#what about character. what about story. relationship development. writing style. Anything

[bookinit02]

every time i get too far into booktok i become enraged and it’s not even for the reasons you would think

[zeciex]

I'm taking a step back from writing.

I'm really sorry to those who have been excited for this new season--for the pregnancy reveal, for the rebuilding of Daenera/Aemond's relationship, for the smut, for dad!Aemond, for everything.

But I've recieved quite a few comments on AO3 accusing me of using AI in my writing. There was a reddit thread about it, and while it was vague, it was very, very obviously about A Vow of Blood. (They mentioned the length of the fic being almost 1 million words, and my posting schedule.)

And so, I write this to defend myself.

October 2, 2022, episode 7 of HOTD came out and I was immediately drawn by Aemond's character. I watched it when I was on home leave from the ship I was working on. I spent the next 4 weeks plotting the story and coming up with what I wanted to write when I got home. In those 2 weeks I was home again, I wrote and wrote, and then I went out for 4 weeks again.

My work contract ended in January 2023, and from then on, I wrote every single day. I wrote 130 or so pages before even figuring out HOW to write Daenera as a character and after the 130 pages, I decided to scrap most of it and start over.

I had nothing else to do and this was my hyperfixation. I wasn't sure if it was going to last so I kept the first 40+ chapters to myself as I wrote until the 21st of April 2023 where I posted the first chapter.

I then decided I could post twice a week for the simple reason that I had 40+ chapters locked and loaded. And before posting, I went through it, plotted it into my audio program so it read my writing aloud to me to listen for mistakes.

And in the meantime while posting, I of course wrote new chapters. Then, when the chapters finally ran out, the schedule changed to once every two weeks. I did everything I could to keep it--literally putting my life on hold just to ensure that I could post a new chapter every Friday.

This was my hobby, this was my hyperfixation (literally, I'm autistic), this was what I spent my time doing as I recovered from burnout due to grueling work as a sailor. I stressed about it. I had breakdowns over having to skip a Friday because I hadn't been able to write anything for a week.

The reason the story is as long as it is, is because I spent literal hours every day writing. Most days I can reach somewhere between 1500-2500k words. If I'm lucky, I can write more.

I am very aware that my writing is very, VERY detailed--too detailed, even. It's a flaw of mine. I want to set the scene, I want to get all the details that I have in my brain and I want you to see it. Is it too much? Yes. I'm also awfully aware of my progression as a writer, how earlier chapters are written and how the newest ones are written. I'm aware of how I've changed some of the style/started using way tooo many em-dashes, recklessly and hubris-ly (not a word, I'm aware). I know I throw them around. I know I could properly use the good ol' comma, but I like them.

As to the spelling mistakes and grammatical errors, I can say with 100% confidence that it's not some grand scheme that I've thought out to avoid AI detection--I literally didn't catch the mistake when I went through the chapter. I re-read one of my chapters yesterday and found a spelling mistake that I immediately corrected.

I've used grammarly for spell checking/grammar mistakes since English isn't my first language and Danish has a different structure that I often times keep through my English writing. That is the extent of it.

So, here I am, writing this. And I am beyond devastated--to the point of it making me physically ill. I have not used AI in the creation of A Vow of Blood. I have not used AI for plot-points. I have not used AI for character creations. I have not used AI for analyzes. I have not used AI for prompts. I have not used AI to write any chapters for me. I have not used AI in the development of this story.

I have used these sites for this story; Thesaurus ASOIAF Wiki Travel distances in ASOIAF This map A search of ice and fire This for badly translated High Valyrian This from the maker of High Valyrian

And I have used google and various of wiki pages on plants, poisons and whatever else I might need.

Here's some of the few pictures I've taken of my setup throughout those years:

I have like... way too many notebooks for my own good with frivolous details, character sheets, quickly scribbled quotes and inspiration for the story. I didn't expect that I should have taken more pictures.

As I stated previously, this has pulled the rug out from under me. I thought I'd be happily writing until the new season comes out and beyond that. I hoped to finish S2 of the story by the time S3 would come around--though I am terrible at planning this because the story has a habit of taking a life on its own, so it was not likely lol. But this... I don't want to feel anxious about posting a new chapter. I have this pit in my stomach at the thought of even writing now. The one thing that has sustained me through this, the reason I'm still at it, is the lovely commenters. I am beyond grateful for the friends I've made, and I really do hope I'll find my way back to writing. I hope I can finish this story. But the thought of posting at the moment is just.... it brings me so much dread.

I'm going on a hiatus, I'm taking some time for myself. Maybe now I can finally finish my room.

[lakesbian]

i have had like 10 friends rec worm to me but nobody’s given me a good like, gist of its vibe and what its abt because ‘its best blind’, could u please give a like brief summary and vibe check of it 😭 it’s so long i dont wanna try and invest that much time without knowing much abt it

so, worm is a 1.7 million word long webserial written in 2010. 1.7 million words seems like a lot, but it was also written over a relatively short period of time, which means the writing style is very easy to parse--the ideas aren't without complexity, but the language itself isn't intimidatingly dense. you can get through it at a very decent pace. i agree with your friends that there are vast portions of worm that hit best when you're unspoiled, but the thing is that worm is long enough that giving you the basic plot pitch is in no way spoilers for any of the things that i wouldn't want to see spoiled for someone. i'm actually kind of baffled they're not telling you Any Thing, because it is in my estimation one of the best books i've ever read, but it also Needs a briefing before you get into it for like five different reasons. which i will now provide. i swear to god this is brief by my standards it's just that i am very thorough

worm is a story about superheroes and supervillains, set in a world where superpowers are traumagenic--rather than appearing randomly or innately, some people gain powers after a traumatizing event happens to them. the protagonist is taylor hebert, a 15yo girl who has the power to control insects and desperately wants to be a superhero. and then accidentally finds herself scouted by a team of teenage villains instead. who's to say how she's going to react to all that!

one of the most compelling things about worm is that the superpowers in it serve as visceral, hyper-literal metaphors for the trauma and traumatized coping mechanisms of the characters with those powers. each power is incredibly specific and thematically relevant to the person who has it, and it's incredibly interesting and evocative. it feels so natural and well-done that it comes off like how superpowers are just meant to be written.

the fact that superpowers stem from trauma also means that worm is fundamentally a narrative about trauma. specifically, about traumatized teenagers and the relationships they form as they cling together while struggling through growing up traumatized & mutually coping with an increasingly intriguing, intense, and far-reaching escalating plot. worm's depictions of trauma + mental illness--including unpalatable trauma responses, including traumatized characters who are allowed to be complicated and nuanced and messy while still receiving narrative respect--are deeply real-feeling and impactful, and they're placed in the context of a well-spun + engaging story.

i really do have to stress how excellent the character writing is. worm is fully deserving of being as long as it is. over the course of 1.7 million words of character development, the average reader's reaction to the main characters goes from "sorta interesting" to "okay, i want to see where this goes" to "augh...really likable" to "i am now on hands and knees crying and these characters are going to stick around in my brain forever." wildbow has incredible talent for efficiently conveying complicated, real-feeling, and viscerally evocative characterization. many of the interlude chapters (chapters written from the perspective of different characters other than taylor) are so interesting, fleshed-out, and emotionally affecting that they make you wish you could read an entire novel about just the side character being featured. with that level of characterization for just the side cast, it's not surprising that taylor (& co) are genuinely just downright iconic. and i do not say that lightly--taylor is truly one of the best-written protagonists i've seen in anything. ever.

