#they could have given her one scene where she actually interacted with anyone

[kareenvorbarra]

we just finished watching Dune (1984) and I feel insane

[minswriting]

Fear Of Loving You - Spencer Reid x Reader

About: Reader is madly in love with Spencer Reid. But rather than confessing her feelings for him, she gets into a different relationship to try and move on from him. When he finds out, he’s quite mad. Cue the angsty ish love confession

Warnings: Angst, love confessions, emotions, slight nsfw, mdni

Word Count: 1,600 words

Note: don’t get your hopes up with this one pookies. i quite literally pulled this out of my ass because i realized i had no one shots of spencer lol. regardless, enjoy!! i have smuttier one shots being planned at the moment heehee

The word love can be very complex. We all have an instinctual desire to love or be in love with something. Whether it be a person, an animal, or an object. It’s why we can love our families, our pets, that random character on our screens that just makes our hearts beat fast. But love can also be hard. Right person, right time. Wrong person, wrong time. Wrong person, right time. Right person, wrong time. There are multiple different ways a relationship can be. And your relationship with Spencer?

Well, it's the right person, wrong time.

Being co-workers of the same age, it wasn’t hard to get close to one another when you joined the team. The two of you became friends fairly quickly. He had given you a random fact when the two of you met and you had responded with “oh wow! i didn’t know that,” in an enthusiastic manner which had led to you and Spencer having a full-blown conversation on the plane to your first case rather than interacting much with anyone else. After that, things just flowed easily.

Days at the bureau or on the case turned into nights of spending time with one another. The two of you have gone to a Korean Film Festival together, the opening of a new bookstore, you cooked him dinner at your place occasionally, ordered takeout at his. It wasn’t hard for the two of you to grow feelings for one another when you’re constantly spending so much time together. With Spencer, you felt complete in a way you hadn’t felt complete before.

But you knew nothing could come of your feelings for him. How could they? In the end, you’re both co-workers, working a dangerous profession. The thought of ever dating Spencer terrified you due to the fear of losing him on the job or god forbid your relationship ends horribly and how that would turn out for the rest of the team. So your feelings for one another remained unspoken, there but never acknowledged.

Eventually, you tried to move on from your feelings for Spencer. You met a guy that you got along with, someone who made you feel a bit lighter. And eventually, you began dating him. But the moment the BAU found out, Spencer had given you the cold shoulder and you couldn’t figure out as to why.

Which led to where you are now, on a case in Vermont, forced to share a room with Spencer after he had been giving you the silent treatment since you told the team about your relationship earlier on in the day. The room was dead silent as you sat on the bed, going through your bag. The silence from Spencer was frustrating you, to say the least. He was most definitely much more talkative and you couldn’t figure out what was making him act so coldly towards you.

Earlier in the day, after you had told the team, the two of you had gone to a crime scene together and he only spoke to the detective that had gone with you guys, ignoring your statements and words. You glanced over at Spencer who was sitting on a chair, reading over the case file.

“Spencer,” you said his name, breaking the dead silence in the room. He didn’t answer, causing you to take a deep breath in frustration. “Giving me the silent treatment is really low of you right now.”

Spencer simply scoffed, not responding to your words. His eyes were glued to the file, though you could tell he wasn’t actually reading it.

“Listen, if you’re mad that I’m in a relationship then that’s fine. You can feel how you want to feel. But I expected you to have a lot more respect and maturity to say it to my face,” you exclaimed, grabbing your pajamas and placing your bag on the floor.

“What about the respect of telling me yourself privately?” Spencer replied back, breaking his silence. His brown eyes were on you as he bit the inside of his cheek. “I thought we were much closer that we could tell one another anything.” He stood up from the chair, walking over to you. “You want to talk about respect and maturity? You should’ve told me when it happened.”

You looked up at Spencer as he towered over you. You felt the guilt, knowing you should have talked to him about it. Because above all else, he is your best friend. However, how could you tell him when you’re also so madly in love with him? He would’ve known easily that you didn’t actually like your boyfriend as much as you may exclaim you did. “I didn’t know how to tell you,” you said softly.

“You didn’t know how or you just didn’t want to?” Spencer said with indignation, furrowing his eyebrows. He was infuriated, to say the least. Understandably so. “Because from my perspective, Y/N, it just seemed as though I wasn’t important enough for you to tell.”

“Spencer, you’re so important,” you said, standing up from the bed so you were almost at eye level with him. “God, you’re so ridiculously important to me.” You said sincerely, tilting your head as you looked up at Spencer.

“Doesn’t really feel like it,” Spencer replied, pressing his lips into a straight line and shrugging his shoulders. “If I am so important to you, you would’ve said something to me. That’s really the bottom line of it. But no, instead I had to find out alongside the rest of the team. I genuinely thought we were closer than that but clearly we weren’t.”

“But we are!” You raised your voice. “We are very close which is why I got into this relationship in the first place!”

Spencer gave you a look of confusion. “What?” He asked, furrowing his eyebrows once more.

You took a deep breath, realizing that you can’t just hide your true feelings from Spencer forever. The unspoken words between the two of you must get spoken. And there really isn’t any turning back now. Either way, your relationship with him would be screwed. “I got into this relationship because of you,” you said calmly, closing your eyes for just a moment as you gathered your thoughts. You opened them back up to look Spencer in the eye. “Because if I hadn’t, I’d be spending so much of my time pining after you, someone I cannot have.”

“Who says you can’t have me?” Was his only question, causing your heart to flutter in your chest.

“Me,” you said simply. “I am scared that if we ever crossed the line of friendship into something else, that something bad would happen. I don’t want to lose you, Spencer, I really don’t. And in our line of work, it’s more probable that we could lose one another and that thought haunts me everyday.” You took on a vulnerable tone as you spoke. You could see Spencer’s features softening as he looked at you, finally understanding what you’re saying. “So, to move on from you, I got into this relationship. It isn’t a good thing for me to do. The guy is innocent and likes me for me. But all I care about is you, Spencer.” You finished your confession with a deep sigh, closing your eyes as anxiety began to consume you, not knowing how Spencer would react to such a confession.

What you hadn’t expected was to feel Spencer cup your cheeks as he captured your lips with his own, kissing you so deeply. It took you a moment to process what was happening, the action causing you to tense up and open your eyes. But after a few moments, you relaxed into Spencer’s touch and kissed him back, closing your eyes once more.

The kiss said what was unsaid. That Spencer cared about you just as much as you did for him. It was a passionate kiss with many emotions. His lips were hungry for yours, your tongues exploring one another’s mouths. And after a few minutes, Spencer let go of your lips, keeping his forehead pressed against yours. “I care about you too,” he whispered. “All I’ve ever cared about since I met you was you,” Spencer exclaimed, moving a piece of your hair out of your face.

Soft words with soft looks, kisses upon kisses, all in which led to the both of you naked and on the hotel mattress, pawing at one another in the best sex in your lifetime. It was needy and passionate, the type that conveyed everything you guys needed to know. Nothing else mattered except you and Spencer. Spencer held you close to him, lips on yours, as he thrusted into you. He needed to feel all of you. Just as you needed to feel all of him.

And when you guys finished, laying on the bed in each other’s arms, you turned to look at Spencer. “I’m sorry,” you murmured. “I should’ve just told you my feelings rather than jumped into some dumb relationship but I was scared.”

“I’m scared too,” he murmured back, resting his head on top of yours. “But I’ve read that relationships do best when the couple works through issues together. So, any problems that occur, any fears that we have, we need to communicate them and face them together.”

“Are we a couple now?” You couldn’t help but ask.

Spencer moved his head off of yours, glancing at you with a small smile. “After you break up with that random boyfriend of yours, I will properly ask you out.”

“Sounds like a plan to me.”

[talleyuh]

just finished the bear season 3 and there is such a collective cognitive dissonance from everywhere from the writing of the show all the way to the social media marketing.

i know i’m biased because i particularly like syd and carmy together, but this season was strange but in different ways than the last season was strange.

not only does carmy take a backseat as a protagonist about halfway through, he and syd have hardly any scenes together, but i think the show almost suffers for it. this season was certainly funnier than the last, but the neil and ted fak got old and old fast. it certainly doesn’t help that even though carmy has a new arc every season, but he doesn’t take the lessons he should’ve learned into how he should act going forward. it’s stunting his growth and now that we have three seasons to compare to one another, it’s only more apparent.

we’ve already talked about how funny characters are stronger than comic relief characters and that’s essentially what the faks are. i really liked neil’s more vulnerable moments where he got to be taken seriously but it’s hard to take him seriously when all of his screen time is him doing stupid shit. also the hauntings thing? it really was not that funny.

also the show is making such an active attempt to rewrite its own history and i don’t understand why. so many little details that connect moments from the past and present to make up who the characters are and yet it’s kind of being thrown out the window.

claire being described as carmy’s peace threw me for a loop because he felt out of place in his own relationship. i think we all know the clip of carmy’s late s2 panic attack where thinking of claire and him together makes it worse but now we are given so many more scenes of when he was happy? what narrative are they trying to spin here? was carmy genuinely in love with claire or mostly disinterested, because it can’t be both.

even claire doesn’t seem interested in being with carmy at this point, and who can blame her?

her presence was just kind of weird to me, because she didn’t really interact with the rest of the cast until the 9th episode. i think her brief hospital scenes were to flesh her out more, but it’s really just creating vulnerabilities and revealing the seams. and because she’s never really been developed as much as everyone else in the series, we’re left with more questions. who was that in her bed? why was she never fired for insane medical malpractice? what is any of this for?

