#written record

[pratchettquotes]

Making history, it turned out, was quite easy. It was what got written down. It was as simple as that.

Terry Pratchett, Jingo

[invisibleillnessgeekyfangirl]

he can't follow written instructions anymore (instruction manuals) or the ones with pictures.

[its-a-date]

In 2019 a team published a study reporting the identification of the plague's DNA from newly sampled sites in western Europe. The investigators screened skeletons from twenty-two different cemeteries. At least three of these sites should not have yielded Y. pestis DNA, because the burials are dated to the fourth and fifth centuries – that is, before the First Pandemic appears in the written record.

"Plagues Upon the Earth: Disease and the Course of Human History" - Kyle Harper

[therainscene]

I didn't start shipping Byler because I picked up on a few moments of chemistry and decided they'd make a cute couple -- I started off by absolutely refusing to entertain said moments as reciprocally queer until I ran into the ridiculous homophobia on the ST subreddit and decided to review Mike's character arc out of sheer gay spite.

Let me clarify: Spite isn't what made me change my mind about Mike. Spite just made me read a few Byler analyses and rewatch the show with an open mind because I didn't want to be like those pricks who would insult and censor queer fans for... [checks notes]... thinking something gay might happen in a TV show with gay people in it. I truly wasn't expecting a queer interpretation to fit Mike's arc anywhere near as well as the default interpretation -- but by the time I'd finished my rewatch, I was reeling from how much better it fit.

Cause that's the thing: Mike's queerness is pretty obvious once you look for it. The difficulty is in giving yourself permission to look.

-------------------

A question Bylers are often asked is "why would the show spend four seasons building up Milevn just to tear it down at the last minute for some unrealistic woke ship? Mike literally said he loves El!" And yeah, Mike's grand love confession at the end of S4 certainly seems like a triumphant pay-off to all that build-up... but I have a few questions of my own.

Firstly: why establish in no uncertain terms that feeling loved is the key to unlocking El's fullest potential against Vecna--

--only to undermine the power of Mike's longed-for confession by having it only be good enough to delay Vecna instead of defeat him? Yes, it's the penultimate season -- so why did Milevn's pay-off happen here instead of S5 where it could properly shine?

Secondly: why couldn't Milevn fix their relationship by themselves? Even if you believe that El commissioned the painting (she didn't) and that the feelings Will describes are truly hers (they aren't), it was still Will who had to perform this romantic gesture on her behalf, and it broke his heart to do so. Why hand this important work off to a third party? Why weave queer tragedy into the build-up towards a heterosexual pay-off that's supposed to feel triumphantly romantic?

Speaking of which: why undermine the intimacy of this scene by having Will hover behind Mike's shoulder the whole time? Couldn't they have asked Noah to take a few steps to the left for the sake of a better shot? Couldn't they have waited until after Milevn's big romantic moment to remind us for the millionth fucking time how sad Will is about it?

In my opinion, this scene and its four seasons of build-up make much more sense if you read them as three entwined character arcs about the trials of growing up in a suffocatingly heteronormative era: the gay kid who doesn't think he's entitled to a happy ending; the abused girl who thinks shallow romance with the first boy who's nice to her will make her feel normal; and the confused hero who hasn't figured out the solution yet.

For all the insistence that this show has to stick to "realistic" depictions of 80s queerness... it's hardly a realistic depiction of 80s straightness for Mike to score an awesome magical girlfriend, either. That's just nerdy wish-fulfillment, and common only as a trope in fiction.

So it's not unreasonable to suppose that Mike's true role in the Subverting 80s Tropes Show might be to represent the actually very realistic 80s experience of getting swept up in compulsory heterosexuality.

Think about it: Will's vulnerability to the horrors functions as a metaphor for being visibly gay in a world that despises gay people--

--whereas Mike's girlfriend quite literally has the power to protect him from monsters and homophobic bullies alike.

This doesn't mean Mike is callously using El, though. He learned the hard way in S1 that treating an innocent girl like a means to an end would only end up destroying her, and the guilt and fear of hurting her again has been weighing heavy on him ever since.

Comphet isn't about taking advantage of other people's feelings so you can pretend to be straight -- it's about deluding yourself into believing you're straight because queerness isn't an option you're allowed to consider.

