#reminder to everyone

[purplepixel]

When you convince yourself you’re neurotypical for a month and are finally given a chance to STOP

[fox-teeth]

Preview of Basilisk, my personal favorite of my risograph comics, and the project all my other recent medieval-inspired art descends from.

Styled after medieval illuminated manuscripts and printed using a custom color palette requiring 5 risograph inks (including metallic gold), Basilisk asks the question: what would drive a teenage girl to create a monster?

Physical copies available here (also digital here). To brag for a moment--this is my masterwork of riso printing and is even more impressive in person.

[gargoylesandangels]

Reminder that nothing is eternal, not even the pain

[bisexualvader]

[askthe-littlepoet]

*There was a knock on the door*

"..."

"...who is it?"

[fortsaveordie]

You know, there’s been nothing preventing me from downloading an emulator and playing katamari damacy for well over a year now. Why didn’t I do this earlier, this game is phenomenal.

[bittersweet-jack-of-no-trades]

So we agree that Stan just wanted to invent things like his brother, right? That he felt the urge to build and create just as much? That his creativity was simply never allowed to be embraced until it become profitable? That he channeled his passion through the 'justifiable' path of scamming/getting money?

And we agree that despite Stan hiding and concealing it, his passion and creativity and inventiveness touched every soul that walked through the Mystery Shack?

[prlssprfctn]

AU, where Bruce accidentally gets de-aged (physically and mentally), and the first person he bumps in is... Red Hood.

To Jason's defence, he didn't connect the dots at first. He was just patrolling around his usual turf, thinking of nothing in particular, when he saw a small child in a ridiculously serious suit, sulking around Crime Alley. He looks distraught, and considering that he looks rich, it is no surprise - that is not a place for him. So, he is either lost or something happened, right?

He takes the helmet off, as he usually does when he is dealing with kids (they got scared easily) and carefully approaches a brooding baby.

'Hey, shrimp. Where are your parents at?'

That said shrimp turns around, his big blue eyes looking confused and lost, and Jason thinks he looks awfully familiar.

'I am not shrimp,' he protests instantly, pouting at him. 'And they are somewhere... here. We just left the movie theatre together!'

Jason glances at the abandoned movie theatre, back at the little rich boy with a familiar frown, and it clicks. This is his fucking dad. Suddenly, a kid - but it is fucking Bruce Wayne, for sure.

'Was watching Zorro by any chance?' Jason still asks, just to be sure that he is not going insane.

Bruce - and it must be him - beams at him.

'Yes! This is a great movie, by the way.'

Oh, hell. At least, he didn't witness his parents' death just yet. Jason wasn't sure he would be able to deal with his father being so small, and mourning his mom and dad. He would probably cry himself at some point.

'Hey,' Jason calls out for him slowly, squatting down; God, who would've thought that this little shrimp would become so tall and big in the future. 'Aren't you... You must be Thomas's kid, right?'

Okay, yeah, Jason is going to lie to this kid. Because there is no way he manages just to steal Bruce as a stranger to bring him back home; it is still a kid, even if it is his father. Right?

'You know my dad?' Bruce tilts his head, little fingers tugging on the hem of his jacket; suspicious.

'You could say that,' Jason nods. 'Alfie... I mean, Alfred called me. Asked me to pick up a kid, since Thomas and Martha got an urgent call.'

Fuck his life and stupid life choices. What the hell he was even doing? He looked like a mugger; or like a psycho. But Alfred was his best bet - he could call him, after all; ask, well, support his idiotic made-up story.

'No one calls Alfred Alfie but my dad,' Bruce pouts in a very, very spoiled manner.

'Well... I do. We served together in the army,' he blurts out.

His armour, apparently, is enough a proof for the kid to nod slowly.

'Okay. But you gotta take off your strange mask first,' Bruce folds arms on his chest.

...???

Did this kid just agree for an unknown man to take him home? Like this? Who could've thought that this pouty child would become the most paranoid man alive in the future?

'Uh, why?'

'So I can remember your face and do an identikit, if you turn out to be a bad guy,' Bruce smirks stupidly. 'Duh.'

Jason is going to cry. This kid is so cute.

'Yeah, duh,' Jason huffs, but despite his better judgment takes the domino mask off as well. 'Go on, take your time. My identikit should be the prettiest, shrimp.'

Bruce... gawks at him. His eyes are comically wide now, mouth open, and then, he jumps a little closer to him - oh, God, he is jumping when excited? - putting his hellishly cold hands on Jason's cheeks.

