artistic-alpaca

[artistic-alpaca]

a comic about different types of storytellers

[artistic-alpaca]

Clothing Style & Vibe Descriptors for Writers

(Because how someone dresses says so much about who they are.)

Polished — Sleek, well-put-together, and clean-cut. Grungy — Worn, layered, dark, and deliberately messy. Bohemian — Flowing, artsy, natural fabrics; lots of patterns. Minimalist — Clean lines, neutral colors, nothing extra. Sporty — Functional, casual, often branded or gym-inspired. Vintage-inspired — Nostalgic, retro cuts, old-school flair. Dark academia — Tweeds, layers, and mysterious literature major vibes. Streetwear — Trendy, oversized, edgy with a splash of attitude. Gothic — Dark colors, lace, leather, often dramatic. Soft girl / boy — Pastels, gentle patterns, dreamy aesthetics. Preppy — Polos, cardigans, and a “top of the class” shine. Business casual — Professional, but relaxed—like they could go from meeting to martini. Careless / wrinkled — Looks like they got dressed in the dark, and kind of did. Eclectic — Mix-and-match chaos, but somehow… it works. Utilitarian — Functional over fashionable, lots of pockets, maybe ex-military.

[artistic-alpaca]

Tmr fairytale aesthetic

[artistic-alpaca]

I haven’t been on tumblr for quite as long as a lot of people but over several years I’ve noticed this interesting gradual sorta,, shift in the general culture? that it went from this mostly depressed, nihilistic outlook where people would regularly joke about hating themselves and being hopeless and depressed, to a wave of vehemence of “STOP hating everything actually the world is Good and you deserve love!!!” type posts, to now, where those aggressive ‘PSAs’ have faded away and instead I regularly see people romanticizing simple things like stars and hot tea and rainy mornings, and waxing poetic about their friends, and just trying to put love out there. and I don’t know exactly what that means (someone who knows more than me could probably say something smart about generational expression and trauma or popular perception of mental health and whatnot), but I do know that it makes my heart very full to see people learn to love the world and themselves by extension, and a whole userbase adopting healthier coping mechanisms, and therefore teaching the younger users to do so as well. I might just be following different people, but I really do think we’ve grown. everyone has grown. five years ago it wasn’t unusual for the next post on my dash to be a scathing commentary on why nothing matters or an anon ripping into someone they barely knew or someone complaining about how pathetic their interests are. now I have mutuals who get excited and spam reblog art of cows and friends I see tagging each other in pictures of frogs and strangers writing paragraphs about how much I matter. it makes me happy. idk. just an observation I wanted to make. I think people are good and everyone’s just trying their best at the end of the day

[artistic-alpaca]

THROUGH A RAPIST’S EYES” (PLS TAKE TIME TO READ THIS. It may save a life, It may save your life.)

An Article from Neena Susan Thomas

“Through a rapist’s eyes. A group of rapists and date rapists in prison were interview…ed on what they look for in a potential victim and here are some interesting facts:

1] The first thing men look for in a potential victim is hairstyle. They are most likely to go after a woman with a ponytail, bun! , braid, or other hairstyle that can easily be grabbed. They are also likely to go after a woman with long hair. Women with short hair are not common targets.

2] The second thing men look for is clothing. They will look for women who’s clothing is easy to remove quickly. Many of them carry scissors around to cut clothing.

3] They also look for women using their cell phone, searching through their purse or doing other activities while walking because they are off guard and can be easily overpowered.

4] The number one place women are abducted from / attacked at is grocery store parking lots.

5] Number two is office parking lots/garages.

6] Number three is public restrooms.

7] The thing about these men is that they are looking to grab a woman and quickly move her to a second location where they don’t have to worry about getting caught.

8] If you put up any kind of a fight at all, they get discouraged because it only takes a minute or two for them to realize that going after you isn’t worth it because it will be time-consuming.

9] These men said they would not pick on women who have umbrellas,or other similar objects that can be used from a distance, in their hands.

10] Keys are not a deterrent because you have to get really close to the attacker to use them as a weapon. So, the idea is to convince these guys you’re not worth it.

POINTS THAT WE SHOULD REMEMBER:

1] If someone is following behind you on a street or in a garage or with you in an elevator or stairwell, look them in the face and ask them a question, like what time is it, or make general small talk: can’t believe it is so cold out here, we’re in for a bad winter. Now that you’ve seen their faces and could identify them in a line- up, you lose appeal as a target.

2] If someone is coming toward you, hold out your hands in front of you and yell Stop or Stay back! Most of the rapists this man talked to said they’d leave a woman alone if she yelled or showed that she would not be afraid to fight back. Again, they are looking for an EASY target.