also a lot of the lighting this season has changed. i saw one user (can’t remember who but their post was super interesting) mention how much warmer and inviting the scenes with syd are as opposed to the coolness and almost detachment the scenes with claire were. except we see carmy in cool lighting a lot more this season.

i also wanted to add where carmy gets overwhelmed in the finale, thoughts of claire coming in with a violin sting like a horror movie doesn’t add to the narrative that they keep telling us. that’s another thing i noticed. they tell us how great claire was even though their time together hindered him being involved with his passions and his coworkers, but they retcon things and add scenes of them happy and have carmy tell us how amazing she is but they barely cared to show us.

a huge theme in this show is family and responsibility. and the scene where neil fak said claire could be the one to take care of carmy and vice versa really rubbed me the wrong way. first of all, i think it kind of supports the idea of codependency which isn’t great but i could be reaching. second, carmy isn’t really equipped to take care of anyone and i think the way he interacts with his coworkers when he’s frustrated is proof of that.

don’t get me wrong, i thought this season was amazing television, christopher storer is a brilliant writer and director, joanna calo really should helm more episodes bc ice chips was actually a perfect episode, and ayo getting the opportunity to direct tina’s episode was so amazing and i really hope i see her name in more directorial projects in the near future. but i think we’re getting a little lost in the plot here and losing sight of what the heart of the show is. the literal restaurant. and logically some of the decisions made don’t exactly hold up and i would hate to see this show fumble.

it can’t be a coincidence that so much of the show’s marketing is tied to carmy and syd and i think efforts to trick the audience are actually making the show suffer. or the increasingly less subtle decisions in the editing in the few scenes of them together? are you really gonna gaslight a whole audience for the sake of a misdirect?

[air--so--sweet]

So, Aidan Gallagher was the last cast member to wrap on season 4, and he wrapped several days after everyone else which I've been presuming means we're getting some apocalypse flashbacks but I've just had another idea.

We see Lila and Five travelling to what looks like the original apocalypse, what if they see young Five in the apocalypse? I think it could be really interesting as I don't think any of the other characters fully appreciate what he went through (well, Luther appreciates what it feels like to live in total solitude). Especially when he came back looking exactly like he did when he ran away, but with an adult consciousness instead of a teenage one. It makes it very easy to forget he got stranded and had to learn how to survive in an apocalyptic wasteland as a literal child. While grieving everyone and everything he has ever known.

And I think for Lila to be the character to witness that, as someone who has quite an antagonistic, but also incredibly loving relationship with Five (I was going to say though neither would admit it, but actually I feel both of them had dropped almost all pretense of hating each other at the end of season 3. I don't know if either would verbally express love for each other but in the same way I don't know if either would verbally express love for anyone) would be incredibly affecting. Especially as, unlike his siblings, she never knew teenage Five, she has always known him as an adult who looks like a teenager. I feel like for Lila to witness firsthand the brutality Five experienced alone in the apocalypse, and to realise he was really just a child, especially now that she has a child herself...well I think it would be truly upsetting for her but also giver he a deeper understanding of Five and just how important his family is to him (and family is what Lila desires and values most in the world too).

But also, it will make her realise how similar Five's experience was to her own. Because both were caused to suffer at a young age by the Handler, Lila by having her parents murdered, Five by being left in the apocalypse for 45 years when she could have plucked him out at any point, and then exploited for her own gains with little to no care given to how it sould affect them. Five says The Handler made it so he couldn't belong anywhere, that she made him a killer; she more or less did the same thing to Lila.

Most theories I write are just 'Oh this would be cool if it happened' or 'Look at this ridiculous idea I had', but, now I've imagined it, I'll be really disappointed if we don't see Lila and Five witness younger Five in the apocalypse. Damn...

Also, while writing this it occurred to me that, if the scene where Lila is crying is in the subway, which is looks like it is, maybe she isn't crying because something happened her daughter or Diego (as most of us presumed), maybe it's related to her seeing something The Handler did in another timeline. Or maybe it's just the emotional impact of seeing The Handler in the flesh again, knowing Lila loved her and saw her as her mother, and The Handler was happy to murder Lila in cold blood when she realised she couldn't manipulate her anymore. That's bound to fuck you up. (To be be clear, because I think how I phrased this suggests we'll definitely see The Handler again, I have no idea if we will or won't but with the hopping of timelines it's a possibility.)

Or maybe Lila sees what The Handler took from her, what life would have been like if she grew up with her parents. Or again, the effect of just getting to see her parents alive and in the flesh. A train always stops in the same places, it can't just change course or route like any other vehicle. Maybe the subway allows you to move between timelines/time travel but only as an observer. You can't change or effect any events and therefore can't interact with anyone as a result. Imagine the pain of seeing your parents you thought you'd never see alive again and not bring able to interact with them in any way. Or maybe she has to witness their murder again knowing she can't do anything to stop it. It would be a really interesting parallel from their relationship in season 2 to have Five comforting Lila over the death of her parents.

[pastelpinkkadan]

My most blunt, controversial ACOTAR opinions. Nothing is safe, nothing is sacred. Mind the tags for your own peace of mind please.

P.S.: Absolutely not directed at any other blog/person specifically. Just general fandom/shippers.

Elriel/Gw*nriel:

Gwyn is not that important of a character. She is a secondary character whose main purpose in the story was to be Nesta’s friend. She has no connection to any overarching plot. She could literally never be seen again in the books and all the main plot points would still work.

People have inflated Gwyn’s character and importance solely because they ship her with Azriel. And they ship her with Azriel because 1. She is the only other single female character (besides Elain) that he has interacted with. 2. Gwyn is enough of a blank slate for people to project/self insert themselves into and thereby romance themselves with Azriel 3. Gwyn has only been shown in a positive light, with only positive personality traits (good friend and can wield a sword) so there’s no REAL controversy on her character/personality. Because there’s not enough to actually have any controversy.

If Gwyn was actually that important, Emerie would also be as important, if not more so. But 90% of time Emerie is forgotten by the fandom. Even to the point that the theory of an Illyrian plot is somehow given to Az and Gwyn, rather than Emerie. The two people that, arguably, have the least skin in the game concerning that theory. And the reason Emerie is this pushed out of her own potential story line is because she isn’t shipped with Azriel or another Fae male.

If there was no Bonus Chapter Gw*nriel would not exist. Or at the VERY least, it would be acknowledged as the crackship that it is. Because outside of the BC, there is nothing in the main ACOSF to accurately ship them to the degree that the fandom does. Elriel, however, still has several books where canon scenes have taken place. The BC is absolutely not needed to show that Elriel have feelings for each other, we already knew.

“Well Elain gave by TruthTeller, so Elriel isn’t end game!” Is one of the stupidest reaches I’ve seen. TruthTeller was always, OBVIOUSLY, meant to be something lent to Elain for the war. It wasn’t a permanent gift, and Az didn’t say it was. He said he wouldn’t use it TODAY, implying he would expect to use it again in the future. Imagine -

“Well Gwyn gave back the books Nesta recommended to her, so they obviously aren’t friends.”

Thats what y’all sound like. It’s just purposely misinterpreting things in a scene that obviously aren’t there for the sake of your ship. It’s disingenuous and not at all the win you think it is.

You cannot call Azriel an incel/fuck boy for Elain and then ship him with Gwyn in the same breath. If he’s all those things with Elain, he’ll be the same for Gwyn. She is not magically going to make him “better” or a gentleman. Actually, he’s already a gentleman. He just didn’t have sexual thoughts about Gwyn and y’all can’t stand it.

Same vein, but if Azriel had had those sexual thoughts in the BC about anyone else besides Elain there would have been no issue/debate.

If a Gw*nriel book did somehow happen, it would 1000% be for fan service/peer pressure. No previous books have set it up, even the main story in ACOSF. Elriel has been setting up since book 2. It makes sense. Anyone who says it doesn’t just doesn’t want it to happen, mostly because they don’t like Elain. And that’s also mostly because they can’t see themselves in Elain, so they lash out.

Saying Elriels are delusional is the wildest thing, because Elriels have the most canon scenes spread throughout the books, Elain and Azriel have interacted with each other positively the most and the longest, and they are the only potential couple that actually bluntly like each other. They exist outside of misinterpreted bonus chapters and “what if” theories with no real backing.

Elain:

Whether anyone wants to admit it or not, part of the Elain hate IS misogyny. The amount of hate this character receives, compared to what she has actually done in the series, is entirely undeserving. She has received the same level of hate, if not more, than Tamlin, any of the ACOTAR villains, and Nesta, who is still a very controversial character. And for what? Liking Azriel, and not wielding a sword while doing it, apparently.

Elain liking flowers does not determine who she’ll end up with. For fucks sake we didn’t know Nesta liked to read smut or was great dancer until her book. And neither of those things determined her partner. It’s just what she likes. Same with Elain.

Nessian/ACOSF

The idea that Nesta will leave Cassian and make her own court is stupid.

Being anti-ACOSF but Pro-Nesta is a streeeeeetch, because all of Nesta’s actual good character development came from ACOSF. Like, did you like that she was angry and unhealed before? Because that’s where she would still be without all that happened in ACOSF.

People don’t understand the intervention that HAD to happen with Nesta in ACOSF. And I would even venture to say that most people against it have never HAD to have a real intervention with someone to that level. The level of, go to rehab/therapy or you are not allowed to be in my house/take up my resources. Because you will not get better on your own, you will only hurt yourself or others and I won’t enable you anymore. It’s a difficult decision that but often it is NECESSARY. Speaking as someone with several addict family members.