'Woah. You look like dad.'

'Uh,' Jason nods awkwardly, and because he is an idiot, adds a joke: 'We are brothers, actually. Just don't talk much.'

...Apparently, little Bruce can't take jokes. Because he lets out an adorable gasp, and throws himself on Jason as if they knew each other for ages now.

'Uncle? That's so cool. You look like Zorro!'

Damn this little kid, and this stupid family. Damn Joe Chill and the night he killed this kid's parents. Damn it all. Bruce might be an asshole sometimes, but he was so... cute and innocent.

'Thanks, shrimp,' Jason slides a domino mask back on, picks up little Bruce with one arm, and grips a helmet with another. 'Come on, let's go home. Alfred will make your favourite tiramisu.'

'You know my favourites?!'

Jason sniffles.

'Yeah. Yeah, I do, kid.'

If he gets so emotional over this kid, he has no idea how worse Dick is going to be once he finds out.

Oh, this is going to be one hell of a night.

[kiisaes]

he did make the valentines day chocolate himself, it's just up to deku to figure it out

[violent138]

Jason: "Hey I need some help."

Dick: "Okay, wait a second, I'm getting another call. Hello?"

Tim: "Hey Dick, don't get mad, but I need your help with something."

Dick: "One second." *returns to earlier call* "What did you do?"

Jason: "Me? It's not always me, you know--"

Dick: "Sure Jay, hold up, I'm getting another call. Hello?"

Damian: "Batgirl and I require assistance, can we use your apartment for something?"

Dick: "What did Jason do?"

Damian: "...why are you asking about Jason?"

Dick: "Because... ugh, never mind. What did you do?"

Stephanie, in the background: "What? He never asks Tim all these questions."

Tim, muffled: "He asks me all the time."

Dick: "Wait a second, why the hell are all of you together?"

Jason: "We'll tell you but you gotta open the front door first."

[violetsorengail]

fourth wing ch. 11 // iron flame ch. 45

ridoc screaming with his whole chest: did you all know my good friend violet she's so talented, brilliant, incredible, amazing, show stopping, spectacular, never the same, totally unique, completely not ever been done before-

[junodoom]

swordtember day 8: sun

[blackkatdraws2]

[Toon x Mobster] A tender moment.

[Animation timelapse here!]

[AUDIO USED:] Chet Baker - Almost Blue Sound Effects edited by me!

[chimerafeathers]

i really love how intensely Mirabelle reacts to act 5 Siffrin botched friendquest.

Isabeau is mostly operating out of concern and, eventually, hurt. he already knows something’s up before Siffrin gets to him. he knows something truly awful must be wrong for Siffrin to be lashing out like they are, and as soon as he can’t handle the situation anymore, he leaves and asks (with strained cheer) for time apart to cool off.

most of Bonnie’s anger comes from being upset and afraid that Siffrin would willingly put themself in danger for no reason, when that’s exactly why they’ve been so unsettled since the eye incident. they hate that Siffrin values their own life so little, they hate that they’re the cause of any pain or loss for him, and here he is, putting himself in that situation AGAIN. on purpose. it’s loud and explosive, but it’s familiar, too, being “hated” by Bonnie for this reason.

Odile pushes, and keeps pushing, until her concern overwhelms Siffrin and they strike where they know she’s most vulnerable. she gets physical, just for a moment, grabbing his collar before controlling herself and letting go. her fury shuts down into cold detachment, and she walks away.

but Mirabelle—dear, sweet, gentle, loving Mirabelle, “the most wonderful being on earth,” with her secret “ruthless side” that largely involves lightly badmouthing people behind their backs and then apologizing—slaps them. immediately.

and then COMPLETELY RENOUNCES THEIR FRIENDSHIP.

not just “we’re not friends anymore,” but “we were never friends in the first place.”

that’s!!! pretty extreme!!!!

of course, she ALSO starts by asking what’s wrong. something must have happened for him to act like this. but as soon as Siffrin brushes her off, she jumps past that line of questioning and dives headfirst into re-evaluating everything she thought she knew about them as a a person.

if he could say something like that to her and not see anything wrong with it, then she was wrong to treat him as a friend, wrong to read camaraderie into his teasing, wrong to think they must care about them all under their aloof demeanor.

that’s how Mirabelle phrases it—“I was wrong about you”—but i think that there’s a hidden layer of I was right about you, too.

she talks about the way they tease her like she had to convince herself that he was doing it in a friendly way. she says they talk like they “know better than her” like that’s a thought she’s had for a LONG time.