Mike genuinely does love El and he genuinely does want to be an important part of her life -- so surely that means he wants to be her boyfriend, right? Twelve is perhaps a little young to know that yet... but surely there's gotta be something here that sets his feelings apart from how a friend or brother would feel?

Surely the reason he later finds himself struggling to say to her face that he loves her is because he's just an immature loser who needs to try harder to grow up and be the man this girl he adores deserves to have...?

...and certainly not because the guilt and fear of losing her just keeps piling up as the romantic instincts he thinks he's been waiting to grow into turn out to be developing at exactly the pace they're supposed to -- in the wrong direction.

That would be ridiculous. Will's his best friend. Yes, he loves him and can't bear to be without him, but that doesn't mean anything. Why can't a guy display a little unhinged devotion to his special friend without it having to mean something romantic?

Why can't he, indeed.

At his core, Mike is someone who desperately wants to be as special as the straight heroes in the nerdy media he loves. But there isn't anything inherently heroic about being some lame middle-class white nerd who's bad with girls, so he believes that the best he can do is to be a dutiful sidekick who would sacrifice himself in a heartbeat for people he perceives as more special than himself.

For all the "build-up" Mike's romance with El has enjoyed across four seasons, it's done absolutely nothing to help him grow as a character and overcome this self-worth problem.

So is it really any surprise that even after realizing El would be fine and still want to be friends with him if he told her the truth, and even after realizing just how good Will is at understanding his insecurities and reassuring him of his inherent worth--

--Mike would still sacrifice his chance at happiness for the sake of the greater good?

El was literally dying in his arms. How could queer desire possibly be as important as this girl who needed him to be a man and do his damn job so she could do hers?

I'm interpreting Mike as gay here, but I think it's important to note that this principle applies even if he's bi or straight -- Mike can be attracted to girls and still be forcing himself to stay in a relationship with a girl he's not a good romantic match for because that's just what he thinks he's supposed to do.

His sister had a similar problem: Nancy was legitimately attracted to Steve, but her infatuation with him was more about doing what cool teen girls are supposed do than about authentic connection. And because this is a horror story as much a coming-of-age story, Wheeler's conformity had horrendous consequences -- her critical-of-comphet bestie was killed by the horrors.

Which sounds familiar, doesn't it?

(Sure, Max technically didn't die -- but she still died enough for Vecna's plan to come to fruition. Which just brings us back to my first question: why couldn't the Power of Heterosexual Love prevent this? In the same season that said "forced conforming is what's killing the kids", no less?)

Will describes Vecna as an inevitability that won't stop until he's taken everyone -- which in my opinion is the same defeatist attitude demanded by comphet.

It's not that Mr. Refuses-To-Participate-In-Society's-Silly-Play symbolizes comphet itself, per se; rather, he represents the despair of feeling like you can't truly escape it. But either way, this means that the solution to defeating Vecna is the same solution to defeating comphet:

Giving yourself permission to look and see that your true self is far more valuable than whatever you think you're supposed to be.

[theminecraftbee]

for no reason in particular, i am once again saying that even if the work you're doing is with a content creator you love and on a project you're all passionate about and you trust everyone involved and they would never, say, ghost everyone involved for months leaving you in legal limbo in regards to the ip you've spent the past three years of your life on while everyone is clamoring for a statement or any guidance at all from you...

you should write a fucking contract.

and if someone tells you "we don't need contracts it'll be better that way", run the other direction.

you know. for no reason in particular.

[screamlet]

911 what is your pride (week 4; sex & romance)

@911whatisyourpride thank you for running this project 💖🌈

bucktommy, 1k a short future coda to drag bingo night at shelley's (tumblr) leaning heavy on the romance here! this coda is now on the ao3!

---

It's been two months since Evan invited him out to drag bingo night, and a month since they decided to give their relationship another try. That's why Tommy's parked outside the 133 at 7:45 AM, his truck packed for their first weekend away. Ever.

This time last year they were together and every time they talked about a romantic getaway, they would end up in bed before either of them could suggest a place to go. Just the idea of getting away was a thrill; a year later, they were starting to understand the value of actually getting away.