the other main pitch-point for worm is that it's a fascinating deconstruction/reconstruction/examination of the conceits of the superhero genre. it answers the question of--what would the world have to be like, for people with superpowers to act the way they do in classic cape media? and it does this well enough that it's interesting even if you have only a passing familiarity with cape media. i am not a big superhero media fan, but worm addresses virtually every aspect of cape media that was under the sun around 2010 in a way that's so interesting i still find it incredibly engaging. the approach it takes makes the narrative very accessible even to people who aren't usually cape media fans.

and speaking of the narrative: the end of the story is coherent and satisfying and deeply thematically resonant*. the way worm follows through on all of its main mysteries & plot threads is excellent. you don't have to worry about getting thru 1.7 million words and being dissatisfied by the author shitting the bed at the end, or anything like that. he does an amazing job of weaving together plot events in a way that makes each successive one feel rationally, thematically, and emotionally connected to what came before. there's really only one part where i feel the story stumbles a bit, but i think it was the best option he had for the narrative, and it's by no means a dealbreaker. it's in fact really impressive how cohesive and satisfying worm is for such a long webserial released over such a brief period of time.

*this is subjective ive seen some people who didnt love it but ive never seen anyone who downright Hated it who didnt also demonstrate egregious misunderstanding of literally everything worm is about. so thats a good sign

as for the downsides of worm/things that might put you off:

there is a very long list of trigger warnings for it. if you have any trigger warnings you want you should ask your friends to let you know about the relevant parts, because the fact that it's About Trauma (& about typical cape media circumstances presented very seriously) means that traumatic and violent things & their realistic aftermath are constantly happening and/or being discussed. i would not classify worm as needlessly dark or spiteful to the audience by any means, but it is intense and covers a lot of heavy topics. i do assume if your friends are all recommending it to you, they think none of the material would be too much for you, though!

worm was written in 2010 by a white cishet guy from canada. it's typical levels of 2010-era bigoted, it has a deeply lesbophobic stereotype character, it has some atrociously racist stereotype characters, the author really hates addicts, It's Got Blind Spots. i think worm is generally fully worth reading despite these, but very fair warning that it can get bad. i think what exacerbates this is that worm is generally extremely nuanced & sympathetic regarding ideas such as "crime is a result of systematic circumstance vs people just being inherently evil" and "mentally ill people who are traumatized in unpalatable ways are still deserving of fundamental respect as human beings" and so on and so forth, so it's extra noticeable and insufferable when you get to a topic the author has unexamined biases on and all that nuance drops out. the worst part is that a lot of this is most concentrated in the early arcs, so you have to get through them without being super attached to any of the characters yet. it is worth it though.

worm like. Does have a central straight relationship in it. and it's a very well written straight relationship for the most part and i like it quite a lot. but worm also passes the bechdel test with such flying colors that it enters 'unintentionally homoerotic' territory. which means a lot of people were shipping the main character ms taylor hebert with her female friends while the story was being released. which caused the author to get so mad he 1. posted a word of god to a forum loudly insisting that all of the girls are straight and 2. inserted a few deeply awkward and obvious and out of character scenes where he finds an excuse for the girls to more or less turn to the camera and go "i'm not gay, btw. this is platonic." This is fucking insufferable, and will piss you off immensely, but then you will get to any of the number of deeply emotionally affecting scenes between them, and at that point you will be too busy sniffling piteously and perhaps crytyping an analysis post on tumblr to be mad about all that other shit. also they're only a couple tiny portions out of an entire overall fantastic novel

overall: if those points don't sound like dealbreakers (i hope they aren't they're really massively outstripped by the amount of devastatingly good moments in worm, worm still has a thriving fandom over a decade later for a reason), you should absolutely give it a shot and see what you think. my final note is that you have to read up until the end of arc 8 to really see where what makes worm Worm kicks in, so aim for at least there to see how you feel about it if you're just thinking about dipping your toes in vs fully committing. i hope that was helpful and not too long :)

oh and don't go in the comments section on wordpress if you don't want spoilers. or anywhere else in the fandom at all. you will be spoiled. quite possibly for things you could not even have imagined were topics to be spoiled on.

[mermazing-art]

The real name of the Furious Five 

After the Kung Fu Panda 4 movie I started thinking about what Zhen's first conversations with the Furious Five would be like. I imagined her nervous about making a good impression but fitting quite well with her group dynamic given her mischievous attitude and enjoying their adventures with her, establishing a relationship of trust. Which led me to a thought "Would she, wanting to know them more, ask them what their real names are?"

This theory has been circulating in the fandom for years since it is said that their names actually refer to their fighting styles or their species (as well as Master Ox, Crocodile or Rhino) since those who retain their own name within this discipline are those who have a superior role such as Oogway, Shifu or Po and those who do not have a title such as Zhen or Tai Lung.

Well, I decided to look for a suitable name for each one, one that fit their physique or personality, that was easy to remember and that would distinguish one another, let's go!

Mantis: Xun Yu ( fast jade )

With Mantis I was clear that I didn't want to look for anything that had to do with his size but I did want to highlight his most powerful abilities such as his speed.  That's where his first name, Xun, comes from.  His middle name, Yu (Jade), is because of his green color although this can also mean ''insect'' depending on the kanji with which it is written.  My idea is that Mantis calls himself ''the green lightning'' referring to his real name.

Crane: Zimo ( refined ink )

At first I wanted his name to be related to the sky or the air due to his avian species or his techniques, but it made me think that one of the things that catches my attention about this character is his interest in Chinese calligraphy.  Therefore, I decided to name him Zimo (ink or writing) to reflect his beloved hobby in his name.

Monkey: Wong Sang ( yellow mulberry )

For Monkey, I researched his voice actor, the one and only Jackie Chan, born Chan Kong-Sang. I wanted to take it as a reference by changing the name Kong since it is the name of the Monkey's brother to Wong (yellow), relating it to the color of his fur. I wanted to make a reference to his comic side but I couldn't find a suitable name for the guidelines I had assigned to it.

Viper: Jia Ling ( beautiful tinkle )

As with Monkey, I researched on her voice actress, Lucy Liu, whose full name is Lucy Alexis Liu Yu Ling. I wanted to reflect her charming and sweet personality, so I took the name Ling (tinkerbell) as a reference of the hiss' snake she produces, as well as her happy attitude.  But her first name would be Jia to emphasize the beauty of this character.

Tigress: Xia ( sunrise )

For her, I thought I would delve deeper into her story and her development as a character in order to give her the appropriate name.  This is her story:

When Tigress lived in the orphanage, she received the name Xian ("who lives in seclusion") from the other children perpetuating their contempt and fear of her. When Shifu finally decided to adopt her, after He heard that name many times, almost always accompanied by the word "monster", he asked her what new name she would like. She simply accepted Tigress because she didn't believe she could deserve a name. Shifu pondered and decided to call him Xia. Tigress at first didn't like this idea because it sounded similar to the previous one, but Shifu explained his choice to her. Both names, although similar, did not have the same meaning because now she would no longer be in the darkness, secluded and alone, but rather she had the opportunity for a new life, a path marked by the light that emanated from her, a new sunrise.

