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đ⨠A Voice from Gaza: Fighting for Hope â¤ď¸âđŠš
Hi, my name is Mosab , and Iâm from Gaza. Life here has been harder than I could ever imagine, but today Iâm sharing my story with hope in my heart, because your kindness has already given us so much strength.
This journey hasnât been easy. The war has taken 25 family members from usâ25 beautiful souls we loved deeply. Their laughter, their presence, their love⌠all of it is gone, leaving behind memories that are both precious and painful. Every day, I carry the weight of their loss, but I also carry their spirit, which gives me the strength to keep going.



Our Journey So Far
When I first reached out, I couldnât have imagined weâd make it this far. Your support has been a light in these difficult times, and we are so deeply grateful for every single contribution.
But the road ahead is still challenging. Every day, weâre reminded of how much weâve lost and how much we still need to rebuild.
Hereâs what life in Gaza looks like for my family right now:
đ Safety: The uncertainty of tomorrow weighs heavily on us.
đ˘ Loss: The absence of the 25 family members weâve lost is a pain we carry every moment.
đ Dreams on Hold: The future feels so far away when survival takes all our strength.
How You Can Help Us Cross the Finish Line Even the smallest act of kindness can make a difference:
$5 may seem small, but for us, itâs a little relief, a moment of comfort, and a reminder that kindness still exists. â¤ď¸
Canât donate? Reblog this post to help us reach someone who can. Every share matters more than you know.
â
ď¸ Vetted by @gazavetters ( #309 ) â
ď¸
Why Your Support Matters Your kindness isnât just about helping us meet our goalâitâs about reminding us that weâre not alone in this fight. Itâs about hope. Itâs about survival. And itâs about giving my family a chance to rebuild our lives, even in the face of unimaginable loss.
Thank you for helping us get this far. Your generosity and compassion have already brought us closer to a better tomorrow, and for that, Iâm endlessly grateful.
With all my love and gratitude,
Mosab and Family â¤ď¸
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Stranger Tides | Chapter I
Hey uh I'm back? I guess? I don't know if anyone will be interested but after almost a year of complete writer's block/trying to finish my degree I have found a new addiction in the name of Baldur's Gate 3. More precisely with this little guy above. Which has led me to finally write something new, featuring my OC Alys. I might be a bit rusty, but I'm happy enough with it to share the first chapter. So here goes. Enjoy!
Alys Vaelthorne never stayed on land long enough to grow roots. The sea wasn't home either - you can't make home of something boundless and turbulent - but it accepted her. Let her breathe, let her escape. Cleaned off the sins. Carried her away.
Now Alys can't run anymore. There's a worm gnawing away at her soul and its voice murmurs promises of absolution.
And, on top of it all, him.
That strange, cunning elf who always watches too closely. Who lies and charms and kills with a grin. And who, beneath it all, understands.
That scares her more than the end of the world.
A story of survivors. Of loss and grief and monstrosity. Of two circling each other until teeth and claws and bones clash. Until humanity starts to bloom again, in the places that used to be barren.
Pairing : Astarion x f! OC, Astarion x f! Tav
Rating : Mature
Warnings : Canon-typical violence, mentions of trauma and PTSD, explicit sexual content (eventually)
Additional tags : slow burn, hurt/comfort, angst, arguing as a form of foreplay, healing but making each other very angry first, enemies to lovers (kinda), Astarion and Tav are terrible at feelings, they both need a hug, true neutral tav (but leaning good), canon compliant with some divergence, eventual romance, eventual smut, i hate you because you remind me of myself vibes, but i also feel safe with you, but please stop seeing me like that, author is losing it
Chapter 1 : Beginnings (AO3)
Read an excerpt below !
She didnât look in the faces of corpses she robbed. Didnât take note of the colour of their eyes, of the pattern of their hair or the slope of their nose. Because that made it all wrong- gave her something to remember them by. They became people again, taken cruelly and unfairly, when they were simply means to an end. She moved swiftly around the beach, plucking gold from pockets, prying a wooden staff from broken fingers, untying leather armor from a caved-in chest and slipping it over her tunic. She was detached, methodic - heartless, an onlooker might have said. Force of habit.Â
Her pack filled once more, she fixed her sight to the smouldering wreckage, its bloated and greyish tendrils draped over the cliffside. She would start there.Â
She tied her hair above her neck and took her first steps towards this newfound purpose. Chin up, steady-legged, not a pause to mourn for the existence she was leaving behind. Sheâd always been good at that. Leaving without ever looking back.Â
Even when it ripped a piece of her she could never replace.
She didnât get very far.Â
A brutal feeling of being watched, of being hunted, made her stomach drop to her heels. Up to her right, needles rustled under boots - just once, before retreating. A misstep. She halted, blood thumping at her temples, and tilted her head slightly towards the sound.
There was someone on that hill, near a patch of sickly, short conifers. She could only make out their silhouette, crouched by a gnarled trunk, sticking to the shadows - nearly blending with them. A rogue, without question. She darted behind the nearest boulder.Â
Do they know I saw?
Alys didnât have much time to wonder. There was a flash of white against ocher - and then she was pulled down, a yelp caught in her throat, a dagger under her chin and a dangerous voice in her ear. âDonât. Move.âÂ
She went very still, back flush to this strangerâs chest. Her head spun, stars danced in her vision. But what stunned the sorceress wasnât how quickly heâd sneaked up on her, or the blade an inch away from her artery. No, it was the icy sting of the assailantâs fingers tightly wrapped around her arm. They were freezing. Colder even than hers when she summoned the skies.Â
For a moment, she was taken by the sensation. His touch almost felt inhumane, as if no blood pulsed beneath the skin.Â
âI saw you on that ship,â he hissed, cool breath tickling her neck. âYouâre in league with those⌠those things, arenât you?âÂ
âGet off of me,â the sorceress retorted, voice trembling with fury, and she dug her free elbow into the rogueâs stomach.Â
As she rolled away from the man, only one thought remained.Â
There was something deeply wrong with him.
She jumped to her feet, thunder fiercely crackling in her chest, ready to strike.Â
Her assailant followed suit, coughing, a hand clutching his middle. Alys looked him over, her sight narrowed by adrenaline. The rogue was an elf, tall and thin and pale. Paler than anyone sheâd ever met. Almost translucent in the harsh sunlight. He was all angles and long, sharp lines, except for his hair - a mop of curly silver, unruly like the fur of a lamb. He donned elegant clothes, but the velvet of his coat was worn, the gold motifs tarnished as though heâd mended them a few too many times, to give the impression of nobility. And he was scowling at her, eyes blazing with hatred.Â
But, gods, was he beautiful. A preternatural beauty that drew one in and spurred obsession. Hypnotic.Â
It made her anger dissipate in volutes.Â
Alys stared for a second too long, and the elf lunged forward. It shattered those wholly unbecoming feelings.Â
âBack off!â she shouted, drawing her staff.Â
"Oh," he sneered, tone laced with venom, "you filthy little -Â ARGH!"Â
He doubled over, his dagger clattering to the ground, and, a heartbeat later, Alysâ knees buckled as her skull split in two.
A pain greater than she'd ever felt seared through her brain like wildfire. Her tadpole writhed, burying deeper, biting through matter, destroying nerve endings and connectingâŚ
Her vision went black, and then her eyes weren't her own anymore.Â
The rest is crossposted on AO3!
#astarion#bg3 fanfiction#bg3 tav#sorcerer tav#astarion x tav#astarion ancunin#astarion angst#dnd oc#im going insane#i've been tadpoled#writing
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when is it my turn to curl up on jackson!joelâs lap on the porch and drink cocoa from the same mug and run my fingers through his hair and kiss the patch in his beard and wear his flannel shirt to eat breakfast in and hold his hand at the barn dances and sip whiskey watching the sunset???? when?
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Wish You Were Here | Part 3

You and Joel get stuck in a blizzard during patrol. It leads to something unexpected.
Series masterlist
Pairing : Joel Miller x f!reader
Fanfic tags : canon compliant, slow burn, romance, some smut, angst, hurt/comfort, joel and the reader are terrible at feelings, female reader, no use of y/n, reader is in early 30s, past relationships, trauma/PTSD, grief, loss, post-apocalypse, jackson joel, joel is a good parent to ellie, protective joel, major character death, original characters, queer characters, bisexual main character, age difference, canon-typical violence
WC : 8.9 k
Warnings for part 3 : Minors DNI! swearing, drinking, mentions of trauma and PTSD, mild violence, explicit sexual content (masturbation, unprotected sex, p in v sex, rough-ish sex, praise kink, pet names, limited aftercare), more hurt than comfort I'm sorry
Writing this one hurt a lil. But I'm happy with it. So please enjoy.
Itâs been half an hour. Thirty minutes of riding side by side in complete silence, interrupted only by the sounds of Old Beardy and Willowâs hooves rhythmically crunching in the snow. It seems like an eternity. The tension is so intense itâs almost palpable. Your presence, a blur in Joelâs peripheral vision, is putting him on such an edge that, at any given moment now, he could turn around and gallop back to Jackson, or start saying things heâd better keep to himself, or get you off your horse and take you by the waist andâŚ
No. Nope. Stop it.Â
His grip on the reins tightens and he bites his inner cheek until the stab of pain rips his mind off that absurd train of thought. He stares straight ahead at the deserted highway, the stretch of the 191 carved in a broad valley. The landscape is lost in a sea of white, the concrete below invisible, crashed cars resembling large animals sleeping in a snowy den. Joelâs face is numb from the cold, rugged skin humid, a few wild strands of hair on his forehead pearling with ice. The brim of his insulated cap isnât enough to shield his eyes from the stinging wind, but still, he stares, almost unblinking. His neck itches with the urge to turn and glance at you; he has been actively fighting it ever since leaving. He has to remain collected, he has to concentrate on the job. That sentence is playing on loop in his head like a mantra, so much so that the words are getting jumbled, barely making sense anymore.Â
He doesnât understand why itâs been so difficult to just move on from what happened. Not one day during those two weeks has passed without his thoughts drifting back to that brief intimacy he shared with you, without wondering what youâre doing, how youâre doing. And he loathes it. Hates being confused, hates not having control, hates that youâre having such an effect on him. So, before he drives himself crazy, he decides to start counting the cars until the both of you reach the first checkpoint on the Hoback route. Joel has calculated about five miles since Jackson, only around three to go until the job gets more active. There are two cars on the right, their shapes stuck together in a permanent collision, and one on the left. Joel can make it.Â
Small, repetitive rituals like this always helped him focus; back when he was working construction, a lifetime ago, heâd recite stupid ad jingles to himself, trying to remember as many as he could and associate them with the correct brand. There was a famous one that Sarah used to sing just to annoy him, delighted when it worked without fail every time. Heâd be reading the newspaper in the morning, or watching a game, or driving her to school, and sheâd pipe up out of nowhere. And then itâd be stuck in Joelâs head for days. Some annoying rap about credit reports. How did it go again? F-R-E-E, that spells freeâŚsomething something dot com, baby. Sarahâs mischievous giggles, after he begged her to stop, echo around his mind. Less than a year back, it would have sent him down to a dark, sunken place with slippery walls nearly impossible to climb out of. Not anymore, after Ellie. The memoryâs still stained with grief, but it doesnât feel so crushing to carry. Heâs accepted it as part of him. Joel tries to recall the rest of the lyrics to that damned song; he thinks Ellie might get a kick out of it. Sheâs always so eager to learn about even the most meaningless things that existed before the outbreak.Â
It does the trick to distract him from you. It works so well, in fact, that he nearly misses the turn to the checkpoint. He pulls on Old Beardyâs reins suddenly, steering him in the right direction. The horse neighs in protest.Â
So much for concentrating.Â
Youâve certainly noticed the mishap, but you donât comment on it, much to his relief. Â
Get a fucking grip.Â
Joel begins down the side path to an abandoned gas station, the tension rising. Maybe, if one of you were to point out the obvious, it would make this whole situation a bit less miserable. But Joel isnât going to be the one to do it. It would come out all wrong, anyway.Â
The place is small, a few pumps decaying under a canopy thatâs barely holding on to four crumbling steel rods. The convenience store isnât in better shape, its windows shattered, the signboard crashed by the entry. You take initiative and move towards the back of the building; Joel takes it as a cue for him to check out the front. The advantage of being an experienced patroller is that you can do your job without much communication; at least thereâs that. He jumps off Old Beardy and walks up to the building, unworried but readying his weapon nonetheless. If there were infected around, heâd have spotted them already. Just as he thought, the interior is empty, whatâs left of it is covered in a thin film of dirty snow. Just for good measure, he checks the storage and the restrooms in the back. Still nothing. He jogs back to his horse just as you turn a corner, you and Willow coming back into view, calm, unperturbed.Â
You donât wait for him to leave. He scrambles to mount Old Beardy, and youâre already back on the highway. It sustains Joelâs growing irritation; he almost yells out for you to slow down. Sure, ignoring each other is one thing, but being unsafe and disrespecting patrol rules is another. So, as a punishment, Joel spurs Old Beardy into a run and catches up before overtaking you, almost knocking you off Willow. He hears you gasp out in surprise. You try to swerve to the right, but he blocks the move. He wants to make you crack. Because he canât be the one to do so first. You try the same move, to the left this time, and again, Joel is faster. He takes things a step further and lets out a dry, arrogant scoff.Â
Thatâs it. Youâre about to rip into him. But only the whistling of the wind responds; you keep stubbornly quiet. You donât even give the man a glance when he finally lets you pass and get back on his side, your expression set in stone.Â
Damn it. Youâre good.Â
