#i'll... tag things later

[nevertoomanyspiders]

struggling to find a nice way to draw the Tin Woodman aaaaa

anyway have these

[secretagentspydetectiveninja]

more v3 doodles (it's all just maki)

[mizaruwu]

Shall we dance?

---

There's two more drawings of Legend with Hilda and Fable with Ravio, but I'm not happy with the poses so I'll reblog this post with those two when I find the will to fix 'em. I'll also make omakes of the gala, lil doodles of the event asdgfhjk

here's their outfit showcase 1 and 2

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[sparrowlucero]

thoughts on thasmin?

I find it (and a lot of the era) both pretty fascinating and kind of miserable and also not very good. I think enough has been said about how it goes basically unacknowledged until the last 3 episodes and how it feels queerbaity and how the main episode grappling with it is pretty bad, so let me throw something else into the ring: I think it thematically works, it's just that the themes are fucking nuts. In my opinion, the Chibnall era and especially its finale is, at the end of the day, trying to reconcile something it finds emotionally unsatisfying about the classic show - mainly that characters will leave the show suddenly and never really be mentioned again - by characterizing the Doctor as a person who habitually shuts people out before ultimately dropping contact with them and leaving them to emotionally deal with that. Dan, on day one of returning home, is immediately left with the impression that the Doctor is angry with him. After that, you see 80s characters Tegan and Ace on year 30, who have spent a sizeable amount of their lives under a similar impression. The Doctor, the show is saying, is someone who can never cease abandoning people and leaving them with this strife. Time will always run out, a production fact reimagined as a deepset anxiety for the characters. Everyone she knows will be doomed to the same fate of lost contact no matter what, and Yaz is next on the chopping block:

even though the doctor is the one rejecting her (and will ultimately leave her) by what's seemingly her own volition, she expresses that she doesn't actually want that at all. It's just, to her mind, unavoidable:

So you know theoretically I like this, there's something heady and despairing and metafictional about it. "I'm sorry Yaz, I'm fucked, I know for a fact that this season is gonna end and I'm gonna move on to the next person because that's how the casting works on this show so we might as well just cut it here." I feel like the obvious payoff to this would be the character going against this thought process in some way at the end, love is more important than inevitable loss, or whatever. But it actually comes to much weirder conclusion: It absolves the Doctor entirely. Her viewpoint is, in the end, truly objective and justified. She's positioned as someone who genuinely lacks agency, and the harm caused by these relationships suddenly ending and her never contacting again is simply an inevitable fact of the universe; even when she herself seems to be at fault, it's not a thing she herself actually does to people with any intent to harm. Most interestingly, I think, the emotional turmoil of the companions is characterized as basically being their own fault. Yaz tells Dan, for instance, that he's misinterpreting the Doctor being upset at him; she's acting that way because simply because she "doesn't like goodbyes" rather than out of anger:

Any assumption Tegan has made about why she never heard from him again is negated; he always cared, she just didn't get him:

Most pointedly, Ace's emotional resolution involves her acknowledging that she was entirely wrong in judging him for anything, as she was simply failing to grasp his personal burden:

TLDR; I think the thesis statement at the end of the chibnall era is basically "The Doctor leaves everyone, that's how the show works, and the only way the characters can find resolution is to move forward and just accept that it's not the Doctor's fault and no bad feelings were ever involved." (I think this is, again, the result of attempting to recontextualize the doctor losing contact with characters suddenly and with little or no resolution in the classic show as an entirely intentional character beat for her, without coming to any overly nasty conclusions about her being in the wrong)

So on that note, there's a lot of confusion over Yaz's ending; the doctor, dying, is like "well, that's it then, I'd rather be alone now" and Yaz accepts this without further pushback. It's not made especially clear why she has to leave or why she doesn't argue the point, and a lot of people have struggled to explain why she actually leaves (as they've never sent anyone away when they've died before)