So yes, Zhen would ask the furious five their names, giving the situation that Po would find out right then and there about this. Everyone except Tigress would answer this question since for her it is still a very personal matter related to her past and Shifu and she still doesn't feel comfortable sharing it with everyone. Could Tigress talk to a certain panda about this?

[fushiglow]

Hi glo! I saw your reblog(s) about the fics that you can’t wait to write and was wondering if you could tell us a little bit more about what you have in store? I am very excited about the prospect of getting more Over the Threshold, but I’m also interested to know what else you’ve got planned 🩷

Oh dear, anon, I was waiting until I finished ski fic to answer this because you're opening a real can of worms here! I'll link any snippets of WIPs I've posted where available. Remember, you asked, because I am about to go 👏 off 👏

So, for Over the Threshold, obviously I've got chapter 14 coming up! I'd really like to finish the fic this year, but it gains more and more weight as I develop it and progress becomes slower every time I update. Let's see how it goes!

Alongside the main fic, I've got a smutty but sad oneshot with the affectionate working title of "Sad Wank Suguru" coming up before the next chapter, and quite a few little updates to From the Cutting Room Floor, too! There are also one or two more accompanying oneshots to come later in the story. (Plus a 73 Questions "video" for Satoru, and threshold!SatoSugu reading mailman AU that I've been working on for a while, but I don't know if they'll make the cut.)

Aside from that, the next big thing on the list is the second instalment in Star Wars AU (a series-to-be that now has many more parts than I originally planned), which I really want to post on Star Wars Day but... That's a month away at this point. Wish me luck with finishing it in time. I'm so excited by this story!

I'm also writing a second K-pop AU (where they're both idols!) that I am really really excited about. It's shorter than Over the Threshold, but presents a real challenge in terms of narrative style that means I need to write it all before posting the first chapter — which is not how I usually do things! I've been working on this for coming up a year now, but this fic is still a while off. It's probably not a good idea to really sink my teeth into it until I finish the first K-pop AU lmao...

I'm also working on a few non-SatoSugu pieces at the moment — a fun GojoHime K-pop oneshot (you don't want to know how many K-pop AUs I've got), a very soft and sexy SaShiSu oneshot, and an angsty SatoShoko-ish oneshot — and they all make for a really nice change of piece when writing the same characters/dynamic gets a little stale. Other than those, there's more SatoSugu in the form of:

Love Spiral part two ft. angst

Another music AU, this time of the classical variety!

A little Gojo glow up fic

A daddy Satoru counterpart to mommy Suguru

Oxbridge AU! Oxbridge AU!

A canon compliant long-ish fic exploring "reluctant sub Suguru"

Swimming AU!

An alpha/alpha fic with a rugby setting and some heavy worldbuilding

And also some gen fics I've got planned:

A spooky oneshot about baby Suguru developing his technique

A moody fix-it exploring "rōnin" Suguru and Yuta's tense relationship in the wake of JJK 0

Some more instalments to the In His Shadow series

And a whole bunch of other stuff that I haven't developed enough to justify calling them proper WIPs, plus some fics that I don't feel comfortable talking about just yet. I hate that, even with that said, this post is so lengthy! Someone save me from my own ideas!

But seriously, I'm actually a bit overwhelmed by my WIPs recently so, if there's anything here that you're particularly interested in seeing (aside from Over the Threshold, obviously), please do let me know in a comment! That goes for anyone reading this!

Thanks for the question, anon, and I do hope it hasn't made you want to run a mile ♥

[marishmallows]

I think the CK writers were more focused on the action and shock value this season rather than the writing because a lot of it doesn’t make sense or really holds up that much? Like there’s still so many questions left unanswered and I know the final part is coming out next month but I feel like it won’t really answer them that much. Especially not with five 30 minute episodes. I feel like a lot of the depth just went away? Like with Robby, Sam, Miguel, Hawk, Demitri, and even Tory to some extent.

A lot of the character development and previous plots really goes down the drain this season. Since they have already been addressed in previous seasons AND SOLVED. It’s like they keep writing the characters to repeat a lot of mistakes and conflicts they already did.

I know Robby has been off balanced because of what happened with Tory but besides that, all he’s done this season is lose constantly and be bad-mouthed by so many characters. His relationships are just gone completely, no interactions with Kenny. No heart to hearts with Miguel or Johnny or even Daniel at all. He’s just completely on his own for the entirety of part 2.

With Johnny and Daniel, the arguing and fighting. They already know it throws their students off balance and creates an air of tension between them. Yet they do it anyway even though in late season 4 and season 5, they came to an understanding yet they reduce back to their fighting anyways?

With Sam, she is one of the most skilled and balanced fighters with Robby and Miguel. In season 4 and 5, she finally started listening to her own instincts and make her own decisions in both her personal life and karate. Yet now she needs Johnny and Daniel again to help her with discovering what fighting styles to use? She also with Robby, doesn’t do anything this season but serves as a catalyst for other people’s stories which sucks because they’re both supposed to be the captains but we never see them actually be captains. Like what happened to the Sam who took charge in season 3 when Miyagi-Do’s were being bullied? Surely if Miyagi-Do’s were losing in tournaments (some divisions that she was definitely qualified in) I feel that she would step up just like she did in previous seasons.

Miguel is fine for the most part but I do wish he had a better understanding for Robby’s emotions, like I know he was upset about Stanford. But I wish instead of him having that convo with Johnny, I wish he had the convo with Robby himself opening up to Miguel about the whole thing or just Miguel having a better heart to heart with him.

Overall this season has been good so far but not as great as the other seasons in terms of character writing. I feel that season 6 has been more action focused rather than character focused and wrapping up the character’s stories and setting up their endings.

[horse-girl-anthy]

this is gonna be an off the cuff ramble/vent so don't read if that doesn't interest you.

I am thinking I'm going to back away from Ikuhara fandom in the next six months (coinciding with when I finish the rewatches I'm doing in my server). I feel like I've exhausted what I have to say about his shows, and I've also developed a very specific way of understanding them which clashes with others. I'm torn between feeling like it's worth trying to delineate my own understanding and feeling that I'm just being territorial, pedantic, or close minded. at a certain point, even if I could be proved "right" on my interpretations, I'm losing the enjoyment I should have in the stories by caring what other people think about them. at the moment, I'm thinking I want to flesh a couple more ideas and then let it rest. I'll always be grateful to Ikuhara and happy I put time into this blog, but nothing lasts forever.

so all of that to say... I was on the fence about writing what I'm about to write. I recommend people who don't want to read someone objecting to common RGU fan interpretations to just check out now. I'm not trying to start anything. but after reflecting on it, I decided it to share my thoughts on this topic; I think it's worth saying, even if it makes me look contrarian or problematic.

---

I watched RGU in 2014, right as the western fandom was experiencing a shift in how it approached the show. I won't detail all that went on during that time--today I'm specifically interested in two characters: Nanami and Miki.

before, I'd say the fandom was overall less critical. things were taken more at face value. for instance, Nanami was not always taken seriously, while characters like Miki, just because they were "nice," were seen as "good guys." however as time's wore on, there's been a backlash to that way of approaching the show. the characters most likely to have received misogynistic hate in the past (Anthy, Shiori, Nanami, and Kozue, mainly) were reinterpreted, while "good guy" characters were increasingly scrutinized.

that was a good thing, as it was a counterbalance to the previous attitude. however, it's been more than a decade since I joined the fandom, and I still see people talking like it's 2014. the way that people have reinterpreted the anime has, often, not resulted in interesting readings. this is because people are still applying an ideological lens to the story, rather than engaging with how it presents itself.