Joel doesnât attempt anything else, deciding itâs wasted energy. You both continue on the road, status quo, for another hour. You stop at a few other checkpoints around the highway : an old RV park, a fire stationâŚWarm, sheltered places that would draw in people, or things, at this time of year. But thereâs no sign of life anywhere. By this point, Joel would usually have had to take out at least a stray runner. Itâs almost unsettling. Like the calm before a storm. That little seed of concern plants itself inside his mind, heightening his senses. You must feel it too, because you guide your horse closer to his, and he notices your right hand leaving the reins to rest on the rifle hanging from your shoulder.Â
Sombre clouds are accumulating in the sky, hanging low, menacing. The wind increases as you both reach the highway exit to the small village of Hoback, carrying sharp snowflakes that cut Joelâs exposed cheeks. The path is narrow, flanked by tall conifers that grow denser, their branches drooping down from the weight of the snow. Youâre forced to get behind the man, your gaze on his back piercing, nervous, uncomfortable. The both of you still donât talk, but the atmosphere has shifted, the unspoken conflict momentarily forgotten.Â
Joel moves forward cautiously on trot, alert, scanning his surroundings. The first cluster of residences comes into view, simple log cabins settled at the foot of a hill a couple yards away. From the distance, nothing looks out of place. He signals for you to follow him, and you patrol up and down the short street, hastily inspecting the houses on both sides. Theyâre frozen in a dead silence, immobile, ravaged by years of negligence and harsh elements. Instead of being reassuring, the absence of movement only causes Joelâs foreboding feeling to develop. Something is very off here. The both of you repeat the process through the village, falling into calculated, practised gestures. And, while patrollers have the habit of checking some key places for supplies to bring back to Jackson, this time, your pair instinctively works as fast as possible, not entering a single house. Thereâs an unwritten agreement to get the hell out of here as soon as you can.Â
Youâve cleared out most of the village and, at last, you reach Snake River, the sounds of its turbulent waters mixed with the wind is tumultuous. Thereâs a bridge ahead, just large enough for a car. Its wooden structure is unstable, some slats have fallen, the rest are icy and split in places. This next part has to be done on foot; the horses would collapse through the bridge and drown if they even took one step on it. Once you cross the river, youâll need to walk a couple miles to the outskirts of the village, finishing off the route at an old golf course. The clubhouse is a great lookout to the area; it holds the patrol logbook. Joel halts Old Beardy before the river, and you stop next to him. The animal shakes his head, freeing his mane from the layer of snow. Joel hesitates, not quite ready to leave the protection and speed horseback offers. Heâs debating if an acute gut feeling is reason enough to turn back and leave patrol unfinished.Â
That short moment of doubt is precious. Because a second later, nature seems to fall completely silent around you. As though a predator is roaming nearby. Sudden, horrible snarls erupt from the woods stretching to your right. The ground trembles beneath fast, uneven footsteps. A lot of them. Too many. Time stops as Joel looks in your eyes for the first time in hours. Theyâre full of fear.Â
And then a runner stumbles onto the trail about three hundred feet behind, twitching, its mangled head snapping in your direction. Followed by another. And another. It jolts the man right into action.Â
âCOME ON!â He urges you, spurring Old Beardy to a gallop.Â
Thereâs no way to go, but forward. Joel barrels around the bridge and down the slope, reaching the riverbank. You donât leave his side, thighs clenched around Willowâs flanks, arms straining with the reins. And as your horses hooves hit the ice, the horde has crossed the distance, pouring down the embankment. Thereâs at least twenty. Some of them fall into the water, the current seizing them immediately. But itâs not enough to stop them. Joelâs heart is hammering out of his chest, his body rocking with the movement as Old Beardy pushes on, fueled by the danger. Joel lets go of the reins, expert fingers grasping his rifle. He swiftly points it at the first runner that lunges at his left, and lodges a bullet in its brain. The next one steps on the corpse, ready to attack. It meets the same fate. The gunshots coming from your side clearly indicate that youâre handling yourself. Before long, Joel has emptied the chamber, not one bullet wasted.Â
âRELOADING!â He shouts.Â
You cover him, taking out an infected, mere inches before his claws dig into Joelâs ankle. He doesnât have time to thank you, however, pulling the trigger the second he readies the rifle again. You both maintain the rhythm up for what seems to be hours, the horses snorting through the effort, runners dropping like flies. Joel has lost all sensation; he doesnât feel his lungs burning or his muscles pulling; the adrenaline has completely taken over. He keeps riding. Shooting. Reloading. AndâŚYes, there.
Only two of the fuckers left.Â
One on your side, one on his. He fires. Perfect shot. He thinks the two of you might make it out unscathed.Â
But then, something happens. Your weapon is pointed at your own runner, about to shoot. But you hesitate. Joel watches as the creature strikes. Willow panics. She rears up. And you are thrown to the ground.  Â
ââââââââââ
That runner.Â
It looks so much like her.Â
Your body hits the riverbank, head bouncing on a rock, wind knocked out of you. A sharp pain erupts in your skull, high-pitched ringing explodes in your ears, stars appear in your vision. In a fraction of a second, the creature is straddling you. You weakly push an elbow against its chest, keeping its jaws from locking around your neck. It twitches, screams, clacks its teeth.Â
And you justâŚaccept it. Twenty-one years of surviving, and this is how it ends.Â
You close your eyes.Â
And youâre back in the forest. That day. Youâre running, faster than youâve ever done in your life, branches grabbing at you, slicing your skin, like they want to prevent your escape. You glance over your shoulder. Sheâs gaining on you. Her eyes have turned a milky white, her clothes are ripped, her skin bloodied. But she still looks so much like herself. She still sounds like herself. Your baby sister. Her discorded weeps fill you with a gutting terror. You can almost make out the repeated word. Your name. Tears fall down wildly as you dart between trees, your breathing erratic, throat on fire.Â
âPLEASE! ANI! STOP!â you howl. But sheâs gone. She canât understand. So she chases, and you run.Â
Until your foot catches on a large root, sending you tumbling through the underbrush. Your gun clatters away from you. You lay there, stunned, dirt in your eyes, your nose, your mouth, ankle bent at the wrong angle.Â
She pins you to the ground, broken nails digging in the skin of your arms. You flail around, kick at her, trying to free yourself from her impossibly strong grip.Â
âSTOP IT! ANI! STOP!â you cry out again, voice raspy, hollow, desperate.Â
Your right hand pats around blindly for the weapon, your left is pushed against her forehead, forcing her mouth away from your exposed shoulder. Your heart is beating so fast it seems like itâs stopped. Maybe it has. Maybe youâve died, and this is just a flash of your last moments as you drift into peaceful, eternal rest. Or maybe itâs a horrible nightmare, and youâre about to wake up, a hand laced in your sisterâs soft hair, light snores escaping her lips. She always looks so innocent when she sleeps, like all worries have washed off her, like sheâs been sent back to a happy childhood in her dreams.Â
Your fingers brush against cold metal. You close them around the handle.Â
Bang.Â
The shot echoes, in the past and in the present.Â
Youâre still alive.Â
The runnerâs corpse slumps down against you, coating you with gore, a foul smell making you gag. Youâre paralyzed, trembling, chest rising and falling erratically, gasping for air. You look up at the angry grey skies, the snow plummeting down, catching in your eyelashes. Everything stands still for an instant.Â
It all comes rushing back as the dead infected is ripped off your chest, discarded to the side like a rag doll. You sense a presence crouching down next to you, and Joel obscures your view.Â
He calls out your last name, loud, snapping you back to reality. You focus on his face; itâs flushed, expression tight with stress, eyes darting, searching for yours.Â
âHey! Are you okay?â he yells.Â
Joel takes you by the shoulders and pulls you into a sitting position, the sudden movement making you dizzy. You stare back at him, eyes wide, blinking rapidly, unable to answer. Stunned.
âHEY! Did it bite you?â he continues, shaking you.Â
You move your head side to side in response, causing it to throb in pain. You wince, raising a hand to your occiput. Your glove comes back crimson. Joelâs eyes fall to the blood, and he mutters a curse. He reaches into his coat pocket to take out a rag, balling it up and pressing it to the back of your skull.Â
âKeep that there for me. Can you do that?â He speaks in a low, steady tone, but thereâs an edge to it you pick up on. You nod and execute yourself. Willow comes over and nudges you with her nose; her way of apologising. You pat her with your free hand, reassuring. It was your fault.
Joel runs back to Old Beardy, the poor beast trembling from the fright. He takes something out of his packâs front pocket and brings it back : a small bottle of rubbing alcohol. He twists the cap off with his teeth and kneels behind you, taking the rag and pouring some of the liquid on it. He rubs it on your wound, eliciting a shriek.
Holy shit that hurts.Â
Joel inspects the injury, parting your hair to expose it, the rough fabric of his gloves like sandpaper on your scalp.Â
âCut isnât deep. But youâre gonna get a mean bump.â Joel explains, applying more pressure. He stops the bleeding, aided by the cold, and wraps the rag around your head, securing it with a tight knot. âWe gotta keep moving. Can you stand up?âÂ
This version of Joel, assertive, protective even, catches you off guard. Itâs such a stark contrast from his attitude earlier in the day. It nearly makes you forget how close to death you just came.
âUh, I-I think so-â you reply, regaining your voice, before attempting to push yourself off the ground and falling back down. Your head spins.Â
Joel offers you his hand, which you take to pull yourself up slowly, your whole body protesting. Bile rises up to your oesophagus. You lean over, breathing through your mouth.Â
âShit. I think you have a concussion,â you hear Joel say, from far away.
And, then, as if things couldnât get any worse, the storm picks up. The snow gets so dense you can barely see five feet in front of you. The man takes the lead, urgently guiding you towards Old Beardy. He helps you mount, taking you by the waist, and you donât even think to resist. Thereâs no way you can ride by yourself in this condition. Joel gets on and takes the reins while you hold on to him, chest pressed against his back. He whistles for Willow over the wind. She follows right behind.Â
Joel leads his horse out of the riverbank and into the surrounding woods, visibility getting even poorer. Youâre blinded by snow, breathing it in, wheezing. You put all trust in Joelâs sense of orientation, praying that somehow, he gets you back onto the road. He presses forward, a hand raised in front of his face to protect it.Â
What a stupid fucking way to go out. Lost in a blizzard. With Joel Miller. At least the town would have something to talk about.Â
But then, miraculously, the trees begin to thin out; ahead, you can make out the faint outline of a trail.Â
He did it.Â
You squeeze Joelâs torso tighter, as if to thank him. Old Beardy perseveres, pushing one leg in front of the other. Your head is getting heavier, the concussion pulling you towards a dreamless sleep.Â
âHold on. Weâre almost there.â Joel affirms. Youâre not sure who itâs destined for : himself, you, or the horses. Maybe all four. But itâs all you need to let go, and you pass out, head slumping on Joelâs shoulder.Â
ââââââââââ
You wake up to the sound of snow pelting against glass. Your skull feels like itâs being drilled into with a jackhammer. You pry your eyelids open and try to get your bearings, vision foggy, as though you opened your eyes in a chlorine pool. You find that youâve been laid out on a frayed, deformed couch, springs digging into your back, a quilt smelling of mothballs thrown over you. Your winter attire has been taken off. You push yourself up on your elbows and look around the room. It seems to be the small living area of a cabin; thereâs a rustic coffee table where both packs lay next to the bloody rag that acted as your bandage. To your left is a large, frosted-over bay window; the outside is an infinite, oppressing white. Two sets of jackets and ski pants hang from antler-shaped hooks next to the front door, a puddle forming underneath. A stone hearth takes up the wall in front of you, fire crackling inside. And, to your right, a plaid armchair. Joel is sitting in it, leaning forward, forearms resting on his thighs, watching you intently with knitted brows. His expression is hard, severe, unfriendly; heâs back to his normal self. You hold his gaze, your sight slowly getting clearer.Â
âUh. Hey,â you speak hoarsely, throat dry. It makes you cough, which prompts Joel to get up and rummage through your pack to retrieve your canteen. He tosses it to you carelessly, and you fail to catch it. It lands on your lap with a thump. Joel plops back into the armchair, huffing. He is very transparently upset with you.Â
Great.
You take a long gulp of water and wipe your mouth with the back of your sleeve, the day replaying in your mind like on a movie theatre screen, pausing on your near-death experience. And youâre baffled, ashamed of your own actions. You canât believe Joel had to step in and save your sorry ass, like youâre some kind of damsel in distress. Â
Fucking rookie mistake. And now you have a goddamn concussion.Â
You massage your temples and suppress a groan. âHow long was I out?â you ask instead.Â
âAbout an hour.â Joel answers, tone glacial, deprived of any sympathy.Â
âDid you try calling Jackson?â You nod over at the small radio sitting on the ground by the window.Â
âCouldnât get a signal,â Joel answers, gruff, as if itâs an obvious fact.Â
You roll your eyes. You know heâs right, but still, you stand up despite sore muscles, and go over to the device, cranking it a few times before trying the channel knob. Youâre met with static. Joel mumbles something under his breath; it doesnât sound pleasant, or polite. You put the radio back down and return to the couch, avoiding eye contact with the older man.
You glance at your watch. Itâs right after 3PM, and the blizzard hasnât let up. Youâre going to be stuck here a while. You rest your head on the arm of the sofa, staring at the beamed ceiling, lost in reflexion. About how genuinely worried Joel seemed when you got hurt, how he jumped right in to take care of you. It makes you seethe. He tucked you in so youâd stay warm. He even changed your socks; the wet pair is drying by the fireplace. How dare he? You shift on the cushions, stiff, ill at ease. And Joel chooses that moment to break the silence.Â
âWhat the hell was that back there?â He questions, his tone accusatory.