I don't think this is quite as random as it's usually taken, though; Yaz here leaves the show when subject to the same inevitable abandonment the story has been exploring the entire time, but unlike the other characters, she actually gets the doctor. She's connected to them on a deep enough level to understand that they're not actually leaving on bad terms. She's accepted her role in this cycle and the doctor's lack of fault in it and will therefore never be tegan or ace or dan wondering what went wrong. She, unlike the doctor, holds all the agency here. It's her actions going forward that will determine if this is tragedy or merely bittersweet. And we know it's the latter, because she knows not to say goodbye. genuinely batshit and i kind of have to respect it. anyways I also just have to say it's wild that they have a set up where the doctor pressures yaz into taking a gun against her better judgement and then later gets shot and it's 1) not yaz who shoots her, 2) not the same gun and 3) not what kills her. my god they were so close to some insane tragically ironic gay drama there and they fucked it up. unforgivable. think of the fanart.

[sforzesco]

coming in a little late, but you all know what my other favorite holiday to celebrate on this blog is: pazzi conspiracy day! 🥰🥳

decided to revisit the composition of the 2022 illustration of francesco a little bit for this one, but more minimalist and also with the ides of march in the background instead of st stephen the martyr. maybe next year I'll finally get around to drawing a comic for it hshshghgh

[anxious-chaos-art]

In honor of ep 4 dropping today here’s my page of kips!

[khaotunq]

One day, I'll be able to swim in the middle of the ocean with you. Khaotung Thanawat as Bison, First Kanaphan as Kant (The Heart Killers, 2024-25)

[taruruchi]

Average conversation with Azul (cough cough azulchi)

Note: Don't tag this with another ship, whether oc or yume/selfship, please and ty 🙏

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[cheswirls]

short asl thing based on @where-does-the-heart-lie's modern au :) i started this over a year ago but the beginning is all dialogue and felt more like a script to me i suppose??? which deflated my desire to work on it. anyway i checked it over recently and it's completely fine lmfao, self-confidence restored here we go !

-

"Yo. Aren't you usually in the middle of your shift by now?"

"I've been banned from the hospital."

"Like, for life?"

"No. For the next, uh.. Twenty-two hours."

"That's oddly specific."

"It was twenty-four, but I fell asleep after leaving the building."

"That wouldn't have to do with why they kicked you out, at all?"

"Hmmm. I'm too sleep-deprived, apparently."

"Ah. And, um, you called me because...?"

"I pressed a random number in my call log after waking up. Lucky you, I guess."

"Yeah. Right. Lucky me. And your car keys are...?"

"Confiscated."

"Ah, right, of course."

A beat of silence. Two. Three, then "Look, if you're busy, then–"

"No, no.  You called me, so I'll be there. Give me twenty minutes."

"Alright. Thank–"

"Thank someone else. Also, if you fall asleep in my car, I'm taking it as express permission to drive you around wherever I want."

"Ugh, go die. I don't even know why I bothered."

"LUCKY YOU, I guess," sounds off way too loudly in his ear. "No take backs. See you in ten."

"I thought you said–" Sabo breaks off as the call ends, leaving him staring blankly at his phone's too-dim screen. He squints, turns the brightness all the way up, and still squints as the sunlight proves too strong for the display.

Ace shows up in more than ten but decidedly less than twenty minutes. Sabo doesn't waste much brain power on it, only climbing into the passenger seat and yawning into his palm while his other hand fixes the seatbelt into the buckle. Not a second too soon, too, as Ace roars the engine to life and peels away from the curb at record speed.

Ace fiddles with the radio. He turns the music up, then dial it back down to inaudible. They hit the expressway and he leans over the steering wheel, frowning with his eyes fixed on the road far ahead. Sabo yawns again and this appears to be the limit to his patience. 

"Hey, so, I had a thought after you hung up on me."

Sabo grimaces. "You mean you–"

"Today's Wednesday."

He doesn't elaborate. Sabo is too tired to process. "Yes," he follows, after a second. He glances at the sky out the front window. "What time is it?"

"Oh, uh." Ace fumbles with hand placement so he can lift his watch to his face. "Nine forty."

Sabo takes a couple beats to try and process this, moves his eyes away from the skyline, and sighs as he pulls his phone out. 2:47 is what the display reads, which sounds much more believable.

"How did the minute hand get off?" he mutters to himself, chancing a look at Ace's busted wristwatch. Ace raises a brow, taking his gaze off the road to scrutinize Sabo. "No, it doesn't matter," he mutters to himself once more, sliding his phone away back on his person and out of his hands.