I specifically want to highlight Nanami in this regard. I check the RGU tag almost every single day, and I have seen scores of posts which are nigh-identical to each other. it's always people talking about how she's a "calf to the slaughter," she's actually a victim, etc. and I just... don't get anything out of it.

I think a lot of this shift began with this essay series called Palace Perspective. it's been a long time since I read it--actually before my Utena renaissance--but I didn't like it at the time. it was written in this very self-serious style, and all I remember it arguing was "Nanami is a victim, Touga is a bad guy." I'd loved the Touga/Nanami relationship since I first watched RGU, and that was never how I felt about it. Touga certainly harms Nanami, but based on the series itself, it seemed to me that in large part, Touga was the victim, and Nanami was harmed by his victimization.

anyway, since around the time that essay series came out, people have had this attitude of "actually Nanami is a very deep character, you guys," as if it needs to be repeated over and over. and there's a denial that Nanami is a comic relief character--"actually her being funny is just a ruse because the show is camouflaging that she's a victim!" okay, yes, they do lure you in to Nanami's story slowly; she's initially silly, but all along hiding under that was some serious shit. I'm not denying that. but I'm also not buying that line entirely.

the Shadow Girls do an entire play about how Nanami's comedic suffering is the result of her own actions (they call it "divine justice"). take episode 16 specifically. yes, we have Nanami dreaming about being a calf for the slaughter. that is a great scene and indicative of the unhealthy relationship between her and Touga. but isn't the crux of the episode that Nanami is making a fool of herself??? she tries to one-up Juri at a party. her failure to realize what the cowbell is highlights her ignorance. the show is absolutely poking fun at her. you can go into why Nanami ended up this way, but I don't understand how we've gotten to the point where people are so over-serious about Nanami--and RGU in general--that they can't laugh at it.

I'll take a detour here to talk about Miki. it's become increasingly popular to frame him as a sexist--I've even seen him termed a "raging misogynist." he gets blamed for his strained relationship with his sister and written off as "just as bad as the other male characters." that's another case where I really don't see it. or at least, I feel like people have lost track of degrees in these things. Miki seems unsure of what he believes, sometimes expressing progressive views but other times regressive ones, and he does act within a patriarchal system. but does he comport himself that badly? or is he just a normal 13-year-old boy who falls into temptation?

I want to make a comparison between him and Nanami here. I think you could make a very real case that Nanami has far more sexist beliefs than Miki. she treats every female character as competition, as a hussy out to steal her brother. when she finds out the truth about Anthy and Akio, she immediately jumps to victim blaming Anthy. and another thing: Nanami plays princess.

the fact that so many people write about Nanami but this aspect of her character is rarely commented on is mind boggling. it's like, her whole thing. Nanami wants to be the center of the universe; Touga is her everything and she wants to possess Touga. she constantly acts the victim and tries to manipulate things so her enemies look like the villain.

I'm not saying this to shit on Nanami! I love Nanami, she's one of my favorite characters of all time! but I've found it alienating to be in a fandom where whitewashing is framed as appreciation. even her backstory: people make post after post about how it wasn't Nanami's fault she killed the cat, because she's a victim. here's the problem with that: why are we engaging with the story on the level of blame? I recently read an essay on methods of analysis that placed "vilification and heroization" as the lowest form of engagement with fiction. I understand why someone would want to defend a character from attack, but aside from like, youtube comments or old forum posts, who exactly is attacking Nanami? and also, how is saying "actually she's a victim so that explains everything" accomplishing anything?

I am being unfair here, because some people do engage with the work enough to say more than that. people will point to the neglect Nanami experienced as the cause of her behavior. that's there, it's certainly there. I'm not objecting to serious attempts to explain character motivation in reaction to vilifiction, but more to the impulse to try to paint characters as morally pure. isn't Nanami so great because she's so complicated? when people approach the story with the drive to whitewash, so much of the nuance and feeling of the work goes unnoticed. episode 31 and 32 do portray Nanami as a victim (of Touga and of her parents and of Akio). however, they also portray Nanami's motivations, and not all of them are pretty. over the course of the arc, you watch her entire worldview fall apart. it doesn't matter whether it's "her fault" she has that worldview--the process is painful and humiliating either way.

all of this carries through to how people react to both Nanami's final scene in the show and her comic relief section in the film. the comic relief scene is bad because it doesn't take Nanami seriously enough, while her final scene is bad because it shows her waiting on Touga and Saionji, which is sexist because she's partaking in traditional gender roles. the only way I can understand those reactions is that people didn't actually pay attention to how she was portrayed in the show, as a comic relief character or as a serious character. I'd understand the objection if Anthy's final scene involved her waiting on Akio, but Anthy and Nanami are different characters (I also don't get much out of the endless Anthy/Nanami posts because of how they are flattened in comparisons). unlike Anthy, Nanami spent the entire show demanding to be waited on, but when we see her for the last time, she's contentedly serving others. that is called character development.

I wanted to highlight Miki and Nanami because I feel they point to a major problem of the fandom: the maintenance of the prince and the princess, just with new definitions. the prince is bad, masculine, harmful, and needs to be rejected. the princess is good, feminine, eternally victimized, and above question. I find this sad because I thought we were supposed to be transcending the gender binary. I know saying this makes me sound anti-feminist, but I'm not. I'm not saying "oh we need to transcend the gender binary by never criticizing men or ignoring how women are victimized"; that would be stupid. but my vision of feminism is vigilantly critical of all things, evaluates each situation on an individual basis, and avoids self-flattery and self-deception.

[galaxymagitech]

1 and 30 for the fic questions!!

Thank you for the ask!!

Fic Writer Ask Game

1. What fic of yours would you recommend to someone who had never read any of your work? (In other words, what do you think is the best introduction to your fics?)

Hmmm. I think it really depends on what you’re there for, because I have two completely different versions of Bruce Wayne living in my head.

fool me thrice is a good introduction to how I write Batfamily dynamics, my characterization of the Batkids, how I develop a plot across scenes, tackle questions in my writing, and write an abusive Bruce Wayne while still maintaining his internal life and not demonizing him. This fic is pretty characteristic of my Bad Parent Bruce Wayne fics, and my writing style in general. If you want to read my Bad Parent Bruce Wayne fics, I’d recommend this as a starting point for how I see things playing out.

Olive Branch, on the other hand, is the introduction I’d recommend for Good/Okay Parent Bruce Wayne. It shows how I deal with misunderstandings, uncertainty, and at least somewhat unreliable narration (which is very common in my fics). Like fool me thrice, it involves extended dialogue and relationship work, but unlike fool me thrice, it is a single scene. In general, the writing style and the way I portray Jason’s internal thoughts vs what he says are a pretty good example of how I normally write.

But honestly, unless it’s in a series, any work is a good starting point I think!

30. Have you ever written something that was out of your comfort zone? If so, what was it, and how did it affect your approach to writing fic thereafter?

I routinely try to push my comfort zone in small ways, such as by trying to write a romance fic or write two characters who I haven’t written interacting before. But I think the second farthest outside my comfort zone I’ve written is actually my most recent multichapter fic, once you cross the line (will you be satisfied?), which is on 2/5 chapters. It’s a TimSteph fic—which is outside my comfort zone due to being romance and not a pairing I’ve read a ton of—but it also contains frank discussions of sex and birth control and on-screen making out. No on-screen sex (I am unwilling to research how people having sex works in practice) but still the only fic that I’ve ever rated M for sexual reasons. I think writing this fic has made me open up a little bit to including more sexual elements in my stories, and it’s also made me think more about tagging practices on AO3.