His watch alarm lets him know it's 7:50 and Evan will be done with his shift any minute. Tommy's losing time and losing his nerve for this—this stupid little—

"You're an idiot," Tommy says to himself as he climbs out of the truck. "You've flown helicopters through combat zones and wildfires and a goddamned hurricane, but picking up your boyfriend from work, somehow that's scarier. Somehow. Somehow."

Yeah, but if you crash and burn in those scenarios, you only die once, his brain helpfully reminds him. Embarrassing yourself in front of your boyfriend and his coworkers—that's forever.

"Forever? If I'm lucky," Tommy mumbles under his breath as he jogs across the street.

The 133's bay doors are open and both the A-shift and B-shift crews are milling around, saying hi and catching up before they go their separate ways. Tommy looks around for familiar faces, but only sees Cristy as she laughs with a couple of people, and Captain Mehta, clapping the B-shift captain on the shoulder as he leaves his office.

And then there's Evan, half-hidden behind one of the engines with a handful of people. Something makes him laugh uproariously, full-body doubled-over laughter that has him wiping his eyes when he straightens up again. That's when he spots Tommy and waves wildly at him from all of 15 feet away.

"Tommy! Oh my god, Tommy." Evan drops his duffel bag unceremoniously and crosses the floor to him. "Hey, can I introduce you?" Evan asks quietly.

"What? Oh. Yeah, yeah of course."

"Okay, great," Evan whispers, pulling him into a giant hug with a kiss on the cheek. Then he turns around and yells, inches from Tommy's ear: "Hey, everyone, this is my boyfriend, Tommy!"

Cristy laughs loudly. "Tommy Kinard from Harbor Station, were you lurking behind that ambulance? Get in here."

He gives her a quick hug and waves at everyone, trying not to feel like a pageant contestant who's been called on stage to perform his special talent. Evan distracts him, though, as he points to something in Tommy's hand. "Tommy, what's that?" Evan asks, his smile lighting him from the inside. "Is that for me?"

And that's when Tommy remembers what had him ready to crumble from embarrassment in the truck, why it took him so long to actually leave the truck and come get Evan. It's the fully bloomed, dark and rich red rose that Tommy had seen growing off a rosebush as he was leaving his own shift at Harbor. It was from a random wild rosebush that didn't belong to anyone, so no one would mind if Tommy took out his pocket knife and cut one to bring to Evan.

"It's for you," Tommy says, holding it out to him. "Sorry, I—I feel really silly coming in here with like—like I'm on The Bachelor or something, or picking you up for prom, but I saw this on my way over and thought—I thought you might like it."

Evan accepts it with a smile. He looks at it and brushes the petals against his fingers before he holds it out to Tommy again. "Touch the petals, they're so soft. I think that's the best part of flowers. My favorite part, anyway." Tommy touches the petals, too, and their eyes meet as their fingers brush together, touching the rose.

"I love it," Evan says, and throws his arms around Tommy's neck, right there in front of the captains and firefighters and paramedics and anyone walking on the sidewalk past the bay doors. Anyone and everyone can see; it feels so good to hold Evan like this in his arms.

"Thank you," Evan says, his voice gentle, almost a whisper.

Tommy almost says, for what, it's just a flower, but he knows them both better than that. He pulls away and brushes a few stray curls from Evan's forehead, then kisses him. It's quick and chaste (only one whooooo from the crew), but Evan looks at him with those dark eyes and the dazed expression he seems to save for him, for Tommy. They could stay in this spot for years if Tommy's watch didn't beep for the top of the hour.

"Shift's over," Tommy says. "Ready for our road trip?"

"Yeah," Evan says, "wait, yeah, just a second." He slings his duffel bag across his chest and then grabs Tommy's hand to lead him out the bay doors. He waves goodbye to everyone and then holds the rose up to Tommy's face. "I think I've got everything. How about you?"

Some past Tommy would howl and kick his ass at what present Tommy's about to say, but that past Tommy didn't have Evan in his life. Past Tommy could stay quiet and learn a thing or two, like how to be happy. It was a skill, a real thing he and Evan were learning to do, and sometimes it meant small gestures that felt like the whole world.

"Well, I've got you," Tommy says. "I think that's all I need."

Evan looks taken aback, then blushes and lightly shoulder checks him. "Yeah, okay," he mumbles, but he can't hide his grin. As they climb in the truck and buckle up, Evan leans over and kisses him again—they can't hide a damn thing.