You tense up. The blame youâre putting on yourself is more than enough. He doesnât need to twist the knife. You ignore him, your jaw clenching.Â
âHey. Iâm talkinâ to ya,â he nags.Â
It makes your blood boil, and you sit up to glare at him. âWonât happen again,â you grumble.
âYeah? You sure about that?â He continues, harsh.Â
You take a deep breath. âLook, I-â
He interrupts you. âYou donât freeze up like that. Ever. You understand me?â
âOh, wow. I had no idea!â You strike back, not missing a beat. âI donât need a lecture from you, Miller,â You spit out.Â
Joel lets out a chilling chuckle. âOh, youâre welcome, by the way!â He barks, âYou know. For keepinâ you alive anâ all.â
You spring to your feet, heat shooting to your head, exacerbating the migraine. âI didnât ask for your fucking help,â you utter.Â
Joel gets up too, towering over you, hands balled up into fists. âRight. Next time I'll just let you get infected. That what you want?âÂ
âI told you. There wonât be a next time!â You shout, holding yourself back from punching him in the gut, or kneeing him where it would hurt most, or pulling him down to the couch and pushing your lips to his neck and letting him-Â
No. Nope. Not again, not here, not now.Â
You desperately need some air. You move towards the front door, but Joel strides up to you and blocks the way, arms crossed.Â
âYou ainât going anywhere,â he warns.Â
âLet. Me. Out.â You command. Your head is so painful you think it might explode.Â
Joel chuckles again. âYou got a death wish or somethinâ? Settle down, girl.â He talks down to you as if you were a child, smug, condescending; but that word makes your heart skip a beat.Â
You try to make a pass for the handle, but he grabs your wrist and shoves it backwards effortlessly. Youâre seeing red. So you opt for the next best thing; you spin around abruptly and storm off to the other side of the cabin, into the bathroom, slamming the door behind you.Â
âOh yeah. You do that. Real mature.â Joel yells out.Â
You hear the creak of the floor under his steps and the rustling of fabric as he sits back down. You take your frustrations out on the shower curtain, displacing thousands of dust particles, before biting down on your hand to muffle a scream. When youâre done, you climb into the bathtub and curl up against the lime-scaled cold porcelain, forehead on your knees. The space is dark, stuffy, suffocating. You wonder how youâll be able to make it through the storm without ripping Joelâs head off. Or doing something exactly opposed to it. How easily that man is able to just get to you is incomprehensible. Enraging. And, worst of all, despite how reluctant you are to admit itâŚÂ
Arousing. Â
It must be the concussion dysregulating you completely. But the feeling grows, and you extend both legs to squeeze your thighs together, trying to release the pressure building between them. Itâs no use. Thereâs only one thing that would satisfy it, and heâs right outside the door. Without your control, your right hand moves to the waistband of your jeans, undoes the button and goes down, past the elastic of your underwearâŚFingers reach down to your entrance, already slick, and glide back up to the hardened nub, the touch sending a rush of pleasure through your body. You rub clumsy circles around, slow at first, mind filling with Joel, his calloused hand there instead of yours, stretching you out, whispering filthy things in your ear. You increase the speed, biting your lip to keep yourself from moaning, cheeks flushed, the pressure becoming almost unbearable. You push two fingers inside, curling them to stimulate that sensitive spot, bucking into your own palm to deepen the sensation. In a matter of seconds, youâre unravelling, free hand gripping the side of the tub, your walls clamping down on the other, come seeping in the fabric below. Your lips part and you canât help a low squeal from escaping them. You immediately clap your left hand over your mouth, heart racing.Â
Fuck.Â
Did he hear?
You take a few deep breaths, trying to calm yourself. The reality of what you just did comes crashing down. It only worked to heighten your desire. And your anger. You button your pants back up and step out of the bathtub, wiping your hand on a scratchy towel you find in the linen closet along with a colony of spiders.Â
Youâve been in here for too long. You have to go back out. It would raise suspicion if you didnât.Â
ââââââââââ
Joel is oblivious, too busy sulking over the events of the day as he tends to the fire, flames illuminating his face in a flickering glow.Â
That was too fucking close.Â
The image of you, frozen up under the runner, keeps snaking its way into his thoughts. It infuriates him. How you just gave up, like your life was worthless, like you deserved what came to you. And yet, the sentiment is so familiar it makes his chest ache in a burst of empathy. He can sense the burden in you, the intense trauma you endured. Most people have, in this unforgiving world, but youâŚThereâs something more. It was the look in your eyes when you saw that infected, as if it reminded you of something so vivid it stole you away for an instant. He knows because itâs happened to him. It still does, sometimes, although less frequently. Theyâre these moments of sheer panic, where heâs choking, the world blurring around him. He has to count things he can see, or touch, or hearâŚHe feels so miserably weak after itâs passed, as if heâs just a small, scared old man. Maybe it reveals his true nature.Â
And heâs so angry at you for making him care. Because for some reason, he does. Ever since that night at the tavern. Maybe even before. How scared he got when he thought you might be done for is direct proof of it.Â
He canât afford to have another person to protect.Â
A quiet cough brings him back to the present. He peers over his shoulder. Youâre standing behind him, seemingly troubled by something; you fiddle with the hem of your sweater, gaze glued to the ground.Â
He turns back to the hearth, sighing, and forces out an irritated âYou good?â The thing is, he actually is concerned with the answer.Â
âFine.â You reply, your tone not an ounce more affable than his.Â
That is as far as the conversation goes. Joel eventually gets tired of rotating the same log with the fire poker, pretending the action is crucial to keep the flames alive. He goes back to the armchair, glancing at you. Youâve reclined on the couch, feet propped up on the coffee table, mindlessly chewing on a piece of dried meat. He decides to imitate you, because he needs something to do with his hands. So he digs in his bag for the sandwich heâd packed; itâs mushed, tasteless. You both eat in thick, loaded silence.Â
The sunlight is starting to decline, and the storm rages on, casting the room in an eerie shadow, the cold seeping in through every tiny crack in the cabinâs foundation. Joel shivers despite himself, shoving both hands under his armpits in an attempt to preserve his body heat.Â
A second later, youâre out of your seat. Joel watches as you climb up the spiral staircase that leads to the loft bedroom. You shuffle around the space, partially concealed by the railing, and come stomping back down, carrying a crumpled blanket. You hold it out to him at armâs length. Joel cocks a brow; the sudden kind gesture leaves him completely confused. You jiggle the blanket under his nose, impatient. He decides to take it, and drapes it around his shoulders, the relief immediate.Â
âUh. Thanks,â he mumbles.Â
You give a shrug in response, dismissive, wrapping yourself in the quilt and retreating to the sofa. Â
What the hell?Â
An hour ago, you were fiercely arguing with him. Now this. The flip-flopping is giving him whiplash.Â
Time passes, excruciatingly slow, nor Joel or you daring to say another word. The sun fully sets; the darkness outside is opaque, as if the little cabin is drowning alone in an abyss. Thereâs no way around it, youâll both have to spend the night here. Around half past 5PM, Joel canât stew in the tension anymore, so he goes to check on Old Beardy and Willow, confined to the veranda at the back of the house. Theyâre cramped, but otherwise fine. Joel risks a short trip to the yard to fill an old, warped bucket with snow for the horses to drink. As he shines the beam of his flashlight around, he notes that the blizzard has weakened slightly. This mess might be over in the morning. Just a few hours. He can last until then. Itâs not like he has any other choice.Â
He feeds the animals with a pile of straw forgotten in a corner of the veranda, behind some gardening tools. At the start of the outbreak, he couldnât help but imagine who inhabited the places he used as shelters, what their daily lives looked like, if they were still alive. Sometimes, heâd come across evidence of the contrary. It used to disturb him, heâd feel like an intruder, but heâd quickly grown desensitised. Cordyceps didnât spare anyone. It made suffering the new normal. Itâs useless to dwell on what was or wonder what could have been. So, he doesnât pay more attention to the objects scattered around the space as Willow eats from his hand.Â
Once he comes back inside the cabin, he finds you exploring the kitchenette thatâs crammed underneath the loft. Youâve opened the cupboards, revealing stacks of chipped, dusty dishes. Youâre going through a drawer, a few utensils clinking inside. You havenât noticed Joel, too focused on your search for something of value. He observes quietly as you move on to the second drawer, when he decides to make his presence known. He clears his throat before speaking.Â
âDonât bother, I already checked while you were sleepinâ.âÂ
His words only make you search harder, meticulously inspecting the contents of the drawer, bent over, your back turned to him.
Goddamn it. Youâre exasperating.Â
And yet, his eyes are drawn to a specific part of your anatomy, the curves made obvious by your position, your jeans hugging them so well he could just-
âOr do whatever the fuck you want,â he mutters, the hostility compensating for the sudden surge of lust.Â
He plants himself in the armchair, once again, the noises of your continued investigation grating, setting his nerves on fire. After a few minutes, they stop. And you come walking back to the living area with a subtle, conceited smirk on your lips, and a bottle of very nice, before-the-apocalypse whisky clutched in your right hand.Â
âDidnât check well enough, Miller,â you say, failing to hide your satisfaction.Â
âWhere was it?â He asks, upset at himself for missing the item.Â
âBack of the sink cabinet,â you answer smugly. âQuality stuff,â you add, reading the label. Youâre absolutely right, but Joel isnât going to recognise it.Â
âYeah, yeah. Donât get cocky,â he grumbles. You donât waste time and unseal the bottle before raising it to your mouth.Â
âDonât think thatâs smart,â Joel cautions, making you pause mid-air. âYâknow. Concussion,â he continues, his tone more unpleasant than he anticipated.Â
You donât listen to his advice, staring at him tauntingly as you sip. Heâs quickly learning that you thrive in defiance. And this audacity you possess, itâsâŚAttractive. Joel inexplicably likes that youâre provoking him. Your expression remains neutral as you swallow, even when Joel knows for a fact it must sting like hell. You offer the bottle to him.Â
Itâs been a long time since heâs had liquor that didnât have an aftertaste of battery acid, and the sight makes him crave a good drink. Itâd certainly make the night pass by faster. He knows itâs a terrible idea, considering where getting drunk with you led him last time, but itâs so damn temptingâŚ
He takes the whisky from you.Â
ââââââââââ
Youâve made a considerable dent in the liquor. Itâs dulling the pain in your head, reducing it to a distant ache. Youâre sitting cross-legged in front of the hearth, and Joel has joined you on the ground, close enough to pass the bottle back and forth without having to stand up. His back is resting on the bottom panel of the couch, legs spread out casually. The fire, as well as the whisky, is enveloping you in a calming warmth, eating away at your inhibitions; youâve taken your sweater off as a result, stripped down to a tight thermal shirt. Thereâs silence again between you and Joel, but this time, it doesnât make you want to claw out of your own skin. Itâs strikingly comfortable. And you find yourself wanting the man to come closer, longing for contact, connection. You havenât forgotten your little adventure in the bathroom; in fact, the liquor is feeding those feelings, and theyâve risen to a nearly overwhelming level.Â
You take another sip, and, during the exchange, Joelâs fingers graze yours, sending your heart in a frenzy and a burst of flustered heat to your face. You jerk your hand away.Â
Idiot.Â
You play it off by brushing it through your hair. Joelâs mouth twitches upwards before he drinks.Â
âWhat?â You ask, defensive.Â
âNothinâ.â Joel passes the bottle back to you with a faint air of amusement. You decide itâs a good time to stop, and you set it down on the floor.Â
âDone already? I was expecting more from ya,â he teases.Â
You hate how well itâs efficient in riling you up. âLike you said. Concussion,â you retort, pointing at the site of injury.Â
âHm. So now it's a good enough excuse,â he presses on, narrowing his eyes at you.Â
âYup,â you answer simply.Â
âReally? Thatâs all you got?â His smirk is more assured now.Â
You give a drawn-out sigh in response, studying the fire like itâs the most interesting thing in the world.Â
âDamn. I was startinâ to like the snark,â he says. It seems like the liquor has taken a toll on the manâs reservations, too.Â
âDonât wanna waste my breath on you,â you reply, unable to resist the banter.Â
Joel chuckles. âAh. There she is.âÂ
You had forgotten how lovely Joelâs laugh is. How natural it feels to talk to him like this. Funny how booze seems to have that impact on the both of you. And, after a tortuous day of being at each otherâs throats, you welcome the change of mood. âDid I just hear you say you like me?â You turn to gaze at him, an eyebrow raised.Â
âNah. Must be your concussion.â He answers, deadpan, unfazed.Â
You canât hold back a smile as you reply. âHm. Sure, Miller.â
He pauses and appears to consider something, chewing on his bottom lip. âUh. Joel,â he finally lets out, voice deeper, more serious. âJust- call me Joel.âÂ
Youâre taken aback by that sudden request.Â
His first name. It feels informal, intimate even, as though youâve moved past the status of coworkers, into murky, foreign territory. You know you should refuse. Youâve dropped too many of your principles with this man already.Â
âAlright. Joel.â You gulp. âUh, same goes for you.â
He gives a short nod, and mirrors your sentence, only with your name instead.
Itâs significant. This moment. It feels like the two of you have reached a point of no return. Like from here on out, things canât just go back to the way they were.Â
âMan, this isnât how I was planning to spend the night,â you revert to humour to diffuse the returning tension.Â
âYeah?â Joel follows your lead. âGot somethinâ youâd rather be doinâ?â
âPretty much anything else,â you quip. âI was gonna work on this painting Iâm late on.â Youâre not sure why youâre opening up about that aspect of your life, but itâs the direction the whisky has picked. Itâs futile enough. Still safe.Â
âOh. Right. Painting,â he says. âI knew you did that.â
He does?