Surprisingly, the farthest outside my comfort zone I’ve gone was a complete accident. I wrote a fic that was supposed to be dark and kind of messed up, but the first draft fell off the deep end. I decided I couldn’t post it, because I’d unintentionally added subtext. And if I could see that subtext, other people definitively would.

The fic underwent extensive edits. Some of these edits were really, really stupid, such as the Find and Replace incident. In hindsight, I would’ve done it differently, but at the time I was just happy that I brought the fic back into my comfort zone. This story became Graveyard, which doesn’t quite manage to say what I originally intended it to, but at least it doesn’t say anything I didn’t intend it to.

This fic actually did inspire a change in my writing process. Before I write my fics, I now lay out every way I think the fic could be interpreted and decide which interpretation(s) I am okay with and want to explore. And then I develop a plan for how I am going to emphasize the interpretation(s) I intend to emphasize while de-emphasizing alternative ones. Obviously, I can’t control how people view my fics, and people could easily be misinterpreting them. But incorporating this calculus into my writing process at least means I’m not blindsided and can avoid another Graveyard incident that messes up the fic.

This started out in an anxious way, but now it’s more for clarity’s sake. When I write, I have something I want to communicate. Sometimes there’s ambiguity in that, but only specific, intentional ambiguity. But I don’t want to have cracks in my stories (or poems) that lead to validating misinterpretations of my original message. I’m a lot more intentional about what I write now. So overall I think this incident has improved my writing.

[elia-liendy]

Introduction to of my Crob OC

Before I begin to introduce her whit information about her, I want to share my process that lead to her redesign.

Recently I got back into Cookie Run Kingdom, following suit with Cookie Run Ovenbreak and my old hyper fixation on Timekeeper and Croissant Cookie.

Which made me dig old private post on my private Tik Tok and I was my old crob oc and seeing the video I decided to redesign it.

At first it was just for the sake of it, but soon I began to re-write her lore, and that followed suit with getting focused so much on the lore, that I began to want to actually post about it and share it. And now here I am posting on Tumblr, later than Tik Tok as I am less used to Tumblr.

So now, after this, I can begin to Introduce her to you:

The name is Khora cookie, she is a Cookie that suddenly appeared in Croissant Cookie words and whit she made her permanence in her life.

She is paired romantically with Croissant Cookie and consequently with Timekeeper Cookie too, but I plan to interact with all TBD Characters and develo interesting relationships between them, but personally I'm mostly interested in her relationship with Croissant, Timekeeper and String gummy Cookie.

The reason for making 4 character sheets of the same cookie are simply meaning her differences forms she takes:

The first one is the "Amnesia" form, which is connected to the fact that Khora Cookies deals with a terrible Memory loss, which also makes her forget her own identity.

The second one is her normal self.

The third one is her form when she uses her powers or when she is able to remember something connected to her.

And the last form is very close to her pet for a reason, because her pet is also herself at the same time as it's the pet.

Her names comes from Ancient Greek "χώρα" (Khôra, or Chora), this term means:

"the space that gives a place for being."

This term has been used on philosophies of Plato to describe a formless interval, similar to a place of "non-being"; A interval in between the where the intelligible realm that holds the "forms" gets "copied" into the sensible realm.

But what struck me the most, to rename her Khora was this quote of John Capito describing Khôra as:

"neither present nor absent, active or passive, the good nor evil, living nor nonliving - but rather atheological and nonhuman - khôra is not even a receptacle. Khôra has no meaning or essence, no identity to fall back upon. She/it receives all without becoming anything, which is why she/it can become the subject of neither a philosopheme nor mytheme. In short, the khôra is tout autre [fully other], very."

Describing Khôra as a "place that at times appears to be neither this or that and at times appears to be both this and that."

(this information is on Wikipedia)

The reasons why I chose this name are strictly connected to her lore, which at the moment I'm writing this is still under development and I prefer yet to disclose something that could ruin the enjoyment when I will post about the story.

Other than the fact it's just a pretty sounding name in my option.

Her precedent name was "Kairos" which is also a term from Ancient Greek, but it means "time", more precisely "the right/critical moment."

Her Clothes and Hair are inspired by Art Neavou Building and arts iconic style, but still taking a lot of creative action by making the clothes more modern looking that the fashion of Art Neavou time period and the steam punk look of the TDB, as I wanted her to clash with the characters design.

The reason for her blue colours is just to homage the original design, in fact the eye and hair colour were swapped.

As for the magenta on the dress is because scientifically Magenta is a colour that doesn't exist which is just a light connection with the meaning of her name.

Well if you reached to read this, I wanna thank your attention and I hope I did catch your interest.

Have a nice day/night.

___________________________________

There is also a video on tik tok (press here if you want it to see), but honestly it has a lot less information than this post, just because I didn't want to overwhelm the video with information, since tik Tok is a short content social media.

Depending on how I want, I will see if the type of content is more suited for Tumblr or Tik Tok, but regardless I plan to post content on both, be repost or singular social media.

[shadowtraveled]

would love to know your thoughts on rinsha dunmeshi. or on rin and kabru :-)

OH!! i love rin honestly lightning damage and unaffiliated spellcasters will get me every time.

i would have loved to see more of her, but i do really enjoy kui's style of storytelling where she gives us the information about a character that will tell us exactly what she wants us to know. it reminds me of the way someone described suzanne collins' writing as surgically precise—she has more information about characters and the world, but she included what would get her story across most effectively. kui gives off a similar impression, and i think rin is a good example of that.

sorry readmore because that was getting long already.

rin's backstory is really interesting to me because it helps us to extrapolate so much more about the world and the other characters in it.

for what it's worth, i don't think it's terribly likely that her parents were practicing ancient magic. they were immigrants of a visibly different ethnicity, though, and they were magic users, which othered them doubly in the northern continent, and that otherness cost them their lives. this is sort of a running theme in dungeon meshi overall ofc, but i think a lot of discussion surrounding dungeon meshi discrimination focuses on the elves. which is fair, since they seem to be the most significant world power and they're weird race elitists as elves in fantasy frequently are, but the story does not want us to forget that discrimination is complex and so is otherness. tallmen may not be respected by long-lived races, but in communities where they do have power, they're still perfectly capable of leveraging it against others. they seem to have a particular bias against magic, but really anything people deem weird or creepy is enough to land you in trouble: laios faced constant rejection and, in some cases, severe harassment just for being autistic; kabru's eye color was enough to push his mother to the fringes of society and get her accused of witchcraft, suggesting that "weird or creepy" is regularly conflated with "magic" in tallman societies; and falin's affinity for magic led to her isolation and ostracism as her mother frantically tried to suppress it. rin's parents, meanwhile, were outright executed. the nature of these reactions to anything unfamiliar or non-standard are definitely meant to convey something about tallman societies in the world, but i think rin and kabru's situations specifically lend some explanation as to why falin is so forgiving of her parents. they didn't really know what to do with her, and some of the things they did to her were harmful, but she seems to see them as trying their best to protect her, perhaps because she knows the emergence of her magic could have put her in immediate physical danger but didn't.