El*cien/Lucien:

All the theories about an El*cien plot line are completely focused on Lucien, and ignore everything built up with Elain. It’s always about Lucien figuring out his heritage, becoming some High Lord of one of the courts, or something with the Band of Exiles. Elain doesn’t have to be involved for any of that to happen. She’s pushed to the side in her own romantic story line. Nothing about her Seer powers, or the fact that she’s apparently been gaining spy abilities, or her place at the Night Court.

Lucien fans make me hate Lucien more than Lucien ever could.

The poor Lulu mindset can die.

While we’re at it, the theory that Elain likes Lucien so much that she avoids him is also stupid. That makes no sense. She loses her boldness around. She got better WHEN HE LEFT. All of Elain’s most powerful moments are when Lucien isn’t around. And that says something.

People cling to 1st book Lucien so much, but he has not been that way SINCE book 1.

Tamlin:

Tamlin already got a redemption arc when he brought Rhys back to life. He doesn’t need another one, and he certainly doesn’t need a full book.

The Tamlin/Elain ship is stupid and only benefits Tamlin, not Elain. Once again placing Elain to the side of her own romance, much like El*cien.

ACOTAR:

If you hate everyone in the IC, you don’t actually like ACOTAR. They’re the majority of the books, including half of ACOSF. And it’s actually really stupid to hate the IC and still pretend you’re an ACOTAR fan. Because, again, the IC is the MAJORITY of ACOTAR. Please read something you actually like.

If you hate the entire main story and main characters of ACOTAR, but like one or two characters, you don’t like ACOTAR. You see yourself in a character, and want the story to reflect what YOU want to happen to that character (ie, yourself), and can’t handle that it didn’t. You don’t actually like the ACOTAR series. Again, maybe it’s time to read something else.

3 Acherons x 3 Bat Boys isn’t cliche. It’s a pattern. It’s a literary motif. It’s a theme. It is a pattern that SJM has naturally set up, the fact that you can see and assume that Elriel would be apart of that just means you can recognize basic literary devices in a fantasy novel. Which is the POINT.

I have no intention of debating anything. I’m just stating my opinions on my blog, like everyone else gets to do. So take that as you will.

Anyways, thanks for coming to my TedTalk.

[py-dreamer]

So... I know I'm late...

But yea! I said I was coming back with some stickers and I kept my word! I would've hoped that I could've completed the sheet in like a day but as you can see...that didn't work out

I know I've been a bit MIA lately but burnout sucks. I do have a lot of WIPS I really want to work on but again, it seems that the ProcrastiNation hath struck my feeble mortal brain again.

But anyways:

I headcanon Aroace Mei, just a personal headcanon (disagree if you like) I also like lesbian Mei but thought I'd give some aroace appreciation

Silktea was only given 1 episode but OH BOY did it fuel our wild shipping habits. And I jumped on the bandwagon. It's a reference to that scene in She-Ra where Scorpia tells Catra she 'didn't want to do this' then wraps kitty up in the blankey and cradles her like a wee baby. And Sandy would do that for any friend, I will die on this hill

Saw a fanart where Mk had a pig nose themed pacifier and I just yoinked that idea. The pig hoodie and the pacifier seems like something Tang would do for Pigsy (also to get away with free noodles cause who can say no to that face?~)

Mac showing Wukong the lantern. What can I say, mans' fascinated by them pretty lights. Though our little performer's eyes seem to be straying from the show (^u ')

I know many people have issues with shipping with Nezha and such and I know the two had a rough history but y'know what fans do; they love to make the people who kill each other soulmates (platonic, romantic or otherwise) Even if it wasn't romantic, I still love the idea of them being buddies and just chilling, the danger noodle prince and the angy prince snuggle and watch a movie (mainly from Nezha 2019 but I also saw New Gods and can I just say, I want those two twinks to bicker then kiss awkwardly and I want Yun Xiang to BEAT. HIS. ASS) but in case anyone asks, I do perceive Nezha to be a consenting adult in general outside shipping drama and if the two are adults, it does make my heart squeal when I see these two hold hands and whatnot

HOW COULD I EVER FORGET MY SPICYBOIS, inspired by that one Ponyo kiss scene. I was actually gonna make a bigger piece but then I saw someone do it already in a much better fashion than I ever could and I just gave up on the idea but Ig here, its just like the two cakes mentality and I gave it a go. Hope I could do the concept justice

Have spider queen or scorpion queen ever interacted before? No. But they are both queens and I believe Spider Queen's confidence could rub off on Scorpion Queen and she'd appreciate the company of Spider Queen's children henchmen. Also she give yummy food so lesbian venomqueens for the win

Redraw of that moment with Peng and Azure. I normally detest that bird but these two do get some gears grinding and whatever anyone says. Neither of those two are straight. I'll tell ya that.

Toxicinsanity is another rarepair that had like 1 sec screen time. I don't think they'd ever work out in canon and had virtually no chemistry. I still love all the fluffy ship content I can find of them though and if it ever were to happen. I think the mayor would scare the sh!t out of Syntax

Let's get at least one hetero couple here, Chang'e and Hou'Yi are a couple of favorites ngl, I took most of their outfits from Over the moon cause both of them looked stunning, Chang'e especially. I've seen people ship mah girl with other people and while I do agree it's healthy to move on, in my heart she will always long for Hou'Yi

Also irl, on valentines, my mum took us out for lunch, she treated us to bubble tea and donuts. We walked home so I waited to drink mah drink in my room while I drew and I accidentally finished it all... I'm so sorry mum

f*ck I forgot ironbull. Uhh....I'll draw something later, rn I need to go to bed before I get yelled at...

click pic for less sh!ty quality!

[portablegoose]

Woooo so the Magnus Protocol premiered and I have things to say and things to overanalyse!

As we know, 'Chester', 'Neil' and 'Augustus' are, maybe?, Jon, Martin, and Jonah, respectively. Hence this:

And, of course, there's 'J1', 'M1' and 'J2' in the trailer.

However, I've seen confusion over the fact that the third 'Error' is voiced by Tim Fearon, who as far as I'm aware has not previously voiced any characters in the Magnus universe. Even though the name is distorted, I can make out what looks to be an H at the end of the name, so this very well may be Jonah.

My theory is this: 'Augustus' is Jonah (or just his voice). However, since the body of Elias was killed in the Panopticon, Jonah does not use Elias' voice anymore. Jon, Martin, and Jonah are all disembodied, if we are to believe they are somehow inside the computer/other technology (ie Alice/Sam's phone in the pub scene) or in some way somewhere adjacent to the world of Protocol. So it could, in a dream-logicy eldritch sense, follow that Jonah is able to survive in his own creepy old ass man way, and use his original voice. Obviously, I cannot corroborate this claim in any meaningful way. We have not heard Augustus speak yet, but I think it is a possibility nonetheless.

The fact that Augustus supposedly shows up to read cases aloud significantly less than Chester and Neil could also be a clue. Maybe Jonah is weaker than Jon and Martin due to his injuries, and is therefore unable to materialise as often as Jon and Martin. Maybe the voice that speaks the true cases (because, similarly to how true statements were identified using the tape recorder in TMA, I imagine true cases will be singled out using the text to speech system) is relevant to the case itself - ie, Jonah only speaks when a case is heavily linked to the Eye, etc.

Furthermore, there's the question of who is spying on who and when/why. By this I mean that we hear our perspective switch between devices (the phone, the computer, the security camera during Colin and Sam's interaction, etc), and I believe that this happens because one or more of the 'Errors' (as I am going to refer to them henceforth) is travelling between devices to spy on the characters' conversations. What we hear is dictated by what the Errors, characters who have prior knowledge of the Fears, deem important. This is backed up by the episode's closing scene: Colin's paranoid closing lines. It is clear that Colin believes someone is listening to them, and it is implied that he has made a connection between this and the Errors. What intrigues me is the Errors' motivation for doing this at all. If what they deem important is what we hear, and this is the first that we are hearing, then it seems to me that it is Sam's arrival that has given them cause for concern, or (in Jonah's case) hope (if he is plotting to return, or something, I don't put it past the scheming weasel). So, why are they listening? And how can we really tell if what we are hearing is the spying of Jonah, or of Jon and Martin?

Another thing. Jonny makes a point of letting us know that Alice does not think the work they do is of any significance, or is checked by anyone. She constantly mentions it in passing and is very casual in her attitude towards work. We obviously have the foresight to know this isn't true. The reason I point this out is because of what Sam does when filling out his paperwork: he ticks the 'Response' box, to which Alice responds that it doesn't matter. This could be nothing, it probably is nothing, but I feel like the fact that Sam has ticked the onboarding box of a mysterious department of an already mysertious organisation might come up later...

Yes I know I am jumping to a lot of conclusions, especially where the Errors are concerned. Please take every theory you hear, from me or anyone else, with a grain of salt, this is all speculative. From a writer's perspective, I honestly think it's pretty likely that Chester and Neil aren't actually Jon and Martin, and just their voices taken by the Web or something, but shh I can dream.

Edit: oh my god they changed his name to Norris that is even worse. Jonny and Alex were fr like 'neil is too kind, we need the name to be Chester levels of horrific'

[wolfscarr]

Nightcrawler and Silver Sable romance. Great potential!

So I tend to not really talk a whole lot about comics, even though I do read them. But recently I've taken notice that one of my favorite Marvel characters(and superheroes in general) and one of my Top 2 X-Men(the other being Cyclops), had his own mini solo with being Spider-Man!

But of course I'm not exactly here to talk about that, it was sort of interesting in that aspect, Kurt being part of the Spiders, though I knew it wasn't going to last. Still for what that was, I found it interesting for him...but let's get into the actual topic here.

So during this time, Nightcrawler(Kurt Wagner) gets involved with Silver Sable(Silvija Sablinova) of Wild Pack(and Silver Sable International). It first comes across as her hunting him for Orchis, though it quickly soon devolves into a more...intimate affair.