[wrongspacetime]

Kat & Swann | Tape 1 : Bloom LOST RECORDS : BLOOM & RAGE

[kirby-the-gorb]

[antlerlad]

anyone else notice all the cheese in solas' depression cave? no? just me? what was going on in there white boy

bonus egg. run over him with my toyota prius i must.

[neunhofferart]

My big storyboard sequence from Jurassic World Chaos Theory Season 3 Episode 2!

Surely Nonna didn't turn our baby dinosaur into meatballs???

-

This was probably one of my favorite comedy sequences to board on the show. I had a lot of fun leaning into this kind of horror parody style-- I was inspired by the scene in Monster's Inc. where Sully thinks Boo was turned into a cube of trash, as well as the episode of Tom and Jerry where the dog thinks his kitten friend was baked into a cookie hahahaha.

One of my goals was to make the meat to look as horrifying as possible, and the effects team really took my boards and ran LOL.

Can you spot some of the differences between my boards and the final animation? Some acting eventually got revised, and it was edited a bit more in the final ^^

[dingodad]

please god i need to know what U think of the whole “jadebloods are all female!” thing because i got into homestuck in 2019 around the time of friendsim and (retching) Lanque so i always assumed they were explicitly intended to be an all-female caste. however, re-reading the comic this year, i couldnt find a mention of it other than virgo and the Space aspect being really feminine, but i think kanayas journey with motherhood is more kanaya-centric than All-Jadebloods centric??

on one hand, it makes sense given that alternia has very real gendered oppression, so what’s better for that than CATHOLICISM?? on the other hand, i always saw kanaya as being transfem coded, because it connects so well with roxy yknow.. homestuck fans love to insist that certain characters just have to be cis women (kanaya, jade, roxy)

(as an aside; was “long hair was butch on alternia” a one off joke? i like speculation about alternia’s fashion opposing earth, lol)

most all of our basis for explicitly gendered interpretation of Alternia comes from act 6 intermission 3, where Aranea tells us that "jade 8loods were also an almost exclusively female caste". so the door has always been open for there to be "some male jadebloods". but it's a mistake to view this as having anything to do with any kind of "biological sex". the whole idea of biological sex among trolls is a smoke screen. the jadebloods' assigned gender at birth is "jadeblood". this is what makes them a feminised caste.

Caliborn doesn't have a clue what biological sex is. Aranea will tell you that there are boy cherubs and girl cherubs, but for your own sanity you need to cast this idea out of your mind: cherub sex takes place between good and evil cherubs - which is determined by their blood - and anything else is just roleplay. Caliborn's attitude toward sexing is that the ones he likes are boys - that's all the thought that goes into it. and that's the mindset we need to be aware of when we delve into understanding troll gender. there are some trolls who have breast tissue and some who don't, but they aren't "mammaries" in any sense, so there's no reason to believe they're actually sexual characteristics of any kind; maybe this is what Lord English chose to base his gender schema on, but the idea that this means there must be "male trolls" and "female trolls" is completely imagined for the narrative convenience of the human reader.

when we read that there are "male-dominated" highblood castes and therefore by implication female-populated lowblood castes, it's not by some coincidence of biology: the highblood castes are male-dominated BECAUSE they are highblood castes. each caste has a role to play in Caliborn's Alternia, and just as the highblooded roles are those of patriarchal domination, the lower castes must take on roles of feminised submission; and in the case of the jades in particular, this means breeding duties. the fact that this also comes with the expectation to wear makeup and pretty clothes is just more roleplay.

so tl;dr what i think of "the all jadebloods are female thing" is that it is very obviously true but in a way more 5 dimensional gender studies way than anyone else tends to mean when they say it

my pet "long hair was butch on alternia" headcanon - which is a joke but in the way all headcanons about alternia should be jokes of some kind - actually kind of relates to this lol. bc i figure that if gendered expectations of female trolls includes working in disgusting underground caverns filled with genetic material, it's going to be practical to keep your hair close to your head where it won't get dirty, in much the same way the feminist image of the short-haired woman became popular in the west during and after world war 2, wherein a lot of women had to start wearing their hair close to their heads to avoid scalping themselves in the factory machinery they suddenly had to start working with. hence kanaya dedicated to her assigned feminine role and wearing her hair short vs. porrim rebelling against it for feminist reasons and thus wearing her hair at a length that would be totally impractical for wading through gene pools.