âDidnât you do one of Tommy and Maria?â He continues. âFor their wedding?âÂ
The man truly is full of surprises. And to think you were convinced he was completely indifferent to you, at least before today.Â
âUh, yeah. Yeah, that was me,â you reply after a few seconds.Â
âItâs good work. You managed to make Tommy look half-decent. Thatâs talent right there,â he jokes.Â
âYeah. Thanks. I tried.â You chuckle, and your stomach flutters at the compliment. Youâd shoot those butterflies one by one with a tiny gun if you could. âWhat about you? Whatâd you have on the schedule?â
âHm,â he answers, ânot much either. Was gonna ask Ellie to join me for dinner. And get rejected again.âÂ
âI donât blame her,â you comment, a teasing grin forming. âWhat teenager wants to hang out with a grumpy old guy?âÂ
âHey. Rude.â Joel feigns offence. âI can be fun,â he adds.Â
âWonât believe it until I see it,â you push further.Â
âOkay then. Just you wait.â He glances around the room for inspiration, until he is hit by a stroke of genius.Â
âTruth or dare?â
You snort. âAre you twelve?â
âTruth or dare?â Joel repeats, voice raising in pitch.Â
You shake your head in disbelief.Â
Joel fucking Miller. Â
âFine. Truth,â you capitulate.Â
Joel smirks. âOkay. Uh,â he concentrates, âWhatâs your favourite colour?â
You take a second to process the words that just came out of his mouth. And then burst out laughing.Â
âCome on,â Joel protests, a grin brightening his eyes, deepening the wrinkles around them. âWhatâs wrong with that question?âÂ
It makes you double down in laughter. You wheeze, trying to catch your breath, and Joel joins in with a few low chuckles. The stoic mask has vanished. Why does he look so sweet?Â
âThat-that- was the best you could come up with?â you get out between deep inhales.Â
Joel doesnât back down. âYou gonna answer it or what?âÂ
âOkay, okay. Uh-âÂ
You realise you havenât thought about that tiny aspect of yourself in about two decades. Cordyceps has had that strange effect of destroying souls, personalities, the little things that used to make one human. By infecting some, and coercing others into survival. Youâre not sure which fate is worse.Â
âItâs yellow,â you finally reply. Yellow like the sunshine. That was your sisterâs nickname. And you were Moonbeam. Opposites who completed each other. And now thereâs only one left, lonely, broken.
Joel nods. âFitting.â
âHm?â
âYour tattoo.â He gestures at your exposed collarbone, where a sun made up of a multitude of ink dots is etched into your skin. Joel is scarily on point; that was for her, too.Â
âYeah.â You donât linger on the topic. âYour turn. Truth or dare?â
âDare,â Joel replies instantly.Â
Youâre not prepared. âUh- I dare you to-â Your mind is sluggish, moving in slow-motion as you try to come up with something. âI dare you to sit next to me.â It comes out without your control.Â
Shit.Â
âEasy,â Joel brags. He pushes himself off the ground with a grunt and takes five steps before settling back down so close that your legs are touching. He doesnât acknowledge it, eyes on the fire ahead, and neither do you. But it sends a chill up your spine and your thoughts to a dangerous place. You determine youâve taken a long enough break from the whisky and take a swig of the liquid courage. Joel does too.Â
âYour turn,â he reminds you.Â
âTruth.â You still have enough wits left to be worried of what heâd make you do as a dare.Â
âTakinâ the cowardâs way out?â He teases.Â
You drink again, ignoring the remark.Â
âAlright. Uh, tell me about- your first time,â he says, glancing over at you with a sly smile.Â
Thatâs a huge jump from the innocence of his first question. You shoot him an unimpressed look. âYouâre gonna have to be more precise.â
âYou know exactly what I mean. Now start talkinâ,â he playfully orders.Â
You sigh. âI was seventeen. With a friend I had in the QZ. Nothing special to it.â Your teenage years arenât a period you like to reminisce about; you had to grow up much too fast.Â
Joel stays quiet for a moment, and bumps your knee with his, in a movement that could be passed as accidental, or as an attempt at comfort. Youâre not certain which is the truth. âDâyou love him?â He asks, his tone genuine, devoid of mockery.Â
âHer,â you correct. âAndâŚI donât know. It was years ago. Doesnât matter.â Itâs a lie. You remember it like it was yesterday. And you did.
Joelâs expression is one of surprise, and embarrassment. He turns a shade of red deeper than he was the second before, the temperature having nothing to do with it. âOh. Uh. I- Sorry, uh, didnât mean to assume- Thatâs- Good for you- I-âÂ
Youâre very entertained by his reaction. People usually fall into one of two categories when you tell them; awkward ally or plain bigot. Youâre glad itâs the first one. You cut him off before he digs the hole deeper. âItâs fine. Donât beat yourself up. Your turn.âÂ
He seems rather grateful for the change of subject. âUh. Right. Truth,â he replies, regaining his composure.Â
You give him a taste of his own medicine. âSame question.âÂ
Joel is unbothered, and tells the story nonchalantly. âOkay. It was my date at senior prom. Back of my car in the school parking lot.â
It makes you laugh. âWow. How very original. I gotta know what kinda car it was.âÂ
âMy dadâs busted old Wrangler. I put that car through a lot of shit.â he replies, chuckling.Â
âI could have guessed that.âÂ
For a second, you and Joel look at each other, smiling. He almost appears timid. And for a second, the horrors of the world retreat into the shadows that birthed them. For a second, everything is alright. You could stay here forever.Â
ââââââââââ
Joel could, too. He wishes time could stop here. Because heâs confident that the night will inevitably end in something heâll regret. No way around it. Itâs taking an enormous effort already to keep himself from reaching over and closing the distance between your lips and his. The booze isnât helping. Youâre not either, with that radiant smile thatâs melting his hard shell little by little, and your eyes that keep wandering around his face, his chest, and lower too, though you try to be discreet. Heâs doing the same, and heâs certain youâre aware of it. Now, itâs a matter of who will succumb to the temptation first.Â
You speak up again. âOne last thing, Joel. Did you get the girl?â The question is lighthearted, but the memories it brings back certainly arenât.Â
He sighs. âYeah. I did.â Sarahâs mother. Theyâd been high school sweethearts. Young. Dumb. A tale as old as time. âGot married. Had a kid. The whole nine yards. Then she wasnât ready to be a parent. And, well-â He trails off, the words slipping out, motivated by the liquor. Heâd never have confessed such a thing in a different context. Especially not to you. And just like that, heâs ruined the mood.Â
Your eyebrows shoot up in shock, before your expression softens, as you realise what must have happened to said child. Pity? Compassion? Joel canât be sure. âOh. Uhm. I-Iâm sorry. I didnât know-âÂ
ââSâokay. Itâs, uh, itâs been a while. And I got Ellie now,â he reassures, slurring the words slightly.Â
âWhat-what was their name?â you ask, voice barely above a whisper.Â
âSarah,â he answers after a pause. Heâs only recently started being able to talk about her out loud without breaking down. He doesnât know if that still applies when heâs inebriated. And heâs not willing to test it out. He drowns the sentiment in more whisky, before giving you the bottle.Â
âUhm. Thatâs pretty.â You take a swig and hesitate. âI, uh, I- know what itâs like. To- to lose someone like that,â you say, softly. The pain the words cause you as they escape is evident. Joel believes you.
And then something happens. Your right hand leaves your lap, moves to the side and comes to rest on his.Â
His gaze travels from your hand, up to your face. Itâs full of doubt, eyes wide, as though youâve just made a horrible mistake.Â
Itâs all it takes for the floodgates to open.Â
ââââââââââ
Joel grabs your forearm and pulls you into his lap. His mouth collapses on yours. You donât protest, accepting the kiss immediately, gripping his shoulders to steady yourself, knees on both sides of his thighs.Â
A rugged hand goes to the small of your back, pressing your chest to his, while the other slides up to the back of your head, carefully tilting it to deepen the kiss. Tongues collide, hungry, eager. He sucks on yours, stifling a moan. Â
Youâve been pent up so long youâre soaking already. He breaks away from the kiss to trail his lips across your jaw, before going down your neck, biting and swirling his tongue on your pulse point, not mindful of the mark heâs undoubtedly going to leave. He earns a gasp, your fingers interlocking with his hair, holding him in place. You grind against his growing bulge to try and alleviate the fervent pressure rising at your core. He thrusts his hips up to meet yours, the friction sending sparks of electricity to your hazy mind. A hand wanders to your breast, fingers groping the soft flesh, flicking the nipple raised through your shirt. But you need more. Need him inside of you. Now.
And you tell him so, voice quivering with desire. âPlease,â you add in a whimper.
It isnât long before your clothes are ripped off, his lips refusing to break apart from yours for more than a few seconds. He lays you down right there on the floor, bare, trembling, aching for his touch. He sits back on his heels and admires you for a moment, eyes darkened, intense, reflecting the flames as if they are blazing behind his pupils. You watch, mesmerised, as he undresses in the dim, dancing light of the fire, casting him in an aura thatâs almost ominous. He stands up to take off his underwear, cock springing free and hitting his lower stomach.
The sight makes your mouth water. God, heâs big.
He climbs on top of you, your legs encircling his torso, granting him access to your entrance. And he pushes into you. Hard. Youâre so wet his cock slides in without resistance, filling you completely, nearly hitting your cervix, the jab of pain delicious. The act isnât kind, or tender; and itâs exactly what you want. For him to use you, to ruin you. And he does. He fucks you senseless, each stroke bringing you closer to oblivion, to forgetting who you are. The sounds heâs letting out are outright sinful, grunts laced with dirty sentences that could make you finish on the spot. But youâre holding on. Until he lifts you up by the waist, angling himself to hit that bundle of nerves over and over again, making you cry out in ecstasy, clawing at his back. Youâre almost there, your walls pulsate around him, driving him deeper inside.Â
âThink you should come for me, darlinâ,â he hums into your ear, nibbling on the lobe.Â
You obey.Â
The orgasm ripples with such force it blinds you. You canât even scream. Youâre gone. Not a person anymore, but a being of pure pleasure. Joel coaxes you through it with a few more thrusts, erratic, uneven, as he reaches his own release. He pulls out of you at the last second, painting your belly with spurts of the thick, warm substance. Your entire body spasms before going limp.Â
All the fight has been drained out of you. Youâre reduced to a panting, throbbing mess on the floor, arousal pooling out of you, coating your inner thighs.Â
âDid so good for me,â Joel praises, hands cupping your face, left thumb rubbing circles on your cheek. âSo fuckinâ good,â he repeats.
You stay still, eyes closed, brain shutting down your functions one by one. As youâre about to drift off, you feel strong arms carrying you to the loft, carefully placing you on the bed, cleaning you off with a soft cloth. He climbs in and embraces you, limbs tangled with yours, and you nuzzle your head in the crook of his neck. His fingers gently brush the hair from your face to plant a kiss on your forehead.Â
âSleep tight, darlinâ,â he whispers.Â
Itâs so vulnerable it makes your heart ache.Â
Because you know thisâll all be gone tomorrow, along with the alcohol evaporating from your system.Â
ââââââââââ
Youâre right.
The sky is clear by the next morning, harsh sunlight brutally waking you. Youâre alone in the bed, shivering, sore, his scent all over your skin. You get dressed, head pounding, filled with excruciating remorse.Â
Joel is waiting for you by the front door. Glacial. Austere. Haunting. The person that you went to bed with a few hours ago has been torn to shreds. As though he never even existed. Maybe he was a product of your imagination.
And, once youâre outside, standing side by side on the horses, ready for the return trip, Joel utters a sentence that reverberates in your head all the way to Jackson, its echo deafening as you ride in silence.
âWhat we did. It meant nothing. Understand?â
You keep the tears in until youâre back home.Â
To read on AO3
#joel miller x reader#joel miller x you#joel tlou#the last of us#tlou fanfiction#fanfic#pedro pascal#joel miller x female reader#joel miller smut#tlou part 2#send help#fic: wish you were here
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First look at PEDRO PASCAL in The Last Of Us Season 2
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is THIS your man? [shows an image of a malnourished injured exhausted man with big sad eyes looking up at the camera with blood smeared all over his face and mouth. and he is visibly trembling]
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Wish You Were Here | Part 2
The aftermath of the previous evening.
Series masterlist
Pairing : Joel Miller x f!reader
Fanfic tags : canon compliant, slow burn, romance, eventual smut, angst, hurt/comfort, joel and the reader are terrible at feelings, female reader, no use of y/n, reader is in early 30s, past relationships, trauma/PTSD, grief, loss, post-apocalypse, jackson joel, joel is a good parent to ellie, major character death, original characters, queer characters, bisexual main character, age difference, canon-typical violence
WC for part 2 : 5.9 k
Warnings for part 2 : swearing, implied sexual content
(I had this one already written, currently working on part 3 so it'll take me a bit of time before uploading again)
Youâre jolted awake, face contorted in a silent scream, dry tears stinging your cheeks, fists clenching the sheets, heart beating at a wild pace. The last remnants of a nightmare fade away, leaving a shot ringing in your ears, as you try to focus on your surroundings. Youâre here, in your bedroom, in your house, in Jackson. Youâre safe. You breathe, slowly, in and out. Everything is fine. Everything is-
Images from last night flash before your eyes. Joel, laughing with you. His hands on your waist. His lips on yours. The desire. His rage. And the abandon.Â
Shit.
Shit, shit, shit.
