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The Evolution of Ghost Rider: A Journey through the Stern-DeMatteis Era

In the vast and ever-expanding universe of Marvel Comics, certain runs stand out as transformative moments for characters, reshaping their narratives and defining their identities. One such epochal period occurred within the Ghost Rider series, spanning from issue number 68 to the poignant conclusion in issue 81. What began as Roger Stern's stewardship transitioned seamlessly into J.M. DeMatteis' tenure, crafting a storyline that not only delved into the depths of Johnny Blaze's tortured soul but also elevated Mephisto to the status of his arch-nemesis. As the flames of vengeance intertwined with the intricacies of demonology, readers were treated to a saga that not only expanded the mythos of Ghost Rider but also explored the complexities of morality and redemption

The Genesis of Change: Roger Stern's Reign

Roger Stern's takeover of Ghost Rider marked a significant turning point in the character's mythology. Issue 68 served as a catalyst, introducing subtle yet profound alterations to Johnny Blaze's origin story. By retconning Satan's role and replacing it with Mephisto, Stern not only streamlined the narrative but also established a more intricate dynamic between the Spirit of Vengeance and his eternal foe. This shift laid the groundwork for future explorations into the depths of Johnny's torment and the insidious influence of Mephisto's machinations

Throughout Stern's tenure, themes of redemption and the eternal struggle between good and evil permeated each issue. Johnny Blaze's internal conflict was brought to the forefront, as he grappled with the consequences of his Faustian bargain and sought to atone for his sins through acts of heroism. Stern's masterful storytelling, coupled with the dynamic artwork of Bob Budiansky, brought a sense of gravitas to each panel, immersing readers in a world where the boundaries between light and darkness blurred

The Ascension of Mephisto: J.M. DeMatteis' Magnum Opus

As Stern's run drew to a close, J.M. DeMatteis took up the mantle, guiding Ghost Rider through his final trials and tribulations. Issue 81, aptly titled 'The End of Ghost Rider,' served as a poignant conclusion to this chapter of Johnny Blaze's journey, offering closure while paving the way for future narratives. DeMatteis' writing brought a sense of depth and introspection to the series, delving into the psyche of both hero and villain alike

One of the most significant contributions of DeMatteis' tenure was the elevation of Mephisto from mere antagonist to Johnny Blaze's ultimate nemesis. Through intricate storytelling and nuanced characterization, Mephisto emerged as a formidable adversary, a dark mirror to Johnny's tortured soul. Theirs became a battle not only of strength but of willpower and resilience, with each confrontation pushing both characters to their limits

The Redemption of Zarathos: Unraveling the Demon's Past

Central to the Stern-DeMatteis era was the exploration of Zarathos, the demonic entity bound to Johnny Blaze's fate. As the series progressed, glimpses of Zarathos' tragic past emerged, shedding light on the origins of the Spirit of Vengeance and his eternal quest for redemption. Through intricate storytelling and subtle foreshadowing, Stern and DeMatteis wove a tapestry of intrigue and mystery, unraveling the layers of Zarathos' identity while deepening the connection between host and spirit

By delving into Zarathos' backstory, the series added depth and complexity to the character, transforming him from a mere instrument of vengeance into a figure of tragic heroism. His struggles became emblematic of the eternal battle between light and darkness, as he grappled with his own nature while striving to protect those he cared for. In the end, Zarathos' journey mirrored Johnny Blaze's own quest for redemption, forging a bond that transcended the confines of flesh and blood

A Legacy of Flame and Shadow

The Stern-DeMatteis era of Ghost Rider stands as a testament to the transformative power of storytelling within the realm of comics. Through meticulous characterization, intricate plotting, and dynamic artwork, the series breathed new life into the mythos of Ghost Rider, reshaping the character's identity for generations to come. From the retconning of Johnny Blaze's origin to the elevation of Mephisto as his arch-nemesis, each issue served as a building block in a narrative tapestry that explored the depths of human emotion and the eternal struggle between good and evil

As fans look back on this seminal era, they are reminded not only of the trials and tribulations of Johnny Blaze and Mephisto but also of the enduring legacy of Ghost Rider as a character. Through flame and shadow, redemption and damnation, the Spirit of Vengeance endures, a beacon of hope in a world consumed by darkness. And though the fires may wane and the shadows may lengthen, the spirit of Ghost Rider lives on, eternal and unyielding, a testament to the power of storytelling to transcend the boundaries of time and space

Buy Marvel Masterworks: Ghost Rider Vol. 6

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Captain America: Making of a War Hero into a Symbol of Hope

We all know that Captain America debuted in a title named after him by Joe Simon and Jack Kirby in 1941. He was seen punching Hitler right in the face but many may not know that this was done well before the US had decided to enter World War 2. In fact, at the time, the US was more concerned about its Pacific theater than the Atlantic. Nevertheless, Timely publishes the issue and Captain America gets established as a war hero from the start, who alongside his sidekick Bucky, is fighting fascism in continental Europe which is falling to the Reich like a house of cards

Cap at the time is the symbol of Freedom, anti-fascism, or as he would later be called the Sentinel of Liberty but there was one thing missing at Marvel. The House of Ideas lacked an inspiring figure like Superman among its flagship characters. The Fantastic Four, Spider-Man, The Incredible Hulk, The Invincible Iron Man, and even the Avengers had issues with themselves as well as with each other but a figure whom readers can look up to was something not present. Cap remained a 'man out of time' when he gets discovered by the Avengers but it takes a decade for writers to get him accustomed to the realities of America that were haunting the country from the streets to the Oval Office (Thank You, Jack Kirby and Steve Englehart)

Well into the bronze age era of comics, and under Jim Shooter's reign of the bullpen, a young J.M. DeMatteis shows his potential for storytelling with his first assignment of Captain America no. 261 which would introduce Nomad to the readers for the first time. This issue was supposed to be a collaboration with the real-life Captain America TV movie starring Reb Brown but Jim had other ideas. Issues 261-263 would find Steve Rogers going to California to meet Galactic Films for the upcoming movie about him (in Earth-616) but his real mission was to investigate Nomad's activities on the streets of LA which would turn out to be a deep conspiracy by one of his oldest arch nemesis