Kurt got that blue furry demon elf charm it seems. Along with(according to Silvija) a perfect neck and a remarkable tail.

Now as this short series goes on, before anyone knows it, the two actually become invested in one another and fall in love, to the point where Sable pretty much betrays the Orchis to save Nightcrawler's life.

Ok so I get where people are coming on at this, that this 'relationship' seems extremely rushed, which sure I'll agree that it does appear that way. Honestly this really should have been more than just a 5 issue series, to really flesh out everything, that I can agree with everyone on. Though I feel as if people miss, that time that we don't see between Nightcrawler and Sable, does clearly seem to pass given dialogue between them.

Now sure this isn't exactly the best way to do things, but it clearly had to be done given that the series was only 5 issues. However....with what we got folks? I think there's some great potential between Kurt and Silvija, the way he broke down infront of her and she comforting him really told a whole lot.

This scene right here to me says a whole lot. This right here, cemented for me that Kurt and Silvija can be something when they are actually in a series that isn't some simple 5 shot mini.

The two of them have potential as a couple, there obviously needs to be more conversation/interaction with them more, but it's there. I'm hoping that whoever writes for Kurt or Silvija next just...doesn't forget about this, because not only does Kurt deserve someone....like with all the shit he's been through...he does deserve love.

But given that Silvija isn't a mutant and Kurt is, I feel like this would be an interesting opportunity to explore....like how humans would react to one of their own dating a mutant and vice versa with mutants reacting to one of their own dating a human.

Kurt has always been one of my most favorite characters and it's honestly because....he does his best to not let anyone or let anything bring him down, he's always doing his best for others, it's not really for himself but for those around him.

But honestly, I feel like he's long overdue for a partner in his love life, like he actually deserves someone and I feel like Silvija could be that for him. Of course...given how things go with the X-Men(and honestly comics in general), this relationship probably won't last and honestly...I find that extremely upsetting, why is it that writers can't just let characters have a romantic partner?

I'm absolutely sick of characters breaking things off(sometimes for the dumbest reasons) just to create 'drama', then they get into another relationship and the cycle starts all over again. LET THEM BE HAPPY, there's other ways to write characters than doing this.

....But yeah, I kinda want more Kurt X Silvija in the future, they have a whole lot of potential together.

I mean just look at em!

[wesleysniperking]

One Piece Film: Red and What It Meant for Usopp

Part 2 (TL;DR)

(beware spoilers!!!) | Part 1

If there’s one fandom consensus that I wholeheartedly agree with, it’s regarding Usopp’s screen time in the One Piece movies. He’s a scene-stealer and always manages to do something cool or worthwhile. If you’ve watched the movies, you know exactly what I’m talking about.

The movie I want to focus on is "One Piece Film: Red." This is the movie where Usopp meets his dad amid battle, and they do that iconic Observation Haki thing together. It’s a scene I rewatch time and time again.

"One Piece Film: Red" is many things: fun, ambitious, messy, high-budget, and a wild ride. Uta’s character design was rad, and the overall vibe with the other characters was well-executed.

But in hindsight, I noticed that the movie did a lot of foreshadowing, especially concerning the final battle where everyone tries to take down Tot Musica. We see most of the Straw Hats with power-ups and battle moves that weren’t canonically revealed until the Wano arc was nearing its end. Here are some of the foreshadowed power-ups:

Luffy: We get a preview of Luffy’s Gear 5.

Zoro: Demonstrates his mastery of Enma and Conqueror’s Haki.

Sanji: Uses advanced fire attacks, reminiscent of "Ifrit Jambe."

Nami: Shows her integration with Zeus, who finally gets to shine.

Robin: Showcases "Demonio Fleur," which she uses against Black Maria.

Brook: Utilizes more of his soul-related abilities, similar to his actions in Wano.

Koby: Even Koby had a bit of foreshadowing regarding his growth, hinting at his future role as a Garp-like figure to Luffy’s Roger.

Given all this, I wondered why Usopp didn’t receive a similar foreshadowing in the movie. The answer seems clear: Usopp’s “power-up” or significant moment is being saved for a much later, possibly even more impactful, event.

Many fans speculate (and yes, I’m using some “Oda said” hearsay as a source here) that the people behind the One Piece movies have insight into how the series will end or what the One Piece actually is. If Usopp didn’t showcase his Observation Haki in the Wano arc like he did in the movie, it likely means Oda is reserving his moment for a bigger payoff.

Consider the scene where Usopp and Yasopp perform incredible Observation Haki feats together—something we haven’t seen canonically. Not even Katakuri could maintain such a level of Observation Haki for long. There’s also the part where Katakuri tells Shanks he can see through his sister’s eyes, but only for a few seconds, to which Shanks replies, “You’re not the only one who has Observation Haki.” It then cuts to Yasopp saying, “Yeah. My son has it, but he’s too panicked.”

This interaction might hint at the unique potential of Usopp’s Haki. Perhaps Observation Haki users can link up with others they’re related to, or maybe it’s just a matter of Usopp honing his abilities. Either way, the fact that this was showcased in the movie but not yet in the manga suggests that Usopp’s true power is yet to be revealed.

Another point that stands out to me is the conversation between Katakuri and Shanks. Shanks’ words wouldn’t necessarily lead anyone to believe he was specifically talking about Yasopp. We didn't even know if Yasopp was aware of his son's abilities. Yes, the movies aren’t canonical, but still, it’s intriguing. When Yasopp mentions that his son has Observation Haki but is too nervous to use it effectively, it raises questions. How does Yasopp know this about Usopp, given they haven’t spoken in over a decade (if ever)?

What also stood out was the scene where Usopp is running and says, "If we only did something to Tot Musica’s legs, we could defeat him” (paraphrasing here). Usopp then stops, tells himself to stay calm, presses his fingers to his temples, and suddenly, he’s seeing through his dad’s eyes. Yasopp exclaims, "D*mn, son! You finally managed to link up with me?! Finally!” (Paraphrasing here). They then guide everyone on where to attack Tot Musica’s limbs, resulting in a spectacular team effort. Afterward, Shanks remarks, “Yasopp and his son work well together,” with a thoughtful and brooding expression.

None of this is canonical, but it makes me wonder about Usopp’s story in the main series. Does Shanks know the limits of Yasopp’s Observation Haki? Can Yasopp do things with it that even Shanks can’t? Given Yasopp’s role as a sniper, it makes sense. In real-world terms, snipers use spotters to help locate targets and assess their surroundings. Yasopp’s Observation Haki might serve a similar purpose, acting as a “spotter” for pinpoint accuracy.

Additionally, considering the non-canonical nature of the movies (last time I'll mention this), what if they have their own internal canon? In "One Piece: Red," what if Yasopp and Usopp had already talked before the events of the movie? Yasopp might have advised Usopp to train his Observation Haki and stay calm to tap into its full potential. That’s why, during the fight with Tot Musica, Usopp reminds himself to stay calm before successfully linking up with his father. Usopp’s smile when he realizes he’s connected with his dad, and Yasopp calling him a “knucklehead,” suggests a prior relationship and training.

This scenario could potentially work in the canon of the main story. It opens up possibilities for Usopp’s future development, hinting at a deeper mastery of Observation Haki and a stronger connection with his father.

next part

Part 3

link credits:

Video to gif credit (youtube: SnyapTV offcial)

gif credit Uta (drawing from Amino: @Mommy Issues cora)

Usopp fan club (feel free to join)

[blackstarchanx3new]

FSR rambles ANOTHER ONE (It's the 22nd one)

Dark's mind reading is just, so damn fun.

Like Green is gambling SO MUCH putting his trust into Dark but it pays off because Dark can TELL Green is truly putting faith in him to give him the benefit of the doubt.

And that means A LOT to him.

The fact Green doesn't want to hurt him MEANS A LOT TO HIM.

Dark knows this man ain't stupid.

I like him giving Green a goodbye hug and a kiss on the cheek hah.

It's so sweet in a way.

And his parting words being words of affirmation for Green.

He can be a very sweet person when given kindness.

I just like them a lot.

Green was a pretty good influence on Dark. XDD

Dark Link's dramatic ass flying away is so funny to me and probably just me.

Like Dark doesn't typically fly or flex his wings much but they DO exist. XDDD

He can kinda just hover like Shadow but I don't think that's been shown even ONCE XDDDD

Dark isn't really the type to flex his magic in general though.

The Headspace IS HIS BODY which uhhh is a horror.

Time to mention: It changing from a desolate blue to that bright pink woodsy area afterward is kinda a reflection of Dark and the person he's talking to's mental space.

It'll change again later when he talks to Blue too.

Now that Dark Ran off we get an insight back into Green. Even though he technically WON this interaction? If you could word it that way, he got kinda what he wanted...He's still kinda overloaded with bullshit, poor guy.

Whatcha looking at Green-

...UH HI LINK????

WHAT ARE YOU DOING HERE???

And in Dark's outfit did ya swap? 👀

Link's just mumbling to himself about wtf just happened...which uhhh, Link. You just take the hobby of stalking yourself???

he doesn't seem to be aware of Green at all until Green makes himself known.

Not before his face bugs out. XD

Ngl. this is one of my favorite interactions its SO stupid.

The dialogue is up there in scenes that make me laugh just to read.

Like, Link my guy, did you ACTUALLY think for a SECOND that shit would work???

