#implorer

[plumedepoete]

Séduite et délaissée - Brahim Boumedien

Je t’ai aimé  dit-elle Et tu m’as délaissée Tu étais un modèle Et tu m’as bien blessée.   On m’appelait « beau sourire » Et c’était justifié Je donnais du plaisir Quand on se retrouvait Tu m’as plus qu’ignorée Et j’ai été déçue.   Je n’aime pas t’implorer Et tu l’as toujours su – Détrompe-toi ma belle Tu ne m’as jamais quitté Tu resteras la prunelle Que tu as toujours été.   J’ai encore en…

[enemywasp]

"You're putting your sick fantasies onto fictional characters!!"

Oh!! Oh no! I was putting FANTASIES... onto FICTIONAL characters!?! Why did no one tell me!?

[pukicho]

Oi oi oi... My original release, Spirited Away Away Away Away Away Away is now REMASTERED. Six years, and lotsa newfound knowledge on mastering later, and here we are. Now you may listen to it as though your ears have been UNMASKED, cleaned of mud and sludge.

And for those asking, BANDCAMP will start getting new things often,

Check out the song on BANDCAMP IN LOSSLESS + Hear the difference between the old version :)

And on Soundcloud too!

[vonspe]

PSA to my lovely followers: when you have wonderful conversations like this in my comments

Please remember that I am an idiot and will draw something like this

[the-phantom-peach]

I can’t stop thinking about @ezdotjpg bonus links au

I need to squeeze them in my hand in a way I can’t describe

[lvnesart]

when you and your boyf are short kings, shopping becomes a journey

[hitsuyou-fukaketsu]

The truth

[toskarin]

design sheet

[pealooza]

need a monster gf sooooo bad (theyre both the monster gf)

[ohhamlet-art]

They are dogs with mighty appetites; they never have enough.

[sparrowlucero]

The Last Airbender (2010) is better than the netflix adaptation because the art created by an unstoppable force (weird auteur director who's whole oeuvre is awkward, tongue in cheek horror movies) and an immovable object (studio execs desperately trying to crank out an inoffensive family fantasy movie to be their own bespoke harry potter) coming together to taxidermy the acclaimed 9.3/10 on IMDB source material into one of the most inscrutable films of all time is just inherently more worthwhile than a show that's primary goal is to meekly regurgitate the events of the original story in a roughly accurate and nostalgic way in the hopes that The Fans will think it's better than M Night Shyamalan

[crippled-peeper]

“trans people deserve medical autonomy and human rights and basic human decency even if they are bad people” and “bullying is not allowed within social support groups even if you are all the same type of minority” are both true statements that can and should coexist

[cottonbopp]

Started thinking about deltarune again and then this appeared on my screen idk it just happened

[grimalkinscribbles]

I would drink a shot of pure slime if he made it for me ✨

[twinsfawn]

watching “i who bend the tall grasses” get meme-ified on tiktok meanwhile that album is about a man that SA’d her so violently that he broke her spine and her life is now permanently altered due to that injury……i need to buy a gun

[angelblushe]

HSR 3.3 UPDATE SPOILERS

This entire post is is my insane ramblings about phaidei within the context of this scene. ⬇️

I want to talk about the significance of this farewell scene with the implications this has about Phainon’s bond with Mydeimos, as well as talking about artistic choices in the illustration and dialogue.

There is a stark difference between Phainon’s imagined farewells with the Mydei and with the rest of the Chrysos Heirs.

Everyone else says the same line, “Goodbye, Phainon.”

Mydei on the other hand? He says, “See you around, Phainon of Aedes Elysiae.” Not only is it a promise to see one another again, rather than a farewell, but it is also so much more intimate.

Mydei is referring to him with respect as to where he came from. Typically, Mydei refers to Phainon as “Deliverer”, (and from what other Heirs have mentioned, it comes from a good place), this title having meaning to Phainon’s future—his role in relation to the prophecy. In this instance, Phainon imagines Mydei referring to him in terms of his identity that more closely coincides with his past. The same past that Phainon discusses with Mydei before he departures to Castrum Kremnos. In this past scene, they both open up to each other about aspects of their past they haven’t spoken about to others.