After becoming a regular writer on the Captain America series, DeMatteis, Mick Zeck, and John Beatty wrote a story that was way ahead of its time. Today's resurgence of the far left in the world and in the US and the reactionary rise of the far right was being seen by comic book writers like DeMatteis way before many had thought of it. Surprisingly it was a feeble populist villain by the name of Everyman doing the talk, not the Red Skull

In the story, the disenfranchised youth who looked up to Everyman realize their mistake of choosing 'despair over hope' but what causes them to see this is the humility Cap showed despite being spit at multiple times (literally). His eagerness to listen to the young, to the future of the country and their grievances with America, the American Dream leads to a change of heart

This single-issue story would showcase Cap in a different light. Steve Englehart had given Cap a rude awakening that patriotism can't come at the expense of truth and justice in Secret Empire. He showed Cap's disillusionment with the powers that be in America. DeMatteis took the opposite route to show Cap what's corrupting the country's future, and giving rise to the 'enemy within' who can cause anarchy. It wouldn't be wrong to say that Christopher Nolan's Bane (Dark Knight Rises) reminds us of Everyman but what's important to remember is that it was J.M. DeMatteis who warned us before anyone else did

This story is just the tip of the iceberg. The entire run by DeMatteis is one of the most underrated as it gets overshadowed by the works of Jack Kirby, Steve Englehart, and Mark Gruenwald. Like his works for Spider-Man and Doctor Strange, his work for Cap remains one of the best runs ever

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Silver Surfer: Judgment Day - A Cosmic Epic of Love and Mephisto's Trials

"Silver Surfer: Judgment Day," a masterpiece crafted by writers Tom DeFalco, John Buscema, and Stan Lee (Script), accompanied by the artistic brilliance of John Buscema and the captivating cover art by Joe Jusko, stands as a testament to the brilliance of storytelling within the Marvel Universe. Released in July 1988, this graphic novel has etched its place among the most celebrated works, particularly for its portrayal of the cosmic entities, Silver Surfer, Galactus, and the malevolent Mephisto

It’s the Surfer vs. Mephisto! Mephisto vs. Galactus! (what could go wrong?)

At the core of the graphic novel is the exploration of the Silver Surfer's character. Known for his cosmic awareness and his stoic demeanor, the story, penned by Tom DeFalco, John Buscema, and Stan Lee, peels back the layers, revealing the emotional complexity beneath the silver exterior. The Surfer's journey, both physically and emotionally, is a crucial aspect that captivates readers and adds depth to the narrative

Mephisto, the lord of the underworld, takes on a role that goes beyond a typical antagonist. His cunning and manipulative nature, beautifully illustrated by John Buscema, is on full display as he orchestrates a trial against the Silver Surfer. This isn't merely a cosmic battle; it's a psychological chess game where Mephisto exploits vulnerabilities and challenges the very essence of the Surfer's being

In his quest to steal Norrin Radd's soul, Mephisto takes over Nova's (Frankie Raye) mind to lure Galactus to devour any planet be it with or without life

"Silver Surfer: Judgment Day" transcends the boundaries of traditional superhero tales by delving into profound philosophical themes. The nature of love, morality, and the consequences of wielding cosmic powers, as depicted by the collaborative writing of Tom DeFalco, John Buscema, and Stan Lee, are explored in a way that prompts readers to reflect on their own beliefs. The story becomes a vehicle for philosophical contemplation, elevating it to a level rarely seen in mainstream comics

The artistic elements of the graphic novel, skillfully crafted by John Buscema, contribute significantly to its acclaim. The visuals bring the cosmic and surreal aspects of the story to life. Each panel is a work of art, enhancing the overall reading experience and immersing the audience in the grandiosity of the Marvel cosmic landscape

The narrative structure of "Silver Surfer: Judgment Day" is both intricate and impactful. The consequences of the trial, the Surfer's choices, and the overarching themes leave a lasting impression. It's not just a superhero story; it's an emotionally resonant journey that lingers in the minds of readers

At the heart of the story is the Surfer's love for a human woman, a theme that adds a human touch to the cosmic drama. The exploration of love and the sacrifices one is willing to make for it elevate the narrative, making it relatable on a deeply emotional level. Mephisto's challenge becomes a metaphor for the trials and tribulations faced in the name of love

Beyond its critical acclaim, "Silver Surfer: Judgment Day" has had a lasting impact on the cultural landscape. With the collaborative writing of Tom DeFalco, John Buscema, and Stan Lee, along with John Buscema's artistic brilliance and Joe Jusko's captivating cover art, it has become a reference point for discussions on the portrayal of love and morality in superhero narratives. Its influence extends beyond the comic book community, reaching a broader audience appreciative of well-crafted storytelling

In conclusion, "Silver Surfer: Judgment Day" is a cosmic epic that transcends the boundaries of conventional superhero tales. Its critical acclaim is well-deserved, considering its exploration of character depth, philosophical themes, Mephisto's role as a nuanced antagonist, artistic brilliance, impactful storytelling, and cultural relevance. It not only stands as one of the best Silver Surfer stories but also as a shining example of the narrative possibilities within the Marvel Universe

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Marvel's Short Stories That Redefined Superhero Comics

In the rich tapestry of Marvel Comics, there are epic sagas and sweeping crossovers that capture our imaginations and define the superhero genre. However, some of the most profound and enduring tales are found in the pages of shorter stories—narratives that span four issues or fewer. These concise yet impactful stories have left an indelible mark on readership, the comic book industry, and how we perceive superheroes. Let's explore how these short stories, including "Powerless," reshaped the world of Marvel Comics

1. "X-Men: Days of Future Past" (Uncanny X-Men #141-142, 1981)

"Days of Future Past" catapulted readers into a dystopian future where mutants are hunted to near extinction. This tale of time travel and the consequences of prejudice resonated deeply. It showcased the potential for comic books to address social issues, shining a spotlight on bigotry and discrimination. Its influence can be seen in subsequent X-Men stories that continue to tackle real-world problems

2. "The Kid Who Collects Spider-Man" (The Amazing Spider-Man #248, 1984)

A single-issue masterpiece, this story touched the hearts of readers worldwide. It revealed the human side of superheroes, reminding us that these characters, despite their extraordinary abilities, are grounded in humanity. "The Kid Who Collects Spider-Man" humanized the superhero genre, emphasizing the impact these icons can have on fans