3] If you carry pepper spray (this instructor was a huge advocate of it and carries it with him wherever he goes,) yelling I HAVE PEPPER SPRAY and holding it out will be a deterrent.

4] If someone grabs you, you can’t beat them with strength but you can do it by outsmarting them. If you are grabbed around the waist from behind, pinch the attacker either under the arm between the elbow and armpit or in the upper inner thigh – HARD. One woman in a class this guy taught told him she used the underarm pinch on a guy who was trying to date rape her and was so upset she broke through the skin and tore out muscle strands the guy needed stitches. Try pinching yourself in those places as hard as you can stand it; it really hurts.

5] After the initial hit, always go for the groin. I know from a particularly unfortunate experience that if you slap a guy’s parts it is extremely painful. You might think that you’ll anger the guy and make him want to hurt you more, but the thing these rapists told our instructor is that they want a woman who will not cause him a lot of trouble. Start causing trouble, and he’s out of there.

6] When the guy puts his hands up to you, grab his first two fingers and bend them back as far as possible with as much pressure pushing down on them as possible. The instructor did it to me without using much pressure, and I ended up on my knees and both knuckles cracked audibly.

7] Of course the things we always hear still apply. Always be aware of your surroundings, take someone with you if you can and if you see any odd behavior, don’t dismiss it, go with your instincts. You may feel little silly at the time, but you’d feel much worse if the guy really was trouble.

FINALLY, PLEASE REMEMBER THESE AS WELL ….

1. Tip from Tae Kwon Do: The elbow is the strongest point on your body. If you are close enough to use it, do it.

2. Learned this from a tourist guide to New Orleans : if a robber asks for your wallet and/or purse, DO NOT HAND IT TO HIM. Toss it away from you…. chances are that he is more interested in your wallet and/or purse than you and he will go for the wallet/purse. RUN LIKE MAD IN THE OTHER DIRECTION!

3. If you are ever thrown into the trunk of a car: Kick out the back tail lights and stick your arm out the hole and start waving like crazy. The driver won’t see you but everybody else will. This has saved lives.

4. Women have a tendency to get into their cars after shopping,eating, working, etc., and just sit (doing their checkbook, or making a list, etc. DON’T DO THIS! The predator will be watching you, and this is the perfect opportunity for him to get in on the passenger side,put a gun to your head, and tell you where to go. AS SOON AS YOU CLOSE the DOORS , LEAVE.

5. A few notes about getting into your car in a parking lot, or parking garage:

a. Be aware: look around your car as someone may be hiding at the passenger side , peek into your car, inside the passenger side floor, and in the back seat. ( DO THIS TOO BEFORE RIDING A TAXI CAB) .

b. If you are parked next to a big van, enter your car from the passenger door. Most serial killers attack their victims by pulling them into their vans while the women are attempting to get into their cars.

c. Look at the car parked on the driver’s side of your vehicle, and the passenger side. If a male is sitting alone in the seat nearest your car, you may want to walk back into the mall, or work, and get a guard/policeman to walk you back out. IT IS ALWAYS BETTER TO BE SAFE THAN SORRY. (And better paranoid than dead.)

6. ALWAYS take the elevator instead of the stairs. (Stairwells are horrible places to be alone and the perfect crime spot).

7. If the predator has a gun and you are not under his control, ALWAYS RUN! The predator will only hit you (a running target) 4 in 100 times; And even then, it most likely WILL NOT be a vital organ. RUN!

8. As women, we are always trying to be sympathetic: STOP IT! It may get you raped, or killed. Ted Bundy, the serial killer, was a good-looking, well educated man, who ALWAYS played on the sympathies of unsuspecting women. He walked with a cane, or a limp, and often asked “for help” into his vehicle or with his vehicle, which is when he abducted his next victim.

Send this to any woman you know that may need to be reminded that the world we live in has a lot of crazies in it and it’s better safe than sorry.

If u have compassion reblog this post. ‘Helping hands are better than Praying Lips’ – give us your helping hand.

REBLOG THIS AND LET EVERY GIRL KNOW AT LEAST PEOPLE WILL KNOW WHATS GOING ON IN THIS WORLD. So please reblog this….Your one reblog can Help to spread this information.

THIS COULD ACTUALLY SAVE A LIFE.”

[artistic-alpaca]

Reblog if you have used dude as a non gender specific term.

[artistic-alpaca]

How to Write a Character Who Feels Like Throwing Up

When fear, dread, or guilt gets sickening—literally—your character is consumed with a gut-clenching feeling that something is very, very wrong. Here's how to write that emotion using more than the classic "bile rose to the back of their throat".

Start with the Stomach

This isn’t just about discomfort. It’s about a complete rebellion happening inside their body.