“Always soooo mysterious, Siffrin, always talking as if you're better than me! As if you know me!!! But you don't, Siffrin!!! You're just as lost and useless as I am!!! So stop!!! Talking!!! As if you know me!!!!!!”

none of this comes across as a new, sudden way to view Siffrin for her. it doesn’t shock or confuse her. it makes her angry, defensive, almost like she was waiting for something like this to happen at some point. the feeling of resentment, frustration, jealousy, being patronized and condescended to—this is something she’s been actively pushing down and rejecting this entire time, but they’ve given her ample reason for it all to boil to the surface. violently.

Mirabelle’s kindness is not inherent or easy. it’s a choice she’s making. she treats Siffrin warmly because she gives him the benefit of the doubt—refusing to act based on anxiety-fueled, cynical speculation, and reassuring herself that his actions are driven by care and friendship even if she can’t quite see it.

“I was wrong about you” doesn’t mean she always and without question believed them to be a fundamentally kind, caring person from the beginning—it’s that her first, colder instincts were right, and she was wrong to convince herself otherwise.

never mind that she asked what was wrong at first. she barely gives them time to speak in their own defense, to explain what they really meant by what they said. all of her suppressed doubts and frustrations are getting aired out now, now that all the trust she’d so deliberately placed in him has been betrayed. her pain feels bigger than this singular moment, so when she hurts him back, she makes sure it extends back through the entirety of their relationship for him, too.

“You're awful. You're not my friend, not my ally, not anything. You never were.”

like the others, she goes back to the clocktower and tells Siffrin not to come back until later. but there’s a finality to the way she ends this confrontation that isn’t quite there with the others. Isabeau and Odile reach their breaking point and remove themselves from the situation, asking for space to cool off but still somewhat leaving the door open for Siffrin to tell them what’s really going on at some point. Mirabelle is the only one who tries to fully cut ties—after everything else she says, her “I don’t want to see you until tonight” reads to me somewhat as “I don’t want to see you anymore unless I have to.”

I can’t wait to never see you again.

even back at the clocktower, Mirabelle doesn’t really defend Siffrin’s place in the party when Odile suggests leaving them behind out of concern for their trustworthiness on the most important day of the journey. Isabeau and Bonnie protest out of sentimentality and faith in Siffrin’s abilities and connection to them, and Mirabelle agrees, but…

“I agree, but... B-But would he even agree to come with us, still? Maybe they won't even come back tonight...”

she doesn’t say much outside of that. maybe the stutter and hesitation here are signs of regret about how things happened, but she lacks Isabeau and Bonnie’s confidence that Siffrin even wants to come back to them in the first place. she doesn’t trust that their bond was real anymore. maybe it never was in the first place, or maybe she broke whatever was there herself.

and she’s still mad when they finally catch up to Siffrin at the King! and she makes sure Siffrin knows that—after saving them, assuring him that he no longer needs to fight, that they’re all there for him. she still cares, of course she still cares—she’s still hurt, too, but they can figure that part out once there’s less world-ending stuff going on.

she’s the first to say that they all reserve the right to still be angry at Siffrin later—and that they’ve already forgiven him.

she’s also the first to say we want to stay with you, too. it’s not just you.

she was wrong! she thought they didn’t care but they care so much, it’s overwhelming, it’s world-ending.

i think she’s gonna be wallowing in guilt post-canon the moment she remembers what she said and did TO SIFFRIN and not just what Siffrin said to her. especially now that she knows Siffrin’s exact hangups, and especially especially if she figures out what Siffrin was trying to say.

they put themself through hell out of loneliness and fear that none of the others cared about him the way he cared about them, he was going insane from repetition and exhaustion and hunger and trying to keep them all safe and together, and all they did in the midst of all that was say something kind of mean to her one time (that turned out to not even be MEANT to be mean it was supposed to be HELPFUL they just SAID IT ALL WRONG) and she SLAPPED THEM? and told him that they WEREN’T FRIENDS AT ALL??? how could she!!! she should have known better!! what they said hurt a lot but still!!!

so when they eventually manage to try to talk about it, they end up almost in, like, a guilt competition.