with that being said, i'm surprised rin doesn't have more of an aversion to tallmen, but maybe kabru made enough of an impression on her that she developed some hope for them.

her dislike of elves, meanwhile, is entirely understandable—her interactions with them seem to be framed as emblematic of how they treat short-lived races in a way we don't really see with the others. milsiril objectifies short-lived races but does seem to... kind of care, otta fetishizes them but seems to... kind of care, mithrun's squad only get to be patronizing for a bit before it becomes apparent they bit off way more than they could chew, and mithrun isn't invested in these designations anymore. but the elves that found rin treated her like evidence, then like a toy, and then they got bored and ignored her, and then she was evidence again, and then she got adopted out to elves who kept her like they would a pet. miserable fucking experience, and a very thorough and efficient way of expressing just how little the elves are socialized to consider the humanity of the other races.

as for her relationship with kabru... i'm glad they had each other around. it's impossible to be surprised that she latched onto him in her circumstances, and i think it's sweet that she was the one he stuck with (despite the implication that milsiril was raising other children alongside him that he ostensibly would have spent more time with).

i also love how apparent their closeness is! rin gravitates to kabru, and if i'm remembering right, most of the time she speaks it's to him. that immediately established to me that she is uniquely comfortable with him, and interestingly it goes both ways! it's less apparent with kabru, because he's a lot more social than she is, but vitally, he lets the mask slip with her. she's the only character he goes out of his way to tease, and sometimes he takes it a little bit into "alright that was kind of mean" territory, which sucks of him but is kind of the point. kabru's interactions with rin are the earliest ones where we see him fuck up or be a little bit of an asshole, and that's almost certainly because she is a person he feels comfortable enough with to not try to game every conversation. kabru being a little bit of a bitch is the first time we see him not trying to be charismatic. and she gives it RIGHT BACK lmfao it really conveys the feeling that these two are kind of "safe people" for each other, even if they're bantering a little meanly. very charming, top-tier childhood friend dynamic, no notes.

editing to add:

^ YEAH THIS IS IT thank you @gerrykeay i think this really captures the spirit of her revulsion with regard to things like magic school (and its graduates), etc... she seems to think of magic school as this sort of lofty opportunity only people with a certain level of social standing are able to access (which seems to hold a level of truth) and reject it on the basis that something like that is fundamentally incompatible with who she is as a person, and that's probably the same reason she remains unaffiliated despite knowing practicing magic without organization ties is potentially dangerous for her. these systems rejected and failed her family and her, so she rejects them in kind.... god i'm so obsessed with the way practically every character has a main character backstory and motivations this really is like a ttrpg lol

[on-a-lucky-tide]

Curious what you'd say about Soap for the character ask game. You haven't really spoken about him as much as the others so I'm curious :O (id love to hear about every single character tho i wont lie to you but i have a feeling you'll get asked about those lol)

@nekrosmos asked for Soap too.

Honestly? There is unfortunately a reason. I lingered around fandom for a good few months before I got involved at all. I saw some behaviour from his fanbase that I didn't like and so I made the conscious choice that he's not a character I'd probably be creating much for. I love the art, happy to support creators, etc. Besides, there are so many delicious, delicious rarepairs to love and create for and plenty of gallant, productive, devoted Ghoapers.

He's quite compelling though, and I've got quite a few thoughts and headcanons, and I'm happy to write prompts with him. A few friends on Discord really love him and I like to create for them too, cause happy friends give me the fuzzies. So, you know, a story idea might grip me by the balls and I'll wack out a long form thing.

favorite thing about them

His journals.

Reading those finally gave me a connection with his character that I hadn't developed previously. But they really show how driven he is, how much he wants to be the best he can be, so he's not a burden, so he doesn't let anyone down. He's constantly striving to earn his place to the point that it kills him in the end.

I think he genuinely struggles with wanting to be liked (as part of 'earning his place'), and I think he is often too much for people. Ghost giving back as good as he gets is a comfortable relationship because the line for Ghost is way, way in the distance; Johnny doesn't have to worry like he does with 'normal' people. Neither of them is fuckin' normal.

Price giving him a chance would have been the first step towards the hero-style worship he has for him. "What? Me? Ye want... me? Aye, aye I will be the best fuckin' dog ye ever had, I will bite my own leg off for ye." Everything Soap does is to prove that Price didn't make a mistake. That he was a good investment. And Price, the sly fucker, knows it. He sees himself there.

least favorite thing about them

I wish they had given him a stronger accent and leaned more into that in the games. In fact, I wish that for all of them.

I also think that Soap has capacity to cause great harm without even realising it. Like, we get glimpses of it; he's nearly court-martialled for punching out a copper. In his single-minded pursuit of something, I reckon there could be a lot of collateral damage.

He lacks confidence but will cover it up by being an arsehole and doing arsehole things (such as smuggling a girl on base to impress The Guys). I say I like "least favourite"; I think this makes him compelling as a character. He's not all sunshine and rainbows. He's just as gritty, professional and flawed as the rest of 'em.

favorite line

"You sick bastard..."

"My kingdom for a suppressor..."

"Price?... This belongs to you, sir."

brOTP

Gaz & Soap

OTP

Uh... none really. Ghost/Soap?

nOTP

Don't have any strong feelings on any.

random headcanon

He's really bad at team sport. He showed no interest in any when he was growing up. Gym? Running? Swimming? Anything where the only competition is himself and his own limits? That's where Soap's head is.

unpopular opinion

Honestly? I don't know which of my opinions would be unpopular. Probably the 'not sunshine and rainbows' one, maybe?

song i associate with them

favorite picture of them

[heretherebedork]

You might want to not tag this one, but I gotta get it out for TH/K writing.

For me, personally, I think the contrast of having such well written characters against not so rounded ones is what undersells them more.

Both Style and Fadel are really well thought, written, and consistent through and throughout, but Kant and Bison? They have their moments, but there's something within them that feels a bit empty. They're compelling characters but only in theory, in practice... I'm not sure what is exactly what they're lacking, but it feels as if they're just written for moments, for scenes between them, but they're just not well developed by themselves.

I'm finding myself enjoying much more the interpretations and afterthoughts the fandom has about them than they themselves, especially with Kant, who's peak of interest for me was at the water boat bit and then it just went nowhere. Well

Ah, welcome to the no tags zone, anon! I will keep this in that area and I respect you for it because I agree.

Kant is, for me, the bigger problem. He feels hollow. His 'fake' love feels the same as his real love and that really removes a lot of the... feelings... in the relationship. We saw Style change as he started to care for Fadel and we saw his momentary fear and then how he got over it and saw every aspect of his love for him as well as how he regained his trust after the betrayal.

But with Kant it's just all been... words. Words, words, words and none of them actually deep or meaningful. None of them feel meaningful. He's just... also there.

I think they made Kant too perfect.

He was a car thief but only for his brother!!! And he was a snitch but only to save his brother!!! The guy who calls him an asshole? Lying!!! He was really the NICEST GUY EVER. And then that just leaves with Kant the Actual Angel who only did anything wrong because he just loved his baby brother SO MUCH that he also said he was gonna abandon him the instant he got out of high school but, you know, that's... that's okay I guess?

He just doesn't feel like a whole, entire character. He feels like someone wrote out the parts of a character they thought mattered to the romance and then just... stopped. He's a really cool tattoo artist who used to steal cars because he had to take care of his little brother and now he's gonna snitch on this hitman and pretend to love him but OOOOO turns out not to be fake!