"My point is," Ace continues, like he hasn't just been interrupted by a whole thing. "Your timeout will be done midday Thursday. Did they switch your days off?"

"No." Sabo sighs. "They technically gave me the next thirty-six hours. Technically closer to forty. Something like that. I go back in on Friday. Sometime.” He tries to smile and it turns out very lopsided, from that he can make out in the rearview mirror. “Can you tell I’m tired?”

“I don’t think ‘tired’ is an accurate description,” Ace quips. “When did you eat a proper meal last?”

“Uh, yesterday. Maybe.”

“Maybe??”

“A ‘proper meal’ means different things to the two of us,” Sabo huffs. “On my account it was yesterday. I’ve had food since then, of course.”

“Alright, so here’s the plan,” Ace announces before absolutely whipping it around a curve. Sabo is his passenger in the passenger seat and had fully prepared to be so when he got in the vehicle, but he’d been vastly underprepared for this sudden course of action, which is how he ends up halfway out of his seat with his cheek slammed into the cold window. Ace doesn’t quite notice his brother’s terminal velocity until the car is once again on the straight and narrow, and only then it’s because of the audible thunk Sabo’s face makes when it collides with the glass.

“Aw shit. You good bro?”

“Ow,” Sabo mutters. “If I have broken bones I’m suing your ass.”

“Well, if you’re good enough to make jokes, I think you’re better than you’re letting on.” Ace keeps the wheel steady with one knee while he takes both hands away to crack his fingers. When he glances over at Sabo again, he looks even more pathetic – like he’s becoming one with the glass. “Anyway, as I was saying.

“I’m taking your ass home. You’re going straight to sleep and while you crash, I’ll make you something decent to eat and stick it in the fridge for you to heat up later. I’ll even make you two servings to eat two different times, since you clearly can’t be trusted to take care of yourself correctly.”

“Ouch.”

“I want you to conk out for as long as your body allows. We can reset your sleep schedule tomorrow, alright? Put your phone on silent; do not answer any calls. In fact, you know what, just give it to me.

Sabo glances over to see Ace’s hand held out to him, palm up. Fingers wiggling expectantly. His lips pull up into a grimace. “I’m not doing that.”

“Fine.” Ace takes his hand back. “But you will comply with everything else.”

“Wow! It’s so funny, I didn’t realize you turned into my mother overnight! Really tapped into your mom potential, huh? Anything exciting happen in your life that would cause that? I guess I wouldn’t know, since I’ve been a zombie for the past two days.”

“There’s nothing wrong with acting like your older brother, you dipshit, especially if you keep putting yourself through the wringer like this. You go home. You sleep. You wake up and eat. You go back to sleep. Then we do laundry. Does that sound agreeable?”

“That’s negotiable, at the least,” Sabo mumbles. “I will accept good food as a form of bribery.”

“Oh, nice, because I’m flat broke at the moment.”

Sabo makes a mental note of that, and then they’re pulling into the driveway. Ace lets him exit the vehicle by himself and then promptly manhandles him all the way onto the couch where it will be easier to force his body to relax than in a real bed. Ace knows this, so he calls him weird before chucking a loose blanket at his head. Sabo is almost too tired to function at this point, so he lets Ace have the last laugh in favor of finally closing his eyes.

Coming to is a surreal experience, especially since the sun is still out. He must make a noise because Ace is suddenly within view. His limbs are tangled in the blanket and still so heavy that he doesn’t bother moving. “Thought you would be gone,” he half-groans, eyes slipping shut again for a moment.

“I did leave,” Ace confirms. “I had to go pilfer some stuff to make stew with. It’s almost done, so I’ll hang here until then.”

Pilfer. That could mean any number of things. Sabo chooses to believe in the option where Ace is an upstanding citizen, and then remembers Ace saying earlier that he had no money. He frowns and squirms on the cushions enough to where it looks like he’s checking his pockets. “Where’s my wallet, Ace?” he bluffs.

“Somewhere around here,” Ace pipes up. “Your stomach will thank you for your contributions to the Portgas Household’s pantry!”

