#bad fact checking

[bbcnewsfail]

Indigenous peoples have lived in and moved thru Yosemite since time immemorial but the bbc's chronic colonizer mindset is incurable

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[what-am-i-doing-in-this-fandom]

Emma may?

Pretty please?

Ask, and you shall receive 🙌🙂‍↕️

Dang, Fiddleford was THIS 🤏 close to fumbling the baddie of the freaking century

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[mymarifae]

guys twitter dot com doesn't like when you criticize toriel's parenting decisions. don't do it

[royalarchivist]

Tubbo: I don't know my left and right!

Bad: What do you mean you don't know your left and right?!

Tubbo: I'M DYSLEXIC!!!

Bad: That's got nothing to do with left and right!!!

Tubbo: Oh my god, it literally does! That's not even a bit, it's like the main thing of dyslexia! [Laughs]

Bad: I thought it was just like, mixing up the letters! You're saying you actually mix left and right difficult?

Tubbo: MATE– EVERYTHING'S MIXED UP!

Foolish: You know what, we'll see you on Twitter, Bad.

Bad: I– didn't know that, ok? I feel like– that's not a real thing!

Tubbo: WHAT?!? I'm sat right here!

Fit: Hmm... That's a little problematic, isn't it? It's a little problematic. 🤨

Tubbo: This is just like the chairs! He hates everything about me as a person!

[ Full Transcript ↓ ]

—

TRANSCRIPT

Bad: Go to the left, go to the left and–

Tubbo: I don't know my left and right! This way?

Bad: Left. Left left left!

Tubbo: [Shouting over him] SORRY!

Bad: What do you mean you don't know your left and right?!

Bad: You got it!

Tubbo: Thank you.

Bad: Yippee!

Foolish: [Laughs as he imitates Tubbo] "I don't know my left and right!"

Tubbo: I'M DYSLEXIC!!!

Foolish: [Chuckling] That was awesome.

Bad: That's got nothing to do with left and right!!! I think you're just dumb!

Tubbo: Oh my god, it literally does! It literally does.

Bad: No it doesn't!

Tubbo: I feel– Dude, I– [Puts his head in his hands] Mate.

Bad: [Sounding a little less-certain] ...Does it?

Tubbo: Yeah, it does!

Bad: Does it actually?

Tubbo: Yeah, it does!

Bad: Wait, really???

Tubbo: YEAH!

Foolish: Way to go Bad, now you're just an asshole.

Bad: Aw... :(

Tubbo: That's not even a bit, it's like the main thing of dyslexia! [Laughs]

Bad: I thought it was just like, mixing up the letters! You're saying you actually mix left and right difficult?

Tubbo: MATE– EVERYTHING'S MIXED UP!

Foolish: You know what, we'll see you on Twitter, Bad.

Bad: I– didn't know that, ok? I feel like– that's not a real thing!

Tubbo: WHAT?!? I'm sat right here!

Foolish: [Laughs]

Fit: [Sarcastic] Yeah, it's not real guys, it's not real.

Bad: No, I feel like he's making this part up!

Foolish: You see how he was mansplaining it to you? He was kinda mansplaining it too...

Tubbo: [Rubbing his temples] Just mansplaining to me dyslexia.

Fit: Hmm... That's a little problematic, isn't it?

Bad: No! I'm just asking if he's being serious or not!

Fit: It's a little problematic. 🤨

Bad: So it really isn't obvious, like your words?

Tubbo: This is just like the chairs! He hates everything about me as a person!

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[iwatcheditbegin]

Nothing pisses me off more than “swifties” thanking men for songs she wrote. All these men did was exist, why are you crediting them for her artistry? she wrote and recorded these songs.

And acting like these album are some sort of gift from men, as if these songs aren’t often the product of her pain. Truly the worst fans.

[front-facing-pokemon]

[lazylittledragon]

Please ignore if this is too personal but IIRC you were/are dealing with caffeine addiction? I hope you're doing Ok, as a former addict I know how hard it is so wishing you the best xx

thank you for checking in!!

i'm doing very well!! i haven't cut out coffee completely bc i really don't think i can (it's been one of my daily pleasures for SO long), but right now i only have 1-2 espresso shots and i don't even have it every day anymore

also remembering that i used to have 4-6 shots per drink, sometimes multiple times a day, makes me want to throw up now which is probably a good sign ajkdhdsh

[altschmerzes]

seen one too many snide posts about this in the last week or so but did you know that if you don't enjoy scenes in smut establishing consent or checking in then you simply don't have to read them and you don't have to go online and whine about how they're Consent Posturing and Purity Culture and Sanitizing Everything and God Just Kill Me Now. like you can have a preference without making it into a three act morality play, which is ironically what you are accusing other people of doing.

the same goes for like, detailed content warnings on fics. or content warnings at all. you can just skip those. they're not a sign of Purity Culture Gone Too Far or Those Damn Puriteens or whatever. you can dislike things without being an asshole about them or implying they're Taking Away What's Good And Correct About Fic Or Creativity.

