#writing self-expression
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kb5jbv-blog · 3 months ago
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The Evolution of Sci-Fi: From Page to Screen
Science fiction has long been a mirror held up to society’s hopes, fears, and wildest imaginings. From the earliest speculative novels to today’s CGI-laden blockbusters, sci-fi has evolved across mediums—but the genre’s core remains the same: to explore the unknown, question reality, and push the boundaries of possibility. In this post, we’ll dive into the rich history of sci-fi’s journey from…
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bishy437 · 1 year ago
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he won
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kastalani123 · 5 months ago
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Not my usual content, but I just. I wanna ramble, ig.
Do you understand how baffled I was about how the vampire book, written by a man in 1897, is essentially a PSA about how important proper communication is?? Even after I scrolled through Tumblr, saw the memes, read people geeking out about the relationships (platonic and romantic) in Dracula, I was still caught off guard, because. Like. Everything in this book is about communication.
Sure, it's kind of a given, considering it's an epistolary novel partially made up of letters between the characters, but. I dunno. From Dracula controlling Johnathan's lettres, van Hellsing refusing to tell anyone shit, the men keeping Mina out of the loop, to Mina using her telepathic link with Dracula, it's. It's literally all about how important actually talking to each other and sharing information is. Fuck, throw in the fact that "Harker", Mina and Jonathan's, arguably the main characters, last name means "to listen"/"eavesdropper", and that the book is Mina's in-universe creation to help compile, organize, and share what they know about Dracula, and the book's very essence becomes centered around information-sharing!
And I just. The narrative punishes just about every secret hidden, every time the characters don't communicate. There's the obvious, Dracula keeping Johnathan from sending out letters for help and Mina getting bitten because the men leave her home alone, but also. Van Hellsing not telling Lucy's mom that the garlic flowers and closed windows and so on are the treatment and she is not to touch them is what kills Lucy and her mom! They maybe could have survived if he just told them what's happening/what he's doing! And even the godsdamned telegram he sends to Seward! If he had just addressed it properly (communicated to the telegram boy properly!) then Seward wouldn't have been late and maybe could have prevented the massacre!
There's also Jonathan's diary right after he finally reunites with Mina, and obviously Mina's whole ✨ thing ✨ with the diary during their wedding is like. Peak romance, but Johnathan doesn't fully get better until Mina reads and shares it with van Hellsing and van Hellsing assures Johnathan that he's not insane. Sure, it's an oversimplification of PTSD and healing and such, but it makes sense, especially if you consider communication and information sharing as a major theme! Only sharing his experiences, reading through them himself after blocking off the memories, is what heals him! He cannot get better without knowing what happened, and without others knowing what happened, because knowing and sharing is important.
Renfield's also an interesting case. I don't have the book with me right now to check, but as far as I remember, he tries to talk about Dracula, tries to get Seward to release him from the asylum so Dracula can't use him against Mina, but is dismissed entirely; as a consequence, Dracula gets in the building, kills Renfield, and bites Mina.
Even the language barriers! The villagers Johnathan meets on his way to Dracula's castle try so hard to warn him of the danger but they can't. They can't, because they don't speak enough of the same language, but they try so hard. But whatever does get through to Johnathan, such as that woman begging him to take the crucifix she gives him — that might've saved him. It keeps him unsettled and wary and he does keep the crucifix, which wards Dracula off. They can't communicate the full extent of the danger, but what they managed is probably responsible for him surviving.
And the whole idea is even mentioned in-text! Sure, Lucy saying that a wife ought to share everything she knows with her husband is definitely sexism-flavoured, but Johnathan says it too! He says that his idea of an ideal marriage is one without secrets! And Johnathan is effeminate, yes, he spends a good chunk of the book as the "damsel in distress", but he is still the hero! He is still the one who kills Dracula (with Quincey), and can therefore be assumed to be an intended role model. The (male) main character and hero of an 1897 novel says that a good relationship relies on communication. Sure, he doesn't always stick to it, mostly by agreeing to keep Mina out of the loop when van Hellsing pushes for it, but that doesn't discount that that is what Stoker set as the ideal.
I just. I love this book so much. It subverted just about all expectations I might've had about it and I'm so glad for it. It's undeniably a product of its time, with plenty of racism and sexism and ableism, but it's also so. Not, at the same time? It's so good.
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I shall love you for all eternity. So rest assured, you will never be forgotten, unloved or alone, for I am here at your side or from afar until the end of time.
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tofubutter27 · 5 months ago
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Sometimes the best thing to do is to look at the sky and think of nothing.
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r-biter · 4 months ago
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I enoy bisexual!sqq for a lot of reasons (allows for 'bingqiu love each other in every universe' to be incredibly literal, allows for sqq to have a straight -> gay -> bi identity journey, etc) but one of the main ones is the implication that sqq is totally capable and in fact often finds women attractive, its just thay his insane relationship with gender in general and gender in pidw specifically makes the way he expresses it absolutely incomprehenisble to anyone but himself. Like, even if he didn't think every hot woman (to him specifically i need to point out) was a 'potential wife' and therefore off limits i think hed fundamentally think basically every attempt at flirting would come off as harassment because hes both not confident in his flirting capability but also because he views himself as the 'scum villain' and assumes this means every woman would find him a little repulsive.
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toudan · 6 months ago
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The Hand That Feeds
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“If being with me only brings you pain, then just put up with this for three more days.” Or, the stages you go through during those three days.
PAIRING.⠀Xia Yizhou | Caleb x Reader
CONTENT.⠀female reader | spoilers for Caleb's story | angst, brief manipulation, drugging is briefly mentioned, implied toxic behaviour (per canon), medical issues (source: i made it up), mental instability, mentions of blood and violence, mentions of suicide and self-sabotage, splitting (reader has BPD), unreliable narrator. | ~6,8k words
A/N.⠀sooooooooo I've been playing Love and Deepspace..... the brainrot got so bad I've written over five thousand words in two days. this is a bit more of an exploration on the emotional/psychological end, so I'm sorry about the lack of romance!
available on AO3 | reblogs and comments are always appreciated!
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1. DENIAL
Caleb never breaks his promises.