[inkyrainstorms]

The Martian Stan AU - The Beginning

“Is that it?” Stan asked, his voice burning and rising like the coming tide, vicious and overwhelming and inevitable. Ford’s shoulders tightened involuntarily, and he threw his brother as scathing of a glare as he could manage. Couldn’t Stan see that this, Ford’s problems, were important? “You call me all the way here after ten years, just to tell me to get as far away from you as possible?!”

If Ford was any less exhausted, if the hole in his left hand and the hole in his heart  were any less gaping, and the fresh scrapes and cracked fingernails ached any less, he might’ve taken a step back to apologize. To explain that it wasn’t about what Ford wanted, or what Stan wanted. It was about stopping Bill, and saving the world.

If Ford were a different man, he’d reconsider his approach and find a way to fix the chasm that seemed to yawn wider with every word that came out of each of their mouths. But as it was, Ford was not a different man. He couldn’t even fix himself.

So Ford instead felt indignation sting like hot coals in his gut and urge him to step forward, closer to Stanley. His brother took an involuntary half-step back. “Stanley, you don’t understand what I’ve been through!”

“What you’ve been through!” Stan kept talking even as Ford pushed past him, fury etched onto every word like a brand. “No, no, you don’t understand what I’ve been through! I’ve been to prison in three countries, and I once had to chew my way out of the trunk of a car!”

He got up in Fords face when Ford turned back, his brows drawn low and finger jabbing into Ford’s abdomen. He didn’t realize it, because of course he didn’t, but he’d pressed right into one of the bruises on Fords ribcage from his trip down the stairs earlier that day. Ford grit his teeth and glared back.

“You think you’ve got problems? I’ve got a mullet Stanford!”

Why couldn’t Stan take Fords problems seriously? Was he really cracking jokes at a time like this? 

Ford couldn’t take it anymore. 

Oblivious to the dangerous precipice Fords stability had drawn close to,  Stan got bitterly sarcastic. “Meanwhile where have you been? Holed up in your fancy house in the woods and living it up, selfishly hoarding all—“

Ford went still. If he’d been a slightly different man, a slightly more composed man, perhaps, he’d have fired back another jab at his twin, because how could the man that ruined Fords life and betrayed his complete and total trust call him selfish?

There was a different voice, at a different time altogether too recent and a lifetime ago. His monstrous Muse, his most trusted friend, taking his body on a fucking joyride and then having the gall to look him in the eyes and say “YOU’RE PRETTY SELFISH IQ”. 

Ford had just kept on weeping blood. 

As it was, Stan didn’t get a chance to finish his rant. He was much too busy receiving a solid punch to the face and staggering back against the force of it. For a moment, all was quiet. Ford was shaking, he realized distantly, staring blankly at his brother. His knuckles stung from the impact.

Stan took more time to recover than Ford would’ve thought, but when he finally did, it was with a new layer of dark fury that Ford hadn’t ever seen from him before. Stan lowered the book from where he’d clenched it to his chest, and pulled out a lighter. “Fine.” He whispered roughly, though it echoed in the cavernous room anyway. Louder, then, “Fine! You want me to get rid of it so bad? I’ll get rid of it right now!”

A challenging fire burned in Stan’s eyes, and with a flick, it burned in his right hand too. Ford’s journal dangled above the hungry, all consuming light. 

Ford couldn’t breathe. Every piece of himself he’d had to let go of, that he’d lost to Bill and all that he was giving up to rectify his own mistakes, all to see Stan get rid of part of his life’s work right before his eyes. 

How dare he.

Ford let out a guttural shout and lunged for the book. Stanley, evidently not expecting this, stumbled back and tried to move the lighter before Ford and him could get burned from it in the tussle.

He only partly succeeded. Ford hissed at the momentary new pain shooting up the underside of his hand as he tried to grab for the book and Stan flat out dropped the lighter in response. His brother faltered for a split second, his brow creasing. 