But there's no depth to any of it. It's all so shallow. The depth is what we give it but the show isn't giving us any of it. The show is as deep as the water Kant reached when he was still experiencing his phobia while we're trying to make it as deep as he reached thirty seconds later when he was suddenly and inexplicably cured of it.

AND because Kant is a Perfect Character who can Do No Wrong he brings down the people around him. And Bison is more complex and multi-faceted but because he has to be played entirely with Kant his depth ends up unable to actually be explored in the relationship because Kant doesn't have the same depth.

It's why, frankly, I found his scene with Fadel and forgiveness to never quite go as far as I needed it to go.

Then again, I still don't trust Kant. I know I have and the show doesn't care but he still feels like he's lying to me. Like, he doesn't feel sincere to me because I feel like he never changed from the part of the story where he was supposedly 'faking' his love.

(Also, fuck the idea that bringing back the safeword in the kidnapping is actually bringing back the BDSM or a good callback because it wasn't, it wasn't deep, it was a callback that didn't make a lot of sense in context and didn't go anywhere in the actual story and apparently that was also all it took to make no more BDSM for Bison, I guess?!?!?!)

Anyway, I love Fadel and Style and they make me very happy and Kant and Bison are also there. I'm more invested in Keen and Nont at this point and Nont is probably, like, tied up under the place Fadel was crying.

But yes, anon. I fully agree that Kant is underdeveloped and I think that underdevelopment has spread to Bison and I think it's weakened them as characters to the point that they cannot carry the plot or the romance... at least for me.

[expanding-hyrule]

Guarding Zelda by @railtracer30

Modern AU | Varies by work | AO3 | Ongoing

Synopsis: Zelda Ororo is a young half-Gerudo political activist, recently drawn into a campaign of her own to run for Junior Minister of Greater Hyrule. Ser Link du Trac is the elite Guardsman Special Class assigned by several pulled strings of her captain of industry father to watch her while she steps into the greater cultural spotlight. Along for the ride is the Gerudo chauffeuse Tali, with snark and bite to share. As Zelda continues on her political campaign to open Greater Hyrule's diverse populace to her radical ideals, danger rears up as it is wont to on the political trail.

Content Warnings: Sexual Harassment

------------------------------------------------------------------------------

Guarding Zelda is a bodyguard AU, but it immediately caught my attention because the writing style is so unique. The story is told in snapshots and you gather information while you explore the world. It takes third person limited pov 100% seriously, so you don't get info dumps about backstory or anything like that, no, you know what goes through the characters' heads and nothing more. It needs a lot of skill to pull this way of story telling off and RailtracR30 delivers with witty dialogue and a love to the details. Definitely worth a shot if you feel like reading something fresh! - ZeldaElmo

A fantastic modern AU with a healthy blend of classic Zelda flavor with the twist of modernity. Right now, a bite-sized snack following a delightful duo, but with the promise of a full meal right around the corner. This will absolutely leave you hungry for more! - amelias-hart

This AU is a series of connected one-shots set in a modern day AU where Link is Zelda’s bodyguard. The stories go from charming to dramatic, and throughout is a developing rocky relationship between two imperfect but very endearing protagonists that just makes you want to see what happens next. Sometimes sheer delight, sometimes tense and dramatic, each story is absolutely worth a read. - Karama9

In this modern imagining of Hyrule with its luxury coffee and smartly tailored suits, Princess Zelda struggles to reconcile her sense of duty with the forbidden feelings growing between her and her sworn protector, Link. As a looming sense of foreboding shines light on buried secrets and emerging threats, Zelda’s desire for the one man she knows she shouldn’t have sets off a reckoning where questions of power and agency can no longer be ignored. A sophisticated story of tender hearts trying to reconcile loyalty and longing, and a skillfully rendered testament to Link and Zelda’s complicated affections resonating in every version of Hyrule. - Hatenohouse

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You can find @railtracer30 at AO3.

[blackstarchanx3new]

Creations AU, But I obnoxiously over explain it PT 12

Pages 331-360

Art continues to deteriorate my art style looks goofy as hell but we're on the final stretch I CAN FEEL IT IN MAH BONES AII AAIII AAAHHH-

*Wrote this forever ago btw. lmfao

Funtime Foxy makes his grand appearance.

I continued to find it hilarious I had zero ideas for Foxy considering he's such a fan favorite but Funtime Foxy I had ideas for.

Foxy that's harassment.

Under usual circumstances I think they're pretty friendly but obviously Freddy's harboring a person in his stomach rn so...Not good. XD

Shinji toilet pose aside, Funtime Freddy being relatable is what I ended up going with for this "Rewrite" in the script. People liked Funtime Freddy's relatability so I ended up choosing that in this segment over him being a threatening antagonist.

Was that a good choice? idk.

If you're wondering:

The original concept was that due to Funtime Freddy's stubbornness and general anxiety, he was the ONE robot Mike couldn't logic talk his way around.

Ended up going with this route of Mike's usual adaptability to switching to soothing Freddy to get him to do what he wants.

Because Creation's Mike's biggest character trait is being a manipulator X'D

Which I can't remember if I've touched on this before buuuut:

Thematically Mike and William having the character traits of "manipulator" is intentional.

Like Mike and William in general are written to have a LOT of parallels.

Both are ill as fuck mentally, Mike just copes with it better.

Mike has support systems to keep him from becoming anything like William.

Mike has the ability to confront things WAAAY better than William.

Mike and William both have shitty relationships with their parents.

They even kinda LOOK similar. (In a VERY early draft I vaguely remember considering Mike to be one of William's kids but this was dropped so early in development but Mike having a shitty father was smth that stayed as a concept through to the final.)

Point is: They're alike. And that's fun to see how exactly our protagonist Mikey boy is compared to William as more scenes with William happen. He's not nearly focused on as much in the FNAF 1 arc but I plan to show him more in other comics eventually. Like Spring Bonnie's friends.

Oh hey color is back.

Mike contemplates what to do moving forward considering Funtime Freddy can't move forward.

Mike NOOOOO.

Flaaaaaashback.

Pep talk from Mike.

Funtime Freddy wanting to avoid Michael.

For some reason.

Michael being sus.

Well, he got dunked on.

IT WAS A LONG TIME COMING. THE REVEAL BABYYYYYY.

Alright let's talk quickly about the reveal shit and all of it leading to this: Michael's design was a huge give away. He's had the face plate design on his face since his first appearance. He's been very obviously a Sister Location inspired robot. Robots made by William Afton.

He and Sammy are the only two people with unrealistic eye colors.

Michael's eyes were often drawn glowing.

Michael's backstory just didn't make any sense if you looked at it hard enough. (This is because he's not a real person)

His "Death" at the hands of mangle show he could get impaled in the stomach and live. Because he's a robot.

And why?

Why did the story take this narrative route: I just wanted to make a robot character that seemed human better than Charlie from the trilogy.

Logic wise she makes no sense and I wanted to write a robot that pretends to be human with more logic behind it. (...Yes fnaf is insane but I do like a level of logic to the stories...otherwise it's just gets silly and outlandish and not in a fun way. ESPECIALLY if you have a twist/reveal...Like those are only impactful in a satisfying way if there's LOGIC behind it)

FSR, out of EVERY bullshit thing in FNAF. Charlie being a robot pisses me off the most. X'D

Originally: Michael was meant to run around in a female Spring Bonnie suit and a reveal was that HE WAS this Spring Bonnie character. (I would still like to do this somewhere down the line possibly without the reveal. X"D) His name was also "Dave" at one point. He was a red haring for the killer back when I first started writing the plot of this comic.