When Mydei leaves for Castrum Kremnos, this is after he has stepped up into divinity, having to face his traumas and fears in regard to his leadership and culture as a whole. Mydei understands Phainon’s grief to a certain capacity, as they both come from homes that are now destroyed.

Phainon’s home is one that no one knows of, and Mydei’s idea of a home is one that his culture is hesitant to accept.

With this in mind, it’s obvious Phainon has shared a more vulnerable part of himself in regards to his past with Mydei. Seeing as his imagined farewell with Mydei is so much different than it is with everyone else, it’s clear that it comes from a special connection between the two that sets them apart as a pair.

In the 3.1 update, even during Tribios’ story, it is brought up time and time again that Mydei and Phainon are two warriors that go hand in hand. They are portrayed to be equals in strength, balancing each other (this can be further explored in their sun and moon motifs directly ingrained into their designs).

Now, I want to talk about the illustration that accompanies this scene. Phainon says goodbye to all the characters that have departed thus far: Trianne, Anaxa, Castorice, and Aglaea. As each farewell is spoken, each character leaves the illustration. We see that each of them is also painted monochromatically in a color that is associated with them.

Mydei is an exception to this rule. Interestingly, Castorice is not. I point this out because (at least from personal interpretation) she is—to an extent—not truly dead, as we actually get to briefly see her with Mydei during the 3.4 update when in battle. This is important to note because both of them have virtually stepped away from Okhema to fulfill their roles of the prophecy without truly dying.

I think it’s very interesting that Mydei is the only one illustrated in full color in Phainon’s mind. I interpret this as meaning that, to Phainon, Mydei is still someone who is stable, consistent, and truly alive.

Phainon has lost his home, his grief over Aedes Elysiae being something that he struggles with for the first few patches of Amphoreus. In addition, in the recent patches, he is continuing to lose his loved ones—people that very obviously hold each other closely (the Chrysos Heirs are very much found family in my eyes, often outright using familial terms to refer to one another).

Despite these constant losses, Mydei is a steady rock, his curse of immortality being a source of comfort for Phainon (although something he anguishes as well since we see him struggle with his guilt when having to leave Mydei to fight alone twice).

Nevertheless, when he imagines speaking to Mydei, he imagines flesh, bone, and blood. Something more tangible than what he thinks of when contemplating the others. Even his dialogue with Mydei is different, his whole conversation set up to be almost separate from what he discusses with the others.

For this reason, I believe that Phainon derives a deep sense of comfort from Mydei. Mydeimos is his equal in strength, a tank on the battlefield, he is dependable and has arrived time and time again to save the day. To Phainon, he is not as easily defeated as any of the rest.

To cap it all off: I think there is something so heartbreaking about their wishes to see each other again.

During Mydei’s real farewell, he says, “But... if there's a chance in the next life, you should come visit my library.”

A wish that they could meet again, in world unlike the one which confines them to prophecies and fate.

However, in Phainon’s farewell to Mydei, contained in his imagination, Phainon expresses that, “We aren't parting ways forever. You're just off to guard the gates at Castrum Kremnos. Let's not make this a tearful farewell.” In which Mydei agrees, and says that he believes they’ll meet up again within this same life time (to duel, of course).

I think there’s a sad yearning there, that Phainon wants to hold out hope that he will be able to have some kind of peaceful ending with Mydei. Especially since he perceives Mydei to be a pillar of strength, someone that can withstand it all. We have seen time and time again that when Phainon is unsure of himself, or what to do as a whole, he thinks of Mydei.

For someone who has lost so much to death, to have someone who can withstand the tantalizing whisper of the west winds, it’s a relief. That finally, this is someone Phainon can’t lose.

Until he does.

…

OH and I’m not even going to get into the whole, “It's a date, Mydeimos.” I will have a break down.