delphianactuallydoodling

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The (Re)birth of Venus Falin (2025)

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✨🪽— ARTIST SPOTLIGHT

Not every moment in our adventure is full of action and danger: it's important to appreciate the little moments. @delphianactuallydoodling 's paint-like style will only add to the domestic moments she shares.

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Acrylic painting on vintage playing cards (2025)

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Adorned (2025)

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Beetles (2025) acrylic paint on panel

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Byzantine Howl (2025)

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Lover's eye painting (2023) acrylic paint on panel

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Princes in the tower, Aegon III and Viserys II Targaryen (2025)

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The Gallery Wall pt 2: electric boogaloo The Yap Post

DISCLAIMER: I read this book once and almost a year ago. I tried my very best to refresh my memory through various ways, but really I should just read it again.

I tried to keep everything as book accurate as possible, but if I skipped over stuff then that's probably why. I plan to make more fanart in the future, so I'll keep any corrections in mind for the future.

That being said, I want to get into some of the inspiration and thoughts behind my designs for the Greek class.

A general critique I have for people's designs for all the characters is that they exist in a sort of time period-less void. We know the story is set in the 80's, yet that style is not explored very much. I don't know if this is because people easily associate the 80's with neon colors and other garish aesthetics that feel like a total opposite of the ambiance of this novel. However that's not an accurate portrayal of what a lot of 'normal' people were wearing during that time.

Despite the Greek class being maybe slightly old fashioned in an old money sort of way I don't believe they would totally disregard the trends of the time.

Camilla

Camilla quite suits the 80's. The trend of pastel clothing is in line with Donna's description of the twins wearing mostly white or other light colors.

I'm not necessarily opposed to the Camilla with a bob agenda, but there were more than enough icons in the 80's that were rocking a pixie cut adjacent hairstyles for me to go even shorter. I ended up going with Molly Ringwald for my main source of inspiration hairstyle wise. The curls add to the angelic description.

Longer hair than a bob is out of the question. I find it a kind of weird design choice. Sometimes it comes off to me as if people can only view Camilla as either a tomboy or very femme. I'm a firm believer that short hair is neutral and doesn't necessarily lean toward masculine looking. It's all about styling and Camilla certainly seems to like feminine things.

I imagine her to be slightly boyish looking, because she resembles her brother. I sketched them at the same time to ensure they would resemble each other, not having one particular refence in mind. Ironically I think my earlier versions resemble each other more than my final versions. Charles' design felt lackluster however so I redid it.

Charles

Originally I wanted to give Francis Wham era George Michael hair, but then I read his description again. However Charles is a sort of popular attractive man for the time period, so why would he not have big hair. Thus the transfer was made. This did have as a consequence that in some stages of the process he very heavily resembled princess Diana. I thought that was quite funny.

For Charles I did the opposite of what I did with Camilla. For Camilla I made sure she was pretty in a bit of a boyish way, so for Charles I made sure he didn't turn out too masculine. We don't want Chad Charles.

Francis

Here I'm starting to doubt myself a little bit. A lot of people draw Francis with slightly longer hair, but compared to Camilla he doesn't get any people complaining. I might have missed a passage somewhere, but I also like the idea that my interpretation is just different from others.

When I decided for myself I was going to give him very short hair I knew I had to draw some inspiration from Annie Lennox. She's obviously very fashionable, as is Francis, and known for wearing suits. I had to tweak the design to be more classical and to include a necktie. He feels very maximalist, so on top of his described pince-nez glasses I drew him with an earring and a bunch of brooches.

As for the make-up I know he'd get hate crimed on campus, but it's a fun thing to imagine. Although I left it out of the final design for that reason.

I don't mind Evgeniy Shvarts as a fancast. I think he has similar facial features to what I had imagined.

Henry

Henry is often designed too skinny and/or too conventionally attractive. It's a difficult balance to keep him looking severe and off putting enough, but also broad enough and almost handsome. One thing is for certain that man doesn't give a flying fuck about what currently in style. I haven't been able to figure out if those 'English suits' have a particular cut in that time, but I can't imagine him walking around in an 80's oversized suit with big shoulder pads. However not a tight 70's suit either, so take that as you will.

I'm not too mad at Zane Holtz as a fancast. He's certainly broad enough, but I find him to be too conventionally attractive. However it's a lot better than some others I've seen. I also don't believe him to wear his hair like that. Not a lot of people notice his scar, so that leads me to believe it's at least partially covered by his hair.

I ended up giving him browline glasses, because I thought if I ever did end up drawing Bunny them having different glasses would set them apart more design wise. However after I finished the drawing I saw that passage that says he has the same wire frame glasses that bunny has. I like that the browline glasses make him look even more stern, but if we were to go for accuracy I'd have to change it.

Richard

Richard was the hardest for me to design and honestly I still don't know what I imagine his facial features to be. All I knew was that I wanted him to have a fuck ass haircut. He seems like the sort of dude that hasn't changed his hair in years. The only thing that's changed is that his mom used to cut it and now he does it himself. That's how I landed on a late 70's, Beatle-esque mop that's in a constant state of being slightly too long. He's somehow handsome enough to pull it off though, much to his own confusion I imagine.

He's wearing a sweatshirt that is noticeably less formal than the others. Paired with that tweed jacket he borrowed from Judy Poovey.

General

I'm going to be honest I didn't have a particular idea behind the strip of light besides that the drawing would be too boring without some interesting lighting.

Rapid fire composition choices:

Henry's portrait is greyscale and his frame features a rose to give the whole thing an in memoriam feel

His portrait is bigger and in the top corner to make it feel like he is looming over the rest

Francis' portrait looks more like a painting than a portrait photo to compliment his classic style

The obvious stain where another portrait used to be. His presence can't be completely erased by that and the little frame featuring bunnies still being on the wall

Richard's photo is sun bleached and slightly damaged. Like he either took it with him from home and they never bothered to replace it or the rest of the group just didn't care enough to be gentle with it.

That's also the reason why his is the smallest portrait and is placed in the corner.

The ferns in the bottom corner

Butterfly for transformation corny

If you're still here sorry for yapping so much and THANK YOU for reading. Thank you in general for y'alls nice comments and reblogs. I read all your yapping, I love it. Please let me know your thoughts!

As I said in my last post I want to make more fanart in the future.

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Down by the river (2025)

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Sheep (2025) acrylic on panel

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Gallery wall (2025)

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Salome, Herodias and the head of John the Baptist (wip, 2024) | Judith and the head of Holofernes (wip, 2024)

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Longtail (2025) acrylic paint on panel

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