3. "Vision and the Scarlet Witch" (Vision and the Scarlet Witch #1-4, 1982)

While not strictly a short story but much shorter than "Demon in a Bottle", this series explored the personal lives of two Avengers in an intimate and relatable way. It demonstrated that superheroes are not just costumes and powers but individuals with complex emotions and relationships. "Vision and the Scarlet Witch" (not The Vision and the Scarlet Witch 12 issues series) redefined the portrayal of personal lives within the superhero genre

4. "The Night Gwen Stacy Died" (The Amazing Spider-Man #121-122, 1973)

The story that started the Bronze Age! This two-issue arc forever altered the perception of superhero storytelling. The death of Gwen Stacy was a turning point, showcasing that superheroes do not always emerge victorious and unscathed. It added a layer of realism and emotional depth to Spider-Man's world

5. "The Death of Jean DeWolff" (The Spectacular Spider-Man #107-110, 1985)

A gritty murder mystery within Spider-Man's world, this story proved that superheroes can explore darker themes. It demonstrated the versatility of the genre, showing that it could tackle complex and mature subject matter

6. "God Loves, Man Kills" (Marvel Graphic Novel no. 5)

This graphic novel delved into themes of prejudice and discrimination. It elevated the X-Men beyond mere superheroics, highlighting the allegorical nature of their struggle. "God Loves, Man Kills" made it clear that comics could be a powerful platform for social commentary

7. "The Trial of Reed Richards" (Fantastic Four #262-265, 1984)

This storyline explored the legal ramifications of superhero actions. It demonstrated that superheroes are not above the law and can be held accountable for their actions. "The Trial of Reed Richards" added a layer of complexity to the superhero genre, reflecting real-world concerns

8. "Marvels" (Marvels #1-4, 1994)

This four-issue limited series takes a unique approach by exploring the lives of ordinary people in a world filled with superheroes. It delves into themes of powerlessness and how everyday individuals navigate a world where superhuman abilities are the norm. "Marvels" offers a different perspective from the eye(s) of journalist Phil Sheldon on the Marvel Universe, highlighting the challenges faced by those who can't match the extraordinary feats of superheroes

In conclusion, these short stories within the Marvel Universe have left an enduring legacy. They impacted readers by addressing real-world issues, challenged the comic book industry to embrace mature and diverse storytelling, and redefined how we perceive superheroes. These tales remind us that beneath the masks and capes, superheroes are reflections of our own humanity, and their stories can be as complex and thought-provoking as any other literary genre

Marvel's short stories have proven that superhero comics are more than just entertainment; they mirror our world and aspirations. These concise narratives have shown that profound storytelling can occur within the limited confines of a few issues. They have opened the doors for deeper exploration of characters, themes, and societal issues, and they continue to inspire creators and readers alike to push the boundaries of what superhero comics can achieve

In a genre often associated with bombastic battles and larger-than-life conflicts, these short stories are a testament to the enduring power of storytelling and the ability of comics to engage our hearts and minds. As we celebrate the impact of these narratives, we are reminded that sometimes, the most significant stories come in the smallest packages

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John Byrne and Walt Simonson: The Unmatched Legacy in Fantastic Four and Thor

When it comes to the world of comic books, there are certain iconic names that instantly come to mind. Stan Lee and Jack Kirby, the creative geniuses behind characters like the Fantastic Four and Thor, are undoubtedly among the most revered figures in the industry. Their groundbreaking work laid the foundation for the Marvel Universe and set a high standard for storytelling. However, it's essential to recognize that the legacy of these characters didn't stop with Lee and Kirby. Two other legendary creators, John Byrne and Walt Simonson, took the reins and left an indelible mark on the Fantastic Four and Thor, ensuring that their contributions would remain unmatched for generations to come.

John Byrne's Fantastic Four (1981-1986): Redefining Marvel's First Family

In 1981, John Byrne had a mission: to redefine the Fantastic Four. Byrne's run on the series is often regarded as one of the most significant in the history of the team. He brought a fresh perspective to the characters and their dynamics, breathing new life into Marvel's First Family.

Byrne's artistic talents were on full display as he not only wrote but also illustrated the series. His attention to detail and ability to convey emotions through his artwork added depth to the characters. Byrne's run gave us memorable storylines such as "The Trial of Reed Richards" and the return of the iconic villain, Galactus. He also introduced new characters like She-Hulk, who would become a fan-favorite in her own right.

What made Byrne's run truly exceptional was his ability to balance character development with epic storytelling. The Fantastic Four faced personal challenges while also tackling cosmic threats, creating a perfect blend of drama and action. Byrne's work on the series is a testament to his storytelling prowess and his dedication to preserving the essence of these beloved characters.

One of the key aspects of Byrne's run was his exploration of the dynamics within the Fantastic Four. He delved deep into the relationships between Reed Richards (Mr. Fantastic), Sue Storm (Invisible Woman), Johnny Storm (Human Torch), and Ben Grimm (The Thing). The interpersonal conflicts and growth of these characters made the series not just about super-heroics but also about family, a theme that resonated with readers and set the stage for future interpretations of the team.

Walt Simonson's Thor (1983-1987): The God of Thunder's Epic Journey

Simultaneously, over in the realm of Asgard, Walt Simonson took up the mantle of Thor in 1983. Much like Byrne, Simonson's run on Thor is celebrated as a defining era for the character and the series. He brought a mythic grandeur and a sense of epic adventure that elevated Thor's stories to new heights.

Simonson's Thor was a masterclass in world-building. He introduced iconic elements like Beta Ray Bill and the mystical weapon, Stormbreaker. Simonson's writing delved into the rich tapestry of Norse mythology, creating a sense of wonder and authenticity in Asgard's portrayal. His artistic style and intricate panel layouts added to the epic feel of the series, making every issue a visual masterpiece.

One of the most memorable arcs of Simonson's run was "The Surtur Saga," a sprawling epic that saw Thor facing off against the fire demon Surtur. The impact of this storyline resonates even today, and it remains a benchmark for epic storytelling in comic books.

