages since he was around eight years old and has made his first one in school for fathers day (tim has framed it immediately and set it on his table in the WE office; it's still there after years); he used to have a lot of social anxiety as a kid because of being homeschooled 'till first grade and being very attached to tim, and has found the process of making paper collages very soothing
— jackie graduates college eventually (alfred: "thank god. at least one of them")
— they both eventually got into photography like their dad, but jackie is taking more of a professional approach, whereas wendy is mostly doing it for the sake of keeping the memories; that's why she has a small digital camera that she always carries around (it's covered in cute sparkling stickers because duh)
— they are both pan and demisexual
— as i mentioned, the kids were homeschooled for a while, by which i mean that they never went to kindergarten because tim was too paranoid about any potential kryptonian superpowers kicking in anytime; the other reason was that tim's kind of a helicopter parent, especially after coming back from his brucequest, and he's very dependent on both of his kids
— yes it backfires later
— jackie loves his dad more than anything else in the world, and has spent most of his early childhood following him around and throwing tantrums the second tim was out of his sight (which was quite rare, to be fair, at least until tim had to get back to his job at the WE); tim is 90% sure that it has something to do with him being gone for a while to find and save bruce. it evens out a little as jackie gets older and starts going to school and then college, but he's still pretty much codependent, and any decision that he makes about his life ties back to "what would dad do; will it make dad proud/happy; what would dad want for me"
— wendy on the other hand is kon's daughter through and through, she admires him and looks up to him but she has a very complicated, conflicted feelings about her and her brother's circumstances of birth, making her anxious in a way that is like "oh my god am i being annoying what if he doesn't like me what if he looks at me and only sees a living proof of his humans rights violation should i consider never talking to him again god i HATE my dad", so most of her actual interactions with kon are quite awkward on both ends
— tim and kon do not get together until kids are around their late teens, so neither of them calls or really considers kon dad, even tho he definitely played a significant part in their upbringing as soon as he came around with the whole child-cloning situation. wendy was the first to call him dad not long after she moved to the kent's farm, which was an accident, really — she was trying out vigilantism for the first time and got her ass kicked bc lack of experience, and her first instinct at being cornered by a villain was to literally just call for dad (at the back of her mind she meant tim, because to their family kon was always just kon, but the moment he pulled her in and put his hand on the back of her head and said "it's okay, sweetheart, dad's here", nothing has ever made more sense to her than kon being her father. the thought was both thrilling and terrifying)
— tim is "dad", kon is "pa" (if that wasn't already obvious)
— also, yes. wendy eventually moves to the kent's farm to live with kon; more on that in some other post
— kon kind of inherited the kent's farm after both john and martha passed away; technically clack is still the one who owns it, but his and his family's life is mostly in metropolis and he didn't want the place he grew up in turn into an empty memorial of it's better days + he also knew how important it was to kon at the time to have a place he could always return to, so yeah, everyone won in this situation
#dc#dc comics#timkon clone baby au#timkon clone baby#timkon#tim drake#red robin#kon el#superboy#conner kent#they mean everything to me
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Hi. How are you?
Take your time. Don't be in a rush to write.
Levi Ackerman civilian x female reader captain
In which the reader here takes Levi's place in the plot.
The reader came from the underground with her two friends being taken by Erwin Smith.
Kuchel, Furlan and Isabel are alive and live as civilians along with Levi.
The reader is humanity's strongest soldier. Ackerman here is not the clan that suffered the experience 100 years ago, but rather the reader's clan.
The reader is shopping together with her squad. Levi and Kuchel have a tea shop. Levi admires the reader and would like to meet her, but he is shy. Petra ends up finding Levi's tea shop and tells the reader.
I leave the development up to you. I have so many ideas with this theme of the reader taking Levi's place that I don't know if you would accept it. But, don't feel obligated to do it.
this is an interesting idea, i'll make a place for this on my masterlist if you decide to submit another one of these "reverse au" asks!
"levi." kuchel lays her hands on her son's shoulders, only then does his attention begin to shift. "sorry," said levi. "i wasn't paying much attention." his response earns a laugh from of his mother. her hands linger on him, the scent of her soap, old wax candles and herbs calm his senses.
"i can see that, what were you looking at?" she asks, her eyes scanning the direction in which levi seemed so entranced in. the town falls silent, onlookers stare on at the incoming soldiers. the wings of freedom dawning their uniforms, blood staining their hands. kuchel's smile fades a little, yet she keeps quiet.