A wave of shame, along with nausea, hits you like a freight train. Your head is pounding, your mouth dry, an awful taste lingering in it. You gag, leap out of bed and run to the bathroom just in time.Â
When youâre done, you rinse your mouth and meet your reflection. Bloodshot eyes, heavy bags underneath them, knotted hair sticking out around a sickly pale face. You left the tavern without telling anyone and immediately collapsed into bed. Yesterdayâs clothes, that youâre still wearing, smell like booze and sweat and something else too- or rather someone else. You shut your eyes and rub them with closed fists, applying so much pressure it hurts. You want to bash your face in the mirror.Â
God youâre a wreck.Â
You decide brushing your teeth and taking a shower is the best course of action right now. Your watch indicates itâs well past noon and thereâs no way you can get back to sleep. Not with those thoughts swimming around your head. The scalding water does little to distract you from them. You scrub your skin raw, as if you can wash away Joelâs touch; it doesnât work. You still feel him against you when you step out of the bathtub. Youâre thinking about the kiss as you get dressed, as you run a comb through your wet hair, as you walk down to your kitchen, and as you put on the kettle for tea. Why canât you stop thinking about it? And why the hell is part of you wishing that it went further? The kettle whistling shakes you out of the spiral. You wish you had a stronger beverage, that and a painkiller, but theyâre rare supplies these days. You fill a mug with the tea and try sitting at your small kitchen island, but it quickly becomes claustrophobic, as though the walls are closing in on you. So you get up and grab a rainbow wool blanket, knitted by Astrid as a Christmas present, from the couch. Wrapping yourself in it, you go out to your back porch and sprawl on one of the lawn chairs, the bitter January air stinging your lungs, shocking you into alertness. The pain is refreshing. Â
What a fucking way to start the year.Â
You look out at the frosted mountains in the distance, peaceful giants protecting the town. Theyâre strong, grounded, indomitable. You think itâd be nice to float up to the top and lay there above the clouds, where what is happening down below wouldnât matter at all. You take a sip of tea, which burns your tongue, and you curse under your breath. It brings you right back to reality. On the yard right of yours, the neighbourâs kids are playing in the snow, their high-pitched giggles filling the air. The girl, about seven years old, notices you and stops to call out your name. You give her a small wave back.Â
âHappy new year!â She yells enthusiastically, flashing the gap of fallen front teeth. Her younger brother imitates her but stumbles on half of the words. Their little faces are flushed, snowsuits soaking wet. You canât help but find it adorable, even in your condition. It never ceases to impress you how resilient children can be, how they can keep their wonder, their innocence when the world has crumbled around them.Â
âHappy new year. Donât get frostbite,â you reply.Â
âLook at our snowman!â the boy chips in, his lisp evident, pointing at a shapeless mount of snow.Â
You chuckle. âHeâs cool. You should add a carrot.âÂ
The kids beam, and run off inside to act upon your suggestion. And then a snowball flies out of nowhere and hits you on the shoulder, almost causing you to drop your tea. You shriek, jumping to your feet and putting the mug down on the railing as another snowball misses your head by a hairâs breadth. Maxâs figure appears from behind a thick pine tree growing right outside your fence.Â
âHEY! WHAT THE F-â you catch yourself, remembering there are children closeby. Max steps fully into view, guffawing, their bright red beanie clashing with the ginger locks peaking out. They walk to the side and push the fence door open, entering your backyard.
âMoron.â There is no humour in your voice. You brush the snow off your clothes, muttering to yourself. Max walks up the old wooden stairs and joins you on the porch.Â
âReally? Not even a hi, how are you, happy new year?â They raise a hand to their chest in mock offence. Â
âYou didnât give me time for that did you? Nearly took my fucking head off.â You cross your arms tightly. Youâre really not in the mood for Maxâs antics. Not today.Â
âJesus, so dramatic,â they sit down on the other lawn chair, while you remain standing. âWoke up on the wrong foot?âÂ
Anger bubbles up inside, as does the urge to punch that smug little grin off Maxâs face. âWhat are you doing here?â You ask, bluntly.Â
âHm. Not much. Just, uh, checking in on you,â Max replies, purposefully evasive. The anger rises.Â
âWhy?â You bark, already knowing the answer to that question.Â
âWellâŚJust heard you got into, uh, an interesting situation last night.â They look up at you with that smirk again. You glare back, fuming, and grunt in response.Â
God they can be such a fucking pain in the ass.Â
âSo Iâm just wondering what it is exactly that made you think oh, yeah,â they suspend their voice for a few seconds âJoel Miller?â They accentuate his name as if it were an insult, full of implication.
Youâre trying to keep calm, but itâs getting very difficult. You choose your words carefully. âI was drunk. We were just talking. And itâs none of your businessâ Your voice trembles with the emotion.Â
âJust talking, uh?â Max is clinging on to this stronger than a dying man to his last breath.Â
âI donât know what youâre implying, but nothing happened,â you lie, through gritted teeth. Youâre dangerously close to your tipping point.Â
âHm. Thatâs weird, `cause Astrid told us she saw a lot more than-â
âCan you fucking drop it?â you shout. Max has done it.Â
They're taken aback by your outburst, pausing for a beat, before their expression hardens. They inhale sharply and speak up again, brows furrowed in frustration.Â
âYou know, Iâm getting sick of this closed up bullshit. Weâve been friends for what, 5 years, and you never tell me a single thing about how youâre feeling, or your past, or-â
âWeâre not friends,â you interrupt them, harshly.Â
âOh, okay, yeah, sure!â Their tone drips with sarcasm. âThen what are we?âÂ
The question makes you hesitate. âI donât know. Coworkers,â you say, your tone losing conviction. Â
âOh for fuckâs sake!â Max exclaims. âAre you serious? So youâre telling me you- you came to your coworkerâs house in the middle of the night after having a breakdown?Â
Your chest tightens at the memory. Itâs a moment of weakness you really hate to be reminded of. âThatâs not fair. It was a long time ago,â you grumble, looking down.Â
âUh-huh,â Max continues, raising their voice. âYou supported your coworker when they came out to you?â They wait, expecting you to interject, but you keep quiet, so they take it up a notch. âYou helped your coworker when they were starving, bleeding out, half-frozen to death? Thatâs what youâre telling me?âÂ
You still donât respond, but the anger is starting to melt; Maxâs words are stabbing at a sensitive spot. Youâre brought back in time, to one of your first ever patrols, in the dead of winter, when you were still training. You had gone off the trail because you thought you heard a faint plea for help. Thatâs when you had found Max, curled up in the hollow of a tree, skeletally thin, shivering, the snow stained red from a fresh wound on their leg. You had brought them back to Jackson, had strongly insisted to Maria that they stay in town, took Maxâs defence when other survivors argued they were a lost cause. Youâd checked in on them nearly every day, and you were right; Max had made a complete recovery, eventually growing into an active, important member of the community. At the time, you didnât know why you were doing all of this for a stranger. Maybe you just couldnât bear losing anyone else, couldnât take being powerless, unable to save them.Â
Max lets a few seconds pass by in silence. âLook, all Iâm saying is I care about you. And I got worried when you left last night. It wasnât like youâ they explain, softer now, the concern honest. You feel a pang of guilt for snapping at them as the anger vanishes completely. Truth is, you care about them too. A lot. Of course you do. And youâre mainly upset at yourself for acting in such a senseless way last night. But admitting all of that out loud, itâd be too much. Instead, you give Max a meaningful nod, and squeeze their arm.Â
âYeah. Sorry. Iâm okay. Just- I- Iâm hungover.â Thereâs way more than that, and Max is well aware. But they donât push further.
âLightweight,â they tease, lightening the tension. Youâre grateful for the change in mood.
âAnd youâre not? I think you burst the entire townâs eardrums last night,â you respond, relieved to fall back into the usual back-and-forth.Â
âUh, Iâll have you know Iâm proud of that performance,â they argue.Â
âIâll give it to you. Wasnât your worst,â you reply, feeling a smile pulling at your lips. Max gives you one back.Â
âAlright, can we go inside now? Fucking freezingâ Max asks, rubbing their arms up and down.
âYeah,â you answer, âwant some breakfast?â Itâs really the least you could do. Actions are much easier than words to show that you care.Â
âWould love some lunch.â They correct, as you slide open the glass door and let them pass first, following them in.
âSeriously though, Joel Miller?â they add, peering at you over their shoulder. You push them into the dining room.
âMention it again and Iâm hitting you,â you threaten, half-serious.Â
âAlright, alright,â Max concedes. âI just didnât know you were into old men.â They snicker. You keep to your word and kick their ankle.Â
They squeal out in pain and you strike a second time. âIâm. Not.âÂ
Max sits at the dining room table, massaging their hurt leg, while you scramble some eggs for the both of you. Along with some sourdough from Leanne at the bakery, it makes a decent meal. And, as you eat, you come to a conclusion. That thing with Joel, it doesnât have to mean anything. It canât mean anything. Because youâre not ready to accept the possibility that there might be something more. Something like feelings that youâd need to process. Youâve taken too long to build a thick, impenetrable shield around your heart. You canât just drop it so quickly. It was a mistake, a lapse in judgement caused by the alcohol. Youâre going to lock it away in a forgotten corner of your mind, like you usually do when emotions are involved. Just pretend it never happened, stay cordial with the man if ever have to interact again. It should be easy enough.Â
Right?Â
ââââââââââ
Joel is cruelly pulled out of sleep by a series of booming knocks. He sits up abruptly, in a panic, instinctively reaching at his side for a weapon but his fingers grasp only the pilled fabric of bed sheets. It takes a moment to situate himself, to remember he is out of danger. Whoeverâs behind the noise doesnât give him reprieve to slow down his pulse, however. Another round of knocks erupts as a muffled, irritated voice travels up to his bedroom.Â
âJOEL! HELLO? JOEELLLLL! WAKE UP!â Itâs unmistakably Ellie.Â
The kid can be so damn loud for her size. Joel grumbles a string of curses, hurries out of bed and down the stairs despite strained muscles and the beginning of a migraine heâs certain will be terrible. Heâs too old for hangovers like this. He jogs through the hallway, gets to the back door and flings it open before Ellie pipes up again. Sheâs standing on the porch, bundled up in her purple puffer jacket. Her balled fists are suspended in the air, mid-movement.Â
âWHAT?â He yells, making Ellie flinch. He immediately regrets his tone.
âShit, no need to be rude,â the girl replies, arms dropping to her sides.Â
âSorry, kid. You almost gave me a heart attack,â he says, rubbing the back of his neck. âWhatâs up?âÂ
She gets straight to the point. âMy heatingâs busted. Can you fix it?â
Joel scoffs. âGood morning, Ellie! Happy new year to you too.âÂ
âUh, itâs almost 1 PM. And I didnât think you celebrated,â Ellie answers matter-of-factly.Â
Little smartass.Â
Joel makes the motion to close the door in her face, but sheâs faster and grabs the outer handle.Â
âHey come on! Itâs like 2 degrees in there!â She shouts.Â
Ellie stares up at him, impatient. Joel doesnât budge. She sighs. âPlease,â she mumbles, breaking eye contact.Â
Joel smirks. Itâs exactly what he wanted to hear. He keeps her hanging for another few seconds before answering : âOkay.âÂ
Ellie rolls her eyes.Â
âI still got Tommyâs tools. Can you wait 10 minutes?â Heâs just giving Ellie a hard time, and she knows it. Heâd do anything to help her, no matter what it entailed; heâs done a hell of a lot more than repair a broken heater.Â
âYeah, sure, just drill me out of the block of ice,â Ellie says, spinning on her heels and walking off towards the garage that's been converted into her living quarters.Â
Joel smiles, watching her go. He gets back into the house and does his best to clean up in the bathroom while avoiding looking in the mirror. He still feels like heâs been run over by a truck, and sleeping the day off is very inviting, but he canât just let the girl freeze. And the work will keep him busy, distract him from the pain. He puts on a coat over the clothes that he slept in, the same ones he was wearing at the tavern; he hadnât bothered changing out of them after coming home. He ties his boots with difficulty and grabs the toolbox from a storage shelf in the utility room. He borrowed it from Tommy a few weeks ago when the upstairs bathroom nearly flooded, and hasnât returned it yet. He makes a mental note of it. Joelâs house is a fixer upper for sure, but heâs done his best over the last six months, and itâs starting to become less of a temporary shelter and more of a home, something he never would have thought possible. Ellieâs presence at such a short distance definitely plays a role. Heâs not hurt by the fact she insisted on having her separate space; he doesnât think theyâd have done well trying to fit into a normal family dynamic. Thatâs not what they are. And besides, heâs just happy sheâs still talking to him, after what happened at the hospital. Joel brushes off the thought as he crosses the back garden, counting the steps it takes to reach the garage. Thereâs exactly thirteen. As always.Â
He lets himself in. Ellieâs waiting, laying on the loveseat wrapped in her duvet. She wasnât lying; itâs glacial inside and Joel can see his breath. Ellieâs lit a fire in the wood stove, resourceful as she is, but itâs not doing much.Â
âTook you long enough,â she says, barely audible as half her face is covered by the blanket.