It’s been that way since you were little kids. In thunderstorms, he promised to keep you safe, and he did. On gloomy days, he promised to be your light, and he did. In the rain, he promised to shield you, and he did. He never lies. He always picks up the phone. He never misses any important dates. He always catches you and never lets you fall. That was the Caleb you knew years ago.
Now, he’s much more different than the scrappy young boy with missing teeth and plasters on his skin that he used to be. This Caleb is tall, imposing, domineering. His uniform puts emphasis on his coldness. He is the embodiment of power, but just like he promised you when you were ten, he’d use his power to protect you. You’d trust him with your life, because deep down, you know that he won’t make you regret it.
You’re more than capable of protecting yourself. Years of training at the academy and another handful of years as a hunter has shaped you to be your own defence. Calluses and scars litter your skin, painting them with texture and molding you into a unique sculpture. With each year that passes, you grow out of the same scared little girl you used to be, but you can never get rid of fear completely. Loud noises still send you jumping out of your skin. You still fear death no matter how familiar it’s become. You worry about growing old and fading out of existence, leaving behind vulnerable people who’ll lose you for good.
The past years have not been kind. Fate has put you in all sorts of situations to test your might and willpower, forcing you to be the fearless woman you were meant to be. You’ve passed turbulent times, cried alone as your mind tells you you’re going insane. You’ve stayed at home for days, hiding away from the rest of the world as you contemplate your self-worth and utility. It drains you, bleeds you dry, but for you, there is no time to rest. Life goes on. You must always keep moving no matter how wounded you become.
With Caleb, it doesn’t feel like it has to be that way.
He’s always taken care of you very well, making sure you get enough rest and remember to eat no matter how stressed you become, but things aren’t the same. You’ve grown and so has he. And yet, he’s still the very same boy you grew up with—one who cares for you, one who loves you for you, and one who’ll always have your back. You’re not familiar with giving yourself a break, having been living in a routine of discipline for over a decade of your life, but you find that it’s a nice change. It’s the instrumental break of a song, it’s the beach on a sunny day. It’s gentle breezes caressing your skin and it’s layers of padlocks broken, letting you out of the cage you’ve built for yourself.
For once, you can let yourself relax and be taken care of the way you’ve always been. But as the storm rages on, it all comes crashing down, and you find yourself falling apart.
The anxiety that had come with your initial arrival at Skyhaven never left. It simmers at the pit of your stomach, creeps into your veins and wraps its tendrils around you, dragging you into a cold abyss of apprehension and fear. Being away from Linkon City isn’t doing you any favours. You don’t know anyone here aside from Caleb. There isn’t a place to go or people to talk to. The likelihood of you being in danger is low, but it’s not impossible, and the storm outside does nothing to help your current state. The power has gone out, leaving you in a wide, dark and empty complex where the only illumination comes from the lights on the skyline. 
The recent events are still heavy on your mind, too. Of him tending to the gash on your leg, of him restraining you with his Evol. You don’t think you’ve been that scared since that day in the interrogation room. You remember it vividly: the dimness of that room, the collar he’d placed upon your neck, or the tension in the air while you struggled to get yourself back to reality. It felt like you were in a dream. But then the lights came on and he spoke, and he was no longer the Farspace Fleet Colonel—he was your Caleb.
Your nails have become brittle from how much you’ve been biting on them. You’ve been pacing around the place, trying to call him time and time again only to get no response. With a frustrated sob, you toss your phone onto the sofa and collapse to your knees, tears streaming down your face in rivulets. As much as you’d like to believe that you aren’t afraid of thunder anymore, tonight proves it all wrong.
All you can hear is the downpour outside. It muffles the sound of the clock ticking, yet it doesn’t tune out the worried voices in your head. It’s nearing midnight—way past your bedtime—but you can’t sleep, not even with the potential ambience of the rain. Your thoughts are racing a mile a minute. Though Caleb usually comes home while you’re asleep, being wide awake now also means you’re too aware—aware that he isn’t home, aware that he’s in danger, aware that he might not ever come home at all. Your phone is nearly dead and the candles have long since gone out. You’re trembling both from fear and frost, his sweater loosely hanging on your frame.
The words ‘lockdown’ and ‘cleanup’ grow more and more distant as the irrational thoughts strengthen in numbers. They say he’s doing this on purpose, that he’s abandoning you for good because of you, that he’s keeping so many things hidden from you because he wants you out of his life. You want to believe they aren’t true, you really do, but your fragility makes you waver in every decision. The urge for violence grows but you do your best to keep yourself grounded, rocking yourself back and forth as your body is wracked by sobs. It’s easier said than done. You don’t know how you can stay afloat when you feel so alone.
Cruel. He’s cruel for leaving you alone for this long. He’s cruel for not responding to you. If he truly cared for you, he wouldn’t make you feel this way. Fear blends into anger as your hands twitch and quiver while you heavily breathe in and out as an attempt to calm down. He promised you this morning that he’ll come home. You just need to trust him. But you’re so scared of everything, feeling like the world is caving in around you as you fall deeper and deeper into the void. The dark makes you feel isolated, suffocated. Briefly, you think of how no one will hear you if you scream in this weather. Not even he can save you. Maybe that’ll be the first and last time he breaks his promise.
You shake your head. You know better than to trust your emotions when the sky gets dark. This will pass, it always does, and Caleb would want you to be strong. With newfound determination, you harshly wipe away your tears with the back of your hand and get up. Your legs slightly wobble from the ache in your knees, but you keep upright. As if sensing your predicament, the rain outside slows down and becomes quieter with each second. The thunder has stopped roaring and the downpour slows to a light shower, its droplets hitting the clear glass of the window panes.
Then, the front door opens. A scream threatens to escape your throat. The emergency lights in the hallway outside show a male silhouette at the door, and when you realise who it is, the grave weight on your shoulders is lifted. Relieved, you run into him, making him stumble for a moment before supporting you more steadily. You wrap your arms around his neck and cry, quiet whines leaving you. He pulls you close and rubs soothing circles on your back before murmuring a quiet I’m home into your ear.