"the survey corps?" she mutters, tasting the words on her tongue as if she had never said them before. levi points, his finger following in your direction. "they call her 'humanity's strongest soldier'." he acknowledges, staring at you, watching you stride. a fatigued and wearied walk that looks like it drains you of whatever energy you have left.
still you stand out from the rest, levi can't explain it but he can sense fortitude, stability and resilience from you. he imagines having to hear the distant screams, pleas and howls of the soldiers who didn't back it back—the ones who were eaten, crushed or worse.
"what does it take to be the strongest? i want to ask her myself. . ." levi whispers, a silent prayer to whoever will listen that maybe, he'll get to meet you. kuchel ponders her son's words in silence, turning away from him to see to the customers who pass by.
mornings, nights, afternoons, all pass by and you do too. every expedition is another step towards something better, or maybe that's something you just tell yourself.
"excuse me," velvet features and soft, blue, warm irises is what levi is met with this morning. the woman waves to get his attention, wearing the uniform he had gotten so familiar with. "hello." levi greets her, a towel in his right hand, a duster in his left. "what do you sell here?" the young lady asks, an uncertain expression twists her face.
"tea, black tea, earl grey, chai. any kind." levi's eyes don't meet hers, too busy scanning her uniform. the robust characteristics taking up all of his attention until she speaks again. "um, can i get the chai?" a smile stretches across her face. "it's for my captain, she's not picky."
"your captain?" levi inquires, passing the box of tea over the thin wooden counter. the soldier nods, exchanging the currency in her hand for the tea. when she turns around there are other soldiers stalling, most likely waiting for her. when levi glances over her shoulder, he sees your face again.
"your captain is. . .humanity's strongest?" levi already knows the answer however he asks anyway. "i've always wanted to meet her." levi never thought of himself as shy though the prospect of even being in your presence makes his stomach flutter with trepidation. the woman nods again, her smile brighter than before. "really? i'll call her over for you." levi can't object, he can't shy away—not now. this is his moment to finally speak to you.
"captain! over here!"
#© ackerink ﹒ 2025#💭 ﹒ request#attack on titan#shingeki no kyojin#snk#aot#levi ackerman#shingeki no kyoujin#levi attack on titan#levi x reader#aot x y/n#snk x y/n#levi ackerman x reader#captain levi#shingeki no kyoujin levi#attack on titan x reader#attack on titan fanfiction#snk x reader#snk fanfiction#levi ackerman x you#aot levi#levi x y/n#aot x reader#aot x you#snk levi#shingeki no kyoujin x reader#attack on titan x you#levi x you#levi aot#shingeki no kyoujin fanfiction
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Hewwo!
I just want to say that I LOVE your lilypad and Moon and Pebbles being adorable siblings drawings and headcanons! 🥺❤
Have a great day :3
Awww, thanks! It's always nice to see your support, Tanya!
Although, since you decided to mention both Lilypad AND the siblings, mind if I take this opportunity to actually introduce some more character headcanons and story plans tying both of these character relationships together?
-.-.-.-.-.-.-.-.-
First of all I want to establish, if I haven’t depicted it in my other content thus far, that in my general interpretation Five Pebbles and No Significant Harassment do not like each other. A lot. I won’t go into detail as to why right now (it’s based on a lot of deeper character knowledge that I’ll save for an official headcanon post), but I’ll say that Sig likes to tease Pebbles a lot — which given what I just said about him hating being disrespected, especially by older iterators, already creates tension easily — and while Pebbles’s stubbornness alone isn’t too unbearable, the arrogance and excessive pride he carries into his endeavors really ticks off Sig.
Now, this conflict alone I headcanon as having played a part in the Moon’s collapse/Pebbles’s rot situation, but this issue will likely come to a head once again in my AU story because of one factor: Lilypad.
You see, I currently expect Lilypad to become official pretty early on in the story for character development reasons, and because with my character headcanons on Sig and Moon and their relationship it just seems like a natural choice for them to make in that situation. However, this occurrence would definitely also heighten the tension between Sig, who doesn’t trust the guy who literally killed his new lover anywhere around her, and Pebbles, who really doesn’t like the idea of one of his least favorite people snuggling up with the one person he’s actually somewhat willing to open up to. Although for a while he won’t directly admit that he takes issue with it (which is an example of another, more fundamental problem of his in-and-of itself), and that last part isn't saying too much considering how awful all of Pebbles’s relations are by the story’s start.
I also want to reiterate that Lilypad alone isn’t the biggest reason why Pebbles and Sig hate each other so much. Rather, the relationship and their reactions to it are the clearest physical manifestation of what I headcanon as the actual main reasons for their conflict and frequent disagreement on various matters.