Mirabelle apologizing for how she reacted, that she shouldn’t have yelled or hit him, that she doesn’t want to be the kind of person who acts that way out of anger and she’s sorry that she made Siffrin expect that reaction from her, she should have known better and believed in him more and they only messed up like that because they were losing their mind in a time loop but what’s HER excuse—

and Siffrin going nononono stop I deserved it—(HUH DON’T SAY THAT NO YOU DIDN’T)—and that he should never have said such awful things to her, ever, and she was under so much pressure already with the weight of the country and everyone’s lives and futures and her religion and their whole party counting on her to do this impossible task because she’s the only one who can, all this unbearable expectation and hope crushing her, and they KNEW that but they thought they could skip to the ending as though her feelings didn’t matter at all, like helping her wasn’t as important as saving a little time—

until they’re just. in tears together, apologizing for all the horrible things they did in between complimenting each other’s strength and kindness and resilience and how much they admire each other and saying that no, everything you did was completely understandable, actually, the only one who sucks here is me. which neither of them will accept coming from the other!!

they’re so similar, in ways they couldn’t really understand, before.

warm, affectionate, perfect Mirabelle, the resolute hero, a beacon of compassion and hope for all those around her, who wears her heart on her sleeve, her fear making her courage shine all the brighter—nothing like the insignificant, forgettable Siffrin, too terrified to be known, too fragile to touch, too selfish and disgusting to bear letting go.

cool, mysterious, unflappable Siffrin, the worldly traveler, as charming and silly as they are confident and skilled, who brushed off losing an eye like it was nothing, accepting the risks of this journey with barely more than a shrug—nothing like the anxious, stagnant, undeserving Mirabelle, a fraud and a nobody crumbling under the weight of a mission too important to be entrusted to someone like her, doubting herself, doubting her friends, doubting her mentor, doubting her faith, too weak and brittle to bend and change the way the world needs her to without breaking.

not worth bothering others with their problems. they should be able to handle this alone. stay positive, stay calm. breathe in, and out.

they’ll struggle with it, still—the hiding, the minimizing—but now, they understand each other a little better. they can hold each other accountable for what they leave unsaid.

it’ll get easier, eventually. they have plenty of time.

[yooo-lets-go]

Elias Walker father of the year

[kathaynesart]

And here we go. For the full experience I would recommend reading while listening to THIS SONG. It inspired a vast majority of the scene as well as the timing, though I fear you'd have to read pretty fast to get to the ending at the same time as the song ends, so uh... good luck! Trigger warnings below:

The Day the Sky Bled Red

BEGINNING || PREVIOUS || NEXT MASTER POST

Whew. I'm so glad to finally be done with these big updates. After over a year I will finally be able to return to my smaller update format.

Some keen viewers might notice the reuse of certain shots from the series. There is very much intentional, though the reason for this will not be made clear until the ending of the arc.

As of the final shot we are FINALLY back to present-day in the Replica timeline (if it wasn't obvious). I'd drop in a timeline for reference but uh... I maxed out on the Tumblr images. Oh well. Hopefully the context clues were enough to help though!

I do want to take a moment to TED Talk about Raph's ninpo, if that's alright. Unlike his brothers, Raph didn't really spend much time trying to come up with unique ways of using his abilities. Why improve what already worked for him? However, I do think one interesting ability could have come naturally to him over time. I always found his way of mentally connecting with his brothers as "Mind Raph" to be a fascinating joke in the series. They way he could help and communicate with his brothers is something that was always really important to him and I see that ability bleeding into his ninpo. Because of this I feel that his Raph clones were always able to find and reach his brothers no matter the distance. His ability to interact with them at the same time was something he was still learning in the series, like when Mind Raph apologized to Leo for taking a moment too long to respond because he was busy helping someone else. Because of this I see his clones being able to react and communicate independently (kind of like Naruto clones), but are in constant connection to the original source, Raph himself. This made it really easy for Raph to relay information to the brothers, though it was seldom needed since Donnie's ninpo tech normally had that covered. On another note, I also wanted to make a point that whenever one of the brothers died in the bad future timeline, it was when they were separated from their brothers. I always liked in the movie how it wasn't until the brothers worked together that they were able to regain their abilities, confront the Krang, and even open portals to different dimensions. I wanted that lesson to resonate in Replica as well, even if subtly. Anyways, thanks for coming to my TED Talk!

The rest of the arc will be a lot less action, but still plenty more emotions. I can't promise that we won't be doing more flashbacks in the future but nothing to the extent of the "Holiday Special." We got a story to get through after all!

Thank you so much everyone for your patience with me as I slowly inch my way through this big story. It means a lot to me! I promise the next update will not be so emotionally draining.