[mamawasatesttube]

personal pet peeve but you know. one of the many things that really make me roll my eyes about "kon is so sad about tim/ber because he was in love with tim and now tim is in love with someone else uwu" nonsense is like... really? bernard? of ALL of the tim love interests you could possibly think of in terms of "characters he'd somehow be more in love with than kon" you go with BERNARD? not steph? not ives? not even tam? not even danny? literally ANYONE who has a more interesting dynamic with tim, or in the cases of tam and danny, the tension of tim's identity and superheroics as an implied narrative that could be Really interesting? really? fuckass BERNARD???

[marzipanandminutiae]

Logic Exercise

Claim: Victorian socialites often had full sleeve tattoos or chest pieces.

Things to consider:

Would Tattooed Ladies have been as popular a sideshow draw if upper-class, taste-making women had tattoos?

If the tattoos were hidden by clothing as this claim may further state- long sleeves and high necks, what about the most common style of low-necked, short-sleeved eveningwear of the period? Socialites go to many formal events, and while high necks and long sleeves were acceptable for evening, surely many upper-class women avoiding more standard revealing formalwear would have changed the trend or at least warranted notice in fashion publications.

Is the article making this claim accompanied by unsourced photos of women with tattoos in the Victorian era? Should I reverse-image-search them to make sure they aren't...just spitballing here...photos of aforementioned Tattooed Ladies in circuses, divorced from their context?

Does the article cite a newspaper but no letters, diaries, memoirs, or other sources traceable to a specific, named person without conflicts of interest? Were Victorian newspapers known for their credibility and fact-checking?

And most critically, am I believing this just because I want to and ignoring compelling evidence that the whole notion falls apart under the slightest bit of historical understanding or logic?

[lovesickeros]

now that natlan is out it's tsaritsa yearning hours again because i am one nation closer to either being horribly disappointed or foaming at the mouth!

creator!reader w a little side of conflicted tsaritsa is such good food I can't not yap about it. a woman who has dedicated so much of her life to severing herself from "love" of all kinds and succeeding and. just being so confident that when she meets you she's bitter and angry and mean. because she can't stand you. she isn't supposed to love yet you worm your way into her heart anyway and you don't even know it.

especially in smth like an imposter au. she tells herself your just a tool for her to use but your treated like the Divine you really are, pampered and spoiled every step. tells herself it means nothing when she indulges you – let's you hold her hand in private, eventually let's you move aside the veil, just a little.

and she hates it. hates how easy it is to let you break down the ice she's built up for years.

all you do is smile and she feels like she can't breathe. because despite how violently she rejects love in all aspects, it always bleeds through eventually. she despises it but the way you brush your thumbs over her cheeks makes her bitter and warm and it infuriates her to no end.

she hates you and she loves you and she can't stand you and if you were ever taken from her she'd destroy every inch of teyvat if she had to go get you back.

and ironically enough I think she'd also be the one to initiate any first kiss. maybe she's still trying to convince herself it's just a fluke and itll make her realize it meant nothing, it means nothing. desperate to fix whatever you've done to her and instead it just makes it worse.

a horrible mess of a woman who gave up on love just to be confronted with it when she finally accepted it's absence.

[milkbreadtoast]

christelle phone doodle... I DID NOT USE ANY REFERENCE AT ALL FOR THIS...surprised it didnt turn out too bad...?!

[kako-tsukumo]

eito is so damn weird man.. he gets into takumi’s head and conducts an elaborate plan to control his body acting like he’s the one utterly in control of the situation (he is not) and when takumi figures this out he literally just goes straight back to being as annoying as possible

like i. i feel like some of this has to just be he feels like he needs to be better/in control at all times. even when he’s defeated he has to be smug and capable and better then these disgusting humans. he can’t be vulnerable around them, not now, not ever. like even after he ‘gives up’ (second time sparing him, actually interesting part of eva route??? whoa) he’s still a smug little bastard who insults everyone.

like. where does his persona end and ‘eito aotsuki’ begin. who the fuck is eito aotsuki. i mean, applying logic, to him, humans are monsters. he cannot, for even a second, let his guard down. that’s too risky. they will take advantage of him the second he does, so he has to be the strongest and the smartest in the room. there is no other way.

he only really starts letting his guard down around the second time you spare him. he’s gotten attached. he knows it, but this is also, interestingly, the only point where we can clearly see that he is actively trying to convince us not to kill him. so he can tell us the information we need to know (and because he doesn’t want to die, but we can’t know that).