“Sixer, I—“

Ford didn’t let him finish. The second he heard the nickname, some part of him blanked out entirely, and the buzzing in his ears sounded like an angry hornet in his skull. “Don’t,” he grit out, and he’s sure his voice was much too thick and angry and he wasn’t being rational but he couldn’t bring himself to care. “Call me that!” 

When Ford lunged for the journal anew, he tackled Stan to the ground as his brother instinctively tightened his own grip on the book. Ford’s book.

“Why not?!” Stan cried out, trying to pry Ford off of him and only succeeding in rolling the two on the ground away from the portal. Ford couldn’t figure out if he sounded more hurt or concerned. The hurricane in his chest kept him from thinking on it too much.

Ford let out a wordless grunt in response, as the two of them, having grappled up to stand, slammed straight through the door and Stan tried to pin him down onto one of the control panels, before Ford managed to gain enough momentum to roll Stan off of him. They were throwing punches and shouting insults they probably didn’t mean, and after a minute long struggle where they surely broke every damn thing in that control room —and good riddance, Ford tried to think but he was too tired to think much at all— Stan had shouted with all the ferocious desperation of a drowning man, “why can’t you listen to me, damnit! You ruined my life!”

Ford had retorted, because of course he did, with “You ruined your own life!” as he finally got a good grip on the book and kicked Stan away with enough force to shove him against the side of one of the control panels. 

Stan’s scream was abrupt and guttural and horrifying. It cut through the haze in Fords mind with all the precision of a scalpel, dropping a rock of dread into his gut. Ford backed away as quickly as he could, and didn’t even register his journal slipping through his slack fingers to land facedown on the ground. He felt sick.

“Stanley! Oh my gosh, I’m so sorry!” 

For a few, horrible, horrible seconds, Stan laid there, slumped and unmoving from where he’d hunched onto the floor. The burn— the brand on his shoulder looked angry and hot against his skin. It had burned clean through his coat and shirt.

Ford took a few hurried steps closer, shaking so hard he could barely walk, when Stan groaned. “Stanley…” he started, but trailed off as Stan pulled himself to his feet. His eyes were darker than Ford had ever seen them before. Stan was shaking too.

“You really want your dumb mysteries that bad?”

And Ford wanted to say, no, no he didn’t, because Stan still held his shoulder stiff as he could and his grip was knuckle-white where he’d used it to brace his arm against his side, because Ford had branded his own twin.

But the words stuck in his throat, because he realized with a start that Stan and him weren’t the ones shaking. The room was. His eyes shot to the portal.

His magnum opus and his curse, his Dadaleus’s Labyrinth, was activating. 

A sudden movement from Stan snapped Fords attention back to his injured, angry brother. Ford took a few cautious steps out of the control room and held up his hands placatingly as Stan advanced. His brother was blocking the doorway, but Ford needed to get in there, he needed to activate the shutdown procedure. “Stan, please,” he said weakly, not sure what exactly he meant. Let me through? Wait? Let me help you?

He didn’t get the chance to find out, though, because Stan continued talking, hefting up the journal he’d evidently picked up from the floor while Ford was distracted. “Well you can have ‘em” Stan said viciously, and Ford could hear the pain in it clear as day as he moved to shove the book into Ford’s hands.

Ford dodged Stan attempt, careful to not touch Stan’s injured shoulder, and weaved around him. “Stan, please, wait.”

Stan laughed, turning around. His grin looked painful. “I’m tired of waiting, Si— Stanford. I really am.”

Ford didn’t have time for this. His heart ached in ways Ford didn’t have the time to decipher as the humming in the room got louder, and he turned to move back to the control room. “Just a moment, Stanley, I just need—“

When Stan latched onto his arm and tried to whirl Ford back around, Ford reacted on pure instinct and deep seated paranoia, that kind that can only be born from aftermath of pure devastation. He followed the momentum and shoved Stan back as hard as he could, turning and sprinting to the control room before Stan could recover and try to stop him again.

“Stanford?”

He never got there. Stan’s voice, suddenly small and scared, ground Ford’s pace to a halt. The humming was louder now, reverberating through his chest. 

“Ford, what’s happening?”

For a terrible moment, Ford didn’t turn around. He just stared at the door of the control room as if he could stop time if he tried hard enough. He didn’t want to see. Seeing made it real. It meant his worst fears had become true, it justified the cold sinking in his chest. 