How could you doubt him like that? Caleb is kind. He’s the best thing to ever happen to you. He never breaks his promises. Whatever anger you harboured for him earlier dissipates into the air just like fog. Still shaken from the blackout and his radio silence, you grab him tightly, the fabric of his coat bunching up in your unrelenting grip. You don’t know what’s wrong with you tonight. You were doing perfectly fine before the storm. You’re mentally berating yourself for letting him see you in such a pathetic state, but you’re too drained and it’s too late to try to hide.
(You’ve never been able to do that with him.)
“I thought you left me,” you whimper, “I—I don’t feel good. I don’t know. I was scared.”
You cling to him like a child. You feel like one, with how weak and emotional and volatile you feel. The sobs slow down into sniffles as he carries you over to your bedroom before taking a seat on the bed and placing you on his lap. His gloved hands comfortingly caress you wherever they can. Guilt sinks into his bones, pulling him deeper than his gravity ever could. The explosion had been out of his control, so had his death, but he can’t ever forgive himself for making you feel like you’d been left behind.
An ugly emotion rears its head, holds him in its jaws. He wraps his arms around you possessively, allowing you to calm down at your pace. You let out a heavy sigh and fall into him, feeling boneless after the meltdown you were in earlier. There are many things you want to say, but none ever slip your tongue. Instead, you let him hold you, let him press soft kisses to your hair, enveloping you in the warmth you had been craving.
“I told you I’d always be by your side,” he finally speaks up after a moment of silence, squeezing your flesh warmly. “I promised you that, remember?”
You don’t make a sound. You shift closer to him, desperate to be closer, close enough to feel like you’ve fused into one. He doesn’t force you to speak. You look up at him, tear-stained cheeks glimmering under the moonlight, helpless and afraid yet so loving and elated. He shushes you softly, lulling you into a relaxed state as he wipes away your tears with his thumbs before cupping the side of your face affectionately. 
I’ll always be by your side.
How silly and humiliating of you to have been vulnerable like that. Caleb would never lie to you. He’s right, he always is, and you need to learn to fully trust him again. He never breaks his promises. He won’t start now.
2. ANGER
It started with an excruciating pain in your heart.
Then, it continued with pins and needles striking your limbs, making them feel boneless. Your view blurred and darkened at the sides as static took over your vision, showing you mirrors and streaks of light. Your throat closed up and you clutched at it helplessly, jaw dropping open as you tried to breathe. The world spun and suddenly you collapsed on the ground, motionless and afraid. Waves of panic crashed into you, drenching you in trepidation while your thoughts ran rampant, stacking on top of each other like voices in a crowd.
You hardly registered the muffled shouts and your body being moved as you fell limp. Your head was spinning and you felt like you were falling into coldness—into death—but when you woke up, you found yourself in the medical bay of the Fleet’s aircraft. 
The pain in your heart had subsided enough. It still ached and burned, but clarity had returned to your eyes and your limbs no longer felt numb. Your eyelids fluttered open, revealing the fluorescent lights in the ceiling, and it was only then that you heard muted conversations, presumably from those who were taking care of you. You tried to push yourself up, only to be pulled back by something. When you looked down, you found all sorts of cables attached to you and an EKG monitor on your side. Your heart rate was fast and your blood pressure was high. Caleb had come into the medical bay not long after that.
After dismissing the nurses, he’d taken you to his home and decided he’d take care of you himself. Though you weren’t keen on essentially being on house arrest, there was no point in arguing with him. Even if you doubted him sometimes, you knew in your heart that he would never lead you astray. But the way he’s been treating you like a child irks and suffocates you, making you feel like you’re locked in a cramped room.
He talks to you softly and treats you like you’re fragile. You’re several years into your career as a hunter. You’re well in your twenties and more than capable of taking care of yourself or tending to your wounds. As much as you appreciate his concern, it’s starting to feel suffocating. Maybe years of depending on him have made him think you’re useless. He won’t trust you, but he still holds many secrets of his own.
The only conclusion you come to is that he’s hiding something from you, or he’s hiding you.
It doesn’t make sense. Nothing does. How can someone so familiar feel so distant at the same time? You can’t understand his logic or tell what he’s thinking. He always has an explanation for everything, and yet, they never satisfy you at all. The weariness in your system coupled with days of being under quarantine is taking a toll on you. He’d insisted persistently that you stay put while he takes care of everything. It’s not as if it’s his fault, either. No matter how much you want to get back to work—thinking about the backlog you’re going to have to catch up to puts insurmountable anxiety upon your shoulders—you can’t, because your body isn’t cooperating.
It’s not a fever. It’s not a cold. But somehow, you always feel so out of it. It doesn’t even feel like you’re piloting yourself anymore. Suspicion rises in the back of your mind as you think of the medication you’ve been taking every morning. He never told you what they are. What if he’s—
No. He wouldn’t. Caleb isn’t like that.
But what if? You don’t understand him. You don’t know him anymore. Why is he hellbent on keeping you locked up here when you’re already capable of handling things on your own? Burying your face in your hands, you let out a scream of exasperation, feeling as though you’re losing your mind. Why won’t he listen to you? Do you mean anything to him at all?
The door knob twists. You swiftly relax your furrowed brows and turn to him with a small smile as he enters your room. The sun is barely rising, but he already looks wide awake. You can’t help but narrow your eyes suspiciously at the small cup of pills that he’s holding.
The question slips past your tongue before you realise it. “What have you been giving me?”
Caleb stops in his tracks, brows raised in surprise. Something flickers in his eyes, but the calm expression remains on his features. He moves closer and places what he’s holding on the table, only to pause in his movements again.
“You didn’t finish dinner?”
“Caleb. What have you been giving me?” you ask again, your hands beginning to tremble. Your thoughts are running rapidly, alarms of urgency ringing in your head and adding on to your anxiety. You need answers. You need to know everything.
He takes a seat on the stool next to your bed with a sigh. “I’m hurt you don’t trust me, pipsqueak.”
“Then what’s wrong with me?” You clench your fists, knuckles turning white from the pressure you’re exerting. “Why won’t you let me go?”