Link's eyes bugging out completely as he runs in terror from Green has to be up there in stupid shit. It's so ridiculous and amazing just tickles my brain lmfao. It's so dumb. XDDD

Link cycles through all 4's personalities for a second X'DD

1st panel: Vio

2nd Panel: Green

4th and 5th: Blue

6th being Red obviously

Green is so fed up with him after being kicked in the damn stomach. XDDD

Sooooo, we didn't learn a LOT from Link's appearance outside of the fact he's still lingering around within the headspace. Which is ODD because Dark hasn't brought him up or seemingly hasn't run into him...Despite Link STALKING him it seems.

Weeiiiird.

Link's adoption of the black tunic is odd to say the least. His mental state is still fractured and torn considering it's appearance.

And it dawns on me I don't think Green goes on to NEVER disclosed to anyone Link's still running around. X'DDDD (Re-reading FSR together like this is fun isn't it?)

A LOT of shit happens to where he didn't really have time to squeeze it in but it is funny this scene is still pretty up in the air on it's importance for now.

Also since this is rambles I don't have to keep secrets on who the weirdo next to Link is in the last panel.

That's FSRA Link. Which just leaves all sorts of weird implications I'll let you sit with, considering that man is from 100+ years in the future...

;)

True to his word, Shadow is able to tell Dark was active. Oh no.

LOL also not Zelda calling Green by the wrong name. X'D Poor girl isn't used to being around the four dudes her bestie splits into. (She literally had NO idea they were split until AFTER the final battle lmfao and then they walked back to the sanctuary and boom.)

So yeah Shadow tries to wrestle Dark back because dude's a dangerous little ball of evil. XD

He SAW what he did to Vio first hand and didn't wanna have that happen to Green.

I'll never not find it funny Dark can summon his sword in that form, but literally can't even use it. X'DDDD

He also yanked Green's arm away from the sword so he didn't get hit because Dark's very attached to Green at this point.

Shadow's got beef with the little guy and Zelda making a force field, and Shadow proceeding to SMACK into it always gets a laugh it's so dumb.

Art wise it's kinda funny just how LONG Dark's tentacles are in this scene considering I shortened them later. XD

Also...Considering recent updates Dark responding violently when in danger is...Well something. XDDD

Poor Green and his savior complex-

"I can help him-" - Green about the horrific monster that tormented everyone.

Shadow even points this out but Shadow's also projecting HARD onto Dark X'DDD

"I'm an evil horrible liar so this bitch must be too" - Shadow.

Shadow personally just wants everything to be perfect and peachy and that can't happen with Dark so he wants the easy way out so to speak.

Shadow sweetie, it's not your curse. XD

(Funny we're bringing that up...Shadow Link hasn't been in the headspace at ALL...Interesting huh?)

OOOMF.

That shit must have HURT to hear out of Green considering him and Shadow were doing MOSTLY well before that.

Green's been bottling his negative feelings towards Shadow for a LONG time now and JUST seeing what Shadow did while with Vio it was inevitable dude would snap.

Green immediately regrets what he said though.

Dark cuddling Green is always cute.

Shadow got called out and now feels like shit.

Not Zelda sitting here like "Genuinely wtf are yall talking about rn???"

He can't even argue with Green considering it was pretty true. X"D Even if it was a low blow.

Zelda blowing a hole through the castle has lead to...ISSUES.

Shadow's acting a bit ominously.

Mmm fast travel.

And bitter unresolved feelings. Our favorite.

Hiiiii it's been months since I touched this lmao.

Back into the game:

Green has a lot of hesitance too, he just chooses to stuff that down in turn for a more peaceful option.

he's aware dark has caused hurt and is INSANE but wants to give him a chance.

I think in a lot of ways he regrets that Shadow never had help because they just met "Too late" in a lot of ways.

Shadow had already committed many horrible deeds before anyone had a glimpse of being able to help him.

While Dark is still very new and able to be saved from a life of regret or villainy, cause Green recognized that spark of good in him that could blossom into a good person if they give it a try.

meanwhile, Shadow's being self loathing.

...To be fair a lot of what Dark Link says DOESN'T make sense due to it being...from an outsider's perspective utter nonsense (He knows Zelda lore lmfao.) but his claims Shadow just IS ganon are clearly getting to shadow cause he's got self doubt.

Meanwhile Green tries to remind him of his progress, and thinks Shadow and Dark could have something to bond over.

Aaaand there is it boy doesn't wanna be reminded of how much he's fucked up. It's hard when there's a mirror pointed at you.

Green's still feeling bad about what he said.

And since people missed it, and I was being cheeky:

Green and Shadow did share a lil smooch.

Dark isn't happy about it. XD

To be fair, I'd be pretty pissed off if my only goal was to get a lil smooch smooch and people were handing em to lord ganon evil lord of the buttholes too.

Bask in his beauty Shadow, he sure is pretty. UwU

Shadow letting Green down not so gently that he's an idiot will always be funny.

he was backed into a corner guys, be nice to him.

Shadow's of course more concerned about Vio rn.

I'd be worried about his reaction too...As we see later it's not a happy welcome to Dark Link XDDD

Dark Link isn't having being shoved back into Shadow's hat.

Shadow in a moment of...idk what you'd call it, clarity I suppose decides to let him stay with Green.

it's up to the reader to assume WHY he did that.

Realizing he makes Dark Link feel unsafe, just not wanting to argue. Overall there's hesitation on his end.

So he ends up in Green's hat. XD

Green asking a reasonable question about how he's gonna go get Blue...considering his physical form is WITH Green and Shadow.

And Dark responds verbally. So far I think he's only growled in that form. XD

So uhhh, Shadow's pissed off Dark refused to speak last night. XDDD

So if you're curious: My vision for Dark in this form is that speaking is VERY difficult for him to do so he just...doesn't.

This is his dormant form, so his "Functionality" is mostly...nonexistant.

This is a form that doesn't take a lot of effort to maintain or upkeep so his actual abilities aren't very wide.

Like he CAN talk. But simple phrases and words are easiest for him to do. Which is why he repeats "Yeah yeah" twice.

Shadow also fails to realize even THIS form was a step up from the fact Dark was a simple sphere with an eye before. XD

He grew a mouth to chew on Green...So he might have had the intention to speak last night and just...didn't.

But if he wanted to speak, he could just form back to his "Link" form or drag someone to the headspace.

Overall: Shadow ya dummy he probably just didn't have anything to say XD

Green coming to Dark's defense screaming "STOP IT SHADOW YOU'RE SCARING HIM!" is so funny because I without fail imagine the "HE'S AFRAID OF SANTA CLAUS!!!" "STOP IT PATRICK YOU'RE SCARING HIM!!!" spongebob bit.

Shadow letting the whole "Dad" debacle slip and Green's fucking face to that just sends me.

He looks so...judgmental. X'D

"This is how you'd treat your son?"

Dark Link giving Green the title of his "Dad" Whatever he thinks that means...because Shadow is a bad one is just, funny as hell to me.

Dark so obviously doesn't understand blood family ties (...His entire life revolves around 4 dudes who are one guy, and that guy's shadow all being in a weird as fuck relationship so uh...who blames him for not understanding family)

Affectively, Green is just someone Dark considers his family so...he's his "dad". XD

The title switch from Shadow TO Green is due to the fact he just feels more comfortable and safe WITH Green.

...Shadow uses THIS as an example of Dark being "Unreasonable" which is something else alright. XDDD

Green taking the piss out of the whole "dad" thing is pretty damn silly...Green you ARE the daddy now. X'D

I don't think Green would have tried this shit if Dark was in his Link form. XDDD

I know in the draft comic folders I got a comic where Green treats Dark differently based on his form and how Dark doesn't understand that. (him being uncomfortable with the finger chewing in his Link disguise vs his dormant form for example) and how he thinks Green's a hypocrite.

Last panel: Shadow DEFINENTLY not trying to keep everyone thinking Dark's just insane and not saying anything important.

I'll cut it off here since getting into the Darkblue segment (As I like to call it) is gonna be interesting I think XDD

[the-power-of-stuff]

The Live-Action Sukka Manifesto that I Just Couldn't Keep in My Head

So I've been marinating in my live-action Sukka thoughts for the past three days, and when someone sent me an anon asking if I had any thoughts about the changes, at first I went, "DO I EVER?!" and proceeded to dump my entire brain on the page.

But then I worried maybe the anon wouldn't want to see my entire brain and figured I'd make my own post with my Many, Many Thoughts, and reel it in a bit when I answer the ask. And then link here if they're interested in the dissertation.

I'll put all the excessive details and spoilery stuff under a cut, but I'll start by saying, I didn't hate it! And I was afraid that I would.

There were things that I was bummed or had mixed feelings about, but there was also a lot that I genuinely enjoyed. All the Sukka interactions were cute and still had some decent character development, and I had fun with the episode overall (I've watched it thrice mind you, and definitely have not given the rest of the series that kind of attention). And I didn't necessarily dislike the differences from the original; I think I've just taken more of a "that was an interesting interpretation" approach.

But I better start that cut now, because I'm about to go on and on about this. I'd love to know what others think, though!! Even if the opinions aren't the same as mine! Please feel free to comment, reblog, shoot me an ask. If nothing else, I'm excited that the LA has gotten people talking about ATLA again.

So, I want to start with Suki’s characterization, which overall I found to be delightful, even if it was a bit of a watered-down version of her animated self.

In the original show, Suki is confident, sassy, and doesn’t take shit from anybody. She’s proud to the point of almost being arrogant, and even a little mean. What we get in the LA is someone who’s still confident in terms of her status and her skills, and still proud of her heritage and her role in her community, but with significantly less sass. And while LA Suki still seems like someone who wouldn’t take anyone’s shit, we don’t actually see LA Suki deal with that much shit from anyone (because Sokka isn’t really giving her any). 