Their stomach twists like a knot that keeps pulling tighter

A cold sweat beads on their neck, their palms, their spine

Their insides feel sludgy, like everything they’ve eaten is suddenly unwelcome

They double over, not from pain, but because sitting still feels impossible

Add Sensory Overload

Vomiting isn’t just a stomach reaction—it’s the whole body.

Their mouth goes dry, and then too wet

Their jaw tightens, trying to contain it

A sudden heat blooms in their chest and face, overwhelming

The back of their throat burns—not bile, but the threat of it

Breathing becomes a conscious effort: in, out, shallow, sharp

Emotional Triggers

Nausea doesn’t always need a physical cause. Tie it to emotion for more impact:

Fear: The kind that’s silent and wide-eyed. They’re frozen, too sick to speak.

Guilt: Their hands are cold, but their face is flushed. Every memory plays like a film reel behind their eyes.

Shock: Something just snapped inside. Their body registered it before their brain did.

Ground It in Action

Don’t just describe the nausea—show them reacting to it.

They press a fist to their mouth, pretending it’s a cough

Their knees weaken, and they lean on a wall, pretending it’s just fatigue

They excuse themselves quietly, then collapse in a bathroom stall

They swallow, again and again, like that’ll keep everything down

Let the Consequences Linger

Even if they don’t actually throw up, the aftermath sticks.

A sour taste that won’t leave their mouth.

A pulsing headache

A body that feels hollowed out, shaky, untrustworthy

The shame of nearly losing control in front of someone else

Let Them Be Human

A character feeling like vomiting is vulnerable. It's real. It’s raw. It means they’re overwhelmed in a way they can’t hide. And that makes them relatable. You don’t need melodrama—you need truth. Capture that moment where the world spins, and they don’t know if it’s panic or flu or fear, but all they want is to get out of their own body for a second.

Don't just write the bile. Write the breakdown.

[artistic-alpaca]

Atp I probably wouldn't even be a writer without skz cuz why are all of my wips based on the vibes of their music videos???

[artistic-alpaca]

the thing is that childhood doesn't just end when you turn 18 or when you turn 21. it's going to end dozens of times over. your childhood pet will die. actors you loved in movies you watched as a kid will die. your grandparents will die, and then your parents will die. it's going to end dozens and dozens of times and all you can do is let it. all you can do is stand in the middle of the grocery store and stare at freezers full of microwave pizza because you've suddenly been seized by the memory of what it felt like to have a pizza party on the last day of school before summer break. which is another ending in and of itself

[artistic-alpaca]

Honestly? My main piece of advice for writing well-rounded characters is to make them a little bit lame. No real living person is 100% cool and suave 100% of the time. Everyone's a little awkward sometimes, or gets too excited about something goofy, or has a silly fear, or laughs about stupid things. Being a bit of a loser is an incurable part of the human condition. Utilize that in your writing.

[artistic-alpaca]

Things I did well in my first wip..

Emotions! The characters feelings were very well written

Made insane thought paths seem logical

This one girl haunted the narrative HARD

Established character friendships that felt genuine

Balanced joy and humor with dramatic adventure

Came up with a pretty frickin cool magic system

Also did a good job of contrasting the worlds that the different characters came from as they all learned more about each other

General concept was super cool also

Things I did NOT do well..

Backstories. Nothing made sense and everything was incredibly cheesy.

The parents. For some reason I decided to write from the mc's parents' povs... I refuse to reread those parts because I just know they were terrible

The villain. This guy's scenes just did not work.

Names. WHY DID I CHOOSE ALL OF THE STUPIDEST NAMES EVER??

The crushes/romance. Me to my former self: Girl you are aroace and have no idea what you're talking about, WHAT ARE YOU DOING???

Plot execution. The vibes were there but the practicals were nowhere to be seen

Also overall it was quite cheesy and painful to read

WHY DID MY CHARACTERS FALL DOWN SO MANY STEEP INCLINES?? (two holes and one cliff that appeared out of nowhere)

I'm so proud of my younger self for working so hard on this story! I don't regret a thing, but I do have some. Thoughts..

[artistic-alpaca]

Rapunzel ☆

[artistic-alpaca]

What do you mean some people just . . . exist? Their heads aren't constantly full of fog and static?? They don't loop thoughts over and over in increasingly panicked italics??? They just . . . Live their lives? Sounds fake but ok.

[artistic-alpaca]

[artistic-alpaca]

Currently in the process of renaming so many things like aaaaaaaaa gotta change those names given by a thirteen year old me

[artistic-alpaca]

Someone needs to invent a way to shower that doesn't make your skin feel gross and smell like soap for the next 12 hours

[artistic-alpaca]

really love dynamics that are like 'it honestly doesn't matter if you view them as romantic or platonic, the point is that they love each other. the type of love is inconsequential, all that matters is that it's there'. gotta be one of my favorite genders.