But anyway, the “debate” over Lilypad ends up being another conflict between these two, and of course poor Moon struggles a lot trying to keep the peace when her little brother and new boyfriend are frequently threatening to throw hands (metaphorically), while also trying to work through some of her own issues that this development highlights. She feels horribly guilty for re-igniting their conflicts, and is afraid of siding too much with one of them and making the other feel ignored or attacked, but it also gets harder and harder to hide how much it hurts her to see them hate each other so much. Although now that I think about it, this situation could end up being something aiding Moon’s character arc as well. But once again, I don’t wanna give away too much here, so that’s something for another time!
-.-.-.-.-.-.-.-.-
I hope I didn't bombard you with this, Tanya! I kinda just saw the opportunity and wanted to talk more about these characters and their relationship. I definitely plan for it to get a lot better, but I thought I needed to give a bit of the setup first.
Regardless, thanks again for the ask! I can't wait to start unpacking my major headcanons regarding these characters' psychology, especially Five Pebbles's...!
#others: tanyabadtime159#ask#inbox#art#artwork#sketch#fanart#rain world#headcanons#rw headcanons#rw shipping#iterator#rw iterator#five pebbles#FP#rw fp#no significant harassment#NSH#rw nsh#looks to the moon#LttM#rw lttm#rw lilypad#quetzalli draws#quetzalli pairs#quetzalli headcanons
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Hi Miry! I love your art so much! And I wanted to ask you about something. For context, I have been trying to come up with my own Legend of Zelda story for a while now. I saw your Key and Chain OCs and their basic story, and I was wondering how you came up with them (and the story) and if you had any advice. OK, that was it. Thanks for replying if you do, and I can't wait to see the blorbos get whumped some more in that pain sharing Au.
ooooh ok so, my first inspiration was very silly, as most of what i do is.
i basically thought that having a link with the nickname chain would be hilarious cause people call the links the chain, right?
so i wanted a link that could be nicknamed chain or had a chain theme. now, i am an absolute sucker and a huge enjoyer of the enemies-to-lovers trope SPECIFICALLY the annoyances-to-lovers trope and the "forced to work together" trope as well
i knew i wanted my link&zelda to have a dynamic similar to inuyasha&kagome from the early 2000's anime inuyasha, where they hate each other but are forced to work together and eventually fall in love, but they are absolute menaces to each other and tease the other constantly most of the time
so having that in thought, i remembered an early 2000's movie i really liked called stardust, where a guy and a girl get stuck together via a magic rope and have to travel roped to each other
taking all that into account, i decided to zelda-fy it! i love wind waker & spirit tracks, so choosing that timeline for the setting was a no-brainer for me! plus it would be a nice call back to spirit tracks where u work together with zelda as well
link's desing is supposed to be chain theme in the sense that his braid is a call-back to chains cause a chain is kinda like a metal braid right lmao the pattern in his clothes is half a chain as well
as for zelda, her dress is inspired by wind waker's and spirit track's zelda's dress, her hair style is cause i wanted her to have pigtails to go with link's braid
i gave link the bounty hunter job cause i love bounty hunter characters in media and cause it was something i haven't seen being done with other link ocs! zelda's backstory was made so the idea of link catching her made sense and then it spiraled from there and i ended up making a much more complex plot for her in the end
the magic chain was born cause i thought about game mechanics, like the idea it can get longer or shorter could work well while exploring dungeons and solving puzzles, which is why i decided to make it magical instead of just a normal chain
with all that I've been slowly constructing the plot and adding more characters to it and developing early ideas
in the end is all about having fun!!!!!!! and be self indulgent, like everything about those 2 is me going "i enjoy this trope" and slapping them with it lmao
anyway i hope this insight helped!!!
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In-Panem/Not Reaped Everlark AUs
Got asked to give some fanfic recommendations for In-Panem/Not Reaped Everlark AUs so here we are. Most of them (if not all of them) are gonna be fluffy and happy tbh because i can't take my pookies being hurt ):
Completed:
A New Path (138k words) by Endlessnightlock
The day after aging out of the Reaping, Katniss crosses paths with Peeta. She thanks him for the bread and to her surprise, a tentative friendship begins.
One of my favourites. I love the direction the author took with this story. Always made me want more!
Go Slow, Peeta (20k words) by Oakfarmer
The era of the Hunger Games has come to an end. How Everlark slowly happened anyway.
This was the one that started it all for me. Short, simple and to the point! A classic in my opinion.