This character evolved into William's weird robot son in a lowkey call back to the stupid af "Mikebot" theory. X'D

SO Michael's entire existence in this comic is "Shit I hated the fandom's/the book's take on, done in a way I enjoy"

Yeah Mike, Michael's your friend.

All of Michael's actions do speak to a level of him caring about Mike's safety and friendship.

I'll let Michael monologue but man I just. Love MIchael so much in this comic. X'D

He's not a good person by any stretch. He's sat idly by while his father MURDERED PEOPLE for his creation.

Also: This comic's name "Creations".

Michael is the creation.

*Dabs* This is so stupid. XD

But yeah Michael: That sweet persona he slaps on is a mask. He's a jaded, kind of evil person. HE IS Afton's children. None of them were good people either.

Like cody: he's too much of a coward to face his father.

Like Josh: He's an asshole

and Like how Elizabeth became: he's a manipulator.

Michael's awful and I love him.

He's also very tragic for the reason he is an entity in perpetual agony and emotionally (And honestly physically due to how he describes the process of Afton creating him) abused by his father.

He feels powerless to change things but wants too, exerts control over characters he KNOWS he can like the funtime animatronics and does so due to being powerless in other fields of his life.

He slaps on a mask of this friendly ignorant facade of the owner's sheltered son so people will like, trust and want to be friends because he's a lonely person who can only make friends with his father's OTHER victims who are trapped inside the suits/animatronics. (Since as I stated Michael IS a victim in this too)

Bonnie even seems to KNOW he's a victim considering Michael's talk with Bonnie way earlier in the comic.

But this mask cracks around Mike because Mike is in a lot of ways JUST like Michael.

Abused by their family, powerless, putting on facades and masks and at the end of the day just want others to connect with them and to change horrible circumstances.

We reached the image limit but I love these characters so much. 💙💜

*And talking form 10/11/2024 now: I have a desire to finish this ARC of the story! So stay tuned and hopefully i stay motivated!

[kristabelles]

Would anyone be interested in reading a character-inserted/self-inserted fanfic featuring Spider-Man, Loki, Kraven, and possibly Daredevil?

Featuring Alex Turner from the Arctic Monkeys and a face claim of John Krasinski and Aaron-Taylor Johnson?

I know I haven't posted in a while on anything, but I've been working on my writing again and I thought about sharing this one as it truly has been one of my favorite Spider-Man fanfics that I've created. I spent numerous drafts playing with different concepts before I found one that really worked for me and what I wanted to do with Spider-Man and Loki.

The writing style is also something I have not done before. I've done reader inserts/self-inserts/character-inserts but this is one that includes views outside of yourself, so you can feel the tension building between Peter and others. It also includes Peter's POV at some points and other's POV as they become relevant to the story.

It's also a combination of the MCU and the PlayStation Spider-Man universe as I've used some lore and side characters from the game to help create a well rounded world that is not as narrow as the current MCU Spider-Man.

Below are some proofs of how long ago I created it and how long the current edition of it is.

It's about 12 chapters currently but I want to work on rewriting some parts of them before I post them. I would probably be posting them on Ao3 instead of here. This is my profile: https://archiveofourown.org/users/kristykissy

If you're curious about the essence of the plot: The reader has been friends with Peter Parker since the beginning of their time at ESU. The reader is in a relationship with Alex Turner, whom Peter Parker dislikes. At some point, the reader develops powers that are awakened during a life-threatening situation with Spider-Man, tangling her into a messy web with Kraven, Loki, and an original character villain who all want to wield the reader's powers for their own agendas.

The story is inspired by my long love for Peter Parker and Spider-Man since childhood and my spiritual awakening that happened after my father's passing.

If you've ever wanted to be Peter Parker's main squeeze, while also being wanted by Loki, and saved by Spider-Man then this would be for you.

Respond to this post if you're interested! I may post this regardless if I get any feedback <3.

[howlingday]

Alright so I sent Weiss might as well send the protags bio jaune Ruby so here's her bio for RWBY: fate

Ruby Perrault Rose

Age: 16-18

Sex: female

Aura color: red

Semblance: “rose ricochet”. Ruby has the ability of transforming into a cascade of rose petals and achieve speeds up to mock 2- though it is more draining on her aura the faster she goes. She can also shift in and out of this form while still in motion, for any normal person this is extremely stupid because you'll be hurtling without the safety of being a cascade of rose petals, which only transform back to you after you stop moving, but we will later see how Ruby has mastered her semblance up to this point.

Weapon: crescent rose (a weapon of her own design made with the aid of her uncle Qrow, which can shift between combat scythe and a high impact sniper rifle.)

Background: Ruby is very much confident in who she is at the start of the story. She is Ruby Rose, a rather decent huntress to be (she says she's a prodigy whenever she feels like being cocky. Though she only does so on rare occasions.. usually when her sister isn't around to tease her) and someone who is dead set on becoming a huntress just like her mother, father, uncle, and soon her sister. She has managed to understand her semblance up to a point where she can shift in and out and use that time frame between shifts for her fighting style. However her confidence will eventually be shaken over and over again until she must build herself back up as not a huntress, but a true hero, and in all of that she as well must learn how to control her new found power in her silver eyes. Yet beneath it all, deep in her very soul, there is a.. very painful feeling of not being enough, even at the start and this is due to he relationship with her mother, while barely remembering her time with her mother she still feels the impact her mother left, on her father, on her sister, even her uncle but Ruby doesn't fully know how to feel. And hearing how much her father and sister miss her mother.. Ruby soon felt as if she was just.. a reminder of what was.

This is the one case where I actually difficulty writing her bio because I didn't know how to approach it, especially since Ruby's character feels like it should be somewhat centered around how she feels about her mothers death but- eh, let me know your thoughts whenever

Back at it again with the Krispiest of Kreams...

Starting off, Ruby's semblance change had me concerned at first, but I see that it's simply just a slight change without it being anything drastic. Rather than it being her molecules splitting (which would have been super awesome if it developed into her splitting OTHER molecules apart, but I digress), Ruby just goes really fast, up to Mach 2, which if you kids didn't know, means she can break the sound barrier TWICE. Speedsters are always fun... Except when it's A-Train. ALSO, glad we kept Ruby's weapon. I've seen way too many people piss and moan about it being impractical, and I'm glad we're sticking to our guns (it's also a scythe) on this.

Jaune: Wow, Ruby! That was so cool~! Ruby: Well, I AM something of a prodigy~! Yang: The same prodigy that slept in my bed with me until she was 13? Ruby: YOU WERE THE ONE WHO WANTED TO WATCH KILLER KLOWNS~!

Oh... That's some GOOD angst right there! Kinda giving me the inspiratios...

As for writing Ruby's thoughts on her mother's death, I understand your frustration. The only way a person can really understand the pain of losing their parent, and NOT have them be a shitty parent, is by losing a loving parent. I'm grateful to not have gone through something like that, (KNOCK! ON! WOOD!), but the idea of talking to someone about it seems so... rude. To just ask someone to relive the worst experience of their life? I'm not sure, to be honest.