Simonson's take on Thor was not just about battles and grand spectacles; it also delved into the character's humanity. He explored the burdens of godhood and the responsibility that came with wielding the power of Mjolnir. Thor's inner struggles and his unwavering sense of duty added depth to the character, making him relatable on a personal level.

In Conclusion, the creative endeavors of John Byrne on the Fantastic Four and Walt Simonson on Thor are nothing short of legendary. While Stan Lee and Jack Kirby's contributions are undeniably classic and groundbreaking, Byrne and Simonson's work brought these characters to new heights. Their storytelling prowess, artistic talents, and deep appreciation for the source material ensured that their runs on these series would remain unmatched for generations to come. The legacy of these four creators, Lee, Kirby, Byrne, and Simonson, continues to shape the Marvel Universe and inspire fans and creators alike, proving that the world of comic books is a rich tapestry woven by many hands.

In the end, what sets Byrne and Simonson apart is their ability to not only build upon the foundations laid by Lee and Kirby but also to leave an indelible mark that would define these characters for years to come. Their contributions to the Fantastic Four and Thor are a testament to the enduring power of storytelling in the comic book medium, and they shall continue to captivate readers and creators alike for generations to come.

Get John Byrne's Classic Marvel Collection here

Get Walt Simonson's Classic Marvel Collection here

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The Multifaceted Brilliance: Dan Green's Artistry in 'Doctor Strange: Into Shamballa'

It's fascinating to dive into the realm of Marvel Comics and explore the often underrated talents like Dan Green. While he's widely recognized for his inking contributions, his own artistic prowess often takes a backseat. Let's shed some light on Dan Green's multifaceted talents and the masterpiece "Doctor Strange: Into Shamballa."

Dan Green's artistic abilities shine through in an industry where inkers might not always receive the spotlight they deserve. While primarily known for his inking collaborations with various artists, it's essential to recognize that he's not only a skilled inker but also a talented artist in his own right

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One of the standout works that truly showcases Green's prowess is the graphic novel "Doctor Strange: Into Shamballa," which he co-wrote alongside the legendary J.M. DeMatteis. This collaboration might be lesser known to many, given their individual accomplishments in X-Men, Doctor Strange, Spider-Man, and Captain America comics (to name a few). "Into Shamballa" serves as a testament to their creative synergy and their ability to craft a unique and captivating story within the Marvel universe

This graphic novel takes readers on a mystic journey with Doctor Strange, exploring both the outer and inner dimensions of reality. Green's artistry here doesn't just involve inking; it encompasses intricate pencil work and co-storytelling that adds depth to the narrative. His visual interpretation of the mystical realms and the characters' emotions adds a unique layer to the storytelling process

Critics and fellow comic book creators alike have recognized the significance of "Doctor Strange: Into Shamballa." The graphic novel stands as a jewel in the crowns of both Green and DeMatteis. Prominent figures in the comic book industry have praised their collaboration. Renowned comic artist and writer Neil Gaiman commented, "Green's art brings an ethereal quality to the story, enhancing the magical atmosphere."

Moreover, comic book enthusiasts and Marvel fans need to acknowledge that artists like Dan Green aren't limited to a single role. His ability to contribute to the narrative structure alongside his inking talents marks him as an invaluable asset in shaping the visual and emotional experience of a comic

As Marvel fans delve into the depths of its history, "Doctor Strange: Into Shamballa" should stand out as a testament to Green's artistic versatility and storytelling abilities. It's a reminder that artists, regardless of their primary roles, contribute significantly to the magic of the comic book world. So let's celebrate Dan Green not only as an inker but also as a co-creator who has left an indelible mark on the Marvel universe

Get Your Copy of Doctor Strange: Into Shamballa

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The Success Story of Marvel’s Secret Invasion Crossover Event

In the autumn of 1961, Stan Lee and Jack Kirby introduced a shape-shifting alien race who we would know as Skrulls. They would make their first appearance in The Fantastic Four no. 2 and they would get entangled with the Avengers a few years later during the Kree-Skrull War.  No one had imagined how this alien race would make a comeback that would have a lasting impact on the Marvel Universe as well as its readership

While Secret Invasion was published in 2008 before that Brian Michael Bendis had been planting the seeds for it in Avengers: Disassembled, New Avengers: Breakout, and Secret War. Something big was about to happen but no one had any idea who was behind it or why. The success lay in the fact that Bendis had remained tight-lipped throughout and every crossover event that followed up until the time when the full-scale invasion happened, shocked the readers, made them wonder about the characters they were so familiar with and whether they were what they showed themselves to be. It wasn’t about Skrulls shape-shifting to look like humans or superheroes and even super villains, it was also about the adoption of their target’s personality completely. This wasn’t a Personality Disorder, it was the Order!       

Marvel's Secret Invasion comic book crossover event was highly successful for several reasons. Here are some key factors that contributed to its success:

1. Strong Concept: Secret Invasion had a compelling premise that captivated readers. The story centered around the infiltration of Earth by shape-shifting Skrull aliens who had replaced key Marvel characters. This concept generated excitement and intrigue, as readers were left guessing who was a Skrull and who could be trusted

2. Impactful Storytelling: The event was meticulously planned and executed by writer Brian Michael Bendis, who created a suspenseful and intricate storyline. Bendis crafted a narrative that had significant repercussions across the Marvel Universe. The invasion resulted in significant character developments, shocking reveals, and dramatic confrontations, keeping readers engaged and eager to see how it all unfolded

3. Character-driven Drama: Secret Invasion explored the psychological and emotional impact of the Skrull infiltration on the Marvel heroes. The story delved into themes of trust, betrayal, and identity, as beloved characters faced the unsettling reality that their friends and allies could be impostors. This focus on character-driven drama added depth and complexity to the event

4. Wide-scale Impact: The event had far-reaching consequences beyond the main Secret Invasion series. Tie-in issues and spin-off titles explored the invasion's effects on different corners of the Marvel Universe, involving various characters and teams

Brian Michael Bendis will forever be remembered for making the Skrulls an unclear and ever-present threat at a scale that would make his predecessors admire him in the Valhalla of comic creators 

Secret Invasion MUST Haves: 

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The Most Epic Avengers/X-Men Story in 60 years

It’s hard to say which is the greatest Avengers story in the last 60 years. The same goes for X-Men 