There is one moment in the show where her interaction with Sokka is a little contentious, which is when he tries to relate to her as a fellow guardian of his people. I think Suki’s question to Sokka about how is he protecting his village if he’s not there is meant to be a challenge to his swagger. However, the line is delivered with a softness that makes it seem as though Suki is, at least in part, genuinely curious. (This curiosity makes even more sense when we consider the fact that Suki’s eventually going to leave Kyoshi Island so she and her Warriors can take part in the war effort, and that she will have to contend with the question of “how do you do that without abandoning your people?” when coming to that decision. The LA lays a lot more of this groundwork than the animated show did: Suki outwardly expressing her desire to see the world, her mother’s secretive looks every time Suki gazes longingly at Sokka the possibilities…)

Compare these two moments, for example. These are both scenes where Suki expresses disbelief at Sokka's claims about his warrior-hood. But in the LA, Suki speaks rather quietly and mildly, in contrast to the brash sarcasm of her animated counterpart. LA Suki is also tilting her head down and away, looking at Sokka indirectly. OG Suki is leaning in close, getting in his face, smirking derisively with her hands on her hips.  

I think there’s something to be said about the LA in general smoothing away certain personality traits that could be seen as negatives but that are actually strengths that are so narratively well-developed they occasionally show up as flaws (for instance, Katara’s fury, or lack thereof). Animated Suki is prideful and stubborn; she berates Sokka until he gives her sad puppy-dog eyes and has zero hesitation about making an example of him in front of her whole class. It’s a little ruthless, but these traits are also 1) what gets through Sokka’s thick skull (he, too, is prideful and stubborn), and 2) what makes her such a dedicated ambassador of Kyoshi and such a strong leader of the island’s Warriors at such a young age. I feel like the LA writers were afraid of making any of the protagonists seem too abrasive—everyone in the LA has had their edges sanded down, including Zuko, including Aang—and in general this tends to lead to less realistic representations of humanity and conflict, less satisfying character development arcs, and fewer opportunities for reflection and learning. 

That being said! I went into watching the LA with negative expectations about what we would see in terms of character development, and thus was pleasantly surprised. 

The LA removed the need for Suki to be as ruthlessly stubborn as she is in the animated show because LA Sokka’s skull is not so thick (and I'll get into that a bit more later). So what we get instead is a sheltered Suki with a helicopter mom who is so hilariously awkward that she has no idea how to interact with other humans. And, to be honest, I enjoyed this version of her so much that I even thought to myself, “I wish I’d thought of that!”

Suki is a straight-up weirdo in the LA and I love that for her. The way she puts Sokka in a chokehold and then looks at him after she sets him free like, “That was good flirting, yes? Would you like to be my boyfriend now?” And then her disappointment when Sokka walks away as if she’s thinking, “Why didn’t that go well, I thought boys loved getting put in chokeholds?” She is so precious, I just want to put her in my pocket. And this characterization might even be more broadly relatable than a super-confident Suki brimming with sass. Who among us hasn’t made a complete fool of ourselves in front of a crush by coming on way too strong and having no idea how to flirt? I mean…real. 

And because Sokka is also mostly just making a fool of himself trying to impress a pretty and talented peer (instead of covering up his insecurities by wrapping himself in misogyny) this leaves room for the two of them to be attracted to each other right off the bat and for their interactions to be more overtly romantic throughout the entire episode. Which, avid shipper that I am, I have to admit I have been gobbling up for the past three days straight. This episode was an IV drip of romantic tropes hooked straight to every Sukka shipper’s veins. 

Shy glances from across the room? Check.

Walking in on the other person half-naked? Check. (Y’all, Suki looks Sokka up and down for a FULL TWENTY SECONDS yes I timed it from the moment she appears in the background, yes you should count it to see how long that really is. Talk about awkward.) 

Tripping so they end up falling into each other’s arms? Check.

Wide-eyed shock that turns into surprise thirst after being pinned to the ground? Check.

Shooting each other satisfied smirks as they kick ass side-by-side? Check.

Jumping in front of literal fire for each other? Check and check!

Like, I could live off this for the rest of the year. 

But look, there’s a lot that I love about the way Sokka and Suki’s relationship is portrayed in this episode besides those romantically indulgent tension-creating moments, and it has to do with Suki’s admiration and validation of Sokka. 

Suki really looked at this boy with his mouth stuffed half-full of steamed bun and went, “Must have.”

With the removal of overt sexism from this episode (for better or worse), the story focused much more heavily on Sokka’s development as a leader. He still has that sort of posturing display of self-confidence that comes from inexperience and trying too hard to prove oneself (“Ferociously…deadly tiger whales…”), and while at first Suki seems put off by this and his attempts to liken himself to her (“I’m not just a warrior, I’m a Kyoshi warrior”) it doesn’t take her long to decide (*cough*after seeing him shirtless*cough*) that she doesn’t actually mind this behavior (and in fact maybe she kind of likes it because maybe it means he likes her and maybe it means she can show him how much she likes him by slicing the tops off all those melons with her fan). She seems genuinely interested in his boomerang and impressed that he hunts, and then later, she immediately takes interest in training him in the Kyoshi Warrior style. 

After they spar, she casually refers back to the fact that he’s his village’s protector, and this time, she does it without the disbelief and defensiveness. Because he’s finally stopped posturing. He opened himself up and gave himself over to Suki’s expertise, and in that way he proved that he has the will and desire—the heart—of a warrior. And Suki tells him so while touching him gently and gazing at him longingly in the soft golden glow of the late-afternoon sun. And as a die-hard Sokka stan, I love seeing him loved and appreciated like this. Adamantly. Ardently. The Sokka cheerleader in my head is going wild. “YEESSSS!! Our boy deserves this!!” Because we know that, in the animated show, he goes through a lot more struggle and self-doubt before he receives this kind of external validation. And while we also know that this makes for an incredibly satisfying growth arc, I gotta admit that it’s a fun bit of indulgence to watch Suki talk Sokka up directly to his face and then want to kiss him really bad. Y’know. As a treat.

That said, I'm very attached to and appreciative of the way their relationship is framed in the animated series. I love that their respect and affection for each other grows even after the disaster that is their first few interactions. In the LA, they are drawn to each other immediately, and the only barrier seems to be a bit of awkward stepping-in-it-ness. In the original, they have legitimate conflict, and they both have to give a little—Sokka becomes more humble, Suki becomes more tender—before they get to that point of potential romantic interest. And I think it says a lot about Sokka’s character and his desire to learn and grow that he is willing to humble himself in front of someone who, as far as he’s seen, has very little regard for him (slash has a good deal of animosity towards him). Giving himself over to Suki’s expertise costs him more in the animated show. But once he does, he and Suki learn and grow together. He shows Suki who he really is, shows her how dedicated and determined (and fun and a quick learner) he is, to the point that, by the end of the episode, she can allow herself to be vulnerable with him. And she does validate him in the original Kyoshi Warriors episode, just less directly than the LA. Her kiss on his cheek and “...but I’m a girl, too” is about forgiveness and acceptance and acknowledgement and respect, as much as or even more than it is about affection. There’s a little bit of romance, too, but it’s just little baby seeds of it, and it feels very natural to let those seeds germinate over time until we see Suki again later in the series. 

Which brings me to the live-action kiss. 

I’ll be honest, I was a little on the fence about the kiss. I want Sokka and Suki to kiss as much as possible in every conceivable universe. So there’s a part of me that was banging on the table and whistling with obscene joy. But the other part of me thought it was too much too soon. However, my hesitance pre-supposes some things about the second season (not least of which that there will be one), namely that it will handle the reunion with Suki and crossing the Serpent’s Pass anything like how it was done in the original. (Of course, one thing we now know for certain can't happen in a hypothetical LA season 2 is Suki pranking Sokka at the ferry station because he doesn't recognize her without her makeup. Do I love the expression on LA Sokka's face the first time he sees Suki's? Yes. Am I sad that this completely ruins their whole "You don't remember me? Maybe you'll remember this!" game? Also yes. But truthfully, I don't know if LA Suki would've been up to the prank, anyway. Not sassy enough. ;))

The Serpent’s Pass is one of my favorite episodes of all time, and that moment on the bluffs when Sokka and Suki are talking around Sokka’s loss, with the moon shining down on them all the while, and they almost kiss with the moon hanging between them in the background, and then Sokka pulls away without any other explanation besides, “I can’t”? That scene is so absurdly powerful and beautiful and an amazing moment of character development for them both, and I feel like it loses a lot of impact if they’ve already made out once. The fact that they kiss for the first time after that moonlit moment, when Sokka realizes that Suki doesn’t need protecting the way he thought she did, and in fact she was there to protect him, and he can finally just let go of this burden that he’s been carrying with him since Suki first mentioned she was joining them (slash since his dad put him in charge of an entire village at 13), and then and only then can he open his heart to what he feels for Suki, and in fact opens it so wide that he just cannot help but jam his mouth onto hers before she’s even finished talking…? I mean. C’mon. That’s poetry. But, again…loses impact if they’ve already had a first kiss.

But who knows what, if anything, they’ll actually do with that storyline. So for now, I’ll just enjoy my live-action Sukka kiss because, honestly, dream come true.    

Or almost a dream come true. Because there's a huge camelephant in the room that I haven't addressed yet, isn't there? The lack of Sokka in the Kyoshi Warrior uniform...

And I don’t think we can talk about the omission of Sokka’s Kyoshi Warrior uniform without talking about the omission of Sokka’s sexism. Because if Sokka isn’t sexist, then why do you have to put him in the dress and makeup of traditionally female warriors to make a point about how women are strong and capable, too? So here’s what I’ll say about that (and I know there’s a lot that people have said already, so I’ll try not to belabor the point.) I don’t think leaving out Sokka’s sexism was necessarily a detriment to his character arc. I do think, however, that leaving out Sokka’s sexism was a detriment to the message the show was trying to convey about sexism. 