âHey. Drop the attitude.â Joel orders, but a little smile curves up his lips. Ellie returns it. He canât stay mad at her and sheâs proud of it.Â
Joel looks around the room. Ellieâs bed is unmade, stripped of its cover; clothes are piling on a chair, random objects scattered around her desk, from coloured pencils to a used plate and utensils. Her guitar is held up by a sturdy stand in a corner, pristine; itâs apparent Ellie takes good care of it. And there, on the coffee table, a good amount of crumbs, and four empty bottles of beer. His gaze lingers on them long enough for Ellie to notice.Â
âUm, Cat came over last night she brought those, her mom was totally okay with it-â Ellie overexplains, the words coming out quickly.Â
Joel raises his eyebrows. âI didnât say anythinâ.â He likes that she gets anxious, it shows that she cares about his opinion, and doesn't want him to be disappointed. But how could he be? Heâd do much worse than drinking a beer or two if heâd gone through as much as Ellie has at her age. âWhatâd you guys get up to?â Joel asks as he moves towards the space heater, plugged in a wall outlet not far from the loveseat. Ellie relaxes.Â
âUh, we just watched a movie. Back to the Future,â she replies. Joel smiles. Heâd found it out on a run and gave it to Ellie as a Christmas present. âCat had such a crush on Marty. It was pretty funny,â the girl adds.Â
âAnd you didnât?â He teases as he kneels in front of the heater, his back screaming in agony, and sets the toolbox down on the cold cement floor.Â
âNah. Not my type.â Ellie shifts in her seat to get a good view of Joel. He starts by trying the power switch, to no avail. âI already did that,â she tells him in a condescending tone.Â
âYeah, no shit,â Joel mutters. He takes out a screwdriver and finds the appropriate bit before starting to work on taking the heater apart. He opens up the electrical box and begins testing out the various components, face drawn out in concentration. Ellie observes him quietly for a few minutes, chewing on a nail. Joelâs completely focused on the pieces heâs turning over in his hands.Â
And then, he hears Ellieâs voice behind him again. âSo. You were out pretty late last night,â she points out.Â
Joel freezes up, caught off guard. The tool heâs holding drops to the ground, clattering.Â
Last night. Fucking Hell.Â
Glimpses of the drunken evening assault his brain. Bribes of your conversation, how natural it felt talking to you. The sound of your laughter. How your eyes lit up when you smiled. The blushes you tried to hide. Your hands on his shoulders.Â
How smooth your lips were.Â
Wait.Â
The way the night ended suddenly comes back. A rush of anger, shame, and guilt engulfs him, the same one that pushed him to abandon you about ten hours ago. He has to stop himself from screaming, clenching his jaw and squeezing his eyes shut. Why the fuck did he do that? How could he let you get so close? When did he get so weak as to let his walls down that much the second a pretty woman talks to him? And why did it feel so damn good?Â
Joel fights to somewhat regain his composure, to act casual as he replies to Ellie. He clears his throat and picks the tool back up. âUh, yeah. Just out at the tavern with Tommy,â he deflects.
âHm.â Ellie pauses, letting Joel think sheâs off the scent. But then, she questions : âJust Tommy?â
Nervosity is added to the boiling pot of emotions, lighting up the wick of a bomb Joelâs trying his hardest not to let explode.Â
What does the kid know?Â
He struggles to recall another memory. Your friend, the tall blonde one whoâs another patroller, she saw you too together. Not what happened outside, but enough to raise suspicion, Joelâs ninety-nine percent certain of it.Â
He breathes slowly before answering. âYup.â He attempts to be firm, but he can hear the hesitation in his own voice. So he busies himself with the heater again.Â
âWell,â Ellie starts, but Joel cuts her off, not taking any chances.
âDidnât you have farm duty today?â He changes the subject abruptly, pulling at a wire.Â
âUh, yeah, I went already. They let me off early,â Ellie says, âI heard something interesting though.â Joel can practically see the smirk on her face from where he is crouched, but he refuses to look her in the eyes.Â
Damn it.
He stays silent. Ellie continues. âYou wereâŚdancing? With someone?â She adds your name, inquiring.Â
Joel tightens his grip on the tool handle, knuckles turning white. âYou donât know what youâre talking âbout,â he utters. âWe werenât dancing.â He keeps his gaze stubbornly stuck to the heater.Â
Ellie holds back a laugh. âBut you were with her?â She keeps up the interrogation.
The wick of the bomb burns more. âJust havinâ a conversation. With a coworker. I donât know who told you that, but it ainât true,â he replies harshly.Â
Ellie snorts. âUh-huh. Okay. Thatâs-â
âEllie. Stop.â Joel threatens, finally snapping his head up to glare at the girl. And the expression is enough to make her understand he isnât joking. She listens to the command and shuts right up, however, she doesnât lose the mocking grin.Â
He huffs, returning to the task. Heâs mulling over everything in his head, beating himself up to a pulp, when Ellie decides to pick up her guitar. She begins practising Future Days, the song Joel has been teaching her. The notes are unsteady, the rhythm choppy, but the music is like a balm over Joelâs mind, soothing it. It helps him calm down, and soon enough, he finds the source of the heaterâs malfunction : the fan is clogged with dust and debris. He dislodges it from the mechanism and cleans it out with a rag, whistling along to Ellieâs playing. He puts the pieces back together and wipes his hands on his jeans, before trying the power switch once more. The heater hums into life.Â
Ellie breathes a sigh of relief and puts down the guitar. âOh fuck yeah.âÂ
âLanguage,â Joel reprimands her. Ellie sticks out her tongue at him. He puts away the tools heâs used and stands up with the toolbox, knees creaking.Â
âHey, thanks, Joel,â the girl says timidly, taking off the layers sheâd put on, âand, uh, sorry I woke you up.â Sheâs genuine.Â
âItâs fine, kid. Donât worry.â He awkwardly claps his free hand on his thigh, unsure if he should stay longer. Heâd like to, but he doesnât want to impose, or make it weird.Â
âYou should go shower. You look like shit,â Ellie quips. âAnd we got dinner with Maria and Tommy later,â she adds.Â
âHmm. Right,â he groans; heâd completely forgotten. Heâs never wanted to do anything less in his life. The day just keeps getting better.
He follows Ellieâs advice once heâs back inside his house. As the hot water runs over his tired skin, he takes time to reflect, and he makes a decision. The encounter with you was simply a product of intoxication. The old, rusted feelings it stirred up within him were, too. Itâs just been very long since heâs done anythingâŚintimate. With anyone. That must explain it. Heâs got to convince himself of that. Because the other alternative terrifies him, fills him with dread, and he canât afford that. Not again. Not after Tess. So, heâs going to ignore it, push it away, bury it deep at the back of his mind, enough that it canât affect him anymore. Just pretend it never happened, go back to the way he treated you before. Cold. Indifferent. Heâs done that countless times.Â
Right.
It should be easy enough.Â
ââââââââââ
It has been two weeks. Two weeks that youâve succeeded in avoiding Joel at all costs, and the weather has definitely helped. Winter has been ruthless, the temperature dropping below zero most mornings, the snowfall almost incessant, isolating the town. Itâs mostly a positive; it prevents infected, or hunters, or worse, from discovering it. Survivors have been staying in as much as possible, going out only when absolutely necessary. You did your part with helping plough the snow on your horse, a dapple grey mare named Willow; Maria had assigned time slots to the capable survivors. Thankfully, you and Joel werenât scheduled on the same one. You havenât crossed paths with the man since New Yearâs Eve, and youâre perfectly content with that.Â
Well, that isnât the full truth. Thereâs a part of you that incomprehensibly wishes you could see him again. You absolutely despise it, and youâve made an immense effort to silence those thoughts when they seize you. But they come often. Too often. Youâve thrown yourself into tasks, hobbies, anything to occupy your mind. Needless to say, your house has been extremely tidy lately, youâve listened through your record collection multiple times, finished the novel you were reading (The Count of Monte Cristo which you had previously barely made a dent it), and started on at least three paintings which you hated and scrapped, and youâre not one to waste supplies. If the thoughts are hard to control during the day, it becomes impossible at night.Â
YouâveâŚdreamed about Joel. Doing things to you that you wouldnât dare say out loud, to anyone, your inner thighs moist upon waking up. You think you might be going completely insane. So, youâre almost excited for your upcoming patrol, and the extended distraction itâll provide.
Itâs the evening of Sunday, January 14th, 2035. The sky is clear for once, the sun has started setting behind the mountains, casting Jackson in frigid twilight. Youâre speed walking towards town hall, the icy wind piercing right through your coat, chilling you to the bone. Your scarf is pulled up to your nose, the flaps of your trapper hat down and tied, thick mittens protecting your hands. You reach the building in record time, its short clock tower illuminated. You pull the heavy door and get in, a gust of warmth from the heating blasted at maximum immediately relieving. The room is spacious, cosy, with a stone hearth at the back where a fire is crackling, chairs stacked in a corner, and a long table with a tall thermos of chicory coffee and some cups strewn about. You go up to the large rolling bulletin board standing in the middle of the room, where various organisational documents for the community are pinned. A handful of survivors are already gathered around it. One of them, a teenager with a long black braid, olive skin and sharp features (Tina? Or something similar), is adding a flyer to it, advertising her services to shovel pathways for trade. Brave move. You greet the group and look over to the patrollerâs duty roster for the week. Youâve set for Hoback Pass, tomorrow, with Astrid. You spot Joelâs name on the list; heâs with Tommy, as usual, for Teton Village, at the end of the week. No chance of overlap.Â
Good. Great. Wonderful.Â
You donât stay around much longer; you need to prepare for the next dayâs run. Astrid likes to get an early start, and sheâll want to plan strict routes before leaving. Youâve forgiven her for snitching on what she saw you do at New Yearâs Eve; she was drunk too, and she hasnât mentioned it since. Max must have convinced her she hallucinated it, for your sake. So you go back out into the cold, empty streets, now plunged in darkness.Â
You met Astrid when she arrived in Jackson around three years ago, along with Fred. The two are like siblings; after the outbreak, they were raised in a small settlement in the Eastern Idaho forest. The group had left camp when resources were becoming scarce, travelling south in hopes of finding a new safe haven. Upon reaching Jackson, the two women were the only ones left alive. You donât know the exact circumstances in which they lost their loved ones, but the reality is all too familiar to most people in this world. At least these two still have each other. You werenât so lucky with that. Sometimes, when you look at them, you canât help but get a glimpse of a future you were cruelly robbed of. In these instances, youâre hit with a burning, gut-wrenching pang of jealousy. You try not to dwell on it; itâs a useless sentiment and itâs impossible to get her back.Â
You jog up to your house a few minutes later. After a quick dinner, you put together your pack, checking items off a mental list: canteen, munitions, a few rations, first aid kit, flint rod, rope, hand-crank radio⌠Youâre sharpening your knife, sitting at the dining room table, when youâre interrupted by a knock. You cross the hallway, puzzled, and undo the chain to crack open the front door. Tommyâs standing on the other side, bouncing on the spot, rapid breaths coming out in white volutes.Â
âUh, hey,â you say, surprised to see him there.
âHey,â he replies, âsorry to bother you this late.âÂ
âOh, itâs fine. Whatâs up?â You ask, giving him a tight-lipped smile. Youâve known Tommy ever since you first came to Jackson. Heâs the patrol chief; the one who teached you at your beginnings on the job. You like him as a leader; heâs fair, direct, dependable, and heâs got a sense of humour. Heâs a good balance to Maria, who can be a bit too stern at times.Â
âUh, well, itâs about your patrol tomorrow. I know youâre supposed to go with Astrid, but Iâm gonna have to send her to train Jesse instead,â he explains, talking fast.Â
Jesse is the newest recruit. Heâs a determined, strong young man who joined in late November, just as he turned eighteen, the required age for patrolling. Heâs gone out with Astrid on practice runs a couple times before; she had volunteered to mentor him.Â
You furrow your brows. âOh. Alright, sure, thatâs okay. Uh, you want me to go by myself?â
âUh, noâ Tommy answers,âtoo risky with all the snow. I was gonna send Joel. You guys work well together and he knows Hoback.â
Your stomach drops.
Fuck.
Your expression must have changed noticeably, because Tommy tilts his head, perplexed.
âSomethinâ the matter?â He inquires.Â
You blink a few times, recovering from the blow. âUh, yeah. I- I mean no. Just-â you search for the right words, âcanât Astrid do it another day?â
âNot really. We need Jesse ready ASAP. Why? Problem with Joel?â He asks, a hint of concern in his voice.Â
You pause, wondering whether to tell him the truth. Ultimately, you decide it would just create a bigger problem. âNo, no, nevermind. All good,â you lie, averting Tommyâs eyes.Â
The man doesnât seem convinced. âAlright⌠You know, itâs funny. Joel didnât seem too happy either when I told ´im.â
So heâs been thinking about you too. He remembers. This makes it so much worse. You give a nervous chuckle in response, and attempt a joke. âIs he ever?âÂ
Tommy snorts. âYeah, you ainât wrong.â He claps his gloved hands together. âOkay, well, Iâll see you tomorrow morning for briefing then.â
You give him a nod and he imitates you before walking off. You close the door behind him and rest your forehead against the hard surface, banging it a few times. You yell out in frustration. What did you just get yourself into?Â
That night, you restlessly lay in bed, tossing and turning, your mind racing, agitated, unable to shut itself off. You donât get any sleep.Â
Joel doesnât either.Â
Youâre already exhausted by the time youâre out of the door the next morning, right at sunrise, which just intensifies your terrible mood. You stride down the street towards Jacksonâs main gate, in full winter gear, pack hanging off a shoulder. The town is a muted grey, misty; a few snowflakes are slowly falling from heavy clouds. It matches your emotional state. Youâre hoping to be the first one at the stables, giving you time to blow off some steam. But, upon arrival, you discover that the object of your torment has had the same idea. Joelâs saddling his horse, Old Beardy, an imposing black-coated male.Â
The bastard.Â
You curse him out in your head, your heartbeat quickening as you approach. You walk past him, heading towards Willowâs enclosure. Neither you nor Joel acknowledges the other. Willow neighs softly when she sees you, and you go to pet her on the nose, hyper aware of the man standing about twenty feet away from you. You quietly tend to your horse for a few minutes, every sound coming from Joel irritating you, before you finally dare steal a glance over at him. Right as you do so, he turns his head back quickly, caught in the act.Â
So thatâs how itâs gonna go, huh?Â
You tie your pack to a hook on Willowâs saddle, your movements sharp, heated. Once youâre done, you take the horseâs reins and guide her out of the stable, passing by Joel once again; his back tenses as you do so, and you hear him sigh loudly. The feelingâs mutual.