Both teams came into existence on July 2nd, 1963 thanks to Stan Lee and Jack Kirby. Both redefined the concept of a superhero team in the most Marvel way possible, and both have led to the creation of many new characters as well as comic book titles 

And yet, if we have to choose a story that involves both teams that was published at a time when both were dominating the headlines in the comic book industry, only one epic stands out from the rest 

But before we reveal our verdict, here’re some notable mentions in which Avengers & X-Men (core teams) crossed paths with each other:

Uncanny X-Men no. 9 (1964)

Uncanny X-Men no. 45/Avengers no. 53 (1968)

Secret Wars (1984)

Uncanny X-Men no. 190-191 (1985)

X-Men vs The Avengers (1987 Limited Series)

X-Men/Avengers Bloodties (1993, 30th Anniversary Crossover)

X-Men/Marvel Universe: Onslaught (1996) 

X-Men vs The Avengers (2012)

The Verdict

In 2005, rising star Brian Michael Bendis after shaking much of the Marvel Universe with his Avengers: Disassembled and Secret War stories gave the readers an epic: House of M 

The X-Men were riding high from Grant Morrison’s run while the Avengers were coming off the most shocking event in their history with some of their members being killed off for good by an out-of-control Scarlet Witch 

This is a story that broke heroes from within. This is a story that shocked the comic book community to the core. There were no Magneto’s Acolytes involved, nor there was Doctor Doom or the Beyonder as the main antagonist(s). While the title had implied Magneto through the use and emphasis on the letter ‘M’, the reality as it unfolded by issue no. 8 was completely mind-blowing for it involved two of the oldest Avengers that were the cause of this ordeal 

While Wanda’s madness has been explored before, this story took it to a whole new level. It changed the Marvel Universe (really) and it wounded our favorite heroes deeply, adding to their existing emotional traumas in the most unexpected ways possible   

It is a story where pleasant dreams shroud the heartbreaking realities of our superheroes until they break free from Wanda’s hex/hypnosis 

Get these Essential Reads

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Mary, Luke & Danny

Mary Jo Duffy's run on Power-Man and Iron Fist series is a significant contribution to the development of these two urban superheroes. Her unique perspective and storytelling style brought a fresh approach to the characters, making them more relatable to readers. Her work on these titles is still relevant and engaging for today's audiences, making it a must-read for any fan of the superhero genre

Duffy's run on Power-Man and Iron Fist began in 1979 where she took over where Chris Claremont had left off to focus on X-Men and lasted till 1982. During this time, she created a memorable cast of characters and storylines that explored the complex issues faced by the heroes. She also introduced new villains and allies that added depth to the series

One of the most significant contributions Duffy made to the Power-Man and Iron Fist series was the development of Luke Cage's character. Duffy explored Cage's past as a former criminal and how it affected his relationships and his superhero career. She also delved into his personal life which helped to humanize and flesh out the character

In addition to Cage, Duffy also developed Iron Fist's character by exploring his relationship with his mystical powers and his duty as a protector of K'un-Lun. She introduced new challenges and conflicts for Iron Fist, making him a more complex and layered character

Duffy's storytelling style was also unique and groundbreaking for its time. She incorporated socio-political themes into her stories with a lighthearted approach, addressing issues such as racism, poverty, and social inequality. This approach was considered daring and revolutionary at the time, and it helped to distinguish Power-Man and Iron Fist from other superhero titles

Her run on Power-Man and Iron Fist series was a significant contribution to the development of these two urban superheroes. Her original approach and unique perspective helped make the characters more relatable and engaging. Her work on these titles is still relevant and exciting for today's audiences, making it a must-read for any superhero fan

Mary Jo Duffy's run on Power-Man and Iron Fist is remembered more than her other works for Marvel Comics for several reasons. Compared to her other works, Duffy's run on Power-Man and Iron Fist was more consistent and had a greater impact on the characters. Her run on Power-Man and Iron Fist lasted for almost three years, during which she developed the characters and their relationships in a way that had lasting consequences. She introduced new villains and allies (El Águila, Señor Muerte / Señor Suerte to name a few)  that added to the richness of the series, and her socio-political themes and unique storytelling style helped to set the series apart from other superhero titles

In contrast, some of Duffy's other works for Marvel Comics were shorter and less impactful. For example, her run on the Wolverine series was only four issues long and did not leave as much of a lasting impression on the character or the series. Similarly, her work on the Fallen Angels series was relatively brief and did not have as significant an impact on the characters or the Marvel Universe as a whole

While Duffy's work on Power-Man and Iron Fist is undoubtedly her most memorable, her other works for Marvel Comics are still noteworthy for their unique perspectives and storytelling styles. In addition to the Wolverine and Fallen Angels series, Duffy also contributed to various other titles, including Star Wars, and The Defenders. Her contributions to these titles helped to shape the Marvel Universe and showcase her versatility as a writer

She worked with several talented artists during her run on Power-Man and Iron Fist, but two of the artists with whom she had the best chemistry were undoubtedly Kerry Gammill and Denys Cowan 

Cover Art by Frank Miller and Klaus Janson

Cowan worked with Duffy on several issues of the series, including some of the "Sabretooth" issues. His artwork perfectly complemented Duffy's writing, bringing her stories to life with dynamic action scenes, expressive character designs, and a strong attention to detail

Gammill's style was well-suited to the urban setting of Power-Man and Iron Fist, and he was able to capture the gritty, street-level feel of the series with ease. His artwork was also able to convey the emotional depth of Duffy's stories, particularly in scenes that focused on the characters' relationships and personal struggles

Both’s artistic contributions to Power-Man and Iron Fist helped to make Duffy's run on the series one of the most memorable and influential in the history of the characters

From Iron Man Vol. 1 No. 103

Overall, while Mary Jo Duffy's run on Power-Man and Iron Fist is remembered more than her other works for Marvel Comics, her entire body of work is noteworthy for its unique perspectives, socio-political themes, and groundbreaking storytelling style

If you want to experience Duffy's run on Power-Man and Iron Fist for yourself, be sure to check out Marvel Comics' collected editions, available now via Amazon.com Affiliate links. These collections are a great way to experience the entire run of these groundbreaking series and to appreciate the impact that Mary Jo Duffy had on the world of comics