Now, in the Northern Water Tribe episodes, the LA still gives us a message about fighting against the kind of systemic, institutionalized sexism that you might not be surprised to encounter within a very old-fashioned society or from a very old-fashioned gray-haired man. But what about the off-the-cuff, everyday kind of sexism that you might experience from an otherwise good person who is close to you? A person who loves you and would do anything for you but who gets carried away teasing you about “girly” things because of intrinsically-held biases that they’re not even that conscious of having? 

I think it’s important and meaningful for male and female audiences alike, and everyone in between, to see these different forms of sexism and misogyny—to see them, to recognize those behaviors in others and in ourselves, to be able to name them, and to have examples of fighting against them. We see the former kind—institutionalized, systemic—in Pakku. And we did see the latter kind—familiar, personal—in Sokka. And now that’s lost.

Not only that, but there’s the form of sexism that says boys aren’t allowed to do feminine things lest they relinquish their maleness. And in the animated show, we got to see Sokka combating this form of sexism, too. Not only does Suki show him that girls can be fierce warriors as well as boys, but he learns that wearing makeup and a dress does not make him any less of a young man.  

So, yes, I think the lack of Sokka in Kyoshi Warrior garb was a missed opportunity. And not just because Sokka looked really good in uniform and we all should have had the chance to see that, including and especially Suki. 

Alright, this is more than long enough, so I'll leave off with a moment from the LA that gave me great pleasure.

I needed this moment, y'all. And I was so afraid it wouldn't happen. I needed Sokka being protective, I needed him using his newfound Kyoshi Warrior skills to fight, and I needed him jumping in front of fire for the girl who'd taught him. If we couldn't have Sokka in the Kyoshi Warrior uniform, at least we had this.

[chipchopclipclop]

i have finished death mark 2...... thoughts.....

general thoughts is the overall story was.... BAD. LOL.

I'll start with the good. The interactions between Yashiki and alot of the returning cast i really liked, the writing especially in the first few chapters. An example being alot of Yashiki and Daimon's chatter, especially the whole weight of saving lives things that comes back at the end, alot of it was quite sweet and heartwarming similarly between him and other mark bearer characters.

^^^ BEST CG EVARRRRR....

I liked the choice of Hiroo and Mashita being the two that come in when he's at his lowest, their curtness and refusal to take his attitude was really refreshing, felt really like what he needed at the time lol. In that same vein i enjoyed his characterization alot in the early-mid game, and how it develops. He's such a sensitive guy lollll and it comes through well with how much he cares but near the latter chapters it kind of.... sours.

Though there were a few new characters i liked his interactions with, Abe and Maruhashi specifically i found endearing of the new cast, Alot of them just Die. Or theyre Hime and Michiho AKA the bane of my fucking existence with this game.

They are the two pushed front and center and it is truly its worst aspect, as characters they're shallow personality wise and though you could say that about others in the cast, them being in love with Yashiki on top of it makes it so much worse.

They barely have any scenes where they actually properly interact and feel like they bond at all but for some reason im expected to believe they're suddenly in love with him?? -and in the end they were also dead the whole time, and not even themselves. So it wasn't even real, and somehow any of this is meant to hold any weight to the audience...?? explaining it as the ghosts being desperate for him instead doesnt really make it.. any more compelling (lol the scene at the end where hes like maybe they just wanted those beautiful normal school days they spent by me.... when did that happen yashiki)

I understand Yashiki is probably saddened by the deaths of two young girls but they're treated with so much more weight and gravitas than anyone else in the cast and its so unearned, especially when alot of the other ghosts are somehow way more compelling in that aspect.

He also becomes borderline ooc around them like in what world am i expected to believe he emotionally dumps his burdens on the two highschool girls he barely knows because of how sad he is when hes got like how many other people he knows FROM THE OTHER GAMES he could do that with...????? (AND BASICALLY DOES... ALREADY...?) and it lifts his heart like truly wtf was i reading. HE WOULD NOT FUCKING SAY THAT.JPG

Chapter six is really where it falls off the cliff with this, after hanging out with Hiroo, Mashita and Yasuoka and solving that case they just dissapear from the narrative for a day so he can......... hang out with michiho...?? i couldn't even enjoy murder yashiki in this game because of how ludicrous it felt that the rest of yashiki's companions just dissapeared to make it happen, and no one calls or anything lmfao. I cant imagine how much more compelled i would have felt if he was dealing with that situation with any of the other three around instead of HIME. LIKE I AM ACTUALLY SO INCENSED ABOUT THIS SCENARIO BEING RUINED SO HARD WHEN IT COULD BE SO GOOD BUT I DIGRESS (RIPPING MY HAIR OUT) (CRYING BC I LOVE BLOOD AND HORROR)

Even the first two games weren't as bad as writing women as this!? EVEN IF I HAD TO SEE MASSIVE TITS ON SCREEN THEY WEREN'T TRYING TO JUMP ON YASHIKI AS WELL AS A CENTRAL PLOT POINT (lol kakuya) congrats exp you have outdone yourself with the misogyny.

To continue on the topic of new characters, it feels like so many of them were given so little screen time to make you actually care about them. For how prominent Abe is he barely actually does anything, and Maruhashi instantly dissapears when shes no longer a red herring. On top of this game basically killing off any other character that appears, its hard to get invested in them as characters at all.

You have no opportunities to actually effect their fate as you do in the other two games, so there's even less attempt to immerse you there. Horikoshi comes the closest behind the other two but its because her case with Hanako was easily the strongest and most resonant of the game (lgbt win). Its not even like this is the first time Yashiki saves the lives of kids and bonds with them after, especially with the caveat of being a teacher, like how did you fuck this premise up so bad.

They either needed to commit to more scenes and writing in general to attach you to the new characters or just not have any returning ones show up so prominently if they're not also going to further interact with them.

The overall mystery suffers for it, and while i like the twist of the doll being helpful in this game actually, it is so easy to guess michiho and hime are the departed, and i already didn't even like them so it doesn't hit at all emotionally. Like, i was not feeling very betrayed or anything lol.

Further critiques -> though running around is very fun, the horror in this game really didn't at all compare to the others with the loss of that first person perspective for alot of the exploration, sad.

I also feel like we got more horny shit than we did in NG which is also like lol one step forwards two steps back. Even the gore wasn't as good............... kind of mid in every regard there. I did like the mushroom and scissor stuff, but the bugs and mold ended up just kind of ..... eh...

Mary continues to be the best antag in these games, she slayed and she continues to keep slaying. The sisters were really kind of a letdown in the end, especially since i think i could have enjoyed it if they pulled them off better.

As for my yaoi cocaine score though thats a 10/10 they made yashiki and mashita meow and hiss like cats in this game for some reason, i genuinely think that shattered my mind a little.

I also can't believe they gave us these two panting in unison asmr as well so you could make your own [REDACTED] if you wanted. The departed getting jealous mashita was standing next to him in that one confrontation too like she's calling him a homewrecker..... lol...... also the part where mashita jokes abt him keeping the gun and if you make yashiki go 'then i will 😇' and him immediately backpedaling like okay i was kidding. give it back. very moe very powerful.

I feel like the entire time mashita was on screen he was basically acting as yashiki's brain to keep him from getting too lost in his emotional attachments, truly everyone needs a bitch wife to keep them sane.

TL:DR this game could be so good (average) if it wasn't so fucking badDDDDDDDDDDDD easily the worst entry in this series...... dont buy it unless its on sale for 4 bucks (this applies to every game) or just watch in on youtube lol.

anyway. beautiful yashiki collection. I CANT BELIEVE MASHITA DIDNT GET A BAD END CG ACTUALLY < / 3 BUT YASHIKI'S IS REALLY GOOD < / 3 SMALL WINS < / 3

[ask-the-meteor-crew]

FAQ Behind The Curtain

How do you draw so fast?

I'm currently double majoring in Animation and Creative Writing. I'm built different and also just, not trying very hard on most of these drawings. Drawing fast is kind of the backbone of animation and I've noticed coloring everything makes most people assume whatever line quality or level of finish on the outlines is a stylistic choice rather than laziness. What program do you use? I used Clip Studio Paint until about #021 when I picked up after haitus and used Procreate out of comfort and convenience. Do you use stock backgrounds or make them as you go? Every time I decide a scene needs a new background I draw it out in it's entirety and save it to my collection of backgrounds to use. So yeah, I'm not redrawing the background every single time it appears, I'm basically building out the meteor one room at a time in hopes of one day not having to draw backgrounds anymore. Where do you get the space photos? NASA's Hubble Space Telescope team has politely made all of the telescopes published photographs public domain, I imagine as a service to the planet as the intersection between photographers and people able to go that far into space is understandably zero. Font/Handwriting questions I stopped handwriting for most panels as I realized my best handwriting is all caps and it would be a shame if Karkat was the only character anyone could understand. I still use handwritten text for "special speech" which is whispers, and shouting, anything that's supposed to feel or sound radically different from the rest of the yapping. It did take me a while to settle on a font, I found a really good one for Dave that didn't have apostrophes and gave everyone else a typewriter font for a while, until I found the alternate version of the font I used for Dave that had all the special grammar symbols and numbers I could ever need. It's called the Atari font in the actual file but I have no idea if Atari ever actually used this version of it. Does the ask box ever close? When will my question be answered? It doesn't close and I have more questions than I'll probably ever answer. Some are confused about canon, others have had the core idea of their question asked multiple times already and I just didn't feel like collecting them all as screen shots. And some I just don't have answers for. Some get deleted because I don't like the tone, don't get the joke or found a typo particularly difficult to parse. No biggie. Questions will be answered if and when I feel like drawing a comic for it. Some questions are a better starting point for a comic than others, don't take it personally. Can the characters still talk to John and Jade? Can they run into them in the dream bubbles? According to canon, no. According to this blog, also no. Do you take magic anons? No. While I've gotten flimsy on the vlog framing device in order to make a more entertaining comic overall, the truth still remains that anything beyond messages in a digital inbox from some far off unspecified rift in paradox space would have some pretty immersion breaking implications on the setting overall. I know I answered a question offering Dave some clothes but the clothes were not given to him, I used it more as a prompt for him to take the clothes he already had out of the dryer. Is this blog safe for minors? This blog contains canon typical violence and themes, however when it comes to sexual content (the one thing minors absolutely CANNOT legally interact with) this blog is rated T for teen. Think like The Big Bang Theory or How I Met Your Mother. Sex can be implied and a frequent topic of conversation but never occurs on screen. Ultimately it's up to you and maybe your parents to decide if you can handle the blogs contents as you are responsible for curating your own online experience. TLDR if you're old enough to be on tumblr you should be fine.