“You had a protocore-induced heart attack. Your body is still recovering,” he replies easily. You can’t tell if he’s lying or telling the truth. “And Skyhaven’s still under lockdown. It’s not safe for you to be out.”
“Do you think of me that lowly?” Aggravation drips off of your tone as your voice starts to waver, a familiar sting spreading behind your nose and tears springing up to your eyes. “Do you think I’m still a little kid?”
“It’s not that. I’m just worried about you.”
Your voice rises in volume. It’s getting harder to keep your anger in control. 
“If Skyhaven’s so dangerous, why won’t you let me go back?”
“Because you can’t. No one goes in or goes out during this lockdown. I’m sorry,” he says. It’s quick and meant to shoot you down. You want to scream, to break something, anything, but you can’t. “I just don’t want you to get hurt. I’m protecting you.”
You gnaw on the inside of your cheek, irritated at his responses. There’s no point in arguing with him, you realise. Caleb’s stubbornness knows no bounds at times. You take your hand back and look away with an indignant huff. You know you’re acting like a child. Grandma would be disappointed if she saw your state now. But you’re frustrated, you’re anxious, you’re alone and you just want to go home—
“Leave. I don’t wanna see you,” you spit, stubbornly staring at the window. Then, an unknown fear seeps into your veins, causing you to soften just the slightest. “I don’t want us to fight, Caleb.”
“We’re not fighting.” He crouches down in front of you and takes your hand into his before giving it a warm squeeze. “But you have to try and understand me.”
You don’t want to. You don’t want to see his face, don’t want to hear his voice, don’t want anything to do with him. Ignoring him, you get up the chair and return to your room, closing the door behind you with a loud slam. The sound makes you flinch. Unwanted memories slowly fade into the reel of your mind. Aggravated, you lock the door and sit down, pulling your knees close to your chest as your jaw clenches.
You don’t know what you want. A part of you wants him to come in and apologise, to let you do what you want. Another part of you wants him to just leave you alone. But when there’s only silence, you find yourself breaking into sobs again, feeling like you’ve been abandoned. He’s mad at you. He’s going to make you leave and say that he’s just giving you what you wanted. Guilt creeps into your heart as the realisation that you’re doubting him dawns on you. He’s been so kind to you since the little stunt you pulled to get yourself here. He’s letting you walk freely. He’s letting you stay in his home. 
But he’s not listening to you, he’s ignoring you, and it makes you feel as though you’re just a speck of dust in his eyes. Your emotions rage as a tempest in your mind that destroys everything in its wake. A scream of exasperation leaves your lips as you hold your head in your hands, trying to catch your breath. 
I’ll always be by your side.
What a liar. 
3. BARGAINING
It feels as though the sands of time are allowing the particles to fall one at a time into the bottom of the hourglass.
Time is moving slowly, almost as if it’s stuck in place, and hearing the sound of the clock ticking every time you’re ‘home’ is starting to drive you mad. It’s hard not to zero in on Caleb when he is all you have here. You’ve contemplated sending Tara and Zayne some messages to let them know that you’re fine, just staying with a friend. For some odd reason, the messages never get delivered. Assuming your phone’s just broken, you haven’t picked it up since. As a result, there’s not much to do in your free time outside of chores or breaking down, and it’s tearing you apart.
Maybe he’ll rethink his choices if you get hurt on purpose, you think with a bitter grimace. It’s hard to believe that his consideration for you, something you used to adore, now felt like chains holding you down. He might as well have left the collar on your neck. Anger, betrayal, guilt, and shame. Your mind has become a tempest of despondence and pessimism destroying every rational thought in its path. You want to scream and punch the wall. You want to hurt something. You need to destroy something. Your self-control is hanging by a thread and the stubbornness is beginning to feel childish, silly. 
Regrettably, Caleb is right. The Farspace Fleet is still working on cleanup amid this lockdown, not allowing anyone to go in or out. Leaving Skyhaven isn’t an option anymore. You don’t know what you feel anymore, either. You’re stuck here with a curfew whether you like it or not, and your unfamiliarity with the place leaves you at a severe disadvantage. Though you’re not exactly a drinker, your mind wanders to how you’d feel if you were too drunk to think of anything. You don’t care. You don’t know what you want anymore.
Some days, you feel angry at him and think he’s the devil. Some days, you appreciate him and think he’s a gift sent by the heavens. The lack of a middle ground constantly leaves you teetering on the verge of falling on either end. But now—now you feel nothing at all. You’re numb, indifferent, and it perplexes you because you still feel so bad. You think you’re a walking contradiction or a ticking time bomb ready to explode. Caleb has dealt with you for years without a single word of complaint. You’re taking him for granted, says the voice in your head. You need to keep him.
You harshly slap yourself on the face to snap out of it, bringing yourself back to the present.
The skyline glimmers in the distance. Red and white lights speed by on the road and the billboards are as lively as ever. Nightlife enjoyers are undoubtedly in good spirits as they travel from bar to bar. Tara must still be awake watching her favourite show, and Zayne is surely still working late at the hospital. You want to hear their voices and be in their presence even if it’s just for a few minutes. There’s a weight pulling at your heart as your mind wanders to Linkon City. To your real home.
The walls of what you thought was a gorgeous home is starting to remind you of the interrogation room you were in. It feels drab, lifeless. There isn’t much evidence within the home itself that there are people living here in the first place. The little OTTO robot he built for you stays in the corner, lifeless as well. You absentmindedly tap your fingers against the surface of the couch as you stare into the glow of the television. Even the commercials that are meant to be fun and exciting feel fake. The programme continues, returning to the scheduled film of the night. 
It’s late at night and you can’t sleep. You’re up later than you’d usually be. Caleb isn’t home yet, rendering you beyond aware of the fact that you’re home alone, and anxiety lurks around you at every corner. Your pistols rest on the spot beside you as a precaution. With what has been transpiring since you stepped foot in Skyhaven, anything is possible. It’s strange how paranoid you’ve become over the past couple of days. You should feel safe here, you should feel safe with him being the Colonel himself, but you don’t.
“—concerned about you. He said he thinks you might try to kill yourself.”