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The Marvel Era of G.I. Joe and Transformers

The Marvel Era of G.I. Joe and Transformers comics and animated series, produced by Sunbow and Marvel Productions, was undoubtedly the best for both toy franchises of Hasbro. The 1980s was a time of great innovation in the world of toys, and Hasbro was at the forefront of this revolution. By partnering with Marvel Productions, Hasbro was able to produce some of the most memorable and beloved comic book series and animated shows of all time

One of the key reasons why the Marvel Era was so successful for Hasbro was the quality of the storytelling. The G.I. Joe and Transformers comics and animated series were written by some of the best writers in the business, and they were able to create rich, engaging storylines that kept fans coming back for more. These stories were full of action, adventure, and excitement, and they helped to bring these toy franchises to life in a way that had never been seen before

Another reason why it was so successful was the way that the comics and animated series were able to cross-promote the toys. The G.I. Joe and Transformers toys were already popular, but the comics and animated series helped to create a whole new level of excitement around these franchises. Fans of the comics and animated series wanted to collect the toys, and vice versa. This cross-promotion helped create a virtuous sales cycle that was incredibly profitable for Hasbro

The era was also successful because of the way that it was able to capture the imagination of children. The G.I. Joe and Transformers comics and animated series were full of colorful characters, amazing vehicles, and incredible battles. Children were able to engage with these franchises in a way that was both exciting and educational. They learned about teamwork, strategy, and problem-solving as they watched their favorite heroes and villains battle it out on the screen and on the pages of the comics

The Writers

Larry Hama (Photo by Ramsay de Give) 

There were several comic book writers who wrote excellent stories for both G.I. Joe and Transformers franchises in the 1980s. Some of them include:

Larry Hama - Hama was the main writer for the G.I. Joe comic book series and is widely considered to be one of the best writers to ever work on the franchise. He was responsible for creating many of the characters and storylines that would go on to become iconic parts of the G.I. Joe mythos

Bob Budiansky - Budiansky was the writer for the original Transformers comic book series and also helped to create many of the characters and storylines that would become part of the franchise. He wrote the first 50 issues of the series and is credited with helping to establish the Transformers as a major player in the world of comics

Simon Furman - Furman took over the Transformers comic book series after Budiansky and helped to continue the franchise's success. He is widely considered to be one of the best writers to ever work on the Transformers, and he was responsible for many of the key storylines and character developments that helped to shape the franchise

Michael Higgins - Higgins was a writer for both the G.I. Joe and Transformers comic book series in the 1980s. He helped to develop many of the storylines and characters for both franchises and was responsible for some of the most memorable moments in both series

These writers, among others, helped to create the rich and engaging storylines that made the G.I. Joe and Transformers franchises so successful in the 1980s. Their contributions helped to establish the franchises as major players in the world of comics and animation, and their influence can still be felt in these franchises today

The Artists

Cover Art by Herb Trimpe

Cover Art by Jim Lee

There were several talented comic book artists who worked on the Marvel Era of G.I. Joe and Transformers comics, and many of them remain favorites among fans to this day. Here are a few notable names:

Herb Trimpe - Trimpe was the original artist on the G.I. Joe comic book series and worked on the title for its first 50 issues. He is widely regarded as one of the defining G.I. Joe artists and is credited with creating some of the most iconic designs for the characters

Larry Hama - Hama not only wrote the G.I. Joe comic book series, but he also created many of the characters and storylines that defined the franchise. His work on the series has been praised for its depth, character development, and strong military themes

Don Perlin - Perlin was the original artist on the Transformers comic book series and worked on the title for its first 20 issues. He is credited with helping to establish the look and feel of the Transformers universe, and his work on the series remains popular among fans

Andrew Wildman - Wildman took over as the primary artist on the Transformers comic book series with issue #56 and worked on the title for several years. He is known for his dynamic and detailed artwork, which helped to bring the Transformers characters to life in the comics

Jim Lee - Lee worked on the G.I. Joe comic book series in the early 1990s and is credited with helping to revitalize the franchise with his distinctive art style. His work on the series is still highly regarded by fans today

These are just a few of the many talented artists who worked on G.I. Joe and Transformers comics during that era. Their contributions helped to make these franchises some of the most beloved in pop culture history

Dennis O’Neil

Dennis O'Neil was a legendary editor for Marvel Comics, and his impact on the G.I. Joe and Transformers franchises was significant. O'Neil was known for his meticulous attention to detail and his commitment to creating quality stories that would resonate with readers. After all, he came up with the name Optimus Prime

In the case of G.I. Joe, O'Neil was instrumental in bringing the franchise to Marvel Comics in the first place. He recognized the potential of the toy line and helped to create a comic book series that would go on to become one of the most successful of the 1980s. O'Neil worked closely with writer Larry Hama to develop the characters and storylines that would become iconic parts of the G.I. Joe mythos

O'Neil's influence on the Transformers franchise was equally significant. He became the editor of the Transformers comic book series in the mid-1980s, and he helped to steer the franchise in a new direction. O'Neil recognized that the Transformers had the potential to be more than just a toy line, and he worked with writer Simon Furman to create a more sophisticated and complex storyline that would appeal to older readers

Under O'Neil's guidance, the Transformers comic book series became darker and more mature, with a greater emphasis on character development and story complexity. O'Neil encouraged Furman to develop more complex story arcs and explore the deeper themes and ideas in the Transformers franchise

Overall, Dennis O'Neil's impact on the G.I. Joe and Transformers franchises cannot be overstated. His commitment to quality storytelling and his willingness to take risks helped establish both franchises as major players in comics and animation. His legacy continues to be felt in these franchises today, and his influence on the world of comics will be remembered for years to come

End Note

The Joes and Robots in Disguise’s Marvel Era in the 80s were successful because of the way that they helped to shape popular culture. The G.I. Joe and Transformers franchises were not just popular with children; they were also popular with adults. The comics and animated series helped to create a sense of nostalgia for a bygone era, and they helped to inspire a new generation of writers, artists, and filmmakers

In conclusion, the Marvel Era of G.I. Joe and Transformers comics and animated series helped to shape popular culture in a way that is still being felt today. The quality of the storytelling, the cross-promotion of the toys, the imaginative world-building, and the impact on popular culture all contributed to the success of the Marvel Era. It is no wonder that these franchises continue to be popular with fans of all ages