You decide to take Willow for a trot around town while you wait for the other patrollers to show up. You donât think you could stay there with Joel, in thick silence, pointlessly wondering what it is heâs thinking; it would drive you mad. You come back half an hour later, not an ounce more calm, as Tommy is about to start his report. You make sure to stand as far away from Joel as you can while you listen. The words enter one ear and come out the other; youâre too preoccupied with someone else. Youâve heard the speech a hundred times anyway: stay within sight of your partner, follow the routes, mark the logbooks, come back if you run into something you canât handle. Once Tommyâs done, he gives the signal for the two townsfolk on guard duty to crank open the gate. You stick your right foot in the stirrup and hoist yourself up on Willowâs back, positioning yourself on the saddle. You let the other patrol team go first, staying behind, immobile, side by side with Joel. Youâre not going to make the first move. And he doesnât either. So you look over at him, and this time, he holds your gaze, fire ablaze in his deep brown eyes. Glowering. Taunting. Scornful. After thirty seconds, Tommy, posted at the wall, yells out to you.
âGuys! What are you waitinâ for? Get goinâ!âÂ
Joel capitulates first. He urges Old Beardy forward, not giving you another sight, as you internally scream in victory. You follow behind.Â
âHave a good one! Stay safe!â One of the guards says, as you pass the threshold. You have to hold yourself back from replying âWe wonât.â Joel and you ride out of Jackson.Â
This day is about to be really fucking unpleasant.Â
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Wish You Were Here | Masterlist

joel miller x f!reader | on ao3
â⸠â â¸â .* â â*â⸠â â¸â .* â â*â⸠â â¸â .* â â*
We're just two lost souls Swimming in a fish bowl Year after year Running over the same old ground What have we found? The same old fears Wish you were here
-Pink Floyd
â⸠â â¸â .* â â*â⸠â â¸â .* â â*â⸠â â¸â .* â â*
Hi, I'm Dill and this is my story! First fanfiction I'm publishing on here, thank you so much for reading! Set in the world of The Last of Us, it explores a relationship developing between Joel and the reader, how they grow together and regain their humanity, in Jackson, Wyoming, between Part I and Part II of the games.
*This fanfiction contains mature content! Check out each chapter for tags and specific warnings. Also canon-compliant so be warned :,) I hate golf.
Part 1
Part 2
Part 3
Currently writing part 4
#the last of us#joel miller x reader#joel tlou#joel miller x you#tlou fanfiction#tlou game#pedro pascal
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I like my whiskey like I like my men: old
(i canât drink liquor and iâm questioning if iâm a lesbian)
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Wish You Were Here | Part 1
We're just two lost souls swimming in a fish bowl, year after year. Running over the same old ground, what have we found? The same old fears. Wish you were here.
20 years after the outbreak, youâre a stable, well established member in the community of Jackson, Wyoming. You have been for a long time now, the horrors, the brutality of survival buried deep inside, leaving place to the safe simplicity of routine. You didnât think thereâs anything that could disturb that, after all youâve been through. That is, until you meet Joel Miller, and a drunken choice leads toâŚmuch more. Set in between Part I and Part II. Canon compliant (I'm breaking my own heart)
Series masterlist
Pairing: Joel x f!reader
Fanfic tags : canon compliant, slow burn, romance, eventual smut, angst, hurt/comfort, joel and the reader are terrible at feelings, female reader, no use of y/n, reader is in early 30s, past relationships, trauma/PTSD, grief, loss, post-apocalypse, joel is a good parent to ellie, major character death, original characters, queer characters, bisexual main character, age difference, canon-typical violence
WC for Part 1 : 4.5 k
Warnings for Part 1 : drinking, swearing, implied sexual content
New Yearâs Eve 2034. Jacksonâs tavern is packed to the brim, people in every corner of the room, almost shoulder to shoulder. Itâs hot and humid inside; layers have been shed, revealing patches of sticky skin. A musky, sickly sweet smell assaults your nose : a mix of sweat, booze and dust, making you nostalgic for a time you never knew, before the world fell apart. The windows are fogged up, blocking out the view of snow falling peacefully, coating the street. Youâve rarely seen anything like it. Nearly every adult survivor in the community has seemingly decided to come out tonight, and the fact that Eugene has finally dipped into his batch of mead, home brewed by the barrel, is most certainly to blame. Maria, Jacksonâs leader, doesnât exactly approve, but sheâs making an exception. Just for the holiday. You spot her at the back; sheâs holding hands with Tommy, her husband, protectively watching over the crowd. Eugeneâs feeling particularly generous this evening; he offers a hefty bottle to whoever asks, reminding each lucky recipient to âsavour âcause sheâs been fermenting since July!â You must have heard that sentence a good twenty five times since you got your own bottle, the words getting progressively less intelligible as Eugene indulges in his creation. Youâre still not certain why he refers to his mead like it is a woman, and frankly, youâre afraid to find out. One thingâs for sure, the beverage is incredibly strong, has a horrid taste, burning your throat like acid with every drop. Itâs questionably safe for consumption, but the occasions to get shitfaced in the midst of an apocalypse are quite limited, so you endure. Even Jacksonâs most reclusive members agree with that notion. Including him. Joel Miller. Heâs nursing a drink at a table near the bar, opposite to the one youâre sharing with your usual group. You wouldnât exactly call them friends, but theyâre fellow patrollers, close to you in age, so, naturally, youâve grown familiar.Â
âWhat are you looking at?â Max, the one youâve known the longest, nudges you with their elbow.
Your gaze quickly snaps back to meet theirs. You realise youâve been staring at the older man. Noticeably. You donât quite know why. Maybe he intrigues you, all quiet and pensive in the middle of a rowdy celebration. His expression is hard to read, but thereâs a hint ofâŚsadness? You get a hold of yourself and brush off the thought.Â
âNothing,â you lie. Max cocks an eyebrow, a little grin forms on their lips, freckled cheeks dimple.Â
âUh-huh.â Thereâs a glint of malice in their green eyes. âYou sure? No one particular caught your attention?âÂ
You donât let their teasing get to you. âNah. Just checking at Seth trying to hit on Leanne,â you reply without missing a beat, âfor the millionth time.â This one isnât a lie, as the scene really is unfolding a few metres away. You blink at Max, feigning innocence. They narrow their eyes, not buying it.Â
âMan, when is he gonna get the hint?â Fred chips in, breaking the unspoken exchange between you and Max. She quickly peeks in the direction of the duo, a muscly arm propped on the back of her chair, long cornrows draped across the other shoulder. She scoffs, and takes a swig of her drink. âShe looks like sheâs seconds away from kicking him in the balls.â
âDonât know how she hasnât done that, like, years ago.â Itâs Astridâs turn to talk. She sighs, shaking her head, her wavy golden blonde hair rustling with the movement.Â
âMaybe you should go beat him up for her, A,â Fred jokingly suggests. âBet sheâd like that.â
âDonât give me ideas,â Astrid responds, seriously. âIâd have him in a wheelchair for the rest of his days.â
âOh, yeah. And then you and Leanne would run off into the sunset,â Max adds, taking their attention off you, finally. They start screeching in a horrible, high-pitched voice. âOh, Astrid! Oh, thank you! You saved me from the big, bad man! I lo-â
âShut the fuck up.â Astrid cuts them off, cheeks reddening.Â
âHmm. I think they hit a little nerve there, A,â Fred continues, laughing, moving her arm to playfully put it around a flustered Astrid. Sheâs too easy, you think. Itâs pretty endearing. Â
âWho are you kidding,â you join in Astridâs torment. âYou canât even say hi to Leanne without stuttering.â The woman gets even redder, the angry tint reaching her pale neck. Fred and Max giggle. âYouâre such a teenager,â Max strikes.Â
âJust fucking drink.â Astrid commands the three of you, pouring the group another round.Â
âFair enough,â Max says, before clinking glasses with Fred in front of them. Astrid finishes hers in one gulp, which makes her cough, while you sip slowly. The buzz is setting in. Itâs nice. It eases the burden on your aching shoulders.
You let your companions carry the conversation as the night progresses, occasionally humming or laughing at a remark. Youâre not exactly concentrating. You keep getting drawn back to Joel Miller, for some reason. He arrived in Jackson last summer, about six months ago. Him and a kid, a girl, around fourteen or fifteen. You assumed that was his daughter, but soon learned that you were wrong. People talk, especially in such a small community. Something about Joel smuggling her across the country for the fireflies? A failed operation, clearly. You heard the organisation disbanded since then. It was about time. Youâre surprised they lasted that long in the first place. Heâs Tommyâs older brother. Thereâs history there, you know some of it; Joel already had a bit of a reputation before ever passing through Jacksonâs gates. He hasnât done much to help it since then; he barely interacts with anyone besides Tommy and Ellie, the girl. He keeps to himself, brooding, silently observing, tough, cold, detached. Thatâs how Joelâs treated you on the few patrols youâve had to go on together these past months. He usually works with Tommy, you usually work with Max, but Maria likes to switch around the schedule occasionally to test out different pairings. You and Joel have done a very efficient job, only speaking when absolutely necessary, technical terms only, mumbling salutations. However, on the last patrol, in early December, you made a great shot at a stalker, and you could have sworn Joelâs mouth twitched in approval. It was so short it might have been a product of your imagination, but then, after coming back to Jackson and bringing your horses to the stable, he mumbled your last name instead of his usual grunt goodbye. Itâs fair to assume thereâs mutual respect for each otherâs skill there. Nothing else. So then, why does your gaze keep returning to his tousled, greying curls, scruffy beard, piercing brown eyes, and the scar on his left temple? Maybe itâs the alcohol. Yeah, that must be it-
Joelâs eyes suddenly lock with yours. Your heart skips a beat, making you choke on your drink. Shit. What the hell was that? Fred immediately interrupts the story sheâs telling and you feel three pairs of eyes on you. You clear your throat, looking down at the table.Â
âSorry. Went down the wrong pipe,â you mutter. They keep staring. âUh, Fred, what were you-â
And then, as if the universe takes pity on you, Mike, Jacksonâs butcher, jovial fellow in his early sixties (but barely a wrinkle creasing his dark skin) claps loudly and calls out over the incessant chatter.Â
âHow about some music, huh?â A few supporters acclaim him. He pushes through the crowd, reaching the old console piano standing at the south wall, underneath a window. Around, some tables have been stored away, allowing some space for dancing. The instrument is in poor shape, the keys are yellowed, a pedal has fallen off. Mike sits on the worn piano bench. Most survivors in the tavern have momentarily lowered their volume, following the manâs moves. He tries a little riff. Not as bad as was expected, just slightly off tune. You know heâll make it work. âAlright. Get ready to groove, everyone!â He plays the intro to Johnny B. Goode by Chuck Berry perfectly, earning cheers and applause. Chair legs scrape on the ground, glasses and bottles are snatched up as the crowd converge around Mike.Â
âWoo! Come on!â Fred exclaims. She stands and takes Astridâs arm, forcing her patrol partner up. Astrid resists, but just for the principle, a beaming smile on her face. The pair leaves, already bobbing their heads to the rhythm. Max takes another shot before shuffling away from the table on legs rendered wobbly by the booze. They hold their hand out to you, but you donât take it yet. You dare look over at a certain someone again, who is grounded in his seat, indifferent to the change of mood. Max wiggles their fingers impatiently.
âIâll, uh- Iâll join you later,â you say, averting their eyes.Â
âUgh. Fine. You suck,â they reply.
You raise your middle finger in response. They turn away abruptly, flashing the back of their frayed jean vest, the sleeves cut off by hand. Max catches up with Astrid and Joey, and you watch as they start dancing, snorting at how uncoordinated the three are. Youâve downed a good five drinks now. One more wonât do any harm, right? You fill up your glass with the last drops of mead from the current bottle. Warmth spreads through your veins, making your head throb in a pleasant way. Your eyelids are heavy, your surroundings blurred. Something is clear, though. You and Joel are amongst the very few survivors that arenât taking part in the fun. Hell, even Mariaâs letting her husband spin her around.Â
And then it happens again. Joel meets your gaze. But this time, he holds it for a couple of seconds, before looking to the side and rubbing his chin. Almost like heâs doing it on purpose. You must be drunker than you thought, because that makes no fucking sense. And what your clouded brain makes you do next is even less logical. Slowly, you rise, and walk unsteadily to the now deserted bar, heading towards Joel. Your heart picks up its pace. This is so stupid . You sit down at one of the stools, just a few feet away from him. You lean over the counter, resting your head in your hand, staring straight ahead at the row of vintage bottles aligned on a shelf behind the bar. On the piano, Mike has moved on to Iâm Still Standing by Elton John, his voice strong, smooth. You catch a glimpse of Joel in your peripheral. Heâs tensed up ever so slightly, his back straightened. Heâs aware of your presence. This is so stupid.