Your gaze drifts over to the pistols. An image of your blood pooling beneath your head as you lie limp on the ground flashes before your eyes. You imagine how he’d react to your death. Will he care? Will it devastate him? Will he regret how he’s been treating you? Strangely enough, the gruesome thought doesn’t bother you as much as it used to when you were younger. Violence comes with your job as a hunter, even if it’s not inflicted upon humans. Death is no stranger. It’s more familiar than you’d like it to be. You’ve been lured by it a couple of times in your childhood, seen mangled bodies and frozen corpses in your lifetime. 
You’ve gone from craving death to being afraid of it, and yet here you are, contemplating it just like you did when you were fifteen.
Tara used to tell you not to believe your thoughts when it’s dark. You desperately want to, but it feels as though your brain won’t allow it. You’re tired and lonely. You miss home. You grieve for a man that is still alive. A long time has passed—people are constantly changing. He’s not the same man you were eating dinner with at Gran’s house. This is a man who has been through death himself, weighed down by his never-ending burdens and responsibilities, and you sink deeper into your guilt as you realise how unreasonable you’ve been.
You try to separate every thought again. Caleb is protective of you because he’s known you for most of his life and you’re the closest person to him. He put you under strict supervision because he’s worried you’ll be in danger without him to protect you. He treated you like a child, making you feel as though he doesn’t trust you. Your outburst halted everything and is slowly destroying your relationship inside and out. It all feels so monumental, so much bigger than you can handle, and you can’t help but feel defeated.
You have two options: continue this game of who can make the silent treatment last longer, or apologise to him and gain his forgiveness. It eats away at you either way. With apologising, you don’t even know where to begin; he’s never been mad at you nor has he ever raised his voice at you. He always tells you that everything is going to be okay, even if it doesn’t feel like it.
It’ll pass, is what he would say to you. And I’ll be here with you.
But when you have already destroyed everything with your bare hands, who will be there to rebuild it with you?
You haven’t prayed to a god in years. Prayers and rituals don’t work on you, you think, and so it’s not worth the time or effort. But as your eyes slowly close, you pray to whatever celestial being listens to you—give him back. You’ll never do it again.
4. DEPRESSION
Another day of silence passes and plunges you further into the pool of fear and helplessness.
Caleb hasn’t spoken a word to you. Not once. He still prepares your meals, leaves you notes, but he doesn’t utter a single word. You grow more restless by the minute. He’s angry with you. He’s just too nice to tell you upfront. Anxiety makes you avoid him, afraid of what he’ll do or how he’ll react. He doesn’t stop you from going out anymore, either. You’ve been spending your time outside his home, distracting yourself with whatever activity you can find on the streets. For the first few hours, the newfound freedom made you feel on top of the world, but it didn’t last.
Him stepping back should make you feel happy and relieved. Instead, the claws of despair pull you in closer and closer to its maw. You return home after a day out to complete silence. The floorboards would creak beneath your feet, waiting for someone to break the stillness, only for there to be nothing. When you wake up in the morning, Caleb leaves behind nothing but the remnants of his cologne in the air, small proof that he was home. The smell used to comfort you. Now, it makes you feel lonelier, because it’s not enough.
It feels like you’re losing him in real time. You’ve retreated so far into the corner that you’re fading into the background as the world continues on without you. You see him walking farther and farther away from you, disappearing into the crowd as he leaves you standing in the midst of it all. The thought of him leaving your life gnaws at you, puts you into a spiral of loneliness. You wanted this, didn’t you? For him to leave you alone?
Then why do you feel like you’ve been abandoned?
The stark reminder of his absence claws at your heart. You barely see him at home and it feels like you’re lost at sea, drifting away from the shore with each wave that the ocean carries. Getting out of bed feels like a monumental task. Your limbs feel heavy as if you’re being held back by a ball and chain. And you’re exhausted, even with the hours upon hours of sleeping and locking yourself away in your room, too tired to live. A part of you tells you you’re overreacting. You don’t even remember what had upset you in the first place, but you know one thing—
You don’t want him to go.
Being an adult comes with doing things you don’t want to do or are too afraid to do. This is just one of them. You’ll apologise to him with low expectations so you don’t break your heart, but you’ll fall into euphoria if he forgives you. He’s looking out for you. It’s not his fault. 
It’s yours.
You remember times in your childhood when he’d come get you after school with your favourite popsicle split in half, one for you and one for him. He’d ask about your day and his eyes twinkled with genuine interest as he listened to you go on and on about every detail that happened. The walk back home was always filled with joy. He feels like a distant memory, an echo of the past, and you wonder if he’s the one who changed or if it’s you.
Whoever it is, what was an unbreakable bond had shattered to pieces, and it was all by your own hand.
Self-hatred burns through you. You wish you were different. You wish you weren’t the way you are, so flawed and broken beyond repair. You wish you were like other women, those who are always on top of their game and strong no matter what life throws at them. Without realising it, you’ve already given up on yourself. You’re no longer loved by him; you’re an enemy, a monster, and the thought plagues your being.
The feeling of unworthiness lingers in your chest, a constant ache that wears down the edges of every thought. You remember the person you used to be with him before the explosion. Optimistic, hard-working, hopeful. She feels like a stranger now, like someone you used to know who left your life without saying anything. The weight of it all—the distance, the guilt, the silence—is becoming unbearable. He is slipping out of your grasp, ready to leave you as a memory of the past, and you’re falling further back. He is swimming to the surface while you are sinking deeper into vast nothingness, surrounded by the unknown. 
You wonder what he feels when he looks back at you. Is it pity, or is it resentment?
Or does he hardly feel anything at all?
The door opens, stopping your train of thought. You stagger up to your feet, quietly making your way to the entrance with your hands folded in front of you. Caleb’s eyes meet yours and you falter for a moment, every word you’ve rehearsed in your head going forgotten as time seems to be at a standstill. You muster up a smile, doing a little wave at him.
“Welcome home,” you say, your voice barely louder than a whisper.
He returns with a smile of his own. “Thanks.”