“Ford!”

Ford whirled around and let out a hoarse cry. There Stanley was, greasy hair floating in a halo around his face, one hand outstretched and the other holding Ford’s journal tight to his chest. Ford had pushed him over the danger line.

The look on his twins face was worse than Ford could’ve ever imagined. 

The anger had drained out of him, the closer he floated to the all consuming blue light of the portal. The was naked terror in his eyes, and he cried out for Ford again.

“Stanley! Hold on, please!” Ford said, before making another break for the control room.

He needed to shut it off right this instant.

“Hold onto what, brainiac!?”

“I don’t know, Stanley! Anything within reach, just don’t let yourself go through the portal.”

Ford input the shut down code. He input it again. He then realized that they’d knocked the cords out of alignment and frantically began adjusting them from where they were wired into the top of the control panel. Shit, they really broke everything in this room, didn’t they?

The third time he input the code, the light flashed green, and the keys made themselves known on a panel adjacent to Ford’s position by the window.

Three keys. Of course. Why did he have to make it three keys, all turned simultaneously?

Metal screeched in the portal room, and when Ford dared to glance up between trying to maneuver himself to turn all three keys, a jolt of horror swept through him and nearly knocked him off his feet. 

Stan has nearly entirely consumed by the light now, clawing at the edge of the portal he’d managed to reach. Ford cursed himself when he realized that the metal plate Stan was holding, as well as  over a dozen others, were loosening to the point of nearly falling off entirely from the main frame. The other objects he’d scattered across the floor of his lab, everything from basic tools like screwdrivers to bigger machine parts floated through the portal at increasingly high speeds.

Ford wouldn’t need to do anything, he realized, and it wasn’t the comfort he wished it was. The portal was destabilizing. Judging by the erratic pulsing the portal light was doing, it’d be closing soon.

Ford ran out of the control room and stopped short just as Stan locked eyes with him again. 

“Stanley!” he called, another desperate idea beginning to form in his panic addled mind as he scanned the room for spare rope and found none. The spare rope from the first portal test must’ve gotten caught in the portals expanding gravitational pull. His brother was barely a shadow in the light now, but Ford knew Stanley had heard him. “If you toss me the journal, I can—“

“The journal?” Stan gasped out, frenzied. “Is that still all you care about!?”

“No, no, if I just had the instructions, I could fix—“ this, fix everything. 

The screeching of metal and thundering of the portal reached a deafening crescendo, and Ford could see Stan open his mouth to interrupt, to say something, assent or argument or—

But Ford didn’t get to find out what Stan would’ve said. A particularly violent jolt shook the metal frame of the portal, and Stan, with a wide-eyed final look that Ford didn’t know how to decipher, slipped.

His brother disappeared into the light just as the portal collapsed in on itself with enough concussive force to send Ford crashing to the ground. He slammed onto his back hard enough to knock the air from his lungs.

Silence fell over the room. It was dark.

Ford stared at the ceiling above him, then dragged his eyes, slowly, painfully, to the portal. 

The deactivated, half missing and half obliterated portal.

For a long, long time, Ford sat in the dark under the full weight of every bruise and scratch and burn he’d sustained, and it was like he was underwater, head swimming with nausea and pain and bewilderment. He was numb. 

A faint plip-plop sound echoed suddenly through the deathly silent basement, and Ford squinted at the sound through his crooked glasses, trying to identify the source. 

A dark substance stained the edge of the portal, right where Stan had been holding on. Ford watched blankly as the liquid slowly rolled along the curve of the portal entrance, before reached a jagged gap in the perfect circle and slipping through. It slid down the jagged and crumpled panels, weaving until it gathered at the tip of a particularly jutting sheet of metal. 

Another drip.

Another.

Ford shifted closer, simply trying to breathe. He pointedly didn’t think about how the other side of the portal had driven Fiddleford to seemingly the brink of madness in moments, he didn’t think about the glimpse into the Nightmare Realm Bill had given him when he first revealed his true hand, and he certainly didn’t think about the final look Stanley had given him, grief and rage and betrayal all rolled into one.