“Ugh, I got robbed,” he complains. “This sucks. ‘m going back to sleep.” He rolls over so his back is to Ace.

“Yeah, you do you, bro. Stew will still be here later. I’ll see you when you’re back in the world of the living.”

—

Luffy comes in late that night and slams the front door shut as loud as humanly possible. When he appears in the main room, he doesn’t seem to be upset, so Ace writes it off as a Luffyism. Sabo hasn’t stirred at the noise, so it’s all good.

Realizing this, Luffy pads closer to Ace’s side and looks at Sabo’s unmoving body warily. “Why is Sabo passed out like a corpse? Is he sick?”

“No, he’s not sick, he just can’t take care of himself. Which is why we are going to let him sleep for as long as possible.”

Luffy just nods to this, but it’s the uncomprehending Luffy-nod that means he’s just going to end up doing whatever he wants to regardless. Ace sighs, then jerks his head towards the kitchen. “He ate a little earlier, but I want him to eat again when he wakes up. There’s stew in the fridge if you want it – just leave him a little. Got it, Monkey D. Luffy?”

Luffy throws him a salute and then runs off in his socks. “Yippee! Ace made stew!”

“Think of your brother, Luffy, and make good choices!” Ace calls after him. “He’s a pathetic man who needs food to feel better or he’ll end up sleeping through Laundry Day!”

—

Sabo does not sleep through laundry day, but he does sleep for sixteen whole hours, so it’s just around noon when he forces himself up off the couch and into a warm shower.

Ace is around, which is mildly unexpected. But he’s still half-asleep, so everything is at least a little unexpected. He glances up from playing video games with Luffy to see Sabo leaving the steam-filled bathroom with his hair hanging around his shoulders. “You look like a wet cat,” he calls.

“Sabo’s awake!” Luffy cheers. “Ace thought you died at one point.”

Ace elbows Luffy in the gut, making him hunch over. “I did not!”

“He totally checked to see if your heart was still beating!”

“I’m undead, actually,” Sabo says completely seriously.

“Does that mean you don’t need to eat anymore?” Luffy questions. “Because I ate all the stew last night.”

“I saw that coming and made extra.” Ace finger-guns in Sabo’s general direction. “That’s why I bought two sets of ingredients. With your money!”

“With my money,” Sabo echoes, because it’s such a wild statement to have to deal with this early in the day. Well, early for him. “Fuck you.”

“I mean, I can tell Luffy where I hid–”

“Thank you, Ace, for agreeing to share your quarters with both of your brothers so we can all do laundry today on your dime!” Sabo raises his pitch so his voice is mockingly squeaky when he says this. He starts moving down the hall before Ace can start to argue, letting his and Luffy’s voices bleed into the background.

When he comes back out, now dressed, it smells significantly better than before. “I reheated the stew,” Ace announces, gesturing for Sabo to take a seat at the kitchen counter. “Let’s all have lunch before we head out.”

“You have to drink this too,” Luffy tells Sabo, sliding a Gatorade across the counter so it sets in front of him when he finally does take a seat. “Ace’s orders.”

“Gotta get those nutrients back somehow.”

“Aren’t we so considerate, Sabo?”

“Do you even know what ‘considerate’ means?” Sabo asks, lips quirking up into a half-smile. At Luffy’s shrug, it turns into a real smile. “Well, thanks anyway. Both of you.”

“No sweat. And look!” Ace brandishes a five dollar bill for both to see. “I found this baby for us to use on coins! It’s all on me today–”

“Where’s my wallet, Ace?!”

[quettzals]

my vision

[thestarfishface]

Been posting my sketchbook pages only on Patreon lately (couple different reasons, mostly so patrons get some new treats before anyone else) but I wanted to show This Guy

Drops a new scruffy man on your timeline, points at him, that's a fuckin guy right there

[unikhroma]

there he is my favorite dubious guy :] collect his games... the right one was what i originally sketched but i ended up going with his default expression after all

drawn for my art fight profile for him (yes you're allowed to put AU interps on the site as long as the design's not 1-to-1) and also drawn for meself >:]

[geminison]

i saw an angel today. he came to collect the debt