You want to say something, anything, but no words come out; you don’t know where to begin with them. Instead, you stand there and smile awkwardly, completely lost and insecure. Your smile feels fake. You know he knows it is. It’s a façade you’re using to hide the turbulence within you. Caleb’s smile is polite and you want to run into his arms and tell him everything you’ve been feeling. Your heart drops when he looks away from you, ready to leave to attend to his own affairs.
“I’ll just, um, go,” you chuckle nervously. “Sorry, you must be busy. I’ll see you around.” 
Reluctantly, you withdraw and return to your room, shutting the door with a quiet click. Drained, you fall to the ground and bury your face in your hands, frustration oozing off of you in waves. Was that a good sign? Or was he faking his friendliness just to get you off his back? He doesn’t seem angry, but you’ve also never seen him angry. Anxiety harrows you as you stare at the ground, mind racing with what feels like thousands of possibilities. You wish he was easier to read. How can you know someone for so long but know nothing about them at all?
You ball your hands into fists and tremble, tears streaming down your cheeks before you can stop them. You’re falling behind. He’s already on the path to moving on but you’re still stuck in your spot, hopelessly wishing he’d turn back and ask if you want to try again. This fight—the one with him, the one with yourself—feels daunting. You’re but a frail little thing facing off with something grand and monumental. It towers over you, cloaks you in its shadow, emphasising the fact that you are nothing compared to it.
The world is quiet, and as you sit gazing upon your opponent, you start to wonder if this fight was even yours to win at all.
5. ACCEPTANCE
Before you know it, it’s the night before the promised third day.
You were lucky enough to be able to have breakfast with Caleb this morning. It felt tense and awkward, but he still maintained the conversation so effortlessly as if your outburst never happened at all. He left for work with a simple kind smile and told you to stay safe if you do go out. Even while you’re being unreasonable, he still has your best interests at heart, and the fact that your tantrum is lasting this long humiliates you to no end.
You spent the day out at the shopping district. The city was vibrant with the hustle and bustle in its streets and pedestrians. You heard laughter and chatter, joy that was spreading among people and their friends, and you’d never felt more alone. Even in a place swimming with people, you still felt so isolated like you were just a speck of dust. Eventually, your surroundings became white noise, and time went by like a blur. It felt as if someone else was taking control over your body. You numbly went through each stall searching for souvenirs to bring back to your loved ones back in Linkon City, spending away without hesitation. 
When the sun began its descent, you made your way back with several bags of new items in hand. You’d gone over budget, but you couldn’t bring yourself to care. For a moment, you were completely fine, free from the crushing weight of the world on your shoulders. Returning to Caleb’s place took away the momentary lightheartedness and replaced it with something devastatingly hollow. You moved on autopilot, stepping into the shower and taking off your makeup, changing into more comfortable clothes. 
When you were done, you sat in the living room and watched whatever was playing on the television, its audio turning into background noise as you drifted away with your musings. Before you knew it, it was dark outside, and Caleb was back home. You parted your lips to say welcome back, but he had entered his room before you could call for him. Awkwardly, you returned to the television and fidgeted with your hands, nervousness entering your system the longer he was gone.
It seems to be a peaceful time for Skyhaven tonight. The media representative of the Farspace Fleet had come out to answer whatever rapid fire question the journalists had. Reassuring every citizen, he had said that the cleanup they’ve been doing is gradually wrapping up, and that the lockdown would be lifted soon. With nothing else to worry about for the time being, officers were allowed to return home early, including the Colonel himself. 
Caleb reappears in his loungewear and stops to look at you, rolling up his sleeves to his elbows. “I’ll make dinner.”
“Okay,” you reply awkwardly, unsure of what to say. It doesn’t take long before he returns to the living room again, heading for the other end of the couch. Not wanting to disturb him, you leave him to his devices and stare ahead into the television, holding yourself back from looking at him repeatedly. It’s unusual for him to be home early, so you’re equally lost, completely clueless on how to function.
You sneak a glance at him. He’s reading a book, his brows furrowed in concentration as he immerses himself in creativity. He looks peaceful, so undisturbed, and you’re still not sure what to do. Even when you’ve been a brat, he still has your best interests at heart, and the fact that your tantrum has lasted for days humiliates you to no end. His consideration of you nearly brings tears to your eyes but you keep yourself together, not wanting to worry him.
You part your lips to speak only to close them again, frantically trying to come up with a coherent sentence in your head. He looks relaxed, so the chances of him reacting aggressively are low. You know he’d never raise his voice at you, but the paranoia hasn’t left you yet; everything you do needs a safety plan. Biting down on your bottom lip, you stare down at your hands before standing up, nervously wringing your hands behind your back.
Mustering up all the courage you have, you speak up, meekly, “I’m sorry.”
He looks up from his book, brows raised as he watches you in what appears to be confusion. You want to run away and hide, but he deserves this. It’s the least you can do.
“I’m sorry,” you repeat, eyes downcast. “I’m sorry for lashing out. For acting up. It’s just… I’m just…”
He smiles softly, getting up from the couch and walking towards you. Bringing you close for a hug, he presses a soft kiss to your temple and squeezes your frame reassuringly. You melt into his touch, a burning sensation spreading in the centre of your face as your bottom lip quivers. You whine and hide your face in his sweater, desperately holding on to him as if he could disappear at any moment. You’ve already lost him once. You won’t lose him again.
You can’t.
“Please don’t leave me.” Your voice trembles as you speak and sniffle in between words. You grab onto the fabric of his sweater tightly, trying to keep yourself grounded. “I didn’t mean it. I won’t do it again—”
He sighs, content, and pulls you closer to him, letting you cry in his arms. His hand rubs soothing circles on your back as he hums a comforting tune, the same one he used to when you had nightmares as a kid.
“Silly girl,” he says, rocking you side to side. “I’m not gonna leave you.”
No one else will ever do it like him. He’s kind. He cares for you. He stays with you even with your volatility and your flaws. The resentment you’d been harbouring towards him douses you in guilt as you latch on to him, basking in his comfort. He’s only doing this because he cares. The disaster in your mind slowly unwinds and the grating voices that had been plaguing you the past week quiets down. 
He gently pulls away and brings his hands up to your cheeks before brushing away your tears with his thumbs, lulling you into a calmer state.