Nothing Owed for a Gift (10k words) by orphaned account
Lately, Merchants have taken to flirting with unwitting Seam folk as a joke, sometimes going so far as to ask them out on a date. I've even heard of a couple instances of a Merchant asking someone from the Seam to marry them, and then laughing hysterically when the poor recipient says 'yes'. So, when Peeta Mellark approaches me after the reaping, red with nerves and pushing his lips together as if he's trying very hard not to do something like laugh, I'm immediately wary. Peeta can't possibly be asking me to marry him for real. ... right?
Urgh. Literally one of my favourite one-shots.
Inevitability (44k words) by Xerxia
What if? What if Peeta and Prim hadn't been reaped?
Definitely not the fluffiest fics in the list, but Katniss absolutely SHINES here. And Peeta stays very true to his character as well. Absolutely worth the read.
It Takes A District (55k words) by MTK4FUN
Thinking her mother is dying, Katniss Everdeen marries Peeta Mellark to keep her sister out of the Community Home.
I love this fic. I don't know what it is, but there's something about it that makes it standout on its own.
Katniss Everdeen Is Not A Stalker (241k words) by MegaAuLover
Katniss as a little problem, she can't stop looking through Peeta's window, trying to find a way to pay her boy with the bread back but as time goes on she realizes she wants more. But there is a problem the District is flooded with Peacekeepers and everyone faces danger as the Capitol tightens its reigns on the district. Can love bloom in the middle of adversity? Or will it shrivel in the face of surmounting danger?
This is the one. Easily one of the bestest AUs imo. Very long read- but I will be naming my first born after the squirrel. The Everlark relationship here is A+++.
Incomplete/Ongoing:
( I know its weird to recommend incomplete fics, some these ones are legitimately my favourite fics and think are still worth the read.)
Cavedweller (79k words) by Jennajuicebox (last update: 2021-01-25)
Her mother once told her she was brave. A word Katniss wouldn't have chosen for herself. Brave implies that you run headlong into the scary unknown. Brave implies you face the things that want you dead. It dredges up thoughts of conquering armies and swords raised over head. Katniss isn't brave. As much as she would never admit it to herself she is scared out of her wits. She is staring into a gaping chasm, waiting for it to swallow her whole.
I love AUs that explore Katniss otherside of the family so much. As always, the Everlark development here is absolutely heartwarming and delicious. 10/10
On the Threshold ( 97k words) by ghtlovesthg (last update: 2020-06-26)
Nineteen and free from the Reapings forever, Katniss finds a token on her doorstep commemorating her passage over the threshold of adulthood. Discovering the identity of the sender will start Katniss on a road that leads toward life's other milestones.
This is exactly how I envisioned Everlark would get together had it not been for the Reapings. So so so so good. There is just enough here to be satisfied that the fic is unfinished ; w;
hope you find something you like! I always have more if you want more to sink your teeth into <3 Happy readings!
@heartforeyes @the-tiny-fangirl
#everlark#the hunger games#thg#katniss everdeen#peeta mellark#everlark fanfiction#fanfiction recommendation#these are just a few I have sitting around in my bookmarks.#I know I have a few that I haven't added because I forgot ;Q:
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Adding on to this au:
Celegorm and curufin don't recognize maglor at first, with the mask and the muteness. It isn't until aredhel gets celegorm alone that the truth comes out. She feels badly about it, considering how close she and maglor are now, but she knows for a fact that he plans to crawl back to eol after she and maeglin are far enough away and she can't let that happen
Celegorm wants to hunt eol down immediately, eliminate the threat at the source. It takes aredhel telling him that this would leave maglor brokenhearted and her son fatherless to stay his hand.
Maglor isn't blindly in love with ëol, he knows what kind of person he is—thats why he helped aredhel escape. But he can't help but love him as much as he fears him. For so long, ëol was all he had—his only source of comfort, the keeper of his sanity, the person tho taught him to talk with his hands in lieu of his voice, the one who taught him all he knows about living in this strange and dangerous land. Who else would have dealt with him in the throes of madness? Who else will have him after they find out who he is if not his master? Whatever he might do to him, maglor tells himself he'll accept it. He has to. Without ëol he would have been a dead man centuries ago anyways, if the life ëol gave back to him will now serve as payment for his cousin and nephew's (for maeglin considers him his dearest uncle) freedom then so be it. He only prays ëol doesn't decide to keep him in solitary, lock him up and throw away the key. Or hang him, as he had once threatened to do during a particularly bad episode.