GI Joe A Real American Hero Cartoons

Transformers Generation 1 Cartoons

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60 Years to the Marvel Age of Comics

This year Marvel Comics is celebrating 60 years of the Avengers and the Uncanny X-Men. Two superhero teams (not super teams equivalent to DC’s JSA & JLA) that have seen many highs and few lows over the decades. Both transitioned from the pages of comics and onto the TV as well as Silver Screen. Both were created by Stan Lee and Jack Kirby, two names that would start the Marvel Age in the comic book industry with the Fantastic Four in 1961 

A lot has been written, and many documentaries have been produced about this particular era, referred to as the Silver Age. However, what needs to be examined is why we won’t be able to see a repeat of the Marvel Age till the end of time. It wouldn’t be wrong to say that this was Fukuyama’s “End of History” moment that brought superhero content full circle (foundations of which were established by Jerry Seigel and Joe Shuster in 1938) 

Had Stan given up the industry would still be producing content about ideal beings establishing truth, justice, and the American way, or World Peace for that matter. Luckily for every superhero fan out there, he didn’t nor did Jack Kirby (co-creator of Captain America and the man who drew him punching Hitler), Steve Ditko, John Romita, John Buscema, Gene Colan, Don Heck, Marie Severin, Jim Steranko and Larry Leiber (Stan’s brother). They added realism into a genre that was built on idealism 

Lee, Kirby, and Ditko by Alex Ross

The stories of this era have stood the test of time. Aside from old, heavy hardware being seen in the panels; the struggles of flawed humans speak out and connect till today. The Fantastic Four and The Amazing Spider-Man, the Incredible Hulk, the Invincible Iron-Man, Ant-Man, and Wasp are a reflection of our daily struggles be they financial, emotional, and in the case of X-Men, discrimination

The Age saw a new way of depicting heroes artistically. Kirby and Ditko’s art mesmerized the readers and the same happened when they were succeeded by other comic books art legends like John Romita, and Gil Kane to name a few but what many may not know was that it was during these years, Steve Ditko would introduce corner box art, now considered a cult classic, to help differentiate Marvel titles from the competition on the newsstands. DC had started branding its covers with illustrations of superheroes who would be appearing in anthology books but Ditko took it to a whole new level by making it more organized as well as enhancing the look and feel of the cover

The foundation laid by Lee, Kirby, and Ditko ensured that younger talents who would succeed them could produce more of such content without compromising their heroic DNA and still keeping them relevant for today’s readers. It is for this reason that the comic book industry’s most tragic tales involved two of the best creations from the Marvel Age, namely Spider-Man and the X-Men

The Night Gwen Stacy Died, written by Gerry Conway and illustrated by Gil Kane, shattered the rule that a superhero would never lose his/her love interest to death. This happened in 1973 (50 Years ago) and wasn’t done to create shock value for short-term sales boosts. It had to be done because the reality outside of the pages was a city suffering from one of the highest crime rates at the time and how can it be possible that a superhero doesn’t get affected by it. Even today, younger readers feel the same pain as their older peers when they actually read the story and go through the panels instead of looking it up on fandom. The X-Men’s Dark Phoenix Saga could have eclipsed Spider-Man’s tragedy had it not been for a reckless decision by Marvel Editorial to bring back Jean in the mid-80s (a decision even Dark Phoenix Saga author Chris Claremont didn’t agree with). Needless to say, Scott Summers lost Jean Grey, and Parker lost Gwen; this was the new precedent for the industry and a continuation of the Marvel Age which established the fact that superheroes can be fragile human beings for whom great power brings great responsibility along with adversity   

From The Coming of Galactus/Galactus Trilogy to the Death of Aunt May to Secret Invasion, all of these stories found a way to connect deep down with the audiences not just in terms of personalities or social issues but even beliefs as well as trust in one another which reminds us that it was during the 60s that Marvel broke the racial barrier long before any other publisher ever thought of, giving us stories that would be way ahead of their time. Whether it’s about Mutation and Cloning or Kirby’s Madbomb, we are living in a world that is seeing glimpses of such developments, if not in entirety 

Let’s face it, the Marvel Cinematic Universe won’t exist had it not been for the works produced in the 60s. The global popularity of Avengers, Spider-Man, and X-Men (thanks mainly to FOX Studios) shows that without a solid base, a structure or a studio can’t be erected on top of it 

A homage to Joe Simon and Jack Kirby 

All of Marvel’s success goes back to these formative years of 1961-63 in which flawed, struggling individuals would redefine what superheroes were all about in the pages of The Fantastic Four, Spider-Man, Doctor Strange, The Avengers (Iron Man, Thor, Hulk, Ant-Man and Wasp) and X-Men as well as breathe new life into Golden Age characters such as Captain America and Namor. The rest is history! 

‘Nuff said 

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When Avengers and X-Men turned Thirty

If you tell an Avengers fan today that the 90s belonged to the X-Men, it’ll be hard for them to even imagine such a reality ever existed. The mutant super-team which was created by Stan Lee and Jack Kirby in 1963, carried on by Roy Thomas and Neal Adams until its end, revived by Len Wein and Dave Cockrum in 1975, catapulted by Chris Claremont along with John Byrne who gets succeeded by Jim Lee which led to the publishing of the record-breaking comic book: X-Men Vol. 2 no. 1 in 1991   

The Avengers on the other hand started out strong in 1963 with Stan Lee and Jack Kirby at the helm. They would continue their strong run till the 80s thanks to Roy Thomas, John Buscema, Steve Englehart, George Pérez, and Roger Stern, but something happens in the 90s that makes them the 2nd most popular franchise within the House of Ideas when Bob Harras and Steve Epting took over 

If one looks at the Marvel Checklist from the 80s and 90s, we find X-Men from having five ongoing series (The Uncanny X-Men, X-Factor, New Mutants, Wolverine, and Excalibur) to having seven (The Uncanny X-Men, X-Men, X-Factor, X-Force, Wolverine, Cable, and Excalibur) leaving behind Avengers with six ongoing titles (Avengers, Captain America, Thor, Iron Man, West Coast Avengers, She-Hulk and Captain Marvel). A stark difference between the two franchises was that X-Men titles were spin-offs of The Uncanny X-Men ongoing series whereas the Avengers came into existence thanks to characters established prior to the team formation (Iron Man, Ant-Man, and the Wasp, Thor, Hulk, and Captain America) thereby having fewer ongoing spin-offs than X-Men 