He finally got close enough to see the liquid for what it was. It wasn’t oil, like he’d figured, like he’d hoped and prayed with every inhale and exhale to the gods he didn’t believe in. It was too thick, congealing with familiar splatters on the floor. It was a deep crimson.

Stan must have cut his hand on the metal with how hard he’d been holding it, Ford realized, and the thoughts were the first crack in the dam Ford had buried himself beneath. This was Stan’s blood.

Stan was in the Nightmare Realm, bleeding from one hand and burned on the other shoulder and begging for Ford to do something, asking Ford what was happening because he didn’t know, because Ford didn’t tell him, and—  

It was all Fords fault.

All of it.

Oh Moses.

The dam creaked with warning, a death rattle and a laugh rolled into one, before Ford was swept into the undertow.

Ford had killed his own brother.

All alone in the dark basement with the machine he’d turned into his brother’s grave, Ford buried his burnt, bloody hands in his hair and bowed his head until it hit his knees. All alone, Stanford Pines cried for the first time in years.

Alternate Titles: The Worst Conversation Ever

Or: Ford started disassembling the portal early and everything went to shit accordingly.

Tags! @aroace-get-out-of-my-face @pleasantartisanhottea @empressofsamoyeds @littlelilliana15 @pinefamilycatsau @thejaxindianrizzler (I saw your comment in the og post and it made me laugh cause I was in the middle of working on this when I noticed it) (I hope you don’t mind the tag :))

if I missed anyone I’m sorry about that! The tag is always a fair option to follow too (#martian Stan au)

[jenomong]

"Not gonna lie, we're doing pretty well already But yes, oh my doctor said There's a lot of room left to grow"

seonghwa, matz (2023)

[annasofthe11thdimension]

Alright, so this is basically...an art dump for all the pics i drew when i was trying to draft the ending i wanted my Odile looping Au 'Like a Wheel Ever Turning' which...is not even SLIGHTLY how this fic is going to end now, but while figuring that out i still like draw all this and had to do SOMETHING with it.

So figured I'd post it and be like 'hey! fun Odile looping act 5 boss fight vibes not connected to anything else!' since like...that basic IS what they are at this point lol.

The one cool idea i loved that i think is now FIRMLY ditched is the act 5 boss fight starts when Odile uses wish craft to splinter herself into two halves.

The 'old/current' her that is meant to be her coldly logical side, and a younger 'copy' version, which is meant to be the childish irrational side...that is what's stopping her just shutting down the time loop because she can't figure out how to be happy with her friends leaving.

I mean, if you murder the part of you that WANTS the wish to come true, that's basically a 'get out of time loop free card' right? Right! Totally sound logic!

Yes the 'young' version of her firmly believes that she's real, and also also got memories going up to about age 21, and also that she ought to be in Ka Bue not HERE among these french weirdos.

Also yes again, a 'young' Odile is EXACTLY as unhinged about this as you'd expect a 21 year old to be upon finding out that apparently the 'real' her think murdering her is the correct solution to this problem!

The shift of the fight was meant to have the inverse 'colors' shift from one version to the other by the end, wrapping up with the point where the 'original' Odile is forced to have a heart to heart with the personification of her perceived 'worst' qualities.

Pretty sure the vibes for this ending was a lot more focused on the resolution of having deeply complex feeling about EXPRESSING emotion directly to other people. That along with a side helping of how isolating it is to be perceived as a 'real' adult such that you can't be weak enough to ask anyone for help. Because really if you can't even be that then why are you any different then when you were irritating mess of a youth?

Not saying any of that isn't still present in the story, but like...there is a LOT of other stuff going on, and those themes are now linked into many other ones too, and that's not even TOUCHING on how Loop's been...somewhat complicating my redrafting lol.

...Also I might have drawn/plotted this version before i knew about two-hats lol. THAT also is a factor.

Anyway! Still liked all of these enough to want to do SOMETHING with them, and figured this worked, so i could like map out my thoughts on them, even if i never got to write this.

[mickdalena]

i love this bit SO MUCH. it's so fucking funny all of these jokes are fantastic to me and the delivery is perfect

[owlygem]

I got that kind of internet trauma that if a person goes low contact with me or we simply fade out of each other's lives, I just assume I've done something to upset them without realising and they are preparing to cancel the shit out of me hahahahahaha