How do I address the author?

My name is Sky, she/her pronouns exclusively. Please don’t try to hold conversations via the ask box. Just DM me.

Where do I send questions and comments for the author?

@meteor-crew-after-dark

[miraculouslbcnreactions]

We're finally at the final (thank the gods)! Things that we talked about that I haven't seen discussed:

Nathalie trying to kill Gabriel is such bullshit. "You can't do this! You'll hurt someone!" Nathalie, you have known that since day one! You knew he was working on this all season and you're good now! Why are you only trying to kill him now? You were healthy most of the season! You even physically pinned him! Oh, right, because you're not actually good. It's all just "better than thou" lip service. Hypocrisy is the easiest way to make us dislike a character and Nathalie's a massive hypocrite, so we're not fans.

Evil Nathalie was pretty fun. "Good" Nathalie is aggravating and has as lackluster a redemption as they gave Felix or perhaps even more lackluster. Felix at least switched for love of Kagami. Nathalie switched because Gabriel didn't heal her even though she had zero knowledge that he truly had a chance to do so (she wasn't there and Gabriel has never given up an opportunity to save Emilie so that he could chase Ladybug before). Adrien was never Nathalie's motivation or else we would have seen her protest things like Gorizilla, Style Queen, and Chat Blanc.

Moving on!

The mass teleport to Ladybug should have killed everyone because the whole world is supposed to be after her. A couple billion people teleporting to the same location should mean people squish each other or that portals open over each other/on top of people. Just saying. Budget saved her life because Mirauclous' Earth has a teeny tiny population due to rendering costs.

SO was mad how anticlimactic the final fight between Marinette and Gabe feels. Oh two people who barely interacted, have minimal personal connection, and always hated each other are fighting? Such a big moment! I'm so invested! He talked about how other shows build up to moments like this by making the villain terrifying or by making the villain and the hero have a strong, personal connection or even by making the fight super fun to watch, but miraculous did none of that. SO seriously didn't care about the fight at all and, to be honest, neither did I when I first watched it. I only tuned in when Marinette detransformed and I went, wait, wtf are you doing?

We get to all the scenes with heroes in other locations and SO paused the show every few seconds to ask me who tf person X was. Fei resulted in multiple pauses because of her varied forms. So I can confirm that the casual viewer totally followed this part and it was a wonderful addition (that's sarcasm, btw). He did ask "why would the French say that they need a bunch of Americans to win?" Which I though was pretty funny. That's certainly one way to read the Americans showing up!

SO works in IT. He was so mad that the laptop wasn't remotely wiped after it was lost/Lila stole it. And why does it have access to the Agreste mansion and not just the police robots? I thought Tsurugi corp was a tech company? This is all security 101.

SO's final thoughts: well that was soulless. I feel nothing. I can see why you're so done with this show.

Credit where it's due: while the final was massively disappointing from a story perspective and while I don't think Caline Bustier was written like a good teacher for anyone above the age of 5, it is really cool to show a pregnant woman run for office, win, and then be allowed to do her job with her baby in tow without any of that being treated as a joke. That's a really powerful thing for a young child to see and I'm glad it was included even Caline would make a terrible mayor in real life.

[sunlightnmoonshine]

It is unfortunate that the writers intention was to make the audience feel sympathy for eunseung but lop sided writing meant irritation was only ever directed at the character. The ending that eunseung got was clearly an attempt meant to tug at sympathy strings especially the zoning in on the necklace and the dialogue prior, of him not understanding why he was unloved, but the issue is -

1. there has been no valid attempt to show us why he should be loved in the first place, every attempt to get haein was by ruining her life first, we don't even have a clear reason as to why he liked her in the first place except for pure obsession (which just seems weird now given we have that flashback now and know that he despised the family and you mean to tell me that one dog scene was all it did???). The writer could have even gone the route of saying his need to be with haein was so that he could be closer to his mother or something, like even that would have made more sene than what we got, and so when he looked at haein in with that hurt after literally being a jackass the whole series with no reason why she should have ever liked him it's difficult to give a shit about his death although it's clear the writer was aiming for that.

2. his relationship with his mother has been so poorly executed, we should have got this messed up dynamic in earlier episodes so that we could see how little moh seul hee actually cared about him and how eunseung was broken by this, instead we got a few mediocre conversations that always ended with him willingly benefitting from her plans, plotting with her, ruining characters with her, and all in all just being all "you abandoned me" one scene and then "that's what we need to do to maintain our wealth" the next. We could have had such character exploration by delving into his hatred and abandonment issues had they linked it to the story instead of just shoving his meaningless obsession down our threats.

3. there is little added to his character at all, he doesn't care about anyone, you dont see him meaningfully interact with anyone, even his business prowess is a lukewarm tell don't show situation, when da hye felt bad for him I was like why? there has been nothing shown to the audience where you have reason to feel bad for him, if anything his end seemed too kind after everything the main characters had been put through and more importantly outside of haein he hasn't had a single moment of kindness. Frankly he didn't have a single meaningful moment.

A good villain does not in anyway need to be redeemable, but they do need to be enjoyable to watch and it seems like the writer tried to create a complicated villain but fell short by just giving him three main traits "I have mommy issues, I am obsessed with a woman who has shown no interest me, and I hate the man she loves because I am not him" that for the most part were poorly unpacked and then failed to invoke feeling from a perceptive audience.

With all this said, park sung hoon did a great job working with what little he had and deserves all the praise and well so long eunseung I'll miss yelling at you every week.

[queeoretician]

I'm dying to know more about Gideon/Kiriona's feelings about her names as of the end of Nona...

The last time we had access to her internal monologue, she had just found out that she was named (inadvertently) for the man who killed her mother, and (probably more importantly) had been determinedly attempting to kill Harrow for the past several months. She also found out that her mother didn't really give a fuck about her, and was a bit of an asshole in general, and her father didn't exactly make a great impression in their brief interaction.

Then we see her again in Nona, and find that she's been given a new name, and has been made into "the Emperor's construct," and generally seems to be having a shit time of things even before the emotional whiplash of being kissed by Harrow's body only to find out that it's not actually Harrow.

So clearly out girl has been through A Lot and it wouldn't be surprising if she felt super conflicted about all the associations of both her old name and her new one.

How does she feel about the name Gideon now? We know that she isn't opposed to people continuing to use it, but does she resent it now that she knows where it comes from? I can imagine her going either way on G1deon having killed Wake, but there's no way she looks kindly on his repeated attempts to impale her adept. And when it comes to Wake there must be a ton of emotional turmoil of having imagined a mother who would have cared for her all through the hardships of growing up in Drearburh, only to find that her actual mother saw her as a thing, a bomb, a human sacrifice - there's so much shit for Alecto to explore here.

And then there's Kiriona - how much agency did she have in being renamed? Did Jod basically say "OK, you've got a new name now, kiddo," or was it more of a mutual thing (or even her own idea)? I could see it go either way - she doesn't seem to actively reject the name, but she could equally well be conflicted, apathetic, or actively like it (but have that be muted because she's clearly in a bad place).

I'm particularly curious about how the connection to her Māori ancestry plays out - I assume that historical Earth cultures are pretty alien to anyone born in the last few millennia, but she might find personal significance in it depending on how she relates to Jod. I hope Alecto explores this! It's hard to imagine her taking an interest in ancient history in general terms, but then again I firmly believe that she's smarter (and nerdier) than first impressions would indicate.

Speaking of which, one of my biggest questions going into Alecto is about what kind of relationship she and her dad have - how much of her sorrow and jadedness in the final act of Nona are about her feeling disempowered by John's treatment of her, versus everything else going on? Her comments in the barracks scene hint at her not having a lot of say in her current condition (particularly "I am the Emperor's construct" and "Nobody locks me up anywhere"), and I think the most likely interpretation of this is that the whole super-soldier shtick and new name and everything were imposed on her.

But I also find it plausible that she was fully on board with being the heir to the Emperor, and an indestructible badass, and all that, but now that she has these cool things she finds her life dull and unfulfilling (particularly in the absence of a certain small dark necrosaint). In this case, it would give an added poignancy to her reaction after killing Crux - that scene would then be symbolic of her overall lack of catharsis and pleasure in getting the things that she wants in the absence of Harrow.

I really hope that Alecto brings her some measure of catharsis, and a reunion with Harrow that eventually gets them to a happy ending, but damn is there a lot for her to work through before we get there.