It was the year 1993

Under the leadership of Tom DeFalco and Bob Harras, a year-long celebration of both teams was announced with 30th-anniversary special limited series, cross-over events in ongoing titles, poster books, posters, trading cards, and even a Survival Guide to the X-Mansion 

This was the year when (what is now condescendingly referred to as) gimmick covers peaked. This was the year when Magneto’s real name was revealed only to be retracted/changed in X-Men Vol. 2 no. 72. This was the year when Captain America wasn’t leading the Avengers, instead it was Black Knight (Dane Whitman), Hercules was without a beard, the short-lived brown leather jackets were introduced for both teams and lastly, this was the year when both teams would be facing off against Magneto and his Acolytes

Trading Places and the Drama that came with it

Magneto’s son Quicksilver (married to the In-Human Crystal) had joined X-Factor, the Eternal Sersi is an Avenger; and so is Crystal. Captain America, Iron Man, Thor, Black Widow, She-Hulk, Warbird, Captain Marvel (Monica Rambeau), Ant-Man and the Wasp, Scarlet Witch, and Hawkeye (to name a few) take a back seat with some not even seen throughout the anniversary year which was quite disappointing for Avengers fans 

However, for X-Men fans, seeing Magneto return with an enraged Messiah Complex thanks to being betrayed by one of his own disciples; to exact revenge on his long-time friend and rival Charles Xavier for what he and his students had done to him and his fortress of solitude in X-Men Vol. 2 no. 1-3; by breaking one of his students away from him 

Friends becoming mortal Foes, crossing the lines which they had themselves established between them. Disillusionment amongst their followers, raging fanaticism fueled by a cruel past of a leader and his followers. Infidelity, and being forced to help a mortal enemy are some of the themes that were explored by the creators 

Why 1993 remains important? 

Increased digitization and the existence of the Marvel Cinematic Universe have adversely affected Marvel Comics. Making a buck out of selling comics is now harder which in turn has made Marvel introverted, and risk-averse; and as we are now in the 60th year of both teams; there are hardly any plans of celebrating both's history in an impactful as well as meaningful way like it was done three decades ago by Marvel Editorial 

While the 30th Anniversary came without contributions from the very people that had made these teams Super-Fan Favorites; it sure occupies an important place within the hearts and minds of X-Men and Avengers fans to this day 

The Gallery

Crossovers 

Holographic Cards (Fatal Attractions Covers) 

A30 (Pre-Bloodties) 

Spin-Offs and Limited Series

Posters and Poster Books

Other Merchandise

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The Marvel Title that won over Stone’s Platoon

Many would call it another War Comic which was published by Marvel after seeing successes with Sgt. Fury and the Howling Commandoes and G. I. Joe: A Real American Hero 

The difference with this title was that it was deeply rooted in the reality of the Vietnam War because it was written and edited by ‘Nam vets Doug Murray and Larry Hama, respectively. The idea was conceived by the then-Marvel Editor-in-Chief, Jim Shooter. The series would be illustrated by Michael Golden  

A comic that was written by those who were on active duty during the war would pay dividends. It won the Jack Kirby Award in 1987 as the Best New Series. It received praise from Newsweek Editor William Broyles Jr., but the most notable praise came from one of the most notable Vietnam Veterans group: The Bravo Organization who went on to say that the comic book series was the "best media portrayal of the Vietnam War," (beating Oliver Stone’s Platoon) 

It didn’t just stop there. The series went on to include Frank Castle (The Punisher) which would serve as added material to his origin but that wasn’t enough to stop the title’s falling sales in the 90s as the era of war movies and war stories were fading away 

While the 1980s saw Hollywood rolling out realistic movies or just pulp fiction, this comic book title resonated with the community of veterans as it told stories about their real-life experiences, whether against the Vietcong or the war opposition at home. It also served as an educational medium for those who weren’t exposed to the war and/or its experiences 

Sadly in today’s polarized environment and the hijacking of comic book characters by their movie adaptations, not many people talk about Marvel Comics’ achievements when it came to tackling real-life issues. This series belongs with The Amazing Spider-Man no. 96 (drugs) and Iron Man: Demon in a Bottle (depression, alcoholism) 

Buy these books

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It was a Bloody Christmas in New York

An underrated story from the mid-2000s

The Punisher Red Xmas had a stellar team producing a simple, straight forward story for Christmas 

James Palmiotti, Justin Gray and Mark Texeira would team up to produce a Die Hard level of a story in which Frank Castle is getting hunted down by a Sicilian hit-woman named Suspiria, who is hired by the widows of 8 caskets funeral  

No super-villain is involved, not even the Kingpin. It’s just a vengeful Napolitano family going after Frank during the most wonderful time of the year

The story gives us a different style of Mark’s art but more importantly, it gives us something to read during the holidays for the sake of pure anti-hero action

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Billy Graham’s Wakanda

The level of imagination he possessed was unique. Even though he is known as the first African American artist to work on both Jungle Action featuring The Black Panther and Luke Cage: Hero for Hire, his work on the former stands out tremendously 

He would be accompanied by other artists such as Klaus Janson, Bob McLeod but mostly Rich Buckler. Together they were able to produce some of the finest artworks of Wakanda, it’s heroes and villains 

While it’s not possible to account for all of Graham’s contributions, his single panel or splash page art is what dominates the psyche of every Black Panther fan who has read its comics. It is these panels that have inspired famous scene(s) in Marvel Studios productions 

Enjoy the trip down the memory lane 

Thanks to his daughter, we now know that the concept of Black Panther’s bike was envisioned by the late artist in 1992 and was used in 2005 Black Panther series 

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Billy Graham is to Black Panther the way Bill Finger is to Batman 

‘Nuff said 

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Bob Layton’s Hall of Armors

From 1963-Present  Collect Iron Man Armors (Marvel Legends) 

Iron Man - The Bob Layton Collection