“It’s okay,” he coos. “I promise.”
Finally, you trust him, because he never makes promises he can’t keep.
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accio-sriracha · 5 months ago
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Friendly reminder that it's okay to write the really messy stuff.
It's okay to write the taboo things.
It's okay to use writing as an outlet for your ptsd.
It's okay to use writing as a way to safely channel your harmful intrusive thoughts.
It's okay to use writing to allow representation for the things 'typical' people are afraid of.
Art is about pouring your state of mind onto a physical canvas.
If your state of mind is horrible and fucked up and messy that's OKAY!
Because the good thing about art is that it doesn't matter what you put on there, only that you do.
Write the worst things you've ever written, tag them accurately, and put them out there.
Because maybe your state of mind will help someone feel a little less alone with theirs.
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kb5jbv-blog · 4 months ago
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Top 5 Tools Every Indie Author Needs
Being an indie author comes with its unique challenges, from writing and editing to publishing and marketing. Fortunately, a wealth of tools is available to help streamline these processes and make your journey more efficient and enjoyable. In this post, we’ll explore the top five tools every indie author should consider, focusing on their benefits and how they can elevate your writing and…
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teamsasukes · 3 months ago
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Was Itachi's forehead poke to Sasuke a sign of distancing himself and not wanting Sasuke to get involved, rather than just a mere sign of affection? I saw a few people talk about that and how it's weird that Sasuke does that to his family considering the original meaning.
yes, you've got an accurate handle on the original meaning of the Forehead Poke. fundamentally it is an expression of distance that itachi wields at times when he cannot be with sasuke. and it seems to be a throughline of his childhood: sasuke asks itachi to do something as mundane as train together but itachi continually refuses on account of his duties as a shinobi.
it is not a gesture devoid of love -- it's not as though itachi ever delights in dismissing sasuke (on the contrary, he is always regretful). but there's a cruelty in the uncertainty of it all: the most direct translation is "maybe next time", so itachi fails to provide even an assurance that they can, like, hang out next week or something. this chasm between them is then widened by itachi promising, on the night of the massacre, that he might allow a final battle between them if sasuke ever proves competent enough to bother fighting, leaving sasuke in protracted pursuit of the looming specter of his older brother.
this distance is really only bridged (barely) in their final scene when itachi lays bare the truth of his motives, his regrets (which are lacking, to put it mildly, but for sasuke this is nonetheless momentous), and his unconditional pride in and love for his little brother. the Forehead Poke is notably absent here because textually, the enforced distance wrt sasuke is framed as itachi's greatest wrong. (seriously, itachi says something to the effect of: i shouldn't have done All That because maybe you, my 7-year-old brother, could have brought change to our clan... thereby reducing inconvenience for konoha, of course. the paucity of virtue in massacring the uchiha doesn't really register for him even during this reconciliation, and it's deliberate... because the author doesn't see it as much of an issue either!)
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anyway, it might seem odd for sasuke to repeat this gesture with sakura in chapter 699, then, particularly because it seems to be invoked in a manner identical to itachi in his neglect. kind of an odd way to signify a happy ending for these characters, right...?
well, it works for me solely because it is not identical! and naruto's english dub is my worst enemy. i would grab a couple of manga panel screenshots in the original japanese to prove it, but it's easier for me to just plug these scenes from the anime. here is an itachi Forehead Poke (0:51) and here is sakura seeing sasuke off at the konoha gate (0:33). there's a subtle but meaningful distinction in the phrasing: "mata kondo da" vs. "mata kondo na". which, in effect, alter the meaning from "maybe next time" to:
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(there's an excellent tumblr post from years ago which performs a substantive analysis of the japanese in both contexts, but eludes me now. pls send if any of you have a link to it!)
so personally i adore its inclusion in chapter 699 specifically. it obviously carries a great deal of weight for sasuke and it's meaningful he chooses to express it to sakura specifically despite leaving the entire team behind -- in lots of ways, and more than any other character, i think for sasuke, sakura is the anti-itachi. (that would require another post to elucidate.) so not only is it an expression of regret at unintended distance, but, more crucially, it's a promise of return. i think it's incredibly sweet that sasuke can repurpose the gesture from something soul-rending to something hopeful.
(also deserving of another post lol but this scene also achieves a neat and, crucially, subversive callback to sakura's foundational insecurities... it's like poetry it rhymes)
all that said, i understand why it reads as something different once we are then given the context of chapter 700 and gaiden... i dislike both of these installments, primarily for the implication that distance becomes a love language, so to speak, between sasuke and sakura/sarada. these relationships are ruled by distance and sasuke accepts it. it's disappointing! his journey to learn about more of the world in chapter 699 jibed with the character's arc until that point. this does not.
my unpopular take is i think this has just about nothing to do with sakura or the sasusaku relationship and everything to do with authorial outlook on sasuke's actions in part 2. and for the record, i maintain that these crimes ultimately amount to very little -- violence and death are occupational hazards if one is a shinobi. konoha is also foregrounded by a cold calculus on the worth of human lives; i'm sure sasuke's indispensable role in saving the world outweighs the killing of a few samurai. i just think kishimoto needs sasuke to atone, somehow, forever, via endless service to the village. and he also cannot sensibly write a kakashi- or naruto-headed government that would impose any meaningful punishment, so sasuke is relegated to a state of permanent rootlessness in some dumbass quest. it's a sacrifice on his part, but contrived for a number of reasons, chief among them being that the sasuke we came to know in the original series would literally never internalize konoha's ideals in this manner. so even though the Forehead Poke in gaiden and boruto retains the elements of promise and anticipation of eventual reconciliation, it feels kind of... lame and weightless. there is a superficial signal at growth but materially, for the parties on the receiving end of the Forehead Poke, very little seems to change.