âHey, Miller,â you hear yourself speak, still looking ahead, but loud enough he can hear you.Â
He sighs. Thatâs something. He hasnât gotten up and walked away, he hasnât told you to get lost. Heâs acknowledged you. Itâs full of irritation, sure, but it gives you enough motivation to keep going.Â
âNot a fan of the music?â You attempt a sultry tone and make yourself cringe. Great start. Joel grunts, takes a swig of mead and crosses a leg over the other, nonchalant.Â
âYeah, I didnât exactly peg this as your scene,â you continue, gesturing vaguely at the crowd. The booze has taken the reins, and you canât hold your tongue.Â
A full minute passes in silence. Youâre about to give up. And then Joel talks, gruff, sarcastic, the inebriation accentuating the southern drawl in his voice. âRight. And like youâd know, of all people.â  Â
A sentence. Joel Miller just spoke a full sentence to you. Youâre stunned. Â
âFair point,â you recover after a few seconds. âYou just, uh, donât really seem like the social type.â A pause. You feel Joelâs gaze burning the back of your neck. âNo offence,â you add.
âNone taken.â Joel downs the rest of his drink, exhales. âYouâre not dancinâ either,â he observes.Â
âPerceptive,â you retort. You spin on your stool, now facing him. A corner of his mouth curves upwards almost imperceptibly. It goes back down immediately, but you caught it. And it gives you a boost of confidence. Youâve made the grumpy bastard smile, or, well, the closest to it he can probably manage.Â
âWhy not?â he questions. âYour friends looks like theyâre havinâ fun.â He nods his chin over at Max, whoâs gone up to the piano and is belting the lyrics to the song, stomping their feet, while Mike plays the melody. Two things : first, Joel knows who you hang out with, which means heâs not completely oblivious to who you are, and second, heâs making conversation with you. Astonishing.Â
âGuess Iâd rather be bothering you.â You shrug, trying to suppress a smile. âThought youâd have cursed me out by now, if Iâm honest.â
Joel scratches his forehead. âDunno why I havenât,â he mumbles.Â
âMaybe you should.â Did you really just say that? Did you just try to flirt with him? And why did his gaze flicker to your lips?
He looks back up and narrows his eyes at you. âNah. You donât want that.âÂ
You donât miss a beat. âHey, I could take it.â Youâre maintaining eye contact from your seat at the bar. âIâm tough.â Well, this is happening. Damn Eugene and his mead .
The ever-so-subtle smirk passes over Joelâs face for the second time. He shakes his head. âDonât wanna make you cry.âÂ
âHm. How considerate,â you reply, unable to fight a little smile. Joel emits a short, low, rumbling sound.Â
âWas that a laugh?â You ask, the smile growing larger.Â
âHm. No.â He goes right back to irritation. But still, heâs not pushing you away. So, in your drunken state, you decide to test the limits. You slip off the stool and take a step towards Joel. He furrows his brows, but doesnât say anything. You take another step, and then another, until you reach his table. Thereâs no going back now.Â
âUhm, mind- mind if I sit?âÂ
âAre you really gonna leave if I say no?â He asks, rhetorically. Heâs challenging you. You feel your cheeks heat up and your stomach drop. You pull the chair out and settle on it. Youâre suddenly very conscious of your near proximity to Joel. The courage you had mere minutes ago is disappearing; you have to fuel it up. You grab an empty, upside-down glass sitting near two bottles of mead, one empty, one half full. Joel is acting quite coherent for a man whoâs had that much. You tilt your head in request.Â
Joel scoffs. âGo ahead.âÂ
You pour yourself a seventh drink, knowing perfectly well that it is an absolutely terrible idea. You down most of it in one gulp, wincing, before putting the glass back down with a thud.Â
âSomething wrong, sweetheart?â Joel asks, the nickname dripping with irony. Still, your stomach does another flip. âCanât hold your liquor?â He mocks. He leans back in his chair, legs open, right hand on his knee, left hand palm down on the table. Your gaze travels from his face, down his neck, to his broad chest where the small unbuttoned portion of his flannel reveals a few dark hairs. What the hell are you doing? Your eyes snap back up
âFuck off,â you mutter under your breath. Joel looks pleased with himself. You finish your drink, looking straight at him, taunting.
âWhat was that?â he asks, even though he heard you perfectly. His smug smirk is assured now. You donât answer. Joel fills up his glass. You take it as a sign that he intends to see this interaction through. Fine by you. You search the depths of your sluggish brain to find something witty to say.
âSo, Miller. Whatâs with the accent?â This is the best you can come up with. The words are slurred.Â
He scoffs again. âDonât know what youâre talking âbout,â he says, pointedly adding your last name. Heâs playing you.
âAh, come on, cowboy â you continue, impressed by your own audacity, âWhere you from?âÂ
Tommy has mentioned this to you before. Definitely somewhere south, but you canât recall in your current state. And you want to hear Joel say it.Â
He rolls his eyes at the nickname, but he doesnât stop smirking. âTexas. Austin.â He takes a sip. âYou?âÂ
Texas. Right. Makes sense. In a way, you feel proud to have gotten this minimal piece of information out of him. You didnât think youâd ever witness Joel Miller opening up to you, not even a tiny crack. But here you are. Â
âWashington. Seattle.â You copy the structure of his answer; Joel nods, casual. âUh, youâre a long way from home,â you add.
âYup.â He doesnât elaborate. Takes yet another sip. âSeattle, huh?â His gaze pierces through you, eyebrows knitted in reflection. âBorn and raised?â
âYeahâŚâ Youâre not certain what heâs getting at.Â
âThereâs a QZ, right?â A pause. âDâyou end up in it?â he questions.Â
The words are like a slap in the face, sobering you up a little. You donât want to think of that right now. Not at all. You look down, fidgeting with your empty glass.Â
âHmm,â you confirm.Â
âDamn. Heard things got pretty bad up there,â Joel says. You wish heâd just shut up. You donât like this turn the conversation took.Â
âYeah, well, I left, so.â The sentence comes out harsher than you had planned. Joel understands the message; he raises his hands up in defence. Â
âGot it. Sorry I asked.â The guy doesnât look one bit apologetic. It frustrates you, and yetâŚYouâre enjoying this little game.Â
âYeah, watch it, Miller,â you warn, but your tone has gone back to being playful. Joel relaxes in his seat. He rests an elbow on his denim-encased thigh, shifting his weight.Â
You proceed. âSo whatâd you do? In Texas?â
âHm. Contractor.â He really is a man of few words. His past occupation suits him like a glove.
âFitting.â You give him an unimpressed pout; he stays unbothered.Â
âYeah, yeah. Whatâd you do, then?â He asks.Â
It makes you chuckle. âUh, middle school student. 6th grade sucked ass.â
Joel takes a second to register. Something quickly washes over his face, an emotion you canât quite discern, before vanishing. Youâre too drunk to analyse it.Â
âHuh. I would have guessed elementary,â he states.Â
âAw. Donât flatter me,â you reply, dryly.Â
âIâm not. Just sayinâ you donât seem like youâve learned much past fourth grade,â Joel says with a shit-eating grin.Â
Wow. Youâre speechless. And then you burst out laughing. And, miraculously, Joel starts chuckling with you, the corner of his eyes crinkling. The sound is hearty, surprisingly warm. Itâs the kind of laughter that you would try your hardest to hear as often as possible. That could make you all fuzzy inside, if youâd let it. And just like that, the tension that had been building between the two of you breaks. Itâs comfortable, youâre at ease. The moment stretches out; you feel a strange connection with Joel, and you wonder if itâs mutual, or if youâre going completely insane. Itâs probably the second option. You manage to utter a few profanities, between two breaths. Joel watches, amused, waiting for you to calm down.Â
âAlright, youâve got me there,â you concede, a smile lingering on your lips.Â
Joelâs expression has softened. He looks younger, somehow, like a few years of constant stress have been erased just by talking with you.Â
âI may not be the brightest, but at least I can take a joke.âÂ
âYouâre not wrong there.â Joel fills your glass with the remnants of the mead, while you push a strand of hair behind your ear, trying to conceal a blush. âYou deserve it,â he explains, âif you can take another round.âÂ
âYou keep underestimating me.â You raise your glass up in the air.Â
Joel imitates you. âNo hard feelings?â He suggests.Â
âDeal.â You clink Joelâs glass with your own, and tilt your head back to swallow the foul liquid as quickly as you can, your gut churning in protest. You groan. Â
âThink my estimation was correct, actually,â Joel quips. You look over at him. Besides a slight glaze over his eyes, he appears unaffected by the alcohol.
âHow are you doing this?â You ask, baffled.
He shrugs. âYouâll get there eventually.âÂ
âAnd by there, you mean kidney disease?â You naively bat your eyelashes at him.Â
âIâve survived worse,â he remarks. Itâs lighthearted, but it hides a bleak truth you know all too well. You ignore it.Â
âYeah. It shows.â You tease, giving him a scrutinising up-and-down.
âHm. Funny. You didnât seem to mind it that much when you were starinâ earlier.â
Jesus Christ.
Game over. Joel wins, one million to zero. You want to bash your head against the table, or run very far away, preferably out of Wyoming. And get torn apart by clickers. Instead, you stay right where you are, mouth agape, cartoonish. Fucking idiot. Are you twelve?
âThatâs not- I- I- wasnât-âÂ
Joel is delighted by your reaction.Â
You wisely decide to shut up and quit stuttering. As if on cue, Mike hits the iconic intro to Donât Stop Me Now. Max starts singing dramatically, in an offensively bad Freddie Mercury impression. Some survivors join in, not a single one on key, resulting in a cacophony. You take it as an opportunity to get out of the situation. You scramble off the chair and start walking away, stumbling and catching yourself on a nearby table.Â
âWhere you goinâ? We werenât done.â Joel calls after you. You turn around.Â
âMe? Oh just stretching my legs.â You start stepping side to side and swaying your shoulders, following the rhythm. âShowing some love to the artists.â You shoot two fingers at him, moving your arms to the music. Joel shakes his head, chuckling. âYouâre terrible.â
âWell then why donât come here and try to do better!â You shout back, doing a ridiculous twirl as the sheer quantity of mead you ingested finally hits you. The room spins, transforming into blobs of colour. So, you close your eyes, and you flail around carelessly, your mind too foggy to worry. The tempo of the song increases.Â
I'm burning through the sky, yeah! Two hundred degrees, that's why they call me Mister Fahrenheit-
Suddenly, thereâs a presence next to you. You crack your eyes open, checking on whoâs intruding. Joel is standing about three feet away from you, hands awkwardly shoved in his pockets. His left heel is tapping the beat.Â
âSâa good song,â he mumbles.Â
Joel Miller, nervous to dance with you? Anything truly is possible tonight. You approach him, not interrupting your dance. He stays put. You two are away from the crowd, and it feels like youâre alone in the tavern with him, like no one can see you.Â
I'm travelling at the speed of light, I wanna make a supersonic man outta you!
As Max puts all of his might into the chorus, you get closer to Joel, because he lets you, close enough that you could reach out and take his hands if you wanted to. And you do, but theyâre hidden in his pockets. So you keep dancing, wiggling your hips, jumping up and down. Joel still isnât budging, but you feel his gaze on you, eyeing your bare arms, the tattoo right under your left clavicle, and going lower down your chestâŚYou take a step towards the man.Â
âWhoâs staring now?â You hadnât planned to say that out loud, but itâs too late. You take another step, now inches from Joelâs chest, which is rising and falling faster than before. His lips are parted, his eyes intense. Itâs now or never. Fuck it.  Â
Your right hand moves up to rest on Joelâs shoulder, causing him to tense up. His expression goes stern, serious, like heâs fighting an internal conflict, debating whether he should pull away. Yet, he remains still. So your left hand goes to his other shoulder, looking up at him through your lashes. He holds your gaze, then inhales like heâs about to say something.
A clunking noise interrupts him, shattering the moment. Your arms fall back to your sides and you glance over Joelâs shoulder, searching for the source of the disturbance. You find it easily. Astrid is standing near the table your group had claimed before, her hair thrown in a ponytail, face glistening with sweat, the sleeves of her sweater pushed up. Her water gourd lays on the ground, its content spilled. Her eyes are wide with surprise, jumping between you and Joel. Her mouth contorts in a silent, one worded question.Â
Thatâs bad. That is very bad. Â
Joel notices the shift in your attitude and whips his head around, as a snickering Astrid jogs up to the crowd, merging into it again, certainly to tell Fred about what she just stumbled upon. Joel turns back and leans in, his lips brushing your ear as he whispers:
âOutside. Now.âÂ
His breath tickles your skin, sending a shiver down your spine. Something stirs in your lower abdomen; a longing, a desire that demands to be dealt with, urgently.Â
Joel snatches his coat from the back of the chair he sat in, before striding towards the exit. You follow behind, docile, not bothering to retrieve your own jacket. Once youâre out of the tavern, the freezing wind barely even pinches your skin. Youâre too preoccupied with another feeling thatâs dangerously rising up inside. You need his touch. And you get what you want. Joel grabs your forearm, and drags you to the alleyway at the side of the building, lit up by a single, flickering street lamp. In a second, your back is pressed against the logs, Joelâs face taking up your entire field of vision. Heâs seething with anger. His pointed finger digs into your sternum.Â
âYou- you-Â â he growls. You look back at him like a deer in headlights.
And then he kisses you. Hard. His lips crash onto yours and you let out a startled yelp, jerking your head to the side. Joel stares, anticipating your reaction. You donât let him wait for long before you kiss back. His hands glide down to your waist, gripping it, while yours go to the nape of his neck. You pull each other in and a burning heat spreads between your bodies. Time seems to slow down as you part your lips to deepen the kiss, letting his tongue in. He tastes bittersweet like the mead. Your heart races. An ache forms where your thighs meet.
Just as suddenly as he came in, Joel shoves you away roughly. Your head bounces on the tavernâs facade. He storms out of the alley without another word, leaving you alone in the cold, panting, riled up, confused.Â
What the fuck just happened?
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