Celegorm agrees to not attack ëol in his home, but decrees that he is a dead man should he step a single foot in feanorian lands
Miles away, curufin catches ëol chasing after his wife and son. Unaware of the new developments, he lets him go as he is no butcher. They will send aredhel down a seperate path anyways, he will not catch her.
Curufin regrets it greatly once he returns home and is brought up to date
They write to maedhros at once. Both brothers and aredhel agree that it would be best for them to wait for maedhros before confronting maglor about his identity. He was so scared to tell aredhel, she fears for his mental state should he learn that his brothers now know who he is. No, they need to be careful with this. They need to proceed with tact and a full plan. They need nelyo.
None of them know that maglor believes maedhros dead
When maglor was first taken back, his mind was a mess. When he started making noises about going back to care for his "brother who had escaped angband" ëol had scoffed.
"No one escapes Angband, little one. No one. Long have my people lived on this land and we have never seen it. Thralls are the only things that get out. Do you noldor think you know better than the avari in the matters of angband?!"
"Your mind is playing tricks on you, dearest. If you truly had a brother, he was lost to you the second the orcs got him."
"Thirty years? Little harpist, he is nothing more than scraps then. Now eat your food, stop talking crazy, and we shall see about letting you out of your sickroom. You know, you made quite a mess this time. I left it there of course; you made it, you will clean it up. Alone and i don't care how long it takes you. Yes, I know you are sorry. You always are."
Over time, maglor began to believe it. His memories of the last few decades were often fuzzy. The fact that he actually started to hallucinate maedhros and hear his voice when he was not there didn't help. By the time aredhel got there, he was fully convinced maedhros's escape was a dream his insane mind had made up.
Aredhel and maeglin decide they will leave once maedhros arrives to ensure maglor does not run off back to ëol before that. Maeglin doesn't want to leave him behind at all but aredhel knows her brother, knows the rules of gondolin. Maglor will not be permitted. Nor would he do well in the isolated city. In truth, she'd stay with the feanorians were it not for her child.
"I never understood Turo's obsession with safety," she tells Celegorm, "Not until I held my own child in my arms. I need him safe, Tyelko. I need him as far from Morgoth and his father and anything that may hurt him as he can possibly be."
When maglor first sees maedhros ride into the courtyard, he thinks it a very vivid hallucination.
When maedhros first touches him though, it sends him into a spiral. They've never touched him before, they've never felt so real, he's always been able to tell to some degree that they were dreams but this one feels solid, this isn't fair, this breaks the rules, he doesn't want to go back to the sickroom, he doesn't want to lose control, he doesn't want to get even crazier, why can't the ghosts leave him alone?
After aredhel and maeglin eventually leave, maglor clings to curufin and celebrimbor.
See, prior to his exile, the brothers (sans maedhros, who was still recovering) had been split into 2 factions. While all equally furious and guilty and looking to take it out on someone, curufin and caranthir had drawn the line at actually chasing their own brother and acting king out of the camp.
It was one of the first times in their lives that caranthir and curufin were in agreement, but celegorm and the twins overruled them both in strength and in numbers
It lead to the worst fight curufin and celegorm have ever had, bar none. Curufin nearly refused to go to himlad with celegorm over it. Eventually, they did overcome it and rekindled their close brotherhood—Celegorm driving himself to sickness out of guilt did a lot to pave the way
Caranthir still refuses to talk to the ambarussa and celegorm to this day.
Maglor hangs about the forge like a silent shadow. Tyelpe, delighted to have his uncle back, seems the best at handling maglor. He draws maglor into conversation, even despite the fact that he cannot respond. Celebrimbor is the first one maglor starts showing sign language to.
He still can't look at celegorm and maedhros without shaking
Maedhros writes the ambarussa with strict instructions to stay where they are. They would only scare maglor should they come and that is the opposite of what they are trying to do.
No letter can keep caranthir away, however. He shows up to himlad mere days after the letter informing him of maglor's reappearance went out, crashing into the forge and falling into maglor's arms. Sobbing.
Tentatively, maglor begins stroking his hair and humming. The song is off key and broken up, his voice permanently damaged beyond repair. Caranthir doesnt seem to care, insisting he continue when he pauses uncertainly upon hearing himself.
#maglor#makalaure#kanafinwe#maedhros#maitimo#celegorm#curufin#celebrimbor#maeglin#aredhel#amrod#amras#ambarussa#caranthir#carnistir#sons of feanor#feanorians#silm au#the silmarillion#silm#silmarillion#long text#my ideas
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