frankly, i think we are meant to view sasuke's love as noble (and sasuke himself as penitent, suggested by the ascetic quality of his life). sasuke is still doing things differently than itachi, insufficient though it may be: he is honest about the reason for his travels, he does not rush to dismiss sarada when she needs emotional support, his motives are selfless rather than selfish (sasuke guards against the threat of the otsutsuki; itachi... wanted sasuke to kill him, in no small part as a desperate ploy to end his own suffering, notwithstanding the subsequent damage that would be inflicted on his thoroughly traumatized little brother). gaiden is surprisingly candid about the distance as a source of distress for sarada, sakura, and even sasuke, but by the end everyone understands why it must be as it is. the state above all! (you'll notice even itachi's apology to sasuke held this precept intact... there is a reason the series closes with sasuke accepting his old hitai-ate.) it is admittedly vexing, considering the totality of evidence here, to see sasuke's nomadic status in boruto pinned on how much he hates his dumb bitch wife and not, you know. the shockingly bad politics underpinning the narrative.
i appreciate the attempts of sasuke enjoyers to explain his distance as natural aversion to konoha, but this isn't canonically backed by any interiority (which seems to be absent in boruto-era team 7 at large) and moreover it requires miscommunication between sasuke and sakura (or even naruto) so great as to be unbelievable. i've accepted that post-pt2 sasuke is an unfortunate victim of kishomoto's nationalist views. his weird takes on how a man like sasuke would behave in a loving relationship and likely desire for a continued revenue stream don't help either. yes i will weep forever...
TLDR: i think the Forehead Poke fits in chapter 699 precisely because it diverges from itachi's. i resent its recurrence suggesting distance from loved ones is an inevitable condition of sasuke's life to which he's stoically acquiescent.
#to expand on sasuke & romance... i've seen people say kishimoto hates ss specifically.because of how he writes minato/kushina for example#well minato is an entirely different guy! and kishimoto is self-professedly weak on the romance front#he has a lot of strengths as a writer but the reversion to tropes and stock archetypes in writing romance is veryyy glaring#sasuke is therefore chronically aloof but also in a mature relationship and it's difficult to believably accomplish both#and of course we have seen sasuke not aloof! we know he's capable! but the romance trope mind virus works in alarming ways#it's also just perceived as way less cool for sasuke to be emotionally expressive towards a woman than a brother(-coded) character#and there's no in-text comparison either. shikamaru is the closest in comportment but he is paired w temari who serves as a tsundere#other than that... i guess there's kakashi (romance aside) but even he deliberately presents as affable#ss in gaiden to me reads less like malicious portrayal & more like. a juvenile take on what sasuke/sakura would be like as grownups#kishi's particularly bad w adult romance because it requires an intimacy i don't think he's entirely comfortable portraying#even in pt 2 ss manages a couple of really authentic touching moments but then as adults i'm like whoooo... are these people....#and above all the entire cast is emotionally and dimensionally neutered in boruto because it sucks. the premise sucks. i don't care for it.#itachi & sasuke#sasusaku#uchiha sasuke#naruto meta#ANYWAYYY thank you for the ask!! it was nice to yap about sasuke & friends again omg i miss them#also sorry this took a week to answer i haven't had much time and wanted to be thorough
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astrosouldivinity · 9 months ago
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Full Moon: Journal Prompts ☽◯☾
There will be a Full Moon on Thursday, October 17th which will be in the sign of Aries. ✨ ♈︎ ✨
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💫 This is a good time for taking charge, embracing your individuality, and setting your intentions, especially around personal goals and self-empowerment.
𖥔 ݁˖ 𖥔 ݁˖ 𖥔 ݁˖ 𖥔 ݁˖ 𖥔 ݁˖ 𖥔 ݁˖ 𖥔 ݁˖ 𖥔 ˖ ݁
❤️‍🔥 1. What new beginnings do I want to manifest in my life, and how can I embody the bold, fearless, and assertive energy of Aries to support these changes? For instance, identifying decisive actions and embracing spontaneity while trusting my instincts.
‪‪♥︎ ‬2. What specific goals do I want to achieve in the coming lunar cycle? Write down actionable steps to pursue them. In other words, what tangible steps can I outline to help manifest my goals? Consider creating a vision board, developing a business plan, or setting a weekly schedule.
❤️‍🔥 3. What does personal power mean to me? How can I cultivate and express that power in my daily life? For example, personal power might mean having the confidence to speak your truth, so you could practice assertive communication in your conversations. It could also involve setting healthy boundaries, allowing you to prioritize your well-being.
‪‪♥︎ 4. What creative project have I been wanting to start or what goals have I been wanting to achieve? During this time, take a moment to reflect on what brings you joy and consider the steps you can take to bring these ideas to life. Ask yourself, how can I harness my passion to make meaningful progress with my projects or goals.
❤️‍🔥 5. What new experiences or adventures am I eager to explore, and how can I take the first step toward them? Reflect on what excites you and sparks your curiosity. Consider practical actions, such as researching opportunities, signing up for a class, or reaching out to someone who has experience in that area.
‪‪♥︎ 6. In what ways do I want to express my true self more fully, and how can I embrace my uniqueness? Reflect on the aspects of your personality, interests, or talents that you wish to share with the world. Think about practical steps, such as trying new forms of self-expression through art, writing, or performance, or engaging in activities that align with your authentic self.
𝔁𝓸𝔁𝓸- 𝓚𝓲𝓴𝓲 ❤️
𝚃𝚒𝚙 𝙹𝚊𝚛 🫙🙏🏿
©𝚊𝚜𝚝𝚛𝚘𝚜𝚘𝚞𝚕𝚍𝚒𝚟𝚒𝚗𝚒𝚝𝚢 𝙰𝚕𝚕 𝚁𝚒𝚐𝚑𝚝𝚜 𝚁𝚎𝚜𝚎𝚛𝚟𝚎𝚍.
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my-inner-observations · 5 months ago
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And for a moment, I thought I had you in my arms only to realised it was just a dream. Waking up has never been so painful.
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ssnowysparkle · 7 months ago
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The English language is five languages in a trench coat; it’s grammar rules are merely suggestions. Take its knees out with a baseball bat. MAKE IT YOUR BITCH
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ranticore · 6 months ago
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in tha story building process again... i think the transition from "here's some stuff i like all put in a blender" to "here's what i want to say" in the process is pretty cool. sometimes the stuff i like has to come out of the blender because it won't